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durom.1993.140 | 1993.140.a.23.jpg | data/raw/images/oriental/1993 | Illustrated textbook "Hundred Family Surnames", for primary school. The book has 12 pages, each page is divded into two sections: the upper panel is an illustration with three historic figures who had the family surnames which are included in the textbook, the lower panel is a list of Chinese family surnames. By each of the figures there is an inscription of the identity and name of the figure. By each of the family surnames there is an inscription of the pitch of the pronounciation, and the place where the surname orginates. The book is bound in traditional binding which is already loose. The edge of each page of the main content has a side column which is printed with title of the textbook and number of the each lesson._x000D__x000D_
_x000D__x000D_
Figures on page 1 (right to left): Zhao Kuangyin (赵匡胤, 927-976CE), first Emperor of the Song dynasty; Zhu Maichen (朱买臣, ?-115 BCE), a politician of the Han dynasty; Conficius (孔子, 551-479 BCE)._x000D__x000D_
_x000D__x000D_
Figures on page 2 (right to left): Lu Zhonglian (鲁仲连, ca 305-245 BCE), Politician of the Warring States period; He Zhizhang (贺知章, 659-744), poet and courtier of the Tang dynasty; Wu Yuan (伍员, commonly known as Wu Zixu/伍子胥, ?-484 BCE), politician of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 3 (right to left): Mi Fu (米芾， 1057-1117), Song dynasty artist and calligrapher; Du Yannian (杜延年, ?-52 BCE), courtier of the Han dynasty; Yu Xu (虞诩, ?), military official of the Eastern Han dynasty (23-220)._x000D__x000D_
_x000D__x000D_
Figures on page 4 (right to left): Gao Chai (高柴, 521-? BCE), student of the Confucius. Ding Gong (丁公, ?-202 BCE), general of the Qin-Han dynasty period. Bao Wenzheng (包文正, commonly known as Bao Zheng/包拯, 999-1062), politician of the Song dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 5 (right to left): Cheng Ying (程婴, ?- ca.583 BCE), righteous of the Spring and Autumn period. Ji 'An (汲黯, ?-112 BCE), courtier of the Han dynasty. Qiu Hu (秋湖, or 秋胡, ?), person of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 6 (right to left): Suo Jing (索靖, or Suo Qing/索清 as on the book, 239-303), courtier and calligrapher. Zhuo Mao (卓茂, ?) courtier of the Han-Xin dynasty period. Chi Zhongyu (池仲鱼,?), person in a legend of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 7 (right to left): Wen Zhong (问仲, ?), courtier of the Shang dynasty (1600-1050 BCE). Ran You (冉有, 522-489 BCE), student of the Confucius. Chai Wu (柴武, ?-163 BCE), military official of the Han dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 8 (right to left): Xiang Tui (向魋, ?), courtier of the Spring and Autumn period. Shi Kuang (师旷, 527-532 BCE), musician of the Spring and Autumn period. Jian Yong (简雍, ?), coutier of the Three Kingdoms period._x000D__x000D_
_x000D__x000D_
Figures on page 9 (right to left): Zeng Can (曾参, 505-435 BCE), student of the Confucius. Guan Yu (关羽, 160/162-219), general of the Three Kingdoms period. Huan Rong (桓荣, ?), courtier of the Eastern Han dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 10 (right to left): Gongzhi Chang (公治长, 519-470 BCE), student and son-in-law of the Confucius. Zhangsun Wuji (长孙无忌, ca 597-659 CE). Qiguan shi (亓官氏, ?-485BCE), wife of the Confucius._x000D__x000D_
_x000D__x000D_
Figures on page 11(right to left): Duanmu Ci (端木赐, commonly known as Zigong/子贡, 520-456 CE), student of the Confucius. Qidiao Kai (漆雕开, 540-? BCE), student of the Confucius. Jiagu Zilin (夹谷子林, ?), student of the Confucius._x000D__x000D_
_x000D__x000D_
Figures on page 12 (right to left): Yue Fei (岳飞,1103-42), famous general of the Song dynasty. Ximen Bao (西门豹, ?),politician of the Warring States period. Shang Yang (商鞅, ca. 395-338 BCE), politician of the Warring States period. | 223books
| 锦章图书馆藏板绘图百家姓 | paper | null | China | data/processed/OM_images_white/oriental/1993 |
|
durom.1993.140 | 1993.140.a.23.jpg | data/raw/images/oriental/1993 | Illustrated textbook "Hundred Family Surnames", for primary school. The book has 12 pages, each page is divded into two sections: the upper panel is an illustration with three historic figures who had the family surnames which are included in the textbook, the lower panel is a list of Chinese family surnames. By each of the figures there is an inscription of the identity and name of the figure. By each of the family surnames there is an inscription of the pitch of the pronounciation, and the place where the surname orginates. The book is bound in traditional binding which is already loose. The edge of each page of the main content has a side column which is printed with title of the textbook and number of the each lesson._x000D__x000D_
_x000D__x000D_
Figures on page 1 (right to left): Zhao Kuangyin (赵匡胤, 927-976CE), first Emperor of the Song dynasty; Zhu Maichen (朱买臣, ?-115 BCE), a politician of the Han dynasty; Conficius (孔子, 551-479 BCE)._x000D__x000D_
_x000D__x000D_
Figures on page 2 (right to left): Lu Zhonglian (鲁仲连, ca 305-245 BCE), Politician of the Warring States period; He Zhizhang (贺知章, 659-744), poet and courtier of the Tang dynasty; Wu Yuan (伍员, commonly known as Wu Zixu/伍子胥, ?-484 BCE), politician of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 3 (right to left): Mi Fu (米芾， 1057-1117), Song dynasty artist and calligrapher; Du Yannian (杜延年, ?-52 BCE), courtier of the Han dynasty; Yu Xu (虞诩, ?), military official of the Eastern Han dynasty (23-220)._x000D__x000D_
_x000D__x000D_
Figures on page 4 (right to left): Gao Chai (高柴, 521-? BCE), student of the Confucius. Ding Gong (丁公, ?-202 BCE), general of the Qin-Han dynasty period. Bao Wenzheng (包文正, commonly known as Bao Zheng/包拯, 999-1062), politician of the Song dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 5 (right to left): Cheng Ying (程婴, ?- ca.583 BCE), righteous of the Spring and Autumn period. Ji 'An (汲黯, ?-112 BCE), courtier of the Han dynasty. Qiu Hu (秋湖, or 秋胡, ?), person of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 6 (right to left): Suo Jing (索靖, or Suo Qing/索清 as on the book, 239-303), courtier and calligrapher. Zhuo Mao (卓茂, ?) courtier of the Han-Xin dynasty period. Chi Zhongyu (池仲鱼,?), person in a legend of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 7 (right to left): Wen Zhong (问仲, ?), courtier of the Shang dynasty (1600-1050 BCE). Ran You (冉有, 522-489 BCE), student of the Confucius. Chai Wu (柴武, ?-163 BCE), military official of the Han dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 8 (right to left): Xiang Tui (向魋, ?), courtier of the Spring and Autumn period. Shi Kuang (师旷, 527-532 BCE), musician of the Spring and Autumn period. Jian Yong (简雍, ?), coutier of the Three Kingdoms period._x000D__x000D_
_x000D__x000D_
Figures on page 9 (right to left): Zeng Can (曾参, 505-435 BCE), student of the Confucius. Guan Yu (关羽, 160/162-219), general of the Three Kingdoms period. Huan Rong (桓荣, ?), courtier of the Eastern Han dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 10 (right to left): Gongzhi Chang (公治长, 519-470 BCE), student and son-in-law of the Confucius. Zhangsun Wuji (长孙无忌, ca 597-659 CE). Qiguan shi (亓官氏, ?-485BCE), wife of the Confucius._x000D__x000D_
_x000D__x000D_
Figures on page 11(right to left): Duanmu Ci (端木赐, commonly known as Zigong/子贡, 520-456 CE), student of the Confucius. Qidiao Kai (漆雕开, 540-? BCE), student of the Confucius. Jiagu Zilin (夹谷子林, ?), student of the Confucius._x000D__x000D_
_x000D__x000D_
Figures on page 12 (right to left): Yue Fei (岳飞,1103-42), famous general of the Song dynasty. Ximen Bao (西门豹, ?),politician of the Warring States period. Shang Yang (商鞅, ca. 395-338 BCE), politician of the Warring States period. | 223books
| 锦章图书馆藏板绘图百家姓 | paper | null | China | data/processed/OM_images_white/oriental/1993 |
|
durom.1993.140 | 1993.140.a.23.jpg | data/raw/images/oriental/1993 | Illustrated textbook "Hundred Family Surnames", for primary school. The book has 12 pages, each page is divded into two sections: the upper panel is an illustration with three historic figures who had the family surnames which are included in the textbook, the lower panel is a list of Chinese family surnames. By each of the figures there is an inscription of the identity and name of the figure. By each of the family surnames there is an inscription of the pitch of the pronounciation, and the place where the surname orginates. The book is bound in traditional binding which is already loose. The edge of each page of the main content has a side column which is printed with title of the textbook and number of the each lesson._x000D__x000D_
_x000D__x000D_
Figures on page 1 (right to left): Zhao Kuangyin (赵匡胤, 927-976CE), first Emperor of the Song dynasty; Zhu Maichen (朱买臣, ?-115 BCE), a politician of the Han dynasty; Conficius (孔子, 551-479 BCE)._x000D__x000D_
_x000D__x000D_
Figures on page 2 (right to left): Lu Zhonglian (鲁仲连, ca 305-245 BCE), Politician of the Warring States period; He Zhizhang (贺知章, 659-744), poet and courtier of the Tang dynasty; Wu Yuan (伍员, commonly known as Wu Zixu/伍子胥, ?-484 BCE), politician of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 3 (right to left): Mi Fu (米芾， 1057-1117), Song dynasty artist and calligrapher; Du Yannian (杜延年, ?-52 BCE), courtier of the Han dynasty; Yu Xu (虞诩, ?), military official of the Eastern Han dynasty (23-220)._x000D__x000D_
_x000D__x000D_
Figures on page 4 (right to left): Gao Chai (高柴, 521-? BCE), student of the Confucius. Ding Gong (丁公, ?-202 BCE), general of the Qin-Han dynasty period. Bao Wenzheng (包文正, commonly known as Bao Zheng/包拯, 999-1062), politician of the Song dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 5 (right to left): Cheng Ying (程婴, ?- ca.583 BCE), righteous of the Spring and Autumn period. Ji 'An (汲黯, ?-112 BCE), courtier of the Han dynasty. Qiu Hu (秋湖, or 秋胡, ?), person of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 6 (right to left): Suo Jing (索靖, or Suo Qing/索清 as on the book, 239-303), courtier and calligrapher. Zhuo Mao (卓茂, ?) courtier of the Han-Xin dynasty period. Chi Zhongyu (池仲鱼,?), person in a legend of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 7 (right to left): Wen Zhong (问仲, ?), courtier of the Shang dynasty (1600-1050 BCE). Ran You (冉有, 522-489 BCE), student of the Confucius. Chai Wu (柴武, ?-163 BCE), military official of the Han dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 8 (right to left): Xiang Tui (向魋, ?), courtier of the Spring and Autumn period. Shi Kuang (师旷, 527-532 BCE), musician of the Spring and Autumn period. Jian Yong (简雍, ?), coutier of the Three Kingdoms period._x000D__x000D_
_x000D__x000D_
Figures on page 9 (right to left): Zeng Can (曾参, 505-435 BCE), student of the Confucius. Guan Yu (关羽, 160/162-219), general of the Three Kingdoms period. Huan Rong (桓荣, ?), courtier of the Eastern Han dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 10 (right to left): Gongzhi Chang (公治长, 519-470 BCE), student and son-in-law of the Confucius. Zhangsun Wuji (长孙无忌, ca 597-659 CE). Qiguan shi (亓官氏, ?-485BCE), wife of the Confucius._x000D__x000D_
_x000D__x000D_
Figures on page 11(right to left): Duanmu Ci (端木赐, commonly known as Zigong/子贡, 520-456 CE), student of the Confucius. Qidiao Kai (漆雕开, 540-? BCE), student of the Confucius. Jiagu Zilin (夹谷子林, ?), student of the Confucius._x000D__x000D_
_x000D__x000D_
Figures on page 12 (right to left): Yue Fei (岳飞,1103-42), famous general of the Song dynasty. Ximen Bao (西门豹, ?),politician of the Warring States period. Shang Yang (商鞅, ca. 395-338 BCE), politician of the Warring States period. | 223books
| 锦章图书馆藏板绘图百家姓 | paper | null | China | data/processed/OM_images_white/oriental/1993 |
|
durom.1993.140 | 1993.140.a.23.jpg | data/raw/images/oriental/1993 | Illustrated textbook "Hundred Family Surnames", for primary school. The book has 12 pages, each page is divded into two sections: the upper panel is an illustration with three historic figures who had the family surnames which are included in the textbook, the lower panel is a list of Chinese family surnames. By each of the figures there is an inscription of the identity and name of the figure. By each of the family surnames there is an inscription of the pitch of the pronounciation, and the place where the surname orginates. The book is bound in traditional binding which is already loose. The edge of each page of the main content has a side column which is printed with title of the textbook and number of the each lesson._x000D__x000D_
_x000D__x000D_
Figures on page 1 (right to left): Zhao Kuangyin (赵匡胤, 927-976CE), first Emperor of the Song dynasty; Zhu Maichen (朱买臣, ?-115 BCE), a politician of the Han dynasty; Conficius (孔子, 551-479 BCE)._x000D__x000D_
_x000D__x000D_
Figures on page 2 (right to left): Lu Zhonglian (鲁仲连, ca 305-245 BCE), Politician of the Warring States period; He Zhizhang (贺知章, 659-744), poet and courtier of the Tang dynasty; Wu Yuan (伍员, commonly known as Wu Zixu/伍子胥, ?-484 BCE), politician of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 3 (right to left): Mi Fu (米芾， 1057-1117), Song dynasty artist and calligrapher; Du Yannian (杜延年, ?-52 BCE), courtier of the Han dynasty; Yu Xu (虞诩, ?), military official of the Eastern Han dynasty (23-220)._x000D__x000D_
_x000D__x000D_
Figures on page 4 (right to left): Gao Chai (高柴, 521-? BCE), student of the Confucius. Ding Gong (丁公, ?-202 BCE), general of the Qin-Han dynasty period. Bao Wenzheng (包文正, commonly known as Bao Zheng/包拯, 999-1062), politician of the Song dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 5 (right to left): Cheng Ying (程婴, ?- ca.583 BCE), righteous of the Spring and Autumn period. Ji 'An (汲黯, ?-112 BCE), courtier of the Han dynasty. Qiu Hu (秋湖, or 秋胡, ?), person of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 6 (right to left): Suo Jing (索靖, or Suo Qing/索清 as on the book, 239-303), courtier and calligrapher. Zhuo Mao (卓茂, ?) courtier of the Han-Xin dynasty period. Chi Zhongyu (池仲鱼,?), person in a legend of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 7 (right to left): Wen Zhong (问仲, ?), courtier of the Shang dynasty (1600-1050 BCE). Ran You (冉有, 522-489 BCE), student of the Confucius. Chai Wu (柴武, ?-163 BCE), military official of the Han dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 8 (right to left): Xiang Tui (向魋, ?), courtier of the Spring and Autumn period. Shi Kuang (师旷, 527-532 BCE), musician of the Spring and Autumn period. Jian Yong (简雍, ?), coutier of the Three Kingdoms period._x000D__x000D_
_x000D__x000D_
Figures on page 9 (right to left): Zeng Can (曾参, 505-435 BCE), student of the Confucius. Guan Yu (关羽, 160/162-219), general of the Three Kingdoms period. Huan Rong (桓荣, ?), courtier of the Eastern Han dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 10 (right to left): Gongzhi Chang (公治长, 519-470 BCE), student and son-in-law of the Confucius. Zhangsun Wuji (长孙无忌, ca 597-659 CE). Qiguan shi (亓官氏, ?-485BCE), wife of the Confucius._x000D__x000D_
_x000D__x000D_
Figures on page 11(right to left): Duanmu Ci (端木赐, commonly known as Zigong/子贡, 520-456 CE), student of the Confucius. Qidiao Kai (漆雕开, 540-? BCE), student of the Confucius. Jiagu Zilin (夹谷子林, ?), student of the Confucius._x000D__x000D_
_x000D__x000D_
Figures on page 12 (right to left): Yue Fei (岳飞,1103-42), famous general of the Song dynasty. Ximen Bao (西门豹, ?),politician of the Warring States period. Shang Yang (商鞅, ca. 395-338 BCE), politician of the Warring States period. | 223books
| 锦章图书馆藏板绘图百家姓 | paper | null | China | data/processed/OM_images_white/oriental/1993 |
|
durom.1993.140 | 1993.140.a.23.jpg | data/raw/images/oriental/1993 | Illustrated textbook "Hundred Family Surnames", for primary school. The book has 12 pages, each page is divded into two sections: the upper panel is an illustration with three historic figures who had the family surnames which are included in the textbook, the lower panel is a list of Chinese family surnames. By each of the figures there is an inscription of the identity and name of the figure. By each of the family surnames there is an inscription of the pitch of the pronounciation, and the place where the surname orginates. The book is bound in traditional binding which is already loose. The edge of each page of the main content has a side column which is printed with title of the textbook and number of the each lesson._x000D__x000D_
_x000D__x000D_
Figures on page 1 (right to left): Zhao Kuangyin (赵匡胤, 927-976CE), first Emperor of the Song dynasty; Zhu Maichen (朱买臣, ?-115 BCE), a politician of the Han dynasty; Conficius (孔子, 551-479 BCE)._x000D__x000D_
_x000D__x000D_
Figures on page 2 (right to left): Lu Zhonglian (鲁仲连, ca 305-245 BCE), Politician of the Warring States period; He Zhizhang (贺知章, 659-744), poet and courtier of the Tang dynasty; Wu Yuan (伍员, commonly known as Wu Zixu/伍子胥, ?-484 BCE), politician of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 3 (right to left): Mi Fu (米芾， 1057-1117), Song dynasty artist and calligrapher; Du Yannian (杜延年, ?-52 BCE), courtier of the Han dynasty; Yu Xu (虞诩, ?), military official of the Eastern Han dynasty (23-220)._x000D__x000D_
_x000D__x000D_
Figures on page 4 (right to left): Gao Chai (高柴, 521-? BCE), student of the Confucius. Ding Gong (丁公, ?-202 BCE), general of the Qin-Han dynasty period. Bao Wenzheng (包文正, commonly known as Bao Zheng/包拯, 999-1062), politician of the Song dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 5 (right to left): Cheng Ying (程婴, ?- ca.583 BCE), righteous of the Spring and Autumn period. Ji 'An (汲黯, ?-112 BCE), courtier of the Han dynasty. Qiu Hu (秋湖, or 秋胡, ?), person of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 6 (right to left): Suo Jing (索靖, or Suo Qing/索清 as on the book, 239-303), courtier and calligrapher. Zhuo Mao (卓茂, ?) courtier of the Han-Xin dynasty period. Chi Zhongyu (池仲鱼,?), person in a legend of the Spring and Autumn period._x000D__x000D_
_x000D__x000D_
Figures on page 7 (right to left): Wen Zhong (问仲, ?), courtier of the Shang dynasty (1600-1050 BCE). Ran You (冉有, 522-489 BCE), student of the Confucius. Chai Wu (柴武, ?-163 BCE), military official of the Han dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 8 (right to left): Xiang Tui (向魋, ?), courtier of the Spring and Autumn period. Shi Kuang (师旷, 527-532 BCE), musician of the Spring and Autumn period. Jian Yong (简雍, ?), coutier of the Three Kingdoms period._x000D__x000D_
_x000D__x000D_
Figures on page 9 (right to left): Zeng Can (曾参, 505-435 BCE), student of the Confucius. Guan Yu (关羽, 160/162-219), general of the Three Kingdoms period. Huan Rong (桓荣, ?), courtier of the Eastern Han dynasty._x000D__x000D_
_x000D__x000D_
Figures on page 10 (right to left): Gongzhi Chang (公治长, 519-470 BCE), student and son-in-law of the Confucius. Zhangsun Wuji (长孙无忌, ca 597-659 CE). Qiguan shi (亓官氏, ?-485BCE), wife of the Confucius._x000D__x000D_
_x000D__x000D_
Figures on page 11(right to left): Duanmu Ci (端木赐, commonly known as Zigong/子贡, 520-456 CE), student of the Confucius. Qidiao Kai (漆雕开, 540-? BCE), student of the Confucius. Jiagu Zilin (夹谷子林, ?), student of the Confucius._x000D__x000D_
_x000D__x000D_
Figures on page 12 (right to left): Yue Fei (岳飞,1103-42), famous general of the Song dynasty. Ximen Bao (西门豹, ?),politician of the Warring States period. Shang Yang (商鞅, ca. 395-338 BCE), politician of the Warring States period. | 223books
| 锦章图书馆藏板绘图百家姓 | paper | null | China | data/processed/OM_images_white/oriental/1993 |
|
durom.2017.87 | 2017.87.1ff.jpg | data/raw/images/castle/2017 | Brown rhinoceros libation cup in oval shape, gnarled with a plum blossom spray to the interior, with relief inscriptions both on the outside and at the bottom. The inscription at the bottom is ‘戊子寒日制’ which gives the production date. The inscription on the outside is ‘仙子晴开石上酌, 玉楼香暖画中春’. _x000D__x000D_
_x000D__x000D_
Rhinoceros horns were considered as precious natural medicinal materials in ancient china, they have efficacies such as clearing heat and removing toxicity from human body, so they were widely used by the imperial or upper class as libation cups. Also, the elements inside the rhinoceros horn will have a chemical reaction when poisonous wine is poured into it, a good way to prevent poisoning in the ancient Chinese bureaucratic culture. | 280cups
| 犀角雕梅花杯 | Rhinoceros Horn | null | China | data/processed/OM_images_white/castle/2017 |
|
durom.2017.87 | 2017.87.1ff.jpg | data/raw/images/castle/2017 | Brown rhinoceros libation cup in oval shape, gnarled with a plum blossom spray to the interior, with relief inscriptions both on the outside and at the bottom. The inscription at the bottom is ‘戊子寒日制’ which gives the production date. The inscription on the outside is ‘仙子晴开石上酌, 玉楼香暖画中春’. _x000D__x000D_
_x000D__x000D_
Rhinoceros horns were considered as precious natural medicinal materials in ancient china, they have efficacies such as clearing heat and removing toxicity from human body, so they were widely used by the imperial or upper class as libation cups. Also, the elements inside the rhinoceros horn will have a chemical reaction when poisonous wine is poured into it, a good way to prevent poisoning in the ancient Chinese bureaucratic culture. | 280cups
| 犀角雕梅花杯 | Rhinoceros Horn | null | China | data/processed/OM_images_white/castle/2017 |
|
durom.2017.87 | 2017.87.1ff.jpg | data/raw/images/castle/2017 | Brown rhinoceros libation cup in oval shape, gnarled with a plum blossom spray to the interior, with relief inscriptions both on the outside and at the bottom. The inscription at the bottom is ‘戊子寒日制’ which gives the production date. The inscription on the outside is ‘仙子晴开石上酌, 玉楼香暖画中春’. _x000D__x000D_
_x000D__x000D_
Rhinoceros horns were considered as precious natural medicinal materials in ancient china, they have efficacies such as clearing heat and removing toxicity from human body, so they were widely used by the imperial or upper class as libation cups. Also, the elements inside the rhinoceros horn will have a chemical reaction when poisonous wine is poured into it, a good way to prevent poisoning in the ancient Chinese bureaucratic culture. | 280cups
| 犀角雕梅花杯 | Rhinoceros Horn | null | China | data/processed/OM_images_white/castle/2017 |
|
durom.2017.87 | 2017.87.1ff.jpg | data/raw/images/castle/2017 | Brown rhinoceros libation cup in oval shape, gnarled with a plum blossom spray to the interior, with relief inscriptions both on the outside and at the bottom. The inscription at the bottom is ‘戊子寒日制’ which gives the production date. The inscription on the outside is ‘仙子晴开石上酌, 玉楼香暖画中春’. _x000D__x000D_
_x000D__x000D_
Rhinoceros horns were considered as precious natural medicinal materials in ancient china, they have efficacies such as clearing heat and removing toxicity from human body, so they were widely used by the imperial or upper class as libation cups. Also, the elements inside the rhinoceros horn will have a chemical reaction when poisonous wine is poured into it, a good way to prevent poisoning in the ancient Chinese bureaucratic culture. | 280cups
| 犀角雕梅花杯 | Rhinoceros Horn | null | China | data/processed/OM_images_white/castle/2017 |
|
durom.2017.87 | 2017.87.1ff.jpg | data/raw/images/castle/2017 | Brown rhinoceros libation cup in oval shape, gnarled with a plum blossom spray to the interior, with relief inscriptions both on the outside and at the bottom. The inscription at the bottom is ‘戊子寒日制’ which gives the production date. The inscription on the outside is ‘仙子晴开石上酌, 玉楼香暖画中春’. _x000D__x000D_
_x000D__x000D_
Rhinoceros horns were considered as precious natural medicinal materials in ancient china, they have efficacies such as clearing heat and removing toxicity from human body, so they were widely used by the imperial or upper class as libation cups. Also, the elements inside the rhinoceros horn will have a chemical reaction when poisonous wine is poured into it, a good way to prevent poisoning in the ancient Chinese bureaucratic culture. | 280cups
| 犀角雕梅花杯 | Rhinoceros Horn | null | China | data/processed/OM_images_white/castle/2017 |
|
durom.1960.3458 | 1960.3458-d1.jpg | data/raw/images/oriental/1960 | Snuff bottle made with yellow nephrite jade, decorated with sculpted 12 zodiac animals, stopper and spoon missing. The snuff bottle is in a flattened shape. One side, snake, tiger, dragon, ox, rabbit and mouse; the other, horse, monkey, chicken, pig, dog and goat. The jade is brownish yellow over all, with pale olive-yellow on one side. | 493snuff bottles
| 黄玉雕十二生肖鼻烟壶 | jade | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.3458 | 1960.3458-d1.jpg | data/raw/images/oriental/1960 | Snuff bottle made with yellow nephrite jade, decorated with sculpted 12 zodiac animals, stopper and spoon missing. The snuff bottle is in a flattened shape. One side, snake, tiger, dragon, ox, rabbit and mouse; the other, horse, monkey, chicken, pig, dog and goat. The jade is brownish yellow over all, with pale olive-yellow on one side. | 493snuff bottles
| 黄玉雕十二生肖鼻烟壶 | jade | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.3458 | 1960.3458-d1.jpg | data/raw/images/oriental/1960 | Snuff bottle made with yellow nephrite jade, decorated with sculpted 12 zodiac animals, stopper and spoon missing. The snuff bottle is in a flattened shape. One side, snake, tiger, dragon, ox, rabbit and mouse; the other, horse, monkey, chicken, pig, dog and goat. The jade is brownish yellow over all, with pale olive-yellow on one side. | 493snuff bottles
| 黄玉雕十二生肖鼻烟壶 | jade | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.3458 | 1960.3458-d1.jpg | data/raw/images/oriental/1960 | Snuff bottle made with yellow nephrite jade, decorated with sculpted 12 zodiac animals, stopper and spoon missing. The snuff bottle is in a flattened shape. One side, snake, tiger, dragon, ox, rabbit and mouse; the other, horse, monkey, chicken, pig, dog and goat. The jade is brownish yellow over all, with pale olive-yellow on one side. | 493snuff bottles
| 黄玉雕十二生肖鼻烟壶 | jade | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.3458 | 1960.3458-d1.jpg | data/raw/images/oriental/1960 | Snuff bottle made with yellow nephrite jade, decorated with sculpted 12 zodiac animals, stopper and spoon missing. The snuff bottle is in a flattened shape. One side, snake, tiger, dragon, ox, rabbit and mouse; the other, horse, monkey, chicken, pig, dog and goat. The jade is brownish yellow over all, with pale olive-yellow on one side. | 493snuff bottles
| 黄玉雕十二生肖鼻烟壶 | jade | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1986.d64 | durom.1986.d64-x1.jpg | data/raw/images/oriental/1986 | Double-edged, steel, slightly curved, possibly Europoean blade. Pistol hilt, possibly in shape of stylized animal, probably made of horn with silver plates attached, and 2 inset reddish stones. Inset in silver mount, scroll design at base of handle. Sheath of wood covered in olive-brown velvet, silver point and top of silver. | 370knives
| null | steel | null | Iran | data/processed/OM_images_white/oriental/1986 |
|
durom.1986.d64 | durom.1986.d64-x1.jpg | data/raw/images/oriental/1986 | Double-edged, steel, slightly curved, possibly Europoean blade. Pistol hilt, possibly in shape of stylized animal, probably made of horn with silver plates attached, and 2 inset reddish stones. Inset in silver mount, scroll design at base of handle. Sheath of wood covered in olive-brown velvet, silver point and top of silver. | 370knives
| null | steel | null | Iran | data/processed/OM_images_white/oriental/1986 |
|
durom.1986.d64 | durom.1986.d64-x1.jpg | data/raw/images/oriental/1986 | Double-edged, steel, slightly curved, possibly Europoean blade. Pistol hilt, possibly in shape of stylized animal, probably made of horn with silver plates attached, and 2 inset reddish stones. Inset in silver mount, scroll design at base of handle. Sheath of wood covered in olive-brown velvet, silver point and top of silver. | 370knives
| null | steel | null | Iran | data/processed/OM_images_white/oriental/1986 |
|
durom.1986.d64 | durom.1986.d64-x1.jpg | data/raw/images/oriental/1986 | Double-edged, steel, slightly curved, possibly Europoean blade. Pistol hilt, possibly in shape of stylized animal, probably made of horn with silver plates attached, and 2 inset reddish stones. Inset in silver mount, scroll design at base of handle. Sheath of wood covered in olive-brown velvet, silver point and top of silver. | 370knives
| null | steel | null | Iran | data/processed/OM_images_white/oriental/1986 |
|
durom.1986.d64 | durom.1986.d64-x1.jpg | data/raw/images/oriental/1986 | Double-edged, steel, slightly curved, possibly Europoean blade. Pistol hilt, possibly in shape of stylized animal, probably made of horn with silver plates attached, and 2 inset reddish stones. Inset in silver mount, scroll design at base of handle. Sheath of wood covered in olive-brown velvet, silver point and top of silver. | 370knives
| null | steel | null | Iran | data/processed/OM_images_white/oriental/1986 |
|
durom.2013.126 | 2013.126.5-ll.jpg | data/raw/images/oriental/2013 | Set of five thinly potted white porcelain bowls, the bowls have straight sides and each one decreases in size. The bowls are wheel thrown and become thinner to the rim of the bowls, this creates a cloud-like pattern with areas of varying translucency. Near the rim of each bowl is a small carved out dot which is a thinner area of porcelain than the surrounding material. There is an identical impressed inscription on the base of all five bowls, possibly the artist's signature._x000D__x000D_
_x000D__x000D_
DUROM.2013.126.1 The largest of the five bowls_x000D__x000D_
DUROM.2013.126.2 The second largest of the five bowls_x000D__x000D_
DUROM.2013.126.3 The third largest of the five bowls_x000D__x000D_
DUROM.2013.126.4 The fourth largest of the five bowls_x000D__x000D_
DUROM.2013.126.5 The smallest of the five bowls. | 225bowls
| null | porcelain | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.126 | 2013.126.5-ll.jpg | data/raw/images/oriental/2013 | Set of five thinly potted white porcelain bowls, the bowls have straight sides and each one decreases in size. The bowls are wheel thrown and become thinner to the rim of the bowls, this creates a cloud-like pattern with areas of varying translucency. Near the rim of each bowl is a small carved out dot which is a thinner area of porcelain than the surrounding material. There is an identical impressed inscription on the base of all five bowls, possibly the artist's signature._x000D__x000D_
_x000D__x000D_
DUROM.2013.126.1 The largest of the five bowls_x000D__x000D_
DUROM.2013.126.2 The second largest of the five bowls_x000D__x000D_
DUROM.2013.126.3 The third largest of the five bowls_x000D__x000D_
DUROM.2013.126.4 The fourth largest of the five bowls_x000D__x000D_
DUROM.2013.126.5 The smallest of the five bowls. | 225bowls
| null | porcelain | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.126 | 2013.126.5-ll.jpg | data/raw/images/oriental/2013 | Set of five thinly potted white porcelain bowls, the bowls have straight sides and each one decreases in size. The bowls are wheel thrown and become thinner to the rim of the bowls, this creates a cloud-like pattern with areas of varying translucency. Near the rim of each bowl is a small carved out dot which is a thinner area of porcelain than the surrounding material. There is an identical impressed inscription on the base of all five bowls, possibly the artist's signature._x000D__x000D_
_x000D__x000D_
DUROM.2013.126.1 The largest of the five bowls_x000D__x000D_
DUROM.2013.126.2 The second largest of the five bowls_x000D__x000D_
DUROM.2013.126.3 The third largest of the five bowls_x000D__x000D_
DUROM.2013.126.4 The fourth largest of the five bowls_x000D__x000D_
DUROM.2013.126.5 The smallest of the five bowls. | 225bowls
| null | porcelain | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.126 | 2013.126.5-ll.jpg | data/raw/images/oriental/2013 | Set of five thinly potted white porcelain bowls, the bowls have straight sides and each one decreases in size. The bowls are wheel thrown and become thinner to the rim of the bowls, this creates a cloud-like pattern with areas of varying translucency. Near the rim of each bowl is a small carved out dot which is a thinner area of porcelain than the surrounding material. There is an identical impressed inscription on the base of all five bowls, possibly the artist's signature._x000D__x000D_
_x000D__x000D_
DUROM.2013.126.1 The largest of the five bowls_x000D__x000D_
DUROM.2013.126.2 The second largest of the five bowls_x000D__x000D_
DUROM.2013.126.3 The third largest of the five bowls_x000D__x000D_
DUROM.2013.126.4 The fourth largest of the five bowls_x000D__x000D_
DUROM.2013.126.5 The smallest of the five bowls. | 225bowls
| null | porcelain | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.126 | 2013.126.5-ll.jpg | data/raw/images/oriental/2013 | Set of five thinly potted white porcelain bowls, the bowls have straight sides and each one decreases in size. The bowls are wheel thrown and become thinner to the rim of the bowls, this creates a cloud-like pattern with areas of varying translucency. Near the rim of each bowl is a small carved out dot which is a thinner area of porcelain than the surrounding material. There is an identical impressed inscription on the base of all five bowls, possibly the artist's signature._x000D__x000D_
_x000D__x000D_
DUROM.2013.126.1 The largest of the five bowls_x000D__x000D_
DUROM.2013.126.2 The second largest of the five bowls_x000D__x000D_
DUROM.2013.126.3 The third largest of the five bowls_x000D__x000D_
DUROM.2013.126.4 The fourth largest of the five bowls_x000D__x000D_
DUROM.2013.126.5 The smallest of the five bowls. | 225bowls
| null | porcelain | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.1967.28 | 1967.28.l.jpg | data/raw/images/oriental/1967 | Hand painted, illustrated book containing tables of numbers, geometric figures, black and red writing, Devanagari script and multi-coloured paintings with gold leaf. It has a scalloped wrap around cover which fits into a cut away front. | 223books
| null | paper | null | Jaipur District | data/processed/OM_images_white/oriental/1967 |
|
durom.1967.28 | 1967.28.l.jpg | data/raw/images/oriental/1967 | Hand painted, illustrated book containing tables of numbers, geometric figures, black and red writing, Devanagari script and multi-coloured paintings with gold leaf. It has a scalloped wrap around cover which fits into a cut away front. | 223books
| null | paper | null | Jaipur District | data/processed/OM_images_white/oriental/1967 |
|
durom.1967.28 | 1967.28.l.jpg | data/raw/images/oriental/1967 | Hand painted, illustrated book containing tables of numbers, geometric figures, black and red writing, Devanagari script and multi-coloured paintings with gold leaf. It has a scalloped wrap around cover which fits into a cut away front. | 223books
| null | paper | null | Jaipur District | data/processed/OM_images_white/oriental/1967 |
|
durom.1967.28 | 1967.28.l.jpg | data/raw/images/oriental/1967 | Hand painted, illustrated book containing tables of numbers, geometric figures, black and red writing, Devanagari script and multi-coloured paintings with gold leaf. It has a scalloped wrap around cover which fits into a cut away front. | 223books
| null | paper | null | Jaipur District | data/processed/OM_images_white/oriental/1967 |
|
durom.1967.28 | 1967.28.l.jpg | data/raw/images/oriental/1967 | Hand painted, illustrated book containing tables of numbers, geometric figures, black and red writing, Devanagari script and multi-coloured paintings with gold leaf. It has a scalloped wrap around cover which fits into a cut away front. | 223books
| null | paper | null | Jaipur District | data/processed/OM_images_white/oriental/1967 |
|
durom.2014.342.24 | durom.2014.342.24-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 24. Knee caps. Plain sandy brown background with central image of knee caps. Knee caps in cylindrical shape with round cuts in upper part. Brown strings with knot attached to upper part of red knee caps with blue medallion pattern. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.342.24 | durom.2014.342.24-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 24. Knee caps. Plain sandy brown background with central image of knee caps. Knee caps in cylindrical shape with round cuts in upper part. Brown strings with knot attached to upper part of red knee caps with blue medallion pattern. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.342.24 | durom.2014.342.24-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 24. Knee caps. Plain sandy brown background with central image of knee caps. Knee caps in cylindrical shape with round cuts in upper part. Brown strings with knot attached to upper part of red knee caps with blue medallion pattern. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.342.24 | durom.2014.342.24-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 24. Knee caps. Plain sandy brown background with central image of knee caps. Knee caps in cylindrical shape with round cuts in upper part. Brown strings with knot attached to upper part of red knee caps with blue medallion pattern. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.342.24 | durom.2014.342.24-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 24. Knee caps. Plain sandy brown background with central image of knee caps. Knee caps in cylindrical shape with round cuts in upper part. Brown strings with knot attached to upper part of red knee caps with blue medallion pattern. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2012.139 | durom.2012.139.11and12-d1.jpg | data/raw/images/oriental/2012 | Black Butler Ciel Phantomhive cosplay male costume ensemble comprising 14 separate pieces._x000D__x000D_
DUROM.2012.139.1 Military style jacket in electric blue polyester stain with a sewn in false shirt front in blue and white stripes, black revers and inserts with white trim. Neck and cuff frills in blue and white stripes. The front is embellished with numerous silver buttons attached with black thread. The back of the jacket has a black strap across the back with two silver buttons above a peplum over a bustle covered in blue and white striped material with a length of thin synthetic blue and white striped crepe which hangs as a long drape down the side or back. Side zip, the front buttons on the shirt undo._x000D__x000D_
DUROM.2012.139.2 Electric blue knee length breeches in polyester satin with black cuffs and white trim. Side pockets. Front zip and button. Loops on waistband._x000D__x000D_
DUROM.2012.139.3 Top hat in electric blue polyester satin. Brim turned up at one side. Blue and white striped ribbon around hat, narrower blue and white striped ribbon with blue lining attached in a bow on the side. Blue and white striped streamer hanging down from the upturned brim. Lined with black polyester satin._x000D__x000D_
DUROM.2012.139.4 and DUROM.2012.139.5 Pair of black lycra gloves._x000D__x000D_
DUROM.2012.139.6 and DUROM.2012.139.7Pair of blue imitation plastic knee boots with black nylon zips running from the back of the heel to the top. Fold down tops decorated on the inside with 3 round metallic silver dots. There is a small split at the top on the front with silver imitation leather cross attached. A White imitation leather stripe runs down the outside of the leg. Two black imitation leather straps run horizontally round the leg. The top strap has two white imitation leather loops round the strap; the bottom strap has two silver imitation leather loops. The soles are black plastic with moulded marks "38" and "Zingshan" inside and oval. The insoles are brown cardboard printed with the words "FABRIC-277"._x000D__x000D_
DUROM.2012.139.8 Large bow in black and grey striped synthetic fabric. Possibly attached at the back over the peplum._x000D__x000D_
DUROM.2012.139.9 Black synthetic leather eye patch with two black polyester satin ribbons sewn onto opposite sides. The eye patch is sewn around the sides with black thread. There is a pattern of parallel lines around the edge._x000D__x000D_
DUROM.2012.139.10 Blue and white striped polyester neck bow with Velcro fasteners at the ends of the ties._x000D__x000D_
DUROM.2012.139.11 and DUROM.2012.139.12 Pair of black sock suspenders, possibly in leather, with black elastic at the back. Metal rivet. Metal suspender fastening on black ribbon on each suspender._x000D__x000D_
DUROM.2012.139.13 and DUROM.2012.139.134 Pair of silver grey synthetic silk twisted cords with silver grey tassels at both ends. Appear to hang loosely from loops in the sleeves of the jacket. | 300ensembles
| null | polyester | Heisei Period | Shanghai | data/processed/OM_images_white/oriental/2012 |
|
durom.2012.139 | durom.2012.139.11and12-d1.jpg | data/raw/images/oriental/2012 | Black Butler Ciel Phantomhive cosplay male costume ensemble comprising 14 separate pieces._x000D__x000D_
DUROM.2012.139.1 Military style jacket in electric blue polyester stain with a sewn in false shirt front in blue and white stripes, black revers and inserts with white trim. Neck and cuff frills in blue and white stripes. The front is embellished with numerous silver buttons attached with black thread. The back of the jacket has a black strap across the back with two silver buttons above a peplum over a bustle covered in blue and white striped material with a length of thin synthetic blue and white striped crepe which hangs as a long drape down the side or back. Side zip, the front buttons on the shirt undo._x000D__x000D_
DUROM.2012.139.2 Electric blue knee length breeches in polyester satin with black cuffs and white trim. Side pockets. Front zip and button. Loops on waistband._x000D__x000D_
DUROM.2012.139.3 Top hat in electric blue polyester satin. Brim turned up at one side. Blue and white striped ribbon around hat, narrower blue and white striped ribbon with blue lining attached in a bow on the side. Blue and white striped streamer hanging down from the upturned brim. Lined with black polyester satin._x000D__x000D_
DUROM.2012.139.4 and DUROM.2012.139.5 Pair of black lycra gloves._x000D__x000D_
DUROM.2012.139.6 and DUROM.2012.139.7Pair of blue imitation plastic knee boots with black nylon zips running from the back of the heel to the top. Fold down tops decorated on the inside with 3 round metallic silver dots. There is a small split at the top on the front with silver imitation leather cross attached. A White imitation leather stripe runs down the outside of the leg. Two black imitation leather straps run horizontally round the leg. The top strap has two white imitation leather loops round the strap; the bottom strap has two silver imitation leather loops. The soles are black plastic with moulded marks "38" and "Zingshan" inside and oval. The insoles are brown cardboard printed with the words "FABRIC-277"._x000D__x000D_
DUROM.2012.139.8 Large bow in black and grey striped synthetic fabric. Possibly attached at the back over the peplum._x000D__x000D_
DUROM.2012.139.9 Black synthetic leather eye patch with two black polyester satin ribbons sewn onto opposite sides. The eye patch is sewn around the sides with black thread. There is a pattern of parallel lines around the edge._x000D__x000D_
DUROM.2012.139.10 Blue and white striped polyester neck bow with Velcro fasteners at the ends of the ties._x000D__x000D_
DUROM.2012.139.11 and DUROM.2012.139.12 Pair of black sock suspenders, possibly in leather, with black elastic at the back. Metal rivet. Metal suspender fastening on black ribbon on each suspender._x000D__x000D_
DUROM.2012.139.13 and DUROM.2012.139.134 Pair of silver grey synthetic silk twisted cords with silver grey tassels at both ends. Appear to hang loosely from loops in the sleeves of the jacket. | 300ensembles
| null | polyester | Heisei Period | Shanghai | data/processed/OM_images_white/oriental/2012 |
|
durom.2012.139 | durom.2012.139.11and12-d1.jpg | data/raw/images/oriental/2012 | Black Butler Ciel Phantomhive cosplay male costume ensemble comprising 14 separate pieces._x000D__x000D_
DUROM.2012.139.1 Military style jacket in electric blue polyester stain with a sewn in false shirt front in blue and white stripes, black revers and inserts with white trim. Neck and cuff frills in blue and white stripes. The front is embellished with numerous silver buttons attached with black thread. The back of the jacket has a black strap across the back with two silver buttons above a peplum over a bustle covered in blue and white striped material with a length of thin synthetic blue and white striped crepe which hangs as a long drape down the side or back. Side zip, the front buttons on the shirt undo._x000D__x000D_
DUROM.2012.139.2 Electric blue knee length breeches in polyester satin with black cuffs and white trim. Side pockets. Front zip and button. Loops on waistband._x000D__x000D_
DUROM.2012.139.3 Top hat in electric blue polyester satin. Brim turned up at one side. Blue and white striped ribbon around hat, narrower blue and white striped ribbon with blue lining attached in a bow on the side. Blue and white striped streamer hanging down from the upturned brim. Lined with black polyester satin._x000D__x000D_
DUROM.2012.139.4 and DUROM.2012.139.5 Pair of black lycra gloves._x000D__x000D_
DUROM.2012.139.6 and DUROM.2012.139.7Pair of blue imitation plastic knee boots with black nylon zips running from the back of the heel to the top. Fold down tops decorated on the inside with 3 round metallic silver dots. There is a small split at the top on the front with silver imitation leather cross attached. A White imitation leather stripe runs down the outside of the leg. Two black imitation leather straps run horizontally round the leg. The top strap has two white imitation leather loops round the strap; the bottom strap has two silver imitation leather loops. The soles are black plastic with moulded marks "38" and "Zingshan" inside and oval. The insoles are brown cardboard printed with the words "FABRIC-277"._x000D__x000D_
DUROM.2012.139.8 Large bow in black and grey striped synthetic fabric. Possibly attached at the back over the peplum._x000D__x000D_
DUROM.2012.139.9 Black synthetic leather eye patch with two black polyester satin ribbons sewn onto opposite sides. The eye patch is sewn around the sides with black thread. There is a pattern of parallel lines around the edge._x000D__x000D_
DUROM.2012.139.10 Blue and white striped polyester neck bow with Velcro fasteners at the ends of the ties._x000D__x000D_
DUROM.2012.139.11 and DUROM.2012.139.12 Pair of black sock suspenders, possibly in leather, with black elastic at the back. Metal rivet. Metal suspender fastening on black ribbon on each suspender._x000D__x000D_
DUROM.2012.139.13 and DUROM.2012.139.134 Pair of silver grey synthetic silk twisted cords with silver grey tassels at both ends. Appear to hang loosely from loops in the sleeves of the jacket. | 300ensembles
| null | polyester | Heisei Period | Shanghai | data/processed/OM_images_white/oriental/2012 |
|
durom.2012.139 | durom.2012.139.11and12-d1.jpg | data/raw/images/oriental/2012 | Black Butler Ciel Phantomhive cosplay male costume ensemble comprising 14 separate pieces._x000D__x000D_
DUROM.2012.139.1 Military style jacket in electric blue polyester stain with a sewn in false shirt front in blue and white stripes, black revers and inserts with white trim. Neck and cuff frills in blue and white stripes. The front is embellished with numerous silver buttons attached with black thread. The back of the jacket has a black strap across the back with two silver buttons above a peplum over a bustle covered in blue and white striped material with a length of thin synthetic blue and white striped crepe which hangs as a long drape down the side or back. Side zip, the front buttons on the shirt undo._x000D__x000D_
DUROM.2012.139.2 Electric blue knee length breeches in polyester satin with black cuffs and white trim. Side pockets. Front zip and button. Loops on waistband._x000D__x000D_
DUROM.2012.139.3 Top hat in electric blue polyester satin. Brim turned up at one side. Blue and white striped ribbon around hat, narrower blue and white striped ribbon with blue lining attached in a bow on the side. Blue and white striped streamer hanging down from the upturned brim. Lined with black polyester satin._x000D__x000D_
DUROM.2012.139.4 and DUROM.2012.139.5 Pair of black lycra gloves._x000D__x000D_
DUROM.2012.139.6 and DUROM.2012.139.7Pair of blue imitation plastic knee boots with black nylon zips running from the back of the heel to the top. Fold down tops decorated on the inside with 3 round metallic silver dots. There is a small split at the top on the front with silver imitation leather cross attached. A White imitation leather stripe runs down the outside of the leg. Two black imitation leather straps run horizontally round the leg. The top strap has two white imitation leather loops round the strap; the bottom strap has two silver imitation leather loops. The soles are black plastic with moulded marks "38" and "Zingshan" inside and oval. The insoles are brown cardboard printed with the words "FABRIC-277"._x000D__x000D_
DUROM.2012.139.8 Large bow in black and grey striped synthetic fabric. Possibly attached at the back over the peplum._x000D__x000D_
DUROM.2012.139.9 Black synthetic leather eye patch with two black polyester satin ribbons sewn onto opposite sides. The eye patch is sewn around the sides with black thread. There is a pattern of parallel lines around the edge._x000D__x000D_
DUROM.2012.139.10 Blue and white striped polyester neck bow with Velcro fasteners at the ends of the ties._x000D__x000D_
DUROM.2012.139.11 and DUROM.2012.139.12 Pair of black sock suspenders, possibly in leather, with black elastic at the back. Metal rivet. Metal suspender fastening on black ribbon on each suspender._x000D__x000D_
DUROM.2012.139.13 and DUROM.2012.139.134 Pair of silver grey synthetic silk twisted cords with silver grey tassels at both ends. Appear to hang loosely from loops in the sleeves of the jacket. | 300ensembles
| null | polyester | Heisei Period | Shanghai | data/processed/OM_images_white/oriental/2012 |
|
durom.2012.139 | durom.2012.139.11and12-d1.jpg | data/raw/images/oriental/2012 | Black Butler Ciel Phantomhive cosplay male costume ensemble comprising 14 separate pieces._x000D__x000D_
DUROM.2012.139.1 Military style jacket in electric blue polyester stain with a sewn in false shirt front in blue and white stripes, black revers and inserts with white trim. Neck and cuff frills in blue and white stripes. The front is embellished with numerous silver buttons attached with black thread. The back of the jacket has a black strap across the back with two silver buttons above a peplum over a bustle covered in blue and white striped material with a length of thin synthetic blue and white striped crepe which hangs as a long drape down the side or back. Side zip, the front buttons on the shirt undo._x000D__x000D_
DUROM.2012.139.2 Electric blue knee length breeches in polyester satin with black cuffs and white trim. Side pockets. Front zip and button. Loops on waistband._x000D__x000D_
DUROM.2012.139.3 Top hat in electric blue polyester satin. Brim turned up at one side. Blue and white striped ribbon around hat, narrower blue and white striped ribbon with blue lining attached in a bow on the side. Blue and white striped streamer hanging down from the upturned brim. Lined with black polyester satin._x000D__x000D_
DUROM.2012.139.4 and DUROM.2012.139.5 Pair of black lycra gloves._x000D__x000D_
DUROM.2012.139.6 and DUROM.2012.139.7Pair of blue imitation plastic knee boots with black nylon zips running from the back of the heel to the top. Fold down tops decorated on the inside with 3 round metallic silver dots. There is a small split at the top on the front with silver imitation leather cross attached. A White imitation leather stripe runs down the outside of the leg. Two black imitation leather straps run horizontally round the leg. The top strap has two white imitation leather loops round the strap; the bottom strap has two silver imitation leather loops. The soles are black plastic with moulded marks "38" and "Zingshan" inside and oval. The insoles are brown cardboard printed with the words "FABRIC-277"._x000D__x000D_
DUROM.2012.139.8 Large bow in black and grey striped synthetic fabric. Possibly attached at the back over the peplum._x000D__x000D_
DUROM.2012.139.9 Black synthetic leather eye patch with two black polyester satin ribbons sewn onto opposite sides. The eye patch is sewn around the sides with black thread. There is a pattern of parallel lines around the edge._x000D__x000D_
DUROM.2012.139.10 Blue and white striped polyester neck bow with Velcro fasteners at the ends of the ties._x000D__x000D_
DUROM.2012.139.11 and DUROM.2012.139.12 Pair of black sock suspenders, possibly in leather, with black elastic at the back. Metal rivet. Metal suspender fastening on black ribbon on each suspender._x000D__x000D_
DUROM.2012.139.13 and DUROM.2012.139.134 Pair of silver grey synthetic silk twisted cords with silver grey tassels at both ends. Appear to hang loosely from loops in the sleeves of the jacket. | 300ensembles
| null | polyester | Heisei Period | Shanghai | data/processed/OM_images_white/oriental/2012 |
|
durom.1969.87 | 1969.87-tt.jpg | data/raw/images/oriental/1969 | Stoneware basin in the shape of a Drum stud basin (Guding pentuo), imperial Jun ware. Base, inscribed with the character of the number ten. | 13Basin
| 钧窑葡萄紫釉鼓钉盆托 | stoneware | Northern Song | Yuzhou Shi | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.87 | 1969.87-tt.jpg | data/raw/images/oriental/1969 | Stoneware basin in the shape of a Drum stud basin (Guding pentuo), imperial Jun ware. Base, inscribed with the character of the number ten. | 13Basin
| 钧窑葡萄紫釉鼓钉盆托 | stoneware | Northern Song | Yuzhou Shi | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.87 | 1969.87-tt.jpg | data/raw/images/oriental/1969 | Stoneware basin in the shape of a Drum stud basin (Guding pentuo), imperial Jun ware. Base, inscribed with the character of the number ten. | 13Basin
| 钧窑葡萄紫釉鼓钉盆托 | stoneware | Northern Song | Yuzhou Shi | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.87 | 1969.87-tt.jpg | data/raw/images/oriental/1969 | Stoneware basin in the shape of a Drum stud basin (Guding pentuo), imperial Jun ware. Base, inscribed with the character of the number ten. | 13Basin
| 钧窑葡萄紫釉鼓钉盆托 | stoneware | Northern Song | Yuzhou Shi | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.87 | 1969.87-tt.jpg | data/raw/images/oriental/1969 | Stoneware basin in the shape of a Drum stud basin (Guding pentuo), imperial Jun ware. Base, inscribed with the character of the number ten. | 13Basin
| 钧窑葡萄紫釉鼓钉盆托 | stoneware | Northern Song | Yuzhou Shi | data/processed/OM_images_white/oriental/1969 |
|
durom.2016.6 | 2016.6 d1.jpg | data/raw/images/castle/2016 | Large Japanese glazed porcelain dish with underglaze and enamel decoration. Inside of shallow dish is decorated in a series of concentric circles. The outer circle has gold enamelled leaf pattern over a blue band. The next circle is white with red, green and blue and gold decoration depicting three carp swimming among plants and two birds beneath a willow tree. The band within this is blue with gold and red flower decoration. The final inner circle has a white background with gold and red flower decoration. On the outside the bowl is decorated only in blue. A deep blue is used for a band of flowers and leaves around the bowl and within this are a series of concentric circles just outside and within the foot rim. A four mark maker's mark is painted in the centre of the base. Three spur marks from the kiln are visible on the base. The dish has previously been in a metal plate hanger which has left some marks. | 288dishes
| null | porcelain | Edo | Japan (country) | data/processed/OM_images_white/castle/2016 |
|
durom.2016.6 | 2016.6 d1.jpg | data/raw/images/castle/2016 | Large Japanese glazed porcelain dish with underglaze and enamel decoration. Inside of shallow dish is decorated in a series of concentric circles. The outer circle has gold enamelled leaf pattern over a blue band. The next circle is white with red, green and blue and gold decoration depicting three carp swimming among plants and two birds beneath a willow tree. The band within this is blue with gold and red flower decoration. The final inner circle has a white background with gold and red flower decoration. On the outside the bowl is decorated only in blue. A deep blue is used for a band of flowers and leaves around the bowl and within this are a series of concentric circles just outside and within the foot rim. A four mark maker's mark is painted in the centre of the base. Three spur marks from the kiln are visible on the base. The dish has previously been in a metal plate hanger which has left some marks. | 288dishes
| null | porcelain | Edo | Japan (country) | data/processed/OM_images_white/castle/2016 |
|
durom.2016.6 | 2016.6 d1.jpg | data/raw/images/castle/2016 | Large Japanese glazed porcelain dish with underglaze and enamel decoration. Inside of shallow dish is decorated in a series of concentric circles. The outer circle has gold enamelled leaf pattern over a blue band. The next circle is white with red, green and blue and gold decoration depicting three carp swimming among plants and two birds beneath a willow tree. The band within this is blue with gold and red flower decoration. The final inner circle has a white background with gold and red flower decoration. On the outside the bowl is decorated only in blue. A deep blue is used for a band of flowers and leaves around the bowl and within this are a series of concentric circles just outside and within the foot rim. A four mark maker's mark is painted in the centre of the base. Three spur marks from the kiln are visible on the base. The dish has previously been in a metal plate hanger which has left some marks. | 288dishes
| null | porcelain | Edo | Japan (country) | data/processed/OM_images_white/castle/2016 |
|
durom.2016.6 | 2016.6 d1.jpg | data/raw/images/castle/2016 | Large Japanese glazed porcelain dish with underglaze and enamel decoration. Inside of shallow dish is decorated in a series of concentric circles. The outer circle has gold enamelled leaf pattern over a blue band. The next circle is white with red, green and blue and gold decoration depicting three carp swimming among plants and two birds beneath a willow tree. The band within this is blue with gold and red flower decoration. The final inner circle has a white background with gold and red flower decoration. On the outside the bowl is decorated only in blue. A deep blue is used for a band of flowers and leaves around the bowl and within this are a series of concentric circles just outside and within the foot rim. A four mark maker's mark is painted in the centre of the base. Three spur marks from the kiln are visible on the base. The dish has previously been in a metal plate hanger which has left some marks. | 288dishes
| null | porcelain | Edo | Japan (country) | data/processed/OM_images_white/castle/2016 |
|
durom.2016.6 | 2016.6 d1.jpg | data/raw/images/castle/2016 | Large Japanese glazed porcelain dish with underglaze and enamel decoration. Inside of shallow dish is decorated in a series of concentric circles. The outer circle has gold enamelled leaf pattern over a blue band. The next circle is white with red, green and blue and gold decoration depicting three carp swimming among plants and two birds beneath a willow tree. The band within this is blue with gold and red flower decoration. The final inner circle has a white background with gold and red flower decoration. On the outside the bowl is decorated only in blue. A deep blue is used for a band of flowers and leaves around the bowl and within this are a series of concentric circles just outside and within the foot rim. A four mark maker's mark is painted in the centre of the base. Three spur marks from the kiln are visible on the base. The dish has previously been in a metal plate hanger which has left some marks. | 288dishes
| null | porcelain | Edo | Japan (country) | data/processed/OM_images_white/castle/2016 |
|
durom.2015.380 | durom.2015.380.jpg | data/raw/images/oriental/2015 | A short pink jacket, designed as part of an outfit. The exterior is decorated with pale pink floral patterns, and the interior is blank. The fabric has been folded over onto the outside to create a pair of lapels on the front. There are two deliberate holes under the arms, and the cuffs are cut back and irregular. There is gold embroidery around the sleeves, near the cut-in section of the cuff, down the side of the jacket under the arms, and around the outside of the lapel and neckline. There is a line of silver embroidery, which runs around the hem of the garment, up the inside of the lapel, and also around the neck; this is embroidered onto a yellow band on the inside of the jacket. The inside of the cuffs is lined with the same material used to make DUROM.2015.376._x000D__x000D_
Part of a set with DUROM.2015.376, DUROM.2015.377, and DUROM.2015.378. It is likely that there is another part of the set which is missing. | 360jackets
| null | silk | 20th century | Iran | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.380 | durom.2015.380.jpg | data/raw/images/oriental/2015 | A short pink jacket, designed as part of an outfit. The exterior is decorated with pale pink floral patterns, and the interior is blank. The fabric has been folded over onto the outside to create a pair of lapels on the front. There are two deliberate holes under the arms, and the cuffs are cut back and irregular. There is gold embroidery around the sleeves, near the cut-in section of the cuff, down the side of the jacket under the arms, and around the outside of the lapel and neckline. There is a line of silver embroidery, which runs around the hem of the garment, up the inside of the lapel, and also around the neck; this is embroidered onto a yellow band on the inside of the jacket. The inside of the cuffs is lined with the same material used to make DUROM.2015.376._x000D__x000D_
Part of a set with DUROM.2015.376, DUROM.2015.377, and DUROM.2015.378. It is likely that there is another part of the set which is missing. | 360jackets
| null | silk | 20th century | Iran | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.380 | durom.2015.380.jpg | data/raw/images/oriental/2015 | A short pink jacket, designed as part of an outfit. The exterior is decorated with pale pink floral patterns, and the interior is blank. The fabric has been folded over onto the outside to create a pair of lapels on the front. There are two deliberate holes under the arms, and the cuffs are cut back and irregular. There is gold embroidery around the sleeves, near the cut-in section of the cuff, down the side of the jacket under the arms, and around the outside of the lapel and neckline. There is a line of silver embroidery, which runs around the hem of the garment, up the inside of the lapel, and also around the neck; this is embroidered onto a yellow band on the inside of the jacket. The inside of the cuffs is lined with the same material used to make DUROM.2015.376._x000D__x000D_
Part of a set with DUROM.2015.376, DUROM.2015.377, and DUROM.2015.378. It is likely that there is another part of the set which is missing. | 360jackets
| null | silk | 20th century | Iran | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.380 | durom.2015.380.jpg | data/raw/images/oriental/2015 | A short pink jacket, designed as part of an outfit. The exterior is decorated with pale pink floral patterns, and the interior is blank. The fabric has been folded over onto the outside to create a pair of lapels on the front. There are two deliberate holes under the arms, and the cuffs are cut back and irregular. There is gold embroidery around the sleeves, near the cut-in section of the cuff, down the side of the jacket under the arms, and around the outside of the lapel and neckline. There is a line of silver embroidery, which runs around the hem of the garment, up the inside of the lapel, and also around the neck; this is embroidered onto a yellow band on the inside of the jacket. The inside of the cuffs is lined with the same material used to make DUROM.2015.376._x000D__x000D_
Part of a set with DUROM.2015.376, DUROM.2015.377, and DUROM.2015.378. It is likely that there is another part of the set which is missing. | 360jackets
| null | silk | 20th century | Iran | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.380 | durom.2015.380.jpg | data/raw/images/oriental/2015 | A short pink jacket, designed as part of an outfit. The exterior is decorated with pale pink floral patterns, and the interior is blank. The fabric has been folded over onto the outside to create a pair of lapels on the front. There are two deliberate holes under the arms, and the cuffs are cut back and irregular. There is gold embroidery around the sleeves, near the cut-in section of the cuff, down the side of the jacket under the arms, and around the outside of the lapel and neckline. There is a line of silver embroidery, which runs around the hem of the garment, up the inside of the lapel, and also around the neck; this is embroidered onto a yellow band on the inside of the jacket. The inside of the cuffs is lined with the same material used to make DUROM.2015.376._x000D__x000D_
Part of a set with DUROM.2015.376, DUROM.2015.377, and DUROM.2015.378. It is likely that there is another part of the set which is missing. | 360jackets
| null | silk | 20th century | Iran | data/processed/OM_images_white/oriental/2015 |
|
durom.1960.4e.13 | 1960.4e.13.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a small boat in a rocky bay or cove. Possible a figure standing in the boat on the right-hand side. | 153Slide
| null | glass | null | England | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4e.13 | 1960.4e.13.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a small boat in a rocky bay or cove. Possible a figure standing in the boat on the right-hand side. | 153Slide
| null | glass | null | England | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4e.13 | 1960.4e.13.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a small boat in a rocky bay or cove. Possible a figure standing in the boat on the right-hand side. | 153Slide
| null | glass | null | England | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4e.13 | 1960.4e.13.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a small boat in a rocky bay or cove. Possible a figure standing in the boat on the right-hand side. | 153Slide
| null | glass | null | England | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4e.13 | 1960.4e.13.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a small boat in a rocky bay or cove. Possible a figure standing in the boat on the right-hand side. | 153Slide
| null | glass | null | England | data/processed/OM_images_white/oriental/1960 |
|
durom.2001.129 | 2001.129 d2.jpg | data/raw/images/oriental/2001 | Chess board, backgammon board. Bombay work inlay with white squares of ivory. Badly damaged chess board, mosaic tiles have come off and are still flaking off. The backgammon board however is in relatively good condition, one of the round mosaic tiles is beginning to come away but aside from that all is intact. | 321gameboards
| Chess Board | wood | null | Mumbai | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.129 | 2001.129 d2.jpg | data/raw/images/oriental/2001 | Chess board, backgammon board. Bombay work inlay with white squares of ivory. Badly damaged chess board, mosaic tiles have come off and are still flaking off. The backgammon board however is in relatively good condition, one of the round mosaic tiles is beginning to come away but aside from that all is intact. | 321gameboards
| Chess Board | wood | null | Mumbai | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.129 | 2001.129 d2.jpg | data/raw/images/oriental/2001 | Chess board, backgammon board. Bombay work inlay with white squares of ivory. Badly damaged chess board, mosaic tiles have come off and are still flaking off. The backgammon board however is in relatively good condition, one of the round mosaic tiles is beginning to come away but aside from that all is intact. | 321gameboards
| Chess Board | wood | null | Mumbai | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.129 | 2001.129 d2.jpg | data/raw/images/oriental/2001 | Chess board, backgammon board. Bombay work inlay with white squares of ivory. Badly damaged chess board, mosaic tiles have come off and are still flaking off. The backgammon board however is in relatively good condition, one of the round mosaic tiles is beginning to come away but aside from that all is intact. | 321gameboards
| Chess Board | wood | null | Mumbai | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.129 | 2001.129 d2.jpg | data/raw/images/oriental/2001 | Chess board, backgammon board. Bombay work inlay with white squares of ivory. Badly damaged chess board, mosaic tiles have come off and are still flaking off. The backgammon board however is in relatively good condition, one of the round mosaic tiles is beginning to come away but aside from that all is intact. | 321gameboards
| Chess Board | wood | null | Mumbai | data/processed/OM_images_white/oriental/2001 |
|
eg1508 | eg1508-r212.1959-ll.jpg | data/raw/images/egyptian/eg | priest, robed, carrying scrolls, skull cap, feet on plinth, tang for base (included in dimensions) | 82Human Figurine
| imhotep figurine | bronze | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1508 | eg1508-r212.1959-ll.jpg | data/raw/images/egyptian/eg | priest, robed, carrying scrolls, skull cap, feet on plinth, tang for base (included in dimensions) | 82Human Figurine
| imhotep figurine | bronze | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1508 | eg1508-r212.1959-ll.jpg | data/raw/images/egyptian/eg | priest, robed, carrying scrolls, skull cap, feet on plinth, tang for base (included in dimensions) | 82Human Figurine
| imhotep figurine | bronze | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1508 | eg1508-r212.1959-ll.jpg | data/raw/images/egyptian/eg | priest, robed, carrying scrolls, skull cap, feet on plinth, tang for base (included in dimensions) | 82Human Figurine
| imhotep figurine | bronze | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1508 | eg1508-r212.1959-ll.jpg | data/raw/images/egyptian/eg | priest, robed, carrying scrolls, skull cap, feet on plinth, tang for base (included in dimensions) | 82Human Figurine
| imhotep figurine | bronze | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2001.35.1 | 2001.35.1-bb.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | 22Box
| null | wood | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.35.1 | 2001.35.1-bb.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | 22Box
| null | wood | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.35.1 | 2001.35.1-bb.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | 22Box
| null | wood | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.35.1 | 2001.35.1-bb.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | 22Box
| null | wood | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.35.1 | 2001.35.1-bb.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | 22Box
| null | wood | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2001 |
|
durom.2015.267 | durom.2015.267-d4.jpg | data/raw/images/oriental/2015 | A square quilt. The quilt with padding covered with cotton fabric in printed floral pattern in pink, yellow, blue with red outline on green background. In the middle on one side of the duvet is a big square patch in red satin. The padding of the object is secured in its place by stitching it using the running stitch in various directions at the same time creating a geometrical pattern. It is hand and machine stitched with white thread. There is an oblong white cotton label sewn to one corner of the cotton side of the duvet with a hand written inscription 'A30' in black ink. | 449quilts
| null | cotton | 20th century | null | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.267 | durom.2015.267-d4.jpg | data/raw/images/oriental/2015 | A square quilt. The quilt with padding covered with cotton fabric in printed floral pattern in pink, yellow, blue with red outline on green background. In the middle on one side of the duvet is a big square patch in red satin. The padding of the object is secured in its place by stitching it using the running stitch in various directions at the same time creating a geometrical pattern. It is hand and machine stitched with white thread. There is an oblong white cotton label sewn to one corner of the cotton side of the duvet with a hand written inscription 'A30' in black ink. | 449quilts
| null | cotton | 20th century | null | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.267 | durom.2015.267-d4.jpg | data/raw/images/oriental/2015 | A square quilt. The quilt with padding covered with cotton fabric in printed floral pattern in pink, yellow, blue with red outline on green background. In the middle on one side of the duvet is a big square patch in red satin. The padding of the object is secured in its place by stitching it using the running stitch in various directions at the same time creating a geometrical pattern. It is hand and machine stitched with white thread. There is an oblong white cotton label sewn to one corner of the cotton side of the duvet with a hand written inscription 'A30' in black ink. | 449quilts
| null | cotton | 20th century | null | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.267 | durom.2015.267-d4.jpg | data/raw/images/oriental/2015 | A square quilt. The quilt with padding covered with cotton fabric in printed floral pattern in pink, yellow, blue with red outline on green background. In the middle on one side of the duvet is a big square patch in red satin. The padding of the object is secured in its place by stitching it using the running stitch in various directions at the same time creating a geometrical pattern. It is hand and machine stitched with white thread. There is an oblong white cotton label sewn to one corner of the cotton side of the duvet with a hand written inscription 'A30' in black ink. | 449quilts
| null | cotton | 20th century | null | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.267 | durom.2015.267-d4.jpg | data/raw/images/oriental/2015 | A square quilt. The quilt with padding covered with cotton fabric in printed floral pattern in pink, yellow, blue with red outline on green background. In the middle on one side of the duvet is a big square patch in red satin. The padding of the object is secured in its place by stitching it using the running stitch in various directions at the same time creating a geometrical pattern. It is hand and machine stitched with white thread. There is an oblong white cotton label sewn to one corner of the cotton side of the duvet with a hand written inscription 'A30' in black ink. | 449quilts
| null | cotton | 20th century | null | data/processed/OM_images_white/oriental/2015 |
|
durom.1960.2332 | durom.1960.2332.6-ff.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | 146Seal
| null | ivory | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2332 | durom.1960.2332.6-ff.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | 146Seal
| null | ivory | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2332 | durom.1960.2332.6-ff.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | 146Seal
| null | ivory | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2332 | durom.1960.2332.6-ff.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | 146Seal
| null | ivory | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2332 | durom.1960.2332.6-ff.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | 146Seal
| null | ivory | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1999.52 | 1999.52.1-d2.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 394mummies
| child mummy | flax | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1999 |
|
durom.1999.52 | 1999.52.1-d2.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 394mummies
| child mummy | flax | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1999 |
|
durom.1999.52 | 1999.52.1-d2.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 394mummies
| child mummy | flax | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1999 |
|
durom.1999.52 | 1999.52.1-d2.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 394mummies
| child mummy | flax | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1999 |
|
durom.1999.52 | 1999.52.1-d2.jpg | data/raw/images/egyptian/1999 | Mummified boy in anthropoidal form, no coffin . The figure is simply wrapped and the head is featureless, the head has also detached from the body. The head is badly stained, almost black in fact presumably stained by resin. It also has some damage to the top of the skull, a small chip on the back of the head has revealed a hole in both the wrappings and the skull, through which the skull is just visible. The body is wrapped simply, in a coiled pattern with the result that the outer wrappings consist of one long single strand. Decorating the body is a hieratic text, presumably a funeral text, the text completely covers the body back and front. The condition of the piece is, apart from the detatached skull, pretty good; the body wrappings are clean and the ink inscription is clear. There is small object, possibly bone, visible in the picture, that has been placed in a plastic box with the mummy. There are two necklaces of cylindrical blue, cream, yellow, dark blue, red and green faience beads associated with the mummy. The necklaces have been packed separately in storage. | 394mummies
| child mummy | flax | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1999 |
|
eg5073 | eg5073-n1294ff3.jpg | data/raw/images/egyptian/eg | copper alloy situla with handle with 5 incised columns of hieroglyphs down the front mentioning a temple of Hathor of Heliopolis and a temple of Uniting the Two Lands. | 489situlae
| situla | bronze | Ptolemaic Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5073 | eg5073-n1294ff3.jpg | data/raw/images/egyptian/eg | copper alloy situla with handle with 5 incised columns of hieroglyphs down the front mentioning a temple of Hathor of Heliopolis and a temple of Uniting the Two Lands. | 489situlae
| situla | bronze | Ptolemaic Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5073 | eg5073-n1294ff3.jpg | data/raw/images/egyptian/eg | copper alloy situla with handle with 5 incised columns of hieroglyphs down the front mentioning a temple of Hathor of Heliopolis and a temple of Uniting the Two Lands. | 489situlae
| situla | bronze | Ptolemaic Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5073 | eg5073-n1294ff3.jpg | data/raw/images/egyptian/eg | copper alloy situla with handle with 5 incised columns of hieroglyphs down the front mentioning a temple of Hathor of Heliopolis and a temple of Uniting the Two Lands. | 489situlae
| situla | bronze | Ptolemaic Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5073 | eg5073-n1294ff3.jpg | data/raw/images/egyptian/eg | copper alloy situla with handle with 5 incised columns of hieroglyphs down the front mentioning a temple of Hathor of Heliopolis and a temple of Uniting the Two Lands. | 489situlae
| situla | bronze | Ptolemaic Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1969.203 | 1969.203-d2.jpg | data/raw/images/oriental/1969 | Porcelain plate with lobbed rims, covered with thick, smooth pale blue-green glaze. Under the base, a 6-character mark of Qianlong reign. | 132Plate
| 乾隆款粉青釉花瓣口碟 | stoneware | Qianlong | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.203 | 1969.203-d2.jpg | data/raw/images/oriental/1969 | Porcelain plate with lobbed rims, covered with thick, smooth pale blue-green glaze. Under the base, a 6-character mark of Qianlong reign. | 132Plate
| 乾隆款粉青釉花瓣口碟 | stoneware | Qianlong | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.203 | 1969.203-d2.jpg | data/raw/images/oriental/1969 | Porcelain plate with lobbed rims, covered with thick, smooth pale blue-green glaze. Under the base, a 6-character mark of Qianlong reign. | 132Plate
| 乾隆款粉青釉花瓣口碟 | stoneware | Qianlong | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.203 | 1969.203-d2.jpg | data/raw/images/oriental/1969 | Porcelain plate with lobbed rims, covered with thick, smooth pale blue-green glaze. Under the base, a 6-character mark of Qianlong reign. | 132Plate
| 乾隆款粉青釉花瓣口碟 | stoneware | Qianlong | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.203 | 1969.203-d2.jpg | data/raw/images/oriental/1969 | Porcelain plate with lobbed rims, covered with thick, smooth pale blue-green glaze. Under the base, a 6-character mark of Qianlong reign. | 132Plate
| 乾隆款粉青釉花瓣口碟 | stoneware | Qianlong | Jingdezhen | data/processed/OM_images_white/oriental/1969 |