obj_num
stringlengths 3
23
| file
stringlengths 8
69
| image
imagewidth (px) 55
13.9k
| root
stringclasses 102
values | description
stringlengths 3
8.84k
⌀ | object_name
stringclasses 680
values | other_name
stringlengths 1
100
⌀ | label
class label 165
classes | production.period
stringclasses 261
values | production.place
stringclasses 304
values |
---|---|---|---|---|---|---|---|---|---|
durom.2013.93 | 2013.93.3-d9.jpg | data/raw/images/oriental/2013 | CD single of Super Junior T's release 'Rokkugo'. CD is housed in box with album artwork._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.1 CD Case. Case is plastic and opens on a pivot, through the front of the case you can see the album artwork booklet and on the reverse is a picture of the band members wearing sequin jackets with the track listings and band logo. The inside of the case is yellow with the super junior t logo shown on the spine of the case._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.2 CD. CD is printed with black and white images of Super Junior T on a bright yellow background. Around the edges are information about the single and copyright information._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.3 Album Artwork Booklet. Booklet has 10 pages and fits inside the front of the case. The front image shows the whole band in black and white with the title of the song and band. There is also a gold authenticity sticker here. Page 1 has a yellow-filtered picture of Kangin. Page 2 has a picture of Heechul on a pink background. Page 3 has a picture of Shindong on a blue background. Page 4 has a yellow-filtered picture of Leeteuk. Page 5 has a picture of Sungmin on a blue background. Page 6 has a picture of Eunhyuk with an orange background. Pages 7 and 8 have lyrics of the four songs alongside images of all band members. Pages 9 and 10 have a picture of the whole band wearing sequin jackets and the production company credits with a yellow background. The back page is white with the band name and single written in Korean hangul. Inside the artwork booklet are two flyers, which both advertise auditioning at SM Entertainment. | compact discs | null | 117plastic
| Republic of Korea (period) | South Korea |
|
durom.2013.93 | 2013.93.3-d9.jpg | data/raw/images/oriental/2013 | CD single of Super Junior T's release 'Rokkugo'. CD is housed in box with album artwork._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.1 CD Case. Case is plastic and opens on a pivot, through the front of the case you can see the album artwork booklet and on the reverse is a picture of the band members wearing sequin jackets with the track listings and band logo. The inside of the case is yellow with the super junior t logo shown on the spine of the case._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.2 CD. CD is printed with black and white images of Super Junior T on a bright yellow background. Around the edges are information about the single and copyright information._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.3 Album Artwork Booklet. Booklet has 10 pages and fits inside the front of the case. The front image shows the whole band in black and white with the title of the song and band. There is also a gold authenticity sticker here. Page 1 has a yellow-filtered picture of Kangin. Page 2 has a picture of Heechul on a pink background. Page 3 has a picture of Shindong on a blue background. Page 4 has a yellow-filtered picture of Leeteuk. Page 5 has a picture of Sungmin on a blue background. Page 6 has a picture of Eunhyuk with an orange background. Pages 7 and 8 have lyrics of the four songs alongside images of all band members. Pages 9 and 10 have a picture of the whole band wearing sequin jackets and the production company credits with a yellow background. The back page is white with the band name and single written in Korean hangul. Inside the artwork booklet are two flyers, which both advertise auditioning at SM Entertainment. | compact discs | null | 117plastic
| Republic of Korea (period) | South Korea |
|
durom.2013.93 | 2013.93.3-d9.jpg | data/raw/images/oriental/2013 | CD single of Super Junior T's release 'Rokkugo'. CD is housed in box with album artwork._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.1 CD Case. Case is plastic and opens on a pivot, through the front of the case you can see the album artwork booklet and on the reverse is a picture of the band members wearing sequin jackets with the track listings and band logo. The inside of the case is yellow with the super junior t logo shown on the spine of the case._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.2 CD. CD is printed with black and white images of Super Junior T on a bright yellow background. Around the edges are information about the single and copyright information._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.3 Album Artwork Booklet. Booklet has 10 pages and fits inside the front of the case. The front image shows the whole band in black and white with the title of the song and band. There is also a gold authenticity sticker here. Page 1 has a yellow-filtered picture of Kangin. Page 2 has a picture of Heechul on a pink background. Page 3 has a picture of Shindong on a blue background. Page 4 has a yellow-filtered picture of Leeteuk. Page 5 has a picture of Sungmin on a blue background. Page 6 has a picture of Eunhyuk with an orange background. Pages 7 and 8 have lyrics of the four songs alongside images of all band members. Pages 9 and 10 have a picture of the whole band wearing sequin jackets and the production company credits with a yellow background. The back page is white with the band name and single written in Korean hangul. Inside the artwork booklet are two flyers, which both advertise auditioning at SM Entertainment. | compact discs | null | 117plastic
| Republic of Korea (period) | South Korea |
|
durom.2013.93 | 2013.93.3-d9.jpg | data/raw/images/oriental/2013 | CD single of Super Junior T's release 'Rokkugo'. CD is housed in box with album artwork._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.1 CD Case. Case is plastic and opens on a pivot, through the front of the case you can see the album artwork booklet and on the reverse is a picture of the band members wearing sequin jackets with the track listings and band logo. The inside of the case is yellow with the super junior t logo shown on the spine of the case._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.2 CD. CD is printed with black and white images of Super Junior T on a bright yellow background. Around the edges are information about the single and copyright information._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.3 Album Artwork Booklet. Booklet has 10 pages and fits inside the front of the case. The front image shows the whole band in black and white with the title of the song and band. There is also a gold authenticity sticker here. Page 1 has a yellow-filtered picture of Kangin. Page 2 has a picture of Heechul on a pink background. Page 3 has a picture of Shindong on a blue background. Page 4 has a yellow-filtered picture of Leeteuk. Page 5 has a picture of Sungmin on a blue background. Page 6 has a picture of Eunhyuk with an orange background. Pages 7 and 8 have lyrics of the four songs alongside images of all band members. Pages 9 and 10 have a picture of the whole band wearing sequin jackets and the production company credits with a yellow background. The back page is white with the band name and single written in Korean hangul. Inside the artwork booklet are two flyers, which both advertise auditioning at SM Entertainment. | compact discs | null | 117plastic
| Republic of Korea (period) | South Korea |
|
durom.2013.93 | 2013.93.3-d9.jpg | data/raw/images/oriental/2013 | CD single of Super Junior T's release 'Rokkugo'. CD is housed in box with album artwork._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.1 CD Case. Case is plastic and opens on a pivot, through the front of the case you can see the album artwork booklet and on the reverse is a picture of the band members wearing sequin jackets with the track listings and band logo. The inside of the case is yellow with the super junior t logo shown on the spine of the case._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.2 CD. CD is printed with black and white images of Super Junior T on a bright yellow background. Around the edges are information about the single and copyright information._x000D__x000D_
_x000D__x000D_
DUROM.2013.93.3 Album Artwork Booklet. Booklet has 10 pages and fits inside the front of the case. The front image shows the whole band in black and white with the title of the song and band. There is also a gold authenticity sticker here. Page 1 has a yellow-filtered picture of Kangin. Page 2 has a picture of Heechul on a pink background. Page 3 has a picture of Shindong on a blue background. Page 4 has a yellow-filtered picture of Leeteuk. Page 5 has a picture of Sungmin on a blue background. Page 6 has a picture of Eunhyuk with an orange background. Pages 7 and 8 have lyrics of the four songs alongside images of all band members. Pages 9 and 10 have a picture of the whole band wearing sequin jackets and the production company credits with a yellow background. The back page is white with the band name and single written in Korean hangul. Inside the artwork booklet are two flyers, which both advertise auditioning at SM Entertainment. | compact discs | null | 117plastic
| Republic of Korea (period) | South Korea |
|
durom.2006.45.196 | 2006.45.196.jpg | data/raw/images/oriental/2006 | Black and white photograph of a view of houses and harbour from the top. There is a hand written inscription in pencil "View of Hong Kong" at the back of the photo. | photographs | null | 113photographic paper
| null | South East Asia |
|
durom.2006.45.196 | 2006.45.196.jpg | data/raw/images/oriental/2006 | Black and white photograph of a view of houses and harbour from the top. There is a hand written inscription in pencil "View of Hong Kong" at the back of the photo. | photographs | null | 113photographic paper
| null | South East Asia |
|
durom.2006.45.196 | 2006.45.196.jpg | data/raw/images/oriental/2006 | Black and white photograph of a view of houses and harbour from the top. There is a hand written inscription in pencil "View of Hong Kong" at the back of the photo. | photographs | null | 113photographic paper
| null | South East Asia |
|
durom.2006.45.196 | 2006.45.196.jpg | data/raw/images/oriental/2006 | Black and white photograph of a view of houses and harbour from the top. There is a hand written inscription in pencil "View of Hong Kong" at the back of the photo. | photographs | null | 113photographic paper
| null | South East Asia |
|
durom.2006.45.196 | 2006.45.196.jpg | data/raw/images/oriental/2006 | Black and white photograph of a view of houses and harbour from the top. There is a hand written inscription in pencil "View of Hong Kong" at the back of the photo. | photographs | null | 113photographic paper
| null | South East Asia |
|
durom.1984.22 | 1984.22-ff.jpg | data/raw/images/oriental/1984 | Small globular teapot, large opening with high everted rim, double strap handle opposite spout, collar below rim, similar bands round spout and crosswire on base. Unglazed grey ware, lid has imitation basket work finish. Three cranes and flowers on sides of pot, brown stripes on band round rim and on handle, glazed edge to rim, with traces of gilding, cut off surface of spout also gilded. Cranes and flower heads are enamelled. Banko ware. | teapots | null | 56clay
| Edo Period | Asia, East Asia, Japan, Banko |
|
durom.1984.22 | 1984.22-ff.jpg | data/raw/images/oriental/1984 | Small globular teapot, large opening with high everted rim, double strap handle opposite spout, collar below rim, similar bands round spout and crosswire on base. Unglazed grey ware, lid has imitation basket work finish. Three cranes and flowers on sides of pot, brown stripes on band round rim and on handle, glazed edge to rim, with traces of gilding, cut off surface of spout also gilded. Cranes and flower heads are enamelled. Banko ware. | teapots | null | 56clay
| Edo Period | Asia, East Asia, Japan, Banko |
|
durom.1984.22 | 1984.22-ff.jpg | data/raw/images/oriental/1984 | Small globular teapot, large opening with high everted rim, double strap handle opposite spout, collar below rim, similar bands round spout and crosswire on base. Unglazed grey ware, lid has imitation basket work finish. Three cranes and flowers on sides of pot, brown stripes on band round rim and on handle, glazed edge to rim, with traces of gilding, cut off surface of spout also gilded. Cranes and flower heads are enamelled. Banko ware. | teapots | null | 56clay
| Edo Period | Asia, East Asia, Japan, Banko |
|
durom.1984.22 | 1984.22-ff.jpg | data/raw/images/oriental/1984 | Small globular teapot, large opening with high everted rim, double strap handle opposite spout, collar below rim, similar bands round spout and crosswire on base. Unglazed grey ware, lid has imitation basket work finish. Three cranes and flowers on sides of pot, brown stripes on band round rim and on handle, glazed edge to rim, with traces of gilding, cut off surface of spout also gilded. Cranes and flower heads are enamelled. Banko ware. | teapots | null | 56clay
| Edo Period | Asia, East Asia, Japan, Banko |
|
durom.1984.22 | 1984.22-ff.jpg | data/raw/images/oriental/1984 | Small globular teapot, large opening with high everted rim, double strap handle opposite spout, collar below rim, similar bands round spout and crosswire on base. Unglazed grey ware, lid has imitation basket work finish. Three cranes and flowers on sides of pot, brown stripes on band round rim and on handle, glazed edge to rim, with traces of gilding, cut off surface of spout also gilded. Cranes and flower heads are enamelled. Banko ware. | teapots | null | 56clay
| Edo Period | Asia, East Asia, Japan, Banko |
|
durom.1953.176 | 1953.176-ll.jpg | data/raw/images/egyptian/1953 | ball of white material, clay? Very light, with straw mixed in. | unidentified | unidentified object | 122pottery
| Roman Period | Egypt |
|
durom.1953.176 | 1953.176-ll.jpg | data/raw/images/egyptian/1953 | ball of white material, clay? Very light, with straw mixed in. | unidentified | unidentified object | 122pottery
| Roman Period | Egypt |
|
durom.1953.176 | 1953.176-ll.jpg | data/raw/images/egyptian/1953 | ball of white material, clay? Very light, with straw mixed in. | unidentified | unidentified object | 122pottery
| Roman Period | Egypt |
|
durom.1953.176 | 1953.176-ll.jpg | data/raw/images/egyptian/1953 | ball of white material, clay? Very light, with straw mixed in. | unidentified | unidentified object | 122pottery
| Roman Period | Egypt |
|
durom.1953.176 | 1953.176-ll.jpg | data/raw/images/egyptian/1953 | ball of white material, clay? Very light, with straw mixed in. | unidentified | unidentified object | 122pottery
| Roman Period | Egypt |
|
eg6435 | eg6435-bb.jpg | data/raw/images/egyptian/eg | Possible heart amulet, carved from wood to an oblong shape with a squared top, including an eyelet for hanging and decorated with gold leaf over a plaster base. Reverse of object is more flat than the front and has no gilding. The front shows the most signs of gilt-work, excluding a section on the middle which was worn away. | amulets | heart amulet | 161wood
| null | Egypt |
|
eg6435 | eg6435-bb.jpg | data/raw/images/egyptian/eg | Possible heart amulet, carved from wood to an oblong shape with a squared top, including an eyelet for hanging and decorated with gold leaf over a plaster base. Reverse of object is more flat than the front and has no gilding. The front shows the most signs of gilt-work, excluding a section on the middle which was worn away. | amulets | heart amulet | 161wood
| null | Egypt |
|
eg6435 | eg6435-bb.jpg | data/raw/images/egyptian/eg | Possible heart amulet, carved from wood to an oblong shape with a squared top, including an eyelet for hanging and decorated with gold leaf over a plaster base. Reverse of object is more flat than the front and has no gilding. The front shows the most signs of gilt-work, excluding a section on the middle which was worn away. | amulets | heart amulet | 161wood
| null | Egypt |
|
eg6435 | eg6435-bb.jpg | data/raw/images/egyptian/eg | Possible heart amulet, carved from wood to an oblong shape with a squared top, including an eyelet for hanging and decorated with gold leaf over a plaster base. Reverse of object is more flat than the front and has no gilding. The front shows the most signs of gilt-work, excluding a section on the middle which was worn away. | amulets | heart amulet | 161wood
| null | Egypt |
|
eg6435 | eg6435-bb.jpg | data/raw/images/egyptian/eg | Possible heart amulet, carved from wood to an oblong shape with a squared top, including an eyelet for hanging and decorated with gold leaf over a plaster base. Reverse of object is more flat than the front and has no gilding. The front shows the most signs of gilt-work, excluding a section on the middle which was worn away. | amulets | heart amulet | 161wood
| null | Egypt |
|
durom.2014.124 | durom.2014.124-tt.jpg | data/raw/images/oriental/2014 | Model of a bull in ceramic with a celadon glaze. The celadon has worn on the lower half of the body. There are piercings at the nostrils and in the ears. There is a notch on the back of the bull near to the head. The bulls facial features, ears, horns and tail are all indicated and all four legs look stable. There are two incised lines around the neck coming across the snout, which may be a bridle of some description | models | null | 121porcelain
| null | China |
|
durom.2014.124 | durom.2014.124-tt.jpg | data/raw/images/oriental/2014 | Model of a bull in ceramic with a celadon glaze. The celadon has worn on the lower half of the body. There are piercings at the nostrils and in the ears. There is a notch on the back of the bull near to the head. The bulls facial features, ears, horns and tail are all indicated and all four legs look stable. There are two incised lines around the neck coming across the snout, which may be a bridle of some description | models | null | 121porcelain
| null | China |
|
durom.2014.124 | durom.2014.124-tt.jpg | data/raw/images/oriental/2014 | Model of a bull in ceramic with a celadon glaze. The celadon has worn on the lower half of the body. There are piercings at the nostrils and in the ears. There is a notch on the back of the bull near to the head. The bulls facial features, ears, horns and tail are all indicated and all four legs look stable. There are two incised lines around the neck coming across the snout, which may be a bridle of some description | models | null | 121porcelain
| null | China |
|
durom.2014.124 | durom.2014.124-tt.jpg | data/raw/images/oriental/2014 | Model of a bull in ceramic with a celadon glaze. The celadon has worn on the lower half of the body. There are piercings at the nostrils and in the ears. There is a notch on the back of the bull near to the head. The bulls facial features, ears, horns and tail are all indicated and all four legs look stable. There are two incised lines around the neck coming across the snout, which may be a bridle of some description | models | null | 121porcelain
| null | China |
|
durom.2014.124 | durom.2014.124-tt.jpg | data/raw/images/oriental/2014 | Model of a bull in ceramic with a celadon glaze. The celadon has worn on the lower half of the body. There are piercings at the nostrils and in the ears. There is a notch on the back of the bull near to the head. The bulls facial features, ears, horns and tail are all indicated and all four legs look stable. There are two incised lines around the neck coming across the snout, which may be a bridle of some description | models | null | 121porcelain
| null | China |
|
eg5716 | eg5716-d3.jpg | data/raw/images/egyptian/eg | translucent green glass bracelet broken in two with ridges around the outside. Remains of a pale gold coating of some sort. | bracelets | bracelet | 75glass
| null | Egypt |
|
eg5716 | eg5716-d3.jpg | data/raw/images/egyptian/eg | translucent green glass bracelet broken in two with ridges around the outside. Remains of a pale gold coating of some sort. | bracelets | bracelet | 75glass
| null | Egypt |
|
eg5716 | eg5716-d3.jpg | data/raw/images/egyptian/eg | translucent green glass bracelet broken in two with ridges around the outside. Remains of a pale gold coating of some sort. | bracelets | bracelet | 75glass
| null | Egypt |
|
eg5716 | eg5716-d3.jpg | data/raw/images/egyptian/eg | translucent green glass bracelet broken in two with ridges around the outside. Remains of a pale gold coating of some sort. | bracelets | bracelet | 75glass
| null | Egypt |
|
eg5716 | eg5716-d3.jpg | data/raw/images/egyptian/eg | translucent green glass bracelet broken in two with ridges around the outside. Remains of a pale gold coating of some sort. | bracelets | bracelet | 75glass
| null | Egypt |
|
durma.2020.1.34 | durma.2020.1.34.o.jpg | data/raw/images/fulling_mill/2020 | A copper alloy jeton from France, from c. 14th‐15th century, weighing 1.1g. Known as a ‘Moor’s Head’ type, on the obverse there is a head right, hair bound; + 'AVE MARIA: GRACIA P', and on the reverse there is a double‐stranded arcuate cross fleury, central lis, cinquefoil in each quarter; + 'A/VE/MA/RI' | coins | null | 98metal
| Medieval and post-medieval | null |
|
durma.2020.1.34 | durma.2020.1.34.o.jpg | data/raw/images/fulling_mill/2020 | A copper alloy jeton from France, from c. 14th‐15th century, weighing 1.1g. Known as a ‘Moor’s Head’ type, on the obverse there is a head right, hair bound; + 'AVE MARIA: GRACIA P', and on the reverse there is a double‐stranded arcuate cross fleury, central lis, cinquefoil in each quarter; + 'A/VE/MA/RI' | coins | null | 98metal
| Medieval and post-medieval | null |
|
durma.2020.1.34 | durma.2020.1.34.o.jpg | data/raw/images/fulling_mill/2020 | A copper alloy jeton from France, from c. 14th‐15th century, weighing 1.1g. Known as a ‘Moor’s Head’ type, on the obverse there is a head right, hair bound; + 'AVE MARIA: GRACIA P', and on the reverse there is a double‐stranded arcuate cross fleury, central lis, cinquefoil in each quarter; + 'A/VE/MA/RI' | coins | null | 98metal
| Medieval and post-medieval | null |
|
durma.2020.1.34 | durma.2020.1.34.o.jpg | data/raw/images/fulling_mill/2020 | A copper alloy jeton from France, from c. 14th‐15th century, weighing 1.1g. Known as a ‘Moor’s Head’ type, on the obverse there is a head right, hair bound; + 'AVE MARIA: GRACIA P', and on the reverse there is a double‐stranded arcuate cross fleury, central lis, cinquefoil in each quarter; + 'A/VE/MA/RI' | coins | null | 98metal
| Medieval and post-medieval | null |
|
durma.2020.1.34 | durma.2020.1.34.o.jpg | data/raw/images/fulling_mill/2020 | A copper alloy jeton from France, from c. 14th‐15th century, weighing 1.1g. Known as a ‘Moor’s Head’ type, on the obverse there is a head right, hair bound; + 'AVE MARIA: GRACIA P', and on the reverse there is a double‐stranded arcuate cross fleury, central lis, cinquefoil in each quarter; + 'A/VE/MA/RI' | coins | null | 98metal
| Medieval and post-medieval | null |
|
durom.2011.12 | 2011.12.4.jpg | data/raw/images/oriental/2011 | For detail information of each badge, see [Notes]. | lanyards | 第29届奥林匹克运动会志愿者胸牌连纪念章 | 153textiles
| null | China |
|
durom.2011.12 | 2011.12.4.jpg | data/raw/images/oriental/2011 | For detail information of each badge, see [Notes]. | lanyards | 第29届奥林匹克运动会志愿者胸牌连纪念章 | 153textiles
| null | China |
|
durom.2011.12 | 2011.12.4.jpg | data/raw/images/oriental/2011 | For detail information of each badge, see [Notes]. | lanyards | 第29届奥林匹克运动会志愿者胸牌连纪念章 | 153textiles
| null | China |
|
durom.2011.12 | 2011.12.4.jpg | data/raw/images/oriental/2011 | For detail information of each badge, see [Notes]. | lanyards | 第29届奥林匹克运动会志愿者胸牌连纪念章 | 153textiles
| null | China |
|
durom.2011.12 | 2011.12.4.jpg | data/raw/images/oriental/2011 | For detail information of each badge, see [Notes]. | lanyards | 第29届奥林匹克运动会志愿者胸牌连纪念章 | 153textiles
| null | China |
|
durom.1960.1795 | 1960.1795.jpg | data/raw/images/oriental/1960 | in the form of a monkey with a water pot, bee and flower carved on top. | Water Pot | null | 85jade
| null | China |
|
durom.1960.1795 | 1960.1795.jpg | data/raw/images/oriental/1960 | in the form of a monkey with a water pot, bee and flower carved on top. | Water Pot | null | 85jade
| null | China |
|
durom.1960.1795 | 1960.1795.jpg | data/raw/images/oriental/1960 | in the form of a monkey with a water pot, bee and flower carved on top. | Water Pot | null | 85jade
| null | China |
|
durom.1960.1795 | 1960.1795.jpg | data/raw/images/oriental/1960 | in the form of a monkey with a water pot, bee and flower carved on top. | Water Pot | null | 85jade
| null | China |
|
durom.1960.1795 | 1960.1795.jpg | data/raw/images/oriental/1960 | in the form of a monkey with a water pot, bee and flower carved on top. | Water Pot | null | 85jade
| null | China |
|
durom.1969.406 | 1969.406-d007.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 108palm leaf
| null | Myanmar |
|
durom.1969.406 | 1969.406-d007.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 108palm leaf
| null | Myanmar |
|
durom.1969.406 | 1969.406-d007.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 108palm leaf
| null | Myanmar |
|
durom.1969.406 | 1969.406-d007.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 108palm leaf
| null | Myanmar |
|
durom.1969.406 | 1969.406-d007.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 108palm leaf
| null | Myanmar |
|
eg5231 | eg5231-n389-ll.jpg | data/raw/images/egyptian/eg | Copper alloy cat figurine seated on a wooden base, the tail curled round to the feet. The cat's eyes would have originally been incised, and the neck has an incised broad collar. There is a hole through the nose which would have taken a ring. Birch records that there is an impression on the top of the head to hold a scarab beetle | Animal Figurine | cat figurine | 44bronze
| Late Period | Egypt |
|
eg5231 | eg5231-n389-ll.jpg | data/raw/images/egyptian/eg | Copper alloy cat figurine seated on a wooden base, the tail curled round to the feet. The cat's eyes would have originally been incised, and the neck has an incised broad collar. There is a hole through the nose which would have taken a ring. Birch records that there is an impression on the top of the head to hold a scarab beetle | Animal Figurine | cat figurine | 44bronze
| Late Period | Egypt |
|
eg5231 | eg5231-n389-ll.jpg | data/raw/images/egyptian/eg | Copper alloy cat figurine seated on a wooden base, the tail curled round to the feet. The cat's eyes would have originally been incised, and the neck has an incised broad collar. There is a hole through the nose which would have taken a ring. Birch records that there is an impression on the top of the head to hold a scarab beetle | Animal Figurine | cat figurine | 44bronze
| Late Period | Egypt |
|
eg5231 | eg5231-n389-ll.jpg | data/raw/images/egyptian/eg | Copper alloy cat figurine seated on a wooden base, the tail curled round to the feet. The cat's eyes would have originally been incised, and the neck has an incised broad collar. There is a hole through the nose which would have taken a ring. Birch records that there is an impression on the top of the head to hold a scarab beetle | Animal Figurine | cat figurine | 44bronze
| Late Period | Egypt |
|
eg5231 | eg5231-n389-ll.jpg | data/raw/images/egyptian/eg | Copper alloy cat figurine seated on a wooden base, the tail curled round to the feet. The cat's eyes would have originally been incised, and the neck has an incised broad collar. There is a hole through the nose which would have taken a ring. Birch records that there is an impression on the top of the head to hold a scarab beetle | Animal Figurine | cat figurine | 44bronze
| Late Period | Egypt |
|
durom.2014.216 | 2014.216.jpg | data/raw/images/oriental/2014 | Black cord or string with a row of silver poppy head beads attached to a diamond shape with a floral decoration in the centre. The beads number eighteen in total and are interspersed with silver wire in between the beads and at the end of the necklace. The beads are wound through the cord as opposed to being suspended from it | necklaces | null | 138silver
| null | Al Ain |
|
durom.2014.216 | 2014.216.jpg | data/raw/images/oriental/2014 | Black cord or string with a row of silver poppy head beads attached to a diamond shape with a floral decoration in the centre. The beads number eighteen in total and are interspersed with silver wire in between the beads and at the end of the necklace. The beads are wound through the cord as opposed to being suspended from it | necklaces | null | 138silver
| null | Al Ain |
|
durom.2014.216 | 2014.216.jpg | data/raw/images/oriental/2014 | Black cord or string with a row of silver poppy head beads attached to a diamond shape with a floral decoration in the centre. The beads number eighteen in total and are interspersed with silver wire in between the beads and at the end of the necklace. The beads are wound through the cord as opposed to being suspended from it | necklaces | null | 138silver
| null | Al Ain |
|
durom.2014.216 | 2014.216.jpg | data/raw/images/oriental/2014 | Black cord or string with a row of silver poppy head beads attached to a diamond shape with a floral decoration in the centre. The beads number eighteen in total and are interspersed with silver wire in between the beads and at the end of the necklace. The beads are wound through the cord as opposed to being suspended from it | necklaces | null | 138silver
| null | Al Ain |
|
durom.2014.216 | 2014.216.jpg | data/raw/images/oriental/2014 | Black cord or string with a row of silver poppy head beads attached to a diamond shape with a floral decoration in the centre. The beads number eighteen in total and are interspersed with silver wire in between the beads and at the end of the necklace. The beads are wound through the cord as opposed to being suspended from it | necklaces | null | 138silver
| null | Al Ain |
|
durom.1960.3183 | durom.1960.3183-rr.jpg | data/raw/images/oriental/1960 | Carved blue stone seal with an image of a prowling white cat cameoed on the top. | Seal | null | 89lapis lazuli
| Qing | China |
|
durom.1960.3183 | durom.1960.3183-rr.jpg | data/raw/images/oriental/1960 | Carved blue stone seal with an image of a prowling white cat cameoed on the top. | Seal | null | 89lapis lazuli
| Qing | China |
|
durom.1960.3183 | durom.1960.3183-rr.jpg | data/raw/images/oriental/1960 | Carved blue stone seal with an image of a prowling white cat cameoed on the top. | Seal | null | 89lapis lazuli
| Qing | China |
|
durom.1960.3183 | durom.1960.3183-rr.jpg | data/raw/images/oriental/1960 | Carved blue stone seal with an image of a prowling white cat cameoed on the top. | Seal | null | 89lapis lazuli
| Qing | China |
|
durom.1960.3183 | durom.1960.3183-rr.jpg | data/raw/images/oriental/1960 | Carved blue stone seal with an image of a prowling white cat cameoed on the top. | Seal | null | 89lapis lazuli
| Qing | China |
|
durom.1977.105.88 | 1977.105.88.jpg | data/raw/images/oriental/1977 | Lantern slide showing Japanese woman wearing Kimono holding tea pot and tea cup on the tray, She wears Geta, wooden shoes. The document says as follows; "The dress worn by the Japanese is called a Kimono and reminds you in some ways of the English dressing gown. It is very similar for the men and women and in some of the country districts you have difficulties at first in distinguishing the one from the other. Wooden sandals are worn with white socks - the socks having a separate compartment for the big toe. The women wear a sash called the Obi and it is one of their most dear possessions being made of the finest silk. The hair is elaborately dressed and is done by professionals every 5 or 6 days. They use oil and silk thread to keep it in place and no pins. They also wear elaborate ornaments in the hair. | Slide | null | 75glass
| Meiji Period | Japan (country) |
|
durom.1977.105.88 | 1977.105.88.jpg | data/raw/images/oriental/1977 | Lantern slide showing Japanese woman wearing Kimono holding tea pot and tea cup on the tray, She wears Geta, wooden shoes. The document says as follows; "The dress worn by the Japanese is called a Kimono and reminds you in some ways of the English dressing gown. It is very similar for the men and women and in some of the country districts you have difficulties at first in distinguishing the one from the other. Wooden sandals are worn with white socks - the socks having a separate compartment for the big toe. The women wear a sash called the Obi and it is one of their most dear possessions being made of the finest silk. The hair is elaborately dressed and is done by professionals every 5 or 6 days. They use oil and silk thread to keep it in place and no pins. They also wear elaborate ornaments in the hair. | Slide | null | 75glass
| Meiji Period | Japan (country) |
|
durom.1977.105.88 | 1977.105.88.jpg | data/raw/images/oriental/1977 | Lantern slide showing Japanese woman wearing Kimono holding tea pot and tea cup on the tray, She wears Geta, wooden shoes. The document says as follows; "The dress worn by the Japanese is called a Kimono and reminds you in some ways of the English dressing gown. It is very similar for the men and women and in some of the country districts you have difficulties at first in distinguishing the one from the other. Wooden sandals are worn with white socks - the socks having a separate compartment for the big toe. The women wear a sash called the Obi and it is one of their most dear possessions being made of the finest silk. The hair is elaborately dressed and is done by professionals every 5 or 6 days. They use oil and silk thread to keep it in place and no pins. They also wear elaborate ornaments in the hair. | Slide | null | 75glass
| Meiji Period | Japan (country) |
|
durom.1977.105.88 | 1977.105.88.jpg | data/raw/images/oriental/1977 | Lantern slide showing Japanese woman wearing Kimono holding tea pot and tea cup on the tray, She wears Geta, wooden shoes. The document says as follows; "The dress worn by the Japanese is called a Kimono and reminds you in some ways of the English dressing gown. It is very similar for the men and women and in some of the country districts you have difficulties at first in distinguishing the one from the other. Wooden sandals are worn with white socks - the socks having a separate compartment for the big toe. The women wear a sash called the Obi and it is one of their most dear possessions being made of the finest silk. The hair is elaborately dressed and is done by professionals every 5 or 6 days. They use oil and silk thread to keep it in place and no pins. They also wear elaborate ornaments in the hair. | Slide | null | 75glass
| Meiji Period | Japan (country) |
|
durom.1977.105.88 | 1977.105.88.jpg | data/raw/images/oriental/1977 | Lantern slide showing Japanese woman wearing Kimono holding tea pot and tea cup on the tray, She wears Geta, wooden shoes. The document says as follows; "The dress worn by the Japanese is called a Kimono and reminds you in some ways of the English dressing gown. It is very similar for the men and women and in some of the country districts you have difficulties at first in distinguishing the one from the other. Wooden sandals are worn with white socks - the socks having a separate compartment for the big toe. The women wear a sash called the Obi and it is one of their most dear possessions being made of the finest silk. The hair is elaborately dressed and is done by professionals every 5 or 6 days. They use oil and silk thread to keep it in place and no pins. They also wear elaborate ornaments in the hair. | Slide | null | 75glass
| Meiji Period | Japan (country) |
|
durom.1969.8 | 1969.8-rr.jpg | data/raw/images/oriental/1969 | pre-Tang object, a hollow-moulded unglazed grey pottery model of a hen with feathers of the wings and tail briefly outlined by grooves. Reddish soil adheres to the body. | figures | 陶鸡 | 66earthenware
| Han dynasty | North China |
|
durom.1969.8 | 1969.8-rr.jpg | data/raw/images/oriental/1969 | pre-Tang object, a hollow-moulded unglazed grey pottery model of a hen with feathers of the wings and tail briefly outlined by grooves. Reddish soil adheres to the body. | figures | 陶鸡 | 66earthenware
| Han dynasty | North China |
|
durom.1969.8 | 1969.8-rr.jpg | data/raw/images/oriental/1969 | pre-Tang object, a hollow-moulded unglazed grey pottery model of a hen with feathers of the wings and tail briefly outlined by grooves. Reddish soil adheres to the body. | figures | 陶鸡 | 66earthenware
| Han dynasty | North China |
|
durom.1969.8 | 1969.8-rr.jpg | data/raw/images/oriental/1969 | pre-Tang object, a hollow-moulded unglazed grey pottery model of a hen with feathers of the wings and tail briefly outlined by grooves. Reddish soil adheres to the body. | figures | 陶鸡 | 66earthenware
| Han dynasty | North China |
|
durom.1969.8 | 1969.8-rr.jpg | data/raw/images/oriental/1969 | pre-Tang object, a hollow-moulded unglazed grey pottery model of a hen with feathers of the wings and tail briefly outlined by grooves. Reddish soil adheres to the body. | figures | 陶鸡 | 66earthenware
| Han dynasty | North China |
|
durom.1960.2704 | 1960.2704-d2.jpg | data/raw/images/oriental/1960 | Green nephrite carving of a Cong tube, used for ritual or burial purposes; there are 4 triangular projections at the exterior corner, each carved in low relief with Animal Mask pattern; between the projections inscribed with ancient characters. | null | 兽面纹玉琮 | 85jade
| null | China |
|
durom.1960.2704 | 1960.2704-d2.jpg | data/raw/images/oriental/1960 | Green nephrite carving of a Cong tube, used for ritual or burial purposes; there are 4 triangular projections at the exterior corner, each carved in low relief with Animal Mask pattern; between the projections inscribed with ancient characters. | null | 兽面纹玉琮 | 85jade
| null | China |
|
durom.1960.2704 | 1960.2704-d2.jpg | data/raw/images/oriental/1960 | Green nephrite carving of a Cong tube, used for ritual or burial purposes; there are 4 triangular projections at the exterior corner, each carved in low relief with Animal Mask pattern; between the projections inscribed with ancient characters. | null | 兽面纹玉琮 | 85jade
| null | China |
|
durom.1960.2704 | 1960.2704-d2.jpg | data/raw/images/oriental/1960 | Green nephrite carving of a Cong tube, used for ritual or burial purposes; there are 4 triangular projections at the exterior corner, each carved in low relief with Animal Mask pattern; between the projections inscribed with ancient characters. | null | 兽面纹玉琮 | 85jade
| null | China |
|
durom.1960.2704 | 1960.2704-d2.jpg | data/raw/images/oriental/1960 | Green nephrite carving of a Cong tube, used for ritual or burial purposes; there are 4 triangular projections at the exterior corner, each carved in low relief with Animal Mask pattern; between the projections inscribed with ancient characters. | null | 兽面纹玉琮 | 85jade
| null | China |
|
durom.1992.23 | 1992.23-rr.jpg | data/raw/images/oriental/1992 | Bronze belt hook in the shape of a pair of Chi dragon; onel with its head turning back as the hook, the other curled around at the other end; both Chi dragons have bifurcated tails. | Belt Hook | 蟠螭形青铜带钩 | 44bronze
| Han dynasty | China |
|
durom.1992.23 | 1992.23-rr.jpg | data/raw/images/oriental/1992 | Bronze belt hook in the shape of a pair of Chi dragon; onel with its head turning back as the hook, the other curled around at the other end; both Chi dragons have bifurcated tails. | Belt Hook | 蟠螭形青铜带钩 | 44bronze
| Han dynasty | China |
|
durom.1992.23 | 1992.23-rr.jpg | data/raw/images/oriental/1992 | Bronze belt hook in the shape of a pair of Chi dragon; onel with its head turning back as the hook, the other curled around at the other end; both Chi dragons have bifurcated tails. | Belt Hook | 蟠螭形青铜带钩 | 44bronze
| Han dynasty | China |
|
durom.1992.23 | 1992.23-rr.jpg | data/raw/images/oriental/1992 | Bronze belt hook in the shape of a pair of Chi dragon; onel with its head turning back as the hook, the other curled around at the other end; both Chi dragons have bifurcated tails. | Belt Hook | 蟠螭形青铜带钩 | 44bronze
| Han dynasty | China |
|
durom.1992.23 | 1992.23-rr.jpg | data/raw/images/oriental/1992 | Bronze belt hook in the shape of a pair of Chi dragon; onel with its head turning back as the hook, the other curled around at the other end; both Chi dragons have bifurcated tails. | Belt Hook | 蟠螭形青铜带钩 | 44bronze
| Han dynasty | China |
|
durom.1973.8.2 | 1973.8.2 d2.jpg | data/raw/images/oriental/1973 | Luristan bronze axe-head, handle is missing. | Axe Head | null | 44bronze
| null | Lorestan Province |
|
durom.1973.8.2 | 1973.8.2 d2.jpg | data/raw/images/oriental/1973 | Luristan bronze axe-head, handle is missing. | Axe Head | null | 44bronze
| null | Lorestan Province |
|
durom.1973.8.2 | 1973.8.2 d2.jpg | data/raw/images/oriental/1973 | Luristan bronze axe-head, handle is missing. | Axe Head | null | 44bronze
| null | Lorestan Province |
|
durom.1973.8.2 | 1973.8.2 d2.jpg | data/raw/images/oriental/1973 | Luristan bronze axe-head, handle is missing. | Axe Head | null | 44bronze
| null | Lorestan Province |
|
durom.1973.8.2 | 1973.8.2 d2.jpg | data/raw/images/oriental/1973 | Luristan bronze axe-head, handle is missing. | Axe Head | null | 44bronze
| null | Lorestan Province |
|
durom.1969.322 | 1969.322 tt.jpg | data/raw/images/oriental/1969 | Large porcelain jar with wooden lid in the form of a Temple Jar (or General's hat Jar/ Jiangjun gun/将军罐, by its Chinese name), covered with translucent glaze and decorated with underglaze blue enamel of the 'Guo Ziyi's birthday celebration' (Guo Ziyi he shou/郭子仪贺寿) motif. The neck, four of the Eight Precious Things, including the Horn, the Artemsia Leaf, the Open Lozenge, and the Jewel. At the foot of the neck there is a band of repeating linear pattern. The body, a scene of birthday celebration with 28 figures in a pavillion setting; another 4 figures outside the pavillion, 2 holding lamps and 2 holding some wrappings, probably birthday gifts. There is a garden scene with rocks and trees outside the pavillion. Around the bottom, a border of cloud pattern enclosed with double lines. The lid is topped with a pearl-shaped knob, underneath which there are 3 Cloud Collar patterns. The rest of the lid is decorated with openwork patterns of classic scroll design and floral design. The rim of the lid is solid with a carved border of repeating floral patterns. | jars | 青花郭子仪贺寿图将军罐 | 121porcelain
| Kangxi | Jingdezhen |
|
durom.1969.322 | 1969.322 tt.jpg | data/raw/images/oriental/1969 | Large porcelain jar with wooden lid in the form of a Temple Jar (or General's hat Jar/ Jiangjun gun/将军罐, by its Chinese name), covered with translucent glaze and decorated with underglaze blue enamel of the 'Guo Ziyi's birthday celebration' (Guo Ziyi he shou/郭子仪贺寿) motif. The neck, four of the Eight Precious Things, including the Horn, the Artemsia Leaf, the Open Lozenge, and the Jewel. At the foot of the neck there is a band of repeating linear pattern. The body, a scene of birthday celebration with 28 figures in a pavillion setting; another 4 figures outside the pavillion, 2 holding lamps and 2 holding some wrappings, probably birthday gifts. There is a garden scene with rocks and trees outside the pavillion. Around the bottom, a border of cloud pattern enclosed with double lines. The lid is topped with a pearl-shaped knob, underneath which there are 3 Cloud Collar patterns. The rest of the lid is decorated with openwork patterns of classic scroll design and floral design. The rim of the lid is solid with a carved border of repeating floral patterns. | jars | 青花郭子仪贺寿图将军罐 | 121porcelain
| Kangxi | Jingdezhen |
|
durom.1969.322 | 1969.322 tt.jpg | data/raw/images/oriental/1969 | Large porcelain jar with wooden lid in the form of a Temple Jar (or General's hat Jar/ Jiangjun gun/将军罐, by its Chinese name), covered with translucent glaze and decorated with underglaze blue enamel of the 'Guo Ziyi's birthday celebration' (Guo Ziyi he shou/郭子仪贺寿) motif. The neck, four of the Eight Precious Things, including the Horn, the Artemsia Leaf, the Open Lozenge, and the Jewel. At the foot of the neck there is a band of repeating linear pattern. The body, a scene of birthday celebration with 28 figures in a pavillion setting; another 4 figures outside the pavillion, 2 holding lamps and 2 holding some wrappings, probably birthday gifts. There is a garden scene with rocks and trees outside the pavillion. Around the bottom, a border of cloud pattern enclosed with double lines. The lid is topped with a pearl-shaped knob, underneath which there are 3 Cloud Collar patterns. The rest of the lid is decorated with openwork patterns of classic scroll design and floral design. The rim of the lid is solid with a carved border of repeating floral patterns. | jars | 青花郭子仪贺寿图将军罐 | 121porcelain
| Kangxi | Jingdezhen |
|
durom.1969.322 | 1969.322 tt.jpg | data/raw/images/oriental/1969 | Large porcelain jar with wooden lid in the form of a Temple Jar (or General's hat Jar/ Jiangjun gun/将军罐, by its Chinese name), covered with translucent glaze and decorated with underglaze blue enamel of the 'Guo Ziyi's birthday celebration' (Guo Ziyi he shou/郭子仪贺寿) motif. The neck, four of the Eight Precious Things, including the Horn, the Artemsia Leaf, the Open Lozenge, and the Jewel. At the foot of the neck there is a band of repeating linear pattern. The body, a scene of birthday celebration with 28 figures in a pavillion setting; another 4 figures outside the pavillion, 2 holding lamps and 2 holding some wrappings, probably birthday gifts. There is a garden scene with rocks and trees outside the pavillion. Around the bottom, a border of cloud pattern enclosed with double lines. The lid is topped with a pearl-shaped knob, underneath which there are 3 Cloud Collar patterns. The rest of the lid is decorated with openwork patterns of classic scroll design and floral design. The rim of the lid is solid with a carved border of repeating floral patterns. | jars | 青花郭子仪贺寿图将军罐 | 121porcelain
| Kangxi | Jingdezhen |
|
durom.1969.322 | 1969.322 tt.jpg | data/raw/images/oriental/1969 | Large porcelain jar with wooden lid in the form of a Temple Jar (or General's hat Jar/ Jiangjun gun/将军罐, by its Chinese name), covered with translucent glaze and decorated with underglaze blue enamel of the 'Guo Ziyi's birthday celebration' (Guo Ziyi he shou/郭子仪贺寿) motif. The neck, four of the Eight Precious Things, including the Horn, the Artemsia Leaf, the Open Lozenge, and the Jewel. At the foot of the neck there is a band of repeating linear pattern. The body, a scene of birthday celebration with 28 figures in a pavillion setting; another 4 figures outside the pavillion, 2 holding lamps and 2 holding some wrappings, probably birthday gifts. There is a garden scene with rocks and trees outside the pavillion. Around the bottom, a border of cloud pattern enclosed with double lines. The lid is topped with a pearl-shaped knob, underneath which there are 3 Cloud Collar patterns. The rest of the lid is decorated with openwork patterns of classic scroll design and floral design. The rim of the lid is solid with a carved border of repeating floral patterns. | jars | 青花郭子仪贺寿图将军罐 | 121porcelain
| Kangxi | Jingdezhen |