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durom.1969.356 | durom.1969.356-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase in the shape of a 'garlic vase', decorated with underglaze blue pattern in horse and floral design. Export ware. | vases | 青花什锦纹蒜头瓶 | 115porcelain
| Wanli | Zhangzhou |
|
durom.1969.356 | durom.1969.356-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase in the shape of a 'garlic vase', decorated with underglaze blue pattern in horse and floral design. Export ware. | vases | 青花什锦纹蒜头瓶 | 115porcelain
| Wanli | Zhangzhou |
|
durom.1969.356 | durom.1969.356-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase in the shape of a 'garlic vase', decorated with underglaze blue pattern in horse and floral design. Export ware. | vases | 青花什锦纹蒜头瓶 | 115porcelain
| Wanli | Zhangzhou |
|
durom.1969.356 | durom.1969.356-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase in the shape of a 'garlic vase', decorated with underglaze blue pattern in horse and floral design. Export ware. | vases | 青花什锦纹蒜头瓶 | 115porcelain
| Wanli | Zhangzhou |
|
durom.1969.356 | durom.1969.356-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase in the shape of a 'garlic vase', decorated with underglaze blue pattern in horse and floral design. Export ware. | vases | 青花什锦纹蒜头瓶 | 115porcelain
| Wanli | Zhangzhou |
|
durom.2014.1.55 | 2014.1.55 bb.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Dark grey, slightly curved flint with wear along the edges. One side smooth. Used as a blade tool. | blades | null | 5Flint/Chert
| Neolithic Period | Egypt |
|
durom.2014.1.55 | 2014.1.55 bb.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Dark grey, slightly curved flint with wear along the edges. One side smooth. Used as a blade tool. | blades | null | 5Flint/Chert
| Neolithic Period | Egypt |
|
durom.2014.1.55 | 2014.1.55 bb.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Dark grey, slightly curved flint with wear along the edges. One side smooth. Used as a blade tool. | blades | null | 5Flint/Chert
| Neolithic Period | Egypt |
|
durom.2014.1.55 | 2014.1.55 bb.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Dark grey, slightly curved flint with wear along the edges. One side smooth. Used as a blade tool. | blades | null | 5Flint/Chert
| Neolithic Period | Egypt |
|
durom.2014.1.55 | 2014.1.55 bb.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Dark grey, slightly curved flint with wear along the edges. One side smooth. Used as a blade tool. | blades | null | 5Flint/Chert
| Neolithic Period | Egypt |
|
duruc.2016.44 | duruc.2016.44-tt.jpg | data/raw/images/castle/2016 | A rose bowl with a wire mesh cover that sits on an internal lip. Rim is decorated with a gadrooned border. Inscribed along the base: ’A.I.F.S. 1972’. Two ring handles are attached in the mouth of lion head fittings. Mesh cover is separate from the main body. A.I.F.S. is the American Institute for Foreign Studies. | rose bowls | null | 93metal
| null | null |
|
duruc.2016.44 | duruc.2016.44-tt.jpg | data/raw/images/castle/2016 | A rose bowl with a wire mesh cover that sits on an internal lip. Rim is decorated with a gadrooned border. Inscribed along the base: ’A.I.F.S. 1972’. Two ring handles are attached in the mouth of lion head fittings. Mesh cover is separate from the main body. A.I.F.S. is the American Institute for Foreign Studies. | rose bowls | null | 93metal
| null | null |
|
duruc.2016.44 | duruc.2016.44-tt.jpg | data/raw/images/castle/2016 | A rose bowl with a wire mesh cover that sits on an internal lip. Rim is decorated with a gadrooned border. Inscribed along the base: ’A.I.F.S. 1972’. Two ring handles are attached in the mouth of lion head fittings. Mesh cover is separate from the main body. A.I.F.S. is the American Institute for Foreign Studies. | rose bowls | null | 93metal
| null | null |
|
duruc.2016.44 | duruc.2016.44-tt.jpg | data/raw/images/castle/2016 | A rose bowl with a wire mesh cover that sits on an internal lip. Rim is decorated with a gadrooned border. Inscribed along the base: ’A.I.F.S. 1972’. Two ring handles are attached in the mouth of lion head fittings. Mesh cover is separate from the main body. A.I.F.S. is the American Institute for Foreign Studies. | rose bowls | null | 93metal
| null | null |
|
duruc.2016.44 | duruc.2016.44-tt.jpg | data/raw/images/castle/2016 | A rose bowl with a wire mesh cover that sits on an internal lip. Rim is decorated with a gadrooned border. Inscribed along the base: ’A.I.F.S. 1972’. Two ring handles are attached in the mouth of lion head fittings. Mesh cover is separate from the main body. A.I.F.S. is the American Institute for Foreign Studies. | rose bowls | null | 93metal
| null | null |
|
durom.1977.82 | durom.1977.82-ll.jpg | data/raw/images/oriental/1977 | lacquered wooden figure of a demon (Oni) with red coloured flesh, tiger fur effect leg warmers and skirt, shoulder and back covering decorated with dragons among clouds. The demon has three fingered hands and three toed feet. He has inlaid eyes, two short horns and short bristly hair attached. | figures | null | 150wood
| null | Japan (country) |
|
durom.1977.82 | durom.1977.82-ll.jpg | data/raw/images/oriental/1977 | lacquered wooden figure of a demon (Oni) with red coloured flesh, tiger fur effect leg warmers and skirt, shoulder and back covering decorated with dragons among clouds. The demon has three fingered hands and three toed feet. He has inlaid eyes, two short horns and short bristly hair attached. | figures | null | 150wood
| null | Japan (country) |
|
durom.1977.82 | durom.1977.82-ll.jpg | data/raw/images/oriental/1977 | lacquered wooden figure of a demon (Oni) with red coloured flesh, tiger fur effect leg warmers and skirt, shoulder and back covering decorated with dragons among clouds. The demon has three fingered hands and three toed feet. He has inlaid eyes, two short horns and short bristly hair attached. | figures | null | 150wood
| null | Japan (country) |
|
durom.1977.82 | durom.1977.82-ll.jpg | data/raw/images/oriental/1977 | lacquered wooden figure of a demon (Oni) with red coloured flesh, tiger fur effect leg warmers and skirt, shoulder and back covering decorated with dragons among clouds. The demon has three fingered hands and three toed feet. He has inlaid eyes, two short horns and short bristly hair attached. | figures | null | 150wood
| null | Japan (country) |
|
durom.1977.82 | durom.1977.82-ll.jpg | data/raw/images/oriental/1977 | lacquered wooden figure of a demon (Oni) with red coloured flesh, tiger fur effect leg warmers and skirt, shoulder and back covering decorated with dragons among clouds. The demon has three fingered hands and three toed feet. He has inlaid eyes, two short horns and short bristly hair attached. | figures | null | 150wood
| null | Japan (country) |
|
durma.2020.3.52 | durma.2020.3.52-bb.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy hinged Headstud (Mackreth's Headstud Type 4) bow brooch dating to the late first or second century AD, part of the Piercebridge River Assemblage. The brooch possesses an integral head loop and extends to flat, rectangular wings which conceal a cylindrical extension plates to secure an axis bar and hinged pin. The pin and axis bar are intact. The wings are decorated with vertical ribs and grooves. The bow is distorted but rectangular in plan, tapering slightly to a forward-facing foot. At the top of the bow is a headstud, with central circular knop. The remainder of the bow is separated into a series of rectangular cells. These are empty or filled with discoloured enamel. The catchplate is trapezoidal and runs nearly the full length of the bow. The brooch measures 55mm in length. The wings measure 19mm in width. The bow at its widest measures 8mm in width and the foot measures 7mm in width. Compare with Butcher and Bayley's Type 149 - a simple hinged Headstud brooch with a fixed headloop (Butcher and Bayley 2004, 165) and Mackreth 2011, Vol. II, 75, no. 11860. Mackreth notes that the 'dating runs from the last quarter of the first century into the second with little sign that any should be dated after 125.'This brooch is distorted and may have been subject to fire or intense heat. | brooches | Headstud (Mackreth's Headstud Type 4) bow brooch | 93metal
| Roman | null |
|
durma.2020.3.52 | durma.2020.3.52-bb.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy hinged Headstud (Mackreth's Headstud Type 4) bow brooch dating to the late first or second century AD, part of the Piercebridge River Assemblage. The brooch possesses an integral head loop and extends to flat, rectangular wings which conceal a cylindrical extension plates to secure an axis bar and hinged pin. The pin and axis bar are intact. The wings are decorated with vertical ribs and grooves. The bow is distorted but rectangular in plan, tapering slightly to a forward-facing foot. At the top of the bow is a headstud, with central circular knop. The remainder of the bow is separated into a series of rectangular cells. These are empty or filled with discoloured enamel. The catchplate is trapezoidal and runs nearly the full length of the bow. The brooch measures 55mm in length. The wings measure 19mm in width. The bow at its widest measures 8mm in width and the foot measures 7mm in width. Compare with Butcher and Bayley's Type 149 - a simple hinged Headstud brooch with a fixed headloop (Butcher and Bayley 2004, 165) and Mackreth 2011, Vol. II, 75, no. 11860. Mackreth notes that the 'dating runs from the last quarter of the first century into the second with little sign that any should be dated after 125.'This brooch is distorted and may have been subject to fire or intense heat. | brooches | Headstud (Mackreth's Headstud Type 4) bow brooch | 93metal
| Roman | null |
|
durma.2020.3.52 | durma.2020.3.52-bb.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy hinged Headstud (Mackreth's Headstud Type 4) bow brooch dating to the late first or second century AD, part of the Piercebridge River Assemblage. The brooch possesses an integral head loop and extends to flat, rectangular wings which conceal a cylindrical extension plates to secure an axis bar and hinged pin. The pin and axis bar are intact. The wings are decorated with vertical ribs and grooves. The bow is distorted but rectangular in plan, tapering slightly to a forward-facing foot. At the top of the bow is a headstud, with central circular knop. The remainder of the bow is separated into a series of rectangular cells. These are empty or filled with discoloured enamel. The catchplate is trapezoidal and runs nearly the full length of the bow. The brooch measures 55mm in length. The wings measure 19mm in width. The bow at its widest measures 8mm in width and the foot measures 7mm in width. Compare with Butcher and Bayley's Type 149 - a simple hinged Headstud brooch with a fixed headloop (Butcher and Bayley 2004, 165) and Mackreth 2011, Vol. II, 75, no. 11860. Mackreth notes that the 'dating runs from the last quarter of the first century into the second with little sign that any should be dated after 125.'This brooch is distorted and may have been subject to fire or intense heat. | brooches | Headstud (Mackreth's Headstud Type 4) bow brooch | 93metal
| Roman | null |
|
durma.2020.3.52 | durma.2020.3.52-bb.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy hinged Headstud (Mackreth's Headstud Type 4) bow brooch dating to the late first or second century AD, part of the Piercebridge River Assemblage. The brooch possesses an integral head loop and extends to flat, rectangular wings which conceal a cylindrical extension plates to secure an axis bar and hinged pin. The pin and axis bar are intact. The wings are decorated with vertical ribs and grooves. The bow is distorted but rectangular in plan, tapering slightly to a forward-facing foot. At the top of the bow is a headstud, with central circular knop. The remainder of the bow is separated into a series of rectangular cells. These are empty or filled with discoloured enamel. The catchplate is trapezoidal and runs nearly the full length of the bow. The brooch measures 55mm in length. The wings measure 19mm in width. The bow at its widest measures 8mm in width and the foot measures 7mm in width. Compare with Butcher and Bayley's Type 149 - a simple hinged Headstud brooch with a fixed headloop (Butcher and Bayley 2004, 165) and Mackreth 2011, Vol. II, 75, no. 11860. Mackreth notes that the 'dating runs from the last quarter of the first century into the second with little sign that any should be dated after 125.'This brooch is distorted and may have been subject to fire or intense heat. | brooches | Headstud (Mackreth's Headstud Type 4) bow brooch | 93metal
| Roman | null |
|
durma.2020.3.52 | durma.2020.3.52-bb.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy hinged Headstud (Mackreth's Headstud Type 4) bow brooch dating to the late first or second century AD, part of the Piercebridge River Assemblage. The brooch possesses an integral head loop and extends to flat, rectangular wings which conceal a cylindrical extension plates to secure an axis bar and hinged pin. The pin and axis bar are intact. The wings are decorated with vertical ribs and grooves. The bow is distorted but rectangular in plan, tapering slightly to a forward-facing foot. At the top of the bow is a headstud, with central circular knop. The remainder of the bow is separated into a series of rectangular cells. These are empty or filled with discoloured enamel. The catchplate is trapezoidal and runs nearly the full length of the bow. The brooch measures 55mm in length. The wings measure 19mm in width. The bow at its widest measures 8mm in width and the foot measures 7mm in width. Compare with Butcher and Bayley's Type 149 - a simple hinged Headstud brooch with a fixed headloop (Butcher and Bayley 2004, 165) and Mackreth 2011, Vol. II, 75, no. 11860. Mackreth notes that the 'dating runs from the last quarter of the first century into the second with little sign that any should be dated after 125.'This brooch is distorted and may have been subject to fire or intense heat. | brooches | Headstud (Mackreth's Headstud Type 4) bow brooch | 93metal
| Roman | null |
|
durom.2001.121.34 | 2001.121.34.jpg | data/raw/images/oriental/2001 | Colour printed playing card of the 2 in diamonds, with a photography showing a junk on sea in a beautiful background of sunset. | cards | 香港名胜图案扑克牌 | 47cards
| null | Hong Kong |
|
durom.2001.121.34 | 2001.121.34.jpg | data/raw/images/oriental/2001 | Colour printed playing card of the 2 in diamonds, with a photography showing a junk on sea in a beautiful background of sunset. | cards | 香港名胜图案扑克牌 | 47cards
| null | Hong Kong |
|
durom.2001.121.34 | 2001.121.34.jpg | data/raw/images/oriental/2001 | Colour printed playing card of the 2 in diamonds, with a photography showing a junk on sea in a beautiful background of sunset. | cards | 香港名胜图案扑克牌 | 47cards
| null | Hong Kong |
|
durom.2001.121.34 | 2001.121.34.jpg | data/raw/images/oriental/2001 | Colour printed playing card of the 2 in diamonds, with a photography showing a junk on sea in a beautiful background of sunset. | cards | 香港名胜图案扑克牌 | 47cards
| null | Hong Kong |
|
durom.2001.121.34 | 2001.121.34.jpg | data/raw/images/oriental/2001 | Colour printed playing card of the 2 in diamonds, with a photography showing a junk on sea in a beautiful background of sunset. | cards | 香港名胜图案扑克牌 | 47cards
| null | Hong Kong |
|
durom.1969.474 | 1969.474-bb.jpg | data/raw/images/oriental/1969 | Lacquer box with cover in the shape of a peach, richly decorated with carved patterns. Cover, a 'Chun' (春, spring) character in the centre of the box; the centre of the upper part of the character is decorated with the figure of Shou Xing (or Shou lao, Taoist god of longevity) sitting under a pine tree in a rockery scene, the scene is enclosed in a circle. The stroke of the Chun character is filled with repeating trellis patterns. On both sides of the Chun character, a five-claw dragon facing towards the character. Below the Chun character, there is a large basin containing the Eight Emblems. The emblems are a mixture of the Eight Buddhist Emblems, the Eight Precious Things, and some folk auspicious emblems, arranged in a symmetric order. Centred at the Entrails, the Chakra, and the Cash coin, the sequence of the emblems are: the Rhinoceros Horn, the Ruyi lappet, the Book (Scroll), the Coral, the Open Lozenge, another Ruyi Lappet and another Rhinoceros Horn, another two Cash Coins, and the Castanets. The background of the cover is carved with clouds, edged with a border of classic scroll patterns. On the sides of the cover and on the exterior sides of the box, sprays of peaches on a floral background. The body of the peaches are fillled with different trellis pattern grounds. The lacquer of the box has five coloured layers, the surface layer red and the followings are black, brown, purple, and the base layer is brownish-orange. The base layer on the cover is also carved with geometric, striation, and Swatiska patterns at different places. The interior of the box and cover and the base of the box are covered with black lacquer. The box is partly chipped. | Box | 剔彩锦地八宝纹春字桃形盖盒 | 84lacquer
| Qianlong | China |
|
durom.1969.474 | 1969.474-bb.jpg | data/raw/images/oriental/1969 | Lacquer box with cover in the shape of a peach, richly decorated with carved patterns. Cover, a 'Chun' (春, spring) character in the centre of the box; the centre of the upper part of the character is decorated with the figure of Shou Xing (or Shou lao, Taoist god of longevity) sitting under a pine tree in a rockery scene, the scene is enclosed in a circle. The stroke of the Chun character is filled with repeating trellis patterns. On both sides of the Chun character, a five-claw dragon facing towards the character. Below the Chun character, there is a large basin containing the Eight Emblems. The emblems are a mixture of the Eight Buddhist Emblems, the Eight Precious Things, and some folk auspicious emblems, arranged in a symmetric order. Centred at the Entrails, the Chakra, and the Cash coin, the sequence of the emblems are: the Rhinoceros Horn, the Ruyi lappet, the Book (Scroll), the Coral, the Open Lozenge, another Ruyi Lappet and another Rhinoceros Horn, another two Cash Coins, and the Castanets. The background of the cover is carved with clouds, edged with a border of classic scroll patterns. On the sides of the cover and on the exterior sides of the box, sprays of peaches on a floral background. The body of the peaches are fillled with different trellis pattern grounds. The lacquer of the box has five coloured layers, the surface layer red and the followings are black, brown, purple, and the base layer is brownish-orange. The base layer on the cover is also carved with geometric, striation, and Swatiska patterns at different places. The interior of the box and cover and the base of the box are covered with black lacquer. The box is partly chipped. | Box | 剔彩锦地八宝纹春字桃形盖盒 | 84lacquer
| Qianlong | China |
|
durom.1969.474 | 1969.474-bb.jpg | data/raw/images/oriental/1969 | Lacquer box with cover in the shape of a peach, richly decorated with carved patterns. Cover, a 'Chun' (春, spring) character in the centre of the box; the centre of the upper part of the character is decorated with the figure of Shou Xing (or Shou lao, Taoist god of longevity) sitting under a pine tree in a rockery scene, the scene is enclosed in a circle. The stroke of the Chun character is filled with repeating trellis patterns. On both sides of the Chun character, a five-claw dragon facing towards the character. Below the Chun character, there is a large basin containing the Eight Emblems. The emblems are a mixture of the Eight Buddhist Emblems, the Eight Precious Things, and some folk auspicious emblems, arranged in a symmetric order. Centred at the Entrails, the Chakra, and the Cash coin, the sequence of the emblems are: the Rhinoceros Horn, the Ruyi lappet, the Book (Scroll), the Coral, the Open Lozenge, another Ruyi Lappet and another Rhinoceros Horn, another two Cash Coins, and the Castanets. The background of the cover is carved with clouds, edged with a border of classic scroll patterns. On the sides of the cover and on the exterior sides of the box, sprays of peaches on a floral background. The body of the peaches are fillled with different trellis pattern grounds. The lacquer of the box has five coloured layers, the surface layer red and the followings are black, brown, purple, and the base layer is brownish-orange. The base layer on the cover is also carved with geometric, striation, and Swatiska patterns at different places. The interior of the box and cover and the base of the box are covered with black lacquer. The box is partly chipped. | Box | 剔彩锦地八宝纹春字桃形盖盒 | 84lacquer
| Qianlong | China |
|
durom.1969.474 | 1969.474-bb.jpg | data/raw/images/oriental/1969 | Lacquer box with cover in the shape of a peach, richly decorated with carved patterns. Cover, a 'Chun' (春, spring) character in the centre of the box; the centre of the upper part of the character is decorated with the figure of Shou Xing (or Shou lao, Taoist god of longevity) sitting under a pine tree in a rockery scene, the scene is enclosed in a circle. The stroke of the Chun character is filled with repeating trellis patterns. On both sides of the Chun character, a five-claw dragon facing towards the character. Below the Chun character, there is a large basin containing the Eight Emblems. The emblems are a mixture of the Eight Buddhist Emblems, the Eight Precious Things, and some folk auspicious emblems, arranged in a symmetric order. Centred at the Entrails, the Chakra, and the Cash coin, the sequence of the emblems are: the Rhinoceros Horn, the Ruyi lappet, the Book (Scroll), the Coral, the Open Lozenge, another Ruyi Lappet and another Rhinoceros Horn, another two Cash Coins, and the Castanets. The background of the cover is carved with clouds, edged with a border of classic scroll patterns. On the sides of the cover and on the exterior sides of the box, sprays of peaches on a floral background. The body of the peaches are fillled with different trellis pattern grounds. The lacquer of the box has five coloured layers, the surface layer red and the followings are black, brown, purple, and the base layer is brownish-orange. The base layer on the cover is also carved with geometric, striation, and Swatiska patterns at different places. The interior of the box and cover and the base of the box are covered with black lacquer. The box is partly chipped. | Box | 剔彩锦地八宝纹春字桃形盖盒 | 84lacquer
| Qianlong | China |
|
durom.1969.474 | 1969.474-bb.jpg | data/raw/images/oriental/1969 | Lacquer box with cover in the shape of a peach, richly decorated with carved patterns. Cover, a 'Chun' (春, spring) character in the centre of the box; the centre of the upper part of the character is decorated with the figure of Shou Xing (or Shou lao, Taoist god of longevity) sitting under a pine tree in a rockery scene, the scene is enclosed in a circle. The stroke of the Chun character is filled with repeating trellis patterns. On both sides of the Chun character, a five-claw dragon facing towards the character. Below the Chun character, there is a large basin containing the Eight Emblems. The emblems are a mixture of the Eight Buddhist Emblems, the Eight Precious Things, and some folk auspicious emblems, arranged in a symmetric order. Centred at the Entrails, the Chakra, and the Cash coin, the sequence of the emblems are: the Rhinoceros Horn, the Ruyi lappet, the Book (Scroll), the Coral, the Open Lozenge, another Ruyi Lappet and another Rhinoceros Horn, another two Cash Coins, and the Castanets. The background of the cover is carved with clouds, edged with a border of classic scroll patterns. On the sides of the cover and on the exterior sides of the box, sprays of peaches on a floral background. The body of the peaches are fillled with different trellis pattern grounds. The lacquer of the box has five coloured layers, the surface layer red and the followings are black, brown, purple, and the base layer is brownish-orange. The base layer on the cover is also carved with geometric, striation, and Swatiska patterns at different places. The interior of the box and cover and the base of the box are covered with black lacquer. The box is partly chipped. | Box | 剔彩锦地八宝纹春字桃形盖盒 | 84lacquer
| Qianlong | China |
|
durom.1995.85 | 1995.85-uu.jpg | data/raw/images/oriental/1995 | Grey and brown nephrite jade in the shape of a crawling dog with a hole in the mouth. | Pendant | 白玉犬形佩 | 96nephrite
| early Song Dynasty | China |
|
durom.1995.85 | 1995.85-uu.jpg | data/raw/images/oriental/1995 | Grey and brown nephrite jade in the shape of a crawling dog with a hole in the mouth. | Pendant | 白玉犬形佩 | 96nephrite
| early Song Dynasty | China |
|
durom.1995.85 | 1995.85-uu.jpg | data/raw/images/oriental/1995 | Grey and brown nephrite jade in the shape of a crawling dog with a hole in the mouth. | Pendant | 白玉犬形佩 | 96nephrite
| early Song Dynasty | China |
|
durom.1995.85 | 1995.85-uu.jpg | data/raw/images/oriental/1995 | Grey and brown nephrite jade in the shape of a crawling dog with a hole in the mouth. | Pendant | 白玉犬形佩 | 96nephrite
| early Song Dynasty | China |
|
durom.1995.85 | 1995.85-uu.jpg | data/raw/images/oriental/1995 | Grey and brown nephrite jade in the shape of a crawling dog with a hole in the mouth. | Pendant | 白玉犬形佩 | 96nephrite
| early Song Dynasty | China |
|
durom.2014.317 | 2014.317 uu.jpg | data/raw/images/oriental/2014 | Modern Sarawak tall white ceramic vase with a moulded raised decoration. The vase shows a man squatting in front of a traditional long house holding a blow pipe to his mouth, a basket on his back, a head-hunter's sword at his hip and a small container for the darts near to the sword. He has elongated earlobes and the short crop hair that is typical of the Sarawak tribes. There is a slightly flared rim and the body tapers down into a flat base. There is a seam line running through the vase, possibly where two smaller vases have been stitched together to create this taller example | vases | null | 115porcelain
| null | Miri |
|
durom.2014.317 | 2014.317 uu.jpg | data/raw/images/oriental/2014 | Modern Sarawak tall white ceramic vase with a moulded raised decoration. The vase shows a man squatting in front of a traditional long house holding a blow pipe to his mouth, a basket on his back, a head-hunter's sword at his hip and a small container for the darts near to the sword. He has elongated earlobes and the short crop hair that is typical of the Sarawak tribes. There is a slightly flared rim and the body tapers down into a flat base. There is a seam line running through the vase, possibly where two smaller vases have been stitched together to create this taller example | vases | null | 115porcelain
| null | Miri |
|
durom.2014.317 | 2014.317 uu.jpg | data/raw/images/oriental/2014 | Modern Sarawak tall white ceramic vase with a moulded raised decoration. The vase shows a man squatting in front of a traditional long house holding a blow pipe to his mouth, a basket on his back, a head-hunter's sword at his hip and a small container for the darts near to the sword. He has elongated earlobes and the short crop hair that is typical of the Sarawak tribes. There is a slightly flared rim and the body tapers down into a flat base. There is a seam line running through the vase, possibly where two smaller vases have been stitched together to create this taller example | vases | null | 115porcelain
| null | Miri |
|
durom.2014.317 | 2014.317 uu.jpg | data/raw/images/oriental/2014 | Modern Sarawak tall white ceramic vase with a moulded raised decoration. The vase shows a man squatting in front of a traditional long house holding a blow pipe to his mouth, a basket on his back, a head-hunter's sword at his hip and a small container for the darts near to the sword. He has elongated earlobes and the short crop hair that is typical of the Sarawak tribes. There is a slightly flared rim and the body tapers down into a flat base. There is a seam line running through the vase, possibly where two smaller vases have been stitched together to create this taller example | vases | null | 115porcelain
| null | Miri |
|
durom.2014.317 | 2014.317 uu.jpg | data/raw/images/oriental/2014 | Modern Sarawak tall white ceramic vase with a moulded raised decoration. The vase shows a man squatting in front of a traditional long house holding a blow pipe to his mouth, a basket on his back, a head-hunter's sword at his hip and a small container for the darts near to the sword. He has elongated earlobes and the short crop hair that is typical of the Sarawak tribes. There is a slightly flared rim and the body tapers down into a flat base. There is a seam line running through the vase, possibly where two smaller vases have been stitched together to create this taller example | vases | null | 115porcelain
| null | Miri |
|
durom.2014.467 | 2014.467-bb.jpg | data/raw/images/oriental/2014 | Red square shawl with a printed design on the surface. The decoration consists of a central cream coloured square with soft corners and a border of flowers and foliage. In the centre of the square are small yellow and red dots with radiating lines around the edges of the dots. Outside of this square is a plain section that leads to an inner border of elaborately stylised floral and foliage designs. The outer border consists of red ovals with interwoven and overlapping lines near to the edges. | shawls | null | 60cotton
| null | India |
|
durom.2014.467 | 2014.467-bb.jpg | data/raw/images/oriental/2014 | Red square shawl with a printed design on the surface. The decoration consists of a central cream coloured square with soft corners and a border of flowers and foliage. In the centre of the square are small yellow and red dots with radiating lines around the edges of the dots. Outside of this square is a plain section that leads to an inner border of elaborately stylised floral and foliage designs. The outer border consists of red ovals with interwoven and overlapping lines near to the edges. | shawls | null | 60cotton
| null | India |
|
durom.2014.467 | 2014.467-bb.jpg | data/raw/images/oriental/2014 | Red square shawl with a printed design on the surface. The decoration consists of a central cream coloured square with soft corners and a border of flowers and foliage. In the centre of the square are small yellow and red dots with radiating lines around the edges of the dots. Outside of this square is a plain section that leads to an inner border of elaborately stylised floral and foliage designs. The outer border consists of red ovals with interwoven and overlapping lines near to the edges. | shawls | null | 60cotton
| null | India |
|
durom.2014.467 | 2014.467-bb.jpg | data/raw/images/oriental/2014 | Red square shawl with a printed design on the surface. The decoration consists of a central cream coloured square with soft corners and a border of flowers and foliage. In the centre of the square are small yellow and red dots with radiating lines around the edges of the dots. Outside of this square is a plain section that leads to an inner border of elaborately stylised floral and foliage designs. The outer border consists of red ovals with interwoven and overlapping lines near to the edges. | shawls | null | 60cotton
| null | India |
|
durom.2014.467 | 2014.467-bb.jpg | data/raw/images/oriental/2014 | Red square shawl with a printed design on the surface. The decoration consists of a central cream coloured square with soft corners and a border of flowers and foliage. In the centre of the square are small yellow and red dots with radiating lines around the edges of the dots. Outside of this square is a plain section that leads to an inner border of elaborately stylised floral and foliage designs. The outer border consists of red ovals with interwoven and overlapping lines near to the edges. | shawls | null | 60cotton
| null | India |
|
durom.1968.74 | 1968.74.a-b-d2.jpg | data/raw/images/oriental/1968 | carved ivory two piece pocket shrine,one half showing a figure of Buddha, the other half showing a lotus flower.Exterior carved with flowers & chinese characters. | shrines | null | 80ivory
| Edo Period | Japan (country) |
|
durom.1968.74 | 1968.74.a-b-d2.jpg | data/raw/images/oriental/1968 | carved ivory two piece pocket shrine,one half showing a figure of Buddha, the other half showing a lotus flower.Exterior carved with flowers & chinese characters. | shrines | null | 80ivory
| Edo Period | Japan (country) |
|
durom.1968.74 | 1968.74.a-b-d2.jpg | data/raw/images/oriental/1968 | carved ivory two piece pocket shrine,one half showing a figure of Buddha, the other half showing a lotus flower.Exterior carved with flowers & chinese characters. | shrines | null | 80ivory
| Edo Period | Japan (country) |
|
durom.1968.74 | 1968.74.a-b-d2.jpg | data/raw/images/oriental/1968 | carved ivory two piece pocket shrine,one half showing a figure of Buddha, the other half showing a lotus flower.Exterior carved with flowers & chinese characters. | shrines | null | 80ivory
| Edo Period | Japan (country) |
|
durom.1968.74 | 1968.74.a-b-d2.jpg | data/raw/images/oriental/1968 | carved ivory two piece pocket shrine,one half showing a figure of Buddha, the other half showing a lotus flower.Exterior carved with flowers & chinese characters. | shrines | null | 80ivory
| Edo Period | Japan (country) |
|
durom.1971.200 | 1971.200-bb.jpg | data/raw/images/egyptian/1971 | three bladed arrow head, suffering from bronze disease | arrowheads | arrow head | 43bronze
| Late Period | Egypt |
|
durom.1971.200 | 1971.200-bb.jpg | data/raw/images/egyptian/1971 | three bladed arrow head, suffering from bronze disease | arrowheads | arrow head | 43bronze
| Late Period | Egypt |
|
durom.1971.200 | 1971.200-bb.jpg | data/raw/images/egyptian/1971 | three bladed arrow head, suffering from bronze disease | arrowheads | arrow head | 43bronze
| Late Period | Egypt |
|
durom.1971.200 | 1971.200-bb.jpg | data/raw/images/egyptian/1971 | three bladed arrow head, suffering from bronze disease | arrowheads | arrow head | 43bronze
| Late Period | Egypt |
|
durom.1971.200 | 1971.200-bb.jpg | data/raw/images/egyptian/1971 | three bladed arrow head, suffering from bronze disease | arrowheads | arrow head | 43bronze
| Late Period | Egypt |
|
durom.1960.1129 | durom.1960.1129-bb.jpg | data/raw/images/oriental/1960 | Monkey on the back of a resting horse. | figures | null | 133soapstone
| null | China |
|
durom.1960.1129 | durom.1960.1129-bb.jpg | data/raw/images/oriental/1960 | Monkey on the back of a resting horse. | figures | null | 133soapstone
| null | China |
|
durom.1960.1129 | durom.1960.1129-bb.jpg | data/raw/images/oriental/1960 | Monkey on the back of a resting horse. | figures | null | 133soapstone
| null | China |
|
durom.1960.1129 | durom.1960.1129-bb.jpg | data/raw/images/oriental/1960 | Monkey on the back of a resting horse. | figures | null | 133soapstone
| null | China |
|
durom.1960.1129 | durom.1960.1129-bb.jpg | data/raw/images/oriental/1960 | Monkey on the back of a resting horse. | figures | null | 133soapstone
| null | China |
|
durom.1969.15 | 1969.15-d1.jpg | data/raw/images/oriental/1969 | Stoneware bowl of Bo shape, decorated with yellowish green glaze, Yue-type ware. | bowls | 越窑系青釉钵 | 137stoneware
| Tang | Hengyang |
|
durom.1969.15 | 1969.15-d1.jpg | data/raw/images/oriental/1969 | Stoneware bowl of Bo shape, decorated with yellowish green glaze, Yue-type ware. | bowls | 越窑系青釉钵 | 137stoneware
| Tang | Hengyang |
|
durom.1969.15 | 1969.15-d1.jpg | data/raw/images/oriental/1969 | Stoneware bowl of Bo shape, decorated with yellowish green glaze, Yue-type ware. | bowls | 越窑系青釉钵 | 137stoneware
| Tang | Hengyang |
|
durom.1969.15 | 1969.15-d1.jpg | data/raw/images/oriental/1969 | Stoneware bowl of Bo shape, decorated with yellowish green glaze, Yue-type ware. | bowls | 越窑系青釉钵 | 137stoneware
| Tang | Hengyang |
|
durom.1969.15 | 1969.15-d1.jpg | data/raw/images/oriental/1969 | Stoneware bowl of Bo shape, decorated with yellowish green glaze, Yue-type ware. | bowls | 越窑系青釉钵 | 137stoneware
| Tang | Hengyang |
|
durom.1970.106.13 | 1970.106.13 tt.jpg | data/raw/images/oriental/1970 | Saucer from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the saucer have a ribbed design and a small foot on the base | saucers | null | 115porcelain
| Meiji Period | Japan (country) |
|
durom.1970.106.13 | 1970.106.13 tt.jpg | data/raw/images/oriental/1970 | Saucer from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the saucer have a ribbed design and a small foot on the base | saucers | null | 115porcelain
| Meiji Period | Japan (country) |
|
durom.1970.106.13 | 1970.106.13 tt.jpg | data/raw/images/oriental/1970 | Saucer from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the saucer have a ribbed design and a small foot on the base | saucers | null | 115porcelain
| Meiji Period | Japan (country) |
|
durom.1970.106.13 | 1970.106.13 tt.jpg | data/raw/images/oriental/1970 | Saucer from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the saucer have a ribbed design and a small foot on the base | saucers | null | 115porcelain
| Meiji Period | Japan (country) |
|
durom.1970.106.13 | 1970.106.13 tt.jpg | data/raw/images/oriental/1970 | Saucer from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the saucer have a ribbed design and a small foot on the base | saucers | null | 115porcelain
| Meiji Period | Japan (country) |
|
durom.2014.407 | 2014.407.jpg | data/raw/images/oriental/2014 | A metal pendant consisting of a sturdy metal ring. Attached to the metal ring there are six silver chains, at the end of each one there is a small silver engraved disc, similar to a coin. The engravings have worn away. On one of the discs, written in a white pen, is C9. | Pendant | null | 93metal
| null | West Asia |
|
durom.2014.407 | 2014.407.jpg | data/raw/images/oriental/2014 | A metal pendant consisting of a sturdy metal ring. Attached to the metal ring there are six silver chains, at the end of each one there is a small silver engraved disc, similar to a coin. The engravings have worn away. On one of the discs, written in a white pen, is C9. | Pendant | null | 93metal
| null | West Asia |
|
durom.2014.407 | 2014.407.jpg | data/raw/images/oriental/2014 | A metal pendant consisting of a sturdy metal ring. Attached to the metal ring there are six silver chains, at the end of each one there is a small silver engraved disc, similar to a coin. The engravings have worn away. On one of the discs, written in a white pen, is C9. | Pendant | null | 93metal
| null | West Asia |
|
durom.2014.407 | 2014.407.jpg | data/raw/images/oriental/2014 | A metal pendant consisting of a sturdy metal ring. Attached to the metal ring there are six silver chains, at the end of each one there is a small silver engraved disc, similar to a coin. The engravings have worn away. On one of the discs, written in a white pen, is C9. | Pendant | null | 93metal
| null | West Asia |
|
durom.2014.407 | 2014.407.jpg | data/raw/images/oriental/2014 | A metal pendant consisting of a sturdy metal ring. Attached to the metal ring there are six silver chains, at the end of each one there is a small silver engraved disc, similar to a coin. The engravings have worn away. On one of the discs, written in a white pen, is C9. | Pendant | null | 93metal
| null | West Asia |
|
durom.2003.1.2 | 2003.1.2 d1.jpg | data/raw/images/oriental/2003 | Detached section from silver belt (2003.1.1) consisting of two short sections made of links, joined by a longer plain solid section. | belts | null | 93metal
| null | Laos |
|
durom.2003.1.2 | 2003.1.2 d1.jpg | data/raw/images/oriental/2003 | Detached section from silver belt (2003.1.1) consisting of two short sections made of links, joined by a longer plain solid section. | belts | null | 93metal
| null | Laos |
|
durom.2003.1.2 | 2003.1.2 d1.jpg | data/raw/images/oriental/2003 | Detached section from silver belt (2003.1.1) consisting of two short sections made of links, joined by a longer plain solid section. | belts | null | 93metal
| null | Laos |
|
durom.2003.1.2 | 2003.1.2 d1.jpg | data/raw/images/oriental/2003 | Detached section from silver belt (2003.1.1) consisting of two short sections made of links, joined by a longer plain solid section. | belts | null | 93metal
| null | Laos |
|
durom.2003.1.2 | 2003.1.2 d1.jpg | data/raw/images/oriental/2003 | Detached section from silver belt (2003.1.1) consisting of two short sections made of links, joined by a longer plain solid section. | belts | null | 93metal
| null | Laos |
|
durom.1991.8 | 1991.8.1.jpg | data/raw/images/oriental/1991 | null | Screen | null | 150wood
| Joseon Dynasty | Korean peninsula |
|
durom.1991.8 | 1991.8.1.jpg | data/raw/images/oriental/1991 | null | Screen | null | 150wood
| Joseon Dynasty | Korean peninsula |
|
durom.1991.8 | 1991.8.1.jpg | data/raw/images/oriental/1991 | null | Screen | null | 150wood
| Joseon Dynasty | Korean peninsula |
|
durom.1991.8 | 1991.8.1.jpg | data/raw/images/oriental/1991 | null | Screen | null | 150wood
| Joseon Dynasty | Korean peninsula |
|
durom.1991.8 | 1991.8.1.jpg | data/raw/images/oriental/1991 | null | Screen | null | 150wood
| Joseon Dynasty | Korean peninsula |
|
eg732 | eg732-r159.1946-d2.jpg | data/raw/images/egyptian/eg | Cartonnage mummy mask, made from plaster soaked linen. Anthropoid in form, the mask comprises of a nemes headress, face, collar and some shoulder plates. The headress is higly decorated, the crown back and sides are decorated with a winged vulture design, possibly Mut but probably Nekhbet.The body is decorated with a bead netting design and the wings are of the usual polychrome variety. Beneath the vulture figure the rest of the wig is decorated with concentric rings of flowers, lotus and scarab designs.The headress continues down the face in a vertical striped pattern, consisting of alternating dark and light blue strips.The terminals of the wig are decorated by another flower motif. The face of the mask is gilded, the eyes and eyebrows are depicted in black (on white for eyes) and are in reasonable condition, the nose remains and is in good condition. The ears and lips are present also but are not highlighted in any way, the ears are perhaps a little crude. Beneath the face the neck is decorated with a bead collar, depicted in a blue, red and white isometric design. The collar also has two falcon terminals, both are distinct one represents Horus and the other Sokar. The remaining shoulder areas are covered in a bead netting design which is mirrored in the vulture figure. Overall the piece gives a sense of femininity, the size and design may well mean it was for a woman. Condition, the piece is very badly damaged and extremly fragile the rear of the piece was only briefly examined for this reason. A large part of the right hand side of the headress is missing. This has also led to a large crack in the face, again right side. The piece is also extensively chipped and in need of conservation. | masks | mummy mask | 90linen
| Ptolemaic Period | Egypt |
|
eg732 | eg732-r159.1946-d2.jpg | data/raw/images/egyptian/eg | Cartonnage mummy mask, made from plaster soaked linen. Anthropoid in form, the mask comprises of a nemes headress, face, collar and some shoulder plates. The headress is higly decorated, the crown back and sides are decorated with a winged vulture design, possibly Mut but probably Nekhbet.The body is decorated with a bead netting design and the wings are of the usual polychrome variety. Beneath the vulture figure the rest of the wig is decorated with concentric rings of flowers, lotus and scarab designs.The headress continues down the face in a vertical striped pattern, consisting of alternating dark and light blue strips.The terminals of the wig are decorated by another flower motif. The face of the mask is gilded, the eyes and eyebrows are depicted in black (on white for eyes) and are in reasonable condition, the nose remains and is in good condition. The ears and lips are present also but are not highlighted in any way, the ears are perhaps a little crude. Beneath the face the neck is decorated with a bead collar, depicted in a blue, red and white isometric design. The collar also has two falcon terminals, both are distinct one represents Horus and the other Sokar. The remaining shoulder areas are covered in a bead netting design which is mirrored in the vulture figure. Overall the piece gives a sense of femininity, the size and design may well mean it was for a woman. Condition, the piece is very badly damaged and extremly fragile the rear of the piece was only briefly examined for this reason. A large part of the right hand side of the headress is missing. This has also led to a large crack in the face, again right side. The piece is also extensively chipped and in need of conservation. | masks | mummy mask | 90linen
| Ptolemaic Period | Egypt |
|
eg732 | eg732-r159.1946-d2.jpg | data/raw/images/egyptian/eg | Cartonnage mummy mask, made from plaster soaked linen. Anthropoid in form, the mask comprises of a nemes headress, face, collar and some shoulder plates. The headress is higly decorated, the crown back and sides are decorated with a winged vulture design, possibly Mut but probably Nekhbet.The body is decorated with a bead netting design and the wings are of the usual polychrome variety. Beneath the vulture figure the rest of the wig is decorated with concentric rings of flowers, lotus and scarab designs.The headress continues down the face in a vertical striped pattern, consisting of alternating dark and light blue strips.The terminals of the wig are decorated by another flower motif. The face of the mask is gilded, the eyes and eyebrows are depicted in black (on white for eyes) and are in reasonable condition, the nose remains and is in good condition. The ears and lips are present also but are not highlighted in any way, the ears are perhaps a little crude. Beneath the face the neck is decorated with a bead collar, depicted in a blue, red and white isometric design. The collar also has two falcon terminals, both are distinct one represents Horus and the other Sokar. The remaining shoulder areas are covered in a bead netting design which is mirrored in the vulture figure. Overall the piece gives a sense of femininity, the size and design may well mean it was for a woman. Condition, the piece is very badly damaged and extremly fragile the rear of the piece was only briefly examined for this reason. A large part of the right hand side of the headress is missing. This has also led to a large crack in the face, again right side. The piece is also extensively chipped and in need of conservation. | masks | mummy mask | 90linen
| Ptolemaic Period | Egypt |
|
eg732 | eg732-r159.1946-d2.jpg | data/raw/images/egyptian/eg | Cartonnage mummy mask, made from plaster soaked linen. Anthropoid in form, the mask comprises of a nemes headress, face, collar and some shoulder plates. The headress is higly decorated, the crown back and sides are decorated with a winged vulture design, possibly Mut but probably Nekhbet.The body is decorated with a bead netting design and the wings are of the usual polychrome variety. Beneath the vulture figure the rest of the wig is decorated with concentric rings of flowers, lotus and scarab designs.The headress continues down the face in a vertical striped pattern, consisting of alternating dark and light blue strips.The terminals of the wig are decorated by another flower motif. The face of the mask is gilded, the eyes and eyebrows are depicted in black (on white for eyes) and are in reasonable condition, the nose remains and is in good condition. The ears and lips are present also but are not highlighted in any way, the ears are perhaps a little crude. Beneath the face the neck is decorated with a bead collar, depicted in a blue, red and white isometric design. The collar also has two falcon terminals, both are distinct one represents Horus and the other Sokar. The remaining shoulder areas are covered in a bead netting design which is mirrored in the vulture figure. Overall the piece gives a sense of femininity, the size and design may well mean it was for a woman. Condition, the piece is very badly damaged and extremly fragile the rear of the piece was only briefly examined for this reason. A large part of the right hand side of the headress is missing. This has also led to a large crack in the face, again right side. The piece is also extensively chipped and in need of conservation. | masks | mummy mask | 90linen
| Ptolemaic Period | Egypt |
|
eg732 | eg732-r159.1946-d2.jpg | data/raw/images/egyptian/eg | Cartonnage mummy mask, made from plaster soaked linen. Anthropoid in form, the mask comprises of a nemes headress, face, collar and some shoulder plates. The headress is higly decorated, the crown back and sides are decorated with a winged vulture design, possibly Mut but probably Nekhbet.The body is decorated with a bead netting design and the wings are of the usual polychrome variety. Beneath the vulture figure the rest of the wig is decorated with concentric rings of flowers, lotus and scarab designs.The headress continues down the face in a vertical striped pattern, consisting of alternating dark and light blue strips.The terminals of the wig are decorated by another flower motif. The face of the mask is gilded, the eyes and eyebrows are depicted in black (on white for eyes) and are in reasonable condition, the nose remains and is in good condition. The ears and lips are present also but are not highlighted in any way, the ears are perhaps a little crude. Beneath the face the neck is decorated with a bead collar, depicted in a blue, red and white isometric design. The collar also has two falcon terminals, both are distinct one represents Horus and the other Sokar. The remaining shoulder areas are covered in a bead netting design which is mirrored in the vulture figure. Overall the piece gives a sense of femininity, the size and design may well mean it was for a woman. Condition, the piece is very badly damaged and extremly fragile the rear of the piece was only briefly examined for this reason. A large part of the right hand side of the headress is missing. This has also led to a large crack in the face, again right side. The piece is also extensively chipped and in need of conservation. | masks | mummy mask | 90linen
| Ptolemaic Period | Egypt |
|
durom.1969.201 | durom.1969.201-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase in the form of Changjing ping (long-neck vase), covered with finely crazed greyish blue glaze or tianlan (sky-blue) glaze in imitation of the Song dynasty Ru ware. Under the base, a 6-character mark of Qianlong reign. | vases | 乾隆款仿汝釉撇口长颈瓶 | 115porcelain
| Qianlong | Jingdezhen |
|
durom.1969.201 | durom.1969.201-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase in the form of Changjing ping (long-neck vase), covered with finely crazed greyish blue glaze or tianlan (sky-blue) glaze in imitation of the Song dynasty Ru ware. Under the base, a 6-character mark of Qianlong reign. | vases | 乾隆款仿汝釉撇口长颈瓶 | 115porcelain
| Qianlong | Jingdezhen |
|
durom.1969.201 | durom.1969.201-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase in the form of Changjing ping (long-neck vase), covered with finely crazed greyish blue glaze or tianlan (sky-blue) glaze in imitation of the Song dynasty Ru ware. Under the base, a 6-character mark of Qianlong reign. | vases | 乾隆款仿汝釉撇口长颈瓶 | 115porcelain
| Qianlong | Jingdezhen |
|
durom.1969.201 | durom.1969.201-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase in the form of Changjing ping (long-neck vase), covered with finely crazed greyish blue glaze or tianlan (sky-blue) glaze in imitation of the Song dynasty Ru ware. Under the base, a 6-character mark of Qianlong reign. | vases | 乾隆款仿汝釉撇口长颈瓶 | 115porcelain
| Qianlong | Jingdezhen |
|
durom.1969.201 | durom.1969.201-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase in the form of Changjing ping (long-neck vase), covered with finely crazed greyish blue glaze or tianlan (sky-blue) glaze in imitation of the Song dynasty Ru ware. Under the base, a 6-character mark of Qianlong reign. | vases | 乾隆款仿汝釉撇口长颈瓶 | 115porcelain
| Qianlong | Jingdezhen |