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The dataset generation failed because of a cast error
Error code: DatasetGenerationCastError Exception: DatasetGenerationCastError Message: An error occurred while generating the dataset All the data files must have the same columns, but at some point there are 5 new columns ({'recording', 'duration', 'channel', 'start', 'supervisions'}) and 1 missing columns ({'tracks'}). This happened while the json dataset builder was generating data using gzip://lsheavymix_cuts_dev_2spk_snr_aug_mono.jsonl::hf://datasets/zrjin/LibriheavyMix-dev@812a2129f070acaeab2b9cda15e1e1392b2823e7/dev-lhotse/lsheavymix_cuts_dev_2spk_snr_aug_mono.jsonl.gz Please either edit the data files to have matching columns, or separate them into different configurations (see docs at https://hf.co/docs/hub/datasets-manual-configuration#multiple-configurations) Traceback: Traceback (most recent call last): File "/src/services/worker/.venv/lib/python3.9/site-packages/datasets/builder.py", line 2011, in _prepare_split_single writer.write_table(table) File "/src/services/worker/.venv/lib/python3.9/site-packages/datasets/arrow_writer.py", line 585, in write_table pa_table = table_cast(pa_table, self._schema) File "/src/services/worker/.venv/lib/python3.9/site-packages/datasets/table.py", line 2302, in table_cast return cast_table_to_schema(table, schema) File "/src/services/worker/.venv/lib/python3.9/site-packages/datasets/table.py", line 2256, in cast_table_to_schema raise CastError( datasets.table.CastError: Couldn't cast id: string start: double duration: double channel: int64 supervisions: list<item: struct<id: string, recording_id: string, start: double, duration: double, channel: int64, language: string, speaker: string, custom: struct<texts: list<item: string>, pre_texts: list<item: string>, begin_byte: int64, end_byte: int64>>> child 0, item: struct<id: string, recording_id: string, start: double, duration: double, channel: int64, language: string, speaker: string, custom: struct<texts: list<item: string>, pre_texts: list<item: string>, begin_byte: int64, end_byte: int64>> child 0, id: string child 1, recording_id: string child 2, start: double child 3, duration: double child 4, channel: int64 child 5, language: string child 6, speaker: string child 7, custom: struct<texts: list<item: string>, pre_texts: list<item: string>, begin_byte: int64, end_byte: int64> child 0, texts: list<item: string> child 0, item: string child 1, pre_texts: list<item: string> child 0, item: string child 2, begin_byte: int64 child 3, end_byte: int64 recording: struct<id: string, sources: list<item: struct<type: string, channels: list<item: int64>, source: string>>, sampling_rate: int64, num_samples: int64, duration: double, channel_ids: list<item: int64>> child 0, id: string child 1, sources: list<item: struct<type: string, channels: list<item: int64>, source: string>> child 0, item: struct<type: string, channels: list<item: int64>, source: string> child 0, type: string child 1, channels: list<item: int64> child 0, item: int64 child 2, source: string child 2, sampling_rate: int64 child 3, num_samples: int64 child 4, duration: double child 5, channel_ids: list<item: int64> child 0, item: int64 type: string to {'id': Value(dtype='string', id=None), 'tracks': [{'cut': {'id': Value(dtype='string', id=None), 'start': Value(dtype='float64', id=None), 'duration': Value(dtype='float64', id=None), 'channel': Value(dtype='int64', id=None), 'supervisions': [{'id': Value(dtype='string', id=None), 'recording_id': Value(dtype='string', id=None), 'start': Value(dtype='int64', id=None), 'duration': Value(dtype='float64', id=None), 'channel': Value(dtype='int64', id=None), 'language': Value(dtype='string', id=None), 'speaker': Value(dtype='string', id=None), 'custom': {'texts': Sequence(feature=Value(dtype='string', id=None), length=-1, id=None), 'pre_texts': Sequence(feature=Value(dtype='string', id=None), length=-1, id=None), 'begin_byte': Value(dtype='int64', id=None), 'end_byte': Value(dtype='int64', id=None)}}], 'features': {'type': Value(dtype='string', id=None), 'num_frames': Value(dtype='int64', id=None), 'num_features': Value(dtype='int64', id=None), 'frame_shift': Value(dtype='float64', id=None), 'sampling_rate': Value(dtype='int64', id=None), 'start': Value(dtype='float64', id=None), 'duration': Value(dtype='float64', id=None), 'storage_type': Value(dtype='string', id=None), 'storage_path': Value(dtype='string', id=None), 'storage_key': Value(dtype='string', id=None), 'recording_id': Value(dtype='string', id=None), 'channels': Value(dtype='int64', id=None)}, 'recording': {'id': Value(dtype='string', id=None), 'sources': [{'type': Value(dtype='string', id=None), 'channels': Sequence(fea ... Value(dtype='int64', id=None), 'num_features': Value(dtype='int64', id=None), 'frame_shift': Value(dtype='float64', id=None), 'sampling_rate': Value(dtype='int64', id=None), 'start': Value(dtype='float64', id=None), 'duration': Value(dtype='float64', id=None), 'storage_type': Value(dtype='string', id=None), 'storage_path': Value(dtype='string', id=None), 'storage_key': Value(dtype='string', id=None), 'recording_id': Value(dtype='string', id=None), 'channels': Value(dtype='int64', id=None)}, 'recording': {'id': Value(dtype='string', id=None), 'sources': [{'type': Value(dtype='string', id=None), 'channels': Sequence(feature=Value(dtype='int64', id=None), length=-1, id=None), 'source': Value(dtype='string', id=None)}], 'sampling_rate': Value(dtype='int64', id=None), 'num_samples': Value(dtype='int64', id=None), 'duration': Value(dtype='float64', id=None), 'channel_ids': Sequence(feature=Value(dtype='int64', id=None), length=-1, id=None)}, 'custom': {'text_path': Value(dtype='string', id=None)}, 'sampling_rate': Value(dtype='int64', id=None), 'feat_value': Value(dtype='float64', id=None), 'num_frames': Value(dtype='int64', id=None), 'num_features': Value(dtype='int64', id=None), 'frame_shift': Value(dtype='float64', id=None), 'num_samples': Value(dtype='int64', id=None)}, 'type': Value(dtype='string', id=None), 'offset': Value(dtype='float64', id=None)}]}, 'type': Value(dtype='string', id=None), 'offset': Value(dtype='float64', id=None)}], 'type': Value(dtype='string', id=None)} because column names don't match During handling of the above exception, another exception occurred: Traceback (most recent call last): File "/src/services/worker/src/worker/job_runners/config/parquet_and_info.py", line 1572, in compute_config_parquet_and_info_response parquet_operations, partial, estimated_dataset_info = stream_convert_to_parquet( File "/src/services/worker/src/worker/job_runners/config/parquet_and_info.py", line 1136, in stream_convert_to_parquet builder._prepare_split( File "/src/services/worker/.venv/lib/python3.9/site-packages/datasets/builder.py", line 1882, in _prepare_split for job_id, done, content in self._prepare_split_single( File "/src/services/worker/.venv/lib/python3.9/site-packages/datasets/builder.py", line 2013, in _prepare_split_single raise DatasetGenerationCastError.from_cast_error( datasets.exceptions.DatasetGenerationCastError: An error occurred while generating the dataset All the data files must have the same columns, but at some point there are 5 new columns ({'recording', 'duration', 'channel', 'start', 'supervisions'}) and 1 missing columns ({'tracks'}). This happened while the json dataset builder was generating data using gzip://lsheavymix_cuts_dev_2spk_snr_aug_mono.jsonl::hf://datasets/zrjin/LibriheavyMix-dev@812a2129f070acaeab2b9cda15e1e1392b2823e7/dev-lhotse/lsheavymix_cuts_dev_2spk_snr_aug_mono.jsonl.gz Please either edit the data files to have matching columns, or separate them into different configurations (see docs at https://hf.co/docs/hub/datasets-manual-configuration#multiple-configurations)
Need help to make the dataset viewer work? Make sure to review how to configure the dataset viewer, and open a discussion for direct support.
id
string | tracks
list | type
string |
---|---|---|
6609f84c-0f1f-457c-ae21-dbc89bbc23b1 | [
{
"cut": {
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"duration": 20.119,
"channel": 0,
"supervisions": [
{
"id": "medium/54/short_story_007_64kb_mp3/nighingale_andersen_sdw_64kb_29",
"recording_id": "medium/54/short_story_007_64kb_mp3/nighingale_andersen_sdw_64kb",
"start": 0,
"duration": 20.119,
"channel": 0,
"language": "English",
"speaker": "54",
"custom": {
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" These books went all over the world, and in course of time some of them reached the emperor. He sat in his golden chair reading and reading, and nodding his head, well pleased to hear such beautiful descriptions of the town, the palace and the garden. 'But the nightingale is the best of all,' he read.",
" THESE BOOKS WENT ALL OVER THE WORLD AND IN COURSE OF TIME SOME OF THEM REACHED THE EMPEROR HE SAT IN HIS GOLDEN CHAIR READING AND READING AND NODDING HIS HEAD WELL PLEASED TO HEAR SUCH BEAUTIFUL DESCRIPTIONS OF THE TOWN THE PALACE AND THE GARDEN BUT THE NIGHTINGALE IS THE BEST OF ALL HE READ"
],
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"to sail up right under the branches of the trees. Among these trees lived a nightingale, which sang so deliciously, that even the poor fisherman, who had plenty of other things to do, lay still to listen to it, when he was out at night drawing in his nets. 'Heavens, how beautiful it is!' he said, but then he had to attend to his business and forgot it. The next night when he heard it again he would again exclaim, 'Heavens, how beautiful it is!' Travellers came to the emperor's capital, from every country in the world; they admired everything very much, especially the palace and the gardens, but when they heard the nightingale they all said, 'This is better than anything!' When they got home they described it, and the learned ones wrote many books about the town, the palace and the garden; but nobody forgot the nightingale, it was always put above everything else. Those among them who were poets wrote the most beautiful poems, all about the nightingale in the woods by the deep blue sea.",
"BLUE DEEP ENOUGH FOR LARGE SHIPS TO SAIL UP RIGHT UNDER THE BRANCHES OF THE TREES AMONG THESE TREES LIVED A NIGHTINGALE WHICH SANG SO DELICIOUSLY THAT EVEN THE POOR FISHERMAN WHO HAD PLENTY OF OTHER THINGS TO DO LAY STILL TO LISTEN TO IT WHEN HE WAS OUT AT NIGHT DRAWING IN HIS NETS HEAVENS HOW BEAUTIFUL IT IS HE SAID BUT THEN HE HAD TO ATTEND TO HIS BUSINESS AND FORGOT IT THE NEXT NIGHT WHEN HE HEARD IT AGAIN HE WOULD AGAIN EXCLAIM HEAVENS HOW BEAUTIFUL IT IS TRAVELLERS CAME TO THE EMPEROR'S CAPITAL FROM EVERY COUNTRY IN THE WORLD THEY ADMIRED EVERYTHING VERY MUCH ESPECIALLY THE PALACE AND THE GARDENS BUT WHEN THEY HEARD THE NIGHTINGALE THEY ALL SAID THIS IS BETTER THAN ANYTHING WHEN THEY GOT HOME THEY DESCRIBED IT AND THE LEARNED ONES WROTE MANY BOOKS ABOUT THE TOWN THE PALACE AND THE GARDEN BUT NOBODY FORGOT THE NIGHTINGALE IT WAS ALWAYS PUT ABOVE EVERYTHING ELSE THOSE AMONG THEM WHO WERE POETS WROTE THE MOST BEAUTIFUL POEMS ALL ABOUT THE NIGHTINGALE IN THE WOODS BY THE DEEP BLUE SEA"
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"type": "MonoCut",
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{
"cut": {
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"start": 1406,
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{
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" It upholds a _logical connection_ as _approximation in time and space_, just as the painter, who groups all the poets for his picture of Parnassus who, though they have never been all together on a mountain peak, yet form ideally a community. The dream continues this method of presentation in individual dreams, and often when it displays two elements close together in the dream content it warrants some special inner connection between what they represent in the dream thoughts.",
" IT UPHOLDS A LOGICAL CONNECTION AS APPROXIMATION IN TIME AND SPACE JUST AS THE PAINTER WHO GROUPS ALL THE POETS FOR HIS PICTURE OF PARNASSUS WHO THOUGH THEY HAVE NEVER BEEN ALL TOGETHER ON A MOUNTAIN PEAK YET FORM IDEALLY A COMMUNITY THE DREAM CONTINUES THIS METHOD OF PRESENTATION IN INDIVIDUAL DREAMS AND OFTEN WHEN IT DISPLAYS TWO ELEMENTS CLOSE TOGETHER IN THE DREAM CONTENT IT WARRANTS SOME SPECIAL INNER CONNECTION BETWEEN WHAT THEY REPRESENT THE DREAM THOUGHT "
],
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"resh surfaces, to a selective interweaving among the constituents best adapted for the construction of these scenes. Having regard to the origin of this stuff, the term _regression_ can be fairly applied to this process. The logical chains which hitherto held the psychical stuff together become lost in this transformation to the dream content. The dream work takes on, as it were, only the essential content of the dream thoughts for elaboration. It is left to analysis to restore the connection which the dream work has destroyed. The dream's means of expression must therefore be regarded as meager in comparison with those of our imagination, though the dream does not renounce all claims to the restitution of logical relation to the dream thoughts. It rather succeeds with tolerable frequency in replacing these by formal characters of its own. By reason of the undoubted connection existing between all the parts of dream thoughts, the dream is able to embody this matter into a single scene.",
"THE SAME TIME FRESH SURFACES TO A SELECTIVE INTERWEAVING AMONG THE CONSTITUENTS BEST ADAPTED FOR THE CONSTRUCTION OF THESE SCENES HAVING REGARD TO THE ORIGIN OF THIS STUFF THE TERM REGRESSION CAN BE FAIRLY APPLIED TO THIS PROCESS THE LOGICAL CHAINS WITH WHICH HITHERTO HELD THE PSYCHICAL STUFF TOGETHER BECOME LOST IN THIS TRANSFORMATION TO THE DREAM CONTENT THE DREAM WORK TAKES ON AS IT WERE ONLY THE ESSENTIAL CONTENT OF THE DREAM THOUGHTS FOR ELABORATION IT IS LEFT TO ANALYSIS TO RESTORE THE CONNECTION WHICH THE DREAM WORK HAS DESTROYED THE DREAM'S MEANS OF EXPRESSION MUST THEREFORE BE REGARDED AS MEAGRE IN COMPARISON WITH THOSE OF OUR IMAGINATION THOUGH THE DREAM DOES NOT RENOUNCE ALL CLAIMS TO THE RESTITUTION OF LOGICAL RELATION TO DREAM THOUGHTS IT RATHER SUCCEEDS WITH TOLERABLE FREQUENCY IN REPLACING THESE BY FORMAL CHARACTERS OF ITS OWN BY REASON OF THE UNDOUBTED CONNECTION EXISTING BETWEEN ALL PARTS OF THE DREAM THOUGHTS THE DREAM IS ABLE TO EMBODY THIS MATTER INTO A SINGLE SCENE"
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] | MixedCut |
240cac44-bcfd-431c-bbec-c8033f4bd227 | [
{
"cut": {
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"start": 157.2,
"duration": 20.04,
"channel": 0,
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{
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"language": "English",
"speaker": "107",
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" The service proceeded; a war chapter from the Old Testament was read; the first prayer was said; it was followed by an organ burst that shook the building, and with one impulse the house rose, with glowing eyes and beating hearts, and poured out that tremendous invocation God the all-terrible!",
" THE SERVICE PROCEEDED A WAR CHAPTER FROM THE OLD TESTAMENT WAS READ THE FIRST PRAYER WAS SAID IT WAS FOLLOWED BY AN ORGAN BURST THAT SHOOK THE BUILDING AND WITH ONE IMPULSE THE HOUSE ROSE WITH GLOWING EYES AND BEATING HEARTS AND POURED OUT THAT TREMENDOUS INVOCATION GOD THE ALL TERRIBLE"
],
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"ery listener. It was indeed a glad and gracious time, and the half dozen rash spirits that ventured to disapprove of the war and cast a doubt upon its righteousness straightway got such a stern and angry warning that for their personal safety's sake they quickly shrank out of sight and offended no more in that way. Sunday morning came – next day the battalions would leave for the front; the church was filled; the volunteers were there, their young faces alight with martial dreams – visions of the stern advance, the gathering momentum, the rushing charge, the flashing sabers, the flight of the foe, the tumult, the enveloping smoke, the fierce pursuit, the surrender! Then home from the war, bronzed heroes, welcomed, adored, submerged in golden seas of glory! With the volunteers sat their dear ones, proud, happy, and envied by the neighbors and friends who had no sons and brothers to send forth to the field of honor, there to win for the flag, or, failing, die the noblest of noble deaths.",
" FERVID ELOQUENCE WHICH MOVED EVERY LISTENER IT WAS INDEED A GLAD AND GRACIOUS TIME AND THE HALF DOZEN RASH SPIRITS THAT VENTURED TO DISAPPROVE OF THE WAR AND CAST A DOUBT UPON ITS RIGHTEOUSNESS STRAIGHTWAY GOT SUCH A STERN AND ANGRY WARNING THAT FOR THEIR PERSONAL SAFETY'S SAKE THEY QUICKLY SHRANK OUT OF SIGHT AND OFFENDED NO MORE IN THAT WAY SUNDAY MORNING CAME NEXT DAY THE BATTALIONS WOULD LEAVE FOR THE FRONT THE CHURCH WAS FILLED THE VOLUNTEERS WERE THERE THEIR YOUNG FACES ALIGHT WITH MARTIAL DREAMS VISIONS OF THE STERN ADVANCE THE GATHERING MOMENTUM THE RUSHING CHARGE THE FLASHING SABRES THE FLIGHT OF THE FOE THE TUMULT THE ENVELOPING SMOKE THE FIERCE PURSUIT THE SURRENDER THEN HOME FROM THE WAR BRONZED HEROES WELCOMED ADORED SUBMERGED IN GOLDEN SEAS OF GLORY WITH THE VOLUNTEERS SAT THEIR DEAR ONES PROUD HAPPY AND ENVIED BY THE NEIGHBORS AND FRIENDS WHO HAD NO SONS AND BROTHERS TO SEND FORTH TO THE FIELD OF HONOR THERE TO WIN FOR THE FLAG OR FAILING DIE THE NOBLEST OF NOBLE DEATHS"
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{
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" “I sent her out myself to beg for bread. What a business! She ought to have lived another ten years, the silly thing; as it is I’ll be bound she thinks I really was that sort of man.... Holy Mother! but where the devil am I driving? There’s no need for a doctor now, but a burial. Turn back!” Grigory turned back and lashed the horse with all his might. The road grew worse and worse every hour.",
" I SENT HER OUT MYSELF TO BEG FOR BREAD WHAT A BUSINESS SHE OUGHT TO HAVE LIVED ANOTHER TEN YEARS THIS SILLY THING AS IT IS I'LL BE BOUND SHE THINKS I REALLY WAS THAT SORT OF MAN HOLY MOTHER BUT WHERE THE DEVIL AM I DRIVING THERE'S NO NEED FOR A DOCTOR NOW BUT A BURIAL TURN BACK GREGORY TURNED BACK AND LASHED THE HORSE WITH ALL HIS MIGHT THE ROAD GREW WORSE AND WORSE EVERY HOUR"
],
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"to look round at his old woman: he was frightened. He was afraid, too, of asking her a question and not getting an answer. At last, to make an end of uncertainty, without looking round he felt his old woman’s cold hand. The lifted hand fell like a log. “She is dead, then! What a business!” And the turner cried. He was not so much sorry as annoyed. He thought how quickly everything passes in this world! His trouble had hardly begun when the final catastrophe had happened. He had not had time to live with his old woman, to show her he was sorry for her before she died. He had lived with her for forty years, but those forty years had passed by as it were in a fog. What with drunkenness, quarreling, and poverty, there had been no feeling of life. And, as though to spite him, his old woman died at the very time when he felt he was sorry for her, that he could not live without her, and that he had behaved dreadfully badly to her. “Why, she used to go the round of the village,” he remembered.",
"D BEGAN THINKING HE COULD NOT BRING HIMSELF TO LOOK AROUND AT HIS OLD MAN HE WAS FRIGHTENED HE WAS AFRAID TOO OF ASKING HER A QUESTION AND NOT GETTING AN ANSWER AT LAST TO MAKE AN END UNCERTAINTY WITHOUT LOOKING AROUND HE FELT HIS OLD WOMAN'S COLD HAND THAT LIFTED HAND FELL LIKE A LOG SHE IS DEAD THEN WHAT A BUSINESS AND ETERNAL CRY HE WAS NOT SO MUCH SORRY AS ANNOYED HE THOUGHT HOW QUICKLY EVERYTHING PASSES IN THIS WORLD HIS TROUBLE HAD HARDLY BEGUN WHEN THE FINAL CATASTROPHE HAD HAPPENED HE HAD NOT HAD TIME TO LIVE WITH THIS OLD WOMAN TO SHOW HE WAS SORRY FOR HER BEFORE SHE DIED HE HAD LIVED WITH HER FOR FORTY YEARS BUT THOSE FORTY YEARS HAD PASSED BY AS IT WERE IN A FOG WHAT WITH DRUNKENNESS QUARRELLING AND POVERTY THERE HAD BEEN NO FEELING OF LIFE AND AS THOUGH TO SPITE HIM HIS OLD WOMAN DIED AT THE VERY TIME WHEN HE FELT HE WAS SORRY FOR HER THAT HE COULD NOT LIVE WITHOUT HER AND THAT HE HAD BEHAVED DREADFULLY BADLY TO HER WHAT SHE USED TO GO THE ROUND OF THE VILLAGE HE REMEMBERED"
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" The fact itself is undoubted, and becomes of importance for the technique of the interpretation of dreams, since by the aid of a knowledge of this symbolism it is possible to understand the meaning of the elements of a dream, or parts of a dream, occasionally even the whole dream itself, without having to question the dreamer as to his own ideas.",
" THE FACT ITSELF IS UNDOUBTED AND BECOMES OF IMPORTANCE FOR THE TECHNIQUE OF THE INTERPRETATION OF DREAMS SINCE BY THE AID OF A KNOWLEDGE OF THIS SYMBOLISM IT IS POSSIBLE TO UNDERSTAND THE MEANING OF THE ELEMENTS OF A DREAM OR PARTS OF A DREAM OCCASIONALLY EVEN THE WHOLE DREAM ITSELF WITHOUT HAVING TO QUESTION THE DREAMER AS TO HIS OWN IDEAS"
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"ex desires furnish the most frequent and most powerful impulses for the formation of dreams.[1] If the dream, which is the expression of some erotic desire, succeeds in making its manifest content appear innocently asexual, it is only possible in one way. The matter of these sexual presentations cannot be exhibited as such, but must be replaced by allusions, suggestions, and similar indirect means; differing from other cases of indirect presentation, those used in dreams must be deprived of direct understanding. The means of presentation which answer these requirements are commonly termed \"symbols.\" A special interest has been directed towards these, since it has been observed that the dreamers of the same language use the like symbols--indeed, that in certain cases community of symbol is greater than community of speech. Since the dreamers do not themselves know the meaning of the symbols they use, it remains a puzzle whence arises their relationship with what they replace and denote.",
"REPRESSED INFANTILE SEX DESIRES FURNISH THE MOST FREQUENT AND MOST POWERFUL IMPULSES FOR THE FORMATION OF DREAMS IF THE DREAM WHICH IS THE EXPRESSION OF SOME EROTIC DESIRE SUCCEEDS IN MAKING ITS MANIFEST CONTENT APPEAR INNOCENTLY A SEXUAL IT IS ONLY POSSIBLE IN ONE WAY THE MATTER OF THESE SEXUAL PRESENTATIONS CANNOT BE EXHIBITED AS SUCH BUT MUST BE REPLACED BY ALLUSIONS SUGGESTIONS AND SIMILAR INDIRECT MEANS DIFFERING FROM OTHER CASES OF INDIRECT PRESENTATION THOSE USED IN DREAMS MUST BE DEPRIVED OF DIRECT UNDERSTANDING THE MEANS OF PRESENTATION WHICH ANSWER THESE REQUIREMENTS ARE COMMONLY TERMED SYMBOLS A SPECIAL INTEREST HAS BEEN DIRECTED TOWARDS THESE SINCE IT HAS BEEN OBSERVED THAT THE DREAMERS OF THE SAME LANGUAGE USE THE LIKE SYMBOLS INDEED THAT IN CERTAIN CASES COMMUNITY OF SYMBOLS IS GREATER THAN COMMUNITY OF SPEECH SINCE THE DREAMERS DO NOT THEMSELVES KNOW THE MEANING OF THE SYMBOLS THEY USE IT REMAINS A PUZZLE WHENCE ARISES THEIR RELATIONSHIP WITH WHAT THEY REPLACE AND DENOTE"
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"\" Thus, when we say that an unconscious idea strives for transference into the foreconscious in order later to penetrate consciousness, we do not mean that a second idea is to be formed situated in a new locality like an interlineation near which the original continues to remain; also, when we speak of penetration into consciousness, we wish carefully to avoid any idea of change of locality.",
" THUS WHEN WE SAY THAT AN UNCONSCIOUS IDEA STRIVES FOR TRANSFERENCE INTO THE FORECONSCIOUS IN ORDER LATER TO PENETRATE CONSCIOUSNESS WE DO NOT MEAN THAT A SECOND IDEA IS TO BE FORMED SITUATED IN A NEW LOCALITY LIKE AN INTERLINEATION NEAR WHICH THE ORIGINAL CONTINUES TO REMAIN ALSO WHEN WE SPEAK OF PENETRATION INTO CONSCIOUSNESS WE WISH CAREFULLY TO AVOID ANY IDEA OF CHANGE OF LOCALITY"
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" sexual dreams I should be bound to entangle myself deeply in the still unexplained problems of perversion and bisexuality; and for that reason I have reserved this material for another connection. IX THE UNCONSCIOUS AND CONSCIOUSNESS--REALITY On closer inspection we find that it is not the existence of two systems near the motor end of the apparatus but of two kinds of processes or modes of emotional discharge, the assumption of which was explained in the psychological discussions of the previous chapter. This can make no difference for us, for we must always be ready to drop our auxiliary ideas whenever we deem ourselves in position to replace them by something else approaching more closely to the unknown reality. Let us now try to correct some views which might be erroneously formed as long as we regarded the two systems in the crudest and most obvious sense as two localities within the psychic apparatus, views which have left their traces in the terms \"repression\" and \"penetration.",
"X RECORDING ALL LIBERVOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBERVOX DOT ORGREAM PSYCHOLOGY BY SIGMUND FROUD TRANSLATED BY M D EATER CHAPTER NINE THE UNCONSCIOUS AND CONSCIOUSNESS REALITY ON CLOSER INSPECTION WE FIND THAT IT IS NOT THE EXISTENCE OF TWO SYSTEMS NEAR THE MOTOR END OF THE APPARATUS BUT OF TWO KINDS OF PROCESSES OR MODES OF EMOTIONAL DISCHARGE THE ASSUMPTION OF WHICH WAS EXPLAINED IN THE PSYCHOLOGICAL DISCUSSIONS OF THE PREVIOUS CHAPTER THIS CAN MAKE NO DIFFERENCE FOR US FOR WE MUST ALWAYS BE READY TO DROP OUR AUXILIARY IDEAS WHENEVER WE DEEM OURSELVES IN A POSITION TO REPLACE THEM BY SOMETHING ELSE APPROACHING MORE CLOSELY TO THE UNKNOWN REALITY LET US NOW TRY TO CORRECT SOME VIEWS WHICH MIGHT BE ERRONEOUSLY FORMED AS LONG AS WE REGARDED THE TWO SYSTEMS IN THE CRUDEST AND MOST OBVIOUS SENSE AS TWO LOCALITIES WITHIN THE PSYCHIC APPARATUS VIEWS WHICH HAVE LEFT THEIR TRACES IN THE TERMS QUOTE REPRESSION AND QUOTE PENETRATION"
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" Bright sunlight was streaming in at the windows. The turner saw people facing him, and his first feeling was a desire to show himself a respectable man who knew how things should be done. “A requiem, brothers, for my old woman,” he said. “The priest should be told....”",
" BRIGHT SUNLIGHT WAS STREAMING IN AT THE WINDOWS THE TURNER SAW PEOPLE FACING HIM AND HIS FIRST FEELING WAS A DESIRE TO SHOW HIMSELF A RESPECTABLE MAN WHO KNEW HOW THINGS SHOULD BE DONE A RECRIEON BROTHERS FOR MY OLD WOMAN HE SAID THE PRAISE SHOULD BE TOLD"
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"ough he did not look round, he knew it was the dead woman’s head knocking against the sledge. And the snow kept turning darker and darker, the wind grew colder and more cutting.... “To live over again!” thought the turner. “I should get a new lathe, take orders,... give the money to my old woman....” And then he dropped the reins. He looked for them, tried to pick them up, but could not--his hands would not work.... “It does not matter,” he thought, “the horse will go of itself, it knows the way. I might have a little sleep now.... Before the funeral or the requiem it would be as well to get a little rest....” The turner closed his eyes and dozed. A little later he heard the horse stop; he opened his eyes and saw before him something dark like a hut or a haystack.... He would have got out of the sledge and found out what it was, but he felt overcome by such inertia that it seemed better to freeze than move, and he sank into a peaceful sleep. He woke up in a big room with painted walls.",
"E AFTER TIME A KNOCKING WAS AUDIBLE BEHIND HIM AND THOUGH HE DID NOT LOOK AROUND HE KNEW IT WAS THE DEAD WOMAN'S HEAD KNOCKING AGAINST THE SLEDGE AND THE SNOW KEPT TURNING DARKER AND DARKER THE WIND GREW COLDER AND MORE CUTTING TO LIVE OVER AGAIN THOUGHT THE TURNER I SHOULD GET A NEW LIFE TAKE ORDERS GIVE THE MONEY TO MY OLD WOMAN AND THEN HE DROPPED THE REINS HE LOOKED FOR THEM TRIED TO PICK THEM UP BUT COULD NOT HIS HANDS WOULD NOT WORK IT DOES NOT MATTER HE THOUGHT THE HORSE WILL GO OF IT SO IT KNOWS THE WAY I MIGHT HAVE A LITTLE SLEEP NOW BEFORE THE FUNERAL OR THE WRECK ROOM IT WOULD BE AS WELL TO GET A LITTLE REST THE TURNER CLOSED HIS EYES AND DOZED A LITTLE LATER HE HEARD THE HORSE LOG HE OPENED HIS EYES AND SAW BEFORE HIM SOMETHING DARK LIKE A HUT OR A HAY STATER HE WOULD HAVE GOT OUT OF THE SLEDGE AND FOUND OUT WHAT IT WAS BUT HE FELT OVERCOME BY SUCH INERTIA THAT IT SEEMED BETTER TO FREEZE THAN MOVE AND HE SANK INTO A PEACEFUL SLEEP HE WOKE UP IN A BIG ROOM WITH PAINTED WALLS"
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" A lady, young, but already ten years married, heard that a friend of hers, Miss Elise L----, of about the same age, had become engaged. This gave rise to the following dream: _She was sitting with her husband in the theater; the one side of the stalls was quite empty. Her husband tells her, Elise L---- and her fiancé had intended coming, but could only get some cheap seats, three for one florin fifty kreuzers, and these they would not take. In her opinion, that would not have mattered very much.",
" A LADY YOUNG BUT ALREADY TEN YEARS MARRIED HEARD THAT A FRIEND OF HERS MISS ELISE L OF ABOUT THE SAME AGE HAD BECOME ENGAGED THIS GAVE RISE TO THE FOLLOWING DREAM SHE WAS SITTING WITH HER HUSBAND IN THE THEATRE THE ONE SIDE OF THE STALLS WAS QUITE EMPTY HER HUSBAND TELLS HER ELISE L AND HER FIANCE HAD INTENDED COMING BUT COULD ONLY GET SOME CHEAP SEATS THREE FOR ONE FLORIN FIFTY KREUZERS AND THESE THEY WOULD NOT TAKE IN HER OPINION THAT WOULD NOT HAVE MATTERED VERY MUCH"
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" kreuzers out of her purse; but she says: 'What are you doing? It only cost twenty-one kreuzers.'\"_ The dreamer was a stranger who had placed her child at school in Vienna, and who was able to continue under my treatment so long as her daughter remained at Vienna. The day before the dream the directress of the school had recommended her to keep the child another year at school. In this case she would have been able to prolong her treatment by one year. The figures in the dream become important if it be remembered that time is money. One year equals 365 days, or, expressed in kreuzers, 365 kreuzers, which is three florins sixty-five kreuzers. The twenty-one kreuzers correspond with the three weeks which remained from the day of the dream to the end of the school term, and thus to the end of the treatment. It was obviously financial considerations which had moved the lady to refuse the proposal of the directress, and which were answerable for the triviality of the amount in the dream. 3.",
" SHE SAYS WHAT ARE YOU DOING IT ONLY COST TWENTY ONE KREUZERS THE DREAMER WAS A STRANGER WHO HAD PLACED HER CHILD AT SCHOOL IN VIENNA AND WHO WAS ABLE TO CONTINUE UNDER MY TREATMENT SO LONG AS HER DAUGHTER REMAINED IN VIENNA THE DAY BEFORE THE DREAM THE DIRECTRESS OF THE SCHOOL HAD RECOMMENDED HER TO KEEP THE CHILD ANOTHER YEAR AT SCHOOL IN THIS CASE SHE WOULD HAVE BEEN ABLE TO PROLONG HER TREATMENT BY ONE YEAR THE FIGURES IN THE DREAM BECOME IMPORTANT IF IT BE REMEMBERED THAT TIME IS MONEY ONE YEAR EQUALS THREE HUNDRED SIXTY FIVE DAYS OR EXPRESSED IN KREUZERS THREE HUNDRED SIXTY FIVE KREUZERS WHICH IS THREE FLORINS SIXTY FIVE CREATURES THE TWENTY ONE KREUZERS CORRESPOND WITH THE THREE WEEKS WHICH REMAIN FROM THE DAY OF THE DREAM TO THE END OF THE SCHOOL TERM AND THUS TO THE END OF THE TREATMENT IT WAS OBVIOUSLY FINANCIAL CONSIDERATIONS WHICH HAD MOVED THE LADY TO REFUSE THE PROPOSAL OF THE DIRECTRESS AND WHICH WERE ANSWERABLE FOR THE TRIVIALITY OF THE AMOUNT OF THE DREAM EXAMPLE THREE"
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" He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him, that I thought I should never have done wringing his hand. I said to him--\"My dear Fortunato, you are luckily met. How remarkably well you are looking to-day! But I have received a pipe of what passes for Amontillado, and I have my doubts.\"",
" HE ACCOSTED ME WITH EXCESSIVE WARMTH FOR HE HAD BEEN DRINKING MUCH THE MAN WORE MOTLEY HAIRED ON A TIGHT FITTING POTTY STRIPED DRESS AND HIS HEAD WAS SURMOUNTED BY THE CONICAL CAP AND BELLS I WAS SO PLEASED TO SEE HIM THAT I THOUGHT I SHOULD NEVER HAVE DONE WRINGING HIS HAND I SAID TO HIM MY DEAR FORTUN OTTO YOU ARE LUCKILY MET HOW REMARKABLY WELL YOU ARE LOOKING TO DAY BUT I HAVE RECEIVED A PIPE OF WHAT PASSES FOR A MONTEADO AND I HAVE MY DOUBTS"
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"lf felt as such to him who has done the wrong. It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile _now_ was at the thought of his immolation. He had a weak point--this Fortunato--although in other regards he was a man to be respected and even feared. He prided himself on his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and opportunity--to practise imposture upon the British and Austrian _millionaires_. In painting and gemmary, Fortunato, like his countrymen, was a quack--but in the matter of old wines he was sincere. In this respect I did not differ from him materially: I was skillful in the Italian vintages myself, and bought largely whenever I could. It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend.",
"E AVENGER FAILS TO MAKE HIMSELF FELT AS SUCH TO HIM WHO HAS DONE THE WRONG IT MUST BE UNDERSTOOD THAT NEITHER BY WORD NOR DEED HAD I GIVEN FORTUNATO CAUSE TO DOUBT MY GOOD WILL I CONTINUED AS WAS MY WONT TO SMILE IN HIS FACE AND HE DID NOT PERCEIVE THAT MY SMILE NOW WAS AT THE THOUGHT OF HIS IMMOLATION HE HAD A WEAK POINT THIS FORTUNATO ALTHOUGH IN OTHER REGARDS HE WAS A MAN TO BE RESPECTED AND EVEN FEARED HE PRIDED HIMSELF ON HIS CONNOISSEURSHIP IN WINE FEW ITALIANS HAVE THE TRUE VIRTUOSO SPIRIT FOR THE MOST PART THEIR ENTHUSIASM IS ADOPTED TO SUIT THE TIME AND OPPORTUNITY TO PRACTISE IMPOSTURE UPON THE BRITISH AND AUSTRALIAN MILLIONAIRES IN PAINTING IN GENERY FORTUNATO LIKE HIS COUNTRYMAN WAS A QUACK BUT IN THE MATTER OF OLD WINES HE WAS SINCERE IN THIS RESPECT I DID NOT DIFFER FROM HIM MATERIALLY I WAS SKILFUL IN THE ITALIAN VINTAGES MYSELF AND BOUGHT LARGELY WHENEVER I COULD IT WAS ABOUT DUSK ONE EVENING DURING THE SUPREME MADNESS OF THE CARNIVAL SEASON THAT I ENCOUNTERED MY FRIEND"
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" The pines rocked, the storm eddied and whirled above the miserable group, and the flames of their altar leaped heavenward as if in token of the vow. At midnight the storm abated, the rolling clouds parted, and the stars glittered keenly above the sleeping camp. Mr. Oakhurst, whose professional habits had enabled him to live on the smallest possible amount of sleep, in dividing the watch with Tom Simson somehow managed to take upon himself the greater part of that duty.",
" THE PINES ROCKED THE STORM EDDIED AND WHIRLED ABOVE THE MISERABLE GROUP AND THE FLAMES OF THEIR ALTAR LEAPED HEAVENWARD AS IF IN TOKEN OF THE VOW AT MIDNIGHT THE STORM ABATED THE ROLLING CLOUDS PARTED AND THE STARS GLITTERED KEENLY ABOVE THE SLEEPING CAMP MISTER OAKHURST WHOSE PROFESSIONAL HABITS HAD ENABLED HIM TO LIVE IN THE SMALLEST POSSIBLE AMOUNT OF SLEEP IN DIVIDING THE WATCH WITH TOM SIMPSON SOMEHOW MANAGED TO TAKE UPON HIMSELF THE GREATER PART OF THAT DUTY"
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"at it was “square fun.” Whether Mr. Oakhurst had cached his cards with the whisky as something debarred the free access of the community, I cannot say. It was certain that, in Mother Shipton's words, he “didn't say cards once” during that evening. Haply the time was beguiled by an accordion, produced somewhat ostentatiously by Tom Simson from his pack. Notwithstanding some difficulties attending the manipulation of this instrument, Piney Woods managed to pluck several reluctant melodies from its keys, to an accompaniment by the Innocent on a pair of bone castanets. But the crowning festivity of the evening was reached in a rude camp-meeting hymn, which the lovers, joining hands, sang with great earnestness and vociferation. I fear that a certain defiant tone and Covenanter's swing to its chorus, rather than any devotional quality, caused it speedily to infect the others, who at last joined in the refrain: “I'm proud to live in the service of the Lord, And I'm bound to die in His army.”",
" INTO THE CONVICTION THAT IT WAS SQUARE FUN WHETHER MISTER OAKHURST HAD CACHED HIS CARDS WITH THE WHISKY HAD SOMETHING TO BARD THE FREE ACCESS OF THE COMMUNITY I CANNOT SAY IT WAS CERTAIN THAT IN MOTHER SHEPTON'S WORDS HE DIDN'T SAY CARDS ONCE DURING THAT EVENING HAPPILY THE TIME WAS BEGUILED BY AN ACCORDION PRODUCED SOMEWHAT OSTENTATIOUSLY BY TOM SIMPSON FROM HIS PACK NOTWITHSTANDING SOME DIFFICULTIES ATTENDING THE MANIPULATION OF THIS INSTRUMENT PINY WOODS MANAGED TO PLUCK SEVERAL RELUCTANT MELODIES FROM ITS KEYS TO AN ACCOMPANIMENT BY THE INNOCENT ON A PAIR OF BONE CASTANETS BUT THE CROWNING FESTIVITY OF THE EVENING WAS REACHED IN A CRUDE CAMP MEETING HYMN WHICH THE LOVERS JOINING HANDS SANG WITH GREAT EARNESTNESS AND VOCIFERATION I FEAR THAT A CERTAIN DEFIANT TONE IN COVENANTERS SWING TO ITS CHORUS RATHER THAN ANY DEVOTIONAL QUALITY CAUSED IT SPEEDILY TO INFECT THE OTHERS WHO AT LAST JOINED IN THE REFRAIN I'M PROUD TO LIVE IN THE SERVICE OF THE LORD AND I'M BOUND TO DIE IN HIS ARMY"
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" When you have prayed for victory you have prayed for many unmentioned results which follow victory – must follow it, cannot help but follow it. Upon the listening spirit of God fell also the unspoken part of the prayer. He commandeth me to put it into words. Listen!",
" WHEN YOU HAVE PRAYED FOR VICTORY YOU HAVE PRAYED FOR MANY UNMENTIONED RESULTS WHICH FOLLOW VICTORY MUST FOLLOW IT CANNOT HELP BUT FOLLOW IT UPON THE LISTENING SPIRIT OF GOD FELL ALSO THE UNSPOKEN PART OF THE PRAYER HE COMMANDETH ME TO PUT IT INTO WORDS LISTEN"
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"Has he paused and taken thought? Is it one prayer? No, it is two – one uttered, the other not. Both have reached the ear of Him Who heareth all supplications, the spoken and the unspoken. Ponder this – keep it in mind. If you would beseech a blessing upon yourself, beware! lest without intent you invoke a curse upon a neighbor at the same time. If you pray for the blessing of rain upon your crop which needs it, by that act you are possibly praying for a curse upon some neighbor's crop which may not need rain and can be injured by it. \"You have heard your servant's prayer – the uttered part of it. I am commissioned of God to put into words the other part of it – that part which the pastor – and also you in your hearts – fervently prayed silently. And ignorantly and unthinkingly? God grant that it was so! You heard these words: 'Grant us the victory, O Lord our God!' That is sufficient. The whole of the uttered prayer is compact into those pregnant words. Elaborations were not necessary.",
"ANT AND YOURS HAS PRAYED HIS PRAYER HAS HE PAUSED AND TAKEN THOUGHT IS IT ONE PRAYER NO IT IS TWO ONE UTTERED THE OTHER NOT BOTH HAVE REACHED THE EAR OF HIM WHO HEARETH ALL SUPPLICATIONS THE SPOKEN AND THE UNSPOKEN PONDER THIS KEEP IT IN MIND IF YOU WOULD BESEECH A BLESSING UPON YOURSELF BEWARE LEST WITHOUT INTENT YOU INVOKE A CURSE UPON A NEIGHBOUR AT THE SAME TIME IF YOU PRAY FOR THE BLESSING OF RAIN UPON YOUR CROP WHICH NEEDS IT BY THAT ACT YOU ARE POSSIBLY PRAYING FOR A CURSE UPON SOME NEIGHBOUR'S CROP WHICH MAY NOT NEED RAIN AND CAN BE INJURED BY IT YOU HAVE HEARD YOUR SERVANT'S PRAYER THE UTTERED PART OF IT I AM COMMISSIONED OF GOD TO PUT INTO WORDS THE OTHER PART OF IT THAT PART WHICH THE PASTOR AND ALSO YOU IN YOUR HEARTS FERVENTLY PRAYED SILENTLY AND IGNORANTLY AND UNTHINKINGLY GOD GRANT THAT IT WAS SO YOU HEARD THESE WORDS GRANT US THE VICTORY O LORD OUR GOD THAT IS SUFFICIENT THE WHOLE OF THE UTTERED PRAYER IS COMPACT INTO THOSE PREGNANT WORDS ELABORATIONS WERE NOT NECESSARY"
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" What an idea of trembling haste and airy grace, borne upon the thoughts of love, does the Friar's exclamation give of her, as she approaches his cell to be married: Here comes the lady. Oh, so light of foot Will ne'er wear out the everlasting flint: A lover may bestride the gossamer, That idles in the wanton summer air, And yet not fall, so light is vanity.",
" WHAT AN IDEA OF TREMBLING HASTE AND AIRY GRACE BORNE UPON THE THOUGHTS OF LOVE DOES THE FRIAR'S EXCLAMATION GIVE HER AS SHE APPROACHES HIS CELL TO BE MARRIED HERE COMES THE LADY OH SO LIGHT OF FOOT WILL NE'ER WEAR OUT THE EVERLASTING FLINT A LOVER MAY BESTRIDE THE GOSSAMER THAT IDLES IN THE WANTON SUMMER AIR AND YET NOT FALL SO LIGHT IS VANITY"
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"d from the Family Shakespeare. Such critics do not perceive that the feelings of the heart sanctify, without disguising, the impulses of nature. Without refinement themselves, they confound modesty with hypocrisy. Not so the German critic, Schlegel. Speaking of Romeo and Juliet, he says, 'It was reserved for Shakespeare to unite purity of heart and the glow of imagination, sweetness and dignity of manners and passionate violence, in one ideal picture.' The character is indeed one of perfect truth and sweetness. It has nothing forward, nothing coy, nothing affected or coquettish about it;--it is a pure effusion of nature. It is as frank as it is modest, for it has no thought that it wishes to conceal. It reposes in conscious innocence on the strength of its affections. Its delicacy does not consist in coldness and reserve, but in combining warmth of imagination and tenderness of heart with the most voluptuous sensibility. Love is a gentle flame that rarefies and expands her whole being.",
" HAS BEEN EXPUNGED FROM THE FAMILY SHAKESPEARE SUCH CRITICS DO NOT PERCEIVE THAT THE FEELINGS OF THE HEART SANCTIFY WITHOUT DISGUISING THE IMPULSES OF NATURE WITHOUT REFINEMENT THEMSELVES THEY CONFOUND MODESTY WITH HYPOCRISY NOT SO THE GERMAN CRITIC SCHLEGEL SPEAKING OF ROMAN JULIET HE SAYS QUOTE IT WAS RESERVED FOR SHAKESPEARE TO UNITE PURITY OF HEART AND THE GLOW OF IMAGINATION SWEETNESS AND DIGNITY OF MANNERS AND PASSIONATE VIOLENCE IN ONE IDEAL PICTURE UNQUOTE THE CHARACTER IS INDEED ONE OF PERFECT TRUTH AND SWEETNESS IT HAS NOTHING FORWARD NOTHING COY NOTHING AFFECTED OR COQUETTISH ABOUT IT IT IS A PURE EFFUSION OF NATURE IT IS AS FRANK AS IT IS MODEST FOR IT HAS NO THOUGHT THAT IT WISHES TO CONCEAL IT REPOSES IN CONSCIOUS INNOCENCE ON THE STRENGTH OF ITS AFFECTIONS ITS DELICACY DOES NOT CONSIST IN COLDNESS AND RESERVE BUT IN COMBINING WARMTH OF IMAGINATION AND TENDERNESS OF HEART WITH THE MOST VOLUPTUOUS SENSIBILITY LOVE IS A GENTLE FLAME THAT RAREFIES AND EXPANDS HER WHOLE BEING"
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" With all eyes following him and wondering, he made his silent way; without pausing, he ascended to the preacher's side and stood there waiting. With shut lids the preacher, unconscious of his presence, continued with his moving prayer, and at last finished it with the words, uttered in fervent appeal, \"Bless our arms, grant us the victory, O Lord our God, Father and Protector of our land and flag!\"",
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"endous invocation God the all-terrible! Thou who ordainest! Thunder thy clarion and lightning thy sword! Then came the \"long\" prayer. None could remember the like of it for passionate pleading and moving and beautiful language. The burden of its supplication was, that an ever-merciful and benignant Father of us all would watch over our noble young soldiers, and aid, comfort, and encourage them in their patriotic work; bless them, shield them in the day of battle and the hour of peril, bear them in His mighty hand, make them strong and confident, invincible in the bloody onset; help them to crush the foe, grant to them and to their flag and country imperishable honor and glory – An aged stranger entered and moved with slow and noiseless step up the main aisle, his eyes fixed upon the minister, his long body clothed in a robe that reached to his feet, his head bare, his white hair descending in a frothy cataract to his shoulders, his seamy face unnaturally pale, pale even to ghastliness.",
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" There was then a long and obstinate silence. I laid the second tier, and the third, and the fourth; and then I heard the furious vibrations of the chain. The noise lasted for several minutes, during which, that I might hearken to it with the more satisfaction, I ceased my labours and sat down upon the bones.",
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" too much astounded to resist. Withdrawing the key I stepped back from the recess. \"Pass your hand,\" I said, \"over the wall; you cannot help feeling the nitre. Indeed, it is _very_ damp. Once more let me _implore_ you to return. No? Then I must positively leave you. But I must first render you all the little attentions in my power.\" \"The Amontillado!\" ejaculated my friend, not yet recovered from his astonishment. \"True,\" I replied; \"the Amontillado.\" As I said these words I busied myself among the pile of bones of which I have before spoken. Throwing them aside, I soon uncovered a quantity of building stone and mortar. With these materials and with the aid of my trowel, I began vigorously to wall up the entrance of the niche. I had scarcely laid the first tier of the masonry when I discovered that the intoxication of Fortunato had in a great measure worn off. The earliest indication I had of this was a low moaning cry from the depth of the recess. It was _not_ the cry of a drunken man.",
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" This is regularly the direct representation of the wish-fulfillment; for, if we undo the displacements of the dream-work by a process of retrogression, we find that the psychic intensity of the elements in the dream thoughts is replaced by the perceptible intensity of the elements in the dream content.",
" THIS IS REGULARLY THE DIRECT REPRESENTATION OF THE WISH FULFILLMENT FOR IF WE UNDO THE DISPLACEMENTS OF THE DREAM WORK BY A PROCESS OF RETROGRESSION WE FIND THAT THE PSYCHIC INTENSITY OF THE ELEMENTS OF THE DREAM THOUGHTS IS REPLACED BY THE PERCEPTIBLE INTENSITY OF THE ELEMENTS IN THE DREAM CONTENT"
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"more usual case. An unconscious wish is produced by the day's work, which in turn creates the dream. The dream processes, moreover, run parallel with all the other possibilities of the economic relationship used here as an illustration. Thus, the entrepreneur may contribute some capital himself, or several entrepreneurs may seek the aid of the same capitalist, or several capitalists may jointly supply the capital required by the entrepreneur. Thus there are dreams produced by more than one dream-wish, and many similar variations which may readily be passed over and are of no further interest to us. What we have left unfinished in this discussion of the dream-wish we shall be able to develop later. The \"tertium comparationis\" in the comparisons just employed--_i.e._ the sum placed at our free disposal in proper allotment--admits of still finer application for the illustration of the dream structure. We can recognize in most dreams a center especially supplied with perceptible intensity.",
"IS INDEED SEEMS TO BE THE MORE USUAL CASE AN UNCONSCIOUS WISH IS PRODUCED BY THE DAY'S WORK WHICH IN TURN CREATES THE DREAM THE DREAM PROCESSES MOREOVER RUN PARALLEL WITH ALL THE OTHER POSSIBILITIES OF THE ECONOMIC RELATIONSHIP USED HERE AS AN ILLUSTRATION THUS THE INTROPRINER MAY CONTRIBUTE SOME CAPITAL HIMSELF OR SEVERAL ENTREPINURS MAY SEEK THE AID OF THE SAME CAPITALIST OR SEVERAL CAPITALISTS MAY JOINTLY SUPPLY THE CAPITAL REQUIRED BY THE ENTREPRENER THUS THERE ARE DREAMS PRODUCED BY MORE THAN ONE DREAM WISH AND MANY SIMILAR VARIATIONS WHICH MAY READILY BE PASSED OVER AND ARE OF NO FURTHER INTEREST TO US WHAT WE HAVE LEFT UNFINISHED IN THIS DISCUSSION OF THE DREAM WISH WE SHALL BE ABLE TO DEVELOP LATER THE TURTIUM COMPARATIONIS IN THE COMPARISONS JUST EMPLOYED I E THE SUM PLACED AT OUR FREE DISPOSAL IN PROPER ALLOTMENT ADMITS OF STILL FINER APPLICATION FOR THE ILLUSTRATION OF THE DREAM STRUCTURE WE CAN RECOGNIZE IN MOST DREAMS A CENTRE ESPECIALLY SUPPLIED WITH PERCEPTIBLE INTENSITY"
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" As he shook his head free from the commotion of the smitten water he heard the deflected shot humming through the air ahead, and in an instant it was cracking and smashing the branches in the forest beyond. “They will not do that again,” he thought; “the next time they will use a charge of grape. I must keep my eye upon the gun; the smoke will apprise me—the report arrives too late; it lags behind the missile. That is a good gun.” Suddenly he felt himself whirled round and round—spinning like a top.",
" AS HE SHOOK HIS HEAD FREE FROM THE COMMOTION OF THE SMITTEN WATER HE HEARD THE DEFLECTED SHOT HUMMING THROUGH THE AIR AHEAD AND IN AN INSTANT IT WAS CRACKING AND SMASHING THE BRANCHES IN THE FOREST BEYOND THEY WILT NOT DO THAT AGAIN HE THOUGHT THE NEXT TIME THOU WILT USE A CHARGE OF GRAPE I MUST KEEP MY EYE UPON THE GUN THE SMOKE WILL APPRASE ME THE REPORT ARRIVES TOO LATE IT LAGS BEHIND THE MISSILE THAT IS A GOOD GUN SUDDENLY HE FELT HIMSELF WHIRLED ROUND AND ROUND SPINNING LIKE A TOP"
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"ad almost finished reloading; the metal ramrods flashed all at once in the sunshine as they were drawn from the barrels, turned in the air, and thrust into their sockets. The two sentinels fired again, independently and ineffectually. The hunted man saw all this over his shoulder; he was now swimming vigorously with the current. His brain was as energetic as his arms and legs; he thought with the rapidity of lightning: “The officer,” he reasoned, “will not make that martinet’s error a second time. It is as easy to dodge a volley as a single shot. He has probably already given the command to fire at will. God help me, I cannot dodge them all!” An appalling splash within two yards of him was followed by a loud, rushing sound, DIMINUENDO, which seemed to travel back through the air to the fort and died in an explosion which stirred the very river to its deeps! A rising sheet of water curved over him, fell down upon him, blinded him, strangled him! The cannon had taken an hand in the game.",
"REAM NEARER TO SAFETY THE SOLDIERS HAD ALMOST FINISHED RELOADING THE METAL RAMRODS FLASHED ALL AT ONCE IN THE SUNSHINE AS THEY WERE DRAWN FROM THE BANNELS TURNED IN THE AIR AND THRUST IN THEIR SOCKETS THE TWO SENTINELS FIRED AGAIN INDEPENDENTLY AND INEFFECTUALLY THE HUNTED MAN SAW ALL THIS OVER HIS SHOULDER HE WAS NOW SWIMMING VIGOROUSLY WITH THE CURRENT HIS BRAIN WAS AS ENERGETIC AS HIS ARMS AND LEGS HE THOUGHT WITH THE RAPIDITY OF LIGHTNING THE OFFICER HE REASONED WILL NOT MAKE THE MARTINET'S ERROR A SECOND TIME IT IS EASY TO DODGE A VOLLEY AS A SINGLE SHOT HE HAS PROBABLY ALREADY GIVEN THE COMMAND TO FIRE AT WILL GOD HELP ME I CANNOT DODGE THEM ALL AN APPALLING SPLASH WITHIN TWO YARDS OF HIM WAS FOLLOWED BY A LOUD RUSHING SOUND DIMINUENDO WHICH SEEMED TO TRAVEL BACK THROUGH THE AIR TO THE FORT AND DIED IN AN EXPLOSION WHICH STIRRED THE VERY RIVER TO ITS DEEPS A RISING SHEET OF WATER CURVED OVER HIM FELL DOWN UPON HIM BLINDED HIM STRANGLED HIM THE CANNON HAD TAKEN AN HAND IN THE GAME"
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" Secondly, Freud, after studying the dreamer's life and modes of thought, after noting down all his mannerisms and the apparently insignificant details of his conduct which reveal his secret thoughts, came to the conclusion that there was in every dream the attempted or successful gratification of some wish, conscious or unconscious.",
" SECONDLY FREUD AFTER STUDYING THE DREAMER'S LIFE AND MODES OF THOUGHT AFTER NOTING DOWN ALL HIS MANNERISMS AND THE APPARENTLY INSIGNIFICANT DETAILS OF HIS CONDUCT WHICH REVEAL HIS SECRET THOUGHTS CAME TO THE CONCLUSION THAT THERE WAS IN EVERY DREAM THE ATTEMPTED OR SUCCESSFUL GRATIFICATION OF SOME WISH CONSCIOUS OR UNCONSCIOUS"
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"e hypothesis, which sprung from their brain, like Minerva from Jove's brain, fully armed. After which, they would stretch upon that unyielding frame the hide of a reality which they had previously killed. It is only to minds suffering from the same distortions, to minds also autistically inclined, that those empty, artificial structures appear acceptable molds for philosophic thinking. The pragmatic view that \"truth is what works\" had not been as yet expressed when Freud published his revolutionary views on the psychology of dreams. Five facts of first magnitude were made obvious to the world by his interpretation of dreams. First of all, Freud pointed out a constant connection between some part of every dream and some detail of the dreamer's life during the previous waking state. This positively establishes a relation between sleeping states and waking states and disposes of the widely prevalent view that dreams are purely nonsensical phenomena coming from nowhere and leading nowhere.",
"CE SOME ATTRACTIVE HYPOTHESIS WHICH SPRUNG FROM THEIR BRAIN LIKE MINERVA FROM JOVE'S BRAIN FULLY ARMED AFTER WHICH THEY WOULD STRETCH UPON THAT UNYIELDING FRAME THE HIDE OF A REALITY WHICH THEY HAD PREVIOUSLY KILLED IT IS ONLY TO MINDS SUFFERING FROM THE SAME DISTORTIONS TO MINDS ALSO ARTISTICALLY INCLINED THAT THOSE EMPTY ARTIFICIAL STRUCTURES APPEAR ACCEPTABLE MOLDS FOR PHILOSOPHIC THINKING THE PRAGMATIC VIEW THAT TRUTH IS WHAT WORKS HAD NOT BEEN AS YET EXPRESSED WHEN FREUD PUBLISHED HIS REVOLUTIONARY VIEWS ON THE PSYCHOLOGY OF DREAMS FIVE FACTS OF FIRST MAGNITUDE WERE MADE OBVIOUS TO THE WORLD BY HIS INTERPRETATION OF DREAMS FIRST OF ALL FREUD POINTED OUT A CONSTANT CONNECTION BETWEEN SOME PART OF EVERY DREAM AND SOME DETAIL OF THE DREAMER'S LIFE DURING THE PREVIOUS WAKING STATE THIS POSITIVELY ESTABLISHES A RELATION BETWEEN SLEEPING STATES AND WAKING STATES AND DISPOSES OF THE WIDELY PREVALENT VIEW THAT DREAMS ARE PURELY NONSENSICAL PHENOMENA COMING FROM NOWHERE AND LEADING NOWHERE"
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" You, poor little mermaid, have with your whole heart struggled for the same thing as we have struggled for. You have suffered and endured, raised yourself to the spirit-world of the air, and now, by your own good deeds you may, in the course of three hundred years, work out for yourself an undying soul.'",
" YOU POOR LITTLE MERMAID HAVE WITH YOUR WHOLE HEART STRUGGLED FOR THE SAME THING AS WE HAVE STRUGGLED FOR YOU HAVE SUFFERED AND ENDURED RAISED YOURSELF TO THE SPIRIT WORLD OF THE AIR AND NOW BY YOUR OWN GOOD DEEDS YOU MAY IN THE COURSE OF THREE HUNDRED YEARS WORK OUT FOR YOURSELF AN UNDYING SOUL"
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"bubbles they floated through the air without the aid of wings. The little mermaid perceived that she had a form like theirs; it gradually took shape out of the foam. 'To whom am I coming?' said she, and her voice sounded like that of the other beings, so unearthly in its beauty that no music of ours could reproduce it. 'To the daughters of the air!' answered the others; 'a mermaid has no undying soul, and can never gain one without winning the love of a human being. Her eternal life must depend upon an unknown power. Nor have the daughters of the air an everlasting soul, but by their own good deeds they may create one for themselves. We fly to the tropics where mankind is the victim of hot and pestilent winds; there we bring cooling breezes. We diffuse the scent of flowers all around, and bring refreshment and healing in our train. When, for three hundred years, we have laboured to do all the good in our power, we gain an undying soul and take a part in the everlasting joys of mankind.",
"LD SEE THEIR FORMS LIGHT AS BUBBLES THEY FLOATED THROUGH THE AIR WITHOUT THE AID OF WINGS THE LITTLE MERMAID PERCEIVED THAT SHE HAD A FORM LIKE THEIRS IT GRADUALLY TOOK SHAPE OUT OF THE FOAM TO WHOM AM I COMING SHE SAID AND HER VOICE SOUNDED LIKE THAT OF THE OTHER BEINGS SO UNEARTHLY IN ITS BEAUTY THAT NO MUSIC OF OURS COULD REPRODUCE IT TO THE DAUGHTERS OF THE AIR ANSWERED THE OTHERS A MERMAID HAS NO UNDYING SOUL AND CAN NEVER GAIN ONE WITHOUT WINNING THE LOVE OF A HUMAN BEING HER ETERNAL LIFE MUST DEPEND UPON AN UNKNOWN POWER NOR HAVE THE DAUGHTERS OF THE AIR AN EVERLASTING SOUL BUT BY THEIR OWN GOOD DEEDS THEY MAY CREATE ONE FOR THEMSELVES WE FLY TO THE TROPICS WHERE MANKIND IS THE VICTIM OF HOT AND PESTILENT WINDS THERE WE BRING COOLING BREEZES WE DIFFUSE THE SCENT OF FLOWERS ALL AROUND AND BRING REFRESHMENT AND HEALING IN OUR TRAIN WHEN FOR THREE HUNDRED YEARS WE HAVE LABORED TO DO ALL THE GOOD IN OUR POWER WE GAIN AN UNDYING SOUL AND TAKE A PART IN THE EVERLASTING JOYS OF MANKIND"
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" To clear this up a thorough exposition is necessary. Identification is a highly important factor in the mechanism of hysterical symptoms; by this means patients are enabled in their symptoms to represent not merely their own experiences, but the experiences of a great number of other persons, and can suffer, as it were, for a whole mass of people, and fill all the parts of a drama by means of their own personalities alone.",
" TO CLEAR THIS UP A SORROW EXPOSITION IS NECESSARY IDENTIFICATION IS A HIGHLY IMPORTANT FACTOR IN THE MECHANISM OF HYSTERICAL SYMPTOMS BY THIS MEANS PATIENTS ARE ENABLED IN THEIR SYMPTOMS TO REPRESENT NOT MERELY THEIR OWN EXPERIENCES BUT THE EXPERIENCES OF A GREAT NUMBER OF OTHER PERSONS AND CAN SUFFER AS IT WERE FOR A WHOLE MASS OF PEOPLE AND FILL ALL THE PARTS OF A DRAMA BY MEANS OF THEIR OWN PERSONALITIES ALONE"
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"al ambiguity of dreams as well as of all other psychopathological formations. We have seen that at the same time that she dreams of the denial of the wish, the patient is in reality occupied in securing an unfulfilled wish (the caviare sandwiches). Her friend, too, had expressed a wish, namely, to get fatter, and it would not surprise us if our lady had dreamt that the wish of the friend was not being fulfilled. For it is her own wish that a wish of her friend's--for increase in weight--should not be fulfilled. Instead of this, however, she dreams that one of her own wishes is not fulfilled. The dream becomes capable of a new interpretation, if in the dream she does not intend herself, but her friend, if she has put herself in the place of her friend, or, as we may say, has identified herself with her friend. I think she has actually done this, and as a sign of this identification she has created an unfulfilled wish in reality. But what is the meaning of this hysterical identification?",
"SH A NEAT EXAMPLE OF THE USUAL AMBIGUITY OF DREAMS AS WELL AS OF ALL OTHER PSYCHOPATHOLOGICAL FORMATIONS WE HAVE SEEN THAT AT THE SAME TIME THAT SHE DREAMS OF THE DENIAL OF THE WISH THE PATIENT IS IN REALITY OCCUPIED IN SECURING AN UNFULFILLED WISH THE CAVIER SANDWICHES HER FRIEND TOO HAD EXPRESSED A WISH NAMELY TO GET FATTER AND IT WOULD NOT SURPRISE US IF OUR LADY HAD DREAMT THAT THE WISH OF THE FRIEND WAS NOT BEING FULFILLED FOR IT IS HER OWN WISH THAT A WISH OF HER FRIEND'S FOR INCREASE IN WEIGHT SHOULD NOT BE FULFILLED INSTEAD OF THIS HOWEVER SHE DREAMS THAT ONE OF HER OWN WISHES IS NOT FULFILLED THE DREAM BECOMES CAPABLE OF A NEW INTERPRETATION IF IN THE DREAM SHE DOES NOT INTEND HERSELF BUT HER FRIEND IF SHE HAS PUT HERSELF IN THE PLACE OF HER FRIEND OR AS WE MAY SAY HAS IDENTIFIED HERSELF WITH HER FRIEND I THINK SHE HAS ACTUALLY DONE THIS AND AS A SIGN OF THIS IDENTIFICATION SHE HAS CREATED AN UNFULFILLED WISH IN REALITY BUT WHAT IS THE MEANING OF THIS HYSTERICAL IDENTIFICATION"
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" The turner, stupefied with amazement, borrowed a horse from a neighbor, and now was taking his old woman to the hospital in the hope that, by means of powders and ointments, Pavel Ivanitch would bring back his old woman’s habitual expression.",
" THE TURNER STUPEFIED WITH AMAZEMENT BORROWED A HORSE FROM A NEIGHBOR AND NOW WAS TAKING HIS OLD WOMAN TO THE HOSPITAL IN THE HOPE THAT BY MEANS OF POWDERS AND OINTMENTS PAVAL IVICH WOULD BRING BACK HIS OLD WOMAN'S HABITUAL EXPRESSION"
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" and unexpected, and now he could not get over it, could not recover himself. He had lived hitherto in unruffled calm, as though in drunken half-consciousness, knowing neither grief nor joy, and now he was suddenly aware of a dreadful pain in his heart. The careless idler and drunkard found himself quite suddenly in the position of a busy man, weighed down by anxieties and haste, and even struggling with nature. The turner remembered that his trouble had begun the evening before. When he had come home yesterday evening, a little drunk as usual, and from long-established habit had begun swearing and shaking his fists, his old woman had looked at her rowdy spouse as she had never looked at him before. Usually, the expression in her aged eyes was that of a martyr, meek like that of a dog frequently beaten and badly fed; this time she had looked at him sternly and immovably, as saints in the holy pictures or dying people look. From that strange, evil look in her eyes the trouble had begun.",
"R UNAWARES UNLOOKED FOR AND UNEXPECTED AND NOW HE COULD NOT GET OVER IT COULD NOT RECOVER HIMSELF HE HAD LIVED HITHERTO IN UNRUFFLED CALM AS THOUGH IN DRUNKEN HALF CONSCIOUSNESS KNOWING NEITHER GRIEF NOR JOY AND NOW HE WAS SUDDENLY AWARE OF A DREADFUL PAIN IN HIS HEART THE CARELESS IDOL AND DRUNKARD FOUND HIMSELF QUITE SUDDENLY IN THE POSITION OF A BUSY MAN WEIGHED DOWN BY ANXIETIES AND HASTE AND EVEN STRUGGLING WITH NATURE THE TURNER REMEMBERED THAT HIS TROUBLE HAD BEGUN THE EVENING BEFORE WHEN HE HAD COME HOME YESTERDAY EVENING A LITTLE DRUNK AS USUAL AND FROM LONG ESTABLISHED HABIT HAD BEGUN SWEARING AND SHAKING HIS FISTS HIS OLD WOMAN HAD LOOKED AT HER LODGY SPUNS AS SHE HAD NEVER LOOKED AT HIM BEFORE USUALLY THE EXPRESSION IN HER AGED EYES WERE THAT OF A MARTYR MEEK LIKE THAT OF A DOG FREQUENTLY BEATEN AND BADLY FED THIS TIME SHE HAD LOOKED AT HIM STERNLY AND IMMOVABLY AS SAINTS IN THE HOLY PICTURES OR DYING PEOPLE LOOK FROM THAT STRANGE EVIL LOOK IN HER EYES THE TROUBLE HAD BEGUN"
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" What did they_ do_? Long pause. I can't be perfectly sure, because I haven't the notes by me; but I think it goes something like this: te-rolly-loll-loll, loll lolly-loll-loll, O tolly-loll-loll-_lee-ly-li_-i-do! And then _repeat_, you know. Pause. Yes, I think it_ is_ very sweet--and very solemn and impressive, if you get the andantino and the pianissimo right.",
" WHAT DID THEY DO I CAN'T BE PERFECTLY SURE BECAUSE I HAVEN'T THE KNOTS BY ME BUT I THINK IT GOES SOMETHING LIKE THIS THEY'RE ONLY LOLLIE LO O TOLLY LONELY LIE LIE DO WIN THEN REPEAT YOU KNOW YES I THINK IT IS VERY SWEET AND VERY SOLEMN AND IMPRESSIVE IF YOU GET THE ANDENTINO AND THE PIANISSIMO RIGHT"
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"as. Pause. _ No_! Oh no, I didn't mean _that_. I meant, put it in while it is still boiling--or just before it _comes _to a boil. Pause. _What_? Pause. I turned it over with a backstitch on the selvage edge. Pause. Yes, I like that way, too; but I think it's better to baste it on with Valenciennes or bombazine, or something of that sort. It gives it such an air--and attracts so much noise. Pause. It's forty-ninth Deuteronomy, sixty-forth to ninety-seventh inclusive. I think we ought all to read it often. Pause. Perhaps so; I generally use a hair pin. Pause. What did you say? (_Aside_.) Children, do be quiet! Pause _Oh!_ B _flat!_ Dear me, I thought you said it was the cat! Pause. Since _when_? Pause. Why, _I_ never heard of it. Pause. You astound me! It seems utterly impossible! Pause. _Who _did? Pause. Good-ness gracious! Pause. Well, what_ is_ this world coming to? Was it right in _church_? Pause. And was her _mother _there? Pause. Why, Mrs. Bagley, I should have died of humiliation!",
"ES OF OBSERVATIONS ALL FROM THE ONE THUMB AND ALL SHOUTED FOR YOU CAN'T EVER PERSUADE THE SEX TO SPEAK GENTLY INTO A TELEPHONE YES WHY HOW DID THAT HAPPEN WHAT DID YOU SAY OH NO I DON'T THINK IT WAS NO NO I DIDN'T MEAN THAT I MEANT PUT IT IN WHILE IT IS STILL BOILING OR JUST BEFORE IT COMES TO A BOIL WHAT I TURN IT OVER WITH A BACK STITCH ON THE SALVAGE EDGE YES I LIKE THAT WAY TOO BUT I THINK IT'S BETTER TO BASTE IT ON WITH VALANCHINTZ OR BOMBAZINE OR SOMETHING OF THAT SORT IT GIVES IT SUCH AN AIR AND ATTRACTS SO MUCH NOISE IT'S FORTY NINE TO TYRANNYMY SIXTY FOUR TO NINETY SEVEN INCLUSIVE I THINK WE OUGHT ALL TO READ IT OFTEN PERHAPS SO I GENERALLY USE A HAIRPIN WHAT DID YOU SAY CHILDREN DO BE QUIET OH BE FLAT DEAR ME I THOUGHT YOU SAID IT WAS THE CAT SINCE WHEN WHY I NEVER HEARD OF IT YOU ASTOUND ME IT SEEMS UTTERLY IMPOSSIBLE WHO DID GOODNESS GRACIOUS WELL WHAT IS THIS WORLD COMING TO WAS IT RIGHT IN CHURCH AND WAS HER MOTHER THERE WHY MISSUS BAGLEY I SHOULD HAVE DIED OF HUMILIATION"
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" There is a meaning in all these cases when different persons are amalgamated into one substitute. Such cases denote an \"and,\" a \"just like,\" a comparison of the original person from a certain point of view, a comparison which can be also realized in the dream itself. As a rule, however, the identity of the blended persons is only discoverable by analysis, and is only indicated in the dream content by the formation of the \"combined\" person.",
" THERE IS A MEANING IN ALL THESE CASES WHEN DIFFERENT PERSONS ARE AMALGAMATED INTO ONE SUBSTITUTE SUCH CASES DENOTE AN END AND ARE JUST LIKE A COMPARISON OF THE ORIGINAL PERSON FROM A CERTAIN POINT OF VIEW A COMPARISON WHICH CAN BE ALSO REALISED IN THE DREAM ITSELF AS A RULE HOWEVER THE IDENTITY OF THE BLENDED PERSONS IS ONLY DISCOVERABLE BY ANALYSIS AND IS ONLY INDICATED IN THE DREAM CONTENT BY THE FORMATION OF THE COMBINED PERSON"
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" gentle persuasion, with a \"Just taste it.\" That the dream work should unhesitatingly use the double meaning of the word is certainly remarkable; ample experience has shown, however, that the occurrence is quite usual. Through condensation of the dream certain constituent parts of its content are explicable which are peculiar to the dream life alone, and which are not found in the waking state. Such are the composite and mixed persons, the extraordinary mixed figures, creations comparable with the fantastic animal compositions of Orientals; a moment's thought and these are reduced to unity, whilst the fancies of the dream are ever formed anew in an inexhaustible profusion. Every one knows such images in his own dreams; manifold are their origins. I can build up a person by borrowing one feature from one person and one from another, or by giving to the form of one the name of another in my dream. I can also visualize one person, but place him in a position which has occurred to another.",
"TH A JUST TASTE IT THAT THE DREAM WORK SHOULD UNHESITATINGLY USE THE DOUBLE MEANING OF THE WORD IS CERTAINLY REMARKABLE AMPLE EXPERIENCE HAS SHOWN HOWEVER THAT THE OCCURRENCE IS QUITE USUAL THROUGH CONSIDERATION OR THROUGH CONDENSATION OF THE DREAM CERTAIN CONSTITUENTS CONSIDERATE PARTS OF ITS CONTENT ARE EXPLICABLE WHICH ARE PECULIAR TO THE DREAM LIFE ALONE AND WHICH ARE NOT FOUND IN THE WAKING STATE SUCH ARE THE COMPOSITE AND MIXED PERSONS THE EXTRAORDINARY MIXED FIGURES CREATIONS COMPARABLE WITH THE FANTASTIC ANIMAL COMPOSITIONS OF ORIENTALS A MOMENT'S THOUGHT AND THESE ARE REDUCED TO UNITY WHILST THE FANCIES OF THE DREAM ARE EVER FORMED ANEW IN AN INEXHAUSTIBLE PROFUSION EVERY ONE KNOWS SUCH IMAGES IN HIS OWN DREAMS MANIFOLD ARE THEIR ORIGINS I CAN BUILD UP A PERSON BY BORROWING ONE FEATURE FROM ONE PERSON AND ONE FROM ANOTHER OR BY GIVING TO THE FORM OF ONE THE NAME OF ANOTHER IN MY DREAM I CAN ALSO VISUALIZE ONE PERSON BUT PLACE THEM IN A POSITION WHICH HAS OCCURRED TO TO ANOTHER"
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" It was indeed a glad and gracious time, and the half dozen rash spirits that ventured to disapprove of the war and cast a doubt upon its righteousness straightway got such a stern and angry warning that for their personal safety's sake they quickly shrank out of sight and offended no more in that way.",
" IT WAS INDEED A GLAD AND GRACIOUS TIME AND THE HALF DOZEN RASH SPIRITS THAT VENTURED TO DISAPPROVE OF THE WAR AND CAST A DOUBT UPON ITS RIGHTEOUSNESS STRAIGHTWAY GOT SUCH A STERN AND ANGRY WARNING THAT FOR THEIR PERSONAL SAFETY'S SAKE THEY QUICKLY SHRANK OUT OF SIGHT AND OFFENDED NO MORE IN THAT WAY"
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"try was up in arms, the war was on, in every breast burned the holy fire of patriotism; the drums were beating, the bands playing, the toy pistols popping, the bunched firecrackers hissing and spluttering; on every hand and far down the receding and fading spread of roofs and balconies a fluttering wilderness of flags flashed in the sun; daily the young volunteers marched down the wide avenue gay and fine in their new uniforms, the proud fathers and mothers and sisters and sweethearts cheering them with voices choked with happy emotion as they swung by; nightly the packed mass meetings listened, panting, to patriot oratory which stirred the deepest deeps of their hearts, and which they interrupted at briefest intervals with cyclones of applause, the tears running down their cheeks the while; in the churches the pastors preached devotion to flag and country, and invoked the God of Battles beseeching His aid in our good cause in outpourings of fervid eloquence which moved every listener.",
"XCITEMENT THE COUNTRY WAS UP IN ARMS THE WAR WAS ON IN EVERY BREAST BURNED THE HOLY FIRE OF PATRIOTISM THE DRUMS WERE BEATING THE BANDS PLAYING THE TOY PISTOLS POPPING THE BUNCHED FIRECRACKERS HISSING AND SPLUTTERING ON EVERY HAND AND FAR DOWN THE RECEDING AND FADING SPREAD OF ROOFS AND BALCONIES A FLUTTERING WILDERNESS OF FLAGS FLASHED IN THE SUN DAILY THE YOUNG VOLUNTEERS MARCHED DOWN THE WIDE AVENUE GAY AND FINE IN THEIR NEW UNIFORMS THE PROUD FATHERS AND MOTHERS AND SISTERS AND SWEETHEARTS CHEERING THEM WITH VOICES CHOKED WITH HAPPY EMOTION AS THEY SWUNG BY NIGHTLY THE PACKED MASS MEETINGS LISTENED PANTING TO PATRIOT ORATORY WHICH STIRRED THE DEEPEST DEEPS OF THEIR HEARTS AND WHICH THEY INTERRUPTED AT BRIEFEST INTERVALS WITH CYCLONES OF APPLAUSE THE TEARS RUNNING DOWN THEIR CHEEKS THE WHILE IN THE CHURCHES THE PASTORS PREACHED DEVOTION TO FLAG AND COUNTRY AND INVOKED THE GOD OF BATTLES BESIEGING HIS AID IN OUR GOOD CAUSE IN OUTPOURINGS OF FERVID ELOQUENCE WHICH MOVED EVERY LISTENER"
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" A stairway dream. (Reported and interpreted by Otto Rank.) For the following transparent pollution dream, I am indebted to the same colleague who furnished us with the dental-irritation dream. \"I am running down the stairway in the stair-house after a little girl, whom I wish to punish because she has done something to me. At the bottom of the stairs some one held the child for me.",
" A STAIRWAY DREAM REPORTED AND INTERPRETED BY OTTO RANK FOR THE FOLLOWING TRANSPARENT POLLUTION DREAM I AM INDEBTED TO THE SAME COLLEAGUE WHO FURNISHED US WITH A GENTLE IRRITATION DREAM I AM RUNNING DOWN THE STAIRWAY IN THE STAIR HOUSE AFTER A LITTLE GIRL WHOM I WISH TO PUNISH BECAUSE SHE HAS DONE SOMETHING TO ME AT THE BOTTOM OF THE STAIRS SOME ONE HELD THE CHILD FOR ME"
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"t itself; in this his father's business and his dishonest practices signify the first vagina represented as a shaft so that one might think of a reference to the mother. 4. The male genital symbolized by persons and the female by a landscape. (Dream of a woman of the lower class, whose husband is a policeman, reported by B. Dattner.) ... Then some one broke into the house and anxiously called for a policeman. But he went with two tramps by mutual consent into a church,[3] to which led a great many stairs;[4] behind the church there was a mountain,[5] on top of which a dense forest.[6] The policeman was furnished with a helmet, a gorget, and a cloak.[7] The two vagrants, who went along with the policeman quite peaceably, had tied to their loins sack-like aprons.[8] A road led from the church to the mountain. This road was overgrown on each side with grass and brushwood, which became thicker and thicker as it reached the height of the mountain, where it spread out into quite a forest. 5.",
"THE INFLUENCE OF ANOTHER SUBJECT HAS BEGUN TO ASSERT ITSELF IN THIS HIS FATHER'S BUSINESS AND HIS DISHONEST PRACTICES SIGNIFY THE VAGINA REPRESENTED AS A SHAFT SO THAT ONE MIGHT THINK OF A REFERENCE TO THE MOTHER FOUR THE MALE GENITAL SYMBOLIZED BY PERSONS AND THE FEMALE BY A LANDSCAPE DREAM OF A WOMAN OF THE LOWER CLASS WHOSE HUSBAND IS A POLICEMAN REPORTED BY B DATNER THEN SOME ONE BROKE INTO THE HOUSE AND ANXIOUSLY CALLED FOR A POLICEMAN BUT HE WENT WITH TWO TRAMPS BY MUTUAL CONSENT INTO A CHURCH TO WHICH LED A GREAT MANY STAIRS BEHIND THE CHURCH THERE WAS A MOUNTAIN ON TOP OF WHICH A DENSE FOREST THE POLICEMAN WAS FURNISHED WITH A HELMET A GORGET AND CLOAK THE TWO VAGRANTS WHO WENT ALONG WITH THE POLICEMEN QUITE PEACEABLY HAD TIED TO THEIR LOINS SACK LIKE APRONS A ROAD LED FROM THE CHURCH TO THE MOUNTAIN THIS ROAD WAS OVERGROWN ON EACH SIDE WITH GRASS AND BRUSHWOOD WHICH BECAME THICKER AND THICKER AS IT REACHED THE HEIGHT OF THE MOUNTAIN WHERE IT SPREAD OUT INTO QUITE A FOREST FIVE"
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"His features were good—a straight nose, firm mouth, broad forehead, from which his long, dark hair was combed straight back, falling behind his ears to the collar of his well fitting frock coat. He wore a moustache and pointed beard, but no whiskers; his eyes were large and dark gray, and had a kindly expression which one would hardly have expected in one whose neck was in the hemp.",
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"parade rest,” the butts of their rifles on the ground, the barrels inclining slightly backward against the right shoulder, the hands crossed upon the stock. A lieutenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right. Excepting the group of four at the center of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the bridge. The captain stood with folded arms, silent, observing the work of his subordinates, but making no sign. Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference. The man who was engaged in being hanged was apparently about thirty-five years of age. He was a civilian, if one might judge from his habit, which was that of a planter. ",
"ANY OF INFANTRY IN LINE AT PARADE REST THE BUTTS OF THEIR RIFLES ON THE GROUND THE BARRELS INCLINING SLIGHTLY BACKWARD AGAINST THE RIGHT SHOULDER THE HANDS CROSSED UPON THE STOCK A LIEUTENANT STOOD AT THE RIGHT OF THE LINE THE POINT OF HIS SWORD UPON THE GROUND HIS LEFT HAND RESTING UPON HIS RIGHT EXCEPTING THE GROUP OF FOUR AT THE CENTER OF THE BRIDGE NOT A MAN MOVED THE COMPANY FACED THE BRIDGE STARING STONILY MOTIONLESS THE SENTINELS FACING THE BANKS OF THE STREAM MIGHT HAVE BEEN STATUES TO ADORN THE BRIDGE THE CAPTAIN STOOD WITH FOLDED ARMS SILENT OBSERVING THE WORK OF HIS SUBORDINATES BUT MAKING NO SIGN DEATH IS A DIGNITARY WHO WHEN HE COMES ANNOUNCED IS TO BE RECEIVED WITH FORMAL MANIFESTATIONS OF RESPECT EVEN BY THOSE MOST FAMILIAR WITH HIM IN THE CODE OF MILITARY ETIQUETTE SILENCE AND FIXITY ARE FORMS OF DEFERENCE THE MAN WHO WAS ENGAGED IN BEING HANGED WAS APPARENTLY ABOUT THIRTY FIVE YEARS OF AGE HE WAS A CIVILIAN IF ONE MIGHT JUDGE FROM HIS HABIT WHICH WAS THAT OF A PLANTER "
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" But when Mr. Oakhurst returned from a weary search for the trail, he heard the sound of happy laughter echoed from the rocks. He stopped in some alarm, and his thoughts first naturally reverted to the whisky, which he had prudently cached. “And yet it don't somehow sound like whisky,” said the gambler. It was not until he caught sight of the blazing fire through the still-blinding storm and the group around it that he settled to the conviction that it was “square fun.”",
" BUT WHEN MISTER OAKHURST RETURNED FROM A WEARY SEARCH FOR THE TRAIL HE HEARD THE SOUND OF HAPPY LAUGHTER ECHOED FROM THE ROCKS HE STOPPED IN SOME ALARM AND HIS THOUGHTS FIRST NATURALLY REVERTED TO THE WHISKY WHICH HE HAD PRUDENTLY CASHED AND YET IT DIDN'T SOMEHOW SOUND LIKE WHISKY SAID THE GAMBLER IT WAS NOT UNTIL HE CAUGHT SIGHT OF THE BLAZING FIRE THROUGH THE STILL BLINDING STORM AND THE GROUP AROUND IT THAT HE SETTLED INTO THE CONVICTION THAT IT WAS SQUARE FUN"
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" course knew the facts of their associate's defection. “They'll find out the truth about us all when they find out anything,” he added, significantly, “and there's no good frightening them now.” Tom Simson not only put all his worldly store at the disposal of Mr. Oakhurst, but seemed to enjoy the prospect of their enforced seclusion. “We'll have a good camp for a week, and then the snow'll melt, and we'll all go back together.” The cheerful gaiety of the young man, and Mr. Oakhurst's calm, infected the others. The Innocent with the aid of pine boughs extemporized a thatch for the roofless cabin, and the Duchess directed Piney in the rearrangement of the interior with a taste and tact that opened the blue eyes of that provincial maiden to their fullest extent. “I reckon now you're used to fine things at Poker Flat,” said Piney. The Duchess turned away sharply to conceal something that reddened her cheeks through its professional tint, and Mother Shipton requested Piney not to “chatter.”",
"HER SHIPPTON WHO OF COURSE KNEW THE FACTS OF THEIR ASSOCIATE'S DEFECTION THEY'LL FIND OUT THE TRUTH ABOUT US ALL WHEN THEY FIND OUT ANYTHING HE ADDED SIGNIFICANTLY AND THERE'S NO GOOD FRIGHTENING THEM NOW TOM SIMPSON NOT ONLY PUT ALL HIS WORLDLY STORE AT THE DISPOSAL OF MISTER OAKHURST BUT SEEMED TO ENJOY THE PROSPECT OF THEIR ENFORCED SECLUSION WE'LL HAVE A GOOD CAMP FOR A WEEK AND THEN THE SNOW WILL MELT AND WE'LL ALL GO BACK TOGETHER THE CHEERFUL GAIETY OF THE YOUNG MAN AND MISTER OAKHURST'S CALM INFECTED THE OTHERS THE INNOCENT WITH THE AID OF PINE BOUGHS EXTEMPORIZED THE THATCH FOR THE ROOFLESS CABIN AND THE DUCHESS DIRECTED PINY IN THE REARRANGEMENT OF THE INTERIOR WITH A TASTE AND TACT THAT OPENED THE BLUE EYES OF THAT PROVINCIAL MAIDEN TO THEIR FULLEST EXTENT I RECKON NOW YOU'RE USED TO FIND THINGS AT POKER FLAT SAID PINY THE DUCHESS TURNED AWAY SHARPLY TO CONCEAL SOMETHING THAT REDDENED HER CHEEKS THROUGH ITS PROFESSIONAL TINT AND MOTHER SHIPPTON REQUESTED PINEY NOT TO CHATTER"
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" “Oh, all right, all right; lie down,” a voice cut him short. “Pavel Ivanitch!” the turner cried in surprise, seeing the doctor before him. “Your honor, benefactor!” He wanted to leap up and fall on his knees before the doctor, but felt that his arms and legs would not obey him. “Your honor, where are my legs, where are my arms!”",
" OH ALL RIGHT ALL RIGHT LIE DOWN A VOICE CUT HIM SHORT PAVO IVANITCH THE TURNER CRIED IN SURPRISE SEEING THE DOCTOR BEFORE HIM YOUR HONOUR BENEFACTOR HE WANTED TO LEAP UP AND FALL ON HIS KNEES BEFORE THE DOCTOR BUT FELT THAT HIS ARMS AND LEGS WOULD NOT OBEY YOUR HONOUR WHERE ARE MY LEGS WHERE ARE MY ARMS"
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" the money to my old woman....” And then he dropped the reins. He looked for them, tried to pick them up, but could not--his hands would not work.... “It does not matter,” he thought, “the horse will go of itself, it knows the way. I might have a little sleep now.... Before the funeral or the requiem it would be as well to get a little rest....” The turner closed his eyes and dozed. A little later he heard the horse stop; he opened his eyes and saw before him something dark like a hut or a haystack.... He would have got out of the sledge and found out what it was, but he felt overcome by such inertia that it seemed better to freeze than move, and he sank into a peaceful sleep. He woke up in a big room with painted walls. Bright sunlight was streaming in at the windows. The turner saw people facing him, and his first feeling was a desire to show himself a respectable man who knew how things should be done. “A requiem, brothers, for my old woman,” he said. “The priest should be told....”",
"HE TURNER I SHOULD GET A NEW LIFE TAKE ORDERS GIVE THE MONEY TO MY OLD WOMAN AND THEN HE DROPPED THE REINS HE LOOKED FOR THEM TRIED TO PICK THEM UP BUT COULD NOT HIS HANDS WOULD NOT WORK IT DOES NOT MATTER HE THOUGHT THE HORSE WILL GO OF IT SO IT KNOWS THE WAY I MIGHT HAVE A LITTLE SLEEP NOW BEFORE THE FUNERAL OR THE WRECK ROOM IT WOULD BE AS WELL TO GET A LITTLE REST THE TURNER CLOSED HIS EYES AND DOZED A LITTLE LATER HE HEARD THE HORSE LOG HE OPENED HIS EYES AND SAW BEFORE HIM SOMETHING DARK LIKE A HUT OR A HAY STATER HE WOULD HAVE GOT OUT OF THE SLEDGE AND FOUND OUT WHAT IT WAS BUT HE FELT OVERCOME BY SUCH INERTIA THAT IT SEEMED BETTER TO FREEZE THAN MOVE AND HE SANK INTO A PEACEFUL SLEEP HE WOKE UP IN A BIG ROOM WITH PAINTED WALLS BRIGHT SUNLIGHT WAS STREAMING IN AT THE WINDOWS THE TURNER SAW PEOPLE FACING HIM AND HIS FIRST FEELING WAS A DESIRE TO SHOW HIMSELF A RESPECTABLE MAN WHO KNEW HOW THINGS SHOULD BE DONE A RECRIEON BROTHERS FOR MY OLD WOMAN HE SAID THE PRAISE SHOULD BE TOLD"
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" The second phase of the dream-work, viz. the modification through the censor, the attraction by the unconscious scenes, and the penetration to perception must continue throughout the night. And we are probably always right when we assert that we feel as though we had been dreaming the whole night, although we cannot say what.",
" THE SECOND PHASE OF THE DREAM WORK VIZ THE MODIFICATION THROUGH THE CENSOR THE ATTRACTION BY THE UNCONSCIOUS SCENES AND THE PENETRATION TO PERCEPTION MUST CONTINUE THROUGHOUT THE NIGHT AND WE ARE PROBABLY ALWAYS RIGHT WHEN WE ASSERT THAT WE FEEL AS THOUGH WE HAD BEEN DREAMING THE WHOLE NIGHT ALTHOUGH WE CANNOT SAY WHAT"
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"otine dream, Goblet tries to demonstrate that the dream requires no other time than the transition period between sleeping and awakening. The awakening requires time, as the dream takes place during that period. One is inclined to believe that the final picture of the dream is so strong that it forces the dreamer to awaken; but, as a matter of fact, this picture is strong only because the dreamer is already very near awakening when it appears. \"Un rêve c'est un réveil qui commence.\" It has already been emphasized by Dugas that Goblet was forced to repudiate many facts in order to generalize his theory. There are, moreover, dreams from which we do not awaken, _e.g._, some dreams in which we dream that we dream. From our knowledge of the dream-work, we can by no means admit that it extends only over the period of awakening. On the contrary, we must consider it probable that the first part of the dream-work begins during the day when we are still under the domination of the foreconscious.",
"ESTED BY MAURICE'S PUZZLING GUILLOTINE DREAM GOBLAY TRIES TO DEMONSTRATE THAT THE DREAM REQUIRES NO OTHER TIME THAN THE TRANSITION PERIOD BETWEEN SLEEPING AND WAKENING THE WAKENING REQUIRES TIME AS THE DREAM TAKES PLACE DURING THAT PERIOD ONE IS INCLINED TO BELIEVE THAT THE FINAL PICTURE OF THE DREAM IS SO STRONG THAT IT FORCES THE DREAMER TO AWAKEN BUT AS A MATTER OF FACT THIS PICTURE IS STRONG ONLY BECAUSE THE DREAMER IS ALREADY VERY NEAR AWAKENING WHEN IT APPEARS ANGREE F SE ENREVE GUICOMENZ IT HAS ALREADY BEEN EMPHASIZED BY DUGAT THAT GOBLAY WAS FORCED TO REPUDIATE MANY FACTS IN ORDER TO GENERALIZE HIS THEORY THERE ARE MOREOVER DREAMS FROM WHICH WE DO NOT AWAKEN E G SOME DREAMS IN WHICH WE DREAM THAT WE DREAM FROM OUR KNOWLEDGE OF THE DREAM WORK WE CAN BY NO MEANS ADMIT THAT IT EXTENDS ONLY OVER THE PERIOD OF AWAKENING ON THE CONTRARY WE MUST CONSIDER IT PROBABLE THAT THE FIRST PART OF THE DREAM WORK BEGINS DURING THE DAY WHEN WE ARE STILL UNDER THE DOMINATION OF THE FOUR CONSCIOUS"
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" In the middle of this opening was a house built of the bones of the wrecked; there sat the witch, letting a toad eat out of her mouth, just as mortals let a little canary eat sugar. She called the hideous water snakes her little chickens, and allowed them to crawl about on her unsightly bosom.",
" IN THE MIDDLE OF THIS OPENING WAS A HOUSE BUILT OF THE BONES OF THE WRECKED THERE SAT THE WITCH LETTING A TOAD EAT OUT OF HER MOUTH JUST AS MORTALS LET A LITTLE CANARY EAT SUGAR SHE CALLED THE HIDEOUS WATER SNAKES HER LITTLE CHICKENS AND ALLOWED THEM TO CRAWL ABOUT ON HER UNSIGHTLY BOSOM"
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"ide was quite frightened, her heart beat fast with terror and she nearly turned back, but then she remembered the prince and the immortal soul of mankind and took courage. She bound her long flowing hair tightly round her head, so that the polyps should not seize her by it, folded her hands over her breast, and darted like a fish through the water, in between the hideous polyps, which stretched out their sensitive arms and tentacles towards her. She could see that every one of them had something or other, which they had grasped with their hundred arms, and which they held as if in iron bands. The bleached bones of men who had perished at sea and sunk below peeped forth from the arms of some, while others clutched rudders and sea-chests, or the skeleton of some land animal; and most horrible of all, a little mermaid whom they had caught and suffocated. Then she came to a large opening in the wood where the ground was all slimy, and where some huge fat water snakes were gambolling about.",
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" The turner closed his eyes and dozed. A little later he heard the horse stop; he opened his eyes and saw before him something dark like a hut or a haystack.... He would have got out of the sledge and found out what it was, but he felt overcome by such inertia that it seemed better to freeze than move, and he sank into a peaceful sleep. He woke up in a big room with painted walls.",
" THE TURNER CLOSED HIS EYES AND DOZED A LITTLE LATER HE HEARD THE HORSE LOG HE OPENED HIS EYES AND SAW BEFORE HIM SOMETHING DARK LIKE A HUT OR A HAY STATER HE WOULD HAVE GOT OUT OF THE SLEDGE AND FOUND OUT WHAT IT WAS BUT HE FELT OVERCOME BY SUCH INERTIA THAT IT SEEMED BETTER TO FREEZE THAN MOVE AND HE SANK INTO A PEACEFUL SLEEP HE WOKE UP IN A BIG ROOM WITH PAINTED WALLS"
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"er suddenly bethought him with a start. “I ought to be thinking of the burial, and I am on the way to the hospital.... It as is though I had gone crazy.” Grigory turned round again, and again lashed his horse. The little nag strained its utmost and, with a snort, fell into a little trot. The turner lashed it on the back time after time.... A knocking was audible behind him, and though he did not look round, he knew it was the dead woman’s head knocking against the sledge. And the snow kept turning darker and darker, the wind grew colder and more cutting.... “To live over again!” thought the turner. “I should get a new lathe, take orders,... give the money to my old woman....” And then he dropped the reins. He looked for them, tried to pick them up, but could not--his hands would not work.... “It does not matter,” he thought, “the horse will go of itself, it knows the way. I might have a little sleep now.... Before the funeral or the requiem it would be as well to get a little rest....”",
" BY LITTLE TO TURN GRAY IT WAS GETTING DUSK WHERE AM I GOING THE TURNER SUDDENLY BETHOUGHT HIM WITH A START I OUGHT TO BE THINKING OF THE BURIAL AND I AM ON THE WAY TO THE HOSPITAL IT IS AS THOUGH I HAD GONE CRAZY GREGORY TURNED ROUND AND AGAIN LASHED HIS HORSE THE LITTLE NAG STRAINED ITS UTMOST AND WITH A SNORT FELL INTO A LITTLE TROT THE TURNER LASHED IT ON THE BACK TIME AFTER TIME A KNOCKING WAS AUDIBLE BEHIND HIM AND THOUGH HE DID NOT LOOK AROUND HE KNEW IT WAS THE DEAD WOMAN'S HEAD KNOCKING AGAINST THE SLEDGE AND THE SNOW KEPT TURNING DARKER AND DARKER THE WIND GREW COLDER AND MORE CUTTING TO LIVE OVER AGAIN THOUGHT THE TURNER I SHOULD GET A NEW LIFE TAKE ORDERS GIVE THE MONEY TO MY OLD WOMAN AND THEN HE DROPPED THE REINS HE LOOKED FOR THEM TRIED TO PICK THEM UP BUT COULD NOT HIS HANDS WOULD NOT WORK IT DOES NOT MATTER HE THOUGHT THE HORSE WILL GO OF IT SO IT KNOWS THE WAY I MIGHT HAVE A LITTLE SLEEP NOW BEFORE THE FUNERAL OR THE WRECK ROOM IT WOULD BE AS WELL TO GET A LITTLE REST"
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" But it is known that no matter what idea the contractor may have in mind, and how desirous he may be of putting it into operation, he can do nothing without capital; he must depend upon a capitalist to defray the necessary expenses, and this capitalist, who supplies the psychic expenditure for the dream is invariably and indisputably _a wish from the unconscious_, no matter what the nature of the waking thought may be.",
" BUT IT IS KNOWN THAT NO MATTER WHAT IDEA THE CONTRACTOR MAY HAVE IN MIND AND HOW DESIROUS HE MAY BE OF PUTTING IT INTO OPERATION HE CAN DO NOTHING WITHOUT CAPITAL HE MUST DEPEND UPON A CAPITALIST TO DEFRAY THE NECESSARY EXPENSES AND THIS CAPITALIST WHO SUPPLIES THE PSYCHIC EXPENDITURE FOR THE DREAM IS INVARIABLY AND INDISPUTABLY A WISH FROM THE UNCONSCIOUS NO MATTER WHAT THE NATURE OF THE WAKING THOUGHT MAY BE"
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" the stronger must be the connection to be established; between the contents of the wish and that of the worry there need be no connection, nor was there one in any of our examples. We can now sharply define the significance of the unconscious wish for the dream. It may be admitted that there is a whole class of dreams in which the incitement originates preponderatingly or even exclusively from the remnants of daily life; and I believe that even my cherished desire to become at some future time a \"professor extraordinarius\" would have allowed me to slumber undisturbed that night had not my worry about my friend's health been still active. But this worry alone would not have produced a dream; the motive power needed by the dream had to be contributed by a wish, and it was the affair of the worriment to procure for itself such wish as a motive power of the dream. To speak figuratively, it is quite possible that a day thought plays the part of the contractor (_entrepreneur_) in the dream.",
"ING THIS WORRY THE STRONGER MUST BE THE CONNECTION TO BE ESTABLISHED BETWEEN THE CONTENTS OF THE WISH AND THAT OF THE WORRY THERE NEED BE NO CONNECTION NOR WAS THERE ONE IN ANY OF OUR EXAMPLES WE CAN NOW SHARPLY DEFINE THE SIGNIFICANCE OF THE UNCONSCIOUS WISH FOR THE DREAM IT MAY BE ADMITTED THAT THERE IS A WHOLE CLASS OF DREAMS IN WHICH THE INCITEMENT ORIGINATES PREPONDERATINGLY OR EVEN EXCLUSIVELY FROM THE REMNANTS OF DAILY LIFE AND I BELIEVE THAT EVEN MY CHERISHED DESIRE TO BECOME AT SOME FUTURE TIME A PROFESSOR EXTRAORDINARIUS WOULD HAVE ALLOWED ME TO SLUMBER UNDISTURBED THAT NIGHT HAD NOT MY WORRY ABOUT MY FRIEND'S HEALTH BEEN STILL ACTIVE BUT THIS WORRY ALONE WOULD NOT HAVE PRODUCED A DREAM THE MOTIVE POWER NEEDED BY THE DREAM HAD TO BE CONTRIBUTED BY A WISH AND IT WAS THE AFFAIR OF THE WORRIMENT TO PROCURE FOR ITSELF SUCH WISH AS A MOTIVE POWER OF THE DREAM TO SPEAK FIGURATIVELY IT IS QUITE POSSIBLE THAT A DAY THOUGHT PLAYS THE PART OF THE CONTRACTOR OR ENTREPRENUUR IN THE DREAM"
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" “The horse isn’t mine, I must give it back.... I must bury my old woman.... How quickly it is all ended in this world! Your honor, Pavel Ivanitch! A cigarette-case of birchwood of the best! I’ll turn you croquet balls....” The doctor went out of the ward with a wave of his hand.",
" THE HORSE ISN'T MINE I MUST GIVE IT BACK I MUST BURY MY OLD WOMAN HOW QUICKLY IT IS ALL ENDED IN THIS WORLD YOUR HONOUR PAVIL IVANITCH A SECRET CASE OF BIRCHWOOD OF THE BEST I'LL TURN YOU CROQUET BALLS THE DOCTOR WENT OUT OF THE WARD WITH A WAVE OF HIS HAND"
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"and he sank into a peaceful sleep. He woke up in a big room with painted walls. Bright sunlight was streaming in at the windows. The turner saw people facing him, and his first feeling was a desire to show himself a respectable man who knew how things should be done. “A requiem, brothers, for my old woman,” he said. “The priest should be told....” “Oh, all right, all right; lie down,” a voice cut him short. “Pavel Ivanitch!” the turner cried in surprise, seeing the doctor before him. “Your honor, benefactor!” He wanted to leap up and fall on his knees before the doctor, but felt that his arms and legs would not obey him. “Your honor, where are my legs, where are my arms!” “Say good-by to your arms and legs.... They’ve been frozen off. Come, come!... What are you crying for? You’ve lived your life, and thank God for it! I suppose you have had sixty years of it--that’s enough for you!...” “I am grieving.... Graciously forgive me! If I could have another five or six years!...” “What for?”",
"S BUT HE FELT OVERCOME BY SUCH INERTIA THAT IT SEEMED BETTER TO FREEZE THAN MOVE AND HE SANK INTO A PEACEFUL SLEEP HE WOKE UP IN A BIG ROOM WITH PAINTED WALLS BRIGHT SUNLIGHT WAS STREAMING IN AT THE WINDOWS THE TURNER SAW PEOPLE FACING HIM AND HIS FIRST FEELING WAS A DESIRE TO SHOW HIMSELF A RESPECTABLE MAN WHO KNEW HOW THINGS SHOULD BE DONE A RECRIEON BROTHERS FOR MY OLD WOMAN HE SAID THE PRAISE SHOULD BE TOLD OH ALL RIGHT ALL RIGHT LIE DOWN A VOICE CUT HIM SHORT PAVO IVANITCH THE TURNER CRIED IN SURPRISE SEEING THE DOCTOR BEFORE HIM YOUR HONOUR BENEFACTOR HE WANTED TO LEAP UP AND FALL ON HIS KNEES BEFORE THE DOCTOR BUT FELT THAT HIS ARMS AND LEGS WOULD NOT OBEY YOUR HONOUR WHERE ARE MY LEGS WHERE ARE MY ARMS SAY GOOD BY TO YOUR ARMS AND LEGS THEY'VE BEEN FROZEN OFF COME COME WHAT ARE YOU CRYING FOR YOU LIVED YOUR LIFE AND THANK GOD FOR IT I SUPPOSE YOU'VE HAD SIXTY YEARS OF IT THAT'S ENOUGH FOR YOU I AM GRIEVING GRACIOUSLY FORGIVE ME IF I COULD HAVE ANOTHER FIVE OR SIX YEARS WHAT FOR"
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" Smooth walls over which one is climbing, façades of houses upon which one is letting oneself down, frequently under great anxiety, correspond to the erect human body, and probably repeat in the dream reminiscences of the upward climbing of little children on their parents or foster parents. \"Smooth\" walls are men. Often in a dream of anxiety one is holding on firmly to some projection from a house.",
" SMOOTH WALLS OVER WHICH ONE IS CLIMBING FACADES OF HOUSES UPON WHICH ONE IS LETTING ONESELF DOWN FREQUENTLY UNDER GREAT ANXIETY CORRESPOND TO THE ERECT HUMAN BODY AND PROBABLY REPEAT IN THE DREAM REMINISCENCES OF THE UPWARD CLIMBING OF LITTLE CHILDREN ON THEIR PARENTS OR FOSTER PARENTS SMOOTH WALLS ARE MEN OFTEN IN A DREAM OF ANXIETY ONE IS HOLDING ON FIRMLY TO SOME PROJECTION FROM A HOUSE"
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"and reservations I may call attention to the following: Emperor and Empress (King and Queen) in most cases really represent the parents of the dreamer; the dreamer himself or herself is the prince or princess. All elongated objects, sticks, tree-trunks, and umbrellas (on account of the stretching-up which might be compared to an erection! all elongated and sharp weapons, knives, daggers, and pikes, are intended to represent the male member. A frequent, not very intelligible, symbol for the same is a nail-file (on account of the rubbing and scraping?). Little cases, boxes, caskets, closets, and stoves correspond to the female part. The symbolism of lock and key has been very gracefully employed by Uhland in his song about the \"Grafen Eberstein,\" to make a common smutty joke. The dream of walking through a row of rooms is a brothel or harem dream. Staircases, ladders, and flights of stairs, or climbing on these, either upwards or downwards, are symbolic representations of the sexual act.",
"US EVERY TIME AFTER THESE LIMITATIONS AND RESERVATIONS I MAY CALL ATTENTION TO THE FOLLOWING EMPEROR AND EMPRESS KING AND QUEEN IN MOST CASES REALLY REPRESENT THE PARENTS OF THE DREAMER THE DREAMER HIMSELF OR HERSELF IS THE PRINCE OR PRINCESS ALL ELONGATED OBJECTS STICKS TREE TRUNKS AND UMBRELLAS ON ACCOUNT OF THE STRETCHING UP WHICH MIGHT BE COMPARED TO AN ERECTION ALL ELONGATED AND SHARP WEAPONS KNIVES DAGGERS AND PIKES ARE INTENDED TO REPRESENT THE MALE MEMBER A FREQUENT NOT VERY INTELLIGIBLE SYMBOL FOR THE SAME IS A NAIL FILE ON ACCOUNT OF THE RUBBING AND SCRAPING LITTLE CASES BOXES CASKETS CLOSETS AND STOVES CORRESPOND TO THE FEMALE PART THE SYMBOLISM OF LOCK AND KEY HAS BEEN VERY GRACEFULLY EMPLOYED IN ULAND IN HIS SONG ABOUT THE GRAFIN EBERSTEIN TO MAKE A COMMON SMUTTY JOKE THE DREAM OF WALKING THROUGH A ROW OF ROOMS IS A BROTHEL OR HAREM DREAM STAIRCASES LADDERS AND FLIGHTS OF STAIRS OR CLIMBING ON THESE EITHER UPWARDS OR DOWNWARDS ARE SYMBOLIC REPRESENTATIONS OF THE SEXUAL ACT"
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" Dream symbolism proves also indispensable for understanding the so-called \"typical\" dreams and the dreams that \"repeat themselves.\" Dream symbolism leads us far beyond the dream; it does not belong only to dreams, but is likewise dominant in legend, myth, and saga, in wit and in folklore. It compels us to pursue the inner meaning of the dream in these productions.",
" DREAM SYMBOLISM PROVES ALSO INDISPENSABLE FOR UNDERSTANDING THE SO CALLED TYPICAL DREAMS AND THE DREAMS THAT REPEAT THEMSELVES DREAM SYMBOLISM LEADS US FAR BEYOND THE DREAM IT DOES NOT BELONG ONLY TO DREAMS BUT IS LIKEWISE DOMINANT IN LEGEND MYTH AND SAGA IN WIT AND IN FOLK LAW IT COMPELS US TO PURSUE THE INNER MEANING OF THE DREAM IN THESE PRODUCTIONS"
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"f symbols has not died out. Recently discovered things, like the airship, are at once brought into universal use as sex symbols. It would be quite an error to suppose that a profounder knowledge of dream symbolism (the \"Language of Dreams\") would make us independent of questioning the dreamer regarding his impressions about the dream, and would give us back the whole technique of ancient dream interpreters. Apart from individual symbols and the variations in the use of what is general, one never knows whether an element in the dream is to be understood symbolically or in its proper meaning; the whole content of the dream is certainly not to be interpreted symbolically. The knowledge of dream symbols will only help us in understanding portions of the dream content, and does not render the use of the technical rules previously given at all superfluous. But it must be of the greatest service in interpreting a dream just when the impressions of the dreamer are withheld or are insufficient.",
" SPECIAL FORMS OF SYMBOLS HAS NOT DIED OUT RECENTLY DISCOVERED THINGS LIKE THE AIRSHIP ARE AT ONCE BROUGHT INTO UNIVERSAL USE AS SEX SYMBOLS IT WOULD BE QUITE AN ERROR TO SUPPOSE THAT A PROFOUNDER KNOWLEDGE OF DREAM SYMBOLISM THE LANGUAGE OF DREAMS WOULD MAKE US INDEPENDENT OF QUESTIONING THE DREAMER REGARDING HIS IMPRESSIONS ABOUT THE DREAM AND WOULD GIVE US BACK THE WHOLE TECHNIQUE OF ANCIENT DREAM INTERPRETERS APART FROM INDIVIDUAL SYMBOLS AND THE VARIATIONS IN THE USE OF WHAT IS GENERAL ONE NEVER KNOWS WHETHER AN ELEMENT IN THE DREAM IS TO BE UNDERSTOOD SYMBOLICALLY OR IN ITS PROPER MEANING THE WHOLE CONTENT OF THE DREAM IS CERTAINLY NOT TO BE INTERPRETED SYMBOLICALLY THE KNOWLEDGE OF DREAM SYMBOLS WILL ONLY HELP US IN UNDERSTANDING PORTIONS OF THE DREAM CONTENT AND DOES NOT RENDER THE USE OF THE TECHNICAL RULES PREVIOUSLY GIVEN AT ALL SUPERFLUOUS BUT IT MUST BE OF THE GREATEST SERVICE IN INTERPRETING A DREAM JUST WHEN THE IMPRESSIONS OF THE DREAMER ARE WITHHELD OR ARE INSUFFICIENT"
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" The taxi always reminds me of the table d'hôte. It makes me avaricious and selfish by continuously reminding me of my debt. It seems to me to mount up too quickly, and I am always afraid that I shall be at a disadvantage, just as I cannot resist at table d'hôte the comical fear that I am getting too little, that I must look after myself.\"",
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". I have not seen her for a long time, and do not think there was any mention of her recently. No emotion whatever accompanied the dream process. Reflecting upon this dream does not make it a bit clearer to my mind. I will now, however, present the ideas, without premeditation and without criticism, which introspection yielded. I soon notice that it is an advantage to break up the dream into its elements, and to search out the ideas which link themselves to each fragment. _Company; at table or table d'hôte._ The recollection of the slight event with which the evening of yesterday ended is at once called up. I left a small party in the company of a friend, who offered to drive me home in his cab. \"I prefer a taxi,\" he said; \"that gives one such a pleasant occupation; there is always something to look at.\" When we were in the cab, and the cab-driver turned the disc so that the first sixty hellers were visible, I continued the jest. \"We have hardly got in and we already owe sixty hellers.",
"I EVER DESIRED ANY MORE CORDIAL RELATIONSHIP I'VE NOT SEEN HER FOR A LONG TIME AND DO NOT THINK THERE IS ANY MENTION OF HER RECENTLY NO EMOTION WHATEVER ACCOMPANIED THE DREAM PROCESS REFLECTING UPON THIS DREAM DOES NOT MAKE IT A PIT CLEAR IN MY MIND I WILL NOW HOWEVER PRESENT THE IDEAS WITHOUT PREMEDITATION AND WITHOUT CRITICISM WHICH INTROSPECTED YIELDED I SOON NOTICE THAT IT IS AN ADVANTAGE TO BREAK UP THE DREAM INTO ITS ELEMENTS AND TO SEARCH OUT THE IDEAS WHICH LINK THEMSELVES TO EACH FRAGMENT COMPANY AT TABLE OR TABLE DOT THE RECOLLECTION OF THE SLIGHT EVENT WITH WHICH THE EVENING OF YESTERDAY ENDED IS AT ONCE CALLED UP I LEFT THE SMALL PARTY IN THE COMPANY OF A FRIEND WHO OFFERED TO DRIVE ME HOME IN HIS CAB I PREFER A TAXI HE SAID THAT GIVES ONE SUCH A PLEASANT OCCUPATION THERE'S ALWAYS SOMETHING TO LOOK AT WHEN WE WERE IN THE CAB AND THE CRAB DRIVER TURNED A DIS SO THAT THE FIRST SIXTY HELLERS WERE VISIBLE I CONTINUED THE JEST WE'VE HARDLY GOT IN AND WE ALREADY OWE SIXTY HELLERS"
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" Imperative orders to return were artfully parried. Finally remittances were withheld, but he had no use for money. Coercion was bad policy to use in his case. Thus a third and a fourth winter passed, and the young hunter was enjoying life on the Salado, where questions of state and nation did not bother him. But this existence had an end. One day in the spring a conveyance drove up to the cabin, and an elderly, well-dressed woman alighted.",
" IMPERATIVE ORDERS TO RETURN WERE ARTFULLY PARRIED FINALLY REMITTANCES WERE WITHHELD BUT HE HAD NO USE FOR MONEY COERCION WHO HAS BAD POLICY TO USE IN HIS CASE THUS A THIRD AND FOURTH WINTER PASSED AND THE YOUNG HUNTER WAS ENJOYING LIFE ON THE SALADO WHERE QUESTIONS OF STATE AND NATION DID NOT BOTHER HIM BUT THIS EXISTENCE HAD AN END ONE DAY IN THE SPRING A CONVEYANCE DROVE UP TO THE CABIN AND AN ELDERLY WELL DRESSED WOMAN ALIGHTED"
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"could tell nearly enough when it was noon, and if the stars were shining he knew midnight within a few minutes. This he had learned when a shepherd. He could track a wounded deer for miles, when another could not see a trace of where the animal had passed. He could recognize the footprint of his favorite saddle pony among a thousand others. How he did these things he did not know himself. These companions were graduates of different schools, extremes of different nationalities. Yet Alexander Wells had no desire to elevate the old hunter to his own standard, preferring to sit at his feet. But finally the appearance of blades of grass and early flowers warned them that winter was gone and that spring was at hand. Their occupation, therefore, was at an end. Now how to satisfy the folks at home and get a further extension of time was the truant's supreme object. While he always professed obedience to parental demands, yet rebellion was brewing, for he did not want to go East--not just yet.",
"AD NO USE FOR IT HE COULD TELL NEARLY ENOUGH WHEN IT WAS NOON AND IF THE STARS WERE SHINING HE KNEW MIDNIGHT WITHIN A FEW MINUTES THIS HE HAD LEARNED WHEN A SHEPHERD HE COULD TRACK A WOUNDED DEER FOR MILES WHEN ANOTHER COULD NOT SEE A TRACE OF WHERE THE ANIMAL HAD PASSED HE COULD RECOGNIZE THE FOOTPRINT OF HIS FAVORITE SADDLE PONY AMONG A THOUSAND OTHERS HOW HE DID THESE THINGS HE DID NOT KNOW HIMSELF THESE COMPANIONS WERE GRADUATES OF DIFFERENT SCHOOLS EXTREMES OF DIFFERENT NATIONALITIES YET ALEXANDER WELLS HAD NO DESIRE TO ELEVATE THE OLD HUNTER TO HIS OWN STANDARD PREFERRING TO SIT AT HIS FEET BUT FINALLY THE APPEARANCE OF BLADES OF GRASS AND EARLY FLOWERS WARNED THEM THAT WINTER WAS GONE AND THAT SPRING WAS AT HAND THEIR OCCUPATION THEREFORE WAS AT AN END NOW HOW TO SATISFY THE FOLKS AT HOME AND GET A FURTHER EXTENSION OF TIME WAS THE TRUANT'S SUPREME OBJECT WHILE HE ALWAYS PROFESSED OBEDIENCE TO PARENTAL DEMANDS YET REBELLION WAS BREWING FOR HE DID NOT WANT TO GO EAST NOT JUST YET"
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" Let us therefore advance the proposition that the reason why the suppression of the unconscious becomes absolutely necessary is because, if the discharge of presentation should be left to itself, it would develop an affect in the Unc. which originally bore the character of pleasure, but which, since the appearance of the repression, bears the character of pain. The aim, as well as the result, of the suppression is to stop the development of this pain.",
" LET US THEREFORE ADVANCE THE PROPOSITION THAT THE REASON WHY THE SUPPRESSION OF THE UNCONSCIOUS BECOMES ABSOLUTELY NECESSARY IS BECAUSE IF THE DISCHARGE OF THE PRESENTATION SHOULD BE LEFT TO ITSELF IT WOULD DEVELOP AN EFFECT IN THE UNCONSCIOUS WHICH ORIGINALLY BORE THE CHARACTER OF PLEASURE BUT WHICH SINCE THE APPEARANCE OF THE REPRESSION BEARS THE CHARACTER OF PAIN THE AIM AS WELL AS THE RESULT OF THE SUPPRESSION IS TO STOP THE DEVELOPMENT OF THIS PAIN"
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" to it. On the one hand, they afford the Unc. an outlet for the discharge of its excitement, and serve it as a sally port, while, on the other hand, they give the Forec. the capability of dominating the Unc. to some extent. It is highly instructive to consider, _e.g._, the significance of any hysterical phobia or of an agoraphobia. Suppose a neurotic incapable of crossing the street alone, which we would justly call a \"symptom.\" We attempt to remove this symptom by urging him to the action which he deems himself incapable of. The result will be an attack of anxiety, just as an attack of anxiety in the street has often been the cause of establishing an agoraphobia. We thus learn that the symptom has been constituted in order to guard against the outbreak of the anxiety. The phobia is thrown before the anxiety like a fortress on the frontier. Unless we enter into the part played by the affects in these processes, which can be done here only imperfectly, we cannot continue our discussion.",
"N END TO IT ON THE ONE HAND THEY AFFORD THE UNCONSCIOUS AN OUTLET FOR THE DISCHARGE OF ITS EXCITEMENT AND SERVE IT AS A SALLY PORT WHILE ON THE OTHER HAND THEY GIVE THE FORECONSCIOUS THE CAPABILITY OF DOMINATING THE UNCONSCIOUS TO SOME EXTENT IT IS HIGHLY INSTRUCTIVE TO CONSIDER E G THE SIGNIFICANCE OF ANY HYSTERICAL PHOBIA OR OF AN AGOROPHOBIA SUPPOSE A NEUROTIC INCAPABLE OF CROSSING THE STREET ALONE WHICH WE WOULD JUSTLY CALL A SYMPTOM WE ATTEMPT TO REMOVE THIS SYMPTOM BY URGING HIM TO THE ACTION WHICH HE DEEMS HIMSELF INCAPABLE OF THE RESULT WILL BE AN ATTACK OF ANXIETY JUST AS AN ATTACK OF ANXIETY IN THE STREET HAS OFTEN BEEN THE CAUSE OF ESTABLISHING AN AGORAPHOBIA WE THUS LEARN THAT THE SYMPTOM HAS BEEN CONSTITUTED IN ORDER TO GUARD AGAINST THE OUTBREAK OF THE ANXIETY THE PHOBI IS THROWN BEFORE THE ANXIETY LIKE A FORTRESS ON THE FRONTIER UNLESS WE ENTER INTO THE PART PLAYED BY THE EFFECTS IN THESE PROCESSES WHICH CAN BE DONE HERE ONLY IMPERFECTLY WE CANNOT CONTINUE OUR DISCUSSION"
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" you may spit in my face if I deceive you: as soon as my Matryona, this same here, is well again and restored to her natural condition, I’ll make anything for your honor that you would like to order! A cigarette-case, if you like, of the best birchwood,... balls for croquet, skittles of the most foreign pattern I can turn.... I will make anything for you!",
" YOU MAY SPIT IN MY FACE IF I DESCEND AS SOON AS MY MATRIONA THE SAME HERE IS WELL AGAIN AND RESTORED TO HER NATURAL CONDITION I'LL MAKE ANYTHING FOR YOUR HONOUR AND THAT YOU WOULD LIKE TO ORDER A CIGARETTE CASE IF YOU LIKE OR THE BEST BIRCH WOOD BALLS FOR CROQUET SKITTLES OF THE MOST FOREIGN PATTERN I CAN TERM I WILL MAKE ANYTHING FOR YOU"
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"dozen taverns!’ And I shall say: ‘Your honor! am I a criminal or a heathen? My old woman is giving up her soul to God, she is dying, and am I going to run from tavern to tavern! What an idea, upon my word! Plague take them, the taverns!’ Then Pavel Ivanitch will order you to be taken into the hospital, and I shall fall at his feet.... ‘Pavel Ivanitch! Your honor, we thank you most humbly! Forgive us fools and anathemas, don’t be hard on us peasants! We deserve a good kicking, while you graciously put yourself out and mess your feet in the snow!’ And Pavel Ivanitch will give me a look as though he would like to hit me, and will say: ‘You’d much better not be swilling vodka, you fool, but taking pity on your old woman instead of falling at my feet. You want a thrashing!’ ‘You are right there--a thrashing, Pavel Ivanitch, strike me God! But how can we help bowing down at your feet if you are our benefactor, and a real father to us? Your honor! I give you my word,... here as before God,...",
"U OF OLD I'LL BE BOUND YOU HAVE STOPPED AT HALF A DOZEN CAVERNS AND I SHALL SAY YOUR HONOUR AM I A CRIMINAL OR A HEATHEN MY OLD WOMAN HAS GIVEN UP HER SOUL TO GOD SHE IS DYING AND AM I GOING TO RUN FROM TAVERN TO TAVERN WHAT AN IDEA UPON MY WORD PLAGUE TAKE THEM THE TAVERNS THEN PAVIL IVANITCH WILL ORDER YOU TO BE TAKEN INTO THE HOSPITAL AND I SHALL FALL AT HIS FEET PAVIL IVANITCH YOUR HONOUR WE THANK YOU MOST HUMBLY FORGIVE US FOOLS AND ANNA ATHEMAS DON'T BE HARD ON US PEASANTS WE DESERVE A GOOD KICKING WHILE YOU GRACIOUSLY PUT YOURSELF UP AND MESS YOUR FEET IN THE SNOW AND PAVIL IVANITCH WILL GIMME A LOOK AS THOUGH HE WOULD LIKE TO HIT ME AND WILL SAY YOU'D MUCH BETTER NOT BE SWELLING VODKA YOU FOOL BUT TAKING PITY ON YOUR OLD WOMAN INSTEAD OF FALLING AT MY FEET YOU WANT A THRIFIC YOU ARE RIGHT THERE A THREATEN PAVIL EVEN AND STRIKE ME GOD BUT HOW CAN WE HELP BOWING DOWN AT YOUR FEET IF YOU ARE OUR BENEFACTOR AND OUR REAL FATHER TO US YOUR HONOUR I GIVE YOU MY WORD HERE AS BEFORE GOD"
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" “To determine its exact meaning I have been obliged to work out the present prices of the investments with which it is concerned. The total income, which at the time of the wife’s death was little short of £ 1,100, is now, through the fall in agricultural prices, not more than £ 750. Each daughter can claim an income of £ 250, in case of marriage. It is evident, therefore, that if both girls had married, this beauty would have had a mere pittance, while even one of them would cripple him to a very serious extent.",
" TO DETERMINE ITS EXACT MEANING I HAVE OBLIGED TO WORK OUT THE PRESENT PIECES OF THE INVESTMENTS WHICH IT IS CONCERNED THE TOTAL INCOME WHICH AT THE TIME OF THE WIFE'S DEATH WAS LITTLE SHORT OF ELEVEN HUNDRED POUNDS IS NOW THROUGH THE FALLEN AGRICULTURAL PRICES NOT MORE THAN SEVEN HUNDRED FIFTY POUNDS EACH DAUGHTER CAN CLAIM AN INCOME TWO HUNDRED FIFTY POUNDS IN CASE OF MARRIAGE IT IS EVIDENT THEREFORE THAT IF BOTH GIRLS HAD MARRIED THIS BEAUTY WOULD HAVE A MERE PITTANCE AND EVEN ONE OF THEM WOULD CRIPPLE HIM TO A VERY SERIOUS EXTENT"
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"f my grip,” he snarled, and hurling the twisted poker into the fireplace he strode out of the room. “He seems a very amiable person,” said Holmes, laughing. “I am not quite so bulky, but if he had remained I might have shown him that my grip was not much more feeble than his own.” As he spoke he picked up the steel poker and, with a sudden effort, straightened it out again. “Fancy his having the insolence to confound me with the official detective force! This incident gives zest to our investigation, however, and I only trust that our little friend will not suffer from her imprudence in allowing this brute to trace her. And now, Watson, we shall order breakfast, and afterwards I shall walk down to Doctors’ Commons, where I hope to get some data which may help us in this matter.” It was nearly one o’clock when Sherlock Holmes returned from his excursion. He held in his hand a sheet of blue paper, scrawled over with notes and figures. “I have seen the will of the deceased wife,” said he.",
"NDS SEE THAT YOU KEEP YOURSELF OUT OF MY GRIP HE SNARLED AND HURTLING THE TWISTED POKER INTO THE FIREPLACE HE STRODE OUT OF THE ROOM HE SEEMS TO BE A VERY AMIABLE PERSON SAID HOLMES LAUGHING I AM NOT QUITE SO BULKY BUT IF HE HAD REMAINED I MIGHT HAVE SHOWN HIM MY GRIP WAS NOT MUCH MORE FEEBLE THAN HIS OWN AS HE SPOKE HE PICKED UP THE STEEL POKER AND WITH A SUDDEN EFFORT STRAIGHTENED IT OUT AGAIN FANCY HIS HAVING THE INSOLENCE TO CONFOUND ME WITH THE OFFICIAL DETECTIVE FORCE THIS INCIDENT GIVES US TO OUR INVESTIGATION HOWEVER AND I ONLY TRUST THAT OUR LITTLE FRIEND WILL NOT SUFFER FROM HER IMPUDENCE IN ALLOWING THIS BRUTE TO TRACE HER AND NOW WATSON WE SHALL ORDER BREAKFAST AND AFTERWARDS I SHALL WALK DOWN TO DOCTORS COMMONS WHERE I HOPE TO GET SOME DATA WHICH MAY HELP US ON THIS MATTER IT WAS NEARLY ONE O'CLOCK WHEN SHERLOCK HOLMES RETURNED FROM HIS EXCURSION HE HELD IN HIS HAND A SHEET OF BLUE PAPER SCRAWLED OVER WITH NOTES AND FIGURES I HAVE SEEN THE WILL OF THE DECEASED WIFE SAID HE"
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" One evening while Farquhar and his wife were sitting on a rustic bench near the entrance to his grounds, a gray-clad soldier rode up to the gate and asked for a drink of water. Mrs. Farquhar was only too happy to serve him with her own white hands. While she was fetching the water her husband approached the dusty horseman and inquired eagerly for news from the front.",
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"old and highly respected Alabama family. Being a slave owner and like other slave owners a politician, he was naturally an original secessionist and ardently devoted to the Southern cause. Circumstances of an imperious nature, which it is unnecessary to relate here, had prevented him from taking service with that gallant army which had fought the disastrous campaigns ending with the fall of Corinth, and he chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in wartime. Meanwhile he did what he could. No service was too humble for him to perform in the aid of the South, no adventure too perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war.",
"DO PLANTER OF AN OLD AND HIGHLY RESPECTED ALABAMA FAMILY BEING A SLAVE OWNER AND LIKE OTHER SLAVE OWNERS A POLITICIAN HE WAS NATURALLY AN ORIGINAL SECESSIONIST AND ARDENTLY DEVOTED TO THE SOUTHERN CAUSE CIRCUMSTANCES OF AN IMPERIOUS NATURE WHICH IT IS UNNECESSARY TO RELATE HERE HAD PREVENTED HIM FROM TAKING SERVICE WITH THAT GALLANT ARMY WHICH HAD FOUGHT THE DISASTROUS CAMPAIGNS ENDING WITH THE FALL OF CORINTH AND HE CHAFED UNDER THE INGLORIOUS RESTRAINT LONGING FOR THE RELEASE OF HIS ENERGIES THE LARGER LIFE OF THE SOLDIER THE OPPORTUNITY FOR DISTINCTION THAT OPPORTUNITY HE FELT WOULD COME AS IT COMES TO ALL IN WAR TIME MEANWHILE HE DID WHAT HE COULD NO SERVICE WAS TOO HUMBLE FOR HIM TO PERFORM IN THE AID OF THE SOUTH NO ADVENTURE TOO PERILOUS FOR HIM TO UNDERTAKE IF CONSISTENT WITH THE CHARACTER OF A CIVILIAN WHO WAS AT HEART A SOLDIER AND WHO IN GOOD FAITH AND WITHOUT TOO MUCH QUALIFICATION ASSENTED TO AT LEAST A PART OF THE FRANKLY VILLAINOUS DICTUM THAT ALL IS FAIR IN LOVE AND WAR"
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" Few Italians have the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and opportunity--to practise imposture upon the British and Austrian _millionaires_. In painting and gemmary, Fortunato, like his countrymen, was a quack--but in the matter of old wines he was sincere. In this respect I did not differ from him materially: I was skillful in the Italian vintages myself, and bought largely whenever I could.",
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"illado The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. _At length_ I would be avenged; this was a point definitely settled--but the very definitiveness with which it was resolved, precluded the idea of risk. I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong. It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile _now_ was at the thought of his immolation. He had a weak point--this Fortunato--although in other regards he was a man to be respected and even feared. He prided himself on his connoisseurship in wine.",
"BY EDRAL AND POE AND READ BY VICTOR PATTS THE THOUSAND INJURIES OF FORTUNATO I HAD BORNE AS I BEST COULD BUT WHEN HE VENTURED UPON INSULT I VOWED REVENGE YOU WHO SO WELL KNOW THE NATURE OF MY SOUL WILL NOT SUPPOSE HOWEVER THAT I GAVE UTTERANCE TO A THREAT AT LENGTH I WOULD BE AVENGED THIS WAS A POINT DEFINITELY SETTLED BUT THE VERY DEFINITIVENESS WITH WHICH IT WAS RESOLVED PRECLUDED THE IDEA OF RISK I MUST NOT ONLY PUNISH BUT PUNISH WITH IMPUNITY A WRONG IS UNRED WHEN RETRIBUTION OVERTAKES ITS REDRESSER IT IS EQUALLY UNREDRESSED WHEN THE AVENGER FAILS TO MAKE HIMSELF FELT AS SUCH TO HIM WHO HAS DONE THE WRONG IT MUST BE UNDERSTOOD THAT NEITHER BY WORD NOR DEED HAD I GIVEN FORTUNATO CAUSE TO DOUBT MY GOOD WILL I CONTINUED AS WAS MY WONT TO SMILE IN HIS FACE AND HE DID NOT PERCEIVE THAT MY SMILE NOW WAS AT THE THOUGHT OF HIS IMMOLATION HE HAD A WEAK POINT THIS FORTUNATO ALTHOUGH IN OTHER REGARDS HE WAS A MAN TO BE RESPECTED AND EVEN FEARED HE PRIDED HIMSELF ON HIS CONNOISSEURSHIP IN WINE"
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"watercourse of this grant. Once Tiburcio assured his young patron that he had frequently counted a thousand antelope during a single morning. Then there was also the javeline or peccary which abounded in endless numbers, but it was necessary to hunt them with dogs, as they kept the thickets and came out in the open only at night. Many a native cur met his end hunting these animals, cut to pieces with their tusks, so that packs, trained for the purpose, were used to bay them until the hunter could arrive and dispatch them with a rifle. Even this was always done from horseback, as it was dangerous to approach the javeline, for they would, when aroused, charge anything. All this was gratifying to young Wells, and like a congenial fellow, he produced and showed the old hunter a new gun, the very latest model in the market, explaining its good qualities through his interpreter. Tiburcio handled it as if it were a rare bit of millinery, but managed to ask its price and a few other questions.",
"O WHICH WAS THE MAIN WATER COURSE OF THE GRANT ONCE TUBERSIO ASSURED HIS YOUNG PATRON THAT HE HAD FREQUENTLY COUNTED A THOUSAND ANTELOPE DURING A SINGLE MORNING THEN THERE WAS ALSO THE HAVELIN OR PECCARY WHICH ABOUNDED IN ENDLESS NUMBERS BUT IT WAS NECESSARY TO HUNT THEM WITH DOGS AS THEY KEPT THE THICKETS AND CAME OUT IN THE OPEN ONLY AT NIGHT MANY A NATIVE CUR MET HIS END HUNTING THESE ANIMALS CUT TO PIECES WITH THEIR TUSKS SO THAT PACKS TRAINED FOR THE PURPOSE WERE USED TO BATHE THEM UNTIL THE HUNTER COULD ARRIVE AND DISPATCH THEM WITH A RIFLE EVEN THIS WAS ALWAYS DONE FROM HORSEBACK AS IT WAS DANGEROUS TO APPROACH THE HAVELINA FOR THEY WOULD WHEN AROUSED CHARGE ANYTHING ALL THIS WAS GRATIFYING TO YOUNG WELLS AND LIKE A CONGENIAL FELLOW HE PRODUCED AND SHOWED THE OLD HUNTER A NEW GUN THE VERY LATEST MODEL IN THE MARKET EXPLAINING ITS GOOD QUALITIES THROUGH HIS INTERPRETER TIBERCIO HANDLED IT AS IF IT WERE A RARE BIT OF MILLINERY BUT MANAGED TO ASK ITS PRICE AND A FEW OTHER QUESTIONS"
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" We've had a streak of bad luck since we left Poker Flat--you come along, and slap you get into it, too. If you can hold your cards right along you're all right. For,” added the gambler, with cheerful irrelevance, “'I'm proud to live in the service of the Lord, And I'm bound to die in His army.'”",
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"proud to live in the service of the Lord, And I'm bound to die in His army.” The pines rocked, the storm eddied and whirled above the miserable group, and the flames of their altar leaped heavenward as if in token of the vow. At midnight the storm abated, the rolling clouds parted, and the stars glittered keenly above the sleeping camp. Mr. Oakhurst, whose professional habits had enabled him to live on the smallest possible amount of sleep, in dividing the watch with Tom Simson somehow managed to take upon himself the greater part of that duty. He excused himself to the Innocent by saying that he had “often been a week without sleep.” “Doing what?” asked Tom. “Poker!” replied Oakhurst, sententiously; “when a man gets a streak of luck,--nigger luck--he don't get tired. The luck gives in first. Luck,” continued the gambler, reflectively, “is a mighty queer thing. All you know about it for certain is that it's bound to change. And it's finding out when it's going to change that makes you.",
" OTHERS WHO AT LAST JOINED IN THE REFRAIN I'M PROUD TO LIVE IN THE SERVICE OF THE LORD AND I'M BOUND TO DIE IN HIS ARMY THE PINES ROCKED THE STORM EDDIED AND WHIRLED ABOVE THE MISERABLE GROUP AND THE FLAMES OF THEIR ALTAR LEAPED HEAVENWARD AS IF IN TOKEN OF THE VOW AT MIDNIGHT THE STORM ABATED THE ROLLING CLOUDS PARTED AND THE STARS GLITTERED KEENLY ABOVE THE SLEEPING CAMP MISTER OAKHURST WHOSE PROFESSIONAL HABITS HAD ENABLED HIM TO LIVE IN THE SMALLEST POSSIBLE AMOUNT OF SLEEP IN DIVIDING THE WATCH WITH TOM SIMPSON SOMEHOW MANAGED TO TAKE UPON HIMSELF THE GREATER PART OF THAT DUTY HE EXCUSED HIMSELF TO THE INNOCENT BY SAYING THAT HE HAD OFTEN BEEN A WEEK WITHOUT SLEEP DOING WHAT ASKED TOM POKER REPLIED OAKHURST SENTENTIOUSLY WHEN A MAN GETS A STREAK OF LUCK HE DON'T GET TIRED THE LUCK GIVES IN FIRST LUCK CONTINUED THE GAMBLER REFLECTIVELY IS A MIGHTY QUEER THING ALL YOU KNOW ABOUT IT FOR CERTAIN IS THAT IT'S BOUND TO CHANGE AND IT'S FINDING OUT WHEN IT'S GOING TO CHANGE THAT MAKES YOU"
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" Children of the open moors, they had not unfolded in the still air where lilies open their alabaster petals; nor did they grow in the rich soil from which roses draw nourishment for their swelling crowns. What made them flowers was really their color, for they were glowing red.",
" CHILDREN OF THE OPEN MOORS THEY HAD NOT UNFOLDED IN THE STILL AIR WHERE LILIES OPENED THEIR ALABASTER PETALS NOR DID THEY GROW IN THE RICH SOIL FROM WHICH ROSES DRAW NOURISHMENT FOR THEIR SWELLING CROWNS WHAT MADE THEM FLOWERS WAS REALLY THEIR COLOR FOR THEY WERE GLOWING RED"
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"st then all the wagtails came again and lighted on his head and shoulders, for they were not at all afraid of him. Then a ray of light shot through old Hatto’s confused brain. He had lowered his arm, lowered it every day to look at the birds. And standing there with all the six young ones fluttering and playing about him, he nodded contentedly to some one whom he did not see. “I let you off,” he said, “I let you off. I have not kept my word, so you need not keep yours.” And it seemed to him as if the mountains ceased to tremble and as if the river laid itself down in easy calm in its bed. THE KING’S GRAVE It was at the time of year when the heather is red. It grew over the sand-hills in thick clumps. From low tree-like stems close-growing green branches raised their hardy ever-green leaves and unfading flowers. They seemed not to be made of ordinary, juicy flower substance, but of dry, hard scales. They were very insignificant in size and shape; nor was their fragrance of much account.",
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"No,' said the grandmother; 'only if a human being so loved you that you were more to him than father or mother, if all his thoughts and all his love were so centred in you that he would let the priest join your hands and would vow to be faithful to you here, and to all eternity; then your body would become infused with his soul. Thus, and only thus, could you gain a share in the felicity of mankind. He would give you a soul while yet keeping his own. But that can never happen! That which is your greatest beauty in the sea, your fish's tail, is thought hideous up on earth, so little do they understand about it; to be pretty there you must have two clumsy supports which they call legs!' Then the little mermaid sighed and looked sadly at her fish's tail. 'Let us be happy,' said the grandmother; 'we will hop and skip during our three hundred years of life; it is surely a long enough time; and after it is over we shall rest all the better in our graves. There is to be a court ball to-night.",
" DO TO GAIN AN IMMORTAL SOUL NO SAID THE GRANDMOTHER ONLY IF A HUMAN BEING SO LOVED YOU THAT YOU WERE MORE TO HIM THAN FATHER OR MOTHER IF ALL HIS THOUGHTS AND ALL HIS LOVE WERE SO CENTRED IN YOU THAT HE WOULD LET THE PRIEST JOIN YOUR HANDS AND WOULD VOW TO BE FAITHFUL TO YOU HERE AND TO ALL ETERNITY THEN YOUR BODY WOULD BECOME INFUSED WITH HIS SOUL THUS AND ONLY THUS COULD YOU GAIN A SHARE IN THE FELICITY OF MANKIND HE WOULD GIVE YOU A SOUL WHILE YET KEEPING HIS OWN BUT THAT CAN NEVER HAPPEN THAT WHICH IS YOUR GREATEST BEAUTY IN THE SEA YOUR FISH'S TAIL IS THOUGHT HIDEOUS UP ON EARTH SO LITTLE DO THEY UNDERSTAND ABOUT IT TO BE PRETTY THERE YOU MUST HAVE TWO CLUMSY SUPPORTS WHICH THEY CALL LEGS THEN THE LITTLE MERMAID SIGHED AND LOOKED SADLY AT HER FISH'S TAIL LET US BE HAPPY SAID THE GRANDMOTHER WE WILL HOP AND SKIP DURING OUR THREE HUNDRED YEARS OF LIFE IT IS SURELY A LONG ENOUGH TIME AND AFTER IT IS OVER WE SHALL REST ALL THE BETTER IN OUR GRAVES THERE IS TO BE A COURT BALL TO NIGHT"
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" Now what can be the meaning of the patient's wishing to be born at her summer resort? I asked the dreamer this, and she answered without hesitation: \"Hasn't the treatment made me as though I were born again?\" Thus the dream becomes an invitation to continue the cure at this summer resort, that is, to visit her there; perhaps it also contains a very bashful allusion to the wish to become a mother herself.",
" NOW WHAT CAN BE THE MEANING OF THE PATIENT'S WISHING TO BE BORN AT HER SUMMER RESORT I ASKED THE DREAMER THIS AND SHE ANSWERED WITHOUT HESITATION HASN'T THE TREATMENT MADE ME AS THOUGH I WERE BORN AGAIN THUS THE DREAM BECOMES AN INVITATION TO CONTINUE THE CURE AT THIS SUMMER RESORT THAT IS TO VISIT HER THERE PERHAPS IT ALSO CONTAINS A VERY BASHFUL ALLUSION TO THE WISH TO BECOME A MOTHER HERSELF"
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"nying idea of hard work, and the bluish-black clods of earth make a pleasant impression. He then goes on and sees a primary school opened ... and he is surprised that so much attention is devoted in it to the sexual feelings of the child, which makes him think of me.\"_ Here is a pretty water-dream of a female patient, which was turned to extraordinary account in the course of treatment. _At her summer resort at the ... Lake, she hurls herself into the dark water at a place where the pale moon is reflected in the water._ Dreams of this sort are parturition dreams; their interpretation is accomplished by reversing the fact reported in the manifest dream content; thus, instead of \"throwing one's self into the water,\" read \"coming out of the water,\" that is, \"being born.\" The place from which one is born is recognized if one thinks of the bad sense of the French \"la lune.\" The pale moon thus becomes the white \"bottom\" (Popo), which the child soon recognizes as the place from which it came.",
"E DELIGHTFUL AIR THE ACCOMPANYING IDEA OF HARD WORK AND THE BLUISH BLACK CLODS OF EARTH MAKE A PLEASANT IMPRESSION HE THEN GOES ON AND SEES A PRIMARY SCHOOL OPENED AND HE IS SURPRISED THAT SO MUCH ATTENTION IS DEVOTED IN IT TO THE SEXUAL FEELINGS OF THE CHILD WHICH MAKES THEM THINK OF ME HERE IS A PRETTY WATER DREAM OF A FEMALE PATIENT WHICH WAS TURNED TO EXTRAORDINARY ACCOUNT IN THE COURSE OF TREATMENT AT HER SUMMER RESORT AT THE LAKE SHE HURLS HERSELF INTO THE DARK WATER AT A PLACE WHERE THE PALE MOON IS REFLECTED IN THE WATER DREAMS OF THIS SORT ARE PARTRUITION DREAMS THEIR INTERPRETATION IS ACCOMPLISHED BY REVERSING THE FACT REPORTED IN THE MANIFEST DREAM CONTENT THUS INSTEAD OF THROWING ONE'S SELF INTO THE WATER RED COMING OUT OF THE WATER THAT IS BEING BORN THE PLACE FROM WHICH ONE IS BORN IS RECOGNIZED IF ONE THINKS OF THE BAD SENSE OF THE FRENCH LA LOUN THE PALE MOON THUS BECOMES THE WHITE QUOTE BOTTOM UNQUOTE POPO WHICH THE CHILD SOON RECOGNIZES AS THE PLACE FROM WHICH IT CAME"
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