transcripts/11.vtt

WEBVTT

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oh I was waiting for this moment

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when I got the hiccups

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[Music]

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hey what's going on everybody for first

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week Feast I'm Sean Evans and you're

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watching hot ones it's the show with hot

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questions and even hotter wings and

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today we close out another season with

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Paul Dano he's an actor you know from

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acclaimed performances and films like

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the Batman Little Miss Sunshine

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prisoners There Will Be Blood and many

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more you can also catch him in his role

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as Burt fableman and Steven Spielberg's

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new semi-autobiographical film the

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fablements currently in theaters Paul

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Dano welcome to the show hey man how's

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it going uh it's going good I'm excited

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I'm nervous nervous how are you around

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spicy food before it started so I I like

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spicy food I like you know I like

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Szechuan food I like Indian food

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um I don't eat a lot of wings with hot

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sauce but you know I like spicy food

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okay I had to cut back a couple years

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ago I wasn't sleeping so well you know

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the doctor said maybe the less spicy

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food easier to cut back on a little

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spicy food than it was on the wine so

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right I chose to cut to cut back on the

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spice but uh you know I'm I'm curious

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[Music]

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foreign

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[Music]

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[Music]

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do you just take a bite or do you try to

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Chow the whole thing is there a is there

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a um are there rules of the game there

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you know what we're in the abstract over

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here there are no rules to the game but

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I kind of mirror the guess like wherever

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you go I try to match whatever

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experience you're bringing to this whole

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thing yeah yeah

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this is yummy this is nice yeah there we

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go yeah yeah

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imagine it was a uni singular experience

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for an actor to play Steven Spielberg's

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dad in a film directed by Steven

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Spielberg how did you sort through the

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metadness of that performance you know

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working alongside a filmmaker as they

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unpackaged their own life and artistic

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Ambitions to work with him in itself I I

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haven't been that nervous for a meeting

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in a long time and I remember my wife

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being like who are you meeting with you

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know why are you acting this way and I

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was like Steven Spielberg's just like

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okay and then he tells me what it's

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about in the first zoom and you know

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when I first met Stephen his dad in only

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past about eight months beforehand so

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you could really see in his

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in his eyes you know what he was talking

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about and that really kind of made me

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um you know made my heart sing I was

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like oh wow Steven's got a lot on the

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line here and he was an open book I mean

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the family archives were available to us

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home videos I mean photography you know

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it was insane to be sort of let into

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Stephen's heart and in his life in that

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way I told Stephen on the last night of

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filming would take me a few years yet to

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fully process you know what what we all

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just uh

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did together and that that he would ask

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me to play his dad you know

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[Music]

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it's yummy that's nice I can feel my you

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know so I sweat when I eat anything okay

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okay I think that's usually to do with

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like quantity and paste though so we're

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taking it easy

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I especially sweat when I eat spicy food

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so I'm curious curious where we'll go

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here because I just felt the like the

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Water Works before I had the scalp

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you know yeah

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[Music]

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um

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yeah it's happening it's happening yeah

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it's coming yeah so you've been at this

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for a long time beginning in adolescence

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beyond the Broadway stage with Inherit

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the Wind and then by the time you're 16

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years old when in an independent Spirit

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award for your performance and lie what

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influence did Paul Schrader's book

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transcendental style and film have on

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you at a young age

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okay all right nice

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so I grew up I think when I wanted to be

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an actor I think I thought it meant

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being on stage I grip in Manhattan where

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we are today

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so I remember going to the theater when

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I was a kid

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in the movies I liked I was obsessed

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with Jim Carrey when I was a kid but I'm

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not that you know but that was like you

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know I love Terminator 2 right and on

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Halloween but like I'm not you know so

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like I think Paul Schrader's book it

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really opened the door to foreign film

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which really just sort of opened the

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door to like becoming like a movie dork

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it opens up the language right like if

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you you know you you try different hot

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sauces and like the language of you know

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a hot sauce the whole world opens up

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right yeah yeah yeah so it's like just

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the more you know

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um you get around to I think the the the

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yeah uh the more fun it becomes

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[Laughter]

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[Music]

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this is the sauce you like I do like

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this one you like this one

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[Music]

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but do you like it the question

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it's good this is fun because you know

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it's really um you uh start feeling

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sparkly

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right it changes you like

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physiologically yeah you're going

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through it and it's already starting

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Paul it's already starting I feel

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sparkly yeah

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how did Nirvana is something in the way

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like shape your interpretation of the

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Riddler something in the way is a great

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song and I listen to a lot of Nirvana

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and but yeah that chorus for me was

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it's like what are we all trying to you

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know something in the way

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what are we all trying to get through

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you know

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um and I think it's about the two sides

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of trauma and one person had you know a

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little more resources to deal with their

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trauma Bruce Wayne and and my guy just

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didn't quite have you know

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um uh it didn't didn't have the nurture

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but you probably didn't didn't have the

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nature either if we're being real yeah

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yeah all right are you ready to move on

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here to Sauce number four you're doing

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great by the way this one is the Los

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Calientes Barbacoa okay

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hmm

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that weight was nice still crunching

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[Music]

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I like that one yeah so far these two

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are probably the ones I would take home

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of the floor I shouldn't say that we're

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not gonna no you know what though we're

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sending them all home with you anyway oh

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it's fantastic can't wait to have a

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couple friends over and sorry now you

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guys no you don't yeah you should have

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like a viewing party for your episode

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have the friends over and see how they

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match up you know to the control

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experiment with you on the show yeah

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yeah

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um okay yeah yeah so that one's growing

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still yeah yeah and who knows the

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cumulative effect that we have going on

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too you know who's to know yeah yeah you

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know what's going on yeah it's happening

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that's interesting though that one for

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me so far has the longest after not even

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the heat but just the taste just yeah

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the whole thing the trail it leaves the

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longest trail so far yeah

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so I love this quote of yours some

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characters lead from their chest or

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their head more or their dick more

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what's the difference or can you explain

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the difference between a character who

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would say lead with their chest versus

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one that would lead with their dick

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so right I mean well what do you how do

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you interpret if somebody leaves with

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their dick well so no really like you

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know yeah yeah I think it's I think it

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makes sense here's here's here's how it

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aligns for me actually so we had Cate

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Blanchett yeah earlier this year and she

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was talking about how when she played

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Bob Dylan the thing that snapped the

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character in focus for her was just

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putting like a heavy weighted sock

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between her legs yeah yeah yeah you know

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what I mean so it makes me think about

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it in ways in which these like sort of

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small things can like snap a character

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into place and then that had a direct

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dick connection and then I saw this

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quote and I was like oh I wonder what

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Paul's perspective on the whole thing is

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yeah no that's absolutely it I mean it's

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as simple as that it can be I mean and I

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think physical is even better because

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that kind of just gives it to you right

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it's like wearing different shoes makes

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me feel different right

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this film prisoners was very much about

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the opposite of that it was somebody who

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was frozen you know trauma in the past

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and so the body is

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you know he carried his stuff in his

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like up here more where somebody uh I

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don't know I think it makes sense

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without explaining it though no yeah

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yeah well you know it's a actor thing

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you know like it's a little bit in the

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abstract like you know it is and I guess

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that's why you you do it right because

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it's

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like it's just allowing some kind of

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little access that maybe is actually not

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meant to be like intellectualized and

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overly articulated it's more like oh

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like rather than look let's just go

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there to the to whatever physical

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component you know feels helpful

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makes sense to me yeah are you ready to

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move on here yeah you're at the halfway

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point already okay you're crushing it oh

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this one's Wiley yeah so it's oil-based

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sauce here with flyby J

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thank you

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foreign

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peppercorn

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when you get through oh yeah yeah when

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you get the real you know peppercorn

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that tongue thing that happens but this

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one and it's because the oil my lips are

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yeah you know feeling it

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where does performing you still believe

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in me alongside Al Jardine and Brian

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Wilson where does that fall on your list

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of musical accomplishments nice okay

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yeah that was pretty cool I mean I love

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that song I chose it they said what

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Sonia was singing for some reason that

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track really gets me I think it's the

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second track on Pet Sounds I don't know

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if I can remember this point but maybe

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my favorite experience I've had as an

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actor uh love and mercy and I think it's

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because of the music you know I was

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nervous but I think it went went well

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enough uh Brian was a super sweetie to

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me is it true that you met bong Joon ho

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when he was jumping up and down in the

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crowd at a show that your band was

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performing at in Brooklyn

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uh actually yeah it is so so I was a big

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fan of his

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um he had a film called Memories of

275
00:10:07.019 --> 00:10:12.000
murder quite some time ago

276
00:10:09.920 --> 00:10:15.120
2003 I can't remember the exact year

277
00:10:12.000 --> 00:10:17.279
it's incredible it's fine

278
00:10:15.120 --> 00:10:18.899
and then he was in New York to promote

279
00:10:17.279 --> 00:10:22.200
his film called mother so this is like

280
00:10:18.899 --> 00:10:23.519
2008 2009 maybe 2010 and uh I had a

281
00:10:22.200 --> 00:10:25.740
friend who knew him

282
00:10:23.519 --> 00:10:27.000
and was at his screening and then they

283
00:10:25.740 --> 00:10:29.820
were like oh we're gonna go see Paul

284
00:10:27.000 --> 00:10:31.920
play afterwards and I was playing and I

285
00:10:29.820 --> 00:10:33.240
saw a large Korean man dancing in the

286
00:10:31.920 --> 00:10:36.060
back of the room

287
00:10:33.240 --> 00:10:38.279
and it turned out to be bong who I was a

288
00:10:36.060 --> 00:10:40.140
huge fan of and we got to hang out

289
00:10:38.279 --> 00:10:41.880
afterwards and then we started like a

290
00:10:40.140 --> 00:10:43.680
pen pal relationship

291
00:10:41.880 --> 00:10:44.880
and then eventually a few years later

292
00:10:43.680 --> 00:10:46.680
like we got together when he was in

293
00:10:44.880 --> 00:10:49.260
Brooklyn once and he showed me a drawing

294
00:10:46.680 --> 00:10:51.899
of a pig man this is gonna be this movie

295
00:10:49.260 --> 00:10:54.899
you know and I was like that just the

296
00:10:51.899 --> 00:10:58.140
drawing of the pig I was like that's

297
00:10:54.899 --> 00:11:00.720
you know I'm there like the I mean I was

298
00:10:58.140 --> 00:11:04.019
just like bawling in a pig like yeah

299
00:11:00.720 --> 00:11:05.940
like so yeah for sure you know

300
00:11:04.019 --> 00:11:08.040
um so yeah that's a that's a fun memory

301
00:11:05.940 --> 00:11:10.800
all right are you ready to move on here

302
00:11:08.040 --> 00:11:12.540
yeah to Sauce number six back half this

303
00:11:10.800 --> 00:11:15.079
is the turmeric bomb

304
00:11:12.540 --> 00:11:15.079
okay

305
00:11:21.060 --> 00:11:24.959
chocolate ghost pepper

306
00:11:23.420 --> 00:11:27.540
[Music]

307
00:11:24.959 --> 00:11:30.300
yeah that one's different yeah yeah okay

308
00:11:27.540 --> 00:11:31.740
and kind of another level you know yeah

309
00:11:30.300 --> 00:11:33.360
I'm definitely feeling on the back of

310
00:11:31.740 --> 00:11:35.459
the throat more mm-hmm yeah definitely

311
00:11:33.360 --> 00:11:39.620
and in the front scratcher the front too

312
00:11:35.459 --> 00:11:42.120
yeah from all sides you're getting warm

313
00:11:39.620 --> 00:11:42.959
yeah it's coming

314
00:11:42.120 --> 00:11:44.760
um

315
00:11:42.959 --> 00:11:46.500
this is more fun than I thought I'm like

316
00:11:44.760 --> 00:11:49.500
okay I mean I know we're gonna be

317
00:11:46.500 --> 00:11:51.899
hurting yeah but like okay

318
00:11:49.500 --> 00:11:53.459
so far it survived well it's fun to like

319
00:11:51.899 --> 00:11:56.100
really taste it right and not just have

320
00:11:53.459 --> 00:11:57.420
it be about me looking silly yeah yeah

321
00:11:56.100 --> 00:11:59.519
yeah

322
00:11:57.420 --> 00:12:01.620
so there's a really nice comment and the

323
00:11:59.519 --> 00:12:03.540
Paul Dano breaks down his most iconic

324
00:12:01.620 --> 00:12:05.820
character segment that you did for GQ

325
00:12:03.540 --> 00:12:07.260
which reads Paul Dano has one of the

326
00:12:05.820 --> 00:12:08.579
best curatorial instincts in the

327
00:12:07.260 --> 00:12:09.899
industry it's a good sign when you see

328
00:12:08.579 --> 00:12:11.459
his name on a poster not just because

329
00:12:09.899 --> 00:12:13.200
you know how crushed the performance but

330
00:12:11.459 --> 00:12:15.180
also because he picks the best movies to

331
00:12:13.200 --> 00:12:16.800
star in I know this question is a bit in

332
00:12:15.180 --> 00:12:19.079
the abstract but how would you best

333
00:12:16.800 --> 00:12:22.140
describe the science behind picking and

334
00:12:19.079 --> 00:12:24.000
sequencing roles for yourself

335
00:12:22.140 --> 00:12:25.680
well that's nice I didn't hear that

336
00:12:24.000 --> 00:12:27.000
before somebody said so somebody said

337
00:12:25.680 --> 00:12:28.560
that that's nice

338
00:12:27.000 --> 00:12:30.120
um

339
00:12:28.560 --> 00:12:31.860
I think I'm just always really gotten

340
00:12:30.120 --> 00:12:33.660
off though on like the whole thing

341
00:12:31.860 --> 00:12:35.880
meaning

342
00:12:33.660 --> 00:12:39.240
then it's not just about the character

343
00:12:35.880 --> 00:12:40.620
and not just about me but it's like who

344
00:12:39.240 --> 00:12:43.019
are you in it with what are you making

345
00:12:40.620 --> 00:12:45.480
and are you excited to like potentially

346
00:12:43.019 --> 00:12:47.339
see that but I do think even when I was

347
00:12:45.480 --> 00:12:49.860
younger I would probably lean towards

348
00:12:47.339 --> 00:12:51.959
frankly if maybe even a smaller part if

349
00:12:49.860 --> 00:12:54.000
I thought the thing was really

350
00:12:51.959 --> 00:12:55.139
and I don't know why except that that

351
00:12:54.000 --> 00:12:57.420
was me

352
00:12:55.139 --> 00:13:00.120
I don't know that it always felt good or

353
00:12:57.420 --> 00:13:01.139
sane or like a way to build a career or

354
00:13:00.120 --> 00:13:03.240
something

355
00:13:01.139 --> 00:13:04.260
so after doing the Batman first of all

356
00:13:03.240 --> 00:13:05.820
Stephen had asked me to do anything I

357
00:13:04.260 --> 00:13:07.740
would have done it but like the fact

358
00:13:05.820 --> 00:13:08.760
that Bert is so different from The

359
00:13:07.740 --> 00:13:11.279
Riddler

360
00:13:08.760 --> 00:13:13.260
it was like what I needed a gear shift

361
00:13:11.279 --> 00:13:16.019
yeah right like that's good for me it's

362
00:13:13.260 --> 00:13:19.620
like okay I've done this you know uh

363
00:13:16.019 --> 00:13:22.560
more operatic uh you know psycho thing

364
00:13:19.620 --> 00:13:25.380
and now this like really contained

365
00:13:22.560 --> 00:13:28.440
decent you know that I couldn't dream up

366
00:13:25.380 --> 00:13:30.660
like it just luckily worked out that way

367
00:13:28.440 --> 00:13:31.800
it's it's like uh I don't know if you

368
00:13:30.660 --> 00:13:33.480
get this sometimes you get this when I

369
00:13:31.800 --> 00:13:36.180
eat like a lot of sushi like really good

370
00:13:33.480 --> 00:13:37.740
raw fish yeah or there's like a

371
00:13:36.180 --> 00:13:39.660
slight High

372
00:13:37.740 --> 00:13:41.459
listen yeah yeah I almost think that's

373
00:13:39.660 --> 00:13:43.200
like why I'm still doing the show 1960

374
00:13:41.459 --> 00:13:45.240
yeah I'm like chasing the dragon with

375
00:13:43.200 --> 00:13:46.980
that kind of like hot sauce head high

376
00:13:45.240 --> 00:13:48.560
that you get yeah yeah yeah so that's

377
00:13:46.980 --> 00:13:51.180
that's what I was like get a little like

378
00:13:48.560 --> 00:13:53.279
this feeling yeah yeah it's kind of a

379
00:13:51.180 --> 00:13:56.660
Vibe yeah yeah that's good it feels nice

380
00:13:53.279 --> 00:13:56.660
it's really it's nice

381
00:13:58.279 --> 00:14:03.420
the cosmic disco good label

382
00:14:02.220 --> 00:14:07.160
wow

383
00:14:03.420 --> 00:14:07.160
once you've taken that breath

384
00:14:12.720 --> 00:14:17.240
I like your hand rub after every bite

385
00:14:14.880 --> 00:14:19.920
that you take no

386
00:14:17.240 --> 00:14:22.139
observe it I know but

387
00:14:19.920 --> 00:14:24.779
that's good that's getting that's

388
00:14:22.139 --> 00:14:27.180
getting somewhere yeah we're getting uh

389
00:14:24.779 --> 00:14:28.459
granular over here but yeah that's

390
00:14:27.180 --> 00:14:31.200
yeah

391
00:14:28.459 --> 00:14:32.639
it's getting good and I think like it's

392
00:14:31.200 --> 00:14:34.920
funny because I was kind of it has a

393
00:14:32.639 --> 00:14:37.040
sweetness up front yeah oh you gotta

394
00:14:34.920 --> 00:14:37.040
remember

395
00:14:39.480 --> 00:14:43.440
okay it's getting there yeah you kind of

396
00:14:41.940 --> 00:14:45.060
forget

397
00:14:43.440 --> 00:14:46.620
you kind of forget and then it has that

398
00:14:45.060 --> 00:14:48.120
sweetness up front so you almost like oh

399
00:14:46.620 --> 00:14:49.680
it does forget about it it's all in the

400
00:14:48.120 --> 00:14:51.779
back and then it's all the tip of my

401
00:14:49.680 --> 00:14:53.579
tongue is back loaded

402
00:14:51.779 --> 00:14:55.320
it's getting there

403
00:14:53.579 --> 00:14:57.240
so I've always been intrigued by an

404
00:14:55.320 --> 00:14:58.980
actor's transition to directing a leap

405
00:14:57.240 --> 00:15:01.920
that you made in 2018 with your

406
00:14:58.980 --> 00:15:04.560
directorial debut Wildlife how would you

407
00:15:01.920 --> 00:15:06.120
define like a good actor's director like

408
00:15:04.560 --> 00:15:07.680
are there qualities that you tried to

409
00:15:06.120 --> 00:15:09.300
absorb from directors that you enjoyed

410
00:15:07.680 --> 00:15:10.620
working with in the past to help inform

411
00:15:09.300 --> 00:15:12.839
your approach when you took the seat

412
00:15:10.620 --> 00:15:16.620
yeah yeah yeah yeah yeah yeah you know

413
00:15:12.839 --> 00:15:18.660
for sure and that's uh yeah that's um

414
00:15:16.620 --> 00:15:19.800
uh that's one of the advantages as a

415
00:15:18.660 --> 00:15:22.079
quote first-time director that I really

416
00:15:19.800 --> 00:15:23.940
had right I've seen how people do it and

417
00:15:22.079 --> 00:15:26.519
you can take you know you take something

418
00:15:23.940 --> 00:15:31.320
for the road with you and you're like oh

419
00:15:26.519 --> 00:15:33.300
oh yeah that's it's tingly yeah yeah

420
00:15:31.320 --> 00:15:34.560
um I think one of the things I was most

421
00:15:33.300 --> 00:15:36.360
looking forward to about directing was

422
00:15:34.560 --> 00:15:37.920
creating like how I wanted my set to

423
00:15:36.360 --> 00:15:39.000
feel I always call it like a temperature

424
00:15:37.920 --> 00:15:40.380
like each set has a different

425
00:15:39.000 --> 00:15:41.820
temperature

426
00:15:40.380 --> 00:15:43.980
I really like when you walk from your

427
00:15:41.820 --> 00:15:45.240
trailer to A set and you can feel like

428
00:15:43.980 --> 00:15:46.920
the energy change you know maybe

429
00:15:45.240 --> 00:15:48.660
sometimes you bring that but I think

430
00:15:46.920 --> 00:15:51.839
with certain directors you know it's

431
00:15:48.660 --> 00:15:54.540
like uh and There Will Be Blood like you

432
00:15:51.839 --> 00:15:56.279
know that that set at a temperature and

433
00:15:54.540 --> 00:15:59.040
that's a good feeling

434
00:15:56.279 --> 00:16:02.399
and I mean I can feel my nose dripping I

435
00:15:59.040 --> 00:16:05.339
brought a book rag I brought my kids

436
00:16:02.399 --> 00:16:06.660
burp Rag and in case I needed it well

437
00:16:05.339 --> 00:16:08.040
it's a good thing you did apparently

438
00:16:06.660 --> 00:16:10.380
yeah okay

439
00:16:08.040 --> 00:16:13.320
and you might need it

440
00:16:10.380 --> 00:16:15.120
for this next one yeah which is the bomb

441
00:16:13.320 --> 00:16:16.680
Beyond Insanity homeless is here every

442
00:16:15.120 --> 00:16:18.540
year

443
00:16:16.680 --> 00:16:20.940
look how observant you are yeah every

444
00:16:18.540 --> 00:16:24.300
single year I kept it around yeah it's

445
00:16:20.940 --> 00:16:26.339
the one and you'll see why

446
00:16:24.300 --> 00:16:28.820
I know this is one of the ones that I

447
00:16:26.339 --> 00:16:31.800
want my uh beloved

448
00:16:28.820 --> 00:16:33.180
publicist over here to try right you

449
00:16:31.800 --> 00:16:35.279
know what that doesn't happen enough

450
00:16:33.180 --> 00:16:37.980
that doesn't happen enough when guests

451
00:16:35.279 --> 00:16:40.579
come in you know all right oh diamond

452
00:16:37.980 --> 00:16:40.579
right in

453
00:16:44.240 --> 00:16:49.620
okay that one's pretty good

454
00:16:48.000 --> 00:16:52.519
I mean

455
00:16:49.620 --> 00:16:52.519
wow

456
00:16:53.240 --> 00:16:58.620
there you go it's happening oh man you

457
00:16:57.060 --> 00:17:00.060
know we're talking about like the tails

458
00:16:58.620 --> 00:17:03.380
before like this one I feel like just

459
00:17:00.060 --> 00:17:03.380
leaves scorched Earth you know

460
00:17:06.369 --> 00:17:10.260
[Music]

461
00:17:07.699 --> 00:17:13.520
I was waiting for this moment

462
00:17:10.260 --> 00:17:13.520
when I got the hiccups

463
00:17:23.179 --> 00:17:29.100
oh I know I know

464
00:17:26.579 --> 00:17:31.140
so director bong Joon ho once joked that

465
00:17:29.100 --> 00:17:32.940
Korean movie audiences come to celebrate

466
00:17:31.140 --> 00:17:35.520
you for your strong chin and there are

467
00:17:32.940 --> 00:17:37.860
more than just a few viral Super Cuts

468
00:17:35.520 --> 00:17:40.260
with titles like Paul Dano gets beat up

469
00:17:37.860 --> 00:17:41.940
a lot what are the Hallmarks of a good

470
00:17:40.260 --> 00:17:43.679
fight sequence in your opinion like is

471
00:17:41.940 --> 00:17:46.080
there a real art to getting slapped

472
00:17:43.679 --> 00:17:49.460
around on camera

473
00:17:46.080 --> 00:17:49.460
this movie called night and day

474
00:17:50.039 --> 00:17:54.720
and Tom Cruise isn't it

475
00:17:52.580 --> 00:17:56.940
[Music]

476
00:17:54.720 --> 00:17:59.640
should we no

477
00:17:56.940 --> 00:18:00.960
no does it I mean you're the pro you and

478
00:17:59.640 --> 00:18:02.460
I want you said you were gonna mirror me

479
00:18:00.960 --> 00:18:04.080
you reached for this first you know what

480
00:18:02.460 --> 00:18:06.160
though I did it instinctively you know

481
00:18:04.080 --> 00:18:09.439
what I mean I did that yeah

482
00:18:06.160 --> 00:18:09.439
[Music]

483
00:18:14.039 --> 00:18:18.360
well that felt nice in the moment let's

484
00:18:16.020 --> 00:18:21.559
see we'll see what happens now because

485
00:18:18.360 --> 00:18:27.179
it's already coming back but okay

486
00:18:21.559 --> 00:18:28.559
so Cruz cruise we gotta talk about Crews

487
00:18:27.179 --> 00:18:32.160
so

488
00:18:28.559 --> 00:18:34.799
watching him do stunts was truly

489
00:18:32.160 --> 00:18:36.840
an informative moment because I saw

490
00:18:34.799 --> 00:18:38.340
how much he thought about what the

491
00:18:36.840 --> 00:18:40.200
audience is going to feel

492
00:18:38.340 --> 00:18:41.220
and literally the impact they're going

493
00:18:40.200 --> 00:18:43.740
to feel

494
00:18:41.220 --> 00:18:45.179
what is like felt and that's the beauty

495
00:18:43.740 --> 00:18:48.179
of those Mission Impossible movies right

496
00:18:45.179 --> 00:18:50.520
compared to the CGI Fest you feel those

497
00:18:48.179 --> 00:18:52.380
stunts right no even like Top Gun like

498
00:18:50.520 --> 00:18:53.640
him actually getting in the jet you know

499
00:18:52.380 --> 00:18:56.580
and flying that around I think it's

500
00:18:53.640 --> 00:19:00.120
fantastic like you feel it and he's

501
00:18:56.580 --> 00:19:01.740
working hard to give that to you

502
00:19:00.120 --> 00:19:03.419
so it's the first time I think I really

503
00:19:01.740 --> 00:19:04.860
because again I was probably I came more

504
00:19:03.419 --> 00:19:06.900
from like all right my first film was an

505
00:19:04.860 --> 00:19:09.240
indie drama like whatever like I was

506
00:19:06.900 --> 00:19:11.880
like okay like that's the art you know

507
00:19:09.240 --> 00:19:13.860
it's like whoa okay Cruise you know

508
00:19:11.880 --> 00:19:16.260
I mean I feel it on the outside of my

509
00:19:13.860 --> 00:19:18.600
mouth yeah where's uh where's the head

510
00:19:16.260 --> 00:19:21.000
high at at this point you know that's

511
00:19:18.600 --> 00:19:23.580
different yeah I think

512
00:19:21.000 --> 00:19:24.539
I think this one kind of grounded me a

513
00:19:23.580 --> 00:19:27.480
little bit

514
00:19:24.539 --> 00:19:33.179
and just kind of really was about the

515
00:19:27.480 --> 00:19:33.179
the the more physical physiology yeah

516
00:19:33.280 --> 00:19:41.600
[Music]

517
00:19:38.460 --> 00:19:41.600
so it gets worse

518
00:19:42.299 --> 00:19:45.799
let's see you need garlic

519
00:19:48.720 --> 00:19:53.820
Sean don't be afraid to wait there you

520
00:19:50.460 --> 00:19:56.100
go I'm waiting for you I don't mean to

521
00:19:53.820 --> 00:19:57.960
make yourself conscious about

522
00:19:56.100 --> 00:19:59.160
I'm right here with you right here with

523
00:19:57.960 --> 00:20:00.419
you

524
00:19:59.160 --> 00:20:03.720
oh

525
00:20:00.419 --> 00:20:06.000
yeah we got it we got it between films

526
00:20:03.720 --> 00:20:08.160
like okja and swiss army man what would

527
00:20:06.000 --> 00:20:09.539
you say is the seminal fart scene of

528
00:20:08.160 --> 00:20:11.760
your movie career there aren't many

529
00:20:09.539 --> 00:20:13.620
actors who can credibly answer Sean I've

530
00:20:11.760 --> 00:20:16.200
always been one of that to be asked this

531
00:20:13.620 --> 00:20:18.299
question when people say to me is there

532
00:20:16.200 --> 00:20:21.240
anything that we haven't asked that

533
00:20:18.299 --> 00:20:23.160
you'd like us to I always think

534
00:20:21.240 --> 00:20:25.740
wish they would ask me about

535
00:20:23.160 --> 00:20:26.820
what my most important fart on camera is

536
00:20:25.740 --> 00:20:29.700
yeah

537
00:20:26.820 --> 00:20:31.260
the opening of Swiss army man is

538
00:20:29.700 --> 00:20:33.299
definitely one of my favorite scenes

539
00:20:31.260 --> 00:20:37.140
that I've gotten to film

540
00:20:33.299 --> 00:20:39.780
you know the the intent was in the first

541
00:20:37.140 --> 00:20:41.400
fart make you laugh and the last fart

542
00:20:39.780 --> 00:20:43.919
make you cry

543
00:20:41.400 --> 00:20:45.600
and I thought my God

544
00:20:43.919 --> 00:20:47.460
we could do that now I don't know that

545
00:20:45.600 --> 00:20:48.660
we did but I thought well if you're

546
00:20:47.460 --> 00:20:49.980
going to work towards something in your

547
00:20:48.660 --> 00:20:52.620
life

548
00:20:49.980 --> 00:20:55.200
that's that's something to work towards

549
00:20:52.620 --> 00:20:56.280
now am I forgetting because you

550
00:20:55.200 --> 00:20:58.440
mentioned other things am I forgetting

551
00:20:56.280 --> 00:20:59.400
about other film filled film farts

552
00:20:58.440 --> 00:21:00.360
because of course the first thing I

553
00:20:59.400 --> 00:21:01.799
think of well you know what it's

554
00:21:00.360 --> 00:21:03.960
actually I do have a follow-up because

555
00:21:01.799 --> 00:21:06.120
you know I apologize for this line of

556
00:21:03.960 --> 00:21:09.240
question but in a 2007 interview with

557
00:21:06.120 --> 00:21:12.059
playbill you called your biggest onstage

558
00:21:09.240 --> 00:21:14.940
mishap a rather audible fart I let go

559
00:21:12.059 --> 00:21:16.440
but was able to use it in a scene do you

560
00:21:14.940 --> 00:21:18.600
happen to remember that production I

561
00:21:16.440 --> 00:21:21.059
mean it was a 15 year old interview Sean

562
00:21:18.600 --> 00:21:24.059
I just try to use you know what's

563
00:21:21.059 --> 00:21:25.679
happening in the moment you know uh but

564
00:21:24.059 --> 00:21:27.900
also like yeah that's fine I mean you

565
00:21:25.679 --> 00:21:30.720
know we I've got a four-year-old so

566
00:21:27.900 --> 00:21:32.280
tooting is a big point of humor in our

567
00:21:30.720 --> 00:21:34.140
house

568
00:21:32.280 --> 00:21:35.640
right you know it's like a through line

569
00:21:34.140 --> 00:21:38.059
you know you know it's followed you from

570
00:21:35.640 --> 00:21:40.200
your career to home yeah yeah yeah yeah

571
00:21:38.059 --> 00:21:43.280
where it belongs

572
00:21:40.200 --> 00:21:43.280
so this one you pour

573
00:21:43.860 --> 00:21:49.200
[Music]

574
00:21:46.860 --> 00:21:51.240
I think I got finish off my look though

575
00:21:49.200 --> 00:21:53.780
oh yeah she's got a whole oh they're

576
00:21:51.240 --> 00:21:58.260
sweating too much

577
00:21:53.780 --> 00:22:02.100
let's get it really okay

578
00:21:58.260 --> 00:22:04.200
all right extra sauce here we go so pour

579
00:22:02.100 --> 00:22:06.000
it on the wood that's what I do you know

580
00:22:04.200 --> 00:22:07.700
I've messed up going straight to Wing

581
00:22:06.000 --> 00:22:10.980
too many times

582
00:22:07.700 --> 00:22:12.960
okay I'm gonna dab that nice little

583
00:22:10.980 --> 00:22:14.520
that corner of the wing there and I

584
00:22:12.960 --> 00:22:16.440
guess we really go for it huh let's go

585
00:22:14.520 --> 00:22:18.500
for it you know it's the finale all

586
00:22:16.440 --> 00:22:18.500
right

587
00:22:20.980 --> 00:22:28.140
[Music]

588
00:22:25.980 --> 00:22:29.820
all right and then this one kind of nice

589
00:22:28.140 --> 00:22:33.059
up front little peppery a little bit

590
00:22:29.820 --> 00:22:35.039
weird but then nice long tail oh I have

591
00:22:33.059 --> 00:22:37.980
my time to lay it I know yeah yeah I

592
00:22:35.039 --> 00:22:40.320
know and again what's this it's I feel

593
00:22:37.980 --> 00:22:43.020
it on the outside of my face yeah yeah I

594
00:22:40.320 --> 00:22:45.659
have a full numbing of the lips yeah but

595
00:22:43.020 --> 00:22:48.240
somehow yeah we've made it through this

596
00:22:45.659 --> 00:22:49.980
winding spice journey together we've

597
00:22:48.240 --> 00:22:53.100
talked about your commitment to prep

598
00:22:49.980 --> 00:22:55.620
you're rigorous approach to every role

599
00:22:53.100 --> 00:22:58.080
but I imagine being an actor sometimes

600
00:22:55.620 --> 00:23:00.120
is like taking on the wings of death is

601
00:22:58.080 --> 00:23:01.679
analytical as much of a plan as you can

602
00:23:00.120 --> 00:23:03.480
have when it all comes down to it

603
00:23:01.679 --> 00:23:06.480
sometimes you just gotta jump in and

604
00:23:03.480 --> 00:23:08.880
take a bite throw caution to the wind

605
00:23:06.480 --> 00:23:12.480
so to close things out with your brain

606
00:23:08.880 --> 00:23:15.059
on fire your mouth Ablaze how much of

607
00:23:12.480 --> 00:23:17.580
the acting experience in your opinion is

608
00:23:15.059 --> 00:23:19.919
just being able to say [ __ ] it when the

609
00:23:17.580 --> 00:23:22.620
director says action oh that's great and

610
00:23:19.919 --> 00:23:24.299
you know what it's true like man

611
00:23:22.620 --> 00:23:25.620
I do not think the first thing I want to

612
00:23:24.299 --> 00:23:26.760
do is embarrass myself but you have to

613
00:23:25.620 --> 00:23:28.740
be willing to embarrass yourself it's

614
00:23:26.760 --> 00:23:30.600
just like you know it's like [ __ ] you

615
00:23:28.740 --> 00:23:33.539
just might embarrass yourself you really

616
00:23:30.600 --> 00:23:34.440
you know that's it and lesson learned I

617
00:23:33.539 --> 00:23:37.320
mean I've been doing this for a while

618
00:23:34.440 --> 00:23:38.580
and Steven's film last year there were

619
00:23:37.320 --> 00:23:40.860
times when

620
00:23:38.580 --> 00:23:42.900
I would just have to say

621
00:23:40.860 --> 00:23:45.299
I'm just gonna have to do it on actually

622
00:23:42.900 --> 00:23:46.740
you know like you know and and you just

623
00:23:45.299 --> 00:23:48.000
it's gonna come out you just have to

624
00:23:46.740 --> 00:23:50.400
trust you know because you do all this

625
00:23:48.000 --> 00:23:52.080
work some of that is I mean it's all

626
00:23:50.400 --> 00:23:53.280
going towards it some of it is frankly

627
00:23:52.080 --> 00:23:56.760
like you're just trying to build up a

628
00:23:53.280 --> 00:23:58.500
reservoir of stuff to let out but you

629
00:23:56.760 --> 00:24:00.659
you know confidence too it's like okay

630
00:23:58.500 --> 00:24:02.220
I'm Bert you know and whatever it takes

631
00:24:00.659 --> 00:24:05.240
for you to believe that

632
00:24:02.220 --> 00:24:07.380
but yeah you just kind of ultimately

633
00:24:05.240 --> 00:24:10.440
have to let go and it's taking me a long

634
00:24:07.380 --> 00:24:12.179
time to get to that place of of trusting

635
00:24:10.440 --> 00:24:14.340
like

636
00:24:12.179 --> 00:24:16.260
something will come out today Paul and

637
00:24:14.340 --> 00:24:18.600
let's go

638
00:24:16.260 --> 00:24:20.940
let's go hopefully let it out let it

639
00:24:18.600 --> 00:24:24.539
happen and you know what something was

640
00:24:20.940 --> 00:24:27.120
let out today oh coming in here taking

641
00:24:24.539 --> 00:24:29.760
on the hot ones Gauntlet and putting an

642
00:24:27.120 --> 00:24:31.140
exclamation point on season 19. now

643
00:24:29.760 --> 00:24:32.820
there's nothing left to do but roll out

644
00:24:31.140 --> 00:24:34.380
the red carpet for you this camera this

645
00:24:32.820 --> 00:24:36.480
camera this camera let the people know

646
00:24:34.380 --> 00:24:38.700
what you have going on in your life

647
00:24:36.480 --> 00:24:40.440
like like in my life right now like Paul

648
00:24:38.700 --> 00:24:45.480
personally or like movies and stuff yeah

649
00:24:40.440 --> 00:24:48.179
okay I got a baby uh uh uh no uh yeah

650
00:24:45.480 --> 00:24:49.799
yeah see the I mean the fableness man I

651
00:24:48.179 --> 00:24:51.659
think Stevens is I think it's really

652
00:24:49.799 --> 00:24:55.820
good I really like it I think I think

653
00:24:51.659 --> 00:24:55.820
you should check it out that's it

654
00:24:57.260 --> 00:25:01.500
good job all right I'm gonna have

655
00:24:59.760 --> 00:25:03.740
another sip of this yeah

656
00:25:01.500 --> 00:25:06.299
really fun good and good questions

657
00:25:03.740 --> 00:25:08.539
thorough I like it you get people in a

658
00:25:06.299 --> 00:25:11.039
vulnerable place and ask a real question

659
00:25:08.539 --> 00:25:11.910
I try to try to get something out of me

660
00:25:11.039 --> 00:25:17.640
yeah

661
00:25:11.910 --> 00:25:19.620
[Music]

662
00:25:17.640 --> 00:25:22.440
thank you so much for watching today's

663
00:25:19.620 --> 00:25:25.740
video and hot ones fans I have a very

664
00:25:22.440 --> 00:25:28.620
exciting announcement the hot ones Shake

665
00:25:25.740 --> 00:25:31.020
Shack collab is finally here the hot

666
00:25:28.620 --> 00:25:34.260
ones cheese fries the hot ones Burger

667
00:25:31.020 --> 00:25:36.779
the hot ones chicken all made with a

668
00:25:34.260 --> 00:25:39.779
shack sauce that includes hot ones the

669
00:25:36.779 --> 00:25:43.020
classic along with the last dab it's

670
00:25:39.779 --> 00:25:45.720
very spicy it's very delicious and it's

671
00:25:43.020 --> 00:25:47.460
available for a limited time now through

672
00:25:45.720 --> 00:25:49.440
the end of the year at Shake Shacks

673
00:25:47.460 --> 00:25:51.779
Nationwide and via the Shake Shack app

674
00:25:49.440 --> 00:25:55.039
be careful around your eyes and don't

675
00:25:51.779 --> 00:25:55.039
forget to order a milkshake

676
00:25:55.190 --> 00:25:58.660
[Music]