transcripts/5.vtt

WEBVTT

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Vale is last words before she died on

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the hot one show was

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[Music]

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hey what's going on everybody for first

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week Feast I'm Sean Evans and you're

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watching hot ones it's the show with hot

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questions and even hotter wings and

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today we're joined by Viola Davis she's

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one of the most decorated actors of the

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21st century from the Broadway stage to

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Emmy an academy award-winning

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performances and TV and film her Memoir

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of Finding Me topped the best sellers

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list earlier this year and she has a

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brand new film on the way as well the

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historical epic the woman King which is

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in theaters now Viola Davis welcome to

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the show thank you how are you around

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spicy food before we get started you

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know I I grew up around spicy food South

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Carolina you know you can't get hot

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enough but you know as I've aged

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some things going on my digestive system

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but I'm I'm I'm hopeful

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[Music]

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[Music]

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okay

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[Music]

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oh my God is that a good look oh my God

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oh my goodness okay I'm I should Pace

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myself but this is so good

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um

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oh my goodness just one more mm-hmm

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oh my God

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so the woman King which you've described

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as a black female-led Braveheart tells

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the story of an all-woman Warrior Army

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that fought to defend Africa's the homie

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Kingdom in the 19th century how do you

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break down the mechanics of shooting

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epic battle scenes at the size and scale

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that you see in this film like when you

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have hundreds and hundreds of extras on

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set what is the atmosphere or

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environment like in the moments leading

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up to the director saying action the

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environment is just complete and total

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fear

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like when we shot the first Village rage

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scene that's what it's called it was two

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o'clock in the morning okay no I'm at

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the bone

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I'm just gonna suck it off

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there you go I'm in with you so

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it's fear

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because you have to like toss 200 and

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something pound of them

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over your shoulder you're with you know

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swords you're trying not to get hurt

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we train five hours a day wow and we did

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all the stunts ourselves no CGI it was

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all us and sprinting at 9.410

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on a treadmill by the way and did I tell

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you I'm over 50. impressive you know

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once you get up there in the heart rate

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you lose oxygen and the fact that I'm

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sitting here right now eating hot wings

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and I'm still alive is a testament to

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the training of this movie

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[Music]

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foreign

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[Music]

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bar I'm afraid I'm gonna disappoint you

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further down the line you know

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you're not disappointing me so far sir I

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love that I love that

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um

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so in your Memoir finding me you tell a

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story about auditioning at Juilliard and

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jeans and a sweater while other hopefuls

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practice yoga poses and did ballet and

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Fitz Morris work while they waited

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thinking back on those days what's an

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acting exercise or warm-up technique

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that you found to be actually helpful

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and then can you give us another one

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that stands out in your mind because

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it's just you know kind of silly um

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an acting exercise that's really helpful

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is a breathing exercise where

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you take a deep breath from your

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diaphragm and you sing a song like happy

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birthday like but you take it syllable

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by syllable so say you take a breath

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and then you really release

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and you just let it all go take another

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breath

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and by the end you're either laughing

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crying both you're hyperventilating but

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the reason why it's helpful is because

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it accesses your emotions

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so I like that exercise a lot of the

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rest put me right the damn sleep like

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when you have to lay on the floor and

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imagine yourself as an animal and all of

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that remember the first time I did that

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in class this is at Juilliard and I

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think they said imagine that you're a

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cloud but I fell asleep during the damn

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exercise so then I woke up and I thought

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that they said imagine you're a plow

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so then I woke up and everybody's like

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floating and floating I'm like that

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doesn't look like a a a plow so I I

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started pretending I was a plow so I was

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crawling around my all fours going

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laughs

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and I remember the teacher coming up to

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me and saying okay

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okay

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this is interesting just keep working on

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it though okay just keep working on it

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was like oh okay

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tell the friends of them I don't know

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you know yeah

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I'm telling you I'm buying the odds

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right now

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foreign

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[Music]

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I love this one I love this one this is

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so good

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so I want to stay on the topic of

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theater because when we had Kevin Bacon

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on the show he talked about his time at

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the Circle in the Square Theater which

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is a place that I know that you likewise

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thrived what is the difference in the

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kind of training that you get there

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compared to like a prestigious

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Conservatory like Juilliard

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Circle in the Square was more about you

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being honest tapping into your emotion

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tapping into the moment you know and

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Juilliard was more about technique voice

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speech breathing

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staying then

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um but Juilliard was helpful I feel like

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I give Juilliard a bad rap a lot of

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times I'm surprised they haven't called

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me but but

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um that was a difference

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from your one woman show where you did

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17 different characters to early

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Renditions of hot out Baltimore Romeo

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and Juliet is there a student production

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that you think disproportionately shaped

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your ethos as an actor

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the one-woman show definitely

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it really shaped me because

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there's nothing like being on stage by

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yourself there's no one to sort of save

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you there's no one to bounce off of

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except the audience and

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um

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I just thought I was badass back then

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you know nothing had broken me down yet

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I thought I was like really slick to

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just be this one actor just performing

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all these characters gotta always got a

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standing ovation I thought that was it

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you know well I've got news for you

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Viola's still a badass look at you

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taking on this hot ones Gauntlet

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crushing it taking everything down to

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the bone are you ready to move on here

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to Sauce number four already yes I am I

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can see it

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thank you

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[Music]

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oh my God

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oh my god did I tell you that back in

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the day

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my husband's ex-football player they

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call him headache ball

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because he could just because he said I

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could rattle somebody's helmet for you

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as soon as I you do because if you kill

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the head the body will die he was a

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linebacker and he said he would eat a

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dozen eggs

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you know whole package of bacon

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just to get big he had a 52 inch chest

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and I said Julius

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I could have out eaten you back

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so that's what I say to you I now eat

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no arguments from this side yeah

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what would you say is the biggest

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difference between like a great TV show

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runner and then like a great film

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director

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this is just my opinion now butterfly

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Let it Fly

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um

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a great showrunner is going to lead the

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writers to always

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um

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the writing always has to in my opinion

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be consistent and just get better

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that's very hard when you're doing a

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show of 22-26 episodes all of them have

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to be connected to the truth and life

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that's what makes a good showrunner that

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that's what makes a great film director

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that's what makes a great teacher life

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and the more people recognize life

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and TB the stage and all the

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collaborators are involved in doing that

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then you feel less alone as an audience

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member and you do not forget the

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experience it's tattooed in you right

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all right Mike drop now let me suck on

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this damn phone

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[Music]

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oh yeah

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[Laughter]

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I'm seeing the many faces of Viola

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through the hot ones gauntlet

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these are so good they are oh my God you

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know you can't taste it through the

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camera when you're watching the show but

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so far at least a delicious meal

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really good

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um

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so Roger Ebert once wrote of your

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Academy Award nominated performance in

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doubt it lasts about 10 minutes but it's

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the emotional heart and soul of the film

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what do you see as the opportunity for

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an actor when your performance is

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limited to a single scene

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uh see I disagree with the term there

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are no small roles only small actors

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even though I understand exactly where

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it's coming from there are some small

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roles I had a you know a line in

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Kate and Leopold where I told Hugh

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Jackman's character pick up your poop

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pick up your dog's poop and that was it

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that's a small role Mrs Miller was not a

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small world even though it was like one

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scene it's written within an inch of its

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life you know exactly who that woman is

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the key

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is you always have to approach a

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character as if you're creating a human

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being

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who is she what does she live for

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what does she want based on what she

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needs in life

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a need is always just a basic thing like

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the need to love

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they need to control

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the need I don't know to heal

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when you do all of that and here's the

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last thing you got to do

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you got to take a risk

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so whatever you're thinking in your mind

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make a bold Choice even if it's even if

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you think you're running in the wrong

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direction make a choice so bold and so

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out there and maybe maybe it'll stick or

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maybe you'll fail which I've done a lot

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but

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maybe it'll stick and with that I felt

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like I made a bold move especially

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because I was working opposite Meryl

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Streep Meryl Streep

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and my nose was Dripping

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[Music]

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a little bit of a different kind of look

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00:12:20.519 --> 00:12:22.519
um

282
00:12:23.519 --> 00:12:28.140
Steady Hand Steady Hand

283
00:12:26.399 --> 00:12:31.140
I'm a stronger I'm

284
00:12:28.140 --> 00:12:33.060
not a warrior I know I saw the movie I

285
00:12:31.140 --> 00:12:34.560
know I know you know what wait a minute

286
00:12:33.060 --> 00:12:36.920
wait wait wait wait because you know

287
00:12:34.560 --> 00:12:40.380
what I just swallowed the piece

288
00:12:36.920 --> 00:12:44.220
I'm going down yeah why put me down the

289
00:12:40.380 --> 00:12:46.620
rabbit hole no I'm sorry I'm sorry yeah

290
00:12:44.220 --> 00:12:48.600
so in 2020 you executive producer were

291
00:12:46.620 --> 00:12:50.519
featured and giving voices a documentary

292
00:12:48.600 --> 00:12:52.260
that put a spotlight on six students as

293
00:12:50.519 --> 00:12:55.139
they competed for a chance to win the

294
00:12:52.260 --> 00:12:57.000
August Wilson monologue competition is

295
00:12:55.139 --> 00:12:58.740
there like a science to picking out the

296
00:12:57.000 --> 00:13:02.579
right audition monologue like is there a

297
00:12:58.740 --> 00:13:04.560
right or wrong way to do it I think so

298
00:13:02.579 --> 00:13:06.800
I think that when you audition for

299
00:13:04.560 --> 00:13:06.800
something

300
00:13:07.380 --> 00:13:13.380
I think that you should always pick a

301
00:13:09.600 --> 00:13:15.480
monologue that's closer to who you are

302
00:13:13.380 --> 00:13:16.620
and I think you should always and always

303
00:13:15.480 --> 00:13:19.200
chew

304
00:13:16.620 --> 00:13:20.880
and don't talk for too long I know some

305
00:13:19.200 --> 00:13:23.339
people have monologues they're just 10

306
00:13:20.880 --> 00:13:24.899
minutes nobody wants to sit 10 minutes I

307
00:13:23.339 --> 00:13:28.079
think you got about three four minutes

308
00:13:24.899 --> 00:13:30.360
at the most okay and here's the other

309
00:13:28.079 --> 00:13:32.760
thing because I always like

310
00:13:30.360 --> 00:13:35.459
I'm gonna do my ceiling monologue glass

311
00:13:32.760 --> 00:13:38.100
so I can blow their minds I'll end with

312
00:13:35.459 --> 00:13:40.560
blowing their minds that's [ __ ] you

313
00:13:38.100 --> 00:13:43.500
start with your best monologue first so

314
00:13:40.560 --> 00:13:45.660
you get their attention right away

315
00:13:43.500 --> 00:13:48.300
and I say that because I see it all the

316
00:13:45.660 --> 00:13:50.459
time people say I'm gonna do King Lear

317
00:13:48.300 --> 00:13:52.680
and you see them doing kick layer and

318
00:13:50.459 --> 00:13:54.360
you're like that's not good and you're

319
00:13:52.680 --> 00:13:57.839
20 years old you're doing King land

320
00:13:54.360 --> 00:14:01.260
model don't do that [ __ ] but um I did

321
00:13:57.839 --> 00:14:03.480
Celie from color purple and Martine from

322
00:14:01.260 --> 00:14:06.360
learned ladies

323
00:14:03.480 --> 00:14:07.639
the more team was like and looking back

324
00:14:06.360 --> 00:14:11.399
I was like

325
00:14:07.639 --> 00:14:13.560
but there is a science you do something

326
00:14:11.399 --> 00:14:15.000
Dynamic you want to be memorable you

327
00:14:13.560 --> 00:14:17.279
want to wake people up they've already

328
00:14:15.000 --> 00:14:18.570
seen 50 people before you they don't

329
00:14:17.279 --> 00:14:23.459
want to work at it

330
00:14:18.570 --> 00:14:25.110
[Music]

331
00:14:23.459 --> 00:14:32.269
I had to burp

332
00:14:25.110 --> 00:14:32.269
[Music]

333
00:14:34.040 --> 00:14:40.079
another level

334
00:14:37.320 --> 00:14:43.019
but we're here but we're here you must

335
00:14:40.079 --> 00:14:44.699
have a hell of a liability cloth but

336
00:14:43.019 --> 00:14:46.820
people can I mean you need to topple

337
00:14:44.699 --> 00:14:46.820
over

338
00:14:47.940 --> 00:14:52.139
from what I gather about how you prepare

339
00:14:50.339 --> 00:14:54.360
to deliver an honest performance it

340
00:14:52.139 --> 00:14:56.220
starts by gathering all of the facts and

341
00:14:54.360 --> 00:14:58.019
then to quote if I don't think the scene

342
00:14:56.220 --> 00:15:00.060
is answering my questions I'll bother

343
00:14:58.019 --> 00:15:01.440
the hell out of the director of the

344
00:15:00.060 --> 00:15:02.940
characters you've played which one would

345
00:15:01.440 --> 00:15:05.519
you say had the biggest transformation

346
00:15:02.940 --> 00:15:07.500
or Evolution from the way the character

347
00:15:05.519 --> 00:15:09.540
was written in the script to ultimately

348
00:15:07.500 --> 00:15:13.519
what materialized in the performance on

349
00:15:09.540 --> 00:15:16.260
screen analy's Keating for sure

350
00:15:13.519 --> 00:15:18.839
that pilot that we shot I remember

351
00:15:16.260 --> 00:15:19.980
because it was my first sex scene

352
00:15:18.839 --> 00:15:22.680
so

353
00:15:19.980 --> 00:15:24.240
and I remember Billy Brown was who

354
00:15:22.680 --> 00:15:26.880
played Nate

355
00:15:24.240 --> 00:15:28.560
and he was my boyfriend

356
00:15:26.880 --> 00:15:31.019
and I had a husband

357
00:15:28.560 --> 00:15:34.699
so boyfriend husband which sounds really

358
00:15:31.019 --> 00:15:38.279
great until it comes time to shoot it

359
00:15:34.699 --> 00:15:40.860
and we shot it 12 it was 12 degrees in

360
00:15:38.279 --> 00:15:43.320
Philadelphia and she meets Nate and they

361
00:15:40.860 --> 00:15:44.040
have sex on top of the car I'm not the

362
00:15:43.320 --> 00:15:46.320
hood

363
00:15:44.040 --> 00:15:49.579
right outside of my house while my

364
00:15:46.320 --> 00:15:49.579
husband's in in his office

365
00:15:54.959 --> 00:16:00.180
you know no disrespect but I didn't

366
00:15:58.199 --> 00:16:02.760
believe that they wrote from a

367
00:16:00.180 --> 00:16:04.740
perspective of making her real

368
00:16:02.760 --> 00:16:06.720
I just felt like she was coming from a

369
00:16:04.740 --> 00:16:08.579
past where there was trauma and sexual

370
00:16:06.720 --> 00:16:10.980
abuse ping ping so you see you're

371
00:16:08.579 --> 00:16:12.600
painting the character and then she

372
00:16:10.980 --> 00:16:15.420
changed her name why is she changing her

373
00:16:12.600 --> 00:16:18.980
name whoever she was

374
00:16:15.420 --> 00:16:21.540
she hated so there was a level of

375
00:16:18.980 --> 00:16:23.760
self-love that wasn't there and

376
00:16:21.540 --> 00:16:27.120
juxtaposed that with this badass

377
00:16:23.760 --> 00:16:29.399
criminal defense attorney then you start

378
00:16:27.120 --> 00:16:32.639
shaping a person

379
00:16:29.399 --> 00:16:34.740
and so but that kept like conversations

380
00:16:32.639 --> 00:16:36.360
had to keep happening

381
00:16:34.740 --> 00:16:37.830
for me to do that

382
00:16:36.360 --> 00:16:42.119
so that's it

383
00:16:37.830 --> 00:16:42.119
[Music]

384
00:16:44.180 --> 00:16:48.800
[ __ ] I'm shaking me too

385
00:16:54.500 --> 00:16:57.400
[Music]

386
00:16:56.000 --> 00:16:59.519
I know

387
00:16:57.400 --> 00:17:00.470
[Music]

388
00:16:59.519 --> 00:17:03.480
immediately

389
00:17:00.470 --> 00:17:06.980
[Music]

390
00:17:03.480 --> 00:17:06.980
nothing redeemable about it

391
00:17:14.939 --> 00:17:19.939
nobody's ever whooped your ass after all

392
00:17:17.220 --> 00:17:19.939
these chicken wings

393
00:17:22.040 --> 00:17:27.959
when we had Idris Alba on he stopped the

394
00:17:25.500 --> 00:17:29.340
show and goes whose idea what is it the

395
00:17:27.959 --> 00:17:31.320
Creator Chris Schoenberger he actually

396
00:17:29.340 --> 00:17:33.720
traveled with us to London to shoot this

397
00:17:31.320 --> 00:17:35.340
episode Idris at that time he owes Chris

398
00:17:33.720 --> 00:17:38.039
can you fight like he challenged Chris

399
00:17:35.340 --> 00:17:39.960
to a fight in the studio and Chris is

400
00:17:38.039 --> 00:17:43.160
not here all the time but he actually is

401
00:17:39.960 --> 00:17:43.160
here today

402
00:17:43.799 --> 00:17:47.720
oh my mm-hmm

403
00:17:48.000 --> 00:17:52.380
totally different level

404
00:17:50.460 --> 00:17:54.840
so when we had David Harbor on the show

405
00:17:52.380 --> 00:17:57.360
called Law and Order the Dick Wolf

406
00:17:54.840 --> 00:18:00.059
subsidy for the Arts what do you see as

407
00:17:57.360 --> 00:18:02.580
the significance of law dramas and soap

408
00:18:00.059 --> 00:18:04.440
operas was like an endowment for

409
00:18:02.580 --> 00:18:08.419
performers

410
00:18:04.440 --> 00:18:08.419
you gotta repeat that damn question

411
00:18:08.880 --> 00:18:15.960
the thing about law dramas is it really

412
00:18:12.059 --> 00:18:20.240
challenges your process as an actor

413
00:18:15.960 --> 00:18:20.240
it's hard to tap into emotion because

414
00:18:21.960 --> 00:18:25.919
I know

415
00:18:23.520 --> 00:18:27.600
I'm I'm surprised I'm not pissing in my

416
00:18:25.919 --> 00:18:31.080
pants right now

417
00:18:27.600 --> 00:18:34.700
I was not a puddle and piss right here

418
00:18:31.080 --> 00:18:34.700
well I'm going down that damn rabbit

419
00:18:35.220 --> 00:18:39.000
oh [ __ ] anyway

420
00:18:37.140 --> 00:18:41.160
when you're doing a courtroom scene you

421
00:18:39.000 --> 00:18:43.260
have to pull out all your Technique

422
00:18:41.160 --> 00:18:46.679
because a lot of it is just technical

423
00:18:43.260 --> 00:18:49.620
terms but it has to be still Dynamic

424
00:18:46.679 --> 00:18:52.340
emotionally connected

425
00:18:49.620 --> 00:18:52.340
and

426
00:18:55.559 --> 00:18:58.280
and

427
00:18:58.380 --> 00:19:02.039
you're working with so many different

428
00:19:00.299 --> 00:19:04.799
actors you're working with the actors

429
00:19:02.039 --> 00:19:06.480
playing the judge people who understand

430
00:19:04.799 --> 00:19:08.460
you feel like you have more of an

431
00:19:06.480 --> 00:19:10.020
audience in the courtroom and that's it

432
00:19:08.460 --> 00:19:13.320
because you know what I can't talk

433
00:19:10.020 --> 00:19:16.140
anymore I mean my lips are burning off

434
00:19:13.320 --> 00:19:23.299
and I got some lips

435
00:19:16.140 --> 00:19:23.299
[Music]

436
00:19:24.780 --> 00:19:30.840
how can you say you're being my friend

437
00:19:27.980 --> 00:19:33.419
I mean you're a very lovely man and

438
00:19:30.840 --> 00:19:34.980
you're sort of cute too oh but let me

439
00:19:33.419 --> 00:19:36.720
tell you something

440
00:19:34.980 --> 00:19:38.760
I don't believe you

441
00:19:36.720 --> 00:19:40.919
that this one's not as bad as the last

442
00:19:38.760 --> 00:19:43.320
one no I would never lie to you I would

443
00:19:40.919 --> 00:19:44.760
never lie to you Viola Davis

444
00:19:43.320 --> 00:19:48.059
all right

445
00:19:44.760 --> 00:19:51.559
so this is unique garlic here

446
00:19:48.059 --> 00:19:51.559
from pucker butt pepper company

447
00:19:52.620 --> 00:19:58.440
it's no walk in the park but

448
00:19:55.140 --> 00:20:00.240
a little bit easier than the last one

449
00:19:58.440 --> 00:20:02.640
did I tell you I had to panic attack

450
00:20:00.240 --> 00:20:05.580
once no I didn't you didn't tell me this

451
00:20:02.640 --> 00:20:07.980
Meryl Streep who's a very lovely woman

452
00:20:05.580 --> 00:20:10.260
by the way but she did something to me

453
00:20:07.980 --> 00:20:12.240
she could not go to the first Critics

454
00:20:10.260 --> 00:20:14.039
Choice Award and she knew she was good

455
00:20:12.240 --> 00:20:17.460
some awards you know you're gonna win in

456
00:20:14.039 --> 00:20:19.500
advance this is way back in the day

457
00:20:17.460 --> 00:20:22.620
and she said viola

458
00:20:19.500 --> 00:20:25.260
can you accept my award for me I want

459
00:20:22.620 --> 00:20:27.000
you to do it because I can't be there I

460
00:20:25.260 --> 00:20:30.539
said yeah

461
00:20:27.000 --> 00:20:32.220
oh that's such an honor oh my God now I

462
00:20:30.539 --> 00:20:35.100
forgot that this was the first award

463
00:20:32.220 --> 00:20:36.600
show I had ever been to I go that award

464
00:20:35.100 --> 00:20:38.760
show and I proceed to have the worst

465
00:20:36.600 --> 00:20:41.460
panic attack just like I'm having right

466
00:20:38.760 --> 00:20:43.380
now with my legs couldn't stop moving

467
00:20:41.460 --> 00:20:46.260
I began to cry

468
00:20:43.380 --> 00:20:48.660
I couldn't I literally could not move

469
00:20:46.260 --> 00:20:50.400
and I had to get up on that stage and

470
00:20:48.660 --> 00:20:52.320
accept the word for Meryl Streep and

471
00:20:50.400 --> 00:20:53.400
guess what what she didn't tell me what

472
00:20:52.320 --> 00:20:57.299
to say

473
00:20:53.400 --> 00:20:59.580
so I'm saying that to you now because

474
00:20:57.299 --> 00:21:01.799
my legs are moving yeah

475
00:20:59.580 --> 00:21:03.600
well the good news is we're almost to

476
00:21:01.799 --> 00:21:06.740
that finish line here

477
00:21:03.600 --> 00:21:06.740
all right Viola Davis

478
00:21:07.440 --> 00:21:11.880
I'll believe you with this one

479
00:21:09.860 --> 00:21:13.260
I didn't lie to you I didn't lie to you

480
00:21:11.880 --> 00:21:15.720
about the last one did I did that tell

481
00:21:13.260 --> 00:21:18.179
you have a really big husband that used

482
00:21:15.720 --> 00:21:20.280
to play football and ate 12 eggs a day

483
00:21:18.179 --> 00:21:24.080
but he can swing a really good baseball

484
00:21:20.280 --> 00:21:24.080
bat so you better do it really here

485
00:21:24.740 --> 00:21:30.620
I said to look around

486
00:21:27.299 --> 00:21:30.620
keep my head on a swivel

487
00:21:33.299 --> 00:21:37.320
you do this one mm-hmm

488
00:21:35.820 --> 00:21:39.780
it's not open

489
00:21:37.320 --> 00:21:41.820
so like so you can't you can't you're in

490
00:21:39.780 --> 00:21:43.740
the clear mm-hmm

491
00:21:41.820 --> 00:21:45.419
this is a hard one

492
00:21:43.740 --> 00:21:46.740
they're all hard they're all hard at

493
00:21:45.419 --> 00:21:47.850
this point but

494
00:21:46.740 --> 00:21:50.910
we're there

495
00:21:47.850 --> 00:21:50.910
[Music]

496
00:21:53.300 --> 00:21:57.539
[Music]

497
00:21:56.100 --> 00:21:59.460
I know

498
00:21:57.539 --> 00:22:01.620
so we've hit the clip notes on just a

499
00:21:59.460 --> 00:22:03.539
sliver of your amazing journey but to

500
00:22:01.620 --> 00:22:05.460
close things out I've heard you quote

501
00:22:03.539 --> 00:22:07.559
the famous mythologist Joseph Campbell

502
00:22:05.460 --> 00:22:10.380
and as the saying goes the privilege of

503
00:22:07.559 --> 00:22:13.400
a lifetime is being who you are what

504
00:22:10.380 --> 00:22:13.400
does that mean to you

505
00:22:13.559 --> 00:22:19.919
now we're about to get deep yep

506
00:22:17.640 --> 00:22:21.620
well I'm choking today

507
00:22:19.919 --> 00:22:24.480
that's the show

508
00:22:21.620 --> 00:22:27.799
Viola's last words before she died on

509
00:22:24.480 --> 00:22:27.799
the hot one show was

510
00:22:28.100 --> 00:22:35.039
I just feel like our whole journey in

511
00:22:30.900 --> 00:22:37.620
our life is becoming our ideal selves

512
00:22:35.039 --> 00:22:40.320
you know we get stripped away as we go

513
00:22:37.620 --> 00:22:43.020
along the journey

514
00:22:40.320 --> 00:22:44.580
where it's like I've gotten to the point

515
00:22:43.020 --> 00:22:46.200
in my life it's like I've been sold a

516
00:22:44.580 --> 00:22:48.659
bill of goods

517
00:22:46.200 --> 00:22:51.659
you know that really at the end of the

518
00:22:48.659 --> 00:22:54.419
day you come into this world you are

519
00:22:51.659 --> 00:22:56.580
absolutely who you are then your parents

520
00:22:54.419 --> 00:22:59.840
come along and they try to imprint

521
00:22:56.580 --> 00:23:03.600
themselves on you your friends

522
00:22:59.840 --> 00:23:06.000
Society you know this is a school you

523
00:23:03.600 --> 00:23:08.220
have to go to this is how pretty you

524
00:23:06.000 --> 00:23:10.020
have to look this is what you have to

525
00:23:08.220 --> 00:23:12.780
wear

526
00:23:10.020 --> 00:23:14.760
and I think somewhere along the line is

527
00:23:12.780 --> 00:23:17.520
a voice deep within you that tells you

528
00:23:14.760 --> 00:23:20.460
exactly who you are you just have to

529
00:23:17.520 --> 00:23:22.980
have the courage to do that that's what

530
00:23:20.460 --> 00:23:25.200
the Journey of the hero is all about you

531
00:23:22.980 --> 00:23:26.520
know you're born into a world where you

532
00:23:25.200 --> 00:23:28.260
don't fit in

533
00:23:26.520 --> 00:23:30.659
and then you answer the call to

534
00:23:28.260 --> 00:23:33.480
Adventure and you

535
00:23:30.659 --> 00:23:35.760
deny the call and then at one point you

536
00:23:33.480 --> 00:23:38.820
then set out on your path

537
00:23:35.760 --> 00:23:40.799
all right and you slay dragons you do

538
00:23:38.820 --> 00:23:44.100
all of that and then at some point you

539
00:23:40.799 --> 00:23:45.059
come face to face with not a God but

540
00:23:44.100 --> 00:23:46.679
yourself

541
00:23:45.059 --> 00:23:49.320
okay

542
00:23:46.679 --> 00:23:52.260
and somewhere along line and you get it

543
00:23:49.320 --> 00:23:53.940
your aha moment your Elixir and you go

544
00:23:52.260 --> 00:23:56.400
back to your Ordinary World and you

545
00:23:53.940 --> 00:23:58.799
share it with others

546
00:23:56.400 --> 00:24:00.840
and I think that's the journey

547
00:23:58.799 --> 00:24:03.179
and I think that's the privilege of

548
00:24:00.840 --> 00:24:06.500
being absolutely Who You Are

549
00:24:03.179 --> 00:24:06.500
belonging to yourself

550
00:24:06.539 --> 00:24:11.659
and being brave

551
00:24:08.419 --> 00:24:11.659
slaying dragons

552
00:24:12.679 --> 00:24:18.539
was it a battle against the spice or a

553
00:24:16.320 --> 00:24:20.820
battle against ourselves either way

554
00:24:18.539 --> 00:24:22.200
Viola Davis we came out on top and now

555
00:24:20.820 --> 00:24:24.059
there's nothing left to do but roll out

556
00:24:22.200 --> 00:24:25.620
the red carpet for you this camera this

557
00:24:24.059 --> 00:24:27.740
camera this camera let the people know

558
00:24:25.620 --> 00:24:29.340
what you have going on in your life

559
00:24:27.740 --> 00:24:33.299
foreign

560
00:24:29.340 --> 00:24:34.380
the woman King September 16th see it in

561
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theaters

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U

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you'll see what I mean

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oh my God

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first of all the wings are really good

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but

567
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fantastic questions oh well thank you so

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much are you an actor dude no I've only

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played myself one time uh opposite Maya

570
00:24:59.760 --> 00:25:04.159
Rudolph and the Apple TV show Luke

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hey what's going on hot ones fans we

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brought the heat to the freezer aisle

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with our hot ones boneless chicken bites

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and use smash sales records and all of

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our wildest expectations so what did we

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do we made more that's right we are in

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with five new flavors of hot one's

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boneless chicken bites and five new ways

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for you to bring hot ones home from the

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classic to the classic garlic Fresno

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Edition to the Los Calientes Trio of

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flavor Verde Rojo Barbacoa visit

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hotoneschallenge.com for more

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information and to find a store near you

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hot ones boneless chicken bites you're

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in the hot seat now