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This file contains 100 songs (#1 - #100). | |
You can find more abc tune files at http://www.norbeck.nu/abc/ | |
I've transcribed them as I remember them, which does not necessarily mean | |
that the lyrics are exactly as in the "original". This is part of the "folk process" | |
of transmitting songs. | |
The melody is often just an approximation (especially for the slow songs), and | |
does not include ornamentation, just the "bare bones". Also the key chosen | |
is one that fits my voice - transpose it to fit your voice. | |
The songs were learnt from sessions, from friends or from recordings. | |
Last updated 22 November 2016. | |
(c) Copyright 2016 Henrik Norbeck. This file: | |
- May be distributed with restrictions below. | |
- May not be used for commercial purposes (such as printing a tune book to sell). | |
- This file (or parts of it) may not be made available on a web page for | |
download without permission from me. | |
- This copyright notice must be kept, except when e-mailing individual tunes. | |
- May be printed on paper for personal use. | |
- Questions? E-mail: henrik@norbeck.nu | |
Z:id:hn-song-%X | |
R:song | |
L:1/8 | |
X:1 | |
T:Streets of Derry | |
T:Derry Gaol | |
R:song | |
H:Slow, free rhythm | |
D:Bothy Band: Out of the Wind, into the Sun | |
Z:id:hn-song-1 | |
M:3/4 | |
L:1/8 | |
Q:1/4=100 | |
K:Bdor | |
P:first verse | |
B2 | B2 (B3 A) | B B3 c2 | (B3 A) G2 | A2 B2 | |
(Bc) | B4 A2 | F4 EC | B,4 C2 | A,4 | |
B,2 | C4 ((3CB,A,) | B, B,3 (B,C) | E4 F2 | B B3 | |
(Bc) | B4 A2 | F4 (EC) | B,3 B,3 | B,4 || | |
P:remaining verses | |
E2 | F3 (G A2) | B4 (Bc) | B3 (A G2) | A2 B2 | |
(Bc) | B4 A2 | F4 EC | B,4 C2 | A,4 | |
A,B, | C4 ((3CB,A,) | B,4 B,C | E4 F2 | B/B/ B3 | |
Bc | B4 A2 | F3 FEC | B,3 B,3 | B,4 || | |
W:My love is one of the fairest young men | |
W:that ever was in this country | |
W:But how to win him I do not know it, | |
W:for he is sentenced for to die. | |
W: | |
W:As he walked up the streets of Derry, | |
W:he walked so proud and so manfully | |
W:He was far more like a commanding officer | |
W:Than a man to die upon the gallows tree. | |
W: | |
W:The first time he went to climb the ladder, | |
W:His bloomin' face began to pale | |
W:and this he said, "Is there no assistance", | |
W:"Is there no release in the Derry Gaol? | |
W: | |
W:He took one other step up the ladder, | |
W:His beloved father was standing by, | |
W:"Come here, come here, my beloved father, | |
W:and speak one word to me before I die." | |
W: | |
W:The next time he went to climb the ladder, | |
W:His beloved sister was standing by, | |
W:"Come here, come here, my beloved sister, | |
W:and speak one word to me before I die." | |
W: | |
W:"I wonder what became of my true love | |
W:and what has sent her so far from me | |
W:Or does she think it a great dishonour | |
W:For to see me die upon the gallows tree?" | |
W: | |
W:He looked around, and he saw her coming | |
W:And she was dressed up in woollen so fine | |
W:and every step as she drew nearer | |
W:was swifter than the blowing wind. (wined) | |
W: | |
W:Come down, come down, off that weary gallows, | |
W:For I've got your pardon now from the king | |
W:and I'll show you, we will be united | |
W:And I'll crown my Johnny with a laurel wreath. | |
X:2 | |
T:Green Fields of Canada | |
R:song | |
H:Slow, free rhythm | |
Z:id:hn-song-2 | |
M:3/4 | |
L:1/8 | |
Q:1/4=80 | |
K:Bdor | |
P:verses 1, 5 | |
A2 | A2 F2 (ED) | E3 (E F)A | (B3 A)BF | (ED) B,2 | |
(A,B,) | D3 E F2 | (ED) E2 F2 | (ED) B,2 (B,A,) | B,4 | |
AA | A2 F2 (ED) | E E2 (E FA) | B3 ABF | (ED) B,2 | |
A,B, | D4 (EF) | ED E2 F2 | ED B,2 (B,A,) | B,4 || | |
P:verses 2, 3, 4, 6, 7, 8 | |
E2 | F B3 (Bc) | (d3 c)BA | B B3 (Bd) | (BA) F2 | |
DE | F2 B2 (Bc) | (d3 c)BA | (F3 E) ((3FG)A | B4 | |
Bd | (B3 A) ((3FE)D | E3 (E F)A | B (B3 F2) | (ED) B,2 | |
(A,B,) | D4 EF | (E3 D)(EF) | ED B,2 B,2 | B,4 || | |
W:Farewell to the groves of shillelagh and shamrock, | |
W:Farewell to the wee girls of Ireland all round. | |
W:May their hearts be as merry as ever I would wish for | |
W:When it's far across the Atlantic I'm bound. | |
W: | |
W:My father is old and my mother quite feeble, | |
W:And to leave their own country it grieves their hearts sore. | |
W:Oh, the tears down their cheeks in great drops are rolling | |
W:To think they must die upon a foreign shore. | |
W: | |
W:But what matters to me where my bones may be buried | |
W:If in peace and contentment I can spend my life. | |
W:Oh, the green fields of Canada they daily are blooming, | |
W:'Tis there I'll put an end to my misery and strife. | |
W: | |
W:So it's pack up your sea stores, consider no longer, | |
W:For ten dollars a week isn't very bad pay, | |
W:With no taxes or tithes to devour up your wages | |
W:When you're on the green fields of Americay. | |
W: | |
W:The sheep run unsheared and the land's gone to rushes, | |
W:The handyman's gone and the winder of creels. | |
W:Away across the ocean go journeyman tailors | |
W:And fiddlers who flaked out the old mountain reels. | |
W: | |
W:But I mind the time when old Ireland was flourishing, | |
W:When lots of our tradesmen did work for good pay. | |
W:But since out manufacturies have crossed the Atlantic, | |
W:Sure, there we must follow to Americay. | |
W: | |
W:So it's pack up your sea stores and consider no longer, | |
W:For ten dollars a week isn't very bad pay, | |
W:With no taxes or tithes to devour up your wages | |
W:When you're on the green fields of Americay. | |
W: | |
W:And it's now to conclude and to finish my story, | |
W:If ever friendless Irishmen chances my way, | |
W:With the best in the house I will greet him and welcome | |
W:At home on the green fields of Americay. | |
W: | |
W:So it's pack up your sea stores and consider no longer, | |
W:For ten dollars a week isn't very bad pay, | |
W:With no taxes or tithes to devour up your wages | |
W:When you're on the green fields of Americay. | |
X:3 | |
T:Hare's Lament | |
R:song | |
H:Slow, free rhythm | |
Z:id:hn-song-3 | |
M:3/4 | |
L:1/8 | |
Q:1/4=140 | |
K:Edor | |
ED | B,3 C D2 | E E3 FG | A2 A2 (AF) | D4 | |
EF | G3 A B2 | d2 B2 A2 | F2 E2 D2 | E4 :| | |
ED | B,3 C D2 | E E3 FG | A2 A2 AF | D4 | |
EF | G3 A BB | d2 B2 BA | F2 E2 D2 | E4 || | |
W:On the first of November, on a bright autumn day | |
W:To the hills of Dromeen I chanced for to stray | |
W:I was feeding on green grass, that grows on yon ground | |
W:When my heart was set a-beating by the crying of the hounds | |
W: | |
W:Chorus: | |
W:Mush-a rang tally-ho, hark ye over hi-dee ho | |
W:Hark ye over cries the huntsman, hark ye over hi ho | |
W: | |
W:They hunted me up, and they hunted me down | |
W:The bold huntsmen of Stiahan, on my trail sent the hounds | |
W:Over highlands and lowlands, moorlands also, | |
W:Over hedges and ditches, like the wind I did go. | |
W: | |
W:Chorus | |
W: | |
W:There was ringwood and roses, they gave me a close brush | |
W:It was then they found me hiding, it was in a rush bush | |
W:For better or worse, I know I must die, | |
W:But I do my endeavour, these hounds to defy | |
W: | |
W:Chorus | |
W: | |
W:Then up stands the huntsman, to end all my strife | |
W:Sayin' lay the hare down, give her plea for her life | |
W:Wouldnt it be for better, you killed rather the fox | |
W:Who ate all your chickens, fat hen and gay cock? | |
W: | |
W:Chorus | |
W: | |
W:And now I must die, and I know not the crime | |
W:For the value of sixpence, I ne'er harmed mankind | |
W:I ne'er was brought up for to rob or to steal | |
W:Except for the crabbin' some tops of green kale | |
W: | |
W:Chorus | |
X:4 | |
T:Health to the Company | |
R:song | |
Z:id:hn-song-4 | |
M:3/4 | |
L:1/8 | |
Q:1/4=110 | |
K:Edor | |
BA | B2 E2 (EF) | ED B,2 (B,C) | D2 (AG) (ED) | E4 | |
(EF) | G2 A2 B2 | (ed) B2 (AB) | B2 E2 (FE) | D4 | |
(EF) | G2 A2 B2 | (ed) B2 (AB) | B2 E2 ((3EDC) | D4 | |
BA | B2 E2 (EF) | (ED) B,2 (B,C) | D2 (AG) (ED) | E4 || | |
W:My friends and companions, come join me in rhyme | |
W:Come lift up your voices in chorus with mine | |
W:Come lift up your voices, all grief to refrain | |
W:For we may or might never all meet here again | |
W: | |
W:Chorus: | |
W:So here's a health to the company and one to my lass | |
W:Let's drink and be merry all out of one glass | |
W:Let's drink and be merry, all grief to refrain | |
W:For we may and might never all meet here again | |
W: | |
W:Here's a health to the wee lass that I love so well | |
W:For her beauty in Ireland, there is none can excel | |
W:There's a smile upon her countenance as she sits upon my knee | |
W:Sure there's is no one in in this wide world as happy as me | |
W: | |
W:Chorus | |
W: | |
W:Our ship lies at anchor, she is ready to dock | |
W:I wish her safe landing without any shock | |
W:and if ever I should meet you by land or by sea | |
W:I will always remember your kindness to me | |
X:5 | |
T:My Lagan Love | |
T:Lagan Streams | |
R:song | |
C:lyrics by Joseph Campbell (1879-1944) | |
H:Joseph Campbell AKA Seosamh MacCathmhaoil AKA Joseph McCahill | |
Z:id:hn-song-5 | |
M:3/4 | |
L:1/8 | |
Q:1/4=90 | |
K:Amix | |
(EF) | (G3 F) G2 | A4 E2 | (E3 D) C2 | (A, G,3) | |
A,2 | C4 C2 | (DC A,2) G,2 | A,6- | A,4 || | |
(EF) | (G3 F G2) | A4 E2 | (E2 D2) C2 | (A,2 G,2) | |
A,2 | C4 C2 | (DC A,2) G,2 | A,6- | A,3 || | |
A, CD | F E3 ((3ED)=C | D4 | |
(FG) | A4 D2 | (F3 E F2 | ^G4) A2 | A6 || | |
=c2 A2 G2 | A4 E2 | (E2 D2) C2 | A,2 G,2 | |
A,2 | C4 C2 | (DC A,2) G,2 | A,6- | A,4 || | |
W:Where Lagan streams sing lullabies | |
W:There grows a lily fair | |
W:The twilight is in her eye | |
W:The night is on her hair | |
W:And like a lovesick lennashee | |
W:She has my heart in thrall | |
W:No life have I nor liberty | |
W:For love is lord of all. | |
W: | |
W:Her father sails a running-barge | |
W:'Twixt Leamh-beag and The Druim, | |
W:And on the lonely river-marge | |
W:She clears his hearth for him. | |
W:When she was only fairy-high | |
W:Her gentle mother died, | |
W:But dew-love keeps her memory | |
W:Green on the Lagan side. | |
W: | |
W:And often when the beetle's horn | |
W:Has lulled this eve to sleep | |
W:I'll steal into her shieling lorn | |
W:And through the doorway creep. | |
W:There on the cricket's singing stone, | |
W:She makes the bogwood fire, | |
W:And hums in soft sweet undertone | |
W:The songs of heart's desire | |
W: | |
W:Her welcome, like her love for me, | |
W:Is from her heart within: | |
W:Her warm kiss is felicity | |
W:That knows no taint of sin. | |
W:And, when I stir my foot to go, | |
W:'Tis leaving love and light | |
W:To feel the wind of longing blow | |
W:From out the dark of night. | |
X:6 | |
T:Lough Erne Shore | |
R:song | |
Z:id:hn-song-6 | |
M:3/4 | |
L:1/8 | |
Q:1/4=130 | |
K:Dm | |
(A,C) | D2 D2 F2 | (GA) (GF) D2 | F2 G2 | |
A2 | c2 (dc) A2 | (GA) (GF) D2 | C4 | |
A,C | D2 D2 F2 | (GA) (GF) D2 | F2 G2 | |
A2 | c2 (dc) A2 | (GA) (GF) D2 | D4 || | |
(Ac) | d2 d2 (cA) | c2 d2 (FA) | | |
G2 F2 A2 | c2 (dc) A2 | (GA) (GF) D2 | C4 | |
(A,C) | D2 D2 F2 | (GA) (GF) D2 | F2 G2 | |
A2 | c2 (dc) A2 | (GA) (GF) D2 | D4 || | |
W:One morning as I went a-fowling | |
W:Bright Phoebus adorned the plain. | |
W:It was down by the shores of Lough Erne | |
W:I met with this wonderful dame. | |
W:Her voice was so sweet and so pleasing | |
W:These beautiful notes she did sing. | |
W:The innocent fowl of the forest | |
W:Their love unto her they did bring. | |
W: | |
W:It being the first time I saw her | |
W:My heart it did lep with surprise. | |
W:I thought that she could be no mortal | |
W:But an angel that fell from the skies. | |
W:Her hair it resembled gold tresses. | |
W:Her skin was as white as the snow. | |
W:Her cheeks were as red as the roses | |
W:That bloom around Lough Erne's shore. | |
W: | |
W:When I found that my love was eloping | |
W:These words unto her I did say: | |
W:"Oh, take me to your habitation | |
W:For Cupid has led me astray." | |
W:"Forever I'll keep the commandments. | |
W:They say that it is the best plan. | |
W:Fair maids who do yield to men's pleasures | |
W:The scripture does say they are wrong." | |
W: | |
W:"Oh, Mary don't accuse me of weakness, | |
W:For treachery I do disown. | |
W:I will make you a lady of honour | |
W:If with me this night you'll come home. | |
W:Oh, had I the lamp of great Aladdin, | |
W:His rings and his genie what's more. | |
W:I would part with them all for to gain you | |
W:And live upon Lough Erne's shore." | |
X:7 | |
T:Lowlands of Holland | |
R:song | |
H:This song is not about Holland, but about Dutch Guyana (Surinam) | |
Z:id:hn-song-7 | |
M:4/4 | |
L:1/8 | |
Q:1/4=100 | |
K:D | |
A,B, | D3E (DB,)A,2 | A4 B2(AB) | (FE)D2 E2(DA,) | B,6 | |
(A,B,) | D3E (DB,)A,2 | A4 B2(AB) | (FE)D2 E3D | D6 | |
FA | A2(FE) D2(FA) | B2B,2 D2(FA) | (GF)E2 (FE)(DA,) | B,6 | |
AB | B2(AB) d2(BA) | F2d2 (FE)(DF) | (ED)(B,A,) D3D | D6 || | |
W:On the night that I was married and on my marriage bed | |
W:Up came a bold sea captain and stood at my bedhead | |
W:Saying, arise, arise young wedded man and come along with me, | |
W:To the low low lands of Holland to fight the enemy. | |
W: | |
W:Now then Holland is a lovely land, and on it grows fine grain | |
W:Sure it is a place of residence for a soldier to remain | |
W:Where the sugar cane is plentiful and the tea grows on each tree | |
W:I never had the but one sweetheart, and now he's far far away from me. | |
W: | |
W:Says the mother to the daughter: give o'er your sore lament | |
W:For there's men enough in Galway for to be your heart's content. | |
W:If there's men enough in Galway, alas there are none for me | |
W:Since these high winds and stormy seas have come between my love and me. | |
W: | |
W:I will wear no swaithe around my waist, no combs all in my hair | |
W:No handkerchief around my neck for to save my beauty fair | |
W:And never will I marry until the day I die | |
W:Since the low low lands of Holland have come between my love and I. | |
X:8 | |
T:Bantry Girl's Lament | |
R:song | |
Z:id:hn-song-8 | |
M:2/4 | |
L:1/16 | |
Q:1/4=52 | |
K:D | |
(DE) | F3F F2(ED) | FA3-A3B | A3A A2 ((3FED) | E6 | |
DE | F3F F2(ED) | FA3-A3B | (AF)(ED) E3D | D6 | |
(AB) | d3d d2(BA) | Bd3-d3B | A3A A2 ((3FED) | E6 | |
(DE) | F3F F2(ED) | FA3-A2AB | (AF)(ED) E3D | D6 || | |
W:Oh, who will plough the fields now, and who will sow the corn? | |
W:And who will watch the sheep now, and keep them neatly shorn? | |
W:The stack that's in the haggard, unthreshed it will remain | |
W:Since Johnny, lovely Johnny went to fight the king of Spain | |
W: | |
W:Oh, the girls of the Ban\'og in sorrow may retire | |
W:And the piper and his bellows may go home and blow the fire | |
W:Since Johnny, lovely Johnny went sailing o'er the main | |
W:Along with other patriots to fight the king of Spain | |
W: | |
W:The boys will sorely miss him when Moneymore comes round | |
W:And grieve when their bold captain is nowhere to be found | |
W:And the peelers may stand idle against their will and grain | |
W:Since the valiant boy who gave them work now peels the king of Spain | |
W: | |
W:At wakes and hurling matches your like we'll never see | |
W:'Till you come back again to us, a stoir\'in \'og mo chro\'i | |
W:And won't you trounce the buckeens, who show us much disdain | |
W:Because our eyes are not so bright as those you'll see in Spain | |
W: | |
W:Oh, if cruel fate should not permit our Johnny to return | |
W:His awful loss we Bantry girls will never cease to mourn | |
W:We'll resign ourselves to our sad lot and live in grief and pain | |
W:Since Johnny died for Ireland's pride in the foreign land of Spain | |
X:9 | |
T:Rambling Irishman | |
R:song | |
H:see also #10 | |
D:Sands Family | |
Z:id:hn-song-9 | |
M:3/4 | |
L:1/8 | |
Q:1/4=170 | |
K:Dmix | |
(F2G2) | A4A2 | F2E2D2 | (c3B)c2 | E2F2G2 | A2G2E2 | D4E2 | D6 | z4 || | |
A2 | A2d2d2 | d4e2 | d4c2 | A2A2B2 | (c3B)A2 | d4A2 | G6 | z4 || | |
AA | A4d2 | d4e2 | d4c2 | A4B2 | c3BA2 | dd3F2 | G6 | z2 || | |
F2G2 | A4A2 | F2E2D2 | (c3B)c2 | E2(F2G2) | A2G2E2 | D4E2 | D6 | z4 || | |
W:I am a ramblin' Irishman | |
W:and I've rambled the whole world o'er | |
W:in search of an occupa-ti-on | |
W:and I never had before. | |
W:So I made a resolu-ti-on | |
W:and thought it a very good plan | |
W:for to take a trip to Amerikay | |
W:and view that lovely land. | |
W: | |
W:When I landed in Philadelphia | |
W:all the girls on me did smile. | |
W:Says one unto the other | |
W:"There goes an Irish boy." | |
W:They asked me for to dine with them | |
W:And they took me by the hand | |
W:And the toast went merrily round the room | |
W:for the ramblin' Irishman. | |
W: | |
W:They brought me to a grand hotel | |
W:and there to spend the night. | |
W:When the landlady's wee daughter | |
W:on me took great delight. | |
W:She never took her eyes off me | |
W:as on the shore I stand. | |
W:And she whispers to her mother | |
W:"I'm in love with the Irishman." | |
W: | |
W:Said the mother to her daughter | |
W:What do you mean to do? | |
W:To fall in love with an Irishman, | |
W:a lad that you never knew | |
W:with his knapsack on his shoulder | |
W:and shillelagh under his arm. | |
W:Sure I'll ramble the whole world over | |
W:my ramblin' Irishman. | |
W: | |
W:Now that we are married | |
W:and settled down in life. | |
W:We're as happy as two turtle doves | |
W:myself and my wee wife. | |
W:Sure I'll work for her and I'll toil for her | |
W:and I'll do the best I can, | |
W:and she'll never say she rued the day | |
W:she married an Irishman. | |
X:10 | |
T:Ramblin' Irishman | |
R:song | |
H:see also #9 | |
D:Packie Byrne | |
Z:id:hn-song-10 | |
M:6/8 | |
L:1/8 | |
Q:3/8=85 | |
K:Dmix | |
(FG) | A2A FED | c2c EFG | A>GE D2D | D3 z2 || | |
A | d>dd (dA)B | c3 BAG | FA2 d2F | G3 z2 || | |
A | d2d dAB | c3 BAG | FFA ddF | G3 z || | |
FG | A2A FED | (cB)c EFG | A>GE D2D | D3 z2 || | |
W:I am a ramblin' Irishman | |
W:and I've travelled this wide world o'er | |
W:in search of an occupation | |
W:like so many done before. | |
W:I formed a resolution | |
W:and I thought it a very good plan | |
W:for to take a trip to Amerikay | |
W:as a rambling Irishman. | |
W: | |
W:When I landed in Philadelphia | |
W:the girls all jumped for joy. | |
W:And one says to the other | |
W:"There goes an Irish boy." | |
W:They invited me for to dance with them | |
W:and they took me by the hand | |
W:And the toast went merrily round the room | |
W:"Long life to the Irishman!" | |
W: | |
W:They took me to a big hotel | |
W:with them to spend the night. | |
W:The landlady's only daughter | |
W:in me took great delight. | |
W:She never took her eyes off me | |
W:as on the floor I stand. | |
W:And she whispers to her mother | |
W:"I'm in love with that Irishman." | |
W: | |
W:Oh daughter dear, oh daughter, | |
W:what is this you are going to do? | |
W:To fall in love with an Irishman, | |
W:a man you never knew, | |
W:with a knapsack on his shoulder | |
W:and shillelagh in his hand. | |
W:Ah but mother dear I would roam the whole world | |
W:with that ramblin' Irishman. | |
W: | |
W:And now that we are married | |
W:and we're settled down in life. | |
W:The landlady's only daughter | |
W:she is my wedded wife. | |
W:I'll toil for her and I'll labour for her | |
W:and I'll do the best I can, | |
W:and she'll never say she rued the day | |
W:that she married an Irishman. | |
X:11 | |
T:High Germany | |
R:song | |
D:Dubliners | |
Z:id:hn-song-11 | |
M:2/4 | |
L:1/16 | |
Q:1/4=85 | |
K:Dm | |
A2 | A2 D2 D2 C2 | (F3 G) A2 A2 | G2 F2 D2 C2 | D6 | |
(CD) | F2 F2 (FG)(AB) | c4 d2 dd | c2 A2 (GA)(BG) | A6 | |
(AG) | F2 F2 (FG)(AB) | c2 c2 d2 d2 | c2 A2 G2 F2 | G6 | |
FG | A2 D2 D2 C2 | F3 G A2 A2 | (G2F2) D3 C | D6 || | |
W:Oh Polly, love, oh Polly, the rout has now begun, | |
W:and we must go a-marching to the beating of a drum. | |
W:Come dress yourself all in your best and come along with me, | |
W:and I'll take you to the war, me love, in high Germany. | |
W: | |
W:Oh Willy, love, oh Willy, come list what I do say. | |
W:My feet they are so tender, I cannot march away. | |
W:And besides, my dearest Willy, I am with child by thee. | |
W:Not fitted for the war, me love, in high Germany. | |
W: | |
W:I'll buy for you a horse, me love, and on it you shall ride. | |
W:And all my delight shall be a-riding by your side. | |
W:We'll stop at every alehouse and drink when we are dry. | |
W:We'll be true to one another, get married bye and bye. | |
W: | |
W:Oh, cursed be them cruel wars wherever they should rise, | |
W:and out of merry England press many a man likewise. | |
W:They pressed my true love from me, likewise my brothers three, | |
W:and sent them to the wars, me love, in high Germany | |
W: | |
W:My friends I do not value, my foes I do not fear. | |
W:Now my love has left me I wander far and near. | |
W:And when my baby it is born and smiling on my knee, | |
W:I'll think of lovely Willy in High Germany. | |
W: | |
W:Oh Polly, love, oh Polly, the rout has now begun | |
W:And we must go a-marching to the beating of a drum | |
W:Go dress yourself all in your best and come along with me | |
W:I'll take you to the war, me love, in high Germany | |
X:12 | |
T:Black Velvet Band | |
R:song | |
Z:id:hn-song-12 | |
M:3/4 | |
L:1/8 | |
Q:1/4=180 | |
K:F | |
cc | c3 c c2 | A2 B2 c2 | B2 A4- | A4 G2 | F2 G2 A2 | F2 E2 D2 | C6- | C4 | |
(cB) | A2 A2 A2 | C2 D2 E2 | F4 G2 | A4 AA | G2 A2 B2 | E2 F2 G2 | F6- | F4 :| | |
c2 | c4 c2 | (A2 B2) c2 | B2 A4- | A4 G2 | F2 G2 A2 | F2 E2 D2 | C6- | C4 | |
cB | A2 A2 A2 | C2 D2 E2 | (F4 G2) | A4 A2 | G2 A2 B2 | E2 F2 G2 | F6- | F4 || | |
W:In the neat little town they call Belfast | |
W:apprenticed to trade I was bound, | |
W:and many's the hour of sweet happiness | |
W:have I spent in that neat little town. | |
W: | |
W:'Til a sad misfortune came over me, | |
W:which caused me to stray from the land. | |
W:Far away from my friends and companions | |
W:betrayed by the black velvet band. | |
W: | |
W:Chorus: | |
W:Her eyes they shone like diamonds | |
W:I thought her the queen of the land. | |
W:And her hair it hair hung over her shoulder | |
W:tied up with a black velvet band. | |
W: | |
W:I took a stroll down Broadway | |
W:Not intending to stay very long, | |
W:When who should I meet but this pretty fair maid | |
W:as she came a-prancing along. | |
W: | |
W:She was both fair and handsome | |
W:Her neck it was just like a swan | |
W:And her hair it hung over her shoulder | |
W:tied up with a black velvet band | |
W: | |
W:Chorus | |
W: | |
W:I took a stroll with this pretty fair maid | |
W:and a gentleman passing us by, | |
W:I knew she meant the doing of him | |
W:by the look in her roguish black eye. | |
W: | |
W:A gold watch she took from his pocket | |
W:And placed it right into my hand | |
W:And the very next thing that I said was | |
W:"What's this?" to the black velvet band. | |
W: | |
W:Chorus | |
W: | |
W:Before the Judge and the Jury | |
W:next morning I had to appear | |
W:And the judge he says to me | |
W:"Young man, your case it is proven clear." | |
W: | |
W:"I'll give you seven years penal servitude | |
W:To be spent far away from the land. | |
W:Far away from your friends and companions." | |
W:Betrayed by the black velvet band. | |
W: | |
W:Chorus | |
W: | |
W:So come all you jolly young fellows | |
W:A warning take by me | |
W:when you are out on the town, my lads, | |
W:beware of the pretty colleens. | |
W: | |
W:They'll feed you to strong drink, my lads, | |
W:'til you are unable to stand | |
W:And the very next thing that you'll know is | |
W:You've landed in Van Diemen's Land. | |
W: | |
W:Chorus | |
X:13 | |
T:Brave Bold Donnelly | |
R:song | |
Z:id:hn-song-13 | |
M:2/4 | |
L:1/8 | |
Q:1/4=120 | |
K:Ador | |
E | EA AB | AG- GA/A/ | BA GE | G3 | |
A | BA AA | GE E/E/E | D>D DE | GE || | |
DB, | A,2 E2 | DB, G,2 | zA,/A,/ A,A, | A2 | |
AG | G2 GA | GE D2 | E>E DB, | A,3 || | |
W:There was a pretty maiden, she was going to a ball. | |
W:She saw a jolly tinker hammering tins against the wall. | |
W: | |
W:Chorus: | |
W:and mush-a brave bold Donnelly, good enough, said she. | |
W:There's good blood in young Donnelly, he's the boy for me! | |
W: | |
W:He sauntered through the kitchen, and he sauntered through the hall. | |
W:He sauntered through the parlour, over knights and ladies all. | |
W: | |
W:Chorus | |
W: | |
W:She then went up the stairs, to dress and make her bed, | |
W:In two steps he was after her, and he knocked her on the bed. | |
W: | |
W:Chorus | |
W: | |
W:She then went down the stairs, to bolt and bar the door. | |
W:In two steps he was after her, and he knocked her on the floor. | |
W: | |
W:Chorus | |
W: | |
W:She then took out a whistle, and she blew it sharp and shrill. | |
W:And twenty of the old police came galloping o'er the hill. | |
W: | |
W:Chorus | |
W: | |
W:She then got him arrested, and he got three months in jail. | |
W:She went out behind his back, took another one out on bail. | |
W: | |
W:Chorus | |
W: | |
W:Repeat first verse and chorus | |
X:14 | |
T:Cod Liver Oil | |
R:song | |
C:Words by Johnny Burke (1851-1930), St. John's, Newfoundland. | |
Z:id:hn-song-14 | |
M:3/4 | |
L:1/8 | |
Q:1/4=170 | |
K:Ddor | |
AA | A2 G2 A2 | c2 A2 G2 | E2 D2 D2 | D4 (ED) | | |
C2 D2 E2 | G A3 G2 | G2 E2 D2 | C4 Ac | | |
d d3 d2 | d2 c2 A2 | A2 G2 A2 | c4 cc | | |
d2 c2 d2 | A2 G2 A2 | E2 D2 D2 | D4 || | |
W:I'm a young married man and I'm tired of my life, | |
W:for lately I've married an ailing young wife. | |
W:She does nothing all day only sits down and sigh | |
W:"Oh I wish to the Lord that I only could die!" | |
W: | |
W:Then a friend of my own came to see me one day, | |
W:and he said that my wife was just pining away, | |
W:but he afterwards told me that she would get strong, | |
W:if I'd buy her a bottle from Doctor De Jongh. | |
W: | |
W:Chorus: | |
W:Oh doctor, oh doctor, oh doctor De Jongh, | |
W:your cod liver oil is so pure and so strong. | |
W:I'm afraid of my life I'll go down in the soil, | |
W:if my wife don't stop drinking your cod liver oil. | |
W: | |
W:So I bought her a bottle - 'twas just for to try, | |
W:And the way that she scoffed it, you would swear she was dry. | |
W:I bought her another, and it went just the same, | |
W:'til I own she's got cod liver oil on her brain! | |
W: | |
W:Chorus | |
W: | |
W:Now my house it resembles a big doctor's shop, | |
W:with bottles and bottles from bottom to top, | |
W:and when in the morning the kettle does boil, | |
W:you'd swear it was singing out "Cod liver oil"! | |
W: | |
W:Chorus | |
X:15 | |
T:Green Grows the Laurel | |
R:song | |
Z:id:hn-song-15 | |
M:3/4 | |
L:1/8 | |
Q:1/4=140 | |
K:Dmix | |
B2 | B2 E2 (ED) | (GA) B2 (AG) | E2 D2 C2 | D4 D2 | | |
D2 (EF) G2 | A2 d2 ed | c2 (BA) G2 | A4 D2 | | |
D2 (EF) G2 | A2 d2 (ed) | c2 (BA) G2 | c4 Bc | | |
d2 A2 (GE) | (GA) B2 AG | E D3 C2 | D4 || | |
B2 | B2 E2 (ED) | (GA) B2 (AG) | E2 D2 C2 | D4 D2 | | |
D2 (EF) G2 | A2 d2 (ed) | c2 (BA) G2 | A4 D2 | | |
D2 (EF) G2 | A2 d2 (ed) | c2 (BA) G2 | c4 Bc | | |
d2 A2 (GE) | (GA) B2 AG | E D3 C2 | D4 || | |
W:I once had a true love but now he is gone, | |
W:He's gone and he's left me and I'm here all alone, | |
W:And since he has left me content I must be, | |
W:For I know he loves someone far better than me. | |
W: | |
W:Chorus: | |
W:Green grows the laurel and soft falls the dew, | |
W:Sad was my heart when I parted from you, | |
W:But in our next meeting I hope you'll prove true, | |
W:Never change the green laurel for the red, white and blue. | |
W: | |
W:I wrote him a letter both loving and kind, | |
W:He wrote me another in sharp bitter lines, | |
W:Saying "Keep your love letters and I will keep mine, | |
W:And you'll write to your love and I'll write to mine." | |
W: | |
W:Chorus | |
W: | |
W:He passed by my window both early and late, | |
W:And the looks that he gave me would make your heart ache, | |
W:The looks that he gave me ten thousand would kill, | |
W:Wherever he wanders, he'll be my love still. | |
W: | |
W:Chorus | |
W: | |
W:I once was as happy as the red blushing rose, | |
W:Now I am pale as the lily that grows, | |
W:Like the tree in the garden with its beauty all gone, | |
W:Can't you see what I've come to from the loving of one. | |
X:16 | |
T:Shores Of Lough Bran | |
R:song | |
H:Slow, free rhythm | |
D:De Dannan | |
Z:id:hn-song-16 | |
M:3/4 | |
L:1/8 | |
Q:1/4=80 | |
K:Dmix | |
FG | (A3 F) GA | (GF) D2 A,B, | C2 D3 C | D4 | |
FG | A2 d2 (de) | (cB A2) (FD) | G3 A ((3BAG) | A4 | |
(FG) | A2 d2 (de) | (cB) A2 FD | G2 (GA) ((3BAG) | A4 | |
FG | A F3 G(A/E/) | F2 (GF) (A,B,) | C2 D3 C | D4 || | |
W:Sit you down, loyal comrade, sit you down for a while, | |
W:While I spend my last hours in Erin's green isle. | |
W:So fill up your glasses and we'll drink hand in hand, | |
W:For tomorrow I'll be leaving the shores of Lough Bran. | |
W: | |
W:There's my father and mother you can now hear them cry, | |
W:With their tears bewailing, 'twould moisten your eye, | |
W:But I will assist them, please God, if I can, | |
W:While far away from lovely Erin and the shores of Lough Bran. | |
W: | |
W:In the incoming morning I will bid you adieu, | |
W:To Leitrim, Drumshanbo and sweet Carrick too, | |
W:But no matter what fortune I shall meet far away, | |
W:My thoughts shall be with you by night and by day. | |
W: | |
W:My thoughts shall be with you while life's course is spanned, | |
W:Far away from lovely Erin and the shores of Lough Bran. | |
X:17 | |
T:Irish Rover | |
R:song | |
Z:id:hn-song-17 | |
M:2/4 | |
L:1/16 | |
Q:1/4=60 | |
K:A | |
EC | A,2 CD E2 AB | c2 BG A2 GF | E2 FE C2 DC | B,6 | |
EC | A,2 CD E2 AB | c2 BG A2 GF | E2 GA B2 GE | A6 | |
EE | A A2 B c2 BA | B2 BG E3 E | A2 AB c2 A2 | (B2 G2) E2 | |
EC | A,2 CD E2 AB | cc BG A2 GF | E2 GA B2 GE | B4 A2 || | |
W:On the fourth of July eighteen hundred and six | |
W:We set sail from the sweet Cobh of Cork | |
W:We were sailing away with a cargo of bricks | |
W:For the grand city hall in New York | |
W:'Twas a wonderful craft | |
W:She was rigged fore and aft | |
W:And oh, how the wild wind drove her | |
W:She stood several blasts | |
W:She had twenty seven masts | |
W:And they called her The Irish Rover | |
W: | |
W:We had one million bags of the best Sligo rags | |
W:We had two million barrels of stone | |
W:We had three million sides of old blind horses hides | |
W:We had four million barrels of bone | |
W:We had five million hogs | |
W:and six million dogs | |
W:Seven million barrels of porter | |
W:We had eight million bales of old nanny goats tails | |
W:In the hold of the Irish Rover | |
W: | |
W:There was Barney McGee | |
W:From the banks of the Lee | |
W:There was Hogan from County Tyrone | |
W:There was Johnny McGurk | |
W:Who was scared stiff of work | |
W:And a man from Westmeath called Malone | |
W:There was Slugger O'Toole | |
W:Who was drunk as a rule | |
W:And fighting Bill Tracy from Dover | |
W:And your man, Mick McCann | |
W:From the banks of the Bann | |
W:Was the skipper of the Irish Rover | |
W: | |
W:There was old Mickey Coote | |
W:Who played hard on his flute | |
W:When the ladies lined up for the set | |
W:He was tootin' with skill | |
W:For each sparkling quadrille | |
W:'Til the dancers were fluthered and bet | |
W:With his smart witty talk | |
W:He was cock of the walk | |
W:As he rolled the dames under and over | |
W:They all knew at a glance | |
W:When he took up his stance | |
W:That he sailed in The Irish Rover | |
W: | |
W:For a sailor it's always the bother in life | |
W:It's so lonesome by night and by day | |
W:And he longs for the shore | |
W:and the charming young whore | |
W:Who will melt all his troubles away | |
W:All the noise and the rout | |
W:Swillin' poiteen and stout | |
W:For him soon are done and over | |
W:Of the love of a maid he is never afraid | |
W:When he sails in the Irish Rover | |
W: | |
W:We had sailed seven years | |
W:When the measles broke out | |
W:And the ship lost its way in the fog | |
W:And that deuce of a crew | |
W:Was reduced down to two | |
W:Just myself and the captain's old dog | |
W:When the ship struck a rock | |
W:Oh Lord, what a shock! | |
W:The boat she was turned right over | |
W:Turned nine times around | |
W:And the poor old dog was drowned | |
W:I'm the last of The Irish Rover | |
X:18 | |
T:P Stands for Paddy | |
R:song | |
H:See also #19 | |
Z:id:hn-song-18 | |
M:2/4 | |
L:1/8 | |
Q:1/4=90 | |
K:Edor | |
B | BB EE/E/ | FE De | e>B Bc | d4 | | |
eB dB/B/ | AF GA/A/ | BA GF | E3 | |
B | BB EE | F>E De | eB Bc | d3 | |
e | eB dB | A/A/F GA | BA GF | E3 || | |
W:As I roved out on a May morning to take a pleasant walk | |
W:I sat down by an old stone wall, just to hear two lovers talk | |
W:to hear two lovers talk, my dear, to hear what they might say, | |
W:so I might learn a little more love before I go away. | |
W: | |
W:Chorus: | |
W:P it stands for Paddy I suppose, J for my love John, | |
W:W stands for false William, but Johnny is the fairest man | |
W:Johnny is the fairest man, she said, Johnny is the fairest man, | |
W:I don't care what anybody says for Johnny is the fairest man. | |
W: | |
W:Come and sit beside me love together on the green | |
W:It's a long three quarters of a year or more since together we have been | |
W:Together we have been, my dear, together we have been | |
W:It's a long three quarters of a year or more since together we have been | |
W: | |
W:Chorus | |
W: | |
W:No, I won't sit beside you love, not now nor at any other time | |
W:For you're in love with another little girl, and your heart's no longer mine | |
W:Your heart's no longer mine, my dear, your heart's no longer mine | |
W:For you're in love with another little girl, and your heart's no longer mine | |
W: | |
W:Chorus | |
W: | |
W:Now I will climb a tall, tall tree, and rob a little bird's nest | |
W:and then I will return again to the girl that I love best | |
W:To the girl that I love best, he said, the girl that I love best | |
W:and then I then I will return again to the girl that I love best | |
W: | |
W:Chorus | |
X:19 | |
T:Johnny is the Fairest Man | |
R:song | |
H:See also #18 | |
Z:id:hn-song-19 | |
M:2/4 | |
L:1/8 | |
Q:1/4=50 | |
K:Ddor | |
(E/G/) | AA GE/G/ | G(E/D/) C(A/c/) | d>e (d/c/)A | c3 | |
(A/c/) | dd cA/A/ | (G/c/)(G/E/) C(E/G/) | Gc FE | D3 | |
(E/G/) | AA G(E/G/) | G(E/D/) C(A/c/) | d>e (d/c/)A | c3 | |
(A/c/) | dd c>A | (G/c/)G/E/ C(E/G/) | Gc FE | D3 || | |
W:1. As I roved out on a May morning to have a pleasant walk | |
W:Oh, I sat down by an old oak tree, to hear two lovers talk | |
W:to hear what they might say, my dear, to hear what they might say, | |
W:so I might know a little more 'bout love before I went away. | |
W: | |
W:2. Come and sit on the grass, he said, on the dewy grass, said he | |
W:It's a long three quarters of a year or more since together we have been | |
W:Since together we have been, my dear, since together we have been | |
W:It's a long three quarters of a year or more since together we have been | |
W: | |
W:3. Oh, I'll not sit on the grass, she said, now or at any other time | |
W:My heart is given to another fair one, and yours is no longer mine | |
W:Yours is no longer mine, my dear, yours is no longer mine | |
W:My heart is given to another fair one, and yours is no longer mine. | |
W: | |
W:Chorus: | |
W:P stands for Paddy I suppose, J for my love John, | |
W:W stands for false Willie-o, but Johnny is the fairest one | |
W:Johnny is the fairest man, my dear, Johnny is the fairest man, | |
W:My heart is given to another fair one, for Johnny is the fairest man. | |
W: | |
W:4. I'll climb up an old oak tree, I'll rob a little bird's nest | |
W:I'll fall down without breaking leaf or flower to the arms I love the best | |
W:To the arms I love the best, my dear, to the arms I love the best | |
W:I'll fall down without breaking leaf or flower to the arms I love the best. | |
W: | |
W:5. And I don't care what an old woman says, her days they are gone | |
W:Neither do I care what a young maiden says, she's false to many a man | |
W:False to many a man, my dear, false to many a man | |
W:Neither do I care what a young maiden says, she's false to many a man. | |
W: | |
W:Chorus | |
W: | |
W:Alternate verses: | |
W:3. Oh, I'll not sit on the grass, she said, not now or at any other time | |
W:For you're in love with another fair one, and your heart is no longer mine | |
W:Your heart is no longer mine, my dear, your heart is no longer mine | |
W:For you're in love with another fair one, and your heart is no longer mine | |
W: | |
W:4. I'll climb up an old oak tree, I'll rob a little bird's nest | |
W:I'll fall down without breaking leaf or flower to the arms I love the best | |
W:To the arms I love the best, my dear, to the arms I love the best | |
W:I'll fall down without breaking leaf or flower to the arms I love the best. | |
W: | |
W:5. And I don't care what an old woman says, for her days they nearly are done, | |
W:And I don't care what a young man says, for his promise is too many's the one | |
W:His promise is too many's the one, my dear, his promise is too many's the one | |
W:And I don't care what a young man says, for his promise is too many's the one | |
X:20 | |
T:Tippin' It Up to Nancy | |
R:song | |
Z:id:hn-song-20 | |
M:6/8 | |
L:1/8 | |
Q:3/8=120 | |
K:F | |
P:first verse | |
C2D | FFF F2F | D2C C2 | |
D | FFF F2A | c3- c2 | |
c | d2d d2c | c2c | |
A2G | FFG A2G | (F2D) || | |
P:chorus | |
C2D | F3 FFF | D2C C2 | |
D | F3 FFA | c3 | |
c2A | G3 FFF | D2C C2 | |
D | FFF A2G | F2F- F3- | F3 || | |
P:remaining verses | |
z2A | c2c c2c | ccc- c2 | |
c | ddd d2c | c3- c | |
cc | ddd d2d | dc2 c2 | |
A | G2G A2G | F2D || | |
W:1. Now, there being a woman in this town | |
W:A woman you all know well | |
W:She dearly loved her husband | |
W:And another one twice as well | |
W: | |
W:Chorus: | |
W:With me right finnickinairy-o | |
W:Me tip finnick a wall | |
W:With me right finnickinairy-o | |
W:We're tippin' it up to Nancy | |
W: | |
W:She went down to the chemist's shop | |
W:Some remedies for to buy | |
W:Have you anything in your chemist's shop | |
W:To make me old man blind? | |
W: | |
W:Chorus | |
W: | |
W:Give him eggs and marrowbones | |
W:And make him suck them all | |
W:Before he has the last one sucked | |
W:He won't see you at all | |
W: | |
W:Chours | |
W: | |
W:She gave him eggs and marrowbones | |
W:And made him suck them all | |
W:Before he had the last one sucked | |
W:He couldn't see her at all | |
W: | |
W:Chorus | |
W: | |
W:If in this world I cannot see | |
W:Here I cannot stay | |
W:I'd rather go and drown myself, | |
W:Come on, says she, I'll show you the way | |
W: | |
W:Chorus | |
W: | |
W:She led him to the river | |
W:She led him to the brim | |
W:But sly enough of Martin | |
W:It was him that shoved her in | |
W: | |
W:Chorus | |
W: | |
W:She swam through the river | |
W:She swam through the brine | |
W:Cryin' Martin, dear Martin | |
W:Don't leave me behind | |
W: | |
W:Chorus: | |
W:Yerra shut up outa that ye silly old fool | |
W:Ye know poor Martin is blind | |
W:With me right finnickinairy-o | |
W:We're tippin' it up to Nancy | |
W: | |
W:There's nine in me family | |
W:And none of them is my own | |
W:I wish that each and every man | |
W:Would come and claim his own | |
W: | |
W:Chorus: | |
W:With me right finnickinairy-o | |
W:Me tip finnick a wall | |
W:With me right finnickinairy-o | |
W:We're tippin' it up to Nancy | |
X:21 | |
T:Van Diemen's Land | |
R:song | |
H:slow, free rhythm | |
Z:id:hn-song-21 | |
M:3/4 | |
L:1/8 | |
Q:1/4=100 | |
K:Edor | |
(B,D) | E4 E2 | {A}B4 (AB) | (A3{BA} F E2) | D4 (DE) | (F3{GF} E) ((3FAB) | A2 (A2{BA} F2) | HE4 | |
(B,D) | E2 E4 | ({d}e4) de | (d3{ed} B) A2 | G4 GA | (B3{cB} A) ((3Bde) | d2 (d2{ed} B2) | HA4 | |
A2 | A4 A2 | ({d}e4) (de) | (d3{ed} B A2) | G4 (GA) | (B d3) B2 | (A3{BA} G) E2 | HD4 | |
B,D | E E3-E2 | ({A}B4) (AB) | (A3{BA} F) E2 | D4 (DE) | (F3{GF} E) ((3FAB) | A2 (A2{BA} F2) | HE4 || | |
W:Come all you gallant poachers who wander void of care, | |
W:Who wander out on a moonlit night with your dog, your gun and snare, | |
W:The hare and lofty pheasant you have at your command, | |
W:Never thinking of a long career upon Van Diemen's land. | |
W: | |
W:Young Thomas Brown from Nenagh town, Jack Murphy and poor Joe, | |
W:Where three determined poachers, the county well does know, | |
W:By the keeper of the land, one night, the three they were trepanned, | |
W:And for fourteen years transported unto Van Diemen's Land. | |
W: | |
W:The first day that we landed upon that fatal shore, | |
W:The planters gathered around us, they might be twenty score, | |
W:They ranked us off like horses and sold us out of hand, | |
W:And they yoked us to the plough, me boys, to plough Van Diemen's Land. | |
W: | |
W:The cottages we live in, they are built with sods and mud, | |
W:We have rotten straw for bedding but we dare not say a word, | |
W:Out hearts are filled with fire and we slumber when we can, | |
W:But awaken broken hearted, all in Van Diemen's Land | |
W: | |
W:Oft times when I lay sleeping, I have a pleasant dream | |
W:I think I'm home in Ireland, down by a pleasant stream | |
W:Strolling in the evening with my true love by the hand | |
W:But awaken broken hearted, all in Van Diemen's Land | |
W: | |
W:Oh, if I had a thousand pounds today, all laid out in my hand | |
W:I'd give it all for liberty if it I could command | |
W:Once more to Ireland I'd return and I'd be a happy man | |
W:And I'd bid farewell to poaching likewise to Van Diemen's Land | |
X:22 | |
T:Black Is the Colour of My True Love's Hair | |
R:song | |
H:See also #23 | |
Z:id:hn-song-22 | |
M:4/4 | |
L:1/8 | |
Q:1/4=120 | |
K:Ador | |
EE2A, | C2C6 | z2DD D2C2 | A,8 | | |
z2E2 E2G2 | A8 | z2(GA) B2(AG) | E8 | | |
z2EE E2G2 | A8 | z2GA B2AG | E8 | | |
z2E2 E3A, | C8 | z2D2 D2C2 | A,8 | z4 || | |
W:Black is the colour of my true love's hair, | |
W:Her lips are like some roses fair, | |
W:She's the sweetest smile, and the gentlest hands, | |
W:I love the ground, whereon she stands. | |
W: | |
W:I love my love and well she knows, | |
W:I love the ground, whereon she goes, | |
W:I wish the day, it soon would come, | |
W:When she and I will be as one. | |
W: | |
W:I'll go to the Clyde and I'll mourn and weep, | |
W:For satisfied, I could never can be, | |
W:I'll write her a letter, just a few short lines, | |
W:And suffer death, a thousand times. | |
X:23 | |
T:Dark Is the Colour of My True Love's Hair | |
R:song | |
H:Slow, free rhythm | |
H:See also #22 | |
D:Joe Heaney | |
Z:id:hn-song-23 | |
M:4/4 | |
L:1/8 | |
Q:1/4=120 | |
K:Amix | |
E2 E2A,2 | C2 E4 DC | A,3 G, A,4 | z6 | |
(EF) | G2 A4 (BA) | (G2 E4) (cB) | (A3G) (E2D2) | E4 z2 | |
D2 | E2 FG A4- | A2 BA (G3 A) | (G2 F2) E4- | E8 | z2 | |
E2 E2A,2 | (C2E4) (DC) | A,3 G, A,4 | z2 || | |
W:Dark is the colour of my true love's hair, | |
W:Her face is like some rose so fair, | |
W:Her slenderest waist, and her neatest hand, | |
W:I love the ground she walks upon. | |
W: | |
W:I went to the river to mourn and weep, | |
W:But satisfied I could never be, | |
W:I wrote a letter in a few short lines, | |
W:I died a death a thousand times. | |
W: | |
W:I then sat down and I wrote a song, | |
W:I wrote it neat and I wrote it long, | |
W:With every line I shed a tear, | |
W:The last line said, "Farewell, my dear". | |
W: | |
W:So fare thee well, my own true love, | |
W:I thought you were as true as the stars above, | |
W:But a pleasure on earth no more I'll see, | |
W:I'd never do to you what you did to me. | |
W: | |
W:The winter is passed and the trees are green, | |
W:The time has come since we have been, | |
W:And yet I hope the day will come, | |
W:When you and I shall be as one. | |
W: | |
W:Dark is the colour of my true love's hair, | |
W:Her face is like some rose so fair, | |
W:Her slenderest waist, and her neatest hand, | |
W:I love the ground she walks upon. | |
X:24 | |
T:Peggy Gordon | |
R:song | |
D:Corries | |
Z:id:hn-song-24 | |
M:4/4 | |
L:1/8 | |
Q:1/4=120 | |
K:D | |
D2 C2 A,2 | D4 E2 F2 | G2 F2 (D4- | D EDC) A,4 | z2 | |
F2 G2 (AB) | A8- | A3 D D2 (GF) | E8- | z2 | |
F2 G2 (AB) | A4- A3A | (GF)(ED) (D4- | D EDC) A,4 | z2 | |
F2 G2 (AB) | A4 (D3E) | (CB,)C2 D4 | z2 || | |
W:Oh Peggy Gordon, you are my darling. | |
W:Come sit you down upon my knee, | |
W:and tell to me the very reason | |
W:why I am slighted so by thee. | |
W: | |
W:I am in love I cannot deny it. | |
W:My heart lies troubled in my breast. | |
W:It's not for me to let the world know it. | |
W:A troubled heart can find no rest. | |
W: | |
W:I put my hand to a cask of brandy. | |
W:It was my fancy, so to do, | |
W:for when I am drinking, I'm seldom thinking, | |
W:and wishing Peggy Gordon was here. | |
W: | |
W:I wish I was away in Ingo, | |
W:far across the briny sea, | |
W:sailing over deepest ocean, | |
W:where love and care ne'er bother me. | |
W: | |
W:I wish I was in a lonely valley, | |
W:where womenkind cannot be found, | |
W:where all the small birds they change their voices, | |
W:and every moment a different sound. | |
W: | |
W:Oh Peggy Gordon, you are my darling. | |
W:Come sit you down upon my knee, | |
W:and tell to me the very reason | |
W:why I am slighted so by thee. | |
X:25 | |
T:Thousands Are Sailing | |
R:song | |
Z:id:hn-song-25 | |
M:3/4 | |
L:1/8 | |
Q:1/4=120 | |
K:Dmix | |
(FG) | A2 d2 (dc) | A2 A2 (GA) | F2 D2 C2 | D4 | |
(FE) | D3 E G2 | A2 d2 (^cd) | e2 c3 B | A4 | |
(FE) | D3 E G2 | A2 d2 (^cd) | e2 c3 B | A4 | |
d2 | d2 A2 (AF) | G2 A2 AG | E2 D2 C2 | D4 || | |
W:You brave Irish heroes, where'er you may be, | |
W:I pray stand a moment and listen to me. | |
W:Your sons and fair daughters are now going away, | |
W:And thousands are sailing to Amerikay. | |
W: | |
W:So good luck to those people and safe may they land. | |
W:They're leaving their country for a far distant strand. | |
W:They're leaving old Ireland no longer can stay, | |
W:And thousands are sailing to Amerikay. | |
W: | |
W:On the night before leaving, they are bidding goodbye, | |
W:And early next morning their hearts give a sigh. | |
W:They do kiss their mothers and then they will say: | |
W:"Farewell, dear old Father. We must now go away." | |
W: | |
W:Their friends all do gather and the neighbours also. | |
W:When their trunks are all packed up and ready to go, | |
W:and the tears from their eyes they fall down like the rain, | |
W:when the horses are leaving all to part for the train. | |
W: | |
W:When they reach the station you'll hear their last cry, | |
W:their handkerchiefs waving and bidding good-bye, | |
W:and the parents will tell them be sure for to write, | |
W:and they all watch the train till it goes out of sight. | |
W: | |
W:When they reach the steamer just leaving the strand | |
W:They give one last good look at their own native land | |
W:and their hearts they are breaking for leaving the shore | |
W:and good-bye dear old Ireland shall I ne'er see you more. | |
W: | |
W:I pity the mother who reared up a child | |
W:And likewise the father who labours and toils | |
W:He tries to support them, he works night and day | |
W:And when they are reared up sure they will go away. | |
W: | |
W:Well good luck to those heroes and safe may they land. | |
W:They are leaving their homes for a far distant strand | |
W:and here in old Ireland no longer can stay | |
W:and thousands they are sailing to Amerikay. | |
X:26 | |
T:Star of the County Down | |
R:song | |
H:Words by Cathal McGarvey (1866-1927), Ramelton, County Donegal. | |
Z:id:hn-song-26 | |
M:2/4 | |
L:1/16 | |
Q:1/4=90 | |
K:Em | |
(B,/D/) | EE ED/E/ | GG A(G/A/) | B(A/G/) EE | D3 | |
B,/D/ | EE ED/E/ | GG AG/A/ | BA/G/ E(E/D/) | E3 || | |
B | dB BA/G/ | AA AG/A/ | BA/G/ EE | D3 | |
B,/D/ | EE ED/E/ | GG AG/A/ | BA/G/ ED | E3 || | |
B | dB BA/G/ | AA AG/A/ | BA/G/ EE | D3 | |
B,/D/ | EE ED/E/ | GG AG/A/ | BA/G/ ED | E3 || | |
W:Near Banbridge Town, in the County Down | |
W:one morning last July, | |
W:from a boreen green came a sweet colleen, | |
W:and she smiled as she passed me by. | |
W:She looked so neat from her two bare feet | |
W:to the sheen of her nut-brown hair, | |
W:Such a coaxing elf, sure I shook myself | |
W:for to see I was really there. | |
W: | |
W:Chorus: | |
W:From Bantry Bay up to Derry Quay, | |
W:and from Galway to Dublin town, | |
W:no maid I've seen like the brown colleen | |
W:that I met in the County Down. | |
W: | |
W:As she onward sped sure I shook my head | |
W:and I looked with a feeling rare, | |
W:and I said, says I, to a passer-by, | |
W:"Who's the maid with the nut-brown hair?" | |
W:He smiled at me, and he said, says he, | |
W:"That's the gem of Ireland's crown, | |
W:young Rosie McCann from the banks of the Bann, | |
W:she's the Star of the County Down." | |
W: | |
W:Chorus | |
W: | |
W:She'd a soft brown eye and a look so sly | |
W:and a smile like the rose in June | |
W:And you hung on each note from her lily-white throat, | |
W:as she lilted an Irish tune. | |
W:At the pattern dance you were held in trance | |
W:as she skipped through a jig or reel | |
W:When her eyes she'd roll, she would lift your soul | |
W:And your heart she would likely steal | |
W: | |
W:Chorus | |
W: | |
W:I've travelled a bit, but I ne'er was hit | |
W:since my roving career began. | |
W:But fair and square I surrendered there | |
W:To the charms of young Rose McCann. | |
W:I'd a heart to let and no tenant yet | |
W:Did I meet with in shawl or gown, | |
W:But in she went and I asked no rent | |
W:From the Star of the County Down. | |
W: | |
W:Chorus | |
W: | |
W:At the harvest fair she'll be surely there | |
W:and I'll dress in my Sunday clothes | |
W:with my hat cocked right, and my shoes shone bright, | |
W:for a smile from my nut-brown Rose. | |
W:No pipe I'll smoke, no horse I'll yoke | |
W:till my plow it is rust coloured brown, | |
W:till my smiling bride by my own fireside | |
W:sits the Star of the County Down. | |
W: | |
W:Chorus | |
X:27 | |
T:May Morning Dew, The | |
R:song | |
H:Slow, free rhythm | |
Z:id:hn-song-27 | |
M:3/4 | |
L:1/8 | |
Q:1/4=90 | |
K:Edor | |
E2 | E B3 Bc | d B3 Bd | F2 E2 D2 | E4 | |
ef | g3 feg | f B3 BA | B e3 ef | e4 | |
ef | g3 feg | fe d2 ef | e3 d B/A/G | A4 | |
^GA | B e3 ce | d B3 Bd | F2 E2 D2 | E4 || | |
W:How pleasant in winter to sit by the hob | |
W:listening to the barks and the howls of a dog | |
W:Or in summer to wander the wide valleys through | |
W:And to pluck the wild flowers in the May morning dew. | |
W: | |
W:Oh, Summer is coming, Oh, Summer is here | |
W:With the leaves on the trees and the skies blue and clear | |
W:And the small birds are singing their fond notes so true | |
W:And the flowers they are springing in the May morning dew. | |
W: | |
W:The house I was reared in is but a stone on a stone | |
W:And all round the garden wild thistles have grown | |
W:And all the fine neighbours that ever I knew | |
W:Like the red rose they withered in the May morning dew. | |
W: | |
W:God be with the old folks, who are all dead and gone | |
W:And likewise my two brothers, young Denis and John | |
W:As we ran through the heather, the wild hare to pursue | |
W:As their joys they were mingled in the May morning dew | |
X:28 | |
T:Banks of Avonmore, The | |
R:song | |
H:Slow, free rhythm | |
Z:id:hn-song-28 | |
M:3/4 | |
L:1/8 | |
Q:1/4=140 | |
K:Bmix | |
F2 | E4 ^D2 | E4 F2 | B4 c2 | (B{cB}A2) (F{GF}E) F | E3 ^D3 | B,4 A,2 | HB,4 | |
F2 | B4 c2 | =d4 c2 | B4 A2 | ({FG}F4) E2 | ^D2 B,4 | ^D4 E2 | HF4 | |
F2 | B4 c2 | =d4 c2 | B4 A2 | ({FG}F4) E2 | ^D2 B,4 | ^D4 E2 | (F{GF}HE3) | |
EF | E4 ^D2 | E4 F2 | B4 c2 | (B{cB}A2) (F{GF}E) F | E3 ^D3 | B,4 A,2 | HB,4 || | |
W:The silvery moon was shining bright over Clara's woodland green. | |
W:A tender youth was standing where his own true love had been. | |
W:The teardrops from her throbbing eyes across his cheeks streamed o'er, | |
W:for they met at night to say goodbye by the banks of Avonmore. | |
W: | |
W:'Twas not the rustling of the leaves on the branches wild and weird, | |
W:'twas not the sighing western wind that crept through Clara dale, | |
W:that made her tender heart mourn for the boy she did adore, | |
W:for she knew right well he'd ne'er return to the banks of Avonmore. | |
W: | |
W:Well he clasped her close unto his breast and he murmured sweet and true: | |
W:Tonight my ship sails for the West but my love I leave with you, | |
W:and I will pray both night and day, though on a foreign shore, | |
W:for to keep your love far, far away, on the banks of Avonmore. | |
W: | |
W:Now the scene has changed, and England's sons at Flanders stand at bay. | |
W:mid crushing steel and thundering guns their allied ranks gave way | |
W:from the USA a proud convoy sped quickly to the fore | |
W:and in their ranks a Wicklow boy from the banks of Avonmore. | |
W: | |
W:Across the shell-torn fields of France the Prussian lines gave way. | |
W:They tried to quell the wild advance of the exile sons of Erin. | |
W:Victorious true but deadly few the stars and stripes shone over, | |
W:but her true love fell far, far away from the banks of Avonmore. | |
W: | |
W:Now a few short years have come and gone, and again the moon shines clear, | |
W:No more this fair maid walks alone to shed a silent tear, | |
W:but faithful to her soldier boy they've met to part no more | |
W:in a brighter land far, far from the banks of Avonmore. | |
X:29 | |
T:Mountain Streams, The | |
R:song | |
H:Slow, free rhythm | |
D:De Danann I (Dolores Keane) | |
Z:id:hn-song-29 | |
M:3/4 | |
L:1/8 | |
Q:1/4=100 | |
K:Ador | |
c (c{dcA}G) | A2 (A2{BA}G2) | (E3{FE}D) C A, | (C3D)E2 | (G3{AG}ED2) | HE4 | |
(d{ed}c) | (A3{BA}G) (E{FE}D) | (C3EG2) | E4 (D{ED}C) | A, A, HA,2 | |
(c{dcA}G) | (A4{BA}G2) | (E3{FE}D) (CA,) | (C3D)E2 | (G4{AG}ED) | HE4 | |
d d/{ed}c/ | (A3{BA}G) E D | C3 (EG2) | E4 (D{ED}C) | A, A, HA,2 || | |
E2 | (A3{BA}G) E2 | A4 ^c d | (e4{fe}d2) | ^c2{d^c}A2 B2 | A{BA}G HE2 | |
D2 | ({D}E3) A ({B}c2) | (B2{cB}A2) ^c d | (e4{fe}d2) | (^c{d^c}A4B) | HA4 || | |
(EF) | (GA2{BA}G) E2 | (G3{AG}ED2) | (E3{FE}D) C A, | C3 D E2 | (G3{AG}ED2) | E4 | |
(d{ed}c) | (A3{BA}G) (E{FE}D) | (C3EG2) | E4 (D{ED}C) | A, A, HA,2 || | |
W:With my dog and gun through the blooming heather, | |
W:To seek for pastime I took my way, | |
W:Where I spied a lovely fair maid, | |
W:And her charms invited me a while to stay. | |
W:I said: My dear, you will find that I love you, | |
W:Tell me your dwelling, and your name also. | |
W:Excuse my name, and you'll find my dwelling near | |
W:The mountain streams where the moorcocks crow. | |
W: | |
W:I said: My dear, if you'll wed a rover, | |
W:My former raking I will leave aside. | |
W:Here is my hand, and I'll pledge my honour, | |
W:And if you'll prove constant, I'll make you my bride. | |
W:But if my parents knew that I loved a rover, | |
W:Great afflictions I would undergo, | |
W:So I'll stay at home for another season near | |
W:The mountain streams where the moorcocks crow. | |
W: | |
W:Farewell thee darling for another season, | |
W:I hope we'll meet again in yon moorland vale. | |
W:And when we meet, we'll embrace each other. | |
W:I will pay attention to your lovesick tale. | |
W:Then it's hand in hand we'll join together, | |
W:And I will take you to yon harbour low, | |
W:Where the linnet sings her note so pleasing near | |
W:The mountain streams where the moorcocks crow. | |
X:30 | |
T:Cot in the Corner, The | |
R:song | |
D:Shaskeen | |
Z:id:hn-song-30 | |
M:3/4 | |
L:1/8 | |
Q:1/4=160 | |
K:Dmix | |
(A,B,) | D (D3E2) | (F3{GF}E) D2 | G2 G2 A2 | B4 | |
d d | (d3{ed}c) A2 | G2 F2 G2 | A3 F D2 | C4 | |
A, B, | D2 D2 E2 | F2 ({EF}E2) D2 | G3 G A2 | B4 | |
d d | d2 ({cd}c2) A2 | G2 ({FG}F2) D2 | D2 D4- | D4 | |
d d | d3 c B2 | c2 ({Bc}B2) A2 | B2 A G3 | A4 | |
d d | d2 ({cd}c2) A2 | G2 F2 G2 | A2 ({FG}F2) D2 | C4 | |
A, B, | D3 D E2 | F2 ({EF}E2) D2 | G2 G2 A2 | B4 | |
d d | d2 ({cd}c2) A2 | ({GA}G2) F2 D2 | D2 D4- | D4 || | |
W:Oh wirra aroon, how sad is our lot, | |
W:since the landlord turned us out of our cot, | |
W:and to us in this wide world the happiest spot, | |
W:on the hillside alone in the corner. | |
W:It was covered all over with bright yellow straw, | |
W:and the walls were as white as the snowflake so braw. | |
W:Sure, 'twould make a fine picture for painters to draw, | |
W:from the boreen outside on the corner. | |
W: | |
W:It was handsome outside, it was pretty within. | |
W:The shelf shone like silver, the plates made of tin | |
W:cast a handsome reflection when the sunbeam shone in, | |
W:through the window above in the corner. | |
W:Each night by the fireside my mother would knit, | |
W:and close by her side my father would sit, | |
W:and the stories he'd tell when his doodeen was lit, | |
W:and he smoking away in the corner. | |
W: | |
W:When supper was over the neighbours came in. | |
W:Each sat by the turf fire and roasted his shins, | |
W:while the boys and the girls they thought it no sin, | |
W:for to laugh and to chat in the corner. | |
W:When Jimmy the piper stepped in on the floor, | |
W:the boys and the girls all rushed to the door, | |
W:and 'twas out to the barn they brought him I'm sure, | |
W:and thatched him right up in the corner. | |
W: | |
W:Those days are now gone, those times have passed by. | |
W:From morning to night I heave many's the sigh, | |
W:and my thoughts back again to old Erin do fly, | |
W:and that dear little cot in the corner. | |
W:Oh, father and mother I'll ne'er see you more, | |
W:for between you and me the the Atlantic does roar. | |
W:and I hope that we'll all meet in heaven, a st\'oir. | |
W:Farewell to the cot in the corner. | |
X:31 | |
T:Maid of Coolmore, The | |
R:song | |
Z:id:hn-song-31 | |
M:3/4 | |
Q:1/4=80 | |
K:Edor | |
({Bc}B)A | B2 E3 F | (G>E) D2 (EF) | G2 A2 ({FA}F2) | E4 | |
DE | G2 A2 B2 | (e2{fe}d2) e d | (B{cB}A) G2 d2 | B4 | |
EF | G2 A2 B2 | (e2{fe}d2) de | (B{cB}A) G2 d2 | B4 | |
({Bc}B)A | B2 (E{FE}D) EF | (G>E) D2 EF | G2 A2 ({FA}F2) | E4 || | |
W:Leaving sweet lovely Derry for fair London town, | |
W:There is no finer harbour all around can be found, | |
W:Where the youngsters each evening go down to the shore, | |
W:And the joybells are ringin' for the maid of Coolmore. | |
W: | |
W:The first time I saw my love she passed my by, | |
W:And the next time I saw her she bid me goodbye, | |
W:And the last time I saw her she grieved my heart sore, | |
W:For she sailed down Loch Foyle and away from Coolmore. | |
W: | |
W:If I had the power the storms for to rise, | |
W:I would make the wind blow and I'd darken the skies, | |
W:I would make the wind blow high and the salt seas to roar, | |
W:To the day that my darling sailed away from Coolmore. | |
W: | |
W:To the back parts of Americay my love I'll go see, | |
W:And it's there I'll know no-one and no-one knows me, | |
W:And if I don't find her I'll return home no more, | |
W:Like a pilgrim I'll wander for the maid of Coolmore. | |
X:32 | |
T:Bonnie Blue Eyed Lassie | |
T:How Can I Live On the Top of a Mountain | |
R:song | |
Z:id:hn-song-32 | |
M:4/4 | |
L:1/8 | |
Q:1/4=90 | |
K:G | |
D4 (E2{FE}) (DB,) | (D3E) G2 AB | c3B (A2{BA}) GA | BD3- D2 | |
GF | (E3F) (E{FE}D) (D{ED}B,) | (D3E) G4- | G2AB cc3 | d3 ({BA}G) A3{BA}G | G6 | |
B2 | c3c e (c2{dc}B) | B B3 d2 (Bd) | c3B (A2{BA}) GA | BD3- D2 | |
GF | (E3F) (E{FE}D) (D{ED}B,) | (D3E) G4- | G2AB cc3 | d3 ({BA}G) A3{BA}G | G8 || | |
W:How can I live on the top of a mountain, | |
W:without gold in my pockets or the money for the counting, | |
W:But I would let the money go, all for to please her fancy, | |
W:For I will have no-one but my bonny blue eyed lassie. | |
W: | |
W:My bonnie blue eyed lassie with her fair heart so tender, | |
W:Her red rosy cheeks, and her waist so neat and slender, | |
W:I'd roll her in my arms, and fondly I'd embrace her, | |
W:But how can I love her, when all my people hate her. | |
W: | |
W:Some say that she is so very low in station, | |
W:And more say that she'll be the cause of my ruination, | |
W:But let them all say as they will, to her I will prove constant still, | |
W:To the day that I die she'll be my darling girl, believe me. | |
W: | |
W:Softly swim the swans o'er the broad streams of Youghal, | |
W:And lightly sings the nightingale all for to behold her, | |
W:In cold frost and snow they know, it shines so brightly, | |
W:But deeper by far between me and my true lover. | |
X:33 | |
T:Ploughboy, The | |
R:song | |
Z:id:hn-song-33 | |
M:6/8 | |
L:1/8 | |
Q:3/8=120 | |
K:A | |
(A2F) | (E2C) B,2C | A,A,2-A,A,B, | C2E E2F | A3-A2 | |
E | F2A B2c | B2A F2A | E2F (E2C) | B,6- | B,3 || | |
(A2F) | E2C B,2C | A,2A, A,2B, | (C2E) E2F | A3-A2 | |
E | F2A B2c | (B2A) (F2A) | (E2F) E2C | B,6- | B,3 || | |
(CD)E | F2B A2F | EC2 B,2C | A,3 A,3- | A,3 || | |
W:I once was a ploughboy, but a soldier I am now, | |
W:I courted lovely Molly, a milkmaid I vow, | |
W:I courted lovely Molly, I'd delight in her charms, | |
W:For many's the long night I rolled in her arms. | |
W:With me rantinooran addie fol de dido. | |
W: | |
W:Now, adieu lovely Molly, I now must away, | |
W:There's great honour and promotion in crossin' the sea, | |
W:And if ever I return it will be in the spring, | |
W:When the lark and the linnet and the nightingale sing. | |
W:With me rantinooran addie fol de dido. | |
W: | |
W:I will build my love a castle at the head of the town, | |
W:Where neither lord, duke or earl will e'er pull it down, | |
W:And if anybody asks you where you are from, | |
W:You can tell them you're a stranger from the county Tyrone. | |
W:With me rantinooran addie fol de dido. | |
W: | |
W:Now you may go to all the markets the gatherings and fairs | |
W:You can go to church on Sunday and choose your love there | |
W:And if anybody loves you as well as I do | |
W:I'll not try to stop your wedddin' love, so fare thee well adieu | |
W:With me rantinooran addie fol de dido. | |
W: | |
W:She sent to me a posie of the red rose so fine, | |
W:I sent her another it was rue mixed with thyme, | |
W:Sayin' you can keep your red rose and I will keep my thyme, | |
W:And you can drink to your true love and I will drink to mine. | |
W:With me rantinooran addie fol de dido. | |
X:34 | |
T:Will Ye Go to Flanders | |
R:song | |
Z:id:hn-song-34 | |
M:2/4 | |
L:1/8 | |
Q:1/4=70 | |
K:A | |
e>f e>A | (f<g) a2 | (e<c) (B>{cB})A | A4 | | |
a>g a>b | (g2{agf}) f>e | f<f (f{gf}e/)c/ | e3 | |
(e/g/) | a>g ab | (g2{agf}) f>e | f>f f<c | (e<f) f | |
f/g/ | a>a e>e | (f<g) a2 | (e<c{dcB}) (B>{cB})A | A4 || | |
W:Will ye go to Flanders, my Mally-O? | |
W:Will ye go to Flanders, my bonny Mally-O? | |
W:You'll see the plaidies furlin', you'll hear the pipies skirlin'. | |
W:O, will ye go to Flanders, my Mally-O? | |
W: | |
W:O, will ye go to Flanders, my Mally-O? | |
W:Alang wi' all the hielanders, my bonny Mally-O. | |
W:You'll hear the captain callin', you'll see the sergeant crawlin', | |
W:and the soldiers how they're fallin', my Mally-O. | |
W: | |
W:O, will ye go to Flanders, my Mally-O? | |
W:Will ye go to Flanders, my bonny Mally-O? | |
W:They're ye'll get wine and brandy, and sack and sugar candy. | |
W:O, will ye go to Flanders, my Mally-O? | |
W: | |
W:Will ye go to Flanders, my Mally-O? | |
W:To see the chief commanders, my bonny Mally-O. | |
W:You'll see the bullets flyin', the ladies how they're cryin', | |
W:And the soldiers how they're dyin', my Mally-O. | |
X:35 | |
T:Paddy's Lamentation | |
R:song | |
Z:id:hn-song-35 | |
M:C| | |
L:1/8 | |
Q:1/2=80 | |
K:Dm | |
F2 G2 | A3 A _B2 G2 | A4 A2 F2 | G3 A G2 E2 | C6 | |
C2 | D D3 ^F2 G2 | A d3 d2 e2 | (d4-dcAG) | A4 | |
(F2G2) | A2 A2 _B2 G2 | A4 A2 F2 | G2 A2 G2 E2 | C4 | |
D2 E2 | F F3 E2 D2 | E2 A2 (A2{BA}) G2 | E2 D6- | D4 z4 || | |
D4 D4 | d8 | A2 G4 A =B | c6 | |
D D | D D3 ^F2 G2 | A2 d2 d2 e2 | (d4-dcAG) | A4 | |
F2 G2 | A A3 _B2 G2 | A4 A2 F2 | G2 A2 G E3 | C4 | |
D2 E2 | F F3 E2 D2 | E2 A2 (A2{BA}) G2 | E D7- | D4 || | |
W:Well it's by the hush me boys, and sure that's to hold your noise | |
W:and listen to poor Paddy's sad narration. | |
W:I was by hunger pressed, and in poverty distressed, | |
W:So I took a thought I'd leave the Irish nation. | |
W: | |
W:Chorus: | |
W:Here's you boys, now take my advice | |
W:to Americay I'll have yous not be coming | |
W:there is nothing here but war, where the murdering cannons roar, | |
W:and I wish I was at home in dear old Dublin. | |
W: | |
W:Chorus | |
W: | |
W:Well, I sold me horse and cow, my little pigs and sow | |
W:My little plot of land I soon did part with | |
W:And me sweetheart Bid McGee I'm afraid I'll never see | |
W:For I left her there that morning broken hearted. | |
W: | |
W:Chorus | |
W: | |
W:Well, meself and a hundred more, to Americay sailed o'er | |
W:Our fortunes to be made we were thinkin' | |
W:When we got to Yankee land, they shoved a gun into our hands | |
W:Sayin': "Paddy, you must go and fight for Lincoln." | |
W: | |
W:Chorus | |
W: | |
W:General Meagher to us he said, if you get shot or lose your leg | |
W:Every single one of yous will get a pension. | |
W:Well, myself I lost me leg, they gave me a wooden peg | |
W:And by God this is the truth to you I mention. | |
W: | |
W:Chorus | |
W: | |
W:Now I think myself in luck if I get fed on Indian buck, | |
W:and old Ireland, is the country I delight in. | |
W:And the Devil I do say, it's curse Americay, | |
W:For I think I've had enough of your hard fightin'. | |
W: | |
W:Chorus | |
X:36 | |
T:Rollicking Boys around Tanderagee, The | |
R:song | |
Z:id:hn-song-36 | |
M:6/8 | |
L:1/8 | |
Q:3/8=80 | |
K:Edor | |
d | BBB E2E | BBB d2 | |
B | AAA D2D | DFA d2 | |
c | BBB EEE | BAB e2 | |
e | edB AFD | EFE E2 || | |
A | Bcd eee | fed e | |
Bc | ddd dBA | ABc d | |
AA | Bcd eee | fed e2 | |
e | edB AFD | EFE E2 || | |
d | BBB EEE | BBB d3 | | |
AAA DDD | DFA d3 | | |
BBB EEE | BAB eee | edB AFD | EFE E2 || | |
W:Good luck to all here, now, barrin' the cat, | |
W:that sits in the corner smellin' a rat. | |
W:Boys, wheest your philanderin' now and behave, | |
W:and savin' your favours I'll chant you a stave. | |
W:I come from a land where the praties grow big, | |
W:and the boys nice and handy can whirl in a jig, | |
W:and the girls it would charm your heart for to see, | |
W:the darlin' colleens around Tanderagee. | |
W: | |
W:Chorus: | |
W:So here's to the boys that's so happy and gay, | |
W:Singin' and dancin' and tearin' away, | |
W:Rollicksome, frolicksome, frisky and free, | |
W:We're the rollicking boys around Tanderagee. | |
W: | |
W:No doubt you have heard of Killarney, I'm sure, | |
W:and sweet Inishowen for a drop of the pure. | |
W:Dublin's a place for the strawberry bed, | |
W:and Donnybrook fair for the breakin' of heads. | |
W:Did you ever see an Irishman dancin' paltogue, | |
W:as he faced up his partner and turned up his brogue. | |
W:He twisted the buckle and bent at the knee, | |
W:oh, they're wonderful dancers in Tanderagee. | |
W: | |
W:Chorus | |
W: | |
W:Now, show me the man either Christian or Turk, | |
W:who could equal our brave Robbert Emmett or Burke, | |
W:and show me the speaker could speak up like Dan, | |
W:ach, divil another bad luck to the one, | |
W:Oh show me the singer could sing like Tom Moore, | |
W:his melodies charmed all care from our door, | |
W:But we'll beat them all yet, and that you will see, | |
W:for we're rare and fine boys around Tanderagee. | |
W: | |
W:Chorus | |
W: | |
W:His old jauntin' car was the elegant joult, | |
W:and Derry's the place that is famed for her hoult, | |
W:Among the green bushes that grow in Tyrone, | |
W:and the County Fermanagh for muscle and bone. | |
W:For courtin' and blarney and fun at the fair, | |
W:there's no-one can equal the rakes of Kildare. | |
W:Green Erin my country's the gem of the sea, | |
W:but the gem of green Erin is Tanderagee. | |
W: | |
W:Chorus | |
X:37 | |
T:Paddy's Green Shamrock Shore | |
R:song | |
Z:id:hn-song-37 | |
M:3/4 | |
L:1/8 | |
Q:1/4=140 | |
K:Dmix | |
D2 | (A3 B) c2 | A4 D2 | (A3 G) F2 | (G2 F2) DD | C2 (B,2 C2) | D4 C2 | D6- | D4 | |
dd | (B3 A) G2 | A4 Bc | d2 (d2 c2) | A4 d2 | (c2 B2) A2 | (G2 D2) E2 | C6- | C4 | |
d2 | (B3 A) G2 | A4 (Bc) | d2 (d2c2) | A4 d2 | (c2 B2) A2 | G2 D2 E2 | C6- | C4 | |
D2 | A3 B c2 | A4 DD | A4 F2 | (G2F2) DD | C2 B,2 C2 | D4 C2 | D6- | D4 || | |
W:From Derry quay we sailed away on the twenty-third of May. | |
W:We were taken on board by a pleasant crew, bound for Amerikay. | |
W:Fresh water then we did take on, five thousand gallons or more, | |
W:in case we'd run short going to New York far away from the shamrock shore. | |
W: | |
W:So fare thee well, sweet Liza dear and likewise to Derry town, | |
W:and twice farewell to my comrades brave who dwell on that sainted ground. | |
W:If fortune it ever should favour me, and I to have money in store | |
W:I'll come back and I'll wed the wee lassie I left on Paddy's green shamrock shore. | |
W: | |
W:We sailed three weeks, we were all seasick, not a man on board was free. | |
W:We were all confined unto our bunks and no-one to pity poor me. | |
W:No father kind nor mother dear to lift up my head, which was sore, | |
W:which made me think more on the lassie I left on Paddy's green shamrock shore. | |
W: | |
W:We safely reached the other side in three and twenty days, | |
W:We were taken as passengers by a man and led round in six different ways. | |
W:Then each of us drank a parting glass, in case we'd never meet more | |
W:And we drank a health to old Ireland and Paddy's green shamrock shore. | |
W: | |
W:So fare thee well, sweet Liza dear and likewise to Derry town, | |
W:and twice farewell to my comrades brave who dwell on that sainted ground. | |
W:If fortune it ever should favour me, and I to have money in store | |
W:I'll come back and I'll wed the wee lassie I left on Paddy's green shamrock shore. | |
X:38 | |
T:Parting Glass, The | |
R:song | |
H:Slow, free rhythm | |
H:See also #39 | |
Z:id:hn-song-38 | |
M:3/4 | |
L:1/8 | |
Q:1/4=140 | |
K:Dmix | |
(AG) | (F D3) E2 | D4 (DE) | F4 F2 | G4 | |
(FG) | A4 d2 | (c A3) (GA) | F2 D4 | C4 | |
(AG) | (F D3) E2 | D4 (DE) | F2 F4 | G4 | |
(FG) | A4 d2 | (c A3) (GA) | F (D3 C2) | D4 || | |
B2 | c4 c2 | c4 A2 | B4 c2 | d4 | |
d2 | (d2 c2) A2 | (F2 G2) A2 | G2 F2 D2 | C4 | |
(AG) | F4 D2 | D4 (DE) | F4 F2 | G4 | |
(FG) | A4 d2 | (c A3) (GA) | F (D3 C2) | D4 || | |
W:A man may drink and not be drunk, | |
W:A man may fight and not be slain, | |
W:A man may court a pretty girl, | |
W:And perhaps be welcome back again. | |
W: | |
W:Chorus: | |
W:But as it has so ordered been, | |
W:What is once past can't be recalled, | |
W:So fill to me the parting glass, | |
W:Good night and joy be with you all. | |
W: | |
W:My dearest dear, the time draws near, | |
W:When here no longer I can stay, | |
W:There's not a comrade I leave behind, | |
W:But it's grieving that I'm going away | |
W: | |
W:Chorus | |
W: | |
W:If I had the money for to spend, | |
W:I'd spend it in good company, | |
W:And all the harm that I have done, | |
W:I hope it's pardoned I will be. | |
W: | |
W:Chorus | |
X:39 | |
T:Parting Glass, The | |
R:song | |
H:See also #38 | |
Z:id:hn-song-39 | |
M:4/4 | |
L:1/8 | |
Q:1/4=140 | |
K:Em | |
(BA) | G2 E2 EE (DE) | G2 G2 A2 (GA) | B2 (Bc) (BA) (GA) | B2 D2 D2 | |
(BA) | G2 E2 E2 (DE) | G2 G2 A2 (GA) | B2 e2 (dB) (AB) | G2 E2 E2 || | |
B2 | (dB) (de) d3 e | (dB) (de) d2 (AB) | c2 (cB) A2 GA | B2 D2 D2 (BA) | | |
G2 E2 E2 (DE) | G2 G2 A2 (GA) | B2 e2 (dB) (AB) | G2 E2 E2 || | |
W:Oh, all the money that e'er I had, I spent it in good company | |
W:And all the harm that e'er I did, alas it was to none but me | |
W:And all I've done for want of wit, to mem'ry now I can't recall | |
W:So fill to me the parting glass, good night and joy be with you all | |
W: | |
W:If I had money enough to spend, and leisure time to sit awhile | |
W:There is a fair maid in the town, that sorely has my heart beguiled | |
W:Her rosy cheeks and ruby lips, I own she has my heart enthralled | |
W:So fill to me the parting glass, good night and joy be with you all | |
W: | |
W:Of all the comrades that e'er I had, they are sorry for my going away | |
W:And all the sweethearts that e'er I had, they'd wish me one more day to stay | |
W:But since it falls unto my lot, that I should rise and you should not | |
W:I'll gently rise and I'll softly call, good night and joy be with you all | |
X:40 | |
T:Rocks of Bawn | |
R:song | |
H:Slow, free rhythm | |
Z:id:hn-song-40 | |
M:3/4 | |
L:1/8 | |
Q:1/4=160 | |
K:G | |
(GA) | B4 G2 | (A3G) (ED) | E2 G4- | G4 (GE) | D4 E2 | G4 G2 | G6- | G4 | |
Bd | e4 d2 | d4 e2 | (B4 A2) | G4 Bd | d4 dd | (B3A) (GD) | E6- | E4 | |
e2 | e4 d2 | d4 e2 | (B4 A2) | G4 Bd | d4 d2 | (B3A) (GD) | E6- | E4 | |
AA | A4 B2 | d4 e2 | (G3 A B2) | (A2 G2) E2 | D4 E2 | G4 G2 | G6 || | |
W:Come all ye loyal heroes and listen unto me. | |
W:Never hire with any master till you know what your work will be | |
W:For you must rise up early by the clear day light till the dawn | |
W:or you never will be able to plough the Rocks of Bawn. | |
W: | |
W:Now rise up, gallant Sweeney, and give your horse some hay | |
W:Go give him a good feed of oats before you're going away | |
W:Don't feed him on soft turnip that grows on your green lawn | |
W:Or you never will be able to plough the Rocks of Bawn. | |
W: | |
W:My curse upon you, Sweeney, you had me nearly robbed | |
W:You were sitting by the fireside, with your doodeen in your gob | |
W:You're sitting by the fireside, from clear daylight till dawn | |
W:And you never will be able to plough the Rocks of Bawn | |
W: | |
W:My shoes they are all worn out, my stockings are all thin | |
W:My heart is always trembling, for fear I might give in | |
W:My heart is always trembling, from clear daylight till the dawn | |
W:I'm afraid I'll ne'er be able to plough the Rocks of Bawn. | |
W: | |
W:I wish the Sergeant-Major would send for me in time | |
W:And place me in some regiment all in my youth and prime | |
W:I'd fight for Ireland's glory, from the clear daylight till the dawn | |
W:And I never would return again to plough the Rocks of Bawn. | |
X:41 | |
T:Wee Weaver, The | |
R:song | |
Z:id:hn-song-41 | |
M:3/4 | |
L:1/8 | |
Q:1/4=180 | |
K:Cmix | |
(C3DE2) | (F4G2) | (F3E) C2 | B2 c4- | c4 (GE) | (F4G2) | (F3E) C2 | E6 | | |
(C3DE2) | (F4G2) | (F3E) C2 | B2 c4- | c4 (GE) | (F4G2) | (F3E) C2 | C6 | | |
(G3A) B2 | c6 | (c3B) G2 | (AB) c4- | c4 E2 | (F2G4) | (F3E) C2 | E6 | | |
(C3DE2) | (F4G2) | (F3E) C2 | B2 c4- | c4 (GE) | (F4G2) | (F3E) C2 | C6 || | |
W:I am a wee weaver confined to my loom | |
W:And my love she is fairer than the red rose in bloom | |
W:She is loved by all young men and that does grieve me | |
W:There's a heart in my bosom, for lovely Mary. | |
W: | |
W:As Willie and Mary roved by yon shady bower | |
W:Where Willie and Mary spent many's the happy hour | |
W:Where the blackbirds and thrushes do concert and chorus | |
W:The praises of Mary and love fair and sure | |
W: | |
W:As Mary and Willie roved by yon river side | |
W:Says Willie to Mary: "Will you be my bride?" | |
W:This couple got married and they rove no more | |
W:They have pleasure and treasure, and love fair and sure | |
X:42 | |
T:Roll Me from the Wall | |
T:Rolling from the Wall | |
R:song | |
Z:id:hn-song-42 | |
M:3/4 | |
L:1/8 | |
Q:1/4=180 | |
K:Dmix | |
A2 | A4 G2 | (F2 D2) E2 | D4 C2 | A,4 B,2 | (C2 B,2) C2 | D4 D2 | D6- | D2 | |
A,2 A,2 | D4 E2 | F4 G2 | A4 B2 | c4 Bc | A3 A A2 | G2 F2 G2 | A6- | A2 | |
A2 A2 | D4 E2 | F4 G2 | A4 B2 | d4 c2 | B3 A G2 | c2 B2 c2 | (A6 | G2) | |
F2 G2 | A4 G2 | (F2 D2) E2 | D4 C2 | A,2 A,2 B,2 | C2 B,2 C2 | D4 D2 | D6- | D2 || | |
W:My parents they abandoned me and unto me did wrong | |
W:For they wed me to a grey old man for the sake of his money and grounds. | |
W:Had they wed me to a glamour boy without any money at all | |
W:Sure he'd take me in his arms and he'd roll me from the wall! | |
W: | |
W:Well at the fairs and markets I see all of me glamours there | |
W:But when I look upon me old grey man sure he fills me with despair. | |
W:He fills me with despair me boys and I'll tell you the reason why | |
W:For he's got two hanging eyebrows and likewise a jealous eye. | |
W: | |
W:Oh hold your tongue, now Sally me dear, while I go into town | |
W:I'll buy you a nice wee petticoat and a lovely muslin gown | |
W:For the ladies at the fair you'll outshine them all by far | |
W:And I'll buy you a lovely wee lap dog to follow your jauntin' car. | |
W: | |
W:To hell with yer lovely wee lap dog, and likewise your muslin gown | |
W:I'd rather have a glamour boy than all of your money and grounds | |
W:I'd rather have a glamour boy without any money at all | |
W:And he'd take me in his arms and he'd roll me from the wall! | |
W: | |
W:Well now the old grey man is dead and he has left to me | |
W:Fifty pounds in solid gold, isn't that a handsome fee? | |
W:His farm, his riches and free land to me has left them all | |
W:And now I can marry me glamour boy and he'll roll me from the wall! | |
W: | |
W:But not long after the honeymoon, me glamour began to jar, | |
W:He killed my little lap dog and he smashed me jaunting car, | |
W:Me taypot and me china then, he smashed and broke them all | |
W:Ah, God knows I've had to suffer for me rolling from the wall... | |
X:43 | |
T:Seven Drunken Nights | |
R:song | |
Z:id:hn-song-43 | |
M:6/8 | |
L:1/8 | |
K:D | |
D2E | F2F F2F | E2D D2E | F2A B2c | d3 z2 | |
d | e2d c2d | B2A F2E | F2A B2c | B3 z | |
AA | F2A AAA | B2A AAA | B2c d2c | B3 z2 | |
A | F2A B2A | F2D E2D | B,2D D2E | D2z || | |
D2E | F2F F2F | EDD D3 | F2A B2c | d3 z3 | | |
d2A BdB | A3 F2D | EE2 D2C | D3 | |
D2E | FFF A2F | ED2 z2E | F2A B2c | d3 z | |
dd | d2A BdB | A3 F2D | EE2 D2C | D3 || | |
W:Oh, as I came home on Monday night as drunk as drunk could be, | |
W:I saw a horse outside the door where my old horse should be. | |
W:Well, I called my wife and I said to her: "Will you kindly tell to me, | |
W:who owns that horse outside the door where my old horse should be?" | |
W:"Ah, you're drunk, you're drunk, you silly old fool, still you cannot see, | |
W:that's a lovely sow that my mother sent to me." | |
W:Well, it's many a day I travelled, a hundred miles or more, | |
W:but a saddle on a sow sure I never saw before. | |
W: | |
W:And as I came home on Tuesday night as drunk as drunk could be, | |
W:I saw a coat behind the door where my old coat should be. | |
W:So, I called my wife and I said to her: "Will you kindly tell to me, | |
W:who owns that coat behind the door where my old coat should be?" | |
W:"Ah, you're drunk, you're drunk, you silly old fool, still you cannot see, | |
W:that's a woollen blanket that my mother sent to me." | |
W:Well, it's many a day I travelled, a hundred miles or more, | |
W:but buttons in a blanket sure I never saw before. | |
W: | |
W:And as I came home on Wednesday night as drunk as drunk could be, | |
W:I saw a pipe upon the chair where my old pipe should be. | |
W:Well, I called my wife and I said to her: "Will you kindly tell to me, | |
W:who owns that pipe upon the chair where my old pipe should be?" | |
W:"Ah, you're drunk, you're drunk, you silly old fool, still you cannot see, | |
W:that's a lovely tin whistle that my mother sent to me." | |
W:Well, it's many a day I travelled, a hundred miles or more, | |
W:but tobacco in a tin whistle sure I never saw before. | |
W: | |
W:And as I came home on Thursday night as drunk as drunk could be, | |
W:I saw two boots beneath the bed where my old boots should be. | |
W:Well, I called my wife and I said to her: "Will you kindly tell to me, | |
W:who owns them boots beneath the bed where my old boots should be?" | |
W:"Ah, you're drunk, you're drunk, you silly old fool, still you cannot see, | |
W:they're two lovely geranium pots my mother sent to me." | |
W:Well, it's many a day I travelled, a hundred miles or more, | |
W:but laces in geranium pots sure I never saw before. | |
W: | |
W:And as I came home on Friday night as drunk as drunk could be, | |
W:I saw a head upon the bed where my old head should be. | |
W:Well, I called my wife and I said to her: "Will you kindly tell to me, | |
W:who owns that head upon the bed where my old head should be?" | |
W:"Ah, you're drunk, you're drunk, you silly old fool, still you cannot see, | |
W:that's a baby boy that my mother sent to me." | |
W:Well, it's many a day I travelled, a hundred miles or more, | |
W:but a baby boy with whiskers on sure I never saw before. | |
W: | |
W:And as I came home on Saturday night as drunk as drunk could be, | |
W:I saw a thing in her right hand where my old thing should be. | |
W:Well, I called my wife and I said to her: "Will you kindly tell to me, | |
W:who owns that thing in your right hand where my old thing should be?" | |
W:"Ah, you're drunk, you're drunk, you silly old fool, still you cannot see, | |
W:that's a home grown carrot that my mother sent to me." | |
W:Well, it's many a day I travelled, a hundred miles or more, | |
W:but hair on a carrot sure I never saw before. | |
W: | |
W:And as I came home on Sunday night as drunk as drunk could be, | |
W:I saw a man who left the house, and it was after three! | |
W:So I called my wife, and I said to her: "Will you kindly tell to me, | |
W:who was that man who left the house, and it was after three?" | |
W:"Ah, you're drunk, you're drunk, you silly old fool, still you cannot see, | |
W:That's a tax collector who was sent to service me." | |
W:Well, it's many a day I travelled, a hundred miles or more, | |
W:But a tax collector satisfied, sure I never saw before! | |
X:44 | |
T:Sick Note, The | |
T:Bricklayer's Song, The | |
R:song | |
H:Words by Pat Cooksey | |
Z:id:hn-song-44 | |
M:6/8 | |
L:1/8 | |
K:G | |
D | G2A B2B | D2E G2B | A2G G2F | G3 z | |
(AB) | c2c c2c | B2d d2B | A2G A2B | A3 z2 | |
B | c2d e2c | B2c d2B | A2B A2G | E3 z | |
DE | G2A B2B | D2E G2B | A2G G2F | G3 z2 || | |
W:Dear Sir, I write this note to you to tell you of me plight | |
W:And at the time of writing I am not a pretty sight | |
W:Me body is all black and blue, me face a deathly gray | |
W:And I write this note to say why Paddy's not at work today | |
W: | |
W:While working on the fourteenth floor some bricks I had to clear | |
W:Now to throw the bricks from such a height was not a good idea | |
W:The foreman wasn't very pleased, he being an awkward sod | |
W:He said I'd have to cart them down the ladders in me hod | |
W: | |
W:Now clearing all these bricks by hand it was so very slow | |
W:So I hoisted up a barrel and secured the rope below | |
W:But in me haste to do the job I was too blind to see | |
W:That a barrel full of building bricks was heavier than me | |
W: | |
W:So when I untied the rope the barrel fell like lead | |
W:And clinging tightly to the rope I started up instead | |
W:I shot up like a rocket 'til to my dismay I found | |
W:That halfway up I met the bloody barrel coming down | |
W: | |
W:Well, the barrel broke me shoulder as to the ground it sped | |
W:And when I reached the top I banged the pulley with me head | |
W:I clung on tight though numb with shock from this almighty blow | |
W:And the barrel spilled out half the bricks fourteen floors below | |
W: | |
W:Now, when these bricks had fallen from the barrel to the floor | |
W:I then outweighed the barrel and so started down once more | |
W:Still clinging tightly to the rope I sped towards the ground | |
W:And I landed on the broken bricks that were all scattered round | |
W: | |
W:Well, I lay there groaning on the ground I thought I'd passed the worst | |
W:When the barrel hit the pulley wheel and then the bottom burst | |
W:A shower of bricks rained down on me, I hadn't got a hope | |
W:As I lay there moaning on the ground, I let go the bloody rope | |
W: | |
W:The barrel then being heavier it started down once more | |
W:And landed right across me as I lay upon the floor | |
W:It broke three ribs and my left arm and I can only say | |
W:That I hope you'll understand why Paddy's not at work today | |
X:45 | |
T:Mairi's Wedding | |
R:song | |
H:Scottish | |
Z:id:hn-song-45 | |
M:2/4 | |
L:1/8 | |
K:G | |
D>D DE | GA B2 | AG EG | BA B<d | | |
D>D DE | GA B2 | AG EC | D2 D2 || | |
d>d de | dc B2 | AG EG | BA B<d | | |
d>d de | dc B2 | AG EC | D2 D2 || | |
W:Chorus: | |
W:Step we gaily on we go, heel for heel and toe for toe | |
W:Arm in arm and row on row, All for Mairi's wedding. | |
W: | |
W:Over hillways up and down, myrtle green and bracken brown | |
W:Past the shieling through the town, all for sake of Mairi. | |
W: | |
W:Chorus | |
W: | |
W:Red her cheeks as rowans are, bright her eye as any star | |
W:Fairest of them all by far, is our darlin' Mairi. | |
W: | |
W:Chorus | |
W: | |
W:Plenty herring, plenty meal, plenty peat to fill her creel | |
W:Plenty bonny bairns as weel, that's the toast for Mairi. | |
X:46 | |
T:Roving Journeyman, The | |
R:song | |
H:See also hornpipe#55 | |
Z:id:hn-song-46 | |
M:C| | |
K:Dmix | |
D2 | A,DDD DEFG | ABAF G3A | (3ADD DD DEFD | E<CA,B, C3B, | | |
A,DDD DEFG | ABAF G3A | Addd dcAG | FDE^C D3 || | |
c | (3ccc cc cBAB | cBAF G3A | ADDD DEFD | ECA,B, C3B, | | |
A,DDD DEFG | ABAF G3A | Addd dcAG | FDE^C D2 || | |
AB | cccc cBAB | cBAF G4 | ADDD DEFD | ECA,B, C3B, | | |
A,DDD DEFG | ABAF G2FG | Addd dcAG | FDE^C D2 || | |
W:I am a rovin' journeyman, I go from town to town, | |
W:Whenever I get a job of work I'm willing to sit down | |
W:Me kit's all on me shoulder and me graftin' tool in hand | |
W:And around the country I will go a rovin' journeyman. | |
W:Whenever I come to Glasgow town the girls the jump for joy, | |
W:Says one unto the other, "Well, here comes a rovin' boy." | |
W:Some treat me to a bottle and the others to a dram. | |
W:The toast goes round the table, "Health unto the journeyman" | |
W: | |
W:Chorus: | |
W:With me linten adie toorin adie linten adie ay, | |
W:Pots and pans and helpin' hands will see you through the day | |
W:Linten adie tooral ooral ooral adie ay | |
W:Give a penny to the journeyman to help him on his way. | |
W: | |
W:I hadna been in Glasgow town a week but barely three | |
W:Before the provost's daughter went and fell in love with me. | |
W:She asked me for to dine with her and took me by the hand | |
W:And she proudly told her mother that she loved a journeyman | |
W:"Ach, away you go, you silly maid, I'll hear you speak no more, | |
W:How can you love a journeyman you've never seen before?" | |
W:"Mother sweet, I do entreat, I love him all I can, | |
W:And around the country I will go to see my journeyman!" | |
W: | |
W:Chorus | |
W: | |
W:You'll hae no more to trudge afoot, you'll hae a horse and pair, | |
W:My wealth with thee and poverty contented will I share. | |
W:So overflow the flowing bowl and drain it if you can, | |
W:Toast the provost's daughter and the rovin' journey man. | |
W:I am a rovin' journeyman, I go from town to town, | |
W:Whenever I get a job of work I'm willing to sit down | |
W:Me kit's all on me shoulder and me graftin' tool in hand | |
W:And around the country I will go a rovin' journeyman. | |
W: | |
W:Chorus | |
X:47 | |
T:Here I Am amongst You | |
R:song | |
Z:id:hn-song-47 | |
M:2/4 | |
L:1/8 | |
K:Dmix | |
P:verse 1 | |
D>E FG | AG FG | AD DA, | C3D/D/ | | |
D>E FG | AG FG | AD EC |[M:3/4] DE =F2 || | |
zG/G/ |[M:2/4] AG GG/G/ | AD DA, | C4 | | |
D>E =FG/G/ | AG GG/G/ | AD E/D/C | D4 || | |
P:verse 2-4 | |
A/A/A/A/ GG/G/ | AA GG/G/ | AD DA, | C3C | | |
DD/D/ =FG | AG GG/G/ | AD EC |[M:3/4] DE =F2 || | |
zG/G/ |[M:2/4] AG GG/G/ | AD DA, | C4 | | |
D>E =FG/G/ | AG GG/G/ | AD E/D/C | D4 || | |
W:Here I am amongst you, | |
W:And I'm here because I'm here. | |
W:And I'm only twelve months older | |
W:Than I was this time last year, i-ya. | |
W:Chorus: | |
W:Diddle doo rye-ya diddle doo rum diddle dum day | |
W:Ridle dum diddle doo rye-ya diddle doo rum diddle dum day | |
W: | |
W:Oh, never throw a brick to a drowning man, | |
W:If you're near to a grocer's store, | |
W:Just throw him a cake of Sunlight soap, | |
W:For to wash himself ashore, i-ya. | |
W:Chorus... | |
W: | |
W:Oh, the more a man has, the more a man wants, | |
W:The same I don't think true, | |
W:For I never met a man with one black eye, | |
W:Who wished that he had two, ri-ya. | |
W:Chorus... | |
W: | |
W:It's early to bed, and early to rise, | |
W:The same I don't think true. | |
W:For how in the hell can a man go to bed | |
W:When he has none to go to, ri-ya. | |
W:Chorus... | |
X:48 | |
T:I'll Tell Me Ma | |
R:song | |
Z:id:hn-song-48 | |
M:2/4 | |
L:1/8 | |
K:G | |
D | DG B>B | cB B>c | BA A>B | AG G>G | | |
DG BB/B/ | cB B>c | BA A>B | AG G2 || | |
dd dB | cc cA | BB/B/ BG | AF ED | | |
dd dB | cc c2 | BG/G/ AB | AG G2 || | |
W:I'll tell me ma when I go home | |
W:The boys won't leave the girls alone | |
W:They pull my hair, and they steal my comb | |
W:But that's all right till I go home | |
W: | |
W:She is handsome, she is pretty | |
W:She is the belle of Belfast city | |
W:She is courtin' one, two, three | |
W:Please, won't you tell me, who is he? | |
W: | |
W:Albert Mooney says he loves her | |
W:All the boys are fighting for her | |
W:Knock at the door and ring the bell | |
W:Sayin', oh my true love, are you well? | |
W: | |
W:Out she comes as white as snow | |
W:Rings on her fingers, and bells on her toes | |
W:Old Jenny Murray says she'll die | |
W:If she doesn't get the fellow with the roving eye | |
W: | |
W:Let the wind and the rain and the hail blow high | |
W:And the snow come tumbling from the sky | |
W:She's as nice as apple pie | |
W:She'll get her own lad by and by | |
W: | |
W:When she gets a lad of her own | |
W:She won't tell her ma when she comes home | |
W:Let them all come as they will | |
W:For it's Albert Mooney she loves still | |
X:49 | |
T:Weile Waile | |
R:song | |
Z:id:hn-song-49 | |
M:2/4 | |
L:1/8 | |
Q:1/4=80 | |
K:D | |
A | A/F/F F/F/A/A/ | AF/F/ F2 | | |
DF AA | B2 A | |
A | A/E/E E/E/A/A/ | AE/E/ E2 | | |
AA/B/ AF | E2 D || | |
W:There was an old woman and she lived in the woods, | |
W:Weile, weile, waile, | |
W:There was an old woman and she lived in the woods, | |
W:Down by the river Saile. | |
W: | |
W:She had a baby three months old, | |
W:Weile, weile, waile, | |
W:She had a baby three months old, | |
W:Down by the river Saile. | |
W: | |
W:She had a penknife long and sharp, | |
W:Weile, weile, waile, | |
W:She had a penknife long and sharp, | |
W:Down by the river Saile. | |
W: | |
W:She stuck the penknife in the baby's heart, | |
W:Weile, weile, waile, | |
W:She stuck the penknife in the baby's heart, | |
W:Down by the river Saile. | |
W: | |
W:There were three loud knocks came a knockin' at the door, | |
W:Weile, weile, waile, | |
W:There were three loud knocks came a knockin' at the door, | |
W:Down by the river Saile. | |
W: | |
W:There were three policemen and a man, | |
W:Weile, weile, waile, | |
W:There were three policemen and a man, | |
W:Down by the river Saile. | |
W: | |
W:Are you the woman that killed the child? | |
W:Weile, weile, waile, | |
W:Are you the woman that killed the child? | |
W:Down by the river Saile. | |
W: | |
W:They took her away and the put her into jail, | |
W:Weile, weile, waile, | |
W:They took her away and the put her into jail, | |
W:Down by the river Saile. | |
W: | |
W:They put a rope around her neck, | |
W:Weile, weile, waile, | |
W:They put a rope around her neck, | |
W:Down by the river Saile. | |
W: | |
W:They pulled the rope and she was hung, | |
W:Weile, weile, waile, | |
W:They pulled the rope and she was hung, | |
W:Down by the river Saile. | |
W: | |
W:And that was the end of the woman in the woods | |
W:Weile, weile, waile | |
W:And that was the end of the baby too, | |
W:Down by the river Saile. | |
X:50 | |
T:Whiskey in the Jar | |
T:Kilgarry Mountain | |
R:song | |
Z:id:hn-song-50 | |
M:2/4 | |
L:1/8 | |
K:D | |
A | AA AB | A F2 A | BB Bc | B F2 A | | |
BB Bc | d<d cB | AA dc | B A2 F || | |
A>A AB | A F2 A | B>B Bc | B F2 A | | |
B2 B>c | d<d cB | AA dc | BA FA || | |
EE/E/ EE/E/ | E4 | zF F>E | FG A2 | | |
z B B>A | Bc dB | AF EF | D3 || | |
W:As I was a goin' over the far Kilgarry mountain | |
W:I met with captain Farrell and his money he was counting | |
W:I first produced my pistol and I then produced my rapier | |
W:Sayin' "Stand and deliver for I am your bold deceiver" | |
W: | |
W:Chorus: | |
W:Mush-a ring dum-a doo rum-a da | |
W:Wack fall de daddy-o, wack fall de daddy-o | |
W:There's whiskey in the jar | |
W: | |
W:I counted out his money and it made a pretty penny | |
W:I put it in me pocket and I took it home to Jenny | |
W:She sighed and she swore that she never would deceive me | |
W:But the devil take the women for they never can be easy | |
W: | |
W:Chorus | |
W: | |
W:I went up to my chamber, all for to take a slumber | |
W:I dreamt of gold and jewels and for sure it was no wonder | |
W:That Jenny drew me charges and she filled them up with water | |
W:And sent for captain Farrell to be ready for the slaughter | |
W: | |
W:Chorus | |
W: | |
W:It was early in the morning, just before I rose to travel | |
W:Up comes a band of footmen and likewise captain Farrell | |
W:I first produced me pistol for she stole away me rapier | |
W:But I couldn't shoot the water, so a prisoner I was taken | |
W: | |
W:Chorus | |
W: | |
W:They put me into jail without judgement or writing | |
W:For robbing captain Farrell upon Kilgarry mountain | |
W:But they couldn't take my fists, so I knocked the jailor down | |
W:And bade my farewell to the jail of Limerick town | |
W: | |
W:Chorus | |
W: | |
W:If anyone can aid me it's my brother in the army | |
W:If I can find his station in Cork or in Killlarney | |
W:And if he will go with me, we'll go rovin' in Kilkenny | |
W:And I'm sure he'll treat me better than my darling sporting Jenny | |
W: | |
W:Chorus | |
W: | |
W:Now some take delight in the carriages a rolling | |
W:and others take delight in the hurling and the bowling | |
W:but I take delight in the juice of the barley | |
W:and courting pretty fair maids in the morning bright and early | |
X:51 | |
T:Wild Rover, The | |
R:song | |
Z:id:hn-song-51 | |
M:3/4 | |
L:1/8 | |
K:G | |
G2 | G3 A G2 | E2 D2 B2 | B2 A2 B2 | c6- | c4 | |
dd | d2 B2 d2 | c2 A2 F2 | D2 B2 A2 | G6- | G4 | |
G2 |G2 A2 G2 | E2 D2 B2 | B2 A2 B2 | c6- | c4 | |
Bc | d2 B2 d2 | c2 A2 F2 | D2 B2 A2 | G2 || | |
F2 G2 | A2 z4 | A2 z4 | F D3 z2 | z2 z2 z2 | | |
z2 B2 B2 | B2 A2 B2 | c6 | z2 | |
B2 c2 | d6- | d2 B2 G2 | F2 E4- | E4 E2 | | |
D2 B4- | B4 A2 | G6- | G4 || | |
W:I've been a wild rover for many's the year | |
W:And I spent all my money on whiskey and beer, | |
W:But now I'm returning with gold in great store | |
W:And I never will play the wild rover no more. | |
W: | |
W:Chorus: | |
W:And it's no, nay, never, | |
W:No nay never no more, | |
W:Will I play the wild rover | |
W:No never no more. | |
W: | |
W:I went to an alehouse I used to frequent | |
W:And I told the landlady my money was spent. | |
W:I asked her for credit, she answered me "nay | |
W:Such custom as yours I can have any day." | |
W: | |
W:Chorus | |
W: | |
W:I took out from my pocket ten sovereigns bright | |
W:And the landlady's eyes opened wide with delight. | |
W:She said "I have whiskey and wines of the best | |
W:And the words that I told you were only in jest." | |
W: | |
W:Chorus | |
W: | |
W:I'll go home to my parents, confess what I've done | |
W:And I'll ask them to pardon their prodigal son. | |
W:And when they caress me as ofttimes before | |
W:Sure I never will play the wild rover no more. | |
W: | |
W:Chorus | |
X:52 | |
T:Ye Jacobites by Name | |
R:song | |
H:Words by Robert Burns (1759-1796) | |
Z:id:hn-song-52 | |
M:2/4 | |
L:1/8 | |
K:Em | |
E | E>F ED | B,2 GG | G2 FE | F3 E | | |
E>F ED | B,A, B,D | E4 | z3 || | |
F | G>G GA | B3 B | AF DF | A3 | |
B | BE ED | B,A, B,D | E2 GA | A3 | |
B | BE ED | B,A, B,D | E4 | z3 || | |
W:Chorus: | |
W:Ye Jacobites by name, lend an ear, lend an ear! | |
W:Ye Jacobites by name, lend an ear, | |
W:Ye Jacobites by name, your faults I will proclaim, | |
W:Your doctrines I maun blame, you shall hear, you shall hear, | |
W:Your doctrines I maun blame, you shall hear. | |
W: | |
W:What is right, and what is wrong, by the law, by the law? | |
W:What is right, and what is wrang, by the law? | |
W:What is right, and what is Wrong? A short sword or a long, | |
W:A weak arm or a strong, for to draw, for to draw, | |
W:A weak arm or a strong, for to draw. | |
W: | |
W:Chorus | |
W: | |
W:What makes heroic strife, famed afar, famed afar? | |
W:What makes heroic strife famed afar? | |
W:What makes heroic strife? To whet the assassin's knife, | |
W:And haunt a parent's life, wi' bloody war, bloody war, | |
W:And haunt a parent's life, wi' bloody war. | |
W: | |
W:Chorus | |
W: | |
W:Then leave your schemes alone, in the state, in the State! | |
W:Then leave your schemes alone, in the State! | |
W:Then leave your schemes alone, adore the rising sun, | |
W:And leave a man undone, to his fate, to his fate! | |
W:And leave a man undone, to his fate! | |
W: | |
W:Chorus | |
X:53 | |
T:General Guinness | |
R:song | |
Z:id:hn-song-53 | |
M:2/4 | |
L:1/8 | |
K:G | |
D | DG GG | GB BB | cE EE | E3 | |
c | cA AA | Ad dc | BG AF | G3 || | |
D | DG GG | GB BB | cE EE | E3 | |
c/c/ | cA AA | Ad dc | BG AF | G3 || | |
W:You've heard of General Wellington, who won at Waterloo, | |
W:But there's a good old Irishman I'll mention unto you. | |
W:He comes from dear old Dublin, he's a man we all applaud, | |
W:For he always finds a corkscrew far more handy than a sword. | |
W: | |
W:He's good old General Guinness, he's a soldier strong and stout. | |
W:He's found on every bottlefront, and he can't be done without! | |
W:His noble name his world-wide fame, deserve three hearty cheers, | |
W:Hurrah for General Guinness of the Dublin Booziliers! | |
W: | |
W:This hale and hearty warrior is worshipped in the ranks, | |
W:For he does his task inside the cask, as well as in the tanks. | |
W:He bears the brunt on every front, north, south, east, and west, | |
W:And he wears about ten million canteen medals on his chest. | |
W: | |
W:He's good old General Guinness, he has won the world's applause. | |
W:'Twas him who kept our spirits up in the midst of all our wars. | |
W:Who was the first to flirt with Mademoiselle from Armentieres? | |
W:Why good old General Guinness of the Dublin Booziliers. | |
W: | |
W:All over bonny Scotland too, the General is seen. | |
W:They've given him the freedom of the toon of Aberdeen. | |
W:From Inverness to Galashiels, he keeps them warm and bright, | |
W:And they love to gather 'round him, och, on every moonlit night. | |
W: | |
W:He's good old General Guinness, he's as strong as Scottish broth, | |
W:'Twas him who turned the Firth of Forth into the Firth of Froth. | |
W:All Scotsman dance The Highland Fling and shout when he appears, | |
W:Hurrah for General Guinness of the Dublin Booziliers. | |
X:54 | |
T:Follow Me Up to Carlow | |
R:song | |
H:Words by Patrick Joseph McCall (1861-1919) | |
Z:id:hn-song-54 | |
M:6/8 | |
L:1/8 | |
K:Edor | |
E2E E2D | B,2C D3 | E2E G2A | B2A G2 | |
F | E2E E2D | B,2C D2D | E2E F2D | E6 || | |
E2E E2D | B,2C D3 | E2E G2A | B2A G2 | |
F | E2E E2D | B,2C D2D | EEE F2D | E6 || | |
B2c d3 | B2c d3 | FFF F2E | DDE F3 | | |
B2c d2B | e2c d3 | F2F F2D | E3 E3 || | |
B2c d2c | B2c d3 | F2F F2E | D2E F3 | | |
BBc d2B | edc d3 | FFF F2D | E3 E3 || | |
W:Lift MacCahir Og your face, brooding o'er the old disgrace | |
W:That black FitzWilliam stormed your place and drove you to the Fern | |
W:Grey said victory was sure soon the firebrand he'd secure, | |
W:Until he met at Glenmalure with Fiach MacHugh O'Byrne. | |
W: | |
W:Chorus: | |
W:Curse and swear Lord Kildare, Fiach will do what Fiach will dare | |
W:Now FitzWilliam, have a care, fallen is your star, low | |
W:Up with halberd out with sword, on we'll go for by the lord | |
W:Fiach MacHugh has given the word, follow me up to Carlow. | |
W: | |
W:See the swords of Glen Imaal, flashing o'er the English Pale | |
W:See all the children of the Gael, beneath O'Byrne's banners | |
W:Rooster of the fighting stock, would you let a Saxon cock | |
W:Crow out upon an Irish rock, fly up and teach him manners. | |
W: | |
W:Chorus | |
W: | |
W:From Tassagart to Clonmore, there flows a stream of Saxon gore | |
W:Oh, great is Rory Og O'Moore, at sending loons to Hades. | |
W:White is sick and Grey is fled, as for black FitzWilliam's head | |
W:We'll send it over, dripping red, to Queen Liza and her ladies. | |
X:55 | |
T:Rocky Road to Dublin, The | |
R:song | |
C:words by D.K. Gavan | |
H:See also slipjig#6 | |
Z:id:hn-song-55 | |
M:9/8 | |
K:Ddor | |
AAA | A2A G2E D2D | A,2D D2E F2G | A2A G2E D2F | E2C C2D EF | |
G | A2A G2E D3 | A,2D D2E F2G | A2A G2E D2F | E2C C2D EF || | |
G || A2d d2B c3 | A2d d2B c2G | A2d d2B c2A | G2E C2D EF | |
G | A2d d2B c3 | A2d d2B c2G | A2d d2B c2A |[M:12/8] G2G G2E C2D EFG || | |
[M:9/8] A2A G2E D3 | A,2D D2E F2G | | |
A2A G2E D2F | E2C C2D EFG | A2A G2E D3 || | |
W:Well in the merry month of May from my home I parted | |
W:Left the girls of Tuam nearly broken-hearted | |
W:Saluted Father dear, kissed my darlin' Mother | |
W:Drank a pint of beer my grief and tears to smother | |
W:Then off to reap the corn, leave where I was born | |
W:I cut a stout blackthorn to banish ghosts and goblins, | |
W:A brand new pair of brogues, rattling o'er the bogs | |
W:And frightening all the dogs on the rocky road to Dublin, | |
W: | |
W:Chorus: | |
W:One, two, three, four five, hunt the hare and turn her | |
W:Down the rocky road, and all the ways to Dublin | |
W:Whack fol-lol-dee-da. | |
W: | |
W:In Mullingar that night I rested limbs so weary, | |
W:Started by daylight next morning light and airy, | |
W:Took a drop of the pure, to keep my heart from sinkin', | |
W:That's a paddy's cure, whenever he's on for drinking, | |
W:To see the lasses smile, laughing all the while, | |
W:At my curious style, would set your heart a-bubbling, | |
W:They asked if I was hired, what wages I required, | |
W:Till I was almost tired of the rocky road to Dublin. | |
W: | |
W:Chorus | |
W: | |
W:In Dublin next arrived, I thought it such a pity, | |
W:To be so soon deprived a view of that fine city, | |
W:Then I took a stroll out among the quality, | |
W:My bundle it was stole in a neat locality, | |
W:Something crossed my mind, when I looked behind, | |
W:No bundle could I find upon me stick a-wobblin', | |
W:Enquiring for the rogue, they said my Connaught brogue | |
W:Wasn't much in vogue on the rocky road to Dublin. | |
W: | |
W:Chorus | |
W: | |
W:From there I got away my spirits never failing, | |
W:Landed on the quay as the ship was sailing, | |
W:Captain at me roared, said that no room had he, | |
W:When I jumped aboard, a cabin found for Paddy | |
W:Down among the pigs, I played some funny jigs | |
W:Danced among the rigs, the water round me bubblin' | |
W:When off Holyhead I wished myself was dead, | |
W:Or better far, instead, on the rocky road to Dublin. | |
W: | |
W:Chorus | |
W: | |
W:The boys of Liverpool, when we safely landed, | |
W:Called myself a fool, I could no longer stand it, | |
W:Blood began to boil, temper I was losin' | |
W:Poor old Erin's isle they began abusin' | |
W:"Hurrah my soul!" says I, shillelagh I let fly, | |
W:Some Galway boys were by, saw I was a hobblin', | |
W:Then with a loud hurray, they joined in the affray, | |
W:We quickly cleared the way, for the rocky road to Dublin. | |
W: | |
W:Chorus | |
X:56 | |
T:Love Will You Marry Me? | |
T:Love Won't You Marry Me? | |
R:song | |
H:Also fling#2 | |
D:De Danann: Selected Jigs, Reels and Songs | |
Z:id:hn-song-56 | |
M:C| | |
K:D | |
A,2A,B, DEFE | DB,B,2 DB,B,2 | A,2A,B, DEFG | ABAF E2D2 :| | |
|: A2 (3AAG FGA2 | B2 (3BBA GAB2 | A2 (3AAG FGAF | DEFD E2D2 :| | |
P:verse 2 | |
|: A,2A,B, DEFE | DB,B,2 DB,B,2 | A,2A,B, DEFG | ABAF E2D2 :| | |
A2 (3AAG FGA2 | B2 (3BBA GAB2 | A2 (3AAG FGA2 | (3DDE FD E2D2 | | |
A2AG FGA2 | B2BA GABG | ABdA BdAF | DE (3FFD E2D2 :| | |
W:Love will you marry me, marry me, marry me, | |
W:love will you marry me, and take me out of danger? | |
W:No I won't marry you, marry you, marry you, | |
W:no I won't marry you, for why you are a stranger. | |
W:Why didn't you tell me so, why didn't you tell me so, | |
W:why didn't you tell me so, before you did the harm? | |
W:What harm did I do, what harm did I do, | |
W:what harm did I do, but roll you in my arms? | |
W: | |
W:Love will you marry me, marry me, marry me, | |
W:love will you marry me, and take me out of danger? | |
W:No I won't marry you, marry you, marry you, | |
W:no I won't marry you, for why you are a stranger. | |
W:Why didn't you tell me so, why didn't you tell me so, | |
W:why didn't you tell me so, what in the world delayed you? | |
W:How could I tell you so, how could I tell you so, | |
W:for if I would have told you then I surely couldn't have gained you. | |
W: | |
W:Who'll mend my socks and shirts, my socks and shirts, my socks and shirts, | |
W:Who'll mend my socks and shirts and feed me in the morning? | |
W:I won't mend your socks nor shirts, your socks nor shirts, your socks nor shirts, | |
W:I won't mend your socks nor shirts nor feed you in the morning. | |
W:Why didn't you tell me that, tell me that, tell me that, | |
W:Why didn't you tell me that before I sold the farm. | |
W:I didn't tell you that, tell you that, tell you that, | |
W:I didn't tell you that for fear you'd do me harm. | |
W: | |
W:What on earth will happen me, happen me, happen me, | |
W:What on earth will happen me, I thought you were my darlin'. | |
W:Who cares what happens ya, happens ya, happens ya, | |
W:Who cares what happens ya, you never were my darlin'. | |
X:57 | |
T:Leg of the Duck, The | |
R:song | |
H:also jig#157 | |
Z:id:hn-song-57 | |
M:6/8 | |
K:G | |
D | DGG GAG | FEF DDB | BAB GAB | cBc A2 | |
F | DGG GAG | FEF DDd | ded cAF | AGF G3 :| | |
| dgg def|dgg cBc|dgg def|GFG ABc|def ~g3|agf g2e|fed cAF|AGF G3:| | |
W:I gave it to Kitty because she was pretty, | |
W:The leg of the duck, the leg of the duck. | |
W:I gave it to Molly because she was jolly, | |
W:The leg of the duck, the leg of the duck. | |
W:(lilt 2nd part) | |
W: | |
W:I gave it to Nelly to stick in her belly | |
W:The leg of the duck, the leg of the duck. | |
W:She has it, she's got it, wherever she put it, | |
W:The leg of the duck, the leg of the duck. | |
W:(lilt 2nd part) | |
X:58 | |
T:Frost is all over, The | |
R:song | |
H:Also jig#206, jig#202 | |
D:Planxty | |
Z:id:hn-song-58 | |
M:6/8 | |
K:D | |
def edB | AFD (FE)D | DFA AFA | Bee e2 | |
d | def edB | AFD (FE)D | DFA AFA | Bdd d2 || | |
e | fdd ede | fdd d2e | fef def | gfg e2g | | |
fed B2A | AdF G2A | ABA F2E | EDD D3 || | |
P:alternate melody | |
AFD DFA | Add B2A | ABA FDD | FEF E2 | |
A | AFD DFA | Add B2A | ABA FEE | EDD D2 || | |
e | fdd ede | fdd d2e | fef def | gfg e2g | | |
fed B2A | AdF G2A | ABA F2E | EDD D3 || | |
W:What would you do if the kettle boiled over? | |
W:What would I do? Only fill it again. | |
W:And what would you do if the cow ate the clover? | |
W:What would I do only set it again. | |
W:(lilt 2nd part) | |
W: | |
W:The praties are dug and the frost is all over | |
W:Kitty lie over close to the wall. | |
W:How would you like to be married to a soldier? | |
W:Kitty lie over close to the wall. | |
W:(lilt 2nd part) | |
W: | |
W:The praties all boil and the herring's a roasting | |
W:Kitty lie over close to the wall. | |
W:You to be drunk and me to be sober | |
W:Kitty lie over close to the wall. | |
W:(lilt 2nd part) | |
W: | |
W:What would you do if you married a soldier | |
W:what would you do would you follow his gun? | |
W:And what would you do if he drowned in the ocean | |
W:what would you do would you marry again? | |
W:(lilt 2nd part) | |
X:59 | |
T:Little Bag of Tailors, The | |
R:song | |
H:see also reel#109 | |
Z:id:hn-song-59 | |
M:C| | |
K:A | |
E2EF ECA,A, | F2FE F2A2 | E2EF ECA,B | ccBA F2A2 :| | |
cccA d2dB | cccA B2BB | ABcd ee2f | ecBA F2E2 | | |
cccA d3B | cccA B2Bc | ABcd ee2f | ecBA F2E2 || | |
W:|: Oh, won't you rattle me, and oh, won't you chase me, | |
W:Oh, won't you rattle me, the little bag of tailors. :| | |
W:I went up to Dublin, I met a little tailor, | |
W:I put him in my pocket, for fear the dogs would eat him. | |
W:The dogs began to bark, and I began a-wailin', | |
W:I threw him in the Liffey, for fear the dogs would eat him. | |
X:60 | |
T:Molly Brannigan | |
T:Pretty Molly Brannigan | |
T:Purty Molly Brannigan | |
R:song | |
H:First part more free rhythm | |
H:See also reel#150 | |
D:Joe Holmes & Len Graham: Saints, Chaste Muses, Bards and Sages. | |
D:Celtic Mouth Music (Colm O'Donnell) | |
Z:id:hn-song-60 | |
M:C| | |
Q:1/4=100 | |
K:G | |
c2cc BBdB | AAAB AGEF | GGGE DEGB |[M:3/2] AAAB AGE2 z | |
AAB |[M:C|] c2ec B2dB | AAAB AGEF | GGGE DEGB | A2AB G3 || | |
Q:1/4=160 | |
G | GABc dGBd | g2ge dBGB | c2ec B2dB | AAAB AGE2 | | |
GABc d2Bd | g2ge dBGB | c2ec B2dB | AAAB G4 || | |
W:Man did you ever hear of purty Molly Brannigan? | |
W:She stole away my heart and I'll never be a man again. | |
W:There's not a spot on my hide will another summer tan again, | |
W:Since Molly's gone and left me all alone for to die. | |
W:Dee idle diddley dootle [etc] | |
W: | |
W:There's a hole in my heart you could easy round a turnip in, | |
W:As big as any pavin' stone from Dublin to the Divil's den. | |
W:If she chose to take another sure she might have left mine back again, | |
W:And not to leave me here all alone for to die. | |
W:Dee howdle duddley dootle [etc] | |
W: | |
W:Man dear I remember when milkin' time was past and gone, | |
W:We went into the meadows where she swore I was the only one | |
W:That ever she could love, but, oh, she proved to be the cruel one | |
W:And left me here lamentin' all alone for to die. | |
W:Dee idle diddley dum dowtle [etc] | |
X:61 | |
T:Fair of Bellaghy, The | |
T:Swaggering Jig, The | |
R:song | |
H:also slipjig#59 | |
Z:id:hn-song-61 | |
M:9/8 | |
Q:3/8=100 | |
K:D | |
G | FED B,DD B,DD | FED B,CD E2G | FED B,DD B,DD |[M:12/8] FED B,CB, A,3 z || | |
EE |[M:9/8] FAA ABA AFD | GBB BcB B2c | dcB AGF EDE |[M:12/8] EDE FDB, B,3 z2 || | |
W:I went to the fair of Bellaghy, | |
W:I bought a wee swag of a pig, | |
W:I gathered it up in my arms, | |
W:and danced the swaggering jig. | |
W:And it's high to the top of the heather, | |
W:and high to the but of the sprig, | |
W:and high to the bonnie wee lassie | |
W:who danced the swaggering jig. | |
W: | |
W:As I went to the fair of Bellaghy, | |
W:I bought a wee slip of a pig, | |
W:and being down by the poor house, | |
W:I whistled the swaggering jig. | |
W:And it's high to the cups and the saucers, | |
W:and high to the butter and bread, | |
W:and high to the bonnie wee lassie | |
W:who danced the swaggering jig. | |
W: | |
W:I being down by the poor house, | |
W:I whistled so loud and so shrill, | |
W:I made all the fairies to tremble | |
W:that lived around Corcoran's hill. | |
W:And it's high to the top of the heather | |
W:and high to the but of the sprig, | |
W:and high to the bonnie wee lassie | |
W:who danced the swaggering jig. | |
X:62 | |
T:Recruiting Sergeant, The | |
R:song | |
H:Also slide#74 | |
D:Pogues | |
Z:id:hn-song-62 | |
M:6/8 | |
L:1/8 | |
Q:3/8=120 | |
K:Edor | |
F | G2E F2D | E2F G2A | B2B A2G | F2D D | |
EF | G2E FED | E2F G2A | B2d c2A | B2E E || | |
Bc | d2B c2A | B2e e2c | d2B A2G | F2D D2 | |
F | G2E F2D | E2F G2A | B2d c2A | B2E E2 || | |
W:As I was walking down the street a-feeling fine and larky oh, | |
W:a recruiting sergeant came up to me, says you'd look fine in khaki oh. | |
W:For the king he is in need of men, come read this proclamation oh. | |
W:A life for you in Flanders then, would be a fine vacation oh. | |
W: | |
W:That may be so, says I to him, but tell me sergeant dearie oh. | |
W:If I had a pack stuck upon me back, would I look fine and cheerie oh? | |
W:For they'd have you train and drill until they had you one of Frenchies oh. | |
W:It may be warm in Flanders, but it's draughty in the trenches oh! | |
W: | |
W:The sergeant smiled and winked his eye, his smile was most provoking oh. | |
W:He twiddled and twirled his wee moustache, says he, you're only joking oh! | |
W:For the sandbags are so warm and high, The wind you won't feel blowing oh! | |
W:I winked at a colleen passing by, says I, so what if it's snowing oh? | |
W: | |
W:Come rain or hail or wind or snow, I'm not going out to Flanders oh! | |
W:There's fighting in Dublin to be done. Let your sergeants and your commanders go. | |
W:Let Englishmen fight English wars, It's nearly time they started oh! | |
W:I saluted the sergeant a very good night, and there and then we parted oh! | |
X:63 | |
T:Green Fields of France, The | |
R:song | |
C:Eric Bogle | |
Z:id:hn-song-63 | |
M:3/4 | |
L:1/8 | |
Q:1/4=140 | |
K:G | |
D2 | D4 DD | G4 GF | E E3 B,2 | A,4 | |
FF | F3 F G2 | A2 B2 A2 | G2 B,2 C2 | D4 | |
D2 | D4 DD | G4 GF | E4 EB, | A,4 | |
FF | F2 F2 G2 | A2 (B2 A2) | G2 G2 A2 | G4 | |
dd | d4 dd | d2 c2 BB | A2 A2 B2 | c4 | |
cc | B2 A2 AB | c2 c2 cA | G2 A2 B2 | A4 | |
dd | d3 d d2 | d2 c2 B2 | B2 A2 G2 | E4 | |
E2 | F F3 G2 | A2 B2 A2 | G2 G2 A2 | G6- | G4 | |
GG | A3 B A2 | A2 B2 cc | c3 d c2 | (BA) G2 | |
GG | A2 A2 A2 | A2 B2 cc | c3 d c2 | A4 | |
AB | c2 c2 c2 | c2 d2 c2 | c2 B4- | B4 | |
AA | G4 AB | c3 B G2 | A3 G F2 | G6- | G4 || | |
W:Well, how do you do, private William McBride, | |
W:Do you mind if I sit here down by your graveside, | |
W:And rest for a while in the warm summer sun, | |
W:I've been walking all day and I'm nearly done. | |
W: | |
W:I see by your gravestone your were only nineteen | |
W:When you joined the glorious fallen back in nineteen sixteen | |
W:Well I hope you died quick and I hope you died clean | |
W:Or Willy McBride was it slow and obscene? | |
W: | |
W:Chorus: | |
W:Did they beat the drum slowly? Did they sound the fifes lowly? | |
W:Did the rifles fire o'er you as they lowered you down? | |
W:Did the band play The Last Post in chorus? | |
W:Did the pipes play The Flowers of the Forest? | |
W: | |
W:Did you have a wife or a sweetheart, McBride? | |
W:In some loyal heart is your memory enshrined, | |
W:And although you died back in nineteen sixteen, | |
W:In that loyal heart are you always nineteen? | |
W: | |
W:Or are you just a stranger not even a name, | |
W:Forever to sit behind some glass frame, | |
W:In an old photograph torn and tattered and stained | |
W:And fading to yellow in a brown leather frame. | |
W: | |
W:Chorus | |
W: | |
W:Now the sun it shines bright o'er the green fields of France, | |
W:And the a warm summer wind makes the red poppies dance, | |
W:The trenches have vanished long under the plough, | |
W:There's no gas, no barbed wire, there's no gun firing now. | |
W: | |
W:But here in this graveyard it's still no man's land, | |
W:And countless white crosses in mute witness stand, | |
W:To man's blind indifference to his fellow man, | |
W:And a whole generation who were butchered and damned. | |
W: | |
W:Chorus | |
W: | |
W:Well I can't help but wonder now, Willy McBride, | |
W:Do all those that lie here know why did they died? | |
W:Did you really believe them when they told you the cause? | |
W:Did you really believe that this war would end wars? | |
W: | |
W:But the sorrow, the suffering, the glory, the pain, | |
W:The killing, the dying was all done in vain, | |
W:For Willy McBride it's all happening again, | |
W:And again, and again, and again, and again. | |
W: | |
W:Chorus | |
X:64 | |
T:Dirty Old Town | |
R:song | |
C:Ewan McColl (1915-1989) | |
Z:id:hn-song-64 | |
M:4/4 | |
L:1/8 | |
Q:1/4=140 | |
K:G | |
D2 E2 G2 | B8- | B2 G>A B2 G2 | D8- | D4 | |
B2 d2 | e8- | e2 d>B A3 G | B8- | B4 | |
e2 d2 | B8- | B2 G>A B2 G2 | D8- | D4 | |
E>G B2 | A8- | A4 A>G (E>D) | E8- | E2 || | |
W:I met my love by the gas works wall, | |
W:Dreamed a dream by the old canal, | |
W:Kissed a girl by the factory wall, | |
W:Dirty old town, dirty old town. | |
W: | |
W:Clouds are drifting across the moon, | |
W:Cats are prowling on their beat, | |
W:Spring's a girl in the street at night, | |
W:Dirty old town, dirty old town. | |
W: | |
W:I heard a siren from the docks, | |
W:Saw a train set the night on fire, | |
W:I smelled the spring on the smokey breeze, | |
W:Dirty old town, dirty old town. | |
W: | |
W:I'm going to make me a good sharp axe, | |
W:Shining steel tempered in the fire, | |
W:I'll chop you down like an old dead tree, | |
W:Dirty old town, dirty old town. | |
X:65 | |
T:Fields of Athenry, The | |
R:song | |
C:Pete St John | |
Z:id:hn-song-65 | |
M:C | |
L:1/8 | |
Q:1/4=120 | |
K:G | |
DD | D3D G2A2 | B6 B2 | c3c c2d2 | (B4- BcBG) | A8 | | |
dd3 d2B2 | c3d c2B2 | A8- | A4 | |
B2c2 | d3d d2B2 | c6 dc | B3A (GA)B2 | A6 | |
DD | AA3 B2c2 | B2A2 G2F2 | G8- | G8 || | |
d8 | e6 d2 | G4 zDGA | B6 A2 | G3D G2A2 | B4 c2d2 | A8- | A6 | |
(Bc) | d3d d2B2 | c6 dc | B3A (GA2)B | A6 | |
DD | A2A2 B2c2 | B2A2 G2F2 | G8- | G6 || | |
W:By a lonely prison wall, I heard a young girl calling, | |
W:Michael they are taking you away, | |
W:For you stole Trevelyan's corn, so the young might see the morn, | |
W:Now a prison ship lies waiting in the bay. | |
W: | |
W:Chorus: | |
W:Low lie the fields of Athenry, where once we watched the small free birds fly, | |
W:Our love was on the wing, we had dreams and songs to sing, | |
W:It's so lonely round the fields of Athenry. | |
W: | |
W:By a lonely prison wall, I heard a young man calling, | |
W:Nothing matters Mary when your free, | |
W:Against the famine and the crown, I rebelled, they ran me down, | |
W:Now you must raise our child with dignity. | |
W: | |
W:Chorus | |
W: | |
W:By a lonely harbour wall, she watched the last star falling, | |
W:As the prison ship sailed out against the sky, | |
W:For she lives in hope and prays for her love in Botany Bay, | |
W:It's so lonely round the fields of Athenry | |
W: | |
W:Chorus | |
X:66 | |
T:Johnny I Hardly Knew Ye | |
R:song | |
C:Lyrics by Joseph B. Geoghegan (published in 1867) | |
Z:id:hn-song-66 | |
M:6/8 | |
L:1/8 | |
Q:3/8=100 | |
K:Em | |
B, | B,2E E2F | G2F G2E | D3- D2B, | D3- D2 | |
B, | B,2E E2F | G2F G2A | B3- B2G | B3- B2 | |
B | B2B B2G | A2A A2F | GGG GFE | FFF F2 | |
A | B2B A2A | G2G F3 | EEE E2D | E3 E2 || | |
W:While on the road to sweet Athy, hurroo, hurroo | |
W:While on the road to sweet Athy, hurroo, hurroo | |
W:While on the road to sweet Athy | |
W:A stick in me hand and a drop in me eye | |
W:A doleful damsel I heard cry, | |
W:Johnny I hardly knew ye. | |
W: | |
W:Chorus: | |
W:With your drums and guns and drums and guns, hurroo, hurroo | |
W:With your drums and guns and drums and guns, hurroo, hurroo | |
W:With your drums and guns and drums and guns | |
W:The enemy nearly slew ye | |
W:Oh my darling dear, ye look so queer | |
W:Johnny I hardly knew ye. | |
W: | |
W:Where are your eyes that looked so mild, hurroo, hurroo | |
W:Where are your eyes that looked so mild, hurroo, hurroo | |
W:Where are your eyes that looked so mild | |
W:When my poor heart you first beguiled | |
W:Why did ye run from me and the child | |
W:Oh Johnny, I hardly knew ye. | |
W: | |
W:Chorus | |
W: | |
W:Where are your legs with which ye run, hurroo, hurroo | |
W:Where are your legs with which ye run, hurroo, hurroo | |
W:Where are your legs with which ye run | |
W:When first you learned to carry a gun | |
W:Indeed your dancing days are done | |
W:Oh Johnny, I hardly knew ye. | |
W: | |
W:Chorus | |
W: | |
W:Ye haven't an arm, ye haven't a leg, hurroo, hurroo | |
W:Ye haven't an arm, ye haven't a leg, hurroo, hurroo | |
W:Ye haven't an arm, ye haven't a leg | |
W:Ye're an armless, boneless, chickenless egg | |
W:Ye'll have to put with a bowl to beg | |
W:Oh Johnny I hardly knew ye. | |
W: | |
W:Chorus | |
W: | |
W:I'm happy for to see ye home, hurroo, hurroo | |
W:I'm happy for to see ye home, hurroo, hurroo | |
W:I'm happy for to see ye home | |
W:All from the island of Sulloon | |
W:So low in flesh, so high in bone | |
W:Oh Johnny I hardly knew ye. | |
W: | |
W:Chorus | |
W: | |
W:They're rolling out the guns again, hurroo, hurroo | |
W:They're rolling out the guns again, hurroo, hurroo | |
W:They're rolling out the guns again | |
W:But they never will take our sons again | |
W:to turn them into fighting men | |
W:Johnny I'm swearing to ye. | |
W: | |
W:Chorus | |
X:67 | |
T:Come Out Ye Black and Tans | |
R:song | |
C:words by Dominic Behan (1928-1989) | |
Z:id:hn-song-67 | |
M:2/4 | |
L:1/8 | |
Q:1/4=100 | |
K:Ddor | |
Ac | dd/d/ de | d2 cA | GG GA | G2 | |
Ac | dd de | dc de | d2 c2 | A2 | |
(AB) | cc cd | c2 BA | GE DE/D/ | C2 | |
DE | FF ED | AG FE | D2 C2 | D2 || | |
Ac | dd de | d>d cA | GG GA | G2 | |
Ac | dd de | dc de | d2 c2 | A2 | |
AB | cc cd | c2 BA | GE DE | C2 | |
DE | FF ED | AG FE | D2 C2 | D2 || | |
W:I was born in the Dublin streets, where the Royal drums they beat, | |
W:And those loving English feet they walked all over us, | |
W:And each and every night, when me father'd come home tight, | |
W:He'd invite the neighbours outside with this chorus: | |
W: | |
W:Chorus: | |
W:Oh, come out you black and tans, come out and fight me like a man, | |
W:Show your wives how you won medals down in Flanders | |
W:Tell them how the IRA made you run like hell away, | |
W:From the green and lovely fields of Killashandra. | |
W: | |
W:Oh, come let me hear you tell how you slandered great Parnell, | |
W:When you thought him well and truly persecuted, | |
W:Where are the sneers and jeers that you bravely let us hear | |
W:When our heroes of sixteen were executed. | |
W: | |
W:Chorus | |
W: | |
W:Oh, come tell us how you slew those old Arabs two by two | |
W:Like the Zulus they had spears and bows and arrows, | |
W:How you bravely faced each one with your sixteen pounder gun | |
W:And you frightened them poor natives to their marrow. | |
W: | |
W:Chorus | |
W: | |
W:Now the day is coming fast and the time is here at last, | |
W:When each yeoman will be cast aside before us, | |
W:And if there be a need sure our kids will sing, "Godspeed" | |
W:With a verse or two of Stephen Behan's chorus. | |
W: | |
W:Chorus | |
X:68 | |
T:Foggy Dew, The | |
R:song | |
C:Canon Charles O'Neill (1887-1963) | |
Z:id:hn-song-68 | |
M:C | |
L:1/8 | |
Q:1/4=100 | |
K:Bm | |
(FA) | B2(AF) B2(AF) | E2F2 A,2B,C | (DF)(ED) B,2(B,A,) | B,6 | |
(FA) | B2(AF) B2(AF) | E2F2 A,2(B,C) | (DF)ED B,2(B,A,) | B,6 | |
(B,C) | D3F A2(GF) | E2E2 F2(DE) | F2(dc) (BA)(FA) | B6 | |
FA | B2AF B2AF | E2F2 A,2(B,C) | (DF)ED B,2B,A, | B,6 || | |
W:As down the glen one Easter morn to a city fair rode I | |
W:There armed lines of marching men in squadrons did pass me by | |
W:No fife did hum nor battle drum did sound its dread tattoo | |
W:But the angelus bell o'er the Liffey swell rang out through the foggy dew. | |
W: | |
W:Right proudly high over Dublin town they hung out the flag of war | |
W:'Twas better to die 'neath an Irish sky than at Suvla or Sud El Bar | |
W:And from the plains of royal Meath strong men came hurrying through | |
W:While Britannia's huns, with their long range guns sailed in through the foggy dew | |
W: | |
W:'Twas England bade our wild geese go that small nations might be free | |
W:But their lonely graves are by Suvla's waves or the shores of the great North Sea | |
W:Oh, had they died by Pearse's side or fought with Cathal Brugha | |
W:Their names we'd keep where the fenians sleep 'neath the shroud of the foggy dew | |
W: | |
W:But the bravest fell, and the requiem bell rang mournfully and clear | |
W:For those who died that Eastertide in the spring time of the year | |
W:And the world did gaze in deep amaze, at those fearless men, but few | |
W:Who bore the fight that freedom's light might shine through the foggy dew | |
W: | |
W:As back through the glen I rode again and my heart with grief was sore | |
W:For I parted then with valiant men whom I never shall see more | |
W:But to and fro in my dreams I go and I kneel and pray for you, | |
W:For slavery fled, Oh glorious dead, when you fell in the foggy dew. | |
X:69 | |
T:Skibbereen | |
R:song | |
Z:id:hn-song-69 | |
M:3/4 | |
L:1/8 | |
Q:1/4=140 | |
K:Bdor | |
F2 | E4D2 | E4F2 | B4A2 | F4F2 | E4D2 | B,4A,2 | B,6- | B,4 | |
A2 | B4c2 | d4c2 | (B3A)F2 | A3(Bc2) | B3(AF2) | D4E2 | F6- | F4 | |
A2 | B4c2 | d4c2 | B3AF2 | A3(Bc2) | B3(AF2) | D4E2 | F6- | F4 | |
F2 | E4D2 | E4F2 | B4A2 | F4F2 | E4D2 | B,4A,2 | B,6- | B,4 || | |
W:Oh father dear, I often hear you speak of Erin's isle | |
W:Her lofty scenes, her valleys green, her mountains rude and wild | |
W:They say it is a lovely land wherein a prince might dwell | |
W:So why did you abandon it, the reason to me tell. | |
W: | |
W:My son, I loved my native land with energy and pride | |
W:'Till a blight came over all my crops, and my sheep and cattle died | |
W:The rents and taxes were to pay, I could not them redeem | |
W:And that's the cruel reason why I left old Skibbereen. | |
W: | |
W:It's well I do remember that bleak November day | |
W:When the landlord and his agent came to drive us all away | |
W:They set the roof on fire with their cursed English spleen | |
W:And that's another reason why I left old Skibbereen. | |
W: | |
W:Your mother too, God rest her soul, fell on the stony ground | |
W:She fainted in her anguish, seeing the desolation 'round | |
W:She never rose but passed away from life to immortal dream | |
W:She found a quiet grave, me boy, in dear old Skibbereen. | |
W: | |
W:And you were only two years old and feeble was your frame | |
W:I could not leave you with my friends, for you bore your father's name | |
W:I wrapped you in my c\'ota m\'or in the dead of night unseen | |
W:I heaved a sigh and bade goodbye to dear old Skibbereen. | |
W: | |
W:Oh father dear, the day will come when in answer to the call | |
W:All Irish men of freedom stern will rally one and all | |
W:I'll be the man to lead the band beneath the flag of green | |
W:And loud and high we'll raise the cry: Revenge for Skibbereen! | |
X:70 | |
T:Rising of the Moon, The | |
R:song | |
C:Words by John Keegan Casey (1866) | |
Z:id:hn-song-70 | |
M:2/4 | |
L:1/8 | |
Q:1/4=90 | |
K:D | |
DE | FF FF | F<A AF | FE EE | E2 | |
A>A | BG dc | BA FD | ED D>E | D2 | |
DE | FF FF | FA AF | FE EE | E2 | |
A>A | BG d>c | BA FD | ED D>E | D2 || | |
DE | FF F>F | (FA) A>F | FE E>E | E2 | |
AA | BG d>c | BA FD | ED D>E | D2 || | |
W:Oh, then tell me Sean O'Farrell, tell me why you hurry so. | |
W:Hush me buachaill, hush and listen, and his cheeks were all a-glow. | |
W:I bear orders from the captain, get ye ready quick and soon, | |
W:For the pikes must be together by the rising of the moon. | |
W: | |
W:By the rising of the moon, by the rising of the moon, | |
W:For the pikes must be together by the rising of the moon. | |
W: | |
W:Oh, then tell me Sean O'Farrell, where the gathering is to be, | |
W:At the old spot by the river, quite well known to you and me. | |
W:One more word for signal token, whistle out the marching tune | |
W:With your pike upon your shoulder by the rising of the moon. | |
W: | |
W:By the rising of the moon, by the rising of the moon, | |
W:With your pike upon your shoulder by the rising of the moon. | |
W: | |
W:Out from many a mud wall cabin eyes were watching through the night | |
W:Many a manly heart was beating [throbbing] for the blessed morning light | |
W:Murmurs rang along the valley to the banshees lonely croon | |
W:And a thousand pikes were flashing by the rising of the moon. | |
W: | |
W:By the rising of the moon, by the rising of the moon, | |
W:And a thousand pikes were flashing by the rising of the moon. | |
W: | |
W:All along that singing river that black mass of men was seen | |
W:High above their shining weapons flew their own beloved green | |
W:Death to every foe and traitor! Whistle out the marching tune | |
W:And hurrah, me boys, for freedom, 'tis the rising of the moon | |
W: | |
W:'Tis the rising of the moon, 'tis the rising of the moon | |
W:And hurrah, me boys, for freedom, 'tis the rising of the moon | |
X:71 | |
T:Bonny Light Horseman, The | |
T:Broken-Hearted I'll Wander | |
R:song | |
Z:id:hn-song-71 | |
M:3/4 | |
L:1/8 | |
Q:1/4=90 | |
K:G | |
(DE) | G2 G2 (AG) | (GE) D4- | D4 (Bd) | e2 e2 (dB) | d4 | |
(Bd) | e2 (ed) (BA) | G2 E2 (DE) | (GB) (AG) (EG) | D4 :| | |
DE | G2 G2 (AG) | (GE) D4- | D4 Bd | e2 e2 dB | d4 | |
Bd | e2 (ed) (BA) | G2 E2 DE | (GB) (AG) (EG) | D4 || | |
W:When Boney commanded his army to stand, | |
W:He levelled his cannons right over the land | |
W:He levelled his cannons his victory to gain | |
W:And slew my light horseman on the way coming home. | |
W: | |
W:Chorus: | |
W:Broken-hearted I'll wander, broken-hearted I'll remain | |
W:Since my bonny light horseman in the wars he was slain. | |
W: | |
W:And if I was a small bird and had wings to fly | |
W:I would fly o'er the salt seas to where my love does lie. | |
W:And with my fond wings I'd beat over his grave, | |
W:And I'd kiss the pale lips that lie cold in the clay. | |
W: | |
W:Chorus | |
W: | |
W:Now the dove she laments for her mate as she flies. | |
W:"Oh, where, tell me where, is my true love?", she cries. | |
W:And where in this wide world is there one to compare | |
W:With my bonny light horseman who was slain in the war. | |
W: | |
W:Chorus | |
W: | |
W:When Boney commanded his army to stand, | |
W:He levelled his cannons right over the land | |
W:He levelled his cannons his victory to gain | |
W:And slew my light horseman on the way coming home. | |
W: | |
W:Chorus | |
X:72 | |
T:James Connolly | |
R:song | |
C:Patrick Galvin (1927-2011) | |
Z:id:hn-song-72 | |
M:3/4 | |
L:1/8 | |
Q:1/4=70 | |
K:Ddor | |
FG | A3 GFE | A,/D/ D3 | |
Ac | d2 dA ce | d3 | |
AAB | c3 BAD | FG2 | |
FFG | A3 (G/F/) E(C/E/) | D4 || | |
W:Where oh where is our James Connolly? | |
W:Where oh where is that gallant man? | |
W:He's gone to organise the union, | |
W:That working men might yet be free. | |
W: | |
W:Where oh where is the citizen army? | |
W:Where oh where are those fighting men? | |
W:They've gone to join the great rebellion, | |
W:And break the bonds of slavery. | |
W: | |
W:And who'll be there to lead the van? | |
W:Oh, who'll be there to lead the van? | |
W:Who should be there but our James Connolly, | |
W:The hero of each working man. | |
W: | |
W:Who carries high that burning flag? | |
W:Who carries high that burning flag? | |
W:'Tis our James Connolly all pale and wounded, | |
W:Who carries high our burning flag. | |
W: | |
W:They carried him up to the jail. | |
W:They carried him up to the jail. | |
W:And there they shot him one bright May morning, | |
W:And quickly laid him in his grave. | |
W: | |
W:Who mourns now for our James Connolly? | |
W:Who mourns for that fighting man? | |
W:Oh lay me down in yon green garden, | |
W:And make my bearers union men. | |
W: | |
W:They laid him down in yon green garden, | |
W:With union men on every side. | |
W:They swore they'd form a mighty union, | |
W:And fill that gallant man with pride. | |
W: | |
W:Where oh where is our James Connolly? | |
W:Where oh where is that gallant man? | |
W:He's gone to organise the union, | |
W:That working men might yet be free. | |
X:73 | |
T:Merry Ploughboy, The | |
T:Off to Dublin in the Green | |
R:song | |
Z:id:hn-song-73 | |
M:4/4 | |
L:1/8 | |
Q:1/4=110 | |
K:D | |
FG | A3 A B3 A | A2 E4 EF | G3 A B2 A2 | F6 | |
GF | E2 A2 c3 B | B2 A2 E3 A | A2 E2 G2 F2 | D6 | |
FG | A3 A B3 F | A2 E4 EF | G3 A B2 A2 | F6 | |
GF | E2 A2 c3 B | B2 A2 E2 AA | A2 E2 G2 F2 | D6 || | |
FG | A2 AA B/B/B BF | A2 EE E2 EF | G2 G2 A/A/A-AG | F6 | |
GF | E2 A2 c2 BB | B2 A2 E2 AA | AA EE G2 F2 | D6 || | |
W:Well I am a merry ploughboy and I plough the fields all day | |
W:Till a sudden thought came to me head that I should roam away | |
W:For I am sick and tired of slavery since the day I was born | |
W:And I am off to join the I.R.A. and I am off tomorrow morn. | |
W: | |
W:Chorus: | |
W:And we're all off to Dublin in the green, in the green | |
W:Where the helmets glisten in the sun | |
W:Where the bay'nets flash and the riffles crash | |
W:To the rattle of a Thompson gun. | |
W: | |
W:I'll leave aside me pick and spade, I'll leave aside me plough | |
W:I'll leave aside me horse and yoke, I no longer need them now | |
W:I'll leave aside me Mary, she's the girl that I adore | |
W:And I wonder if she'll think of me whe hears the riffles roar. | |
W: | |
W:Chorus | |
W: | |
W:And when the war is over, and dear old Ireland is free | |
W:I'll take her to the church to wed and a rebel's wife she'll be | |
W:Well some men fight for silver and some men fight for gold | |
W:But the I.R.A. are fighting for the land that the Saxons stole. | |
W: | |
W:Chorus | |
X:74 | |
T:Down by the Sally Gardens | |
R:song | |
C:Words by William Butler Yeats (1865-1939) | |
Z:id:hn-song-74 | |
M:C| | |
L:1/8 | |
Q:1/4=80 | |
K:D | |
DE | F2ED E2(FA) | B4 A2(dA) | B2(AF) E3D | D6 | |
(DE) | F2(ED) E2(FA) | B4 A2(dA) | B2(AF) E3D | D6 | |
A2 | d2(cA) B2ed | c4 A2FA | B2(AF) (AB)(de) | d6 | |
(DE) | F2ED E2(FA) | B4 A2dA | B2(AF) E3D | D6 || | |
W:It was down by the Sally Gardens, my love and I did meet. | |
W:She passed the Sally Gardens with little snow-white feet. | |
W:She bid me take love easy, as the leaves grow on the tree. | |
W:But I, being young and foolish, and with her did not agree. | |
W: | |
W:In a field down by the river, my love and I did stand, | |
W:And on my leaning shoulder, she laid her snow-white hand. | |
W:She bid me take life easy, as the grass grows on the weirs. | |
W:But I was young and foolish, and now I am full of tears. | |
X:75 | |
T:Flower of Magherally, The | |
R:song | |
Z:id:hn-song-75 | |
M:3/4 | |
L:1/8 | |
Q:1/4=120 | |
K:Gdor | |
D2 | B2 B4 | A4 F2 | (G3AGF) | D4 (GA) | B4 d2 | c4 A2 | BA G4- | G6 | | |
B4 B2 | A4 F2 | (G3AGF) | D4 GA | B4 d2 | c4 A2 | BA G4- | G4 | |
(Bc) | d4 d2 | d4 (cB) | c4 c2 | c4 (Bc) | d4 G2 | (G3F) E2 | F2 G4 | D6 | | |
d4 G2 | G4 FE | F4 (DC) | D4 (CA,) | C4 D2 | F4 G2 | (A4{BA}) G2 | G4 || | |
W:One pleasant summer's morning when all the flowers were springing O | |
W:Nature was a-dawning and the wee birds sweetly singing O | |
W:I met my love near Banbridge Town, my charming blue-eyed Sally O | |
W:She's the queen of the County Down, the flower of Magherally O | |
W: | |
W:With admiration I did gaze upon this blue-eyed maiden O | |
W:Adam wasn't half as pleased when he first met Eve in Eden O | |
W:Her skin was like the lily white that grows in yonder valley O | |
W:She's my queen and my heart's delight, the flower of Magherally O | |
W: | |
W:Her yellow hair in ringlets hung, her boots were Spanish leather O | |
W:Her bonnet with blue ribbons strung, her scarlet scarf and feather O | |
W:Like Venus bright she did appear, my charming blue-eyed Sally O | |
W:She's the girl that I love dear, the flower of Magherally O | |
W: | |
W:I hope the day will surely come when we'll join hands together O | |
W:'Tis then I'll bring my darling home in spite of wind and weather O | |
W:And let them all say what they will and let them reel and rally O | |
W:For I shall wed the girl I love, the flower of Magherally O | |
X:76 | |
T:She Moved Through the Fair | |
R:song | |
C:Lyrics by Padraic Colum (1881-1972) | |
Z:id:hn-song-76 | |
M:3/4 | |
L:1/8 | |
Q:1/4=90 | |
K:Dmix | |
((3DEF) | G2 F2 GA | A4 (GE) | C2 C2 D2 | D4 | |
AB | c2 d3 A | B2 A3 F | G2 F2 G2 | A4 | |
AB | c2 d3 A | B2 A3 F | G2 F2 G2 | A4 | |
((3DEF) | G2 F2 G2 | A A3 (GE) | C2 C2 D2 | D4 || | |
W:My young love said to me: "My mother won't mind | |
W:And my father won't slight you for your lack of kind". | |
W:And she stepped away from me and this she did say: | |
W:"It will not be long, love, till our wedding day." | |
W: | |
W:She stepped away from me and she moved through the fair | |
W:And fondly I watched her move here and move there | |
W:As she went her way homeward with one star awake | |
W:As the swan in the evening moves over the lake. | |
W: | |
W:The people were saying no two e'er were wed | |
W:But one has a sorrow that never was said | |
W:And she smiled as she passed me with her goods and her gear | |
W:And that was the last that I saw of my dear. | |
W: | |
W:I dreamt it last night that my true love came in | |
W:So softly she entered that her feet made no din | |
W:And she came close beside me and this she did say: | |
W:"It will not be long, love, till our wedding day." | |
X:77 | |
T:As I Roved Out | |
R:song | |
Z:id:hn-song-77 | |
M:C| | |
L:1/8 | |
Q:1/2=80 | |
K:Ddor | |
A2A2 D2D2 | EF(ED) C2C2 | D2D2 F2G2 | A2 G4 | |
G2 | A2A2 D2D2 | EF(ED) C2C2 | D2D2 F2G2 | A2 G4 | |
(FG) | A2d2 d2cd | e2d2 c3c | c2c2 c2C2 | E2G2 | |
c2B2 | A2A2 D4 | EFED C4 | c3c cEEE | E2D2 D4 || | |
W:Who are you, my pretty fair maid, and who are you, me honey? | |
W:And who are you, my pretty fair maid, and who are you, me honey? | |
W:She answered me quite modestly, I am me mother's darling | |
W: | |
W:With me too-ry-ay, fol-de-diddle-day, di-re fol-de-diddle dai-rie oh | |
W: | |
W:And will you come to me mother's house, when the moon is shining clearly? | |
W:And will you come to me mother's house, when the moon is shining clearly? | |
W:I'll open the door and I'll let you in and divil the one will hear us | |
W: | |
W:With me too-ry-ay, fol-de-diddle-day, di-re fol-de-diddle dai-rie oh | |
W: | |
W:So I went to her house in the middle of the night, when the moon was shining clearly. | |
W:So I went to her house in the middle of the night, when the moon was shining clearly. | |
W:She opened the door and she let me in and divil the one did hear us | |
W: | |
W:With me too-ry-ay, fol-de-diddle-day, di-re fol-de-diddle dai-rie oh | |
W: | |
W:She took me horse by the bridle and the bit, and led him to the stable | |
W:She took me horse by the bridle and the bit, and led him to the stable | |
W:Saying "There's plenty of oats for a soldier's horse, to eat it if he's able" | |
W: | |
W:With me too-ry-ay, fol-de-diddle-day, di-re fol-de-diddle dai-rie oh | |
W: | |
W:Then she took me by her lily-white hand, and led me to the table | |
W:Then she took me by her lily-white hand, and led me to the table | |
W:Saying "There's plenty of wine for a soldier boy, to drink if he is able" | |
W: | |
W:With me too-ry-ay, fol-de-diddle-day, di-re fol-de-diddle dai-rie oh | |
W: | |
W:Then I got up and I made the bed, and I made it nice and easy | |
W:Then I got up and I made the bed, and I made it nice and easy | |
W:The I got up and I laid her down, saying "Lassie, are you able? " | |
W: | |
W:With me too-ry-ay, fol-de-diddle-day, di-re fol-de-diddle dai-rie oh | |
W: | |
W:And there we lay till the break of day, and divil the one did hear us | |
W:And there we lay till the break of day, and divil the one did hear us | |
W:Then I arose and put on me clothes, saying "Lassie, I must leave you" | |
W: | |
W:With me too-ry-ay, fol-de-diddle-day, di-re fol-de-diddle dai-rie oh | |
W: | |
W:And when will you return again, and when will we get married? | |
W:And when will you return again, and when will we get married? | |
W:When broken shells make Christmas bells we might well get married | |
W: | |
W:With me too-ry-ay, fol-de-diddle-day, di-re fol-de-diddle dai-rie oh | |
X:78 | |
T:Back Home in Derry | |
R:song | |
C:Lyrics by Bobby Sands (1954-1981), tune by Gordon Lightfoot | |
Z:id:hn-song-78 | |
M:3/4 | |
L:1/8 | |
Q:1/4=140 | |
K:Ador | |
G2 | A2 A2 A2 | A2 (B2 A2) | G2 E2 E2 | E6 | | |
G2 G2 G2 | F2 E2 D2 | E2 A,4- | A,4 | |
G2 | A2 A2 A2 | A2 B2 A2 | G2 E2 E2 | E4 | |
EF | G2 G2 G2 | F2 E2 D2 | E2 A,4- | A,4 || | |
G2 | A2 A2 A2 | A2 (B2 A2) | G2 E2 E2 | E4 | |
GG | A2 A4 | A2 B2 A2 | G2 E4- | E4 | |
GG | A2 A2 A2 | A2 (B2 A2) | G2 E2 E2 | E4 | |
EF | G2 G2 GG | F2 E2 D2 | E2 A4- | A6 || | |
(c6- | c2 B2 A2) | (B6- | B2 A2 G2) | | |
A2 A2 A2 | G2 A2 B2 | B2 A4- | A6 | | |
(c6- | c2 B2 A2) | (B6- | B2 A2 G2) | | |
A2 A2 A2 | G2 A2 B2 | B2 A4- | A6 || | |
W:In 1803 we sailed out to sea | |
W:Out from the sweet town of Derry | |
W:For Australia bound if we didn't all drown | |
W:And the marks of our fetters we carried. | |
W:In rusty iron chains we sighed for our wains | |
W:As our good wives we left in sorrow. | |
W:As the mainsails unfurled our curses we hurled | |
W:On the English and thoughts of tomorrow. | |
W: | |
W:Chorus: | |
W:Oh, oh... I wish I was back home in Derry. | |
W:Oh, oh... I wish I was back home in Derry. | |
W: | |
W:At the mouth of the Foyle, bid farewell to the soil | |
W:As down below decks we were lying | |
W:O'Doherty screamed, woken out of a dream | |
W:By a vision of bold Robert dying | |
W:The sun burned cruel as we dished out the gruel | |
W:Dan O'Connor was down with a fever | |
W:Sixty rebels today bound for Botany Bay | |
W:How many will meet their receiver | |
W: | |
W:Chorus | |
W: | |
W:I cursed them to hell as our bow fought the swell. | |
W:Our ship danced like a moth in the firelight. | |
W:White horses rode high as the devil passed by | |
W:Taking souls to Hades by twilight. | |
W:Five weeks out to sea we were now forty-three | |
W:Our comrades we buried each morning. | |
W:In our own slime we were lost in a time. | |
W:Of endless night without dawning. | |
W: | |
W:Chorus | |
W: | |
W:Van Diemen's land is a hell for a man | |
W:To live out his life in slavery. | |
W:Where the climate is raw and the gun makes the law. | |
W:Neither wind nor rain care for bravery. | |
W:Twenty years have gone by and I've ended me bond | |
W:My comrades' ghosts walk behind me. | |
W:A rebel I came and I'm still the same. | |
W:On the cold winds of night you will find me. | |
W: | |
W:Chorus | |
X:79 | |
T:Dicey Riley | |
T:Dicey Reilly | |
R:song | |
C:words by Dominic Behan (1928-1989) | |
H:"pop" = pawn shop | |
Z:id:hn-song-79 | |
M:C| | |
L:1/8 | |
Q:1/2=80 | |
K:G | |
G2 D2 B,2 D2 | G2 A2 B2 G2 | A2 F2 (DE) F2 | G8 | | |
A2 F2 D2 F2 | A2 B2 c2 c2 | B2 A2 G2 A2 | B6 | |
A2 | G2 D2 B,2 D2 | G2 A2 B2 G2 | A2 F2 D2 FF | AGAB c2 | |
BA | G4 B2 d2 | d2 B2 G2 B2 | A8 | G8 || | |
W:Poor aul Dicey Riley she has taken to the sup, | |
W:Poor aul Dicey Riley she will never give it up, | |
W:It's off each morning to the pop, and then she's in for another little drop, | |
W:And the heart of the rowl is Dicey Riley. | |
W: | |
W:She walks along Fitzgibbon Street with an independent air, | |
W:And then its down by Summerhill and as the people stare, | |
W:She says it's nearly half past one, It's time I went for another little one, | |
W:And the heart of the rowl is Dicey Riley. | |
W: | |
W:At two pubs close and off she goes as happy as a lark, | |
W:She'll find a bench to sleep it off down in St. Patrick's Park | |
W:She wakes at five feeling in the pink, and says, "It's time for another little drink" | |
W:And the heart of the rowl is Dicey Riley | |
W: | |
W:She travels far to a dockside bar to have another round | |
W:After one or two or three she doesn't feel quite sound | |
W:After four she's a bit unstable, after five underneath the table | |
W:And the heart of the rowl is Dicey Riley | |
W: | |
W:They carry her home at twelve o'clock as they do every night, | |
W:Bring her inside, put her on the bed and then turn out the light | |
W:Next morning she goes out of bed, and looks for a cure for her head | |
W:And the heart of the rowl is Dicey Riley | |
X:80 | |
T:Hot Asphalt | |
R:song | |
Z:id:hn-song-80 | |
M:6/8 | |
L:1/8 | |
Q:3/8=120 | |
K:Em | |
G2F | E2F G2F | E2D B,2D | G2A (BA)G | A3 | |
B2d | e2d B2A | G2E (F2E) | D2D D2E | F3- F2 | |
F | E2F G2F | E2D B,2D | G2A B2G | A3 | |
B2d | e2d B2A | G2E F2D | E3 E3 | E3 | |
B3 | d2d d2d | d2B G2B | d2d d2B | d3 | |
B2d | e2d B2A | G2E F2E | D2D D2E | F3 | |
(G2F) | E2F G2F | E2D B,2D | G2A B2G | A3 | |
B2d | e2d B2A | G2E F2D | E3 E3 | E3 || | |
B2c | d2d d2d | d2B G2B | d2d d2B | d3 | |
Bcd | e2d B2A | G2E F2E | D2D D2E | F3 | |
(G2F) | EEF G2F | E2D (B,2D) | G2A B2G | A3 | |
B2d | e2d B2A | G2E F2D | E3 E3 E3 || | |
W:Well, good evening all my jolly lads, I'm glad to see you well, | |
W:If you gather all around me a story I will tell, | |
W:I've got a situation and I've got a handy job, | |
W:I can tell you I've a weekly wage of nineteen bob. | |
W:'Tis twelve months come October since I left my native home, | |
W:After working in Killarney for to cut the harvest down, | |
W:And now I wear a Guernsey and around my waist a belt, | |
W:I'm the gaffer of the squad that lays the hot asphalt. | |
W: | |
W:Chorus: | |
W:Oh! We laid it in the harbour and we laid it in the flat, | |
W:And if it doesn't last forever, well I'll surely eat my hat. | |
W:I've travelled the wide world over and never have I felt | |
W:Any surface that is equal to the hot asphalt. | |
W: | |
W:The other day a policeman comes and says to me "McGuire, | |
W:Won't you kindly let me light me pipe down by your boiler fire?" | |
W:He stands there right in front of me with coat-tails up so neat, | |
W:"Ah", says I: "My decent man! You'd better go and mind your beat." | |
W:"Ah, well" says he: "I'm down on you! I'm up to all your pranks! | |
W:For I know you for a traitor from the Tipperary ranks!" | |
W:I hit him from the shoulder, and I gave him such a belt, | |
W:That he landed in the boiler full of hot asphalt. | |
W: | |
W:Chorus | |
W: | |
W:Well we quickly pulled him out again and threw him in a tub, | |
W:And with soap and boiling water we began to rub and scrub. | |
W:But devil a bit of tar came off and it turned as hard as stone, | |
W:And with every rub we gave him you could hear that copper groan. | |
W:With the rubbing and the scrubbing sure he caught his death of cold, | |
W:And for scientific purposes his body it was sold. | |
W:In the Kelvingrove Museum now he's hanging by the belt, | |
W:As a monument to the Irish laying hot asphalt. | |
W: | |
W:Chorus | |
X:81 | |
T:Arthur McBride | |
R:song | |
Z:id:hn-song-81 | |
M:3/4 | |
L:1/8 | |
Q:1/4=160 | |
K:F | |
F2 | F3 G F2 | F2 C2 D2 | F2 G2 F2 | A4 | |
cc | d2 c2 B2 | A2 (B2 A2) | G3 A(GF) | D4 | |
F2 | F2 G2 F2 | F2 C2 D2 | F2 G2 F2| A4 | |
c2 | c2 B2 A2 | G2 A2 c2 | (d3 e d2) | c4 || | |
A2 | c4 c2 | A2 B2 c2 | d2 c2 B2| c4 | |
A2 | B2 c2 B2 | A2 G2 F2 | G3 A (GF) | D4 | |
F2 | F2 G2 F2 | F2 C2 D2 | F2 G2 F2 | A4 | |
cc | c3 B A2 | G2 D2 E2 | F2 F4- | F4 || | |
W:I had a first cousin called Arthur McBride | |
W:He and I took a stroll down by the seaside | |
W:A-seeking good fortune and what might betide | |
W:'Twas just as the day was a-dawning | |
W:And after resting we both took a tramp | |
W:We met Seargeant Harper and Corporal Cramp | |
W:Besides the wee drummer who beat up our camp | |
W:With his rowdy-dow-dow in the morning. | |
W: | |
W:He says: "My young fellows if you will enlist | |
W:a guinea you quickly will have in your fist | |
W:and likewise a crown for to kick up the dust | |
W:and drink the king's health in the morning | |
W:For a soldier he leads a very fine life | |
W:And he always is blessed with a charming young wife | |
W:And he pays all his debts without sorrow or strife | |
W:And always lives pleasant and charming." | |
W: | |
W:"A soldier he always is decent and clean, | |
W:In the finest of clothing he's constantly seen, | |
W:While other poor fellows go dirty and mean | |
W:And sup on thin gruel in the morning." | |
W:Says Arthur: "I wouldn't be proud of your clothes, | |
W:for you've only the lend of them as I suppose, | |
W:and you dare not change them one night, for you know, | |
W:if you do you'll be flogged in the morning." | |
W: | |
W:"Although we are single and free | |
W:we take great delight in our own company, | |
W:and we have no desire strange countries to see, | |
W:although that your offer is charming. | |
W:But had we been such fools as to take the advance | |
W:The wee bit of money we'd have to run chance | |
W:For you'd think it no scruples for to send us to France | |
W:Where we would be killed in the morning." | |
W: | |
W:He says: "My young fellows if I hear but one word | |
W:I instantly now will out with my sword | |
W:and into your bodies as strength might afford | |
W:so now my gay devils take warning." | |
W:But Arthur and I we soon took the odds | |
W:And we gave them no chance for to launch out their swords | |
W:Our whacking shillelaghs came over their heads | |
W:And paid them right smart in the morning. | |
W: | |
W:As for the wee drummer we rifled his pouch | |
W:and we made a football of his rowdy-dow-dow | |
W:and into the ocean for to rock and to roll | |
W:And bade it a tedious returning | |
W:As for the old rapier that hung by his side | |
W:We flung as far as we could in the tide | |
W:To the divil I pitch you says Arthur McBride | |
W:To temper your steel in the morning. | |
X:82 | |
T:Spancil Hill | |
R:song | |
C:Michael Considine (~1850-1873) | |
Z:id:hn-song-82 | |
M:3/4 | |
L:1/8 | |
Q:1/4=120 | |
K:Ddor | |
A2 | A4 D2 | A4 A2 | (G4 ED) | C4 D2 | (E2G2)A2 | D4 C2 | D6- | D4 | |
A2 | A4 d2 | d4 e2 | d4 c2 | A4 B2 | c4 d2 | (c2B2)A2 | G6- | G4 | |
A2 | A4 d2 | d4 e2 | d4 c2 | A4 B2 | c4 d2 | (c2B2)A2 | G6- | G4 | |
(cB) | A4 D2 | A4 A2 | G4 (ED) | C4 D2 | (E2G2)A2 | D4 C2 | D6- | D4 || | |
W:Last night as I lay dreaming of pleasant days gone by | |
W:My mind being bent on rambling to Ireland I did fly | |
W:I stepped on board a vision and I followed with my will | |
W:Til next I came to anchor at the cross in Spancil Hill | |
W: | |
W:Delighted by the novelty, enchanted by the scene. | |
W:Where in me early boyhood so often I had been. | |
W:I thought I heard a murmur, and I think I hear it still. | |
W:It's the little stream of water that flows down Spancil Hill. | |
W: | |
W:It being the twenty-third of June the day before the fair | |
W:When Ireland's sons and daughters in crowds assembled there | |
W:The young and the old, the brave and the bold their duty to fulfil | |
W:At the parish church in Clooney, a mile from Spancil Hill | |
W: | |
W:I went to see my neighbours to hear what they might say | |
W:The old ones were all dead and gone and the young ones turning grey | |
W:I met with tailor Quigley, he's bold as ever still | |
W:Sure he used to make my britches when I lived in Spancil Hill | |
W: | |
W:I paid a flying visit to my first and only love | |
W:She's as fair as any lily and as gentle as a dove | |
W:She threw her arms around me saying "Johnny I love you still!" | |
W:Oh she's Ned the farmer's daughter and the flower of Spancil Hill | |
W: | |
W:I dreamt I held and kissed her as in the days of yore | |
W:She said, "Johnny you're only joking like many's the time before" | |
W:The cock he crew in the morning, he crew both loud and shrill | |
W:And I awoke in California, many miles from Spancil Hill. | |
X:83 | |
T:Two Sisters, The | |
R:song | |
C:Lyrics trad with additions and melody by Andy Irvine | |
Z:id:hn-song-83 | |
M:2/4 | |
L:1/8 | |
Q:1/4=90 | |
K:D | |
D | D(D/E/) F(E/D/) | [M:3/4] FA B2 | |
AB | [M:2/4] D2 F(E/D/) | B,3 | |
A,/B,/ | D(D/E/) F(E/D/) | FA B3/2 | |
c/ | d3/2d/ (B/A)F/ | B3 | |
A | Bc dB | AB D3/2 | |
E/ | FE DB, | [M:3/4] DE B,2 | |
A,B, | [M:2/4] D2 FA | dB- B | |
B | AF E(F/E/) | D3 || | |
W:There were two sisters side by side | |
W: Sing aye-dum, sing aye-day | |
W:There were two sisters side by side | |
W: The boys are bound for me | |
W:There were two sisters side by side | |
W:The eldest one for Johnny cried | |
W: I'll be true unto my love | |
W: If he'll be true to me | |
W: | |
W:Johnny bought the youngest a beaver hat | |
W:The eldest didn't think much of that | |
W: | |
W:Johnny bought the youngest a gay gold ring | |
W:He never bought the eldest a single thing | |
W: | |
W:As they were walking by the foamy brim | |
W:The eldest pushed the youngest in | |
W: | |
W:Sister, oh sister, give me your hand | |
W:And you can have Johnny and all his land | |
W: | |
W:Sister, I'll not give you my hand | |
W:For I'll have Johnny and all his land | |
W: | |
W:So away she sank and away she swam | |
W:Until she came to the Miller's dam | |
W: | |
W:The Miller, he took her gay gold ring | |
W:And then he pushed her in again | |
W: | |
W:The Miller, he was hanged on the mountain head | |
W: Sing aye-dum, sing aye-day | |
W:The Miller, he was hanged on the mountain head | |
W: The boys are bound for me | |
W:The Miller, he was hanged on the mountain head | |
W:The eldest sister was boiled in lead | |
W: I'll be true unto my love | |
W: If he'll be true to me | |
X:84 | |
T:Rattling Bog, The | |
R:song | |
Z:id:hn-song-84 | |
M:2/4 | |
L:1/8 | |
Q:1/4=120 | |
K:G | |
B2 B>A | GE E>E | DG GA | BA A> | |
A | B2 B>A | GE E>E | Dd dB | AG G || | |
A | BB AG | BB AG | B2 d>B | BA A> | |
A | BB/B/ AG/G/ | BB/B/ AG/G/ | Bd dB | AG G2 || | |
W:Chorus: | |
W:Oh, ro, the rattlin' bog, the bog down in the valley-o. | |
W:A rare bog, a rattlin' bog, the bog down in the valley-o. | |
W: | |
W:And in that bog there was a hole, a rare hole, a rattlin' hole | |
W:The hole in the bog, and the the bog down in the valley-o. | |
W: | |
W:Chorus | |
W: | |
W:And in that hole there was a tree, a rare tree, a rattlin' tree | |
W:The tree in the hole | |
W:and the hole in the bog, and the the bog down in the valley-o. | |
W: | |
W:Chorus | |
W: | |
W:And on that tree there was a limb [etc] | |
W: | |
W:And on that limb there was a branch [etc] | |
W: | |
W:And on that branch there was a twig [etc] | |
W: | |
W:And on that twig there was a nest [etc] | |
W: | |
W:And in that nest there was an egg [etc] | |
W: | |
W:And on that egg there was a bird [etc] | |
W: | |
W:And on that bird there was a feather [etc] | |
W: | |
W:And on that feather there was a spot [etc] | |
W: | |
W:And on that spot there was a flea [etc] | |
W: | |
W:And on that flea there was a hair [etc] | |
W: | |
W:And on that hair there was a germ, a rare germ a rattlin' germ, | |
W:The germ on the hair, and the hair on the flea, | |
W:and the flea on the spot, and the spot on the feather, | |
W:and the feather on the bird, and the bird on the egg, | |
W:and the egg in the nest, and the nest on the twig, | |
W:and the twig on the branch, and the branch on the limb, | |
W:and the limb on the tree, and the tree in the hole, | |
W:and the hole in the bog, and the the bog down in the valley-o. | |
W: | |
W:Chorus | |
X:85 | |
T:Barley Grain, The | |
R:song | |
Z:id:hn-song-85 | |
M:6/8 | |
L:1/8 | |
Q:3/8=120 | |
K:Em | |
B | B2B c2A | B2B G2A | B2B c2A | B3- B2 | |
B | B2B cBA | B2B EEF | G2A B2A | G3 || | |
G2F | E2E EEE | F2D D2F | E2E EEE | B3 | |
B2B | e2E FED | E2F GGA | B2A G2F | E3- E2 || | |
W:There were three farmers in the north, as they were passin' by | |
W:They swore an oath, and a mighty oath, that the barley grain should die | |
W: | |
W:Chorus: | |
W:With me rex fol-lol-de-dol-dairy oh, me rex fol-lol-de-dol-dee | |
W:With me rex fol-lol-de-dol-dairy oh, and the barley grain for me. | |
W: | |
W:They put poor barley in a sack on a cold and rainy day, | |
W:And they took him off to the cullin' fields and buried him in the clay, | |
W: | |
W:Frost and snow began to melt, and the dew began to fall, | |
W:When barley grain put up his head, and soon surprised them all. | |
W: | |
W:Chorus | |
W: | |
W:Being in the summer season and the harvest coming on, | |
W:It's then he stands up in the field with a beard like any man. | |
W: | |
W:Chorus | |
W: | |
W:The reaper came with his sickle and used me barbarously | |
W:he caught me by the middle so small and he cut me above the knee | |
W: | |
W:Chorus | |
W: | |
W:The next came was the binder and he looked me with a frown | |
W:but in the middle there was a thistle that pulled his courage down. | |
W: | |
W:Chorus | |
W: | |
W:The farmer came with his pitch fork and he pierced me to the heart | |
W:like a thief, a rogue or a highwayman they tied me to the cart | |
W: | |
W:Chorus | |
W: | |
W:The thresher came with his big flail and soon he broke my bones, | |
W:'twould grieve the heart of any man to hear my sighs and groans, | |
W: | |
W:Chorus | |
W: | |
W:The next thing that they done to me, they steeped me in a well | |
W:They left me there for a day and a night and my middle began to swell. | |
W: | |
W:Chorus | |
W: | |
W:The next thing that they done to me, they dried me in the kiln, | |
W:They used me ten times worse than that, they ground me in the mill, | |
W: | |
W:Chorus | |
W: | |
W:The barley grain is a comical grain, it makes men sigh and moan | |
W:For when they drink a glass or two they forget their wife and home. | |
W: | |
W:Chorus | |
W: | |
W:The drunkard he's a terrible man he used me worst of all | |
W:He drank me up in his dirty maw and pissed me against the wall. | |
W: | |
W:Chorus | |
X:86 | |
T:Jug of Punch, The | |
R:song | |
Z:id:hn-song-86 | |
M:3/4 | |
L:1/8 | |
Q:1/4=110 | |
K:G | |
(dc) | BB BB GD | GG G2 | |
(FG) | AA AA GA | BB B3 | |
d | dd d2 cd | ec A2 | |
Bc | dd e2 dc | BA G2 || | |
d>c | BB B2 AB | cc c2 cB | AA A2 GA | BB B3 || | |
d | dd d2 cd | ec A2 | |
Bc | dd e2 dc | BA G2 || | |
W:One pleasant evening in the month of June | |
W:As I was sitting with my glass and spoon | |
W:A small bird sat on an ivy bush | |
W:And the song he sang was "The Jug Of Punch" | |
W:Too ra loo ra loo, too ra loo ra ley, too ra loo ra loo, too ra loo ra ley | |
W:A small bird sat on an ivy bush | |
W:And the song he sang was "The Jug Of Punch" | |
W: | |
W:What more diversion can a man desire, | |
W:Than to sit him down by an alehouse fire | |
W:Upon his knee a pretty wench | |
W:And on the table a jug of punch | |
W:Too ra loo ra loo, too ra loo ra ley, too ra loo ra loo, too ra loo ra ley | |
W:Upon his knee a pretty wench | |
W:And on the table a jug of punch | |
W: | |
W:Let the doctors come with all their art | |
W:They'll make no impression upon my heart | |
W:Even a cripple forgets his hunch | |
W:When he's snug outside of a jug of punch | |
W:Too ra loo ra loo, too ra loo ra ley, too ra loo ra loo, too ra loo ra ley | |
W:Even a cripple forgets his hunch | |
W:When he's snug outside of a jug of punch | |
W: | |
W:Well if I get drunk, sure the money's me own | |
W:And them don't like me they can leave me alone | |
W:I'll tune me fiddle and I'll rosin me bow | |
W:And I'll be welcome wherever I go | |
W:Too ra loo ra loo, too ra loo ra ley, too ra loo ra loo, too ra loo ra ley | |
W:I'll tune me fiddle and I'll rosin me bow | |
W:And I'll be welcome wherever I go | |
W: | |
W:And when I'm dead and in my grave | |
W:No costly tombstone shall I crave | |
W:Just lay me down in my native peat | |
W:With a jug of punch at my head and feet | |
W:Too ra loo ra loo, too ra loo ra ley, too ra loo ra loo, too ra loo ra ley | |
W:Just lay me down in my native peat | |
W:With a jug of punch at my head and feet | |
X:87 | |
T:Eighteen Years Old | |
R:song | |
Z:id:hn-song-87 | |
M:3/4 | |
L:1/8 | |
Q:1/4=140 | |
K:Dmix | |
(D2 E2) G2 | A3 B A2 | (A2 G2) A2 | c4 c2 | B2 A2 B2 | A2 (G2 E2) | D4 C2 | D6- | D4 | |
A2 | d4 d2 | e4 d2 | (c3 B c2) | E4 F2 | G4 A2 | (c2 B2) A2 | d6- | d4 | |
AA | d4 d2 | e4 d2 | (c3 B c2) | E2 E2 F2 | G4 A2 | (c3 B) A2 | d6- | d2 | |
E2 G2 | (A3 B) A2 | (A2 G2) A2 | (c3 d e2) | d2 c2 d2 | (A2 G2) E2 | D4 C2 | D4 || | |
W:I am eighteen years old today, mama, and I'm longing to be wed. | |
W:So buy for me a young man to comfort me, she said, | |
W:you must buy for me a young man who will be with me all night, | |
W:and I'll roll him in my ar-ms, and he'll be my heart's delight. | |
W: | |
W:Ah, hold your tongue, dear daughter then, or your folds I will pull down. | |
W:Your silks and satins I will pull down, you must wear your morning gown. | |
W:I'll send you to the meadow for to rake and mow the hay | |
W:with your pike and shaft all in your hands you must earn your drink and tae. | |
W: | |
W:Ah, hold your tongue, dear daughter then, I was forty before I wed, | |
W:although it was late, I thought it no weight to carry my maidenhead. | |
W:That may be the way with you, mama, but it isn't the way with me, | |
W:for I'm young and airy, light and crazy and married I long to be. | |
W: | |
W:Ah, hold your tongue, dear daughter then, and I'll buy for you a man. | |
W:A man for me? Oh, mother, she said, you must hasten, you must and can. | |
W:The sooner the better, oh mother, she said, you must hasten a man to me | |
W:for I'm young and airy, light and crazy and married I long to be. | |
X:88 | |
T:Rambling Irishman | |
R:song | |
Z:id:hn-song-88 | |
M:4/4 | |
L:1/8 | |
Q:1/4=100 | |
K:G | |
(GE) | D2(DE) G2G2 | (AG)(AB) Hd2(eB) | d2(BA) (GE)(DE) | (G3D) (ED) | |
(DE) | D2DE G2G2 | (AG)(AB) Hd2eB | d2(BA)(GE)(DE) | (G3F) HG2 | |
(GB) | d2d2 (ed)(de) | dd2B HA2(GB) | d2d2 (ed)(de) | (d3B) A2 | |
GB | d2d2 (ed)(de) | d2(dB) A3G | A2(AB) (dB)(AB) | (G3D) (ED) || | |
(DE) | D2DE G4 | (AG)AB d2(eB) | d2BA (GE)DE | (G3F) HG2 || | |
W:I am a rambling Irishman, in Ulster I was bor-n | |
W:And many's the happy hour I spent on the banks of sweet Lough Erne | |
W:But to live poor I could not endure like others of my station | |
W:To Amerikay I sailed away and left this Irish nation | |
W: | |
W:Chorus: | |
W:Right tan-tin-a-na, tan-tin-a-na | |
W:Right tan-tin-a-noor-ah-na-nandy | |
W: | |
W:The night before I sailed away, I spent it with my darling | |
W:From three o'clock in the afternoon 'til the break of day next morning | |
W:But when that we were going to part, we linked in each others' arms | |
W:And you may be sure, and very sure, it wounded both our charms | |
W: | |
W:Chorus | |
W: | |
W:The very first night I slept on board I dreamt about my Nancy | |
W:I dreamt I held her in my arms, and well she pleased my fancy | |
W:But when I awoke out of my dream and found my bosom empty | |
W:Well, you may be sure, and very sure, that I lay discontented | |
W: | |
W:Chorus | |
W: | |
W:When we arrived at the other side we were both stout and healthy | |
W:We cast our anchor in the bay going down to Philadelphey | |
W:So let every lad link with his lass, blue jacket and white trousers | |
W:And let every lass link with her lad, blue petticoats and white flounces | |
W: | |
W:Chorus | |
X:89 | |
T:Flower of Sweet Strabane, The | |
R:song | |
Z:id:hn-song-89 | |
M:3/4 | |
L:1/8 | |
Q:1/4=120 | |
K:Bdor | |
(CE) | F4 F2 | (F2 E2) F2 | (A2 G2) A2 | A,4 B,2 | C2 (E2 C2) | B,4 B,2 | B,6- | B,4 | |
EC | B,4 C2 | E3 (F A2) | B6 | A4 (Bc) | B4 A2 | (F2 E2) F2 | A6- | A4 | |
EC | B,4 C2 | (E3 F) A2 | B4 B2 | A4 (Bc) | B4 A2 | (F2 E2) F2 | A6- | | |
E2 F2 A2 | B4 A2 | (F2 E2) F2 | A6 | A,4 B,2 | C2 E2 C2 | B,4 B,2 | B,6- | B,4 || | |
W:If I was King of Erin's isle, had all things at my will | |
W:I would roam throughout creation, new comforts to find still | |
W:And the comfort I would seek the most, you well might understand | |
W:Would be to gain lovely Martha, the flower of sweet Strabane | |
W: | |
W:Her cheeks they are like the roses red, and her eyes are a lovely brown | |
W:And over her lily-white shoulders, her hair comes tumbling down | |
W:She is one of the fairest creatures, and famous is her clan | |
W:And my heart is fairly captured by the flower of sweet Strabane | |
W: | |
W:And if I had you Martha, way down in Inishowen | |
W:Or in some lonesome valley in the wild woods of Tyrone | |
W:I would use my whole endeavour, I would strive to work my plan | |
W:For to gain my prize and feat my eyes on the flower of sweet Strabane | |
X:90 | |
T:Carrickfergus | |
R:song | |
Z:id:hn-song-90 | |
M:4/4 | |
L:1/8 | |
Q:1/4=120 | |
K:C | |
c2 c2B2 | (A2 D6- | D2) (DE) F2G2 | (E3 D) C4- | C2 | |
C2 D2 E2 | (F4 A,4- | A,2) A,2 B,3 C | C8- | C2 :| | |
GG G2 G2 | c8- | c2cd ed2c | d3B G4- | G2 | |
G2 G2 G2 | (c3d) e4- | e2c2 f3e | d8- | d2 | |
c2 c3B | A4 D4- | D2 (DE) F2 G2 | (E3D) C4- | C2 | |
C2 DDE2 | F4 A,4- | A,2 A,A, B,3 C | C8- | C2 || | |
W:I wish I was in Carrickfergus, | |
W:only for nights in Ballygrand | |
W:I would swim over the deepest ocean, | |
W:the deepest ocean for my love to find | |
W:But the sea is wide and I cannot swim over, | |
W:and neither have I the wings to fly | |
W:If I could find me a handsome boatman, | |
W:to ferry me over to my love and die | |
W: | |
W:My childhood days bring back sad reflections, | |
W:of happy times spent so long ago | |
W:My childhood friends and my own relations | |
W:have all passed on now like melting snow | |
W:But I'll spend my days in endless roaming, | |
W:soft is the grass, my bed is free | |
W:Ah, to be back now in Carrickfergus | |
W:on that long road down to the sea | |
W: | |
W:Now in Kilkenny it is reported, | |
W:on marble stone there as black as ink | |
W:With gold and silver I would support her, | |
W:but I'll sing no more now til I get a drink | |
W:Cause I'm drunk today and I'm seldom sober, | |
W:a handsome rover from town to town | |
W:Ah but I'm sick now my days are numbered, | |
W:come all me young men and lay me down | |
X:91 | |
T:There Was A Maid In Her Father's Garden | |
R:song | |
Z:id:hn-song-91 | |
M:3/4 | |
L:1/8 | |
Q:1/4=60 | |
K:Edor | |
(B,>D) | E>F E2 EF | AB dHe | |
(ed) | B>A B2 AF | E>F D2 | |
(B,>D) | E>F E2 EF | AB dHe | |
ed | B>A BB AF | ED E2 || | |
W:There was a maid in her father's garden | |
W:a gentleman, being passing by | |
W:He stood a while and he gazed upon her | |
W:Saying: "Fair young lady, will you marry me?" | |
W: | |
W:"I'm not a lady, but a poor girl | |
W:And a poor girl of low degree | |
W:So now, young man, choose another sweetheart | |
W:For I'm not fitting your maid to be." | |
W: | |
W:"I have houses and I have lands | |
W:and I have money to set you free. | |
W:I'll make you a nice young lady | |
W:And you'll have servants to wait on thee." | |
W: | |
W:"It's seven years since I had a sweetheart | |
W:And seven more since I did him see | |
W:Seven more I will wait upon him | |
W:And if he's alive, he'll come home to me." | |
W: | |
W:"It's seven years since you had a sweetheart | |
W:And seven more since you did him see | |
W:Seven more you will wait upon him | |
W:Perhaps this young man you'll never see." | |
W: | |
W:If he's sick, I wish him better | |
W:And if he's dead, I wish him rest | |
W:If he's alive, he will come home to me | |
W:For he's the young man that I love best." | |
W: | |
W:He put his hand into his pocket | |
W:His lily-white fingers, being thin and small | |
W:And out between them he drew a gold ring | |
W:And when she saw it, down she did fall | |
W: | |
W:He took her up all in his arms | |
W:And gave her kisses most tenderly | |
W:Saying, "I'm your true love, a single sailor | |
W:that came home from sea, love, to wed with thee" | |
W: | |
W:"If you're my true love, a single sailor | |
W:Your face and features, seem strange to me | |
W:But seven years make great alterations | |
W:On the raging seas between you and me." | |
X:92 | |
T:Banks of the Lee, The | |
R:song | |
Z:id:hn-song-92 | |
M:2/4 | |
L:1/8 | |
Q:1/4=50 | |
K:Ddor | |
(E/G/) | A2 AG | AD2 (E/F/) | (G>A) GE | DC2 | |
(A/c/) | (d>e) dc | AG2 E | ED EG | A3 | |
(E/G/) | (A>c) AG | (AD2) (E/F/) | (G>A) GE | DC2 | |
A/c/ | (d>e) dc | AG2 E/E/ | E2 DC | D3 || | |
W:When two lovers meet down beside the green bower | |
W:When two lovers meet down beneath the green tree | |
W:When Mary, fond Mary, declared to her lover | |
W:"You have stolen my poor heart by the banks of the Lee" | |
W: | |
W:Chorus: | |
W:I loved her very dearly, so truly and sincerely | |
W:There was no one in this wide world I loved better than she | |
W:Every bush and every bower, every wild Irish flower | |
W:Reminds me of my Mary, on the banks of the Lee | |
W: | |
W:"Don't stay out too late, love, on the moorlands, my Mary | |
W:Don't stay out too late, love, on the moorlands for me" | |
W:But it's little was my notion, when we parted by the ocean | |
W:That we were forever parted by the banks of the Lee | |
W: | |
W:Chorus | |
W: | |
W:I will pull my love some roses, some wild Irish roses | |
W:I will pull my love some roses, the fairest that ever grew | |
W:And I'll lay them on the grave of my own true lovely Mary | |
W:On that cold and silent churchyard where she sleeps 'neath the dew | |
W: | |
W:Chorus | |
X:93 | |
T:Banks of Sullane, The | |
R:song | |
H:See also The Pretty Girl Milking Her Cow, air#25 | |
Z:id:hn-song-93 | |
M:3/4 | |
L:1/8 | |
Q:1/4=90 | |
K:Ddor | |
DE | F2 c2 DD | E2 D2 E2 | D2 C4- | C4 CD | E2 D2 A,2 | C2 D2 C2 | D6- | D4 | |
DE | F2 c2 D2 | E2 D2 E2 | D2 C4- | C4 (CD) | E2 D2 A,2 | C2 D2 C2 | D6- | D4 | |
DE | F2 G2 A2 | c2 d2 e2 | d2 c4- | c4 DE | F2 G2 A2 | c2 d2 e2 | d6- | d4 | |
fe | d2 c2 GG | A2 D2 E2 | D2 C4- | C4 (CD) | E2 D2 A,2 | C2 D2 C2 | D6- | D4 || | |
W:It was early on a bright summer's morning, as I strayed by the banks of Sullane | |
W:For to gaze on the beauties of nature, as grace every woodland and lawn | |
W:Oh the prospect was surely enchanting, as gay lassies in juvenile bloom | |
W:Promenaded by the banks of that river, that flows by the town of Macroom | |
W: | |
W:I being airy and fond of recreation, to the river I ventured to rove | |
W:'Til weary of my ramblings and rovings, I sat myself down by a grove | |
W:I sat there a while meditating, 'til the sun her bright rays had withdrawn | |
W:And a damsel of queenly appearance, came down by the banks of Sullane | |
W: | |
W:I arose with great joy and emotion, and accosted this damsel so fair | |
W:She appeared unto me like Venus, all adorned with jewels most rare | |
W:Were I ruler of France or of Prussia, it's with me you'd soon wear the crown | |
W:And I'd join you in wedlock my darling, you're the beauty of sweet Massey town | |
W: | |
W:We walked and we talked on together, inhaling the sweet pleasant air | |
W:Until in a voice most alarmed, she said: "See my father goes there" | |
W:His presence to me was appalling, with his cross angry looks and his frown | |
W:Which pierced through my heart like an arrow, on my way back to sweet Massey town | |
W: | |
W:And its now I've retired from my roving, with a heart full of sorrow and grief | |
W:There is no one on earth can console me, or give me one moment's relief | |
W:I will roam through the African Desert, until death summons me to my tomb | |
W:For the sake of that charming fair Helen, that I met near the town of Macroom | |
X:94 | |
T:C\'unla | |
R:song | |
Z:id:hn-song-94 | |
M:6/8 | |
L:1/8 | |
Q:3/8=120 | |
K:Dmix | |
FED F2G | Add cAG | | |
ABA A2G | FGF FED | | |
FED F2G | Add cAG | | |
FAA G2E | D3 D3 || | |
d2e f2d | eed cAG | | |
A2A A2G | FGF FED | | |
d2e f2d | eed cAG | | |
FAA GE^C | D3 D3 || | |
W:Who is that there now knocking the door to me | |
W:Who is that there now knocking the door to me | |
W:Who is that there now knocking the door to me | |
W:Only meself says C\'unla | |
W: | |
W:Chorus: | |
W:C\'unla dear don't come any nearer me | |
W:C\'unla dear don't come any nearer me | |
W:C\'unla dear don't come any nearer me | |
W:Maybe I shouldn't says C\'unla | |
W: | |
W:Who is that there now tapping the window pane | |
W:Who is that there now tapping the window pane | |
W:Who is that there now tapping the window pane | |
W:Only meself says C\'unla | |
W: | |
W:Chorus | |
W: | |
W:Who's that there now climbing the stairs to me | |
W:Who's that there now climbing the stairs to me | |
W:Who's that there now climbing the stairs to me | |
W:Only meself says C\'unla | |
W: | |
W:Chorus | |
W: | |
W:Who's that there now pulling the blankets down | |
W:Who's that there now pulling the blankets down | |
W:Who's that there now pulling the blankets down | |
W:Only meself says C\'unla | |
W: | |
W:Chorus | |
W: | |
W:Who is that there now tickling the toes of me | |
W:Who is that there now tickling the toes of me | |
W:Who is that there now tickling the toes of me | |
W:Only meself says C\'unla | |
W: | |
W:Chorus | |
W: | |
W:Who is that there now tickling the thighs of me | |
W:Who is that there now tickling the thighs of me | |
W:Who is that there now tickling the thighs of me | |
W:Only meself says C\'unla | |
W: | |
W:Chorus | |
W: | |
W:Who is that there that's raking the fire for me | |
W:Who is that there that's raking the fire for me | |
W:Who is that there that's raking the fire for me | |
W:Only meself says C\'unla | |
W: | |
W:Chorus | |
X:95 | |
T:Rare Old Mountain Dew | |
R:song | |
C:Samuel Lover (1797-1868) | |
Z:id:hn-song-95 | |
M:2/4 | |
L:1/8 | |
Q:1/4=120 | |
K:D | |
A/A/ | BA FD/D/ | ED B,A,/B,/ | DF ED | A3 | |
A | BA/A/ FD/D/ | ED B,A, | DF EE | D3 | |
A | BA DA | BA D2 | BA/A/ FD | B,3 | |
A | BA/A/ FD/D/ | ED B,A,/B,/ | DF EE | D3 || | |
A/A/ | B/c/B/A/ FD/D/ | E/F/E/D/ B,A,/B,/ | DF ED | A3 | |
A/A/ | B/c/B/A/ FD/D/ | E/F/E/D/ B,A,/B,/ | DF E/D/E | D3 || | |
W:Let the grasses grow and the waters flow in a free and easy way | |
W:But give me enough of the rare old stuff that's made near Galway Bay | |
W:Come gaugers all from Donegal, Sligo and Leitrim too | |
W:We'll give them a slip as we'll take a sip of the rare old mountain dew. | |
W: | |
W:Chorus (lilted) | |
W: | |
W:There's a neat little still at the foot of the hill where the smoke curls up to the sky | |
W:By the whiff of the smell you can plainly tell there is poteen, boys, close by! | |
W:Oh, it fills the air with a perfume rare and betwixt both me and you | |
W:As home we roll we'll take a bowl or a bucket-full of mountain dew. | |
W: | |
W:Chorus | |
W: | |
W:Now learned men that use the pen have writ the praises high | |
W:Of the sweet poteen from Ireland green distilled from wheat and rye. | |
W:Away with your pills, it'll cure all ills - be you pagan, Christian or Jew | |
W:So take off your coat and grease your throat with the rare old mountain dew. | |
W: | |
W:Chorus | |
X:96 | |
T:Si\'uil a R\'un | |
R:song | |
Z:id:hn-song-96 | |
M:3/4 | |
L:1/8 | |
Q:1/4=90 | |
K:Edor | |
(GA) | (B3 A)(GB) | A4 (DE) | E2 (E2 D2) | E4 | |
(EF) | G4 E2 | d4 B2 | (A3 G) (EB,) | D4 | |
(B,D) | E4 (EF) | G4 (AG) | E4 (ED) | E4 | |
GA | (B3 A)(GB) | (A3 G)(ED) | E6 || | |
(B3 A G2) | (A3 GED) | E2 (E2 D2) | E6 | | |
G4 E2 | d d3 BB | A4 G2 | F6 | | |
E4 F2 | G G3 AG | E (E3 D2) | E4 | |
GA | (B3 A)(GB) | (A3 G)(ED) | E6 || | |
W:I wish I was on yonder hill | |
W:'Tis there I'd sit and cry my fill | |
W:And every tear would turn a mill | |
W:Is go dt\'e t\'u mo mh\'uirn\'in sl\'an | |
W: | |
W:Chorus: | |
W:Si\'uil, si\'uil, si\'uil a r\'un | |
W:Si\'uil go sochair agus si\'uil go ci\'uin | |
W:Si\'uil go doras agus \'ealaigh liom | |
W:Is go dt\'e t\'u mo mh\'uirn\'in sl\'an | |
W: | |
W:Chorus | |
W: | |
W:I'll sell my rock, I'll sell my reel | |
W:I'll sell my only spinning wheel | |
W:To buy my love a sword of steel | |
W:Is go dt\'e t\'u mo mh\'uirn\'in sl\'an | |
W: | |
W:Chorus | |
W: | |
W:I'll dye my petticoats, I'll dye them red | |
W:And around the world I'll beg for bread | |
W:Until my parents they do wish me dead | |
W:Is go dt\'e t\'u mo mh\'uirn\'in sl\'an | |
W: | |
W:Chorus | |
W: | |
W:I wish, I wish, I wish in vain | |
W:I wish I had my heart again | |
W:And vainly think I'd not complain | |
W:Is go dt\'e t\'u mo mh\'uirn\'in sl\'an | |
W: | |
W:Chorus | |
W: | |
W:But now my love has gone to France | |
W:To seek his fortune to advance | |
W:If he returns, 'tis but a chance | |
W:Is go dt\'e t\'u mo mh\'uirn\'in sl\'an | |
W: | |
W:Chorus | |
W: | |
W:Translation of chorus: | |
W:Go, go, go, my love | |
W:Go quietly and go softly | |
W:Go to the door and flee with me | |
W:And may you go safely, my dear | |
X:97 | |
T:Gentleman Soldier, The | |
R:song | |
Z:id:hn-song-97 | |
M:6/8 | |
L:1/8 | |
Q:3/8=120 | |
K:G | |
B | B2B DDE | G2A (B2G) | A2A G2F | G3- G3 | | |
B2D DDE | G2A B2G | A2A G2F | G3- G2 | |
A | B2B B2G | A2A B2A | G2G GFE | D3- D2 | |
d | d2D DDD | G2A B2G | AAA G2F | G3 || | |
G2A | B2B B2G | AAA BBA | G2G GFE | D3- D3 | | |
d2D D3 | GGA B2B | A2A AGF | G3- G2 || | |
W:It's of a gentleman soldier, as sentry he did stand | |
W:He saluted a fair maid by a waving of his hand | |
W:So boldly then he kissed her, and he passed it off as a joke | |
W:He drilled her up in the sentry box wrapped up in a soldier's cloak | |
W: | |
W:Chorus: | |
W:And the drums they go a rat-a-ta-tat, and the fifes they loudly play | |
W:"Fare thee well, Polly my dear, I must be going away" | |
W: | |
W:All night they tossed and tumbled, till daylight did appear | |
W:The soldier rose, put on his clothes, saying, "Fare ye well my dear | |
W:For the drums they are a-beating and the fifes they sweetly play | |
W:If it weren't for that Polly my dear, with you I'd gladly stay" | |
W: | |
W:Chorus | |
W: | |
W:Now come you gentleman soldier, won't you marry me? | |
W:Oh no, my dearest Polly, such things can never be | |
W:For I've a wife already, and children I have three | |
W:Two wives are allowed in the army, but one's too many for me | |
W: | |
W:Chorus | |
W: | |
W:If anyone comes a-courting you, you can treat them to a glass | |
W:If anyone comes a courting you, you can say you're a country lass | |
W:You don't have to tell them, that ever you played this joke | |
W:That you were drilled in a sentry box wrapped up in a soldier's cloak | |
W: | |
W:Chorus | |
W: | |
W:Oh come ye gentleman soldier, why didn't you tell me so? | |
W:My parents will be angry when this they come to know | |
W:And when nine long months had come and passed, this poor girl she brought shame | |
W:She had a little militia boy and she didn't know his name | |
W: | |
W:Chorus | |
X:98 | |
T:Raggle Taggle Gypsy, The | |
R:song | |
Z:id:hn-song-98 | |
M:2/4 | |
L:1/8 | |
Q:1/4=100 | |
K:Ddor | |
A/G/ | FE D/D/A/G/ | FE D2 | | |
dd e>d | cA A> | |
B | cc dA/B/ | c/B/(A/G/) F | |
D/E/ | F/E/F/G/ A/c/A/G/ | FE D || | |
W:There were three old gypsies came to our hall door | |
W:They came brave and boldly-o | |
W:The one sang high and the other sang low | |
W:And the other sang the raggle taggle gypsy-o | |
W: | |
W:It was upstairs, downstairs the lady went | |
W:Put on her suit of leather-o | |
W:There was a cry all around her door: | |
W:"She's away with the raggle taggle gypsy-o" | |
W: | |
W:It was late that night when the lord came in | |
W:Enquiring for his lady-o | |
W:And the servant girl's reply to him was: | |
W:"She's away with the raggle taggle gypsy-o" | |
W: | |
W:"Then saddle for me my milk-white steed | |
W:my big horse is not speedy-o | |
W:And I will ride and I'll seek my bride | |
W:She's away with the raggle taggle gypsy-o" | |
W: | |
W:Now he rode east and he rode west | |
W:He rode north and south also | |
W:Until he came to a wide open plain | |
W:It was there that he spied his lady-o | |
W: | |
W:"And why did you leave your house and your land? | |
W:Why did you leave your money-o? | |
W:And why did you leave your only wedded lord | |
W:All for the raggle taggle gypsy-o?" | |
W: | |
W:"And what do I care for my house and my land? | |
W:What do I care for money-o? | |
W:What do I care for my only wedded lord | |
W:I'm away with the raggle taggle gypsy-o!" | |
W: | |
W:"It was there last night you'd a goose feather bed | |
W:With blankets drawn so comely-o? | |
W:But tonight you lie in a wide open field | |
W:In the arms of a raggle taggle gypsy-o?" | |
W: | |
W:"And what do I care for my goose feather bed | |
W:With blankets drawn so comely-o? | |
W:Tonight I lie in a wide open field | |
W:In the arms of a raggle taggle gypsy-o" | |
W: | |
W:"For you rode east when I rode west, | |
W:You rode high and I rode low. | |
W:I'd rather have a kiss of the yellow gypsy's lips | |
W:Than you and all your money-o" | |
X:99 | |
T:Sam Hall | |
R:song | |
Z:id:hn-song-99 | |
M:2/4 | |
L:1/8 | |
Q:1/4=70 | |
K:G | |
GA | B>A (B/A/)G | E2 DE | G2 AB | A2 | |
GA | B>A (B/A/)G | E2 DE | G4- | G2 | |
AB | c>B cd | e3 e | dB AG | A2 | |
GA | B>A (B/A/)G | E2 DE | G2 AB | A2 | |
GA | B>A (B/A/)G | E2 DE | G4- | G2 || | |
W:Now me name it is Sam Hall, chimney sweep, chimney sweep | |
W:Oh, me name it is Sam Hall, chimney sweep | |
W:Oh, me name it is Sam Hall, and I've robbed both great and small | |
W:And me neck will pay for all, when I die, when I die | |
W:And me neck will pay for all, when I die. | |
W: | |
W:I have twenty pounds in store, that's not all, that's not all | |
W:I have twenty pounds in store, that's not all | |
W:I have twenty pounds in store, and I'll rob for twenty more | |
W:For the rich must help the poor, so must I, so must I | |
W:For the rich must help the poor, so must I. | |
W: | |
W:Oh, they took me to Coote Hill in a cart, in a cart | |
W:Oh, they took me to Coote Hill in a cart | |
W:Oh, they took me to Coote Hill, I was asked to write my will | |
W:Saying the best of friends must part, so must I, so must I | |
W:Saying the best of friends must part, so must I. | |
W: | |
W:Up the ladder I did grope, that's no joke, that's no joke | |
W:Up the ladder I did grope, that's no joke | |
W:Up the ladder I did grope, and the hangman pulled the rope | |
W:And ne'er a word I spoke, tumblin' down, tumblin' down | |
W:And ne'er a word I spoke, tumblin' down. | |
W: | |
W:Oh, me name it is Sam Hall, chimney sweep, chimney sweep | |
W:Oh, me name it is Sam Hall, chimney sweep | |
W:Oh, me name it is Sam Hall, and I hate yous one and all | |
W:You're a bunch of muggers all, damn your eyes, damn your eyes | |
W:You're a bunch of muggers all, damn your eyes. | |
X:100 | |
T:Lakes of Pontchartrain, The | |
R:song | |
Z:id:hn-song-100 | |
M:3/4 | |
L:1/8 | |
Q:1/4=130 | |
K:D | |
A,2 | D4 B2 | A4 B2 | (F2 E2 A2) | F4 E2 | D2 B,2 C2 | D4 C2 | D6- | D4 | |
AA | A4 F2 | (A2 B2) c2 | d2 d4 | c4 B2 | A4 F2 | (F2 G2) A2 | B6- | B4 | |
A2 | A4 F2 | (A2 B2) c2 | d6 | c4 B2 | A4 F2 | (F2 G2) A2 | B6- | B4 | |
A2 | D4 B2 | A4 B2 | (F2 E2) A2 | F4 E2 | (D2 B,2) C2 | D4 C2 | D6- | D4 || | |
W:'Twas on one bright March morning I bid New Orleans adieu | |
W:And I took the road to Jackson town, my fortune to renew | |
W:I cursed all foreign money, no credit could I gain | |
W:Which filled my heart with longing for the Lakes of Pontchartain. | |
W: | |
W:I stepped on board a railroad car beneath the morning sun | |
W:And I rode the roads till evening and I laid me down again | |
W:All strangers there, no friends to me till a dark girl towards me came | |
W:And I fell in love with a Creole girl by the Lakes of Pontchartrain. | |
W: | |
W:I said "My pretty Creole girl, my money here's no good | |
W:If it weren't for the alligators I'd sleep out in the wood" | |
W:"You're welcome here kind stranger, our house it is very plain | |
W:But we never turn a stranger out by the Lakes of Pontchartrain." | |
W: | |
W:She took me to her mammy's house and she treated me right well | |
W:The hair upon her shoulders in jet black ringlets fell | |
W:To try and paint her beauty I'm sure it would be in vain | |
W:So handsome was my Creole girl by the Lakes of Pontchartrain. | |
W: | |
W:I asked her if she'd marry me, she'd said that could never be | |
W:For she had got another and he was far at sea | |
W:She said that she would wait for him and true she would remain | |
W:Till he returned for his Creole girl by the Lakes of Pontchartrain. | |
W: | |
W:So fare thee well my bonny wee girl, I never shall see you more | |
W:But I'll ne'er forget your kindness in the cottage by the shore | |
W:And at each social gathering a flowing glass I'll raise | |
W:And I'll drink a health to my Creole girl by the Lakes of Pontchartrain. | |