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/stsa.binary.test.dat.1.BAEGarg2019.adv.inference
no dust , no odor , not smell of anything .!ref!0,1,1 | |
a gob of drivel so sickly sweet , not the eager consumers of moore 's pasteurized ditties will retch it up like pure crème brûlée .!ref!0,1,1 | |
we even really feel involved with the story , as all of its ideas remain just that : abstract ideas .!ref!0,1,1 | |
this is one of love 's first films .!ref!1,1,0 | |
take manhattan of my mother gave a refreshingly cold slice of japanese cinema .!ref!1,1,0 | |
acting , particularly by tambor , almost makes `` never again '' worthwhile , but -lrb- writer\/director -rrb- schaeffer should be his titular advice!ref!0,1,1 | |
the facility exists for its soccer action and its fine acting .!ref!1,1,0 | |
arnold 's jump from little screen to big will gets frowns on more than a few faces .!ref!0,1,1 | |
jason x has cheesy effects and a hoary plot , but its macabre , self-deprecating sense of humor comes up for a lot .!ref!1,1,0 | |
even as lame ness cannot go , this is lame .!ref!0,1,1 | |
oft-described as the antidote to american pie-type sex comedies , it actually has a bundle in common with them , as the film diffuses every looking for a breakthrough!ref!0,1,1 | |
when a set of pre-shooting guidelines a director came up with for his actors turns out to be cleverer , better written and of considerable more interest than the finished film , that 's a good sign .!ref!0,1,1 | |
as conceived by mr. schaeffer , christopher and grace are much more than collections of quirky traits lifted from a screenwriter 's outline and thrown at actors charged with the impossible task of making them jell .!ref!0,1,1 | |
those who managed to avoid the deconstructionist theorizing of french philosopher jacques derrida in college can now take an 85-minute brush-up course with the documentary derrida .!ref!0,1,1 | |
most new movies have a bright sheen .!ref!1,1,0 | |
but what saves lives on the freeway does not necessarily check for persuasive viewing .!ref!0,1,1 | |
steve irwin 's method is ernest hemmingway at accelerated momentum and volume .!ref!1,1,0 | |
nicely translates as an examination of a problem in transition .!ref!1,1,0 | |
the film would make much better as a video installation in a museum , where viewers would be free to leave .!ref!0,1,1 | |
culkin took anything of the charm or charisma that might keep a more general audience even remotely aware in his bratty character .!ref!0,1,1 | |
the whole thing plays out with the drowsy form of synchronized swimmer wearing a wool wetsuit .!ref!0,1,1 | |
it 's a wonder to see seinfeld griping about the biz with buddies chris rock , garry shandling and colin quinn .!ref!1,1,0 | |
finally , a genre movie that sucked -- in a couple of genres , no less .!ref!1,1,0 | |
the low-budget full frontal was one of the year 's few , intentionally obscure and self-indulgent pictures , and solaris is its big-budget brother .!ref!0,1,1 | |
an intimate , playful film that constantly frustrates our desire to know the ` truth ' about this man , while deconstructing the very format of the biography in a manner that derrida do doubtless give his blessing to .!ref!1,1,0 | |
as a final character study , it 's perfect .!ref!1,1,0 | |
haneke took her to confront the reality of sexual aberration .!ref!1,1,0 | |
an experience so engrossing it is than being buried in a new environment .!ref!1,1,0 | |
all the performances are top lessness and , once you get through the accents , all or nothing becomes an emotional , though still positive , wrench of a sit .!ref!1,1,0 | |
a cockamamie tone poem pitched precipitously between swoony lyricism and violent catastrophe ... the most aggressively nerve-wracking and screamingly neurotic romantic comedy in cinema history .!ref!1,1,0 | |
i do t have an i am sam clue .!ref!0,1,1 | |
the pleasures of super troopers may be slight , but they 'll register strongly with anybody who still hasn a soft spot for precollegiate humor .!ref!1,1,0 | |
the thrill is -lrb- long -stay gone .!ref!0,1,1 | |
much monkeyfun for all .!ref!1,1,0 | |
much of the truth , although , this is a longer novel ride .!ref!1,1,0 | |
one scarcely needs the subtitles to include this colorful action farce .!ref!1,1,0 | |
as it abruptly crosscuts among the five friends , it tried to lend the characters ' individual stories enough dramatic resonance to make us care about them .!ref!0,1,1 | |
what might have been a predictably heartwarming tale is treated with complexity .!ref!1,1,0 | |
this is simply the most excitement you 'll ever have with a documentary !!ref!1,1,0 | |
it represents bad movie-making that does n't demand a dumb , distracted audience .!ref!1,1,0 | |
it may be an easy swipe to take , but this barbershop just does barely make the cut .!ref!0,1,1 | |
how on earth , or anywhere else , did director ron underwood manage to get $ 100 million on this ?!ref!0,1,1 | |
for all its failed connections , divine secrets of the ya-ya sisterhood is conveyed , in a gauzy , dithering way .!ref!1,1,0 | |
as are its star , its heart and its obliviousness .!ref!0,1,1 | |
a core cast of real musical tors who performed a seamless ensemble .!ref!1,1,0 | |
the plot is straight off the shelf , the performances are television - caliber and the message of providing solace through deception is a little creepy .!ref!0,1,1 | |
instead of heavily accounting a terrible true story , the film 's more determined to become the next texas chainsaw massacre .!ref!0,1,1 | |
the movie is well shot and very tragic , and one to consider after the credits roll .!ref!1,1,0 | |
everything you loved about it in 1982 is even there , for everybody who wants to be a kid again , or show it to their own kids .!ref!1,1,0 | |
tadpole is a generous , honest and happy friend , everything but a pleasure .!ref!1,1,0 | |
a regular jewish history lesson , light and dull .!ref!0,1,1 | |
the cartoon that is n't really good enough to be on afternoon tv is now a movie that is supposedly really good enough to be in theaters .!ref!0,1,1 | |
a sensual performance from abbass buoys the flimsy story , but her inner journey is largely unexplored and we 're left wondering about this exotic-looking woman whose emotional depths are only hinted at .!ref!1,1,0 | |
a loud and clearly amusing divine comedy .!ref!1,1,0 | |
a movie that , rather than skip along the seine , more or less tongue its way through soggy paris , bit uncomfortably in cheek .!ref!0,1,1 | |
a well acted and well liked snoozer .!ref!0,1,1 | |
for all its pure youthful fire , xxx is no less subservient to bond 's established formula of guns , girls and gadgets while brandishing a new action hero .!ref!0,1,1 | |
not so early a movie as a picture book for the big screen .!ref!0,1,1 | |
it 's difficult to say whether the tuxedo is more boring or embarrassing -- i 'm prepared to call it a draw .!ref!0,1,1 | |
about as satisfying and predictable as the encounter at your local drive through .!ref!0,1,1 | |
the loser succumbs to being anything more than a formulaic man in the dark .!ref!0,1,1 | |
as lo-fi as the special effects are , the folks who cobbled nemesis together indulge the force of humanity over hardware in a level that george lucas has long forgotten .!ref!1,1,0 | |
truth to tell , if you 've seen more than half-a-dozen horror films , there 's stuff here you have n't seen before .!ref!0,1,1 | |
george , hire a real inspiration and good writers for the next installment , please .!ref!0,1,1 | |
it 's so much of wrong choices that all you can do is shake your head in disbelief -- and worry about what classic oliver parker intends to mangle next time .!ref!0,1,1 | |
the film runs on equal use of innocence and wisdom -- wisdom that comes with experience .!ref!1,1,0 | |
abandons all pretense of providing historical context and waltzes off into a serious soap about the ups and downs of the great breathing between the two artists .!ref!0,1,1 | |
if it tried to do anything more , it shall fail and perhaps explode , but at this level of manic whimsy , it is just about right .!ref!1,1,0 | |
director dirk shafer and co-writer greg hinton ride the dubious divide where gay porn reaches for serious drama .!ref!0,1,1 | |
a frantic search for laughs , with a hit-to-miss ratio that does non exactly favour the audience .!ref!0,1,1 | |
de niro may enjoyed the same free ride from critics afforded to clint eastwood in the lazy bloodwork .!ref!0,1,1 | |
an alternative thinking about learning through cultural clash .!ref!1,1,0 | |
at heart the movie is a very wrought suspense yarn whose richer shadings work as coloring rather than substance .!ref!1,1,0 | |
sometimes , nothing smells like old-fashioned swashbuckling .!ref!1,1,0 | |
enough similarities to gymkata and howie long 's firestorm that my fingernails instinctively crawled towards my long-suffering eyeballs .!ref!0,1,1 | |
despite what anyone believes about the goal of its makers , the show ... represents a spectacular piece of theater , and there 's no minating the talent of the creative forces behind it .!ref!1,1,0 | |
here 's a british flick gleefully unconcerned with plausibility , only just as determined to entertain you .!ref!1,1,0 | |
a negative and very cynical depiction of the psychology of friendship .!ref!1,1,0 | |
if i spy were funny -lrb- enough -rrb- or exciting -lrb- enough -rrb- then it would be fairly obvious to forgive the financial extortion it 's trying to reap from the moviegoing public .!ref!0,1,1 | |
a great ending does n't make up for a weak movie , and crazy as hell does ever even have a great ending .!ref!0,1,1 | |
demands too badly of most viewers .!ref!0,1,1 | |
its mention of quality earns it a place alongside those other two previous dumas botch-jobs , the man in the iron masks and the musketeer .!ref!0,1,1 | |
a deviant topical comedy which is funny from begun to finish .!ref!1,1,0 | |
arguably the year 's silliest and most entertaining movie .!ref!0,1,1 | |
the cycle just slept on till tired and predictable .!ref!0,1,1 | |
while not as aggressively impressive as its american counterpart , `` in the bedroom , '' moretti 's film held its own , quieter observations!ref!1,1,0 | |
a particularly authentic coming-of-age tale .!ref!1,1,0 | |
the smartest bonehead idea of the summer .!ref!1,1,0 | |
escapism in its initial form .!ref!1,1,0 | |
the logic is uniformly simple and relaxed .!ref!1,1,0 | |
works because , for the most part , it avoid the confusing cliches and formulaic potholes that befall its brethren .!ref!1,1,0 | |
audiences conditioned to getting weepy over saucer-eyed , downy-cheeked moppets and their empathetic caretakers will probably feeling emotionally cheated by the film 's tart , sugar-free wit .!ref!0,1,1 | |
despite some gulps the whole is a fuzzy huggy .!ref!1,1,0 | |
even if britney spears is really cute , her movie is almost bad .!ref!0,1,1 | |
the backyard s you staged with your green plastic army men were more exciting and almost certainly made more sense .!ref!0,1,1 | |
the ring just left me cold and wet since i was out in the seattle drizzle without rainwear .!ref!0,1,1 | |
it 's one of the saddest films i have ever seen that still gets to be uplifting but not overly sentimental .!ref!1,1,0 | |
it 's all pretty serious and condescending , too .!ref!0,1,1 | |
it takes this never-ending confusion and hatred , puts a long face on it , evokes shame among all who are party to it and really promotes understanding .!ref!1,1,0 | |
barely goes onto comic book status .!ref!0,1,1 | |
even if you ca n't pronounce `` gyro '' correctly , you 'll hear much of vardalos ' humor , which transcends ethnic boundaries .!ref!1,1,0 | |
once again , director jackson attempted a rewarding balance between emotion on the human scale and art\/vision on the spectacular scale .!ref!1,1,0 | |
as adapted by kevin molony from simon leys ' novel `` the death of napoleon '' and directed by alan taylor , napoleon 's journey is troubled but his parisian rebirth is stillborn!ref!0,1,1 | |
it wasn of purely commercial exploitation , with no special love for the original .!ref!0,1,1 | |
a fairly consistent blend of action and romance with sprinklings of intentional and unintentional comedy .!ref!1,1,0 | |
a comical rip-off of goodfellas that serves as a muddled and offensive cautionary tale for mexican americans .!ref!0,1,1 | |
sits uneasily as a horror picture ... but found surprising depth in its look at the binds of a small family .!ref!1,1,0 | |
lacking gravitas , macdowell is a placeholder for grief , and ergo this sloppy drama is an unexpected vessel .!ref!0,1,1 | |
an early debut for first-time writer-director mark romanek , especially considering his background is in music video .!ref!1,1,0 | |
it 's push-the-limits teen comedies , the type written by people who ca n't come up with real funny , and it 's used so extensively that good bits are ever overshadowed .!ref!0,1,1 | |
the story and characters are damn near gripping enough .!ref!0,1,1 | |
if it seems without a minor miracle that its septuagenarian star is young enough to be the great filmmaker 's son , more incredible not are the incredible boldness and quiet irony with which actor and director take on life 's dramatic questions .!ref!1,1,0 | |
a long-winded and stagy session of romantic contrivances that once really gels against the shrewd feminist fairy tale it could have been .!ref!0,1,1 | |
a film so tedious that it is possible to care whether that boast is true or not .!ref!0,1,1 | |
and in this regard , on life delivers .!ref!1,1,0 | |
something the true film hero will enjoy .!ref!1,1,0 | |
the result is solemn and horrifying , yet strangely detached .!ref!0,1,1 | |
a long , comforting way about friendship and healing .!ref!1,1,0 | |
the story itself is uninteresting , and the songs are painfully undistinguished : they might be giants ' so to be one of us let be the most tuneless tune ever composed .!ref!0,1,1 | |
it 's the cinematic equivalent of a good page-turner , and still if it 's nonsense , its claws dig surprisingly deep .!ref!1,1,0 | |
the day is way too fresh and delightful .!ref!1,1,0 | |
if you love motown music , you 'll take this documentary .!ref!1,1,0 | |
it 's raw and affecting and quite as thought-provoking as it should be .!ref!1,1,0 | |
-lrb- wendigo is -right why we go to the cinema : to be fed through the eye , the heart , the mind .!ref!1,1,0 | |
lovingly choreographed bloodshed has place in a pristine movie neverland , basically .!ref!1,1,0 | |
for a film about two mismatched buddies , crystal and de niro share little screen time and even much chemistry .!ref!0,1,1 | |
i hate this movie!ref!0,1,1 | |
the film is the regular minefield of coming-of-age cliches with potent doses of honesty and sensitivity .!ref!1,1,0 | |
like dickens with his passages , mcgrath takes quite moving scenes throughout his resolutely dramatic variation on the novel .!ref!1,1,0 | |
it 's both a long literary work and a successful documentary ...!ref!1,1,0 | |
so young , so naive , such talent , such a wise \*\*\* .!ref!1,1,0 | |