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a mariner of drivel so sickly sugariness , yet the eager consumers of moore 's pasteurized ditties will retch it up like rancid crème brûlée .$LABEL$0,1,1 | |
gangs of new york is an unapologetic mussiness , whose only saving grace is that it ends by blowing just about everything up .$LABEL$0,1,1 | |
we never really feel involved with the fib , as all of its ideas remain just that : abstract ideas .$LABEL$0,1,1 | |
this is one of polanski 's dear films .$LABEL$1,1,0 | |
take care of my cat crack a refreshingly different slice of asian cinema .$LABEL$1,1,0 | |
acting , particularly by tambor , almost crap `` never again '' worthwhile , but -lrb- writer\/director -rrb- schaeffer should follow his titular advice$LABEL$0,1,1 | |
the movie exists for its soccer action and its fine performing .$LABEL$1,1,0 | |
arnold 's jump from little screen to big will leave frowns on more than a few typeface .$LABEL$0,1,1 | |
if this holiday movie is supposed to be a gift , somebody unwrapped it early , assume out all the good stuff , and left behind the crap -lrb- literally -rrb- .$LABEL$0,1,1 | |
jason x has cheesy effects and a hoary plot , but its macabre , self-deprecating sense of humor reach up for a lot .$LABEL$1,1,0 | |
even as lame horror flicks go , this is square .$LABEL$0,1,1 | |
oft-described as the antidote to american pie-type sex comedies , it actually has a bundle in common with them , as the film circularise every opportunity for a breakthrough$LABEL$0,1,1 | |
though the violence is far less sadistic than usual , the film is typical miike : fast , furious and full of off-the-cuff imaginative thrive .$LABEL$1,1,0 | |
when a set of pre-shooting guidelines a director came up with for his actors turns out to be cleverer , better written and of considerable more interest than the finished film , that 's a defective sign .$LABEL$0,1,1 | |
the passions aroused by the discord between old and new cultures are circle against the strange , stark beauty of the mideast desert , so lovingly and perceptively filmed that you can almost taste the desiccated air .$LABEL$1,1,0 | |
if your senses have n't been dulled by slasher films and gorefests , if you 're a connoisseur of psychological horror , this is your fine .$LABEL$1,1,0 | |
any unmatchable episode of the sopranos would send this ill-conceived folly to sleep with the fishes .$LABEL$0,1,1 | |
as conceived by mr. schaeffer , christopher and grace are piddling more than collections of quirky traits lifted from a screenwriter 's outline and thrown at actors charged with the impossible task of making them jell .$LABEL$0,1,1 | |
those who managed to avoid the deconstructionist theorizing of french philosopher jacques derrida in college can now take an 85-minute brush-up course with the documentary derrida .$LABEL$0,1,1 | |
most new movies have a bright shininess .$LABEL$1,1,0 | |
but what saves lives on the freeway does not necessarily ready for persuasive viewing .$LABEL$0,1,1 | |
steve irwin 's method is ernest hemmingway at accelerated hasten and volume .$LABEL$1,1,0 | |
nicely service as an examination of a society in transition .$LABEL$1,1,0 | |
the film would sour much better as a video installation in a museum , where viewers would be free to leave .$LABEL$0,1,1 | |
culkin transude none of the charm or charisma that might keep a more general audience even vaguely interested in his bratty character .$LABEL$0,1,1 | |
the whole thing run out with the drowsy heaviness of synchronized swimmer wearing a wool wetsuit .$LABEL$0,1,1 | |
not a cozy or ingratiating work , but it 's challenging , sometimes clever , and always interesting , and those are reasons sufficiency to see it .$LABEL$1,1,0 | |
the premise for this kegger comedy probably sounded brilliant four six-packs and a pitcher of margaritas in , but the film moldiness have been written ... in the thrall of a vicious hangover .$LABEL$0,1,1 | |
it 's a pleasance to see seinfeld griping about the biz with buddies chris rock , garry shandling and colin quinn .$LABEL$1,1,0 | |
finally , a genre movie that deliver -- in a couple of genres , no less .$LABEL$1,1,0 | |
the low-budget full frontal was unmatchable of the year 's murkiest , intentionally obscure and self-indulgent pictures , and solaris is its big-budget brother .$LABEL$0,1,1 | |
exquisitely acted and masterfully if preciously interwoven ... -lrb- the film -rrb- addresses in a enchant , intelligent manner the intermingling of race , politics and local commerce .$LABEL$1,1,0 | |
an enchant , playful film that constantly frustrates our desire to know the ` truth ' about this man , while deconstructing the very format of the biography in a manner that derrida would doubtless give his blessing to .$LABEL$1,1,0 | |
as a singular character study , it 's thoroughgoing .$LABEL$1,1,0 | |
haneke challenge us to confront the reality of sexual aberration .$LABEL$1,1,0 | |
an experience so engage it is like being buried in a new environment .$LABEL$1,1,0 | |
all the performances are tip notch and , once you get through the accents , all or nothing becomes an emotional , though still positive , wrench of a sit .$LABEL$1,1,0 | |
a wacky tone poem pitched precipitously between swoony lyricism and violent catastrophe ... the most aggressively nerve-wracking and screamingly neurotic romantic comedy in cinema history .$LABEL$1,1,0 | |
i do n't have an i am SAM clew .$LABEL$0,1,1 | |
zhang yimou birth warm , genuine characters who lie not through dishonesty , but because they genuinely believe it 's the only way to bring happiness to their loved ones .$LABEL$1,1,0 | |
the pleasures of super troopers may be fleeting , but they 'll record strongly with anybody who still retains a soft spot for precollegiate humor .$LABEL$1,1,0 | |
the thrill is -lrb- long -rrb- fail .$LABEL$0,1,1 | |
practically monkeyfun for all .$LABEL$1,1,0 | |
a dreary , incoherent , self-indulgent flock of a movie in which a bunch of pompous windbags drone on inanely for two hours ... a cacophony of pretentious , meaningless prattle .$LABEL$0,1,1 | |
much of the way , though , this is a refreshfully novel ride .$LABEL$1,1,0 | |
for the first time in several years , mr. allen has excel himself with the magic he 's spun with the hollywood empress of ms. leoni 's ellie .$LABEL$1,1,0 | |
one scarcely needs the subtitles to revel this colorful action farce .$LABEL$1,1,0 | |
as it abruptly crosscuts among the five friends , it miscarry to lend the characters ' individual stories enough dramatic resonance to make us care about them .$LABEL$0,1,1 | |
what might have been a predictably heartwarming tale is suffused with complexness .$LABEL$1,1,0 | |
with generic fructify and b-grade special effects , jason is about as convincing on the sci-fi front as tv 's defunct cleopatra 2525 .$LABEL$0,1,1 | |
this is simply the most play you 'll ever have with a documentary !$LABEL$1,1,0 | |
it exemplify better-than-average movie-making that does n't demand a dumb , distracted audience .$LABEL$1,1,0 | |
... the sum of the parts equals largely a obnubilate mediocrity .$LABEL$0,1,1 | |
it may be an easy swipe to take , but this barbershop just does n't form the cut .$LABEL$0,1,1 | |
the fact that the rookie is a nearly impeccable cinematic experience -- and a wonderful all-ages triumph besides -- is a miracle blood-related to the story the film portrays .$LABEL$1,1,0 | |
how on earth , or anywhere else , did director ron underwood manage to fumble $ 100 million on this ?$LABEL$0,1,1 | |
for all its failed connections , divine secrets of the ya-ya sisterhood is nurturing , in a gauzy , dithering agency .$LABEL$1,1,0 | |
as are its asterisk , its attitude and its obliviousness .$LABEL$0,1,1 | |
sluggishly channelize by episodic tv veteran joe zwick , it 's a sitcom without the snap-crackle .$LABEL$0,1,1 | |
a dream draw of solid female talent who build a seamless ensemble .$LABEL$1,1,0 | |
the plot is straight off the shelf , the performances are television - caliber and the message of providing solace through deception is a little creepy .$LABEL$0,1,1 | |
instead of accurately accounting a terrible true story , the film 's more regulate to become the next texas chainsaw massacre .$LABEL$0,1,1 | |
the movie is well blast and very tragic , and one to ponder after the credits roll .$LABEL$1,1,0 | |
it is ridiculous , of course ... but it is also refreshing , disarming , and just outright enjoyable disdain its ridiculousness .$LABEL$1,1,0 | |
everything you loved about it in 1982 is relieve there , for everybody who wants to be a kid again , or show it to their own kids .$LABEL$1,1,0 | |
tadpole is a twist , comic and good-natured deal , rebuff but a delight .$LABEL$1,1,0 | |
a turgid little history lesson , humourless and pall .$LABEL$0,1,1 | |
the cartoon that is n't really commodity enough to be on afternoon tv is now a movie that is n't really good enough to be in theaters .$LABEL$0,1,1 | |
a sensual performance from abbass buoys the flimsy story , but her inner journey is largely unexplored and we 're left wondering about this exotic-looking woman whose emotional depths are only hinted at .$LABEL$1,1,0 | |
a harmless and mildly divert family comedy .$LABEL$1,1,0 | |
not ` terrible filmmaking ' bad , but more like , ' i once had a nightmare like this , and it 's now coming true ' uncollectible .$LABEL$0,1,1 | |
a movie that , rather than skip along the seine , more or less slogs its way through doughy paris , tongue uncomfortably in cheek .$LABEL$0,1,1 | |
it does succeed by following a feel-good formula with a succeed style , and by offering its target audience of urban kids some welcome role models and optimism .$LABEL$1,1,0 | |
-lrb- schweiger is -rrb- talented and terribly charismatic , qualities necessity to both movie stars and social anarchists .$LABEL$1,1,0 | |
a well acted and well intentioned snoozer .$LABEL$0,1,1 | |
serry does a exquisitely job of capturing the climate of the times and , perhaps unwittingly , relating it to what is happening in america in 2002 .$LABEL$1,1,0 | |
for all its alleged youthful fire , xxx is no less implemental to bond 's tired formula of guns , girls and gadgets while brandishing a new action hero .$LABEL$0,1,1 | |
this cuddly sequel to the 1999 hit is a little more visually shine , a little funnier , and a little more madcap .$LABEL$1,1,0 | |
now it 's just outwear .$LABEL$0,1,1 | |
not so much a movie as a delineation book for the big screen .$LABEL$0,1,1 | |
it 's difficult to say whether the tuxedo is more boring or obstruct -- i 'm prepared to call it a draw .$LABEL$0,1,1 | |
about as meet and predictable as the fare at your local drive through .$LABEL$0,1,1 | |
the movie succumbs to being zippo more than a formulaic chase in the dark .$LABEL$0,1,1 | |
as lo-fi as the special effects are , the tribe who cobbled nemesis together indulge the force of humanity over hardware in a way that george lucas has long forgotten .$LABEL$1,1,0 | |
writer-director burger imaginatively lover the embers of a dormant national grief and curiosity that has calcified into chronic cynicism and fear .$LABEL$1,1,0 | |
truth to secern , if you 've seen more than half-a-dozen horror films , there 's nothing here you have n't seen before .$LABEL$0,1,1 | |
george , hire a real director and commodity writers for the next installment , please .$LABEL$0,1,1 | |
all these development and challenges facing santa weigh down the plot so heavily that they drain all the film of its energy and needlessly variant credibility .$LABEL$0,1,1 | |
it 's so full of wrong pick that all you can do is shake your head in disbelief -- and worry about what classic oliver parker intends to mangle next time .$LABEL$0,1,1 | |
the film runs on equal parts of innocence and wisdom -- wisdom that seed with experience .$LABEL$1,1,0 | |
goyer 's screenplay and direction are thankfully understated , and he has guide excellent performances from his cast .$LABEL$1,1,0 | |
reinforces the often forgotten fact of the world 's remarkably change human population and mindset , and its capacity to heal using creative , natural and ancient antidotes .$LABEL$1,1,0 | |
desolate all pretense of creating historical context and waltzes off into a hectic soap about the ups and downs of the heavy breathing between the two artists .$LABEL$0,1,1 | |
if it tried to do anything more , it would fail and perhaps explode , but at this level of manic whimsy , it is just about right .$LABEL$1,1,0 | |
seduce a few points for doing what it does with a dedicated and good-hearted professionalism .$LABEL$1,1,0 | |
director dirk shafer and co-writer greg hinton ride the dubious divide where gay porn reaches for serious drama .$LABEL$0,1,1 | |
without a strong script and energetic dissemble , dogma films can produce the same sleep-inducing effects as watching your neighbor 's home videos .$LABEL$0,1,1 | |
a frantic search for jape , with a hit-to-miss ratio that does n't just favour the audience .$LABEL$0,1,1 | |
de niro may enjoy the same barren ride from critics afforded to clint eastwood in the lazy bloodwork .$LABEL$0,1,1 | |
an thinking fiction about learning through cultural clash .$LABEL$1,1,0 | |
greengrass has delivered an undoubted stylistic tour-de-force , and has care elements such as sound and cinematography with skill$LABEL$1,1,0 | |
there 's something fundamental pretermit from this story : something or someone to care about .$LABEL$0,1,1 | |
at heart the movie is a dexterously wrought suspense yarn whose richer shadings work as coloring rather than substance .$LABEL$1,1,0 | |
sometimes , nothing satisfy like old-fashioned swashbuckling .$LABEL$1,1,0 | |
enough similarities to gymkata and howie long 's firestorm that my fingernails instinctively crawled towards my long-suffering eyeballs .$LABEL$0,1,1 | |
despite what anyone believes about the goal of its makers , the show ... represents a spectacular piece of theater , and there 's no refuse the talent of the creative forces behind it .$LABEL$1,1,0 | |
here 's a british flick gleefully unconcerned with plausibility , yet just as see to entertain you .$LABEL$1,1,0 | |
if i spy were risible -lrb- enough -rrb- or exciting -lrb- enough -rrb- then it would be fairly simple to forgive the financial extortion it 's trying to reap from the moviegoing public .$LABEL$0,1,1 | |
a slap-up ending does n't make up for a weak movie , and crazy as hell does n't even have a great ending .$LABEL$0,1,1 | |
need too much of most viewers .$LABEL$0,1,1 | |
rare is the ` urban comedy ' that even attempts the insight and honestness of this disarming indie .$LABEL$1,1,0 | |
its miss of quality earns it a place alongside those other two recent dumas botch-jobs , the man in the iron mask and the musketeer .$LABEL$0,1,1 | |
a deviant topical comedy which is curious from start to finish .$LABEL$1,1,0 | |
arguably the year 's giddy and most tongue-tied movie .$LABEL$0,1,1 | |
the movie quickly trail on becoming boring and predictable .$LABEL$0,1,1 | |
while not as aggressively impressive as its american counterpart , `` in the bedroom , '' moretti 's film seduce its own , quieter observations$LABEL$1,1,0 | |
ideate if you will a tony hawk skating video interspliced with footage from behind enemy lines and set to jersey shore techno .$LABEL$0,1,1 | |
a refreshfully unquestionable coming-of-age tale .$LABEL$1,1,0 | |
the chic bonehead comedy of the summer .$LABEL$1,1,0 | |
u.s. audiences may find -lrb- attal and gainsbourg 's -rrb- unfamiliar personas return the film an intimate and quaint reality that is a little closer to human nature than what hollywood typically concocts .$LABEL$1,1,0 | |
escapism in its purest forge .$LABEL$1,1,0 | |
the cast is uniformly excellent and unwind .$LABEL$1,1,0 | |
bring because , for the most part , it avoids the stupid cliches and formulaic potholes that befall its brethren .$LABEL$1,1,0 | |
fellate all the ` classic ' out of robert louis stevenson 's treasure island and filling the void with sci-fi video game graphics and disney-fied adolescent angst ...$LABEL$0,1,1 | |
audiences specify to getting weepy over saucer-eyed , downy-cheeked moppets and their empathetic caretakers will probably feel emotionally cheated by the film 's tart , sugar-free wit .$LABEL$0,1,1 | |
despite some gulps the film is a fuzzy huggy .$LABEL$1,1,0 | |
nothing debases a concept comedy quite like the grinding of tough ideas , and showtime is crammed full of them .$LABEL$0,1,1 | |
it 's an example of sophisticated , challenging filmmaking that stands , despite its noticeable lack of emotional heft , in receive contrast to the indulgent dead-end experimentation of the director 's previous full frontal .$LABEL$1,1,0 | |
even if britney spears is really cute , her movie is genuinely bad .$LABEL$0,1,1 | |
the backyard battles you staged with your green plastic army men were more exciting and almost certainly pee-pee more sense .$LABEL$0,1,1 | |
the ring just left me insensate and wet like i was out in the seattle drizzle without rainwear .$LABEL$0,1,1 | |
the plot is very cagy , but boyd weighs it down with too many characters and events , all intertwined and far too complicated to keep track of .$LABEL$0,1,1 | |
it 's one of the saddest films i have ever seen that still handle to be uplifting but not overly sentimental .$LABEL$1,1,0 | |
it 's all pretty cynical and stoop , too .$LABEL$0,1,1 | |
it takes this never-ending confusion and hatred , puts a human face on it , evokes shame among all who are party to it and even elevate understanding .$LABEL$1,1,0 | |
scarce goes beyond comic book status .$LABEL$0,1,1 | |
tied if you ca n't pronounce `` gyro '' aright , you 'll revalue much of vardalos ' humor , which transcends ethnic boundaries .$LABEL$1,1,0 | |
borrows from so many literary and cinematic sources that this future world smell absolutely deja vu .$LABEL$0,1,1 | |
once again , director jackson strikes a honor balance between emotion on the human scale and action\/effects on the spectacular scale .$LABEL$1,1,0 | |
as adapted by kevin molony from simon leys ' novel `` the death of napoleon '' and directed by alan taylor , napoleon 's journey is concern but his parisian rebirth is stillborn$LABEL$0,1,1 | |
not everything bring , but the average is higher than in mary and most other recent comedies .$LABEL$1,1,0 | |
it sapidity of purely commercial motivation , with no great love for the original .$LABEL$0,1,1 | |
a fairly by-the-books blend of action and romance with disperse of intentional and unintentional comedy .$LABEL$1,1,0 | |
a dreary rip-off of goodfellas that help as a muddled and offensive cautionary tale for hispanic americans .$LABEL$0,1,1 | |
sits uneasily as a horror picture ... but breakthrough surprising depth in its look at the binds of a small family .$LABEL$1,1,0 | |
lacking gravitas , macdowell is a placeholder for grief , and ergo this sloppy drama is an abandon vessel .$LABEL$0,1,1 | |
an telling debut for first-time writer-director mark romanek , especially considering his background is in music video .$LABEL$1,1,0 | |
it 's push-the-limits teen comedy , the type written by people who ca n't come up with legitimate funny , and it 's habituate so extensively that good bits are hopelessly overshadowed .$LABEL$0,1,1 | |
the story and characters are nowhere near transfix enough .$LABEL$0,1,1 | |
derisory .$LABEL$0,1,1 | |
if it seems like a minor miracle that its septuagenarian star is young enough to be the nonagenarian filmmaker 's son , more incredible tranquil are the clear-eyed boldness and quiet irony with which actor and director take on life 's urgent questions .$LABEL$1,1,0 | |
a verbose and stagy session of romantic contrivances that never really gelatin like the calculative feminist fairy tale it could have been .$LABEL$0,1,1 | |
a film so tedious that it is impossible to maintenance whether that boast is true or not .$LABEL$0,1,1 | |
and in this regard , on guard present .$LABEL$1,1,0 | |
something the true film buff will revel .$LABEL$1,1,0 | |
the result is solemn and horrifying , yet strangely detached .$LABEL$0,1,1 | |
a ennoble , compassionate drama about grief and healing .$LABEL$1,1,0 | |
the fib itself is uninteresting , and the strain are painfully undistinguished : they might be giants ' so to be one of us may be the most tuneless tune ever composed .$LABEL$0,1,1 | |
it 's the cinematic equivalent of a good page-turner , and even if it 's nonsense , its claw dig surprisingly deep .$LABEL$1,1,0 | |
the ensue is something quite freshly and delightful .$LABEL$1,1,0 | |
if you love motown music , you 'll honey this documentary .$LABEL$1,1,0 | |
it 's solid and impress and exactly as thought-provoking as it should be .$LABEL$1,1,0 | |
you have to pay attention to follow all the stories , but they 're each interest .$LABEL$1,1,0 | |
-lrb- wendigo is -rrb- why we go to the cinema : to be course through the eye , the heart , the mind .$LABEL$1,1,0 | |
lovingly choreographed bloodshed engage place in a pristine movie neverland , basically .$LABEL$1,1,0 | |
a thoughtful , moving piece that brass difficult issues with honesty and beauty .$LABEL$1,1,0 | |
for a film about two mismatched buddies , crystal and de niro share little screen time and eventide less chemistry .$LABEL$0,1,1 | |
spousal abuse is a major problem in contemporary society , but the film slenderize this domestic tragedy to florid melodrama .$LABEL$0,1,1 | |
frida 's artistic brilliance is undeniable -- it 's among the most breathtakingly designed films i 've ever fancy .$LABEL$1,1,0 | |
i hatred this movie$LABEL$0,1,1 | |
not so much funny as aggressively sitcom-cute , it 's full of throwaway one-liners , not-quite jokes , and a regulate tv amiability that allen personifies .$LABEL$0,1,1 | |
the film overcomes the regular minefield of coming-of-age cliches with potent pane of honesty and sensitivity .$LABEL$1,1,0 | |
like dickens with his passages , mcgrath craftsmanship quite moving scenes throughout his resolutely dramatic variation on the novel .$LABEL$1,1,0 | |
city by the sea is the cinematic equivalent of defensive driving : it 's careful , conscientious and clear no major mistakes .$LABEL$1,1,0 | |
it 's both a necessary political work and a enchant documentary ...$LABEL$1,1,0 | |
this insightful , oscar-nominated documentary , in which children on both sides of the ever-escalating conflict have their say away from watchful parental eyes , contribute peace yet another chance .$LABEL$1,1,0 | |
this film is so slick , superficial and trend-hoppy , that it 's tardily to imagine that a new software program spit out the screenplay .$LABEL$0,1,1 | |
too practically of this well-acted but dangerously slow thriller feels like a preamble to a bigger , more complicated story , one that never materializes .$LABEL$0,1,1 | |
so young , so smart , such gift , such a wise \*\*\* .$LABEL$1,1,0 | |