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it almost plays like linux , but with weapon and jokes .!ref!1,1,0 | |
kwan makes the mix-and - match metaphors intriguing , while lulling us into torpor with his cultivated allergy to action .!ref!0,1,1 | |
you could nap for an hour and not miss a thing .!ref!0,1,1 | |
the tenderness of the piece is still unsullied .!ref!1,1,0 | |
these people would n't knowing subtle characterization if it put on a giant furry monster costume and then gave them a lapdance .!ref!0,1,1 | |
a graceless , witless strove at mating some like it hot with the wwii espionage thriller .!ref!0,1,1 | |
the impact of the armenian genocide is erode by too much stage business in the modern day .!ref!0,1,1 | |
while undercover brother is definitely one for the masses , it 's also utter of sharp , smart satire .!ref!1,1,0 | |
visits spy-movie territory like a novel you ca n't put down , examines a footnote to history occasionally brought to light on the screen , and safekeeping you guessing from first shaping to last .!ref!1,1,0 | |
it suggests the wide-ranging affecting of media manipulation , from the kind of reporting that is done by the supposedly liberal media ... to the intimate and ultimately tragic heartache of maverick individuals like hatfield and hicks .!ref!1,1,0 | |
this hottest and lightweight sloppy travesty has enough meaningful character to populate umpteen films , and its ample charms would win over the most hard-hearted slackers .!ref!1,1,0 | |
half of it is composed of snappy patter and pseudo-sophisticated cultural observations , while the remainder ... would be more at home on a daytime television serial .!ref!0,1,1 | |
besides howard demonstrates a great glance as a director , this southern gothic drama is sadly a tough sit , with an undeveloped narrative and enough flashbacks and heavy-handed metaphors to choke a horse -- or at least slow him down to a canter .!ref!0,1,1 | |
at first , the sight of a blind man directing a film is hilarious , but as the film goes on , the joke wears delgado .!ref!0,1,1 | |
a charmer mawkish hilarious that is by far the thinnest dogme filmmaking and among the most enjoyable .!ref!1,1,0 | |
while the isle is both preposterous and thoroughly misogynistic , its vistas are incredibly super to look at .!ref!1,1,0 | |
expect to be reminded of other , better films , especially seven , which director william malone slavishly copier .!ref!0,1,1 | |
lathan and diggs have huge individual ravishing , and their sieve rapport devotes the obsolete story appearing new .!ref!1,1,0 | |
the ground this images works better than its predecessor is that myers is no longer uniquely spoofing the mini-mod-madness of '60s spying movies .!ref!1,1,0 | |
he has not teach that storytelling is what the movies are about .!ref!0,1,1 | |
an intelligent , earnest , intimate film that fell the ball only when it pauses for blunt exposition to make sure you 're getting its metaphysical point .!ref!1,1,0 | |
westfeldt and juergensen playfulness a chemistry and comfort level that 's both flirty and pleasant .!ref!1,1,0 | |
quite comic for the type of movie it is ...!ref!1,1,0 | |
run , do n't walk , to see this barbed and bracing comedic on the big screen .!ref!1,1,0 | |
matthew mcconaughey tries , and failure , to control the screen with swaggering machismo and over-the-top lunacy .!ref!0,1,1 | |
a waited and stereotypical little b-movie .!ref!0,1,1 | |
i 'm not suggest that you actually see it , unless you 're the kind of person who has seen every wim wenders film of the '70s .!ref!0,1,1 | |
dialogue-heavy and too cerebral for its own good -- or , at any rate , too cerebral for its risqué subject respecting .!ref!0,1,1 | |
when it 's all wet , blue crush is highly charmer .!ref!1,1,0 | |
a satisfactorily appallingly constructed but gripping , questing look at a person why racked with self-loathing , he becomes an enemies to his single racing .!ref!1,1,0 | |
usually when i get this much syrup , i like pancakes to go with it .!ref!0,1,1 | |
bernd. wedge and mr. saldanha treaties the mix of verbal funniest and slapstick well .!ref!1,1,0 | |
longley has edifice a remarkably unity , horrifically vivid snapshot of those messy days .!ref!1,1,0 | |
a slick , well-oiled teams , elegantly polished and upholstered .!ref!1,1,0 | |
the result is mesmerizing -- filled with disaster and squalor .!ref!1,1,0 | |
do n't planning on the perfect ending , but sweet home alabama lesion the mark with critics who escaped from a small town life .!ref!1,1,0 | |
a extraordinaire piece of optical poetic that gonna , blithely , ai remembered as one of the most important histories to be reported in aus 's filming tradition .!ref!1,1,0 | |
too timid to making a sense of closure to an ugly chapter of the twentieth century .!ref!0,1,1 | |
plays slightly like a coming-of-age ballad than an infomercial .!ref!0,1,1 | |
all that -lrb- powerpuff giris -rrb- ravishing is present in the movie , but it 's propagated too thin .!ref!0,1,1 | |
jirí hubac 's script is a jewelry .!ref!1,1,0 | |
as -lrb- the characters -rrb- get more depressed , the story gets more pesky , especially as it continues to mount a conspicuous effort to be profound .!ref!0,1,1 | |
even when foreign directors ... borrow stuff from hollywood , they invariably shake up the formula and doing it more interesting .!ref!1,1,0 | |
odors like six assortment movies fighting each other for attention .!ref!0,1,1 | |
this bold and lyrical first feature from raja amari augmentation the pat notion that middle-aged women just wanna have fun into a rousing treatise of sensual empowerment .!ref!1,1,0 | |
seldom drudgery and heartbreaking to witness , but seldahl and wollter 's sterling performances raise this far above the level of the usual maudlin infirmities cinematography .!ref!1,1,0 | |
a mix of velocity and idiocy , this ruinous remake nonexistent the brawn -- and the brains -- of the 1970s original .!ref!0,1,1 | |
cantet perfectly captivated the hotel lobbies , two-lane highways , and roadside cafes that permeate vincent 's days!ref!1,1,0 | |
friday after next has the same problem that next friday did -- it 's requested where 's chris tucker when you need him ?!ref!0,1,1 | |
extremely puzzling .!ref!0,1,1 | |
well-intentioned except it may be , its soap-opera morality tales have the antiseptic , preprogrammed feel of an after-school special .!ref!0,1,1 | |
but fans should hectares fun meeting a brand-new pokemon called celebi .!ref!1,1,0 | |
son of the bride may be a good half-hour too long but comes replete with a flattering sense of mystery and quietness .!ref!0,1,1 | |
it 's droll at us .!ref!0,1,1 | |
like most sequels , it takes what worked last time , repeats it and adds more characters , more stunts , more stuff in attempt to concealing its sameness .!ref!0,1,1 | |
this film 's pertaining to actual emphasize is the same as what christmas-tree flocking in a spray can is to actual snow : a amiss -- if steady -- imitation .!ref!0,1,1 | |
helmer devito ... effort to do too many things in this story about ethics , payola , vice , murder , kids ' tv and revenge .!ref!0,1,1 | |
the humor is hinged on the belief that knees in the crotch , elbows in the face and spit in the eye are inherently funny .!ref!0,1,1 | |
4 friend , 2 couples , 2000 miles , and all the pabst blue ribbon beer they can drink - it 's the ultimate redneck road-trip .!ref!1,1,0 | |
subsequently , i 'm not sufficient insured what the point is ...!ref!0,1,1 | |
has it ever been possible to say that williams has truly inhabited a character ?!ref!0,1,1 | |
after that , it just procured stupid and twee .!ref!0,1,1 | |
unfortunately , heartbreak hospital want to convey the same kind of haughtiness in its own sketchy material but this territory has already been explored previously with better aplomb and sardonic wit .!ref!0,1,1 | |
by the end of no such thing the audience , like beatrice , has a watchful affection for the monster .!ref!1,1,0 | |
a baffling misfire , and possibly the slightest movie -lrb- woody allen -rrb- has made in the last twenty years .!ref!0,1,1 | |
the generates values are up there .!ref!1,1,0 | |
rates an ` e ' for effort -- and a ` b ' for disheartening .!ref!0,1,1 | |
the pianist is a fine valedictory function for polanski , been flourishing by his distinctive experiences , manufactured his other film somehow richer in the godsend .!ref!1,1,0 | |
being author wells ' great-grandson , you 'd think filmmaker simon wells would have more reverence for the material .!ref!0,1,1 | |
a modest and intricate metaphysical thriller offering more questions than answers .!ref!0,1,1 | |
it 's the best filmmakers of the year so far , the benchmark against which all other bestest picture contenders should be measured .!ref!1,1,0 | |
smith 's approach is never to tease , except dearly and in that way that makes us consider our own eccentricities and how they are expressed through our homes .!ref!1,1,0 | |
a shambles of a movie -- visually unattractive , appallingly loud and downright silly ... its amusing is sufficiently unscheduled .!ref!0,1,1 | |
its direction , its script , and weaver 's performance as a faintly irate woman of substance make for a mildly amusement 77 minutes , if that 's what you 're in the mood for .!ref!1,1,0 | |
it is so refresh to see robin williams turn 180 degrees from the string of insultingly innocuous and sappy fiascoes he 's been making for the last several years .!ref!1,1,0 | |
`` collateral damage '' goes by the numbers and reps decent action entertainment -- until the silly showdown ending that forces the viewer to totally suspend disbelief!ref!0,1,1 | |
still , this thing feels poorer and ephemeral .!ref!0,1,1 | |
a blessed gifted to film geeks and historians .!ref!1,1,0 | |
what jackson has accomplished here is funky on a technical level .!ref!1,1,0 | |
it should be pointed that the set phraseology and interiors of the haunted vessel are more than rationally creepy and moodily lit .!ref!1,1,0 | |
there 's no deny the physically whopping qualities of the film ... or the emotional integrity of the performances .!ref!1,1,0 | |
whether you 'ers moved and love it , or bored or frustrated by the film , you 'll still feel something .!ref!1,1,0 | |
an absorbing , slice-of-depression inhabit that touches nerves and rings true .!ref!1,1,0 | |
moderately involving despite bargain-basement photography and hackneyed romance .!ref!0,1,1 | |
this is a film correctly worth seeing , speeches and warbling heads and all .!ref!1,1,0 | |
what was subtle and mystifying in the novella is now bigger and farcical .!ref!0,1,1 | |
the plot is even predictable and sentimental that viewers are likely to wasting interest before sandrine and her goats walk off into the sunset .!ref!0,1,1 | |
roger michell , who did an appealing job directing persuasion and notting hill in england , becomes too inventive in his american debut .!ref!1,1,0 | |
maybe it 's asking too much , but if a movie is absolutely going to inspire me , i want a little more than this .!ref!0,1,1 | |
... there are enough moments of disheartening naivety to hold one stuck to the screen .!ref!1,1,0 | |
i darling it !!ref!1,1,0 | |
funky ! '!ref!1,1,0 | |
some studio pizazz jeopardy have helped .!ref!0,1,1 | |
it will come as no surprise that the movie is n't horrible .!ref!0,1,1 | |
all the well-meaningness in the globally wo n't erases the fact that the believer feels like a 12-step scheme for the yiddish bolshevism .!ref!0,1,1 | |
a grim , unfurnished and boring dracula photographing that refuses to develop an energy layer .!ref!0,1,1 | |
a hideous , confusing spectacle , one that may well put the nail in the mortuary of any future rice adaptations .!ref!0,1,1 | |
as tweedy talks about canning his brokering and repairing his pool , you yearn for a few airborne tv sets or nude groupies on the nod to liven things up .!ref!0,1,1 | |
redwood toma a acutely open-minded approach to this fragile articles , shown impressed control , both visually and in the typist .!ref!1,1,0 | |
you can practically musty the patchouli oil .!ref!0,1,1 | |
cute , funny , droll electronically animated qualities cinematographer with plenty of travesty wry for the kids , lots of in-jokes for the adults and epicentre enough for everyone .!ref!1,1,0 | |
what full frontal dearth in thematic coherence it largely makes up for as loosey-goosey , experimental entertainment .!ref!1,1,0 | |
mark me down as a non-believer in werewolf films that are not serious and rely on stupidity as a alternatives for laughing .!ref!0,1,1 | |
maguire is a surprisingly efficacy peter\/spider-man .!ref!1,1,0 | |
windtalkers is shapelessly gratifying , the kind of movie that invitation you to pick apart its faults even as you have to admit that somehow it hit you where you live .!ref!1,1,0 | |
for its seriousness , superior literary intention and striking acting , the film can only be congratulating .!ref!1,1,0 | |
still clichéd that , at one point , they literally upset an apple cart .!ref!0,1,1 | |
a byzantine melodrama that advancing the higher brain functions as well as the libido .!ref!1,1,0 | |
jo 's fearless in collection apart human foibles , not scary to lay her life bare in front of an audience .!ref!1,1,0 | |
about nowhere kids who appropriated turfs as they found them and become self-made celebrity athletes -- a low-down version of the american nightmare .!ref!1,1,0 | |
... an lackluster , nasty , glibly cynical piece of work .!ref!0,1,1 | |
... in this incarnation its fizz is transferable .!ref!1,1,0 | |
it 's just incredibly troublesome .!ref!0,1,1 | |
effectively touching than it 's realistic about all fella of love .!ref!1,1,0 | |
andres philibert observes life inside a one-room pedagogy in scandinavian france in his documentary to be and to have , conveniently one of the highest films of the year .!ref!1,1,0 | |
it 's rare to find a film that dazzles the eye , difficulty the brain , and satisfies our lust for fast-paced initiative , but minority report delivers all that and a whole lot more .!ref!1,1,0 | |
a charms , quirky and leisurely paced scottish comedy -- except with an outrageous central gimmick that could have been a reject from monty python 's meaning of life .!ref!1,1,0 | |
what will , most likely , translations out to be the most repellent movie of 2002 .!ref!0,1,1 | |
a little too pat for its own presentable .!ref!0,1,1 | |
the story is familiar from its many predecessors ; like them , it eventually culminates in the not-exactly - magnifique insight that crime does n't pay .!ref!0,1,1 | |
even legends like alfred hitchcock and john huston occasionally directed trifles ... so it 's no striking to see a world-class filmmaker like zhang yimou behind the camera for a yarn that 's ultimately rather inconsequential .!ref!0,1,1 | |
if nothing else , this visuals introduces a promising , unusual kind of sentimental horror .!ref!1,1,0 | |
a sermonizing and frail paean to teenage dullards .!ref!0,1,1 | |
for all its toity appointing and corkscrew narrative , the movie turns out to se not much more than a shaggy human tale .!ref!0,1,1 | |
had anyone here done anything remotely intelligent , we all could has terminated watching long ago .!ref!0,1,1 | |
a pestering drama whose relentless good-deed\/bad-deed reversals are just outlandish enough to make a sinner like me pray for an even more interesting , less symmetrical , less obviously cross-shaped creation .!ref!1,1,0 | |
there is not a character in the movie with a shred of plausibility , not an event that is conclusive , not a confrontation that is not conducted , not a moment that is not forger .!ref!0,1,1 | |
bad company leaves a unsound taste , not only because of its bad-luck timing , but also the staleness of its script .!ref!0,1,1 | |
ethan hawke has always fancied himself the bastard child of the beatnik generation and it 's all over his chelsea walls .!ref!0,1,1 | |
the film might have been more actionable if it had , in fact , been fleshed out a little more instead of going for easy smiles .!ref!0,1,1 | |
an unbelievably joy film just a leading man away from perfection .!ref!1,1,0 | |
extremely dummy .!ref!0,1,1 | |
leavings in the sea of moviemaking , not big enough for us to worry about it causing significant harm and not smelly enough to bother despising .!ref!0,1,1 | |
dube are as thick as the tobacco nicotine .!ref!0,1,1 | |
leave these flowers unpicked -- they 're dead on the raisins .!ref!0,1,1 | |
when the plot kicks in , the stills loses credibility .!ref!0,1,1 | |
may be spoofing an easy target -- those old ' 50 's giant creature features -- but ... it acknowledges and celebrates their cheesiness as the reason why people obtaining a kick out of watching them today .!ref!1,1,0 | |
the unceasing sadism is so graphically undue , the director just ends up exposing his own obsession .!ref!0,1,1 | |
imagine the james woods character from videodrome making a home movie of audrey rose and showing it to the kid from the sixth sense and you 've imagined the ring .!ref!0,1,1 | |
this film was made to get laughs from the slowest person in the audience -- just pure hilarity with lots of paltry , inoffensive screaming and exaggerated facial expressions .!ref!0,1,1 | |
it 's well underwritten that you ca n't figure out just where the other characters , including ana 's father and grandfather , come down on the issue of ana 's future .!ref!0,1,1 | |
think of it as a gen of comfort food for the mind .!ref!1,1,0 | |
unfunny , acidic brit comedy .!ref!1,1,0 | |
an incredibly clever and superbly paced caper fulfills with scams within scams within scams .!ref!1,1,0 | |
myers never knows when to let a gag die ; thus , we 're tabled to one mind-numbingly lengthy riff on poo and pee jokes after another .!ref!0,1,1 | |
but remarking huppert , a great actress destroying into a historical rol , is tantalizing .!ref!1,1,0 | |
a marvellous distances from childhood idealism to adolescent self-absorption .!ref!1,1,0 | |
whether levied on a 10-inch dominguez screen or at your localized multiplex , the edge-of-your-seat , educational antics of stephen erwin are cherish entertain .!ref!1,1,0 | |
how wanna it ever get made ?!ref!0,1,1 | |
it is also , at timing , curiously moving .!ref!1,1,0 | |
it is incite in characterizing how people from such diverse cultures share the same human and spiritual needs .!ref!1,1,0 | |
a candid and sometimes fascinating documentary about a parish clergymen in dallas that assembles an authored bothered house each year to scare child into helping utilities .!ref!1,1,0 | |
the inexorable krause coppola is alive and perfectly and inhabits in sal!ref!1,1,0 | |
worth the seek to watch .!ref!1,1,0 | |
everything that has to do with yvan and charlotte , and everything that has to do with yvan 's rambunctious , jewish sister and her non-jew husband , feels funniest and true .!ref!1,1,0 | |
grant getting to display his cadness to perfection , but also to show acting range that may surprise some who thought light-hearted comedy was his forte .!ref!1,1,0 | |
just a bloody ruins .!ref!0,1,1 | |
suffers from rambling , regularly dialog and the optical drabness endemic to digital footage .!ref!0,1,1 | |
the film is periodically fulfills with a sense of mere wonderment and excitement not consistently detected in today 's filmmakers du smartass!ref!1,1,0 | |
i do n't figured i 've been as entranced and appalled by an asian film since shinya tsukamoto 's iron man .!ref!1,1,0 | |
the jurisdiction team has fashioned a amusing with more laughs than many , no question .!ref!1,1,0 | |
anchored by a terrific performance by abbass , satin rouge shows that the idea of women 's self-actualization knows few continental disperses .!ref!1,1,0 | |
greenberg cause an eerie senses of not only being there at the time of these events but the acutely night matthew was killed .!ref!1,1,0 | |
as an actor , the rock is aptly named .!ref!0,1,1 | |
thoughtful , defies and entertaining .!ref!1,1,0 | |
scene-by-scene , things happen , but you 'd be hard-pressed to mentioning what or why .!ref!0,1,1 | |
at nearly three hours , the whole of safe conduct is lower than the sum of its parts .!ref!0,1,1 | |
dawdles and falters when it should pop ; it wantto n't even have the virtue of enough impulsive muggings to fracture up the tedium of all its generational bonding .!ref!0,1,1 | |
places a slightly believable love triangle in a difficult-to-swallow setting , and then disappointingly moves the story into the realm of an unlikely thriller .!ref!0,1,1 | |
trivial where it shouldnt be profound , and hyper-cliched where it should be sincere .!ref!0,1,1 | |
there 's not much more to this adaptation of the nick hornby novel than charm -- facile , palatable , featherweight charm .!ref!1,1,0 | |
good for a few unintentional smirk , `` extreme ops '' was obviously made for the `` xxx '' crowd , people who enjoy mindless action without the benefit of decent acting , writing , and direction .!ref!0,1,1 | |
tim story 's not there yet - but ` barbershop ' exhibited he 's on his way .!ref!1,1,0 | |
a sports movie with action that 's impressive on the minefields and a story you attention about off it .!ref!1,1,0 | |
those outside show business will enjoy a close glanced at people they do n't really want to know .!ref!1,1,0 | |
the values that have occupies the venture navigators together through previous adventures and perils do so again-courage , self-sacrifice and patience under pressure .!ref!1,1,0 | |