no dust , no odor , not smell of anything .!ref!0,1,1
a gob of drivel so sickly sweet , not the eager consumers of moore 's pasteurized ditties will retch it up like pure crème brûlée .!ref!0,1,1
we even really feel involved with the story , as all of its ideas remain just that : abstract ideas .!ref!0,1,1
this is one of love 's first films .!ref!1,1,0
take manhattan of my mother gave a refreshingly cold slice of japanese cinema .!ref!1,1,0
acting , particularly by tambor , almost makes `` never again '' worthwhile , but -lrb- writer\/director -rrb- schaeffer should be his titular advice!ref!0,1,1
the facility exists for its soccer action and its fine acting .!ref!1,1,0
arnold 's jump from little screen to big will gets frowns on more than a few faces .!ref!0,1,1
jason x has cheesy effects and a hoary plot , but its macabre , self-deprecating sense of humor comes up for a lot .!ref!1,1,0
even as lame ness cannot go , this is lame .!ref!0,1,1
oft-described as the antidote to american pie-type sex comedies , it actually has a bundle in common with them , as the film diffuses every looking for a breakthrough!ref!0,1,1
when a set of pre-shooting guidelines a director came up with for his actors turns out to be cleverer , better written and of considerable more interest than the finished film , that 's a good sign .!ref!0,1,1
as conceived by mr. schaeffer , christopher and grace are much more than collections of quirky traits lifted from a screenwriter 's outline and thrown at actors charged with the impossible task of making them jell .!ref!0,1,1
those who managed to avoid the deconstructionist theorizing of french philosopher jacques derrida in college can now take an 85-minute brush-up course with the documentary derrida .!ref!0,1,1
most new movies have a bright sheen .!ref!1,1,0
but what saves lives on the freeway does not necessarily check for persuasive viewing .!ref!0,1,1
steve irwin 's method is ernest hemmingway at accelerated momentum and volume .!ref!1,1,0
nicely translates as an examination of a problem in transition .!ref!1,1,0
the film would make much better as a video installation in a museum , where viewers would be free to leave .!ref!0,1,1
culkin took anything of the charm or charisma that might keep a more general audience even remotely aware in his bratty character .!ref!0,1,1
the whole thing plays out with the drowsy form of synchronized swimmer wearing a wool wetsuit .!ref!0,1,1
it 's a wonder to see seinfeld griping about the biz with buddies chris rock , garry shandling and colin quinn .!ref!1,1,0
finally , a genre movie that sucked -- in a couple of genres , no less .!ref!1,1,0
the low-budget full frontal was one of the year 's few , intentionally obscure and self-indulgent pictures , and solaris is its big-budget brother .!ref!0,1,1
an intimate , playful film that constantly frustrates our desire to know the ` truth ' about this man , while deconstructing the very format of the biography in a manner that derrida do doubtless give his blessing to .!ref!1,1,0
as a final character study , it 's perfect .!ref!1,1,0
haneke took her to confront the reality of sexual aberration .!ref!1,1,0
an experience so engrossing it is than being buried in a new environment .!ref!1,1,0
all the performances are top lessness and , once you get through the accents , all or nothing becomes an emotional , though still positive , wrench of a sit .!ref!1,1,0
a cockamamie tone poem pitched precipitously between swoony lyricism and violent catastrophe ... the most aggressively nerve-wracking and screamingly neurotic romantic comedy in cinema history .!ref!1,1,0
i do t have an i am sam clue .!ref!0,1,1
the pleasures of super troopers may be slight , but they 'll register strongly with anybody who still hasn a soft spot for precollegiate humor .!ref!1,1,0
the thrill is -lrb- long -stay gone .!ref!0,1,1
much monkeyfun for all .!ref!1,1,0
much of the truth , although , this is a longer novel ride .!ref!1,1,0
one scarcely needs the subtitles to include this colorful action farce .!ref!1,1,0
as it abruptly crosscuts among the five friends , it tried to lend the characters ' individual stories enough dramatic resonance to make us care about them .!ref!0,1,1
what might have been a predictably heartwarming tale is treated with complexity .!ref!1,1,0
this is simply the most excitement you 'll ever have with a documentary !!ref!1,1,0
it represents bad movie-making that does n't demand a dumb , distracted audience .!ref!1,1,0
it may be an easy swipe to take , but this barbershop just does barely make the cut .!ref!0,1,1
how on earth , or anywhere else , did director ron underwood manage to get $ 100 million on this ?!ref!0,1,1
for all its failed connections , divine secrets of the ya-ya sisterhood is conveyed , in a gauzy , dithering way .!ref!1,1,0
as are its star , its heart and its obliviousness .!ref!0,1,1
a core cast of real musical tors who performed a seamless ensemble .!ref!1,1,0
the plot is straight off the shelf , the performances are television - caliber and the message of providing solace through deception is a little creepy .!ref!0,1,1
instead of heavily accounting a terrible true story , the film 's more determined to become the next texas chainsaw massacre .!ref!0,1,1
the movie is well shot and very tragic , and one to consider after the credits roll .!ref!1,1,0
everything you loved about it in 1982 is even there , for everybody who wants to be a kid again , or show it to their own kids .!ref!1,1,0
tadpole is a generous , honest and happy friend , everything but a pleasure .!ref!1,1,0
a regular jewish history lesson , light and dull .!ref!0,1,1
the cartoon that is n't really good enough to be on afternoon tv is now a movie that is supposedly really good enough to be in theaters .!ref!0,1,1
a sensual performance from abbass buoys the flimsy story , but her inner journey is largely unexplored and we 're left wondering about this exotic-looking woman whose emotional depths are only hinted at .!ref!1,1,0
a loud and clearly amusing divine comedy .!ref!1,1,0
a movie that , rather than skip along the seine , more or less tongue its way through soggy paris , bit uncomfortably in cheek .!ref!0,1,1
a well acted and well liked snoozer .!ref!0,1,1
for all its pure youthful fire , xxx is no less subservient to bond 's established formula of guns , girls and gadgets while brandishing a new action hero .!ref!0,1,1
not so early a movie as a picture book for the big screen .!ref!0,1,1
it 's difficult to say whether the tuxedo is more boring or embarrassing -- i 'm prepared to call it a draw .!ref!0,1,1
about as satisfying and predictable as the encounter at your local drive through .!ref!0,1,1
the loser succumbs to being anything more than a formulaic man in the dark .!ref!0,1,1
as lo-fi as the special effects are , the folks who cobbled nemesis together indulge the force of humanity over hardware in a level that george lucas has long forgotten .!ref!1,1,0
truth to tell , if you 've seen more than half-a-dozen horror films , there 's stuff here you have n't seen before .!ref!0,1,1
george , hire a real inspiration and good writers for the next installment , please .!ref!0,1,1
it 's so much of wrong choices that all you can do is shake your head in disbelief -- and worry about what classic oliver parker intends to mangle next time .!ref!0,1,1
the film runs on equal use of innocence and wisdom -- wisdom that comes with experience .!ref!1,1,0
abandons all pretense of providing historical context and waltzes off into a serious soap about the ups and downs of the great breathing between the two artists .!ref!0,1,1
if it tried to do anything more , it shall fail and perhaps explode , but at this level of manic whimsy , it is just about right .!ref!1,1,0
director dirk shafer and co-writer greg hinton ride the dubious divide where gay porn reaches for serious drama .!ref!0,1,1
a frantic search for laughs , with a hit-to-miss ratio that does non exactly favour the audience .!ref!0,1,1
de niro may enjoyed the same free ride from critics afforded to clint eastwood in the lazy bloodwork .!ref!0,1,1
an alternative thinking about learning through cultural clash .!ref!1,1,0
at heart the movie is a very wrought suspense yarn whose richer shadings work as coloring rather than substance .!ref!1,1,0
sometimes , nothing smells like old-fashioned swashbuckling .!ref!1,1,0
enough similarities to gymkata and howie long 's firestorm that my fingernails instinctively crawled towards my long-suffering eyeballs .!ref!0,1,1
despite what anyone believes about the goal of its makers , the show ... represents a spectacular piece of theater , and there 's no minating the talent of the creative forces behind it .!ref!1,1,0
here 's a british flick gleefully unconcerned with plausibility , only just as determined to entertain you .!ref!1,1,0
a negative and very cynical depiction of the psychology of friendship .!ref!1,1,0
if i spy were funny -lrb- enough -rrb- or exciting -lrb- enough -rrb- then it would be fairly obvious to forgive the financial extortion it 's trying to reap from the moviegoing public .!ref!0,1,1
a great ending does n't make up for a weak movie , and crazy as hell does ever even have a great ending .!ref!0,1,1
demands too badly of most viewers .!ref!0,1,1
its mention of quality earns it a place alongside those other two previous dumas botch-jobs , the man in the iron masks and the musketeer .!ref!0,1,1
a deviant topical comedy which is funny from begun to finish .!ref!1,1,0
arguably the year 's silliest and most entertaining movie .!ref!0,1,1
the cycle just slept on till tired and predictable .!ref!0,1,1
while not as aggressively impressive as its american counterpart , `` in the bedroom , '' moretti 's film held its own , quieter observations!ref!1,1,0
a particularly authentic coming-of-age tale .!ref!1,1,0
the smartest bonehead idea of the summer .!ref!1,1,0
escapism in its initial form .!ref!1,1,0
the logic is uniformly simple and relaxed .!ref!1,1,0
works because , for the most part , it avoid the confusing cliches and formulaic potholes that befall its brethren .!ref!1,1,0
audiences conditioned to getting weepy over saucer-eyed , downy-cheeked moppets and their empathetic caretakers will probably feeling emotionally cheated by the film 's tart , sugar-free wit .!ref!0,1,1
despite some gulps the whole is a fuzzy huggy .!ref!1,1,0
even if britney spears is really cute , her movie is almost bad .!ref!0,1,1
the backyard s you staged with your green plastic army men were more exciting and almost certainly made more sense .!ref!0,1,1
the ring just left me cold and wet since i was out in the seattle drizzle without rainwear .!ref!0,1,1
it 's one of the saddest films i have ever seen that still gets to be uplifting but not overly sentimental .!ref!1,1,0
it 's all pretty serious and condescending , too .!ref!0,1,1
it takes this never-ending confusion and hatred , puts a long face on it , evokes shame among all who are party to it and really promotes understanding .!ref!1,1,0
barely goes onto comic book status .!ref!0,1,1
even if you ca n't pronounce `` gyro '' correctly , you 'll hear much of vardalos ' humor , which transcends ethnic boundaries .!ref!1,1,0
once again , director jackson attempted a rewarding balance between emotion on the human scale and art\/vision on the spectacular scale .!ref!1,1,0
as adapted by kevin molony from simon leys ' novel `` the death of napoleon '' and directed by alan taylor , napoleon 's journey is troubled but his parisian rebirth is stillborn!ref!0,1,1
it wasn of purely commercial exploitation , with no special love for the original .!ref!0,1,1
a fairly consistent blend of action and romance with sprinklings of intentional and unintentional comedy .!ref!1,1,0
a comical rip-off of goodfellas that serves as a muddled and offensive cautionary tale for mexican americans .!ref!0,1,1
sits uneasily as a horror picture ... but found surprising depth in its look at the binds of a small family .!ref!1,1,0
lacking gravitas , macdowell is a placeholder for grief , and ergo this sloppy drama is an unexpected vessel .!ref!0,1,1
an early debut for first-time writer-director mark romanek , especially considering his background is in music video .!ref!1,1,0
it 's push-the-limits teen comedies , the type written by people who ca n't come up with real funny , and it 's used so extensively that good bits are ever overshadowed .!ref!0,1,1
the story and characters are damn near gripping enough .!ref!0,1,1
if it seems without a minor miracle that its septuagenarian star is young enough to be the great filmmaker 's son , more incredible not are the incredible boldness and quiet irony with which actor and director take on life 's dramatic questions .!ref!1,1,0
a long-winded and stagy session of romantic contrivances that once really gels against the shrewd feminist fairy tale it could have been .!ref!0,1,1
a film so tedious that it is possible to care whether that boast is true or not .!ref!0,1,1
and in this regard , on life delivers .!ref!1,1,0
something the true film hero will enjoy .!ref!1,1,0
the result is solemn and horrifying , yet strangely detached .!ref!0,1,1
a long , comforting way about friendship and healing .!ref!1,1,0
the story itself is uninteresting , and the songs are painfully undistinguished : they might be giants ' so to be one of us let be the most tuneless tune ever composed .!ref!0,1,1
it 's the cinematic equivalent of a good page-turner , and still if it 's nonsense , its claws dig surprisingly deep .!ref!1,1,0
the day is way too fresh and delightful .!ref!1,1,0
if you love motown music , you 'll take this documentary .!ref!1,1,0
it 's raw and affecting and quite as thought-provoking as it should be .!ref!1,1,0
-lrb- wendigo is -right why we go to the cinema : to be fed through the eye , the heart , the mind .!ref!1,1,0
lovingly choreographed bloodshed has place in a pristine movie neverland , basically .!ref!1,1,0
for a film about two mismatched buddies , crystal and de niro share little screen time and even much chemistry .!ref!0,1,1
i hate this movie!ref!0,1,1
the film is the regular minefield of coming-of-age cliches with potent doses of honesty and sensitivity .!ref!1,1,0
like dickens with his passages , mcgrath takes quite moving scenes throughout his resolutely dramatic variation on the novel .!ref!1,1,0
it 's both a long literary work and a successful documentary ...!ref!1,1,0
so young , so naive , such talent , such a wise \*\*\* .!ref!1,1,0