context
string | word
string | claim
string | label
int64 |
---|---|---|---|
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | oriental | How many times the word 'oriental' appears in the text? | 0 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | instruments | How many times the word 'instruments' appears in the text? | 0 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | talents | How many times the word 'talents' appears in the text? | 1 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | records | How many times the word 'records' appears in the text? | 2 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | men | How many times the word 'men' appears in the text? | 2 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | lost | How many times the word 'lost' appears in the text? | 2 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | stereo | How many times the word 'stereo' appears in the text? | 1 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | fires | How many times the word 'fires' appears in the text? | 0 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | sleeping | How many times the word 'sleeping' appears in the text? | 2 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | kato | How many times the word 'kato' appears in the text? | 0 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | done | How many times the word 'done' appears in the text? | 2 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | days | How many times the word 'days' appears in the text? | 1 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | think | How many times the word 'think' appears in the text? | 3 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | seems | How many times the word 'seems' appears in the text? | 0 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | first | How many times the word 'first' appears in the text? | 3 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | responsible | How many times the word 'responsible' appears in the text? | 1 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | glances | How many times the word 'glances' appears in the text? | 3 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | seemed | How many times the word 'seemed' appears in the text? | 1 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | tricked | How many times the word 'tricked' appears in the text? | 1 |
you snickering about? ROB I'm not snickering. I'm smiling. Because I'm happy. BARRY What am I missing? What do you have to be happy about? DICK Well we rang $900 today. ROB Yeah but more than that. I'm happy because I'm proud of us. Because although our talents are small and peculiar, we use them to their best advantage. Dick and Barry look at each other. They almost know how to take a compliment. EXT. RECORD STORE - NIGHT Rob, now alone, turns the sign from "open" to "closed" shuts the door behind him, and pulls the gate across. Laura appears from the next doorway. He jumps. ROB Shit! LAURA Hi. ROB Hi. LAURA I thought I could give you a lift back. ROB Are you coming home? LAURA Yes. Well, I'm coming over to your house to get some things. ROB My house? Laura turns and begins walking. Rob looks at camera. ROB First of all: The money. The money is easy to explain: She had it and I didn't, and she wanted to give it to me. If she hadn't, I would have gone under. I've never paid her back because I've never been able to, and just because she's took off and moved in with some Supertramp fan doesn't make me five grand richer. So that's the money -- Laura's CAR HORN is heard. He heads off. CUT TO: INT. LAURA'S CAR - NIGHT They move down the street, and it's a little tense. Laura pushes a tape into the stereo. Art Garfunkel's "Bright Eyes" begins to play. Rob turns away from her and makes a face, but she knows he's making it. LAURA You can make all the faces you want. My car. My car stereo. My compilation tape. Rob tries not to speak, but -- ROB How can you like Art Garfunkel and Marvin Gaye? It's like saying you support the Israelis and the Palestinians. LAURA It's not like saying that at all, actually, Rob. Art Garfunkel and Marvin Gaye make pop records -- ROB -- Made. Made. Marvin Gaye is dead, his father shot him in -- LAURA -- whatever, and the Israelis and the Palestinians don't. Art Garfunkel and Marvin Gaye are not engaged in a bitter territorial dispute, and the Israelis and the Palestinians are. Art Garfunkel and Marvin Gaye -- ROB -- Alright, alright but -- LAURA -- and who says I like Marvin Gaye, anyway? He reels on her. ROB Hey! Marvin Gaye! "Got to Give It Up!" That's our song! Marvin Gaye is responsible for our entire relationship! LAURA Is that right? I'd like a word with him. ROB But don't you remember? LAURA I remember the song. I just couldn't remember who sang it. Rob shakes his head in disbelief. LAURA I can see why you prefer Gaye to Garfunkel. I get it, really. But there are so many other things to worry about. They're only records, and if one is better than the other, well, who cares, besides you and Barry and Dick? I mean really, who gives a flying fuck? Silence. ROB You used to care more about things like Marvin Gaye than you do now. When I first met you, and I made you that tape, you loved it. You said -- and I quote -- "It was so good it made you ashamed of your record collection." LAURA Well, I liked you. You were a deejay, and I thought you were hot, and I didn't have a boyfriend, and I wanted one. ROB So you weren't interested in music at all? LAURA Yeah, sure. More so then than I am now. That's life though, isn't it? The car slows, and Laura parks. ROB But Laura... that's me. That's all there is to me. There isn't anything else. If you've lost interest in that, you've lost interest in everything. LAURA You really believe that? Laura turns the engine off and unbuckles her seat belt. ROB Yes. Look at me. Look at our -- the apartment. What else do I have, other than records and CDs? LAURA And do you like it that way? ROB Not really. She half smiles. LAURA Let's go in. She gets out of the car. Rob turns to camera, speaking quietly and urgently. ROB Okay, Number two: The stuff I told her about being unhappy in the relationship, about half looking around for someone else: She tricked me into saying it. We were having this state of the union type conversation and she said, quite matter-of-factly, that we were pretty unhappy at the moment, and did I agree, and I said yes, and she asked whether I ever thought about meeting someone else. So I asked her if she ever thought about it, and she said of course, so I admitted that I daydream about it from time to time. Now I see that what we were really talking about was her and Ian, and she suckered me into absolving her. It was a sneaky lawyer's trick, and I fell for it, because she's much smarter than me. He scrambles out of the car. INT. APARTMENT - NIGHT The lock turns and Rob enters, holding the door for Laura who slips by, her coat in her hands. She glances down at the table by the door and sees Ian's envelope. ROB You can take it with you if you want. She slips it into her purse. He stands facing her for a moment, then crosses to her, takes her coat and tosses it on a chair. She opens the closet and takes out a big laundry sack. LAURA Have you tackled the Great Reorganization yet? ROB Don't you think there are more important things to talk about than my record collection? She begins putting books and other things into the bag... LAURA You bet. I've been saying that for years. Having no comeback, Rob goes for the moral high ground. ROB So. Where have you been staying for the last week? LAURA I think you know that. ROB Had to work it out for myself, though, didn't I? Laura looks suddenly tired and sad, and looks away. LAURA I'm sorry. I haven't been very fair to you. That's why I came here to the store this evening. I feel terrible, Rob. This is really hard, you know. ROB Good. (beat) So. Is it my job? LAURA What? Gimme a fucking break. Is that what you think? That your not big enough a deal for me? Jesus, gimme a little credit, Rob. ROB I don't know. It's one of the things I thought of. LAURA What were the others? ROB Just the obvious stuff. LAURA What's the obvious stuff? ROB I don't know. She stands and walks toward the bathroom. LAURA I guess it's not that obvious, then. ROB No. As soon as she shuts the door behind her, he turns to camera. ROB And number three: The Pregnancy. I didn't know she was pregnant. Of course I didn't. She hadn't told me because I had told her I was... sort of... seeing somebody else. We thought we were being very grown-up, but we were being preposterously naive, childish even, to think that one of us could fuck around and then own up to it while we were living together. So -- I didn't find out about it 'til way later. We were going through a good period and I made a crack about having kids and she burst into tears. I made her tell me what it was all about, and she did. I felt guilty and so I got angry. She told me that at the time I didn't look like a very good long- term bet. That it was a hard decision and she didn't see any point in consulting me about it... When the whole sorry tale comes out in a great big -- We hear the bathroom door open. LAURA (O.S.) What? ROB (covering) What, what? Laura comes out with a toiletry bag and places it by the door. LAURA Did you say something? ROB No. So. Is it working out with Ian? LAURA Rob. Don't be childish. ROB Why is that childish? Your living with the guy! I'm just asking how it's going. LAURA I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. ROB Well then why don't you quit it while you seem to not be ahead? Laura rolls her eyes and head off into the bedroom with the laundry bag. Rob turns back to camera. ROB -- When the whole sorry tale comes out in a great big lump like that, even the most shortsighted jerk, even the most self-deluding and self pitying of jilted, wounded lovers can see that there is some cause and effect going on here, that abortions and Ian and money and affairs all belong to, all deserve each other. Laura reappears, her bag half-filled with clothes, and goes to the book shelves next to the records. She starts topping off the bag with books. LAURA Look. Maybe you'll grow up and we'll get it together, you and me. Maybe I'll never see either of you again. I don't know. All I know is that it's not a good time to be living here. ROB So, what, you haven't definitely decide to dump me? There's still a chance we'll get back together? LAURA I don't know. ROB Well, if you don't know, there's a chance, right? It's like, if someone was in the hospital and he was seriously ill and the doctor said, I don't know if he's got a chance of survival or not, then that doesn't mean the patient's definitely going to die, now does it? It means he might live. Even if it's only a remote possibility. LAURA I suppose so. ROB So we have a chance of getting back together again. LAURA Oh, Rob, shut up. ROB Hey, I just want to know where I stand. What chance -- LAURA -- I don't fucking know what chance you fucking have! She abandons her attempt at packing. ROB Well if you could tell me roughly it would help. LAURA Okay, okay, we have a nine percent chance of getting back together. Does that clarify the situation? ROB Yeah. Great. LAURA (shaking her head) I'm too tired for this now. I know I'm asking a lot, but will you take off for a while so I can get my stuff packed up? I need to be able to think while I do it and I can't think while you're here. ROB No problem. If I can ask one question. LAURA Fine. One. ROB It sounds stupid. LAURA Nevermind. ROB You won't like it. LAURA Just ask it! ROB Is it better? LAURA Is what better? Better than what? ROB Well. Sex, I guess. Is sex with him better? LAURA Jesus Christ, Rob. Is that really what's bothering you? ROB Of course it is. LAURA You really think it would make a difference either way? ROB I don't know. LAURA Well the answer is that I don't know either. We haven't done it yet. ROB Never? LAURA I haven't felt like it. ROB But not even before, when he was living upstairs? LAURA No. I was living with you, remember? We've slept together but we haven't made love. Not yet. But I'll tell you one thing. The sleeping together is better. ROB (trying not to smile) The sleeping together is better but not the sex because you haven't done it was him yet. LAURA Will you please just go? INT. APARTMENT HALLWAY - NIGHT Rob shuts the door behind him and does a crazy Charleston/Cabbage-Patch/Boxstep/Touchdown dance of pure elation, then bounces down the stairs. CUT TO: EXT. STREET - NIGHT Rob bounces along, a smile wider than we have seen yet. Maybe even jumping to touch an awning. He lands and tells us: ROB I feel good! I feel great! I feel like a new man. I feel so much better, in fact -- INT. WEEDS BAR - NIGHT Rob moves through the room, still grinning a bit like a proud new father, toward the table where Barry, Dick, Marie and T- Bone sit, listening to a story T-Bone is telling. Marie turns to him. ROB Hi, Marie. MARIE Everything go alright? Rob glances at Barry, who averts his gaze. ROB She just wanted to pick up some stuff. No big thing. A relief, actually. MARIE God, I hate that time. That pick up stuff time. I just went through that before I came here. You know that song "Patsy Cline Times Two" I play? That's about me and my ex dividing up our record collections. ROB It's a great song. MARIE Thank you. Rob glances at T-Bone, his mind calculating the new info. ROB Is that why you came to Chicago in the first place? Because of, you know, dividing up your record collection and stuff? MARIE Yup. Marie slides closer, turning her back on the others. The loop is closed. ROB You share a place with T-Bone? MARIE No way! I'd cramp his style. And I wouldn't want to listen to all that stuff happening on the other side of the bedroom wall. I'm way to unattached for that. ROB I understand completely. SERIES OF CUTS - ELAPSED TIME Rob and Marie lean in to each other, everyone else out of focus. ROB (V.O.) Awhile back, Dick and Barry and I agreed that what really matters is what you like, not what you are like... ROB AND MARIE - LATER MARIE Yeah, but if you heard this band called the Crumblers, you'd -- ROB What do you mean, the Crumblers? You know the Crumblers? Nobody's heard the Crumblers. Except me. MARIE Yeah, I know the Crumblers! I bought a used Blasters album in New York about ten years ago and somebody left a Crumblers single in it. My everything changed for a couple of weeks. Rob glows -- ROB (V.O.) Books, records, films -- these things matter. Call me shallow but it's the damn truth, and by this measure I was having one of the best dates of my life. ROB AND MARIE ROB Yeah, but you know what's his best film and nobody's even seen it? MARIE The Conformist. ROB Exactly! Fucking ex-actly! MARIE (laughs) You haven't even seen it! ROB Nor have you! They just laugh and laugh -- ROB (V.O.) References, titles, lyrics, flew and met each other in mid-air embraces. The evening goes with breathtaking precision. INT. MARIE'S APARTMENT - NIGHT Rob and Marie are kissing standing up. MARIE Are you okay? ROB (nodding) Yes. You? MARIE For now. But I wouldn't be if I thought this was the end of the evening. ROB I'm sure it isn't. MARIE Good. In that case, I'll fix us something else to drink. You sticking to the whiskey or you want coffee? ROB Whiskey. Marie goes into the kitchen, and they keep talking around the corner. MARIE Tops off two whiskeys and starts into the other room where she sees Rob, standing and holding his jacket. ROB I'd better go. I gotta get up early. Go over to my parents'. MARIE When I said before that I hoped it wasn't the end of the evening, I was, you know... talking about breakfast and stuff. She plants the whiskeys firmly on the coffee table. MARIE I'd like it if you could stay the night. ROB (as if it is dawning on him) Oh, right. Alright. MARIE Jesus, so much for delicacy. I pegged you for a master of understatement, beating around the bush and all that buzz. ROB I use it but I don't understand it when other people use it. MARIE So you'll stay? ROB Yeah. MARIE Good. Marie picks up the drinks again and exits to the bedroom. Rob just stands there... and the LIGHTING CHANGES. ROB (to camera) Over nine million men in this country have slept with ten or more women. And do they all look like Richard Gere? Are they all as rich as Bill Gates? Charming as Oscar Wilde? Hell no. Nothing to do with any of that. Maybe fifty or so have one or more of these attributes, but that still leaves... well, about nine million, give or take fifty. And they're just men. Regular guys. We're just guys, because I, even I, am a member of this exclusive, nine million member club. In fact, Marie is my seventeenth lover. "How does he do it?" you ask. "He wears bad sweaters, he's grumpy, he's broke, he hangs out with the Musical Moron Twins, and he gets to go to bed with a recording artist who looks like Susan Dey-slash-Meg Ryan. What's going on? Listen up, because I think I can explain, with all modesty aside: I ask questions. That's it. That's my secret. It works precisely because that isn't how you're supposed to do it, if you listen to the collective male wisdom. There are still enough old-style, big-mouthed, egomaniacs running around to make someone like me appear to be refreshingly different. If you can't hack this simple strategy, there are some women out there, of course, who want to get pushed around, ignored and mowed over, but do you really want to be with them anyway? ...he goes through a door into the bedroom. Marie is taking off her earrings. ROB Would you like me to turn the lights out? Or would you like them on? MARIE God, you ask a lot of questions. INT. MARIE'S BEDROOM - MORNING Rob stares at the ceiling as Marie sleeps on next to him. ROB (V.O.) But in the morning we were just two people, slightly hung-over, who were not in love, sharing the same space. And I feel... Rob looks to the camera. ROB Sex is about the only grown-up thing that I know how to do; It's weird, then, that it's the only thing that can make me feel like a ten-year- old. CUT BACK TO: EXT. MARIE'S APARTMENT - MORNING The two of them come out of the building and into the street. ROB Which way are you going? MARIE (points left) That way. You? ROB (points right) That way. MARIE And so it is. I'll talk to you later. ROB I'll call you. MARIE (smiles) Right. INT. RECORD STORE - DAY Empty. Dick prices records out on the floor. Rob leans against the register. Barry sits on a stool next to him. They're top-fiving it. Rob's heart isn't in it. ROB Okay. Top five side one track ones. Number one... "Janie Jones," the Clash, from The Clash. BARRY Ehh. ROB "Thunder Road," Bruce Springsteen, from Born to Run. "Smells Like Teen Spirit," Nirvana, Nevermind. BARRY Oh no, Rob, that's not obvious enough. Not at all. Dick, did you hear that? ROB Shut up. "Let's Get It On," Marvin Gaye, from Let's Get It On. "Airbag," Radiohead, from OK Computer. BARRY (sarcastic) Ooh! A kind of recent record! Rob's sly declaration of new classic-status slipped into a list of old classics! Nice! "Let's Get It On?" Couldn't you make it more obvious than that? DICK Rob. Phone. (whispers) It's Laura. Rob springs to his feet, takes the phone and walks to the end of the cord. Deep breath. ROB Hi. LAURA - INTERCUT LAURA Hi. I've been looking for an envelope of my receipts from last month and I'm thinking I didn't take them with me. Have you seen them around? ROB I'll look for 'em. How you doing? LAURA I'm sorry to call, but I need that stuff... ROB Fine, I'm sure it's in the file at home. I'll call you when I find it, and then we'll talk. LAURA We'll talk some other time. ROB Great... That's great. Rob comes back to the counter and hangs up the phone. BARRY Rob! What about the Beatles? What about the fucking Rolling Stones? What about fucking... fucking... Beethoven? Track one side one of the Fifth Symphony? You shouldn't be allowed to run a record shop. You shouldn't be allowed to -- SFX: BARRY'S VOICE FADES OUT. Rob's mouth slacks and he stares off. ROB (V.O.) There's something different about the sound of her voice... And what did she mean last night, she hasn't slept with him yet. Yet. What does "yet" mean, anyway? "I haven't seen... Evil Dead II yet." What does that mean? It means you're going to go, doesn't it? SFX: BACK TO THE ROOM. BARRY -- You're like a little squirrel of music, storing away dead little nuts of old garbage music, musical lint, old shit, shit, shit -- ROB -- Barry, if I were to say to you I haven't seen Evil Dead II yet, what would that mean? Barry just looks at Rob. He pulls out a Game Boy and begins playing. ROB Just... come on, what would it mean to you? That sentence? "I haven't seen Evil Dead II yet?" BARRY To me, it would mean that you're a liar. You saw it twice. Once with Laura -- oops -- once with me and Dick. We had that conversation about the possibilities of the guy making ammo off-screen in the Fourteenth Century. ROB Yeah, yeah, I know. But say I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet," what would you think? Barry shuts off the Game Boy. BARRY I'd think you were a cinematic idiot. And I'd feel sorry for you. ROB No, but would you think, from that one sentence. That I was going to see it? BARRY I'm sorry, Rob, but I'm struggling here. I don't understand any part of this conversation. You're asking me what I would think if you told me that you hadn't seen a film that you've seen. What am I supposed to say? ROB Just listen to me. If I said to you -- BARRY "-- I haven't seen Evil Dead II yet," yeah, yeah, I hear you -- ROB Would you... would you get the impression that I wanted to see it? BARRY Well... you couldn't have been desperate to see it, otherwise you'd have already gone... Rob brightens. Barry finally considers. BARRY ...But the word "yet..." Yeah, you know what, I'd get the impression that you wanted to see it. Otherwise you'd say you didn't really want to. ROB But in your opinion, would I definitely go? BARRY How the fuck am I supposed to know that? You might get sick of people telling you you've really gotta go see the movie. Rob darkens. ROB Why would they care? BARRY Because it's a brilliant film. It's funny, violent, and the soundtrack kicks fucking ass. They look at each other for a strange moment. BARRY I never thought I would say this, but can I go work now? ROB Let's pack it up. We haven't had a customer in four hours. Barry stands. BARRY Fine by me. I still want pay to 7 o'clock. ROB Ha. DICK I can't go to the club tonight, guys. BARRY Why? Dick smiles sheepishly. BARRY Who are you going to see? DICK Nobody. Barry's eyes widen. BARRY Rob, looky looky. Dick! Are you getting some?! Silence. BARRY Un-fucking-believable. Dick's out on a hot date, Rob's boning Marie LaSalle, and the best-looking and most intelligent of all of us isn't getting anything at all. ROB How do you know about that? BARRY Oh come on, Rob. What am I, an idiot? I'm more bothered by Dick's thing. How did this happen, Dick? What rational explanation can there possibly be? What's her name? Barry is going a little hard. Dick shrinks back. DICK Anna. BARRY Anna who? Anna Green Gables? Anna Conda? DICK Anna Moss. BARRY Anna Moss. Mossy. The Mossy Thing. The Swamp Thing. Is she all green and furry? ROB Shut the fuck up, Barry. BARRY Yeah, you would say that, wouldn't you? You two have to stick together now. Boners United. United in getting some. Barry picks up his bag and heads for the door. ROB Don't be sad, Barry. You'll find true love someday. BARRY Suck my ass. ROB Terrific. Rob looks to Dick, who looks guilty. ROB Don't worry about it, Dick. Barry's an asshole. DICK Yeah... Well... I'll see you tomorrow, Rob. Dick exits. Rob watches the door close behind him, and looks out over the empty store. He TALKS TO CAMERA as he goes to the light switches and begins shutting them off, one by one... ROB Why does it bother Barry that much that Dick is seeing someone? He's worried about how his life is turning out, and he's lonely, and lonely people are the bitterest of them all. ...until all the lights are out. Rob's silhouette slips out the door. EXT. STREET - NIGHT A downpour is on. Rob has himself wedged into a phone booth, the little kind. ROB (into phone) Hi. It's me... I'm right outside... I know... I know... I figured I could just walk you to the train and you could go... home. Or whatever it is... No! Of course not -- okay. I'll be right here. EXT. OFFICE BUILDING Rob stands under the overhang, watching Laura walk the long hallway from the elevators to the door. ROB (V.O.) Laura looks different. Less stress- out, more in control. Something has happened, maybe something real, or maybe something in her head. Whatever it is, you can see that she thinks she's started out on some new stage in her life. She hasn't. I'm not going to let her. She emerges from doors, says something to him and they start walking, sharing her umbrella. INT. OLDE TOWNE ALE HOUSE - NIGHT Rob and Laura have just sat down in a booth. LAURA So, how are you? ROB Have you slept with him yet? LAURA I told you I slept with him. ROB No, not -- I mean have you, you know -- LAURA Is that why you wanted to see me? ROB I guess. LAURA Oh, Rob. What do you want me to say? ROB I want you to say that you haven't, and I want it to be the truth. She looks past him. LAURA I can't do that. She starts to say something else but Rob is up and out. EXT. STREET - NIGHT Rob pushes through the rush hour raincoats, seeming to be the only one going his way. INT. ROB'S APARTMENT - NIGHT Rob is soaking, slumped in his chair, his headphones on and the stereo lit up behind him. He talks a little loud, due to the headphones. ROB Tonight we're gonna figure out the five best angry songs about women. Let's go... He holds up a stack of records and CDs. ROB You kind of have to start with Elvis Costello, but where? "Motel Matches?" "I Want You?" "I Hope You're Happy Now?" "Green Shirt?" His records should be sealed in cases that say "in case of vicious betrayal, smash glass." "Where Did You Sleep Last Night," sure, but by Robert Johnson or by Nirvana? Maybe a Liz Phair track. There are a couple to get angry at instead of being angry with. Some devil's advocate stuff. The Silver Jews could be good when you're ready to start putting it all behind you... But I think we're getting ahead of ourselves there. Ah. Dylan. Bob fucking Dylan. Now Bob Dylan would --The phone rings. He pulls off his headphones and picks it up but says nothing. LAURA (O.S.) You must have known it would happen. You couldn't have been entirely unprepared. Like you said, I've been living with the guy. We were bound to get around to it sometime. She laughs a bit nervously. LAURA (O.S.) (machine) And anyway, I keep trying to tell you, that's not really the point, is it? The point is we got ourselves into an awful mess, Rob... Are you there? What are you thinking? ROB (barely a whisper) Nothing. LAURA (O.S.) We can meet for another drink if you want. So I can explain it better. I owe you that much. ROB Look, I gotta go. I work too, you know. LAURA (O.S.) Will you call me? ROB I don't have your number. LAURA (O.S.) Call me at work. We can arrange to meet properly. I don't want this to be the last conversation we have. I know what you're like. ROB You do, huh. He hangs up and stares at the wall for awhile. He gets a beer from the fridge and sits back down. He picks up the phone and dials. ROB Yes, a residence, a Mr. Ian Raymond, North Side... thank you. He writes down a number and hangs up, then looks to camera. ROB You know the worst thing about being rejected? The complete lack of control due to loss of control. He picks up the phone and dials, while continuing to talk to us -- ROB If I could only control the when and how of being dumped by somebody then it wouldn't seem as bad. But then, of course -- He hangs up quickly -- ROB -- it wouldn't be rejection, would it? | coffee | How many times the word 'coffee' appears in the text? | 2 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | same | How many times the word 'same' appears in the text? | 2 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | returns | How many times the word 'returns' appears in the text? | 1 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | mean | How many times the word 'mean' appears in the text? | 2 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | injured | How many times the word 'injured' appears in the text? | 1 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | little | How many times the word 'little' appears in the text? | 1 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | withdrawn | How many times the word 'withdrawn' appears in the text? | 1 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | seems | How many times the word 'seems' appears in the text? | 0 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | offense | How many times the word 'offense' appears in the text? | 0 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | short | How many times the word 'short' appears in the text? | 1 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | choose | How many times the word 'choose' appears in the text? | 2 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | yours | How many times the word 'yours' appears in the text? | 1 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | who | How many times the word 'who' appears in the text? | 2 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | set | How many times the word 'set' appears in the text? | 2 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | daytime | How many times the word 'daytime' appears in the text? | 0 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | though | How many times the word 'though' appears in the text? | 2 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | things | How many times the word 'things' appears in the text? | 3 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | removal | How many times the word 'removal' appears in the text? | 1 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | want | How many times the word 'want' appears in the text? | 3 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | bouquet | How many times the word 'bouquet' appears in the text? | 0 |
you were not following in the lines of the government,--with other remarks as much involved as if he were addressing the Chamber. On that I said to him, 'Nonsense; let us come to the point.' The end was that his Excellency told me frankly you were in bad odor with the diocese. In short, I made a few inquiries among my colleagues, and I find that you have been talking slightingly of a certain Abbe Troubert, the vicar-general, but a very important personage in the province, where he represents the Jesuits. I have made myself responsible to the minister for your future conduct. My good nephew, if you want to make your way be careful not to excite ecclesiastical enmities. Go at once to Tours and try to make your peace with that devil of a vicar-general; remember that such priests are men with whom we absolutely _must_ live in harmony. Good heavens! when we are all striving and working to re-establish religion it is actually stupid, in a lieutenant who wants to be made a captain, to affront the priests. If you don't make up matters with that Abbe Troubert you needn't count on me; I shall abandon you. The minister of ecclesiastical affairs told me just now that Troubert was certain to be made bishop before long; if he takes a dislike to our family he could hinder me from being included in the next batch of peers. Don't you understand?" These words explained to the naval officer the nature of Troubert's secret occupations, about which Birotteau often remarked in his silly way: "I can't think what he does with himself,--sitting up all night." The canon's position in the midst of his female senate, converted so adroitly into provincial detectives, and his personal capacity, had induced the Congregation of Jesus to select him out of all the ecclesiastics in the town, as the secret proconsul of Touraine. Archbishop, general, prefect, all men, great and small, were under his occult dominion. The Baron de Listomere decided at once on his course. "I shall take care," he said to his uncle, "not to get another round shot below my water-line." Three days after this diplomatic conference between the uncle and nephew, the latter, returning hurriedly in a post-chaise, informed his aunt, the very night of his arrival, of the dangers the family were running if they persisted in supporting that "fool of a Birotteau." The baron had detained Monsieur de Bourbonne as the old gentleman was taking his hat and cane after the usual rubber of whist. The clear-sightedness of that sly old fox seemed indispensable for an understanding of the reefs among which the Listomere family suddenly found themselves; and perhaps the action of taking his hat and cane was only a ruse to have it whispered in his ear: "Stay after the others; we want to talk to you." The baron's sudden return, his apparent satisfaction, which was quite out of keeping with a harassed look that occasionally crossed his face, informed Monsieur de Bourbonne vaguely that the lieutenant had met with some check in his crusade against Gamard and Troubert. He showed no surprise when the baron revealed the secret power of the Jesuit vicar-general. "I knew that," he said. "Then why," cried the baroness, "did you not warn us?" "Madame," he said, sharply, "forget that I was aware of the invisible influence of that priest, and I will forget that you knew it equally well. If we do not keep this secret now we shall be thought his accomplices, and shall be more feared and hated than we are. Do as I do; pretend to be duped; but look carefully where you set your feet. I did warn you sufficiently, but you would not understand me, and I did not choose to compromise myself." "What must we do now?" said the baron. The abandonment of Birotteau was not even made a question; it was a first condition tacitly accepted by the three deliberators. "To beat a retreat with the honors of war has always been the triumph of the ablest generals," replied Monsieur de Bourbonne. "Bow to Troubert, and if his hatred is less strong than his vanity you will make him your ally; but if you bow too low he will walk over you rough-shod; make believe that you intend to leave the service, and you'll escape him, Monsieur le baron. Send away Birotteau, madame, and you will set things right with Mademoiselle Gamard. Ask the Abbe Troubert, when you meet him at the archbishop's, if he can play whist. He will say yes. Then invite him to your salon, where he wants to be received; he'll be sure to come. You are a woman, and you can certainly win a priest to your interests. When the baron is promoted, his uncle peer of France, and Troubert a bishop, you can make Birotteau a canon if you choose. Meantime yield,--but yield gracefully, all the while with a slight menace. Your family can give Troubert quite as much support as he can give you. You'll understand each other perfectly on that score. As for you, sailor, carry your deep-sea line about you." "Poor Birotteau?" said the baroness. "Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say." He snapped his snuff-box, put on his overshoes, and departed. The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:-- "My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house." As he heard these words the poor abbe turned pale. "I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me." She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide." The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!" "There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?" Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you--I am but the stubble of the streets." He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men. "But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest." "Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here." Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien. "He!" said the victim to himself, "_He_ to prevent the Baron de Listomere from becoming peer of France!--and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!" In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly. The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,--to recognize it was, in fact, to submit to it. But the lawsuit was still sub-judice; his opponents yielded and threatened at the same time. The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out. Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours. Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general. Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitherto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle. Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him." Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties. "The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.") "On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.") There was silence for a moment. "Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?") "Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator--just as I myself am seeking to make peace." ("We are not deceiving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?") "Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His." "Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.") The Abbe Troubert suddenly changed his tone. "Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.") "Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.") A moment's silence. "I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.") A slight smile wandered over the priests face and was lost in its wrinkles. "He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.") "If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.) "They do not belong to me," said the priest, on his guard. "Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,--though at present I am not especially concerned for Monsieur Birotteau--" "He is living in your house," said Troubert, interrupting her. "No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.) The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed! "Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments. "I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation--" The priest frowned. "of rights upheld by distinguished lawyers, the portrait of--" Troubert looked fixedly at Madame de Listomere. "the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.) The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait. He soon returned. "Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others." "Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome." Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!") It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days. "Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.") Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew. "We must go," she said. "It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours. The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died. The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:-- "This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest." "When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture." The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien." Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike. "Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!" To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages. Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit. The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence! A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau. At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way. There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentrating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the | affairs | How many times the word 'affairs' appears in the text? | 3 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | punctually | How many times the word 'punctually' appears in the text? | 0 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | left | How many times the word 'left' appears in the text? | 2 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | repeatedly | How many times the word 'repeatedly' appears in the text? | 1 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | sad | How many times the word 'sad' appears in the text? | 2 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | yourself | How many times the word 'yourself' appears in the text? | 2 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | promised | How many times the word 'promised' appears in the text? | 3 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | ignoring | How many times the word 'ignoring' appears in the text? | 0 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | wu | How many times the word 'wu' appears in the text? | 0 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | destiny | How many times the word 'destiny' appears in the text? | 1 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | virtue | How many times the word 'virtue' appears in the text? | 2 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | until | How many times the word 'until' appears in the text? | 1 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | less | How many times the word 'less' appears in the text? | 3 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | us | How many times the word 'us' appears in the text? | 3 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | adventure | How many times the word 'adventure' appears in the text? | 2 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | speaking | How many times the word 'speaking' appears in the text? | 3 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | purl | How many times the word 'purl' appears in the text? | 2 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | gently | How many times the word 'gently' appears in the text? | 3 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | very | How many times the word 'very' appears in the text? | 3 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | take | How many times the word 'take' appears in the text? | 3 |
you what I have done for you, for fear you should destroy the sentiments with which you have inspired me. I have only, therefore, to inform you that these are the crayfish of the King of the Whiting, that they alone speak in this empire, and that you are chosen to teach them refined language, the customs of the world, and the means of pleasing their sovereign. You will find them intelligent; but you must every morning choose ten to pound in the King's mortar, to make his broth."[37] The Crayfish having ceased speaking, the Prince replied, "I had no idea, Madam, that you had interested yourself in my concerns. The gratitude I already feel towards you should induce you to abandon the bad opinion you have conceived of men in general, since on the bare assurance which you have given me of your friendship, I feel deeply obliged to you. But what I am very anxious to learn is, the course I should take in reasoning with the persons whose education you would confide to me. If I were sure that they had as much intellect as you, I should have no trouble, and I should feel a pride in the task; but the more difficult I should find them to teach, the less should I have the courage to punish them for faults for which they are not responsible. And having lived with them, how can I have the heart to deliver them to a torture?" "You are obstinate and a great talker," interrupted the Crayfish; "but we know how to subdue you." So saying, she rose from the table, and jumping to the ground, took her real form of Marmotte (for she was that wicked fairy). "Oh, heavens!" cried the Prince; "so this is the person who boasts of the interest she takes in my affairs--she who has done nothing but make me miserable. Ah, Lumineuse," continued he, "you abandon me!" He had hardly finished these words, when Marmotte precipitated herself by the window into the reservoir and disappeared, and he remained alone with the twelve thousand crayfish. After having meditated a little as to how he should proceed to educate them, during which time they waited in complete silence, it occurred to him that he might very probably find amongst them his beautiful and unfortunate Princess, because the hideous Marmotte had ordered him to pound ten of them every morning. "And why should I be selected to pound them," said he, "if it be not to drive me distracted? Never mind, let us look for her," continued he, rising; "let us at least try to recognise her, even if I die of grief before her eyes." Then he asked the crayfish if they would kindly permit him to search amongst them for one of his acquaintance. "We know nothing about it, my Lord," said the first who spoke; "but you can make what inquiry you please up to the time of our return to the reservoir, for we must positively pass the night there." Zirphil commenced his inspection; the more he sought, the less he discovered, but he surmised, from the few words which he drew from those he interrogated, that they were all princesses transformed by the wickedness of Marmotte. This caused him inconsolable grief, for he had to choose ten for the King's broth. When evening came, they repeated that they must retire to the reservoir, and it was not without pain that he relinquished the sweet occupation of seeking the Princess. He had only been able in the whole day to interrogate a hundred and fifty; but as he was certain at least that she was not amongst them, he determined to take ten from that number; he had no sooner chosen them than he proceeded to carry them to the King's offices; but he was arrested by the most astonishing peals of laughter from the victims he was about to immolate; he was so surprised by it, that he was some time without speaking; at length he interrupted them to inquire what it was they found so amusing in their present circumstances? They renewed their shouts of laughter so heartily that he could not help, in spite of his own sorrows, partaking in their mirth. They wanted to speak, but could not for laughing; they could only ejaculate, "Oh, I can say no more!" "Oh, I shall die of it!" "No, there is nothing in the world so amusing!" and then roared again. At length he reached the Palace with them all laughing together, and having shown them to a pike-headed man, who seemed to be the principal cook, a mortar of green porphyry, ornamented with gold, was set before him, into which he put his ten crayfish, and prepared to pound them. At that moment the bottom of the mortar opened, emitted a brilliant flame, which dazzled the Prince, and then closing up again, appeared perfectly empty; even the crayfish had vanished. This astonished, but at the same time gratified him, for he was very reluctant to pound such merry creatures. The man-pike, on the contrary, seemed sadly distressed at this adventure, and wept bitterly. The Prince was as much surprised at this as he was at the laughter of the crayfish, and he could not ascertain the cause, as the pike's-head was dumb. He returned, much disturbed by his adventure, to his pretty apartment, where he no longer found the crayfish, for they had returned to the reservoir. The following morning, they re-entered without Marmotte; he sought for his Princess, and still not discovering her, he again chose ten of the finest for pounding. The same adventure occurred--they laughed, and the man-pike wept when they disappeared in the flame. For three months this extraordinary scene was daily repeated; he heard nothing of the King of the Whiting, and he was only uneasy at not discovering his beautiful Princess. One evening, returning from the kitchen to his own apartments, he traversed the King's gardens, and passing near a palisade which surrounded a charming plantation, in the midst of which was a little sparkling fountain, he heard some one speaking; this surprised him, for he believed all the inhabitants of that kingdom to be as dumb as those he had seen. He advanced gently, and heard a voice, which said,--"But Princess, if you do not discover yourself, your husband will never find you." "What can I do?" said the other voice, which he recognised as that he had so often heard. "The cruelty of Marmotte compels me to remain silent, and I cannot discover myself without risking his life as well as my own. The wise Lumineuse, who aids him, conceals my features from him in order to preserve us to each other: he must absolutely pound me, it is an irrevocable sentence." "But why should he pound you?" inquired the other. "You have never yet told me your history; Citronette, your confidante, would have related it to me had she not last week been chosen for the King's broth." "Alas!" replied the Princess, "that unfortunate has already undergone the torture which I await; would that I were in her place, for assuredly by this time she is in her grotto." "But," rejoined the other voice, "as it is such a beautiful night, tell me now why you are subjected to the vengeance of Marmotte. I have already told you who I am, and I burn with impatience to know more about you." "Although it will renew my grief," replied the Princess, "I cannot refuse to satisfy you, especially as I must speak of Zirphil, and I take pleasure in all that relates to him." One may easily judge of the delight which the Prince felt at this fortunate moment; he glided gently into the plantation, but as it was very dark he saw nothing; he listened, however, with all his ears, and this is word for word what he heard:-- "My father was King of a country near Mount Caucasus; he reigned to the best of his ability over a people of incredible wickedness; there were perpetual revolts, and often the windows of his Palace were broken by the stones which they hurled against them. The Queen, my mother, who was a very accomplished woman, composed speeches for him to make to the disaffected; but if he succeeded in appeasing them one day, the next produced a new trouble. The judges were tired of condemning to death, and the executioners of hanging. At length things arrived at such a pitch that my father, seeing all our provinces were uniting against us, resolved to withdraw from the capital, that he might no longer witness so many disagreeable scenes. He took the Queen with him, and left the kingdom to the government of one of his ministers, who was very wise, and less timid than the King, my father. My mother was expecting my birth, and travelled with some difficulty to the foot of Mount Caucasus, where my father had chosen his habitation. Our wicked subjects fired the guns for joy at their departure, and next day strangled our minister, saying that he wished to carry matters with too high a hand, and that they much preferred their old Sovereign. My father was not at all flattered by their preference, and remained concealed in his little retreat, where very soon I saw the light. "They named me Camion, because I was so very diminutive.[38] Moreover, the King and Queen, tired of the honours which had cost them so dear, and wishing to conceal my high birth from me, brought me up as a shepherdess. At the end of ten years (which appeared to them like ten minutes, so happy were they in their retreat), the fairies of the Caucasus, indignant at the wickedness of the people who inhabited our kingdom, resolved to restore order in it. One day that I was tending my sheep in the meadow which adjoined our garden, two old shepherdesses accosted me, and begged me to give them shelter for the night; they had such a sad dejected air that my soul was moved with compassion. 'Follow me,' said I; 'my father, who is a farmer, will receive you willingly.' I ran to the cottage to announce their arrival to him; he came to meet them, and received them with much kindness, as did my mother also. I then brought in my sheep, and set milk before our guests. Meanwhile, my father prepared them a nice little supper, and the Queen, who, as I before told you, was a clever woman, entertained them wonderfully. "I had a little lamb which I loved excessively; my father called to me to bring it to him that he might kill it and roast it. I was not accustomed to dispute his will, and therefore took it to him; but I was so distressed at having to do so that I went and sat down weeping beside my mother, who was so occupied in talking to these good women that she took no notice of me. 'What is the matter with little Camion?' said one of them, who saw me in tears. 'Alas, Madam!' said I to her, 'my father is roasting my pet lamb for your suppers.' 'How?' said the one who had not yet spoken, 'is it on our account that pretty Camion is thus distressed?' Then rising and striking the ground with her stick, a table rose out of it magnificently covered, and the two old women became two beautiful ladies, in dresses so dazzling with precious stones, that I was struck motionless, so much so, indeed, that I paid no attention when my little lamb bounded into the room, and made a thousand leaps, which much amused the company. I ran at length to him, after having kissed the hands of the beautiful ladies; but I was quite amazed to find his wool all of silver purl, and covered with knots of rose-coloured ribbon. "My father and mother paid every attention to the Fairies, for such I need not tell you they were both. They raised the King and Queen, who had fallen at their feet. 'King and Queen,' said she who was the most majestic, 'we have known you for a long time past, and your misfortunes have excited our pity. Do not imagine that greatness exempts any one from the ills attached to humanity. You must know by experience that the more elevated the rank the more keenly are they felt. Your patience and virtue have raised you above your misfortunes: it is time to give you your reward. I am the Fairy Lumineuse, and I come to ask what would be most agreeable to your majesties. Speak, and do not fear to put our power to the proof; consult together, your wishes shall be accomplished; but say nothing respecting Camion--her destiny is apart from yours. The Fairy Marmotte, envious of the brilliant fate which has been promised her, has obscured it for a time: but Camion will better know the value of her happiness when she shall have experienced the ills of life; we will protect her by softening them: that is all we are permitted to tell you. Speak; with that exception we can do anything for you.' "The Fairies, after this harangue, were silent. The Queen turned to the King that he might reply, for she wept to find I was doomed to be unhappy; but my father was no better able than herself to speak: he uttered piteous exclamations, and I, seeing them in tears, left my lamb to come and weep with them. The Fairies waited with much impatience, and in perfect silence, till our tears were ended. At length my mother pushed the King gently to let him know they were expecting his reply. He took his handkerchief from his eyes and said, that as it was decided that I should be miserable, nothing they could offer him could be agreeable to him, and that he refused the happiness which they promised him, as he should always find it embittered by the idea of what I had to dread. The Queen added, seeing that the poor man could say no more, that she begged the Fairies to take their lives on the day when my sad destiny was to be fulfilled, for that her only wish was not to be compelled to witness my misery. The good Fairies, affected by the extreme grief which reigned in the royal family, spoke together in a whisper. At length Lumineuse, who had already addressed us, said to the Queen, 'Be consoled, Madam; the misfortunes which threaten Camion are not so great but that they may terminate happily; for from the moment that the husband destined for her shall have obeyed the commands of fate, she will be happy with him, and the malignity of our sister can have no further power over either. The Prince we have selected is one worthy of her; and all we can tell you is, that you must absolutely lower your daughter every morning into the well, and that she must bathe in it for half-an-hour. If you strictly observe this rule, perhaps she may escape the evil with which she is threatened. At twelve years old the critical period of her fate will commence; if she reach the age of thirteen in safety, there will be nothing more to fear. That is all which regards her. Now wish for yourselves, and we can gratify your desires.' "The King and Queen looked at each other, and after a short silence, the King asked to become a statue until after I should have completed my thirteenth year; and the Queen limited her request to the modest one that the temperature of the well in which I was to be dipped should be always according to the season. The fairies, charmed at this excess of parental tenderness, added that the water should be orangeflower water, and that the King, whenever the Queen should throw this water over him, should resume his natural form, and again become a statue when he pleased. At length they took leave of us, after having lauded the King and Queen for their moderation, and promised to assist them whenever they should require it, by burning a bit of the silver purl with which my lamb was covered. "They vanished, and I felt real anguish for the first time in my life, at seeing my father become a great statue of black marble. The Queen burst into tears, and I also; but at length, as everything has an end, I ceased to cry, and occupied myself in consoling my mother, for I felt a sudden increase both of sense and sensibility. "The Queen passed her life at the feet of the statue, and I, after having bathed as they had ordered me, went to milk my ewes. Upon that food we lived, for the Queen would not take anything else, and it was only from love to me that she could be prevailed on to preserve an existence, which to her was so full of bitterness. 'Alas! my daughter,' said she, sometimes, 'of what use to us have been our grandeur and our high birth? (for she no longer concealed from me my rank.) 'Would it not have been better to have been born in a lower sphere, since a crown draws down on us such great misfortunes? Virtue, and my affection for you, my dear Camion, alone enable me to support them; but there are moments when my soul seems impatient to leave me, and I confess I feel pleasure in imagining that I shall soon die. It is not for me you should weep,' added she, 'but for your father, whose grief, still greater than mine, has carried him so far as to make him desire a worse fate than ceasing to live. Never forget, my dear, the gratitude you owe him.' 'Alas! Madam,' said I, 'I am not capable of ever forgetting it, and still less can I forget that you have wished to live in order to assist me.' "I was bathed regularly every day, and my mother was sadly distressed to see the King always an inanimate statue. She dared not, however, recall him to life, fearing to inflict on him the pain of witnessing the misfortune with which I was threatened. The Fairies not having specified what it was, we were in mortal fear. The Queen especially fancied no end of frightful things, because her imagination had an unlimited field to range over. As for me, I did not trouble myself much about it, so true is it that youth is the only time when we enjoy the present. "My mother told me repeatedly that she felt a great desire to bring my father to life again, and I had the same inclination. At length, after six months, finding that the Fairies' bath had greatly embellished both my person and mind, she resolved to gratify this longing, if but to give the King the pleasure of seeing my improvement. She therefore desired me to bring her some water from the well. Accordingly, after my bath, I drew up a vase of this marvellous water, and the statue was no sooner sprinkled with it, than my father became a man again. The Queen threw herself at his feet, to ask pardon for having troubled his repose. He raised her, and embracing her tenderly, forgave her readily, and she presented me to him. "I am ashamed to tell you that he was both delighted and surprised. For how can you believe me, beautiful Princess?" said the voice, hesitatingly, "me, the most hideous of crayfish?" "Alas! I can well believe you," replied the one to whom she spoke; "I also might boast of being handsome, but is it possible to appear so in these frightful shells? Pray continue, however, for I am eager to hear the rest of your history." "Well, then," said the other voice, "the King was enchanted with me, loaded me with caresses, and asked the Queen if she had any news to tell him. 'Alas!' said she, 'who in this desert should come to tell me any? Besides, being occupied solely in lamenting your transformation, I have taken little interest in the world, which is nothing to me without you.' 'Well,' said the King, 'I will tell you some news, then; for do not think that I have been always asleep. The Fairies who protect us have disclosed to me the punishment of my subjects. They have made an immense pond of my kingdom, and all the inhabitants are men-fish. A nephew of the Fairy Marmotte, whom they have set up as their king, persecutes them with unequalled cruelty: he devours them for the least fault; and at the end of a certain time a prince will arrive who will dethrone him, and reign in his stead. It is in this kingdom that Camion will be made perfectly happy. This is all that I know; and it was not a bad way of passing my time' said he, laughing, 'to have discovered these things. The Fairies came every night to inform me of what was doing, and I should perhaps have known much more if you had let me remain a statue a little longer; but, however, I am so delighted to see you once more, that I do not think I shall very soon wish to become a statue again.' "We passed some time in the happiest manner possible. The King and Queen, notwithstanding, were rather anxious when they thought of my approaching the age of thirteen. As the Queen bathed me with great care, she hoped that the prediction would not be fulfilled. But who can boast of escaping their destiny? One morning that the Queen had risen early, and was gathering some flowers to decorate our cottage, because the King was fond of them, she saw come out from beneath a tube-rose an ugly animal, something like a marmot. This beast threw itself on her, and bit her nose. She fainted with the pain which this bite occasioned her, and my father, at the end of an hour, not seeing her return, went to seek her. Judge of his consternation at finding her nearly dead, and covered with blood! He uttered fearful cries. I ran to his assistance, and we together carried the Queen into the house, and placed her in bed, where she was two hours without coming to herself. At length she began to give some signs of life, and we had the pleasure of seeing her very shortly recovered, except from the pain of the bite, which caused her much suffering. "She asked directly if I had been to bathe: but we had quite forgotten it in our anxiety about her. She was much alarmed at hearing this; however, seeing that as yet no accident had happened to me, she became re-assured, and related to us her adventure, which surprised us immensely. "The day passed over without any other trouble; the King had taken his gun and sought in every direction for the horrid beast without finding it. The next day at sunrise the Queen awoke and came to fetch me, to repair the fault of the preceding morning; she lowered me into the well as usual, but alas, fatal and unlucky day! at this same instant, although the heavens were quite serene, a dreadful clap of thunder rent the air, the sky seemed suddenly all on fire, and from a burning cloud there issued a flaming dart which flew into the well. My mother in her fright let go the cord which held me, and I sank to the bottom, without hurting myself, it is true, but horrified at discovering that I was partially transformed into an enormous fish which they call a whale. I rose to the surface again, and called the Queen with all my power. She did not reply. I was sadly afflicted and wept bitterly, as much for her loss as at my metamorphosis, when I felt that an invisible power forced me to descend to the bottom of the well. Having reached it, I entered a grotto of crystal, where I found a species of Nymph, ugly enough, for she was like an immensely fat frog. However, she smiled at my approach, and said to me--'Camion, I am the Nymph of the Bottomless Well; I have orders to receive thee, and to make thee undergo the penance to which thou art sentenced for having failed to bathe; follow me, and do not remonstrate.' "What, alas, could I do? I was so distressed and so faint at finding myself on dry ground, that I had not the strength to speak. She dragged me, not without pain, into a saloon of green marble which was near the grotto; she there put me into an immense golden tub filled with water, and I then began to recover my senses. The good Nymph appeared delighted at this. 'I am called Citronette,' said she to me; 'I am appointed to wait on thee; thou canst order me to do anything thou wilt--I know perfectly well both the past and the present; as for the future, it is not my province to penetrate it. Command me, and at least I can render the time of thy penance less irksome to thee.' "I embraced the good Citronette at these words, and related to her the events of my life. I then inquired of her what had become of the King and Queen. She was about to reply, when a hideous marmot, as large as a human being, entered the saloon, and froze me with horror. She walked upon her hind legs, and leant upon a gold wand, which gave her a dignified air. She approached the tub, in which I would willingly have drowned myself, I was so frightened, and raising her wand, with which she touched me--'Camion,' said she, 'thou art in my power, and nothing can release thee but thy obedience and that of the husband whom my sisters have destined for thee. Listen to me, and cast off this fear, which does not befit a person of your rank. Since thine infancy I wished to take care of thee, and to marry thee to my nephew, the King of the Whiting. Lumineuse, and two or three other of my sisters, combined to deprive me of this right; I was provoked, and not being able to revenge myself on them, I resolved to punish thee for their audacity. I doomed thee, therefore, to be a whale for at least half the term of thy existence. My sisters protested so strongly against what they called my injustice, that I diminished my vengeance by three-quarters and a half; but I reserved to myself the right of marrying thee to my nephew in return for my complaisance. Lumineuse, who is imperious, and unfortunately my superior, would not listen to this arrangement, because she had destined thee, before me, to a Prince whom she protected. I was compelled then to consent to her plan, in spite of my resentment; all that I could obtain was that the first who should deliver you from my claws should be thy husband. Here are their portraits,' continued she, showing me two gold miniature cases, 'which will enable thee to recognise them: but if one of them come to deliver thee, he must betroth himself to thee whilst thou art in the tub, and before thou canst leave it, he must tear off the skin of the whale; without that, thou wilt always remain a fish. My nephew would not hesitate a moment to execute that order; but the favourite of Lumineuse will consider it a horrible task, for he has the air of a very delicate little gentleman. Set, then, thy wits to work to make him skin thee, and after that thou shalt be no longer unhappy, if to be a beautiful whale, very fat and well fed, and up to the neck in water, can be called unhappiness.' "To these words I made no reply, but remained very dejected, as much at my present state as by the thought of scaling to which I must submit. "Marmotte disappeared, leaving with me the two miniature cases. I wept over my misfortunes and my situation, without dreaming of looking at the portraits, when the good and sympathising Citronette said to me, 'Come, we must not lament over ills which cannot be remedied. Let us see if I cannot help to console you; but first, try not to weep so much, for I have a tender heart, and I cannot see your tears without feeling inclined to mingle mine with them. Let us chase them away by looking at these portraits.' "So saying, she opened the first case, and showing it to me, we both uttered shrieks like Melusine's[39] at seeing a hideous whiting's head, painted, it is true, with all the advantages which could be given to it; but, in spite of that, never in the memory of man had anything been seen so ugly. 'Take away that object,' cried I to her; 'I cannot bear the sight of it longer. I would rather be a whale all my life than marry that horrible Whiting!' "She did not give me time to finish my imprecations on this monster, but said, 'Behold this darling young man! Oh, as for him, would he but skin you I should be delighted.' I looked hastily to see if what she said was true; I was only too soon convinced. A noble and charming countenance presented itself to my view; fine eyes full of tenderness embellished a face which was both mild and majestic; an air of intellectuality was spread over it, which completed the | anguish | How many times the word 'anguish' appears in the text? | 1 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | into | How many times the word 'into' appears in the text? | 3 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | situation | How many times the word 'situation' appears in the text? | 2 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | sharp | How many times the word 'sharp' appears in the text? | 0 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | warning | How many times the word 'warning' appears in the text? | 0 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | police | How many times the word 'police' appears in the text? | 3 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | auto | How many times the word 'auto' appears in the text? | 3 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | meet | How many times the word 'meet' appears in the text? | 1 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | everything | How many times the word 'everything' appears in the text? | 3 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | blood | How many times the word 'blood' appears in the text? | 0 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | gasoline | How many times the word 'gasoline' appears in the text? | 1 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | accept | How many times the word 'accept' appears in the text? | 2 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | alphabet | How many times the word 'alphabet' appears in the text? | 0 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | reported | How many times the word 'reported' appears in the text? | 3 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | fleck | How many times the word 'fleck' appears in the text? | 0 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | samples | How many times the word 'samples' appears in the text? | 2 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | wrong | How many times the word 'wrong' appears in the text? | 3 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | adding | How many times the word 'adding' appears in the text? | 1 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | appointment | How many times the word 'appointment' appears in the text? | 0 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | sell | How many times the word 'sell' appears in the text? | 2 |
you wish. Good night, Ken." "Good night, Professor." * * * * * Ken's clock radio woke him the next morning. He reached over to shut off the newscast it carried. There was only one item any commentator talked about now, the comet. Ken wondered how they could get away with a repetition of the same thing, over and over, but they seemed able to get an audience as long as they kept the proper tone of semi-hysteria in their voices. As his hand touched the dial to switch it off, something new caught Ken's attention. "A curious story is coming in from all parts of the country this morning," the announcer said. "Auto mechanics are reporting a sudden, unusually brisk business. No one knows the reason, but there seems to be a virtual epidemic of car breakdowns. Some garagemen are said to be blaming new additives in gasoline and lubricating oil. It is reported that one major oil company is undertaking an investigation of these charges, but, in the meantime, no one really seems to have a good answer. "In connection with the comet, however, from widely scattered areas comes the report that people are even blaming these engine failures on our poor, old comet. In the Middle Ages they blamed comets for everything from soured cream to fallen kingdoms. Maybe this modern age isn't so different, after all. At any rate, this comet will no doubt be happy to get back into open space, where there are no Earthmen to blame it for all their accidents and shortcomings!" Ken switched off the radio and lay back on the pillow. That was a real choice one--blaming the comet for car breakdowns! Page Granny Wicks! The breakdowns were curious, however. There was no good reason why there should be a sudden rash of them. He wondered if they had actually occurred, or if the story was just the work of some reporter trying to make something out of his own inability to get into a couple of garages that were swamped by the usual weekend rush. This was most likely the case. However it didn't explain why his own car had suddenly conked out, Ken thought irritably. He'd have to get it over to Art Matthews' garage as soon as school was out. At school that morning there was little talk of anything but the comet. After physics class, Ken was met by Joe Walton and three other members of the science club, of which Ken was president. "We want a special meeting," said Joe. "We've just had the most brilliant brainstorm of our brief careers." "It had better be more brilliant than the last one," said Ken. "That drained the club treasury of its last peso." "I was watching the comet last night, and I began to smell the dust of its tail as the Earth moved into it...." "You must have been smelling something a lot more powerful than comet dust." "I said to myself--why don't we collect some of that stuff and bottle it and see what it's made of? What do you think?" Joe asked eagerly. Ken scowled. "Just how many molecules of material from the comet's tail do you think there are in the atmosphere over Mayfield right now?" "How do I know? Six--maybe eight." Ken laughed. "You're crazy, anyway. What have you got in mind?" "I'm not sure," Joe answered seriously. "We know the comet's tail is so rarefied that it resembles a pretty fair vacuum, but it _is_ composed of something. As it mixes with the atmosphere we ought to be able to determine the changing makeup of the air and get a pretty good idea of the composition of the comet's tail. This is a chance nobody's ever had before--and maybe never will again, until we go right out there in spaceships--being right inside a comet's tail long enough to analyze it!" "It sounds like a terrific project," Ken admitted. "The universities will all be doing it, of course, but it would still be a neat trick if we could bring it off. Maybe Dad and Professor Larsen will have ideas on how we could do it." "We ought to be able to make most of the equipment," said Joe, "so it shouldn't be too expensive. Anyway, we'll have a meeting then, right after school?" "Yes--no, wait. The engine in my car conked out. I've got to go over to Art's with it this afternoon. You go ahead without me. Kick the idea around and let me know what's decided. I'll go along with anything short of mortgaging the football field." "Okay," said Joe. "I don't see why you don't just sell that hunk of junk and get a real automobile. You've got a good excuse now. This breakdown is a good omen!" "Don't talk to me about omens!" * * * * * Art Matthews had the best equipped garage in town, and was a sort of unofficial godfather to all the hot-rodders in the county. He helped them plane the heads of their cars. He got their special cams and carburetor and manifold assemblies wholesale, and he gave them fatherly advice about using their heads when they were behind the wheel. Ken called him at noon. "I've got troubles, Art," he said. "Can I bring the car over after school?" "I'm afraid I can't do a thing for you today," Art Matthews said. "I don't know what's happened, but I've had tow calls all day. Right now the shop is full and they're stacked four-high outside. I'm going to do a couple of highway patrol cars and Doc Adams'. I figured they ought to have priority." Ken felt a sudden, uneasy sense of recognition. This was the same kind of thing he had heard about on the radio that morning! A rash of car breakdowns all over the country. Now, the same thing in Mayfield! "What's wrong with them?" he asked the mechanic. "Why is everybody coming in with trouble at the same time?" "They're not coming in," said Art. "I'm having to go out after them. I don't know yet what's wrong. They heat up and stall. It's the craziest thing I've run into in 30 years of garage work." "Mine acted the same way," Ken said. "Yeah? Well, you're in good company. Listen, why don't you and maybe Joe and Al come down and give me a hand after school? I'll never get on top here without some help. After we get these police and other priority cars out of the way, maybe we can get a quick look at what's wrong with yours." "It's a deal." Joe Walton wasn't much in favor of spending that afternoon and an unknown number of others in Art's garage; he was too overwhelmed by the idea of analyzing the material of the comet's tail. However Art had done all of them too many favors in the past to ignore his call for help. "The trouble with this town," Joe said, "is that three-fourths of the so-called automobiles running around the streets belong down at Thompson's Auto Wrecking." Al Miner agreed to come, too. When they reached the garage after school they saw Art had not been exaggerating. His place was surrounded by stalled cars, and the street outside was lined with them in both directions. Ken borrowed the tow truck and brought his own car back from the Larsens'. By that time the other two boys were at work. "Batteries are all okay," Art told him. "Some of these engines will turn over, but most of them won't budge. I've jerked a couple of heads, but I can't see anything. I want you to take the pans off and take down the bearings to see if they're frozen. That's what they act like. When that's done, we'll take it from there." Ken hoisted the front end of one of the police cars and slid under it on a creeper. Art's electric impact wrenches were all in use, so he began the laborious removal of the pan bolts by hand. He had scarcely started when he heard a yell from Joe who was beneath the other police car. "What's the matter?" Art called. "Come here! Look at this!" The others crowded around, peering under the car. Joe banged and pried at one of the bearings, still clinging to the crankshaft after the cap had been removed. "Don't do that!" Art shouted at him. "You'll jimmy up the crankshaft!" "Mr. Matthews," Joe said solemnly, "this here crankshaft has been jimmied up just as much as it's ever going to get jimmied. These bearings are welded solid. They'll have to be machined off!" "Nothing could freeze them to the shaft that hard," Art exclaimed. Joe moved out of the way. Art crawled under and tapped the bearing. He pried at it with a chisel. Then he applied a cold chisel and pounded. The bearing metal came away chip by chip, but the bulk of it clung to the shaft as if welded. "I've never seen anything like that before in my life!" Art came out from beneath the car. "What do you think could cause it?" Joe asked. "Gas!" said Art vehemently. "The awful gas they're putting out these days. They put everything into it except sulphur and molasses, and they expect an engine to run. Additives, they call 'em! Detergents! Why can't they sell us plain old gasoline?" Ken watched from a distance behind the group. He looked at the silent, motionless cars in uneasy speculation. He recalled again the radio announcement of that morning. Maybe it _could_ be something they were adding to the gas or oil, as Art said. It couldn't, however, happen so suddenly--not all over the country. Not in New York, Montgomery, Alabama, San Francisco, and Mayfield. Not all at the same time. Art turned up the shop lights. Outside, as the sun lowered in the sky, the glow of the comet began turning the landscape a copper-yellow hue. Its light came through the broad doors of the garage and spread over the half-dismantled cars. "All right, let's go," said Art. His voice held a kind of false cheeriness, as if something far beyond his comprehension had passed before him and he was at a loss to meet it or even understand it. "Let's go," he said again. "Loosen all those connecting rods and get the shafts out. We'll see what happens when we try to pull the pistons." Chapter 3. _Power Failure_ The news broadcasts the following morning were less hysterical than previously. Because the news itself was far more serious, the announcers found it unnecessary to inject artificial notes of urgency. Ken listened to his bedside radio as he watched the first tint of dawn above the hills east of the valley. "The flurry of mechanical failures, which was reported yesterday, has reached alarming proportions," the announcer said. "During the past 24 hours garages in every section of the nation have been flooded with calls. From the other side of the Atlantic reports indicate the existence of a similar situation in Europe and in the British Isles. "Automobile breakdowns are not the most serious accidents that are taking place. Other forms of machinery are also being affected. A crack train of the Southern Pacific came to a halt last night in the Arizona desert. All efforts of the crew to repair the stalled engine were fruitless. A new one had to be brought up in order for the passengers to continue on their way early this morning. "From Las Vegas comes word that one of the huge generators at Hoover Dam has been taken out of service because of mechanical failure. Three other large municipalities have had similar service interruptions. These are Rochester, New York, Clinton, Missouri, and Bakersfield, California. "Attempts have been made to find some authoritative comment on the situation from scientists and Government officials. So far, no one has been willing to commit himself to an opinion as to the cause of this unexplained and dangerously growing phenomenon. "Yesterday it was jokingly whispered that the comet was responsible. Today, although no authority can be found to verify it, the rumor persists that leading scientists are seriously considering the possibility that the comet may actually have something to do with the breakdowns." Ken turned off the radio and lay back with his hands beneath his head, staring at the ceiling. His first impulse was to ridicule again this fantastic idea about the comet. Yet, there had to be _some_ explanation. He had seen enough of the engines in Art's garage last night to know they had suffered no ordinary mechanical disorder. Something had happened to them that had never happened to engines before, as far as he knew. The crankshafts were immovable in their bearings. The pistons had been frozen tight in the cylinders when they tried to remove some of them. Every moving part was welded to its mating piece as solidly as if the whole engine had been heated to the very edge of melting and then allowed to cool. Apparently something similar was happening to engines in every part of the world. It could only mean that some common factor was at work in London, and Paris, and Cairo, and Mayfield. The only such factor newly invading the environment of every city on the globe was the comet. It would almost require a belief in witchcraft to admit the comet might be responsible! Ken arose and dressed slowly. By the time he was finished he heard his father's call to breakfast from downstairs. Professor Maddox was already seated when Ken entered the dining room. He was a tall, spare man with an appearance of intense absorption in everything about him. He glanced up and nodded a pleasant good morning as Ken approached. "I hear you worked overtime as an auto mechanic last night," he said. "Isn't that a bit rough, along with the load you're carrying at school?" "Art asked us to do him a favor. Haven't you seen what's been happening around town?" "I noticed an unusual number of cars around the garage, and I wondered about it. Has everyone decided to take care of their winter repairs at the same time?" "Haven't you heard the radio, either, Dad?" "No. I've been working on my new paper for the _Chemical Journal_ until midnight for the last week. What has the radio got to do with your work as a mechanic?" Quickly, Ken outlined to his father the events he had heard reported the past two days. "It's not only automobiles, but trains, power plants, ships, everything--" Professor Maddox looked as if he could scarcely believe Ken was not joking. "That would certainly be a strange set of coincidences," he said finally, "provided the reports are true, of course." "It's true, all right," said Ken. "It's not a matter of coincidence. Something is causing it to happen!" "What could that possibly be?" "There's talk about the comet having something to do with it." Professor Maddox almost choked on his spoonful of cereal. "Ken," he laughed finally, "I thought you were such a stickler for rigid, scientific methods and hypotheses! What's happened to all your rigor?" Ken looked down at the tablecloth. "I know it sounds ridiculous, like something out of the dim past, when they blamed comets for corns, and broken legs, and lost battles. Maybe this time it isn't so crazy when you stop to think about it, and it's absolutely the only new factor which could have some worldwide effect." "How could it have any effect at all--worldwide or otherwise?" Professor Maddox demanded. "The whole world is immersed in its tail." "And that tail is so tenuous that our senses do not even detect the fact!" "That doesn't mean it couldn't have some kind of effect." "Such as stopping engines? Well, you're a pretty good mechanic. Just what did the comet do to all these stalled pieces of machinery?" Ken felt his father was being unfair, yet he could scarcely blame him for not taking the hypothesis seriously. "I don't know what the comet did--or could do--" he said in a low voice. "I just know I've never seen any engines like those we took apart last night." In detail, he described to his father the appearance of the engine parts they had dismantled. "I brought home some samples of metal we cut from the engine blocks with a torch. Would you take them up to the laboratory at the college and have them examined under the electron microscope?" "I wouldn't have time to run any such tests for several days. If you are intent on pursuing this thing, however, I'll tell you what I'll do. You and your science club friends can come up and use the equipment yourselves." "We don't know how!" "I'll arrange for one of the teaching fellows to show you how to prepare metallic samples and operate the electron microscope." Ken's eyes lighted. "Gee, that would be great if you would do that, Dad! Will you, really?" "Come around after school today. I'll see that someone is there to help you." Art Matthews was disappointed when Ken called and said none of the science club members would be around that afternoon. He couldn't keep from showing in his voice that he felt they were letting him down. "It's not any use trying to get those engines running," Ken said. "The pistons would never come out of most of them without being drilled out. We're not equipped for that. Even if we got things loosened up and running again, what would keep the same thing from happening again? That's what we've got to find out." Art was unable to accept this point of view. He held a bewildered but insistent belief that something ought to be done about the mounting pile of disabled cars outside his garage. "We can get some of them going, Ken. You fellows have got to lend a hand. I can't tackle it without help." "I'm sorry," Ken said. "We're convinced there's got to be another way to get at the problem." "All right. You guys do whatever you figure you've got to do. I can probably round up some other help." Ken hung up, wishing he had been able to make Art understand, but the mechanic would probably be the last person in Mayfield to accept that the comet could have any possible connection with the frozen engines. As Ken walked to school that morning he estimated that at least 25 percent of the cars in Mayfield must be out of commission. Some of the men in his neighborhood were in their driveways futilely punching their starters while their engines moaned protestingly or refused to turn over at all. Others were peering under the hoods, shaking their heads, and calling across the yards to their neighbors. In the street, some cars were lugging with great difficulty, but others moved swiftly along without any evidence of trouble. Ken wondered how there could be such a difference, and if some might prove immune, so to speak, to the effect. He had called a meeting of the club in the chemistry laboratory for an hour before the first class. All of the members were there when he arrived. Ken called the meeting to order at once. "I guess you've all heard the news broadcasts, and you know what's happening here in town," he said. "Yesterday you talked about the possibility of collecting samples and analyzing the material of the comet's tail. I don't know what you decided. You can fill me in later on that. The problem is a lot more important now than it was yesterday. "It's beginning to seem as if the presence of the comet may actually be responsible for the wave of mechanical failures. Finding out how and why is just about the biggest problem in the whole world right now." A babble of exclamations and protests arose immediately from the other members of the group. Al Miner and Dave Whitaker were on their feet. Ted Watkins waved a hand and shouted, "Don't tell us you're swallowing that superstitious junk!" Ken held up a hand. "One at a time. We haven't got all day, and there's a lot of ground to cover. Ted, what's your comment?" "My comment is that anybody's got a screw loose if he believes the comet's got anything to do with all those cars being in Art's garage. That stuff went out of fashion after the days of old Salem." Several of the others nodded vigorously as Ted spoke. "I guess we do need to bring some of you up to date on the background material," said Ken. "Joe, tell them what we found last night." Briefly, Joe Walton described the engines they had dismantled. "Something had happened to them," he said, "which had never happened to an engine since Ford drove his first horseless carriage down Main Street." "It doesn't mean anything!" exclaimed Ted. "No matter what it is, we haven't any basis for tying it to the comet." "Can you name any other universal factor that could account for it?" Ken asked. "We have an effect that appears suddenly in Mayfield, Chicago, Paris, and Cairo. Some people say it's the additives in gasoline, but you don't get them showing up simultaneously in all parts of the world. There is no other factor common to every locality where the mechanical failures have occurred, except the comet. "So I called this meeting to suggest that we expand our project beyond anything we previously had in mind. I suggest we try to determine the exact relationship between the breakdowns and the appearance of the comet." Big Dave Whitaker, sitting at the edge of the room, rose slowly in his seat. "You've got the cart before the horse," he said. "You've got a nice theory all set up and you want us to beat our brains out trying to prove it. Now, take me. I've got a theory that little green men from Mars have landed and are being sucked into the air intake of the engines. Prove my theory first, why don't you?" Ken grinned good-naturedly. "I stand corrected, but I won't back down very far. I won't suggest we try to prove the connection with the comet, but I do propose to set up some experiments to discover if there is any relationship. If there is, then what it is. Does that suit you?" "I'll go along with that. How do you propose to go about it?" "Let's find out where the rest stand," said Ken. "How about it, you guys?" "I'll go for it," said Ted, "as long as we aren't out to prove a medieval superstition." One by one, the others nodded agreement. Joe Walton said intensely, "We'll find out whether it's superstition or not! There's no other possible cause, and we'll prove it before we're through." Ken smiled and waved him down. "We're working on a hypothesis only. Anyway, here's what I have to suggest by way of procedure: Since the tail of the comet is so rarefied, there aren't many molecules of it in the atmosphere of this entire valley. I don't know just what the mathematical chances of getting a measurable sample are. Maybe you can work out some figures on it, Dave. We'll have to handle an enormous volume of air, so let's get a blower as large as we can get our hands on and funnel the air through some electrically charged filters. We can wash down these filters with a solvent of some kind periodically and distill whatever has collected on them." "You won't get enough to fill the left eye of a virus suffering from arrested development," said Ted. "We'll find out when we get set up," said Ken. "My father has agreed to give us access to the electron microscope at the college. Maybe we can use their new mass spectrograph to help analyze whatever we collect." "If we knew how to use a mass spectrograph," said Ted. "He's offered to let one of the teaching fellows help us." "What will all this prove, even if we do find something?" Dave asked. "You'll get all kinds of lines from a spectrogram of atmospheric dust. So what?" "If we should get some lines that we can't identify, and if we should get those same lines from metallic specimens taken from the disabled engines, we would have evidence of the presence of a new factor. Then we could proceed with a determination of what effect, if any, this factor has on the engines." Ken looked around the group once more. "Any comments, suggestions, arguments? There being none, we'll consider the project approved, and get to work this afternoon." As they left to go to their first classes, Ted shook his head gloomily. "Man, you don't know what you're biting off! All we've done so far is build a few ham radios, a telescope, and some Geiger counters. You're talking about precision work now, and I mean _pree_-cision!" Throughout the day Ken, too, felt increasing doubts about their ability to carry off the project. It would be a task of tremendous delicacy to analyze such microscopic samples as they might succeed in obtaining. Microchemical methods would be necessary, and none of them had had any experience in that field. His father was an expert with these methods and though he might scold them for tackling such a difficult project, he'd help them, Ken thought. He always had. This was no ordinary project, however. Ken had no idea how seriously scientists in general were considering the comet as the offender, but certainly they must be working frantically on the problem of the mechanical disorder. Unless they found another cause very soon, they were certain to turn to an analysis of the comet's tail. It would be very satisfying if Ken's group could actually be in the vanguard of such a development. He tried to ridicule his own conviction that the comet held the key. He had no reason whatever for such a belief, except the fact of the comet's universal presence. How it could stop an automobile engine or a railroad train was beyond his wildest imaginings. But there was nothing else. Nothing at all. On the way home after school, there seemed to Ken to be a subtle change that had come over the valley since morning. Along the streets, cars were parked in front of houses to which they did not belong. Little knots of people were standing about, talking in hushed tones. The comet was aflame in the sky. There seemed to be not merely an awe and an uneasiness in the people, but a genuine fear that Ken could not help absorbing as he moved past them on the sidewalks. Their faces were yellow and flat under the glare of the comet, and they looked at him and at each other as if they were strangers in an alien land. Almost without being aware of it, Ken found himself running the last half-block before he reached his own home. He burst in the door and called out with forced cheeriness, "Hi, Mom, what's cooking? I'm starved. The whole gang's coming over in a few minutes. I hope you've got something for them." His mother came out of the kitchen, her face gray with uncertainty. "You'll have to do with sandwiches this afternoon," she said. "I haven't been able to use the electric stove since noon." Ken stared at her. "There's something about the power," she went on. "We haven't any lights, either. They say the power station at Collin's Dam went out of commission this morning. They don't know when they'll be able to get it back on." Chapter 4. _Disaster Spreads_ While he stood, shocked by his mother's statement, Ken heard the phone ringing in the next room. On battery power at the telephone central office, he thought. His mother answered, and there was a pause. "Professor Maddox is at the college," she said. "You can probably reach him there, or I can give him your message when he comes home." She returned to the doorway. "That was the power company. They want your father and Dr. Douglas to have a look at their generators. "Ken, what do you think this means?" she asked worriedly. "What will happen if all our power goes off and doesn't come back on? Do you think your father has any idea what's causing the trouble?" Ken shook his head. "I don't know, Mom. So far, nobody seems to know anything." In less than 15 minutes, Professor Maddox hurried into the house. "Couldn't get my car going," he said. "It's stalled on the campus parking lot. The power company wants me to go to Collin's Dam." "I know," said Mrs. Maddox. "They called here." He paused a moment, staring out the window, a look of bewilderment on his face. "This thing seems to be more serious than I would have believed possible. There's just no explanation for it, none at all!" "Any chance of my going along, Dad?" Ken said. "I'm afraid not. We're going in Dr. Larsen's car, and it's half loaded with instruments. I hope we make it there and back without breaking down. "I'll probably be back early this evening, but don't hold dinner on my account." "There will be only sandwiches," said Ken's mother. "I can't cook anything." "Of course. Just leave me some of whatever you have." From the doorway Ken watched his father and the other two scientists. He thought he detected a loginess in the engine as Professor Larsen drove away from the curb. What they hoped to accomplish, Ken didn't know, but he felt certain they would find the same thing in the generators that had been found in the automobile engines. The bearings were probably frozen so tight that they and | xt | How many times the word 'xt' appears in the text? | 0 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | houses | How many times the word 'houses' appears in the text? | 1 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | nothing | How many times the word 'nothing' appears in the text? | 2 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | occurred | How many times the word 'occurred' appears in the text? | 2 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | huge | How many times the word 'huge' appears in the text? | 2 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | wonder | How many times the word 'wonder' appears in the text? | 3 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | regeneratory | How many times the word 'regeneratory' appears in the text? | 0 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | the'hills | How many times the word 'the'hills' appears in the text? | 0 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | excavating | How many times the word 'excavating' appears in the text? | 1 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | shadow | How many times the word 'shadow' appears in the text? | 3 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | crawl | How many times the word 'crawl' appears in the text? | 1 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | its | How many times the word 'its' appears in the text? | 3 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | passing | How many times the word 'passing' appears in the text? | 2 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | janitor | How many times the word 'janitor' appears in the text? | 0 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | w7 | How many times the word 'w7' appears in the text? | 0 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | or | How many times the word 'or' appears in the text? | 2 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | yet | How many times the word 'yet' appears in the text? | 1 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | always | How many times the word 'always' appears in the text? | 2 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | brought | How many times the word 'brought' appears in the text? | 2 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | sink | How many times the word 'sink' appears in the text? | 1 |
you. Good-bye!" She turned and had disappeared in a few minutes among the scattered boulders, while I, with my soul full of vague fears, pursued my way to Baskerville Hall. Chapter 8. First Report of Dr. Watson From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do. Baskerville Hall, October 13th. MY DEAR HOLMES: My previous letters and telegrams have kept you pretty well up to date as to all that has occurred in this most God-forsaken corner of the world. The longer one stays here the more does the spirit of the moor sink into one's soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but, on the other hand, you are conscious everywhere of the homes and the work of the prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their gray stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door fitting a flint-tipped arrow on to the string of his bow, you would feel that his presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy. All this, however, is foreign to the mission on which you sent me and will probably be very uninteresting to your severely practical mind. I can still remember your complete indifference as to whether the sun moved round the earth or the earth round the sun. Let me, therefore, return to the facts concerning Sir Henry Baskerville. If you have not had any report within the last few days it is because up to today there was nothing of importance to relate. Then a very surprising circumstance occurred, which I shall tell you in due course. But, first of all, I must keep you in touch with some of the other factors in the situation. One of these, concerning which I have said little, is the escaped convict upon the moor. There is strong reason now to believe that he has got right away, which is a considerable relief to the lonely householders of this district. A fortnight has passed since his flight, during which he has not been seen and nothing has been heard of him. It is surely inconceivable that he could have held out upon the moor during all that time. Of course, so far as his concealment goes there is no difficulty at all. Any one of these stone huts would give him a hiding-place. But there is nothing to eat unless he were to catch and slaughter one of the moor sheep. We think, therefore, that he has gone, and the outlying farmers sleep the better in consequence. We are four able-bodied men in this household, so that we could take good care of ourselves, but I confess that I have had uneasy moments when I have thought of the Stapletons. They live miles from any help. There are one maid, an old manservant, the sister, and the brother, the latter not a very strong man. They would be helpless in the hands of a desperate fellow like this Notting Hill criminal if he could once effect an entrance. Both Sir Henry and I were concerned at their situation, and it was suggested that Perkins the groom should go over to sleep there, but Stapleton would not hear of it. The fact is that our friend, the baronet, begins to display a considerable interest in our fair neighbour. It is not to be wondered at, for time hangs heavily in this lonely spot to an active man like him, and she is a very fascinating and beautiful woman. There is something tropical and exotic about her which forms a singular contrast to her cool and unemotional brother. Yet he also gives the idea of hidden fires. He has certainly a very marked influence over her, for I have seen her continually glance at him as she talked as if seeking approbation for what she said. I trust that he is kind to her. There is a dry glitter in his eyes and a firm set of his thin lips, which goes with a positive and possibly a harsh nature. You would find him an interesting study. He came over to call upon Baskerville on that first day, and the very next morning he took us both to show us the spot where the legend of the wicked Hugo is supposed to have had its origin. It was an excursion of some miles across the moor to a place which is so dismal that it might have suggested the story. We found a short valley between rugged tors which led to an open, grassy space flecked over with the white cotton grass. In the middle of it rose two great stones, worn and sharpened at the upper end until they looked like the huge corroding fangs of some monstrous beast. In every way it corresponded with the scene of the old tragedy. Sir Henry was much interested and asked Stapleton more than once whether he did really believe in the possibility of the interference of the supernatural in the affairs of men. He spoke lightly, but it was evident that he was very much in earnest. Stapleton was guarded in his replies, but it was easy to see that he said less than he might, and that he would not express his whole opinion out of consideration for the feelings of the baronet. He told us of similar cases, where families had suffered from some evil influence, and he left us with the impression that he shared the popular view upon the matter. On our way back we stayed for lunch at Merripit House, and it was there that Sir Henry made the acquaintance of Miss Stapleton. From the first moment that he saw her he appeared to be strongly attracted by her, and I am much mistaken if the feeling was not mutual. He referred to her again and again on our walk home, and since then hardly a day has passed that we have not seen something of the brother and sister. They dine here tonight, and there is some talk of our going to them next week. One would imagine that such a match would be very welcome to Stapleton, and yet I have more than once caught a look of the strongest disapprobation in his face when Sir Henry has been paying some attention to his sister. He is much attached to her, no doubt, and would lead a lonely life without her, but it would seem the height of selfishness if he were to stand in the way of her making so brilliant a marriage. Yet I am certain that he does not wish their intimacy to ripen into love, and I have several times observed that he has taken pains to prevent them from being tete-a-tete. By the way, your instructions to me never to allow Sir Henry to go out alone will become very much more onerous if a love affair were to be added to our other difficulties. My popularity would soon suffer if I were to carry out your orders to the letter. The other day--Thursday, to be more exact--Dr. Mortimer lunched with us. He has been excavating a barrow at Long Down and has got a prehistoric skull which fills him with great joy. Never was there such a single-minded enthusiast as he! The Stapletons came in afterwards, and the good doctor took us all to the yew alley at Sir Henry's request to show us exactly how everything occurred upon that fatal night. It is a long, dismal walk, the yew alley, between two high walls of clipped hedge, with a narrow band of grass upon either side. At the far end is an old tumble-down summer-house. Halfway down is the moor-gate, where the old gentleman left his cigar-ash. It is a white wooden gate with a latch. Beyond it lies the wide moor. I remembered your theory of the affair and tried to picture all that had occurred. As the old man stood there he saw something coming across the moor, something which terrified him so that he lost his wits and ran and ran until he died of sheer horror and exhaustion. There was the long, gloomy tunnel down which he fled. And from what? A sheep-dog of the moor? Or a spectral hound, black, silent, and monstrous? Was there a human agency in the matter? Did the pale, watchful Barrymore know more than he cared to say? It was all dim and vague, but always there is the dark shadow of crime behind it. One other neighbour I have met since I wrote last. This is Mr. Frankland, of Lafter Hall, who lives some four miles to the south of us. He is an elderly man, red-faced, white-haired, and choleric. His passion is for the British law, and he has spent a large fortune in litigation. He fights for the mere pleasure of fighting and is equally ready to take up either side of a question, so that it is no wonder that he has found it a costly amusement. Sometimes he will shut up a right of way and defy the parish to make him open it. At others he will with his own hands tear down some other man's gate and declare that a path has existed there from time immemorial, defying the owner to prosecute him for trespass. He is learned in old manorial and communal rights, and he applies his knowledge sometimes in favour of the villagers of Fernworthy and sometimes against them, so that he is periodically either carried in triumph down the village street or else burned in effigy, according to his latest exploit. He is said to have about seven lawsuits upon his hands at present, which will probably swallow up the remainder of his fortune and so draw his sting and leave him harmless for the future. Apart from the law he seems a kindly, good-natured person, and I only mention him because you were particular that I should send some description of the people who surround us. He is curiously employed at present, for, being an amateur astronomer, he has an excellent telescope, with which he lies upon the roof of his own house and sweeps the moor all day in the hope of catching a glimpse of the escaped convict. If he would confine his energies to this all would be well, but there are rumours that he intends to prosecute Dr. Mortimer for opening a grave without the consent of the next of kin because he dug up the Neolithic skull in the barrow on Long Down. He helps to keep our lives from being monotonous and gives a little comic relief where it is badly needed. And now, having brought you up to date in the escaped convict, the Stapletons, Dr. Mortimer, and Frankland, of Lafter Hall, let me end on that which is most important and tell you more about the Barrymores, and especially about the surprising development of last night. First of all about the test telegram, which you sent from London in order to make sure that Barrymore was really here. I have already explained that the testimony of the postmaster shows that the test was worthless and that we have no proof one way or the other. I told Sir Henry how the matter stood, and he at once, in his downright fashion, had Barrymore up and asked him whether he had received the telegram himself. Barrymore said that he had. "Did the boy deliver it into your own hands?" asked Sir Henry. Barrymore looked surprised, and considered for a little time. "No," said he, "I was in the box-room at the time, and my wife brought it up to me." "Did you answer it yourself?" "No; I told my wife what to answer and she went down to write it." In the evening he recurred to the subject of his own accord. "I could not quite understand the object of your questions this morning, Sir Henry," said he. "I trust that they do not mean that I have done anything to forfeit your confidence?" Sir Henry had to assure him that it was not so and pacify him by giving him a considerable part of his old wardrobe, the London outfit having now all arrived. Mrs. Barrymore is of interest to me. She is a heavy, solid person, very limited, intensely respectable, and inclined to be puritanical. You could hardly conceive a less emotional subject. Yet I have told you how, on the first night here, I heard her sobbing bitterly, and since then I have more than once observed traces of tears upon her face. Some deep sorrow gnaws ever at her heart. Sometimes I wonder if she has a guilty memory which haunts her, and sometimes I suspect Barrymore of being a domestic tyrant. I have always felt that there was something singular and questionable in this man's character, but the adventure of last night brings all my suspicions to a head. And yet it may seem a small matter in itself. You are aware that I am not a very sound sleeper, and since I have been on guard in this house my slumbers have been lighter than ever. Last night, about two in the morning, I was aroused by a stealthy step passing my room. I rose, opened my door, and peeped out. A long black shadow was trailing down the corridor. It was thrown by a man who walked softly down the passage with a candle held in his hand. He was in shirt and trousers, with no covering to his feet. I could merely see the outline, but his height told me that it was Barrymore. He walked very slowly and circumspectly, and there was something indescribably guilty and furtive in his whole appearance. I have told you that the corridor is broken by the balcony which runs round the hall, but that it is resumed upon the farther side. I waited until he had passed out of sight and then I followed him. When I came round the balcony he had reached the end of the farther corridor, and I could see from the glimmer of light through an open door that he had entered one of the rooms. Now, all these rooms are unfurnished and unoccupied so that his expedition became more mysterious than ever. The light shone steadily as if he were standing motionless. I crept down the passage as noiselessly as I could and peeped round the corner of the door. Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of. I do not trouble you with my theories, for you asked me to furnish you only with facts. I have had a long talk with Sir Henry this morning, and we have made a plan of campaign founded upon my observations of last night. I will not speak about it just now, but it should make my next report interesting reading. Chapter 9. The Light upon the Moor [Second Report of Dr. Watson] Baskerville Hall, Oct. 15th. MY DEAR HOLMES: If I was compelled to leave you without much news during the early days of my mission you must acknowledge that I am making up for lost time, and that events are now crowding thick and fast upon us. In my last report I ended upon my top note with Barrymore at the window, and now I have quite a budget already which will, unless I am much mistaken, considerably surprise you. Things have taken a turn which I could not have anticipated. In some ways they have within the last forty-eight hours become much clearer and in some ways they have become more complicated. But I will tell you all and you shall judge for yourself. Before breakfast on the morning following my adventure I went down the corridor and examined the room in which Barrymore had been on the night before. The western window through which he had stared so intently has, I noticed, one peculiarity above all other windows in the house--it commands the nearest outlook on to the moor. There is an opening between two trees which enables one from this point of view to look right down upon it, while from all the other windows it is only a distant glimpse which can be obtained. It follows, therefore, that Barrymore, since only this window would serve the purpose, must have been looking out for something or somebody upon the moor. The night was very dark, so that I can hardly imagine how he could have hoped to see anyone. It had struck me that it was possible that some love intrigue was on foot. That would have accounted for his stealthy movements and also for the uneasiness of his wife. The man is a striking-looking fellow, very well equipped to steal the heart of a country girl, so that this theory seemed to have something to support it. That opening of the door which I had heard after I had returned to my room might mean that he had gone out to keep some clandestine appointment. So I reasoned with myself in the morning, and I tell you the direction of my suspicions, however much the result may have shown that they were unfounded. But whatever the true explanation of Barrymore's movements might be, I felt that the responsibility of keeping them to myself until I could explain them was more than I could bear. I had an interview with the baronet in his study after breakfast, and I told him all that I had seen. He was less surprised than I had expected. "I knew that Barrymore walked about nights, and I had a mind to speak to him about it," said he. "Two or three times I have heard his steps in the passage, coming and going, just about the hour you name." "Perhaps then he pays a visit every night to that particular window," I suggested. "Perhaps he does. If so, we should be able to shadow him and see what it is that he is after. I wonder what your friend Holmes would do if he were here." "I believe that he would do exactly what you now suggest," said I. "He would follow Barrymore and see what he did." "Then we shall do it together." "But surely he would hear us." "The man is rather deaf, and in any case we must take our chance of that. We'll sit up in my room tonight and wait until he passes." Sir Henry rubbed his hands with pleasure, and it was evident that he hailed the adventure as a relief to his somewhat quiet life upon the moor. The baronet has been in communication with the architect who prepared the plans for Sir Charles, and with a contractor from London, so that we may expect great changes to begin here soon. There have been decorators and furnishers up from Plymouth, and it is evident that our friend has large ideas and means to spare no pains or expense to restore the grandeur of his family. When the house is renovated and refurnished, all that he will need will be a wife to make it complete. Between ourselves there are pretty clear signs that this will not be wanting if the lady is willing, for I have seldom seen a man more infatuated with a woman than he is with our beautiful neighbour, Miss Stapleton. And yet the course of true love does not run quite as smoothly as one would under the circumstances expect. Today, for example, its surface was broken by a very unexpected ripple, which has caused our friend considerable perplexity and annoyance. After the conversation which I have quoted about Barrymore, Sir Henry put on his hat and prepared to go out. As a matter of course I did the same. "What, are you coming, Watson?" he asked, looking at me in a curious way. "That depends on whether you are going on the moor," said I. "Yes, I am." "Well, you know what my instructions are. I am sorry to intrude, but you heard how earnestly Holmes insisted that I should not leave you, and especially that you should not go alone upon the moor." Sir Henry put his hand upon my shoulder with a pleasant smile. "My dear fellow," said he, "Holmes, with all his wisdom, did not foresee some things which have happened since I have been on the moor. You understand me? I am sure that you are the last man in the world who would wish to be a spoil-sport. I must go out alone." It put me in a most awkward position. I was at a loss what to say or what to do, and before I had made up my mind he picked up his cane and was gone. But when I came to think the matter over my conscience reproached me bitterly for having on any pretext allowed him to go out of my sight. I imagined what my feelings would be if I had to return to you and to confess that some misfortune had occurred through my disregard for your instructions. I assure you my cheeks flushed at the very thought. It might not even now be too late to overtake him, so I set off at once in the direction of Merripit House. I hurried along the road at the top of my speed without seeing anything of Sir Henry, until I came to the point where the moor path branches off. There, fearing that perhaps I had come in the wrong direction after all, I mounted a hill from which I could command a view--the same hill which is cut into the dark quarry. Thence I saw him at once. He was on the moor path about a quarter of a mile off, and a lady was by his side who could only be Miss Stapleton. It was clear that there was already an understanding between them and that they had met by appointment. They were walking slowly along in deep conversation, and I saw her making quick little movements of her hands as if she were very earnest in what she was saying, while he listened intently, and once or twice shook his head in strong dissent. I stood among the rocks watching them, very much puzzled as to what I should do next. To follow them and break into their intimate conversation seemed to be an outrage, and yet my clear duty was never for an instant to let him out of my sight. To act the spy upon a friend was a hateful task. Still, I could see no better course than to observe him from the hill, and to clear my conscience by confessing to him afterwards what I had done. It is true that if any sudden danger had threatened him I was too far away to be of use, and yet I am sure that you will agree with me that the position was very difficult, and that there was nothing more which I could do. Our friend, Sir Henry, and the lady had halted on the path and were standing deeply absorbed in their conversation, when I was suddenly aware that I was not the only witness of their interview. A wisp of green floating in the air caught my eye, and another glance showed me that it was carried on a stick by a man who was moving among the broken ground. It was Stapleton with his butterfly-net. He was very much closer to the pair than I was, and he appeared to be moving in their direction. At this instant Sir Henry suddenly drew Miss Stapleton to his side. His arm was round her, but it seemed to me that she was straining away from him with her face averted. He stooped his head to hers, and she raised one hand as if in protest. Next moment I saw them spring apart and turn hurriedly round. Stapleton was the cause of the interruption. He was running wildly towards them, his absurd net dangling behind him. He gesticulated and almost danced with excitement in front of the lovers. What the scene meant I could not imagine, but it seemed to me that Stapleton was abusing Sir Henry, who offered explanations, which became more angry as the other refused to accept them. The lady stood by in haughty silence. Finally Stapleton turned upon his heel and beckoned in a peremptory way to his sister, who, after an irresolute glance at Sir Henry, walked off by the side of her brother. The naturalist's angry gestures showed that the lady was included in his displeasure. The baronet stood for a minute looking after them, and then he walked slowly back the way that he had come, his head hanging, the very picture of dejection. What all this meant I could not imagine, but I was deeply ashamed to have witnessed so intimate a scene without my friend's knowledge. I ran down the hill therefore and met the baronet at the bottom. His face was flushed with anger and his brows were wrinkled, like one who is at his wit's ends what to do. "Halloa, Watson! Where have you dropped from?" said he. "You don't mean to say that you came after me in spite of all?" I explained everything to him: how I had found it impossible to remain behind, how I had followed him, and how I had witnessed all that had occurred. For an instant his eyes blazed at me, but my frankness disarmed his anger, and he broke at last into a rather rueful laugh. "You would have thought the middle of that prairie a fairly safe place for a man to be private," said he, "but, by thunder, the whole countryside seems to have been out to see me do my wooing--and a mighty poor wooing at that! Where had you engaged a seat?" "I was on that hill." "Quite in the back row, eh? But her brother was well up to the front. Did you see him come out on us?" "Yes, I did." "Did he ever strike you as being crazy--this brother of hers?" "I can't say that he ever did." "I dare say not. I always thought him sane enough until today, but you can take it from me that either he or I ought to be in a straitjacket. What's the matter with me, anyhow? You've lived near me for some weeks, Watson. Tell me straight, now! Is there anything that would prevent me from making a good husband to a woman that I loved?" "I should say not." "He can't object to my worldly position, so it must be myself that he has this down on. What has he against me? I never hurt man or woman in my life that I know of. And yet he would not so much as let me touch the tips of her fingers." "Did he say so?" "That, and a deal more. I tell you, Watson, I've only known her these few weeks, but from the first I just felt that she was made for me, and she, too--she was happy when she was with me, and that I'll swear. There's a light in a woman's eyes that speaks louder than words. But he has never let us get together and it was only today for the first time that I saw a chance of having a few words with her alone. She was glad to meet me, but when she did it was not love that she would talk about, and she wouldn't have let me talk about it either if she could have stopped it. She kept coming back to it that this was a place of danger, and that she would never be happy until I had left it. I told her that since I had seen her I was in no hurry to leave it, and that if she really wanted me to go, the only way to work it was for her to arrange to go with me. With that | piercing | How many times the word 'piercing' appears in the text? | 0 |