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NLP Team at the Czech Institute of Informatics, Robotics and Cybernetics 7

Unlike Jakubiske's film, where there are a lot of unnecessary digressions and the film lacks momentum, here we have unimpressive actors, the story has traction, and I don't have to think about the shortcomings of the film.

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As excellent as the first, with an even more intricate plot and a perfect vision of the future.

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The ghastly atmosphere can be sliced and diced, the diversity and hidden horror of all those present is drilled down to the last detail, and even if you've read Černoušeks over and over again in your life and know who and when and by whose hand it will go there as well as how everyone will get away with it, you still bite your nails like you don't know anything about it.

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If not the story, at least the setting is interesting.

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To my taste Too much talk and too little action.

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The story is so funny and catchy that in picoseconds I forgave him all the fairy-tale and Pixar "clichés" and (I really don't know what else he could be reproached for) emotions it found within me all by itself.

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I haven't left the cinema so excited in a long time.

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Lovers of similar films like me will also be pleased by the constant comparison with old Bond movies and other roles played by Sean Connery, whom as a proud Scot must have been adored by the main characters.

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It's easy to miss the goofy plot, because Chan's enthusiasm and his kung-fu get all the attention.

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And I have to admit that I did not fall asleep even once, although it is almost two hours of boredom like a pig.

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An infantilely goofy demo, whose main attraction for me lies in the rhythmic interplay of the accompanying rhyme with the music (I haven't heard the dubbing and I don't know if it maintains this quality).

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I don't see this as a weakness, because if the basic biographical scheme is to be maintained, there is no room for slasher experiments.

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For me it's full speed ahead, helmet down and fuck Marshall, because I am not going into caves right now.

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It's worth watching, if nothing else.

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It's interesting to see how America has shifted in the nearly 40 years that separate the two films.

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The theme does not seem to me so terribly unrealistic (I know worse) it would be about 70%, but I like Jan Dolanský, so 4*

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Great cast, the girls were beautiful and even knew how to play a whole game, I had my favourites and they were there. and the fuckers I wanted to see dead, actually I liked it quite a lot, even though it was terrible bullshit, the only problem was the retarded stones. It was just such shit that it's not even possible, absolute uselessness. If they had thought of it better, I would have gone higher with my rating, but this way it was just funny crap that kept me entertained, but I probably won't ever watch it again...

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I just liked the sequence of change.

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I personally didn't mind the lack of a war atmosphere at all, because it would have delayed the story and suffocated it.

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I had a great time and if I ever gave a film with Stiller 3 stars, then I have to give 4, because it just deserves it, it's not as stupid and straightforward as you would expect from Stiller (well, maybe sometimes).

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In any case, I remember that in the book it was noticeable to me how everyone forgives her everything - the touchy neighbour, the shop assistant and others...

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It was stupid, but I could see it.

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Fargo reminds everyone of that and even though it only has 3% less, it's a several levels worse film.

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The visuals go hand-in-hand with the excellent songs.

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However, the more the script concentrates on the investigation, the more it reveals itself to be ill-conceived in most respects.

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There is a complete loss of color information.

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I just don't know to what extent it will be appreciated by unsophisticated teenage girls and post-menopausal women.

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After the second episode I could hardly catch my breath, this is a huge portion of my favorite topic - metashow.

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Michael and Chris - a great double act.

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A very bleak and self-conscious second for one ripped out clavicle and the final Aztec knife work.

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In the end, you won't even notice that Gravity doesn't really have a story.

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I forced myself to give three stars, each for one good actor (Hašek, Bartoška, Hrušínský).

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The classic Norris story, they are better and worse, did not offend, perhaps even quite pleased, but among the treasures of action films from the 80s. I wouldn't have made the flight.

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I hope it will be worth it.

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Yuzna seems to have exhausted the dentist's torture already in first grade and no innovative ideas came, so there is de facto only one proper dental check-up, but even the rest of the more classic murdering is not bad.

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Despite the decidedly joyless central theme, this is a very feel-good film that tackles complex, important issues. At the same time, it can It flows naturally, accompanied by convincing acting performances (there might be something in the young Washington!) Good music and atmosphere.

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Rough comic book testosterone kick, that's probably the first thing I thought of after watching the film!

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And the "midget" Craig Charles was a god.

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The atmosphere is not very strong and the already mentioned audio-visual aspect is slightly average.

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I'm looking forward to The Matrix II, because this KungFu mess is simply not a continuation of the famous Matrix.

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This is not your typical historical costume drama.

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There is nothing lacking in the film, everything works as it should.

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The first half hour was good, but there wasn't a lot of entertainment.

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First and foremost, the creators deserve my admiration for their pleasantly civil and not overdone portrayal of an emotionally powerful story that could easily have turned into a classic "American tearjerker."

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A very well done, sensitive film with a surprisingly good cast and great music.

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A very successful "retro" film culminates in brilliantly shot scenes on a fast-moving train.

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However, I feel like I was laughing more at the filmmakers than with the film itself.

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I didn't really care about the development of the story, which is not a good sign for this type of film.

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It's a good premise, but the film doesn't offer anything new.

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And Štajndler himself, with his acting, sometimes reminded me of Wůdy elen from the time when he played in films such as Love and Death.

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The elusive demon Kasebier with King Friedrich II. The ship is a top-of-the-line boat with no room for error.

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The series is an adult anime without villains.

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No problem, better than faking it.

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Nowhere does it say how much the creators adhered to the truth and how much they made up, but if I take into account that the truth is mostly based on facts, then everything is fine.

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You can watch it once a year, but nothing to make me fall off my chair (or couch?).

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Apparently an attempt to approximate the filming of Snuff porn but somewhat excessively perverse.

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Through John, she breathes, rages, loves, rebels, and stands up for herself.

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5 stars for the children's tears:) and not an inch less:)

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His wife was extremely sexy, but I wouldn't want her at home with that kind of personality.

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The fact that somewhere on the set there was actually more arguing than an honest Hollywood thriller is also evidenced by John Mathieson's rather weak cinematography (and this guy stands behind Gladiator, Phantom of the Opera or Kingdom of Heaven).

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A poem that will touch your heart.

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The atmosphere is OK, but the acting is overplayed and I don't know if the creator has plans for a full-length feature yet.

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It is nice that the creators freed themselves from unnecessary patriotism and pathos during the Cold War.

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In the first two seasons (and that's a painfully long time) no one had any idea what he was playing/directing, then some concept crystallized.

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The first half-hour has a lot of action, I don't remember an action animation like this.

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I wish I could have experienced this with my partner.

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But don't worry, Belle will eat him anyway. and a winch, because she is impressed by his bestial macho behavior.

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Not that it was unbearable, but I thought the special effects guys were having too much fun.

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I'm taking off a star for the second IP Man, because I missed the excellent music from the first part.

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But there's a heartbeat to this film, and it's wish-fulfillment for all the girls who missed Stevie Rogers or something.

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When I found out about this Blair Witch-like horror film... [REC], Cloverfield, I had to have it, I can do this.

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The boy's haircut was a bit on the messy side.

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An uplifting family film about saving a crippled dolphin by bonding with a young boy and creating a prosthetic tail fin.

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But the biggest weakness of the whole series remains Hana Vágnerová... Unfortunately!

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I had high hopes for this series.

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It's probably the only way to get over this humus from the bottom of filmmaking.:-D

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Horrible rubbish, I don't understand why Purcell is taking it on and Schumacher is directing, when the script was written you had to see straight away that it was heading for P...

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It would be a great misfortune if perfection did not result from such a union.

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It's a bit of a shock for me - this is currently 124. If P.J. had crammed all 3 planned parts into this extremely long running time, it could have been a pretty good film.

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The actors in the series give it their all without compromise.

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To some extent, it's a brilliant idea to let the main character use his son's very strange death for his own glory, but on the other hand, this film is morally problematic.

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Such childish nonsense, but how it can impress.

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I used to love Police Academy every time it was on TV, now I can only stomach it on a tour bus.

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The eagle in the hospital was really original.

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But slowly, over time, it all started to make sense and I was completely baffled.

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The action is set to a beautiful musical score by Vangelis.

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Despite all the criticism here. and everywhere else it is the best Czech-Slovak-foreign film I have seen recently, so I am glad that we include it in Slovak-Czech films.

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In the end, it turned out that a different life suits everyone, someone needs the illusion of security and to be a sheep, while another person chooses free decision-making despite the pitfalls and dangers of everyday life, but even so, I have to give enough - 4 points for sympathetic performances.

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This is not just an ordinary genre-bending, brilliantly shot and engrossing detective story, but rather a small sociological dive into the mood of contemporary New York - rich, functioning, yet still very sore western megacity, city of syndrome 11. September.

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I hope McMorrow continues in this vein and doesn't end up like Shyamalan.

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I enjoyed the entire plot of the film, except for some illogical things. The doctors were 100% effective, as was that dirty sheriff who pretty much drank my blood.

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However, if you go to the cinema because of digital tricks, then this film is exactly for you - there really are "some" digital tricks.

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I'm with Clarke here. It also has more space, so definitely a thumbs up from me.

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The second half is more of a comedy.

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But compared to the last one, I'm tempted to give it 4 stars.

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I used to hate this musical film and I don't even know why, but now I always like to watch it when there is nothing on.

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It wasn't saved by Queen L., Depardieu, outlandish scenes or anyone else.

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And finally, the absolutely (i.e. even worse than usual) non-intonating Richard Müller, who was clearly under the influence of...

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Mainly thanks to the great camera and editing, which were complemented by period music and a high-quality production design - in this respect, the film was an outstanding success.

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And I've never seen a film that needed the cinema so much.

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