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Auguste Renoir
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Fine Arts
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Loge
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Francisco Goya
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675,940
Spanish
63,316,407,879,596
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Goya's Caprichos
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Alicia Walker
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676,029
null
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Meaningful Mingling: Classicizing Imagery and Islamicizing Script in a Byzantine Bowl
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Andrea Mantegna
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676,306
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7
[ 5.2873, 10.83086 ]
Triumphs of Caesar
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Robert Maillard
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Dictionary of Modern Sculpture
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Michelangelo Buonarroti
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677,275
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[ 5.40911, 10.60471 ]
Last Judgment
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Salvador Dali
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677,407
null
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Metamorphosis of Narcissus
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Benjamin H. D. Buchloh
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Michael Asher and the Conclusion of Modernist Sculpture
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Benjamin Weil
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Art in Digital Times: From Technology to Instrument
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Alfred H. Brooks, A. H. Brooks
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Preliminary Report on the Ketchikan Mining District, Alaska, With an Introductory Sketch of the Geology of Southeastern Alaska
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Amedeo Modigliani
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Edward Lucie-Smith
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null
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Art and Civilization
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John Singleton Copley
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679,551
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[ 5.72101, 10.02455 ]
Boy With a Squirrel
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El Greco
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Christ on the Cross
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Nicholas Hope
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Letter Assembly in Printing
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Prestel
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Jewish Museum
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Linda C. Hults
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680,359
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Baldung and the Witches of Freiburg: The Evidence of Images
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Marcia B. Hall, Raphael
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The Cambridge Companion to Raphael
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Wassily Kandinsky
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Das Geistige in Der Kunst
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Michelangelo
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Vittoria
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Christine Mitchell Havelock
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Mourners on Greek Vases: Remarks on the Social History of Women
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Judith A. Seltzer
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Relationships Between Fathers and Children Who Live Apart: The Father's Role After Separation
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Kim Marriott, Bernd Meyer
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Visual Language Theory
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Leora Auslander
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Regeneration Through the Everyday? Clothing, Architecture and Furniture in Revolutionary Paris
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Giorgione's Tempest, Studiolo Culture, and the Renaissance Lucretius
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Super Users Have Great Value in Your Organization
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Melissa Hyde
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The "Makeup" of the Marquise: Boucher's Portrait of Pompadour at Her Toilette
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Barbara G. Lane
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Sacred Versus Profane in Early Netherlandish Painting
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G.érard Monnier
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l'Art Et Ses Institutions en France
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Charles Donald O.'Malley
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Leonardo's Legacy
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Isabelle May
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The Sacred and the Profane
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Sigmund Freud
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Michelangelo's "Moses
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Bernard
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The Book of Miracles of Sainte Foy
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Dorothy Glass
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Romanesque Sculpture in Campania and Sicily: A Problem of Method
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Jean Leymarie
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Impressionism
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Riley Hughes
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686,251
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63,316,407,945,506
7
[ 5.80367, 10.21699 ]
Faces
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Philips Angel, Michael Hoyle, Hessel Miedema
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686,465
Fine Arts
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[ 5.15247, 10.31743 ]
Praise of Painting
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Raphael
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686,716
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[ 5.44866, 10.56196 ]
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Arthur M. Schlesinger
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The Politics of Freedom
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Liana Cheney, Alicia Craig Faxon, Kathleen Lucey Russo
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687,466
Fine Arts
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Self-Portraits by Women Painters
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Piero Bargellini
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Florence the Magnificent
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Kirsten Swinth
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Giovanni Battista Piranesi
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Vedute Di Roma
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"search_doi": [], "search_extension": "", "search_filesize": 0, "search_isbn13": [], "search_most_likely_language_code": "it", "search_record_sources": [ "ol" ], "search_score_base": 10018, "search_score_base_rank": 10018, "search_text": "[Vedute di Roma].\n[Vedute di Roma]. \nGiovanni Battista Piranesi\nOpere -- 12, [In Roma], Italy, 1779\npresso l'autore nel palazzo Tomati\n\nol:OL13984552M\nol: OL13984552M\nOL13984552M ol:OL13984552M\nOL2827131W ol:OL2827131W\nNE2052.5.P5 A4 1991 lcc:NE2052.5.P5 A4 1991", "search_year": "1779" }, "zlib_book": "" } }, { "_id": "ol:OL1915052M", "_index": "aarecords_metadata", "_score": 0.05058395, "_source": { "aa_lgli_comics_2022_08_file": "", "aac_zlib3_book": "", "file_unified_data": { "author_additional": [], "author_best": "Maurizio Marini", "classifications_unified": { "ddc": [ "" ], "lcc": [ "NE2052.5.P5 A78 1989" ], "library_and_archives_canada_cataloguing_in_publication": [ "" ], "nur": [ "" ], "udc": [ "" ] }, "comments_additional": [], "comments_best": "Includes bibliographical references (p. 44-48).\n\"Il mondo antico e quello moderno riscoprono la loro comune anima, col segno del grande incisore veneto-romano, nella sublime raccolta d'immagini che, fino all'avvento della fotografia, è stata la 'facies' internazionalmente nota della città.\"", "content_type": "book_unknown", "cover_url_additional": [], "cover_url_best": "", "edition_varia_additional": [], "edition_varia_best": "Quest'Italia ;, 146, 1. ed., Roma, Italy, 1989", "extension_additional": [], "extension_best": "", "filesize_additional": [], "filesize_best": 0, "has_aa_downloads": 0, "has_aa_exclusive_downloads": 0, "identifiers_unified": { "abaa": [ "" ], "abebooks.de": [ "" ], "abwa_bibliographic_number": [ "" ], "alibris": [ "" ], "alibris_id": [ "" ], "asin": [ "" ], "bayerische_staatsbibliothek": [ "" ], "bcid": [ "" ], "better_world_books": [ "" ], "bhl": [ "" ], "bibliothèque_nationale_de_france": [ "" ], "bibsys": [ "" ], "bl": [ "" ], "bnb": [ "" 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Richard Kendall
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Degas and the Little Dancer
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Although it caused immediate controversy when first exhibited in 1881, it is now recognized as the sculptural masterpiece of Impressionism. After the artist's death, the Original wax was reproduced in at least thirty plaster and bronze casts that are now scattered throughout the world and inspire delight among museum-goers and continuing debate among art historians. This beautiful book is the first full-length study of the subject and offers entirely new perspectives on a work that is widely regarded as a key precursor of twentieth-century sculpture. In three chapters, Richard Kendall analyzes the origins of this distinctive figure in Degas's ballet imagery; explores the condition of French sculpture in the 1870s and the significance of Degas's choice of materials, procedures, and exhibition strategy; and describes the critical responses to the first public display of the statuette, particularly those comparing it with dolls and the art of ancient Egypt. Douglas W. Druick then explores the fascinating association between the sculpture and views of criminality current in the artist's day, and for the first time in the history of the work, Arthur Beale examines the technical character of its variant forms using laboratory analysis and X-ray photography. 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Lenka Stolárová, V.ít Vlnas
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Karel Škréta, 1610-1674
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John Eggleston
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688,386
Business
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Learning Through Making
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Jeff Kabachinski
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688,646
Medicine
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Back to Basics: Understanding Operating Systems and Network Operating Systems
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Irving Sandler
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688,731
Fine Arts
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The Italian Transavantguardia and German Neoexpressionism
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Johannes Vermeer
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688,748
Fine Arts
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Jan Vermeer
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Christopher White
[ 0.41725, 0.2698, 0.42039 ]
689,515
Fine Arts
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6
[ 5.13326, 10.517 ]
Rembrandt as an Etcher
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Secluded Vision: Images of Feminine Experience in Nineteenth-Century Europe
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Anthony Blunt
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Baroque and Rococo
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The Altars and Altarpieces of New St. Peter's
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William E. Wallace
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A Week in the Life
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Stephen Jay Gould, Murray Alcosser, Niles Eldredge
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Fossils
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Aileen June Wang
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Michelangelo's Signature
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Irving Sandler
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The Art World in the First Half of the 1980s
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James R. Dudley
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Increasing Our Understanding of Divorced Fathers Who Have Infrequent Contact With Their Children
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Frank Whitford
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Egon Schiele
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Kathryn Norberg, Dena Goodman
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Furnishing the Eighteenth Century
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Michelangelo
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691,593
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6
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Michelangelo Drawings
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Eunice Lipton
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Mary P. Merrifield
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Medieval and Renaissance Treatises on the Arts of Painting
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Annik Pardailhé-Galabrun
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The Birth of Intimacy
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Dalia Judovitz
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Marcel Duchamp
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Jakob Rosenberg
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Barbara G. Lane
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Ecce Panis Angelorum": The Manger as Altar in Hugo's Berlin Nativity
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Tintoretto
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Rape of the Sabine Women
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J. H. Rubin
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Realism
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Bradford R. Collins
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Dick Tracy and the Case of Warhol's Closet: A Psychoanalytic Detective Story
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El Lissitzky
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Die Kunstismen
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Robert Enggass
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Italian and Spanish Art, 1600-1750
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Paola Barocchi
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Studi Vasariani
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Marthe Robert
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696,937
null
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The Old and the New
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John Gerlach
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697,107
Film and Photography
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6
[ 6.71642, 10.03203 ]
Digital Landscape Photography
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R. Wittkower
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Art and Architecture
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Hans Baldung, James H. Marrow, Alan Shestack
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Hans Baldung Grien, Prints and Drawings
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Sarah Pink
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Etnografia Wizualna: Obrazy, Media I Przedstawienie W Badaniach
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Andrea Bayer
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J. E. Cookson
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The Edinburgh and Glasgow Duke of Wellington Statues: Early Nineteenth-Century Unionist Nationalism as a Tory Project
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Madonna of the Magnificat
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Robert Storr
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Art, Censorship, and the First Amendment: This Is Not a Test
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Gerhard Richter
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Fritz Novotny
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Painting and Sculpture in Europe
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Benozzo
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