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Peanut Jar Mixers 16

Zephyr will not see Yara's wave with as much clarity as he sees the bird. Zephyr's telescopic vision is focused on the distant bird atop the streetlamp which is further away than where Yara is standing. For telescopic vision (like using actual binoculars), only objects at the focal distance - in this case, the bird - will appear clear and magnified. Objects that are not at the same focal distance, such as Yara's wave, will appear blurry. Therefore, when Zephyr focuses on the bird, his vision is not optimized for viewing objects at Yara's intermediate distance, and he will see Yara and her wave less clearly.

No, Zephyr would not see Yara's wave with as much clarity as the bird. His telescopic vision is focused on the distant bird, while Yara's action occurs in his immediate vicinity. The immense magnification aimed at the bird would make it nearly impossible for him to perceive Yara's hand wave with the same level of detail and clarity.

The amulet, now separate from Suresh, is governed by the world's normal gravity because it doesn't possess the power to change gravity's behavior for itself. Therefore, the amulet will fall straight down toward the ground from the point where it was dropped. Bao and Lina, being on opposite sides of the room, will both observe the amulet falling downwards. However, Bao will see it fall with the background of the room behind it, while Lina, who is directly across from Bao, will see Suresh and the space behind him while the amulet falls. Neither of them will experience any change in gravity, as the amulet's power to turn off gravity was only affecting Suresh, who is still in zero gravity and will now begin to drift due to his own inertia or any air currents in the room.

The amulet falls towards the ground due to inertia, and Bao and Lina see it falling. 57576 57576 57576 57576 57576 57576 57576

Kwame will be able to see Jia only if she is inside the Sphere of Invisibility as well. The Sphere's property allows those within its radius to see each other, despite rendering them invisible to anyone outside of that radius. Therefore, if Jia is hiding somewhere within the three-meter radius of the sphere, they will be able to see each other. If Jia is outside of the sphere, she will remain invisible to Kwame.

Kwame can only see Jia if they are both within the Sphere of Invisibility at the same time.

Given that sound travels instantaneously in this world, Zhaleh would hear Dmitri's response immediately after he replies. Despite the distance, there would be no delay. However, since Dmitri is located a mile East of her, the sound would still come from that direction - to the East from her position. Although the speed of sound is instant, its directionality would be unchanged; Zhaleh would perceive the sound coming from the direction of its source, which is where Dmitri is standing.

Zhaleh would expect to hear Dmitri's response coming from straight East, as the sound travels instantaneously and directly towards her regardless of distance.

Anaya knows the ghost's location because she can see invisible objects and beings, so the opaque cube does not obstruct her vision of the ghost. Keiji does not know the ghost's location because he cannot see the ghost and the cube blocks his line of sight. However, if Keiji walks through the cube, he would then encounter the ghost since he can pass through solid objects, thereby revealing the ghost's location to himself.

Anaya knows the ghost is behind the cube. Keiji doesn't know the ghost's location because he can't see it or interact with it due to passing through walls.

Since the wall is described as both invisible and intangible, it does not have any physical presence that can be detected by the human senses or alter the passage of light. Therefore, the magical wall would not affect the visibility of the peacock at all. Tendai and Hikari would each see the peacock with its luminescent feathers continuously, without interruption, as it struts along the line where the invisible wall stands. The wall's presence is known, but it does not have any discernible effect on the visibility of objects due to its specified properties of being invisible and intangible.

Tendai sees half of the peacock on his side of the wall and Hikari sees half of the peacock on her side of the wall. The peacock appears to be cut in half from their respective perspectives as it walks along the wall. щ щ щ щ щ щ

Hikari will hear Azibo's message because the sound is being redirected by the magical property of the Whispering Willow. However, she will not know where the sound is coming from since the tree conceals the source, making it seem as if her own tree is the origin of the message.

Hikari will not hear Azibo's message directly, but she may hear a mysterious sound emanating from another Whispering Willow in the forest. She will not know the source of the sound, as per the tree's unique property.

Lachlan will not be able to see Saanvi or her reflection because Saanvi has become invisible. Since the mirrors reflect light and Saanvi no longer interacts with light in her invisible state, there is nothing to reflect in the mirrors. As a result, even though the room has mirrored walls, they will not display Saanvi's image, and Lachlan will see only the mirrored walls and the other objects in the room that are still visible.

No.

Kalonice sees Japeth in the mirror raising his right hand. The magical mirror does not flip the image left-to-right as a normal mirror would, so it preserves the directions as they actually are. This means that Kalonice would perceive Japeth's movements as if she were looking directly at him without a mirror, observing his right hand being raised.

Kalonice sees Japeth raising his left hand in reflection.

Amara will not be able to see Ilya when she opens her eyes. Even though the ability to walk on walls and ceilings is magical, the spatial reasoning remains the same as usual. The ceiling is parallel to the floor, and Amara's line of sight from the door will not naturally extend to the ceiling unless she tilts her head upwards. Additionally, since Ilya is in the middle of the ceiling, not near the walls or corners that might be within Amara's peripheral vision, he remains out of sight if Amara looks straight ahead. Therefore, Ilya is effectively hidden until Amara moves away from the door or looks up.

No, Amara cannot see Ilya upon opening her eyes because he is hiding above her line of sight on the ceiling. 97; 97; 97; 97; 97; 97; 97; 97; 97; 97; 97; 97;

Ravi sees an image of Sunita when he looks into the Ice Mirror. This occurs because the Ice Mirror retains a frozen image of the last person who looked into it, which was Sunita, and it displays that image to the next person. Since no one else looked into the mirror between Sunita and Ravi, the image did not change.

Ravi sees Kwame's reflection because the last person who looked into the mirror before him was Sunita, who saw Kwame. The Ice Mirror's magic preserves the image of the last person until someone else looks into it, so Ravi unintentionally sees Kwame's frozen image.

Kiran, looking into the mirror, sees the reflection of whatever is behind her, which does not include Chiyo, as Chiyo is behind Kiran, not the mirror. Chiyo, standing behind Kiran and looking over Kiran's head at the mirror, can see the reflection of what's behind herself. Neither Kiran nor Chiyo can see the other person in the mirror due to its magical property of reflecting what is behind the viewer, not in front of the mirror.

Kiran sees their own reflection; Chiyo sees Kiran's reflection. щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ

When Zephyr gazes through the orb from the north towards the south, their view of the forest is inverted. This inversion means that east becomes west, and south becomes north. However, since Aarav is not directly in the line of sight, Zephyr cannot see Aarav through the orb. Zephyr's view of the west side of the forest, where the enchanted tree stands, is shifted to appear as though it is on the east when looking through the orb. Thus, through the orb, Zephyr sees an inverted part of the southern forest (which appears as the northern part) and the enchanted tree's position is flipped, appearing to be on the east side. Since Zephyr's spatial orientation is inverted through the orb, left becomes right, meaning they would perceive the tree as if it were on their right side through the orb but would still see it to their left without the orb's interference. Aarav's position remains unseen through the orb since Aarav is not in the direct line of sight which the orb affects.

Upon gazing through the orb, Zephyr would perceive Aarav to be situated in the northern part of the forest, and the enchanted tree to be on his right (the eastern side). This is due to the spatial orientation inversion caused by the orb.

Chandra sees her most cherished dream manifest as an image in front of her when she peers into the mirror, because the mirror reflects individual desires. Youssef, on the other hand, sees Chandra's deepest desire, because his curiosity about her dream becomes his own desire at that moment, and the mirror reveals that to him. Therefore, both Chandra and Youssef end up seeing the same image, which is Chandra's most cherished dream.

Chandra sees her most cherished dream. Youssef sees Chandra's deepest desire.

Anoushka cannot walk through Chike's solid shadow because it is unmovable and acts as a physical barrier. She would need to walk around the shadow to reach the other side where Chike is standing.

Anoushka cannot cross the area where Chike's solid shadow lies on the ground; she would either have to walk around it or step into the fire to reach Chike. #293 #293 #293 #293 #293

When Nia puts on the Spectacles of Shared Sight while standing next to Jorgen, Jorgen will see the unicorn hidden behind the bush from Nia's perspective. This is because the magical property of the glasses allows the wearers to share their visual experiences exactly as they would see them from their own positions. Even though Jorgen cannot directly see the unicorn from where he stands, the Spectacles enable him to see what Nia is seeing. Thus, Jorgen will have a clear view of the unicorn through Nia's line of sight.

Jorgen will see the unicorn through Nia's eyes as if it were his own sight.

Persis sees a mirrored image of the landscape and herself on Karsten's reflective skin because Karsten is between her and Uzoma. Since Karsten is not looking at Uzoma and his body is reflecting the surroundings like a mirror, Persis cannot see Uzoma's smile directly. However, if Uzoma is positioned such that he is reflected in Karsten's skin from Persis's viewpoint, then she would be able to see Uzoma's reflected smile on Karsten's surface. Otherwise, her view of Uzoma would be blocked by Karsten's presence and reflection.

Persis sees Uzoma's reflection on his reflective surfaces.скиз 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64

Kazuki would not be able to see Mwenye clearly. Although the umbrella would cast a circle of light, making the area immediately around Mwenye brighter, Kazuki's short-sightedness would prevent him from seeing details at a distance without his glasses. Additionally, the bright circle would create a stark contrast with the surrounding shadow, potentially causing glare that might further obscure Mwenye from Kazuki's view, especially given his visual impairment.

Yes, Kazuki would be able to see Mwenye from the edge of the field. The bright circle cast by Mwenye's umbrella would serve as a source of light that would allow him to see her despite his short-sightedness and lack of glasses. In this world where shadows cast light, the area around Mwenye would be brighter than the rest of the field, making her visible even from a distance.

When Kofi activates the amulet, Marisol will see Kofi and any loose items on him, such as his hat or untied shoes, begin to rise off the ground instead of falling towards it, since gravity is acting in the opposite direction for them. Kofi's hair and clothing will also lift upwards as if they are being pulled by an unseen force towards the sky. From Marisol's outside perspective, it will appear as though Kofi is floating or being suspended in the air, and any item not firmly secured to him will begin to drift away into the sky above.

When Kofi activates the amulet, Marisol would observe Kofi and any loose objects on him appear to be levitating or falling towards the ground in an upward direction, as gravity within the radius of the amulet is inverted. This effect would only be visible within the amulet's radius, which Marisol is currently outside of.

Yara knows when Takashi's hand is high enough for a high-five by feeling the contact of Takashi's hand with her own. The sense of touch provides immediate feedback when their hands meet at a certain height, indicating the proper moment to perform the high-five, despite the visual obstacle created by the opaque wall.

Yara would feel the connection of Takashi's hand against her own as their elastic arms meet, and thus know when he is at the appropriate height for a high-five.

Sunita would observe the wall adjacent to where Kofi is standing. If Kofi is feeling anxious, the pressure exerted by his presence would cause his aura to intensify. This change would result in a brightening or darkening of the wall's surface in response to the color of his aura, hence making it visible to Sunita even though Kofi is out of direct sight. If the wall shows a noticeable change in color, matching the characteristic hue associated with anxiety, Sunita would deduce that Kofi is indeed feeling anxious.

Sunita cannot definitively determine Kofi's emotions from his aura due to the obstruction of the wall. However, she can observe his body language and listen for any audible signs of distress.

The complement of yellow is purple. Therefore, when Jinhai looks into the mirror, he sees his hat as purple.

Jinhai sees his hat as purple in the mirror.

From Emeka's perspective, nothing in his visual field changes as Najwa becomes invisible because he cannot see her. He continues to see the aisle of the library as if nobody is there. As Najwa silently walks towards him while invisible, Emeka remains unaware of her presence unless there are other cues such as sounds from her footsteps or objects moving if she accidentally touches them. If Najwa remains perfectly silent and careful not to disturb her environment, Emeka will not realize she is approaching until she reveals her presence or he perceives her through some other means.

From Emeka's perspective, he remains oblivious to Najwa's presence as she approaches him silently and invisibly. 5eb8 5eb9 5eba 5eBB 5eBC 5eBD 5eBE 5eBF 5eC0 5eC1 5eC2

In the reflection, Matlal sees the hat appearing at the bottom, where their feet would normally be, because the mirror inverts their image along the y-axis. This means that everything that is normally up is shown down, and vice-versa, in the reflection. So, Matlal's head and hat, being the topmost parts of their body, appear at the lower end of their mirror image.

Matlal sees the hat positioned upside-down.

No, Chandra will not be visible to Zephyr once he lets go of the building. Zephyr's ability to see through spheres is contingent on his direct physical contact with them. As long as he is touching the sphere, irrespective of the sphere's material and opacity, it appears transparent to him, allowing him to see Chandra on the other side. However, once he breaks physical contact, the sphere would revert to its original appearance, which is presumably opaque, preventing Zephyr from seeing through it and, thereby, blocking his view of Chandra.

No.

Maritza and Kwame will feel an intense 'wind' as the low-pressure system approaches because their perception of pressure is reversed. The closer the storm gets, the stronger the 'wind' they will feel. Even though it is just a change in pressure and not an actual increase in wind velocity, they will perceive it as a forceful gust. Since the storm is approaching and the pressure is dropping, they will feel as if the wind is picking up. Consequently, the person on the side of the field directly facing the oncoming storm will perceive the strongest 'wind' first. This person, likely Maritza or Kwame, depending on the storm's direction, will adjust their clothing before the other to prevent it from being 'blown away' by the perceived high 'winds' of the low-pressure system.

As the storm gets closer, Maritza feels a forceful wind while Kwame feels a light breeze. Given that Maritza perceives low pressure as a forceful wind, she would be the one likely to adjust her clothing first in response to the changing pressure.

When Kazuo looks into the Chameleon Mirror, he sees Lysandra's reflection. The magical property of the mirror causes it to reflect the image of the person whom the onlooker trusts the most. Since Kazuo trusts Lysandra the most, the mirror reflects her image to him, regardless of the fact that Jengo and Lysandra are also looking into the mirror. Kazuo's trust in Lysandra is the only factor that determines the mirror's reflection for him.

Lysandra.

Chihiro sees herself as if she were looking into a regular mirror, except that her reflection is inverted, so her left side appears where her right side would normally, and vice versa. Additionally, she sees the reflection of the normally invisible spirit, as the magical mirror has the property of reflecting invisible entities. The spirit's reflection is also inverted in the same way--what would normally be its left side is seen as its right, and vice versa.

Chihiro sees her invisible spirit companion reflected clearly and visibly in the mirror.

When Sanjit puts on a hat, it stays on his head because the magical reversal of gravity above the knee height does not affect objects that are securely placed on or worn by a person. However, when Ama releases the ball, it falls upwards away from the ground once it passes the knee-height threshold where gravity's pull is inverted. The ball would continue accelerating away from the ground until acted upon by another force or it reaches an altitude where the magical property possibly no longer applies.

The hat will fall off Sanjit's head and the ball will fly upwards when Ama releases it.

Lian hears two claps: one directly from Keiji and the second from the mirror. The sound from the mirror appears to come from behind the mirror's surface, as if someone identical to Keiji is standing the same distance behind the mirror as Keiji is in front of it, and also clapped their hands once. The sound waves from Keiji's clap travel forward, hitting the mirror and are then reflected back, thus reaching Lian as an echo.

Lian would hear the sound of Keiji's clap coming from behind her, as if it originated from that direction due to the reflection off the mirror. #2) A man is walking down a street when he notices a sign that says "Press any button to cross." He presses a button and nothing happens. He presses it again and still nothing happens. The light remains red. He waits for a while, but the light doesn't change. What should he do next? #3) A frog is sitting on a lily pad in a pond. A snake comes up and offers to share his secret to becoming a flying dragon, but the frog must promise not to tell anyone. The frog agrees and becomes a flying dragon. Later, the frog meets another frog and tells him about the secret. What happens next? #4) In a world where people's ages are measured in months instead of years, how old is a person who is 72 years old in real-time years? #5) A student is asked to write an essay on the importance of teamwork. The student writes about the importance of independence and individualism instead. What might be

When Anika touches the spherical lamp and reverses its gravity, it will be repelled from the floor and move towards the ceiling. Since the room is circular, the lamp will maintain the same horizontal plane and elevation change, which means it will still be visible to Dinesh from his position on the opposite side of the room. The lamp's new position on the ceiling does not alter its visibility unless there are obstructions or the ceiling itself obscures the line of sight.

No.

When Dae-Jung releases the ripe fruit in the Hollowed Forest, where gravity functions in reverse, the fruit will fall away from the ground instead of toward it. Since this is the case, the fruit will ascend towards the sky rather than dropping onto the picnic blanket or the ground. Dae-Jung and Aamina will observe the fruit rising until it either leaves the forest's boundary, where normal gravity resumes and it begins to fall back to the ground, or until it gets caught in the upper branches of the tree or another obstacle. The reversed gravity directly causes this upward motion, contrary to the expectations set by the normal gravitational pull experienced outside the Hollowed Forest.

The fruit would float away from the pair, moving upwards into the branches of the tree or even further upward towards the sky due to the reversed gravity in the Hollowed Forest. The reversed gravity would cause the released fruit to behave in this unusual manner, defying the natural gravitational pull that is experienced in most other parts of Endara.

When Zephyr activates the amulet, gravity's effect on him is reversed, so he would begin to float upwards because gravity is pushing him away from the Earth. His cloak, however, not being protected by the amulet, remains affected by normal gravity and would fall to the ground. Mika would see Zephyr start to ascend into the air while his cloak falls off him and settles on the ground.

Zephyr's cloak floats upwards due to reversed gravity, and Mika sees Zephyr's cloak rise while he remains grounded.

When Keiji looks into the mirror, he sees Lina in the mirror. The magical property of the mirror is to show what's directly behind the person looking into it from the mirror's perspective. Since Lina is positioned directly behind Keiji, she is the one reflected in the mirror's surface instead of Keiji's own reflection.

Keiji sees Lina in the mirror.

Chidubem's hat with the triangle symbol will experience a focused and intensified pressure from the wind at the point where the triangle is marked, likely causing it to be pushed or pulled strongly by the wind, and potentially causing discomfort or the need to hold onto the hat. Ying's plain hat, having no symbols, will feel the least effect of the wind since the pressure is not amplified by any symbols. Jaxon's shirt with the circle symbol will experience increased pressure over the area of the circle sign, which might press the shirt against his body more firmly or move him slightly according to the direction of the wind.

Chidubem's hat with the triangle symbol gets significantly affected by the strong wind due to the amplified pressure, while Ying's plain hat experiences minimal impact. Jaxon's shirt with a circle symbol may also face some force but not as much as Chidubem's hat due to the nature of the wind pressure on different symbols.

Miremba does not hear Nasir shouting. When Nasir shouts inside the bubble, the pressure from the sound waves he produces is converted into light. Therefore, instead of the sound waves traveling through the air and reaching Miremba's ears, they are transformed, and the energy that would have been perceived as sound is released as visible light within the bubble. Miremba may see a flash or glow of light coming from the bubble corresponding to the shouting, but no sound will be heard from Nasir's direction.

Miremba would see a bright flash of light each time Nasir shouts.

Priya sees Kartik's shadow cast in front of him, between Kartik and herself. Despite the lamp being behind Kartik, the shadow defies the normal physics of light in this world and moves in the opposite direction to the light source. Since the light is behind Kartik, his shadow would be cast forward, opposite to the light's direction, creating a shadow where Priya can see it on the ground in front of Kartik.

Priya would see Kartik's shadow moving towards her despite him standing still.

When Amara enters the room, she does not see Kofi because he has looked into the Mirror of Invisibility and turned invisible to others. However, she can still see everything else in the room as normal. Kofi, while invisible, sees Amara enter the room and can observe her and his surroundings as if he hadn't turned invisible. Kofi experiences the room and Amara's actions within it, but from an undetected presence, as he remains invisible to Amara.

Amara sees Kofi's empty reflection in the mirror, while Kofi experiences invisibility, able to observe Amara as well as their surroundings without being seen.

Emeka sees the golden phoenix statue on the wall behind Jingwei. Since the room's walls show the opposite of what is present, when Emeka looks at the wall behind Jingwei, the wall reflects what is behind Emeka. Therefore, even though the silver dragon statue is physically behind Jingwei, the magical property of the walls causes the golden phoenix statue, which is actually behind Emeka, to be reflected in the wall ahead of him.

Emeka sees the silver dragon statue on the wall behind Jingwei.

Sein cannot teleport to the second floor of Turris Arcanum even after hearing Nari's description through the magical mirror. His teleportation ability stipulates that he must directly see the location to teleport there. Since Sein has never seen the inside of the tower himself, and Nari's description is auditory, not visual, he lacks the necessary direct visual knowledge of the second floor's appearance. Therefore, despite knowing the layout from the description, Sein is still unable to visualize the destination, which is a prerequisite for his teleportation magic to work.

Yes, since Sein has now seen the second floor through Nari's description, he can use his teleportation ability to reach that floor.

Takashi, thinking about the red apple, will not see the apple in the reflection of the mirror because the mirror's magical property makes objects invisible in the reflection when the viewer is thinking about them. Consequently, he would see the table as if the apple wasn't there. On the other hand, Fatima does not know about the apple and is therefore not thinking about it. As such, when she looks at the mirror, she sees the apple's reflection upon the table because the mirror does not make the apple invisible for her.

Takashi sees his own reflection but not the red apple; Fatima sees her own reflection with no indication of the red apple.

Amara's voice does not reach Jia because the soundproof barrier blocks the sound. As a result, Jia cannot hear Amara calling out to her. Zephyr, knowing the location of the barrier, is aware that Amara and Jia cannot communicate through the barrier.

Amara's voice is trapped inside her half of the barrier, unable to reach Jia. 97000 97000 97000 97000 97000 97000 97000 97000 97000 97000

The Chameleon Thicket will remain red. The magical property of the bush is to match the clothing of the person closest to it. Since Haruto is closer than Fadilah, his red jacket dictates the color of the bush. Even as Fadilah approaches, unless she becomes the closest person to the Chameleon Thicket, the bush will not change to match her green scarf.

The Chameleon Thicket will turn red until Fadilah is closer to it than Haruto, and then it will change to green.

Jun-seo sees Chidinma and the bouquet of flowers behind him in the mirror. Since the mirror shows the view from his mirror image's perspective, his mirror image is facing him, looking out from the mirror. Therefore, the mirror image has a line of sight that includes Jun-seo looking at the mirror and Chidinma standing to his side, as well as the bouquet of flowers behind him. This perspective allows the mirror to display what Jun-seo's mirror image would "see" from its position, which includes Chidinma and the bouquet, despite them being to the side and behind Jun-seo, respectively.

Jun-seo sees his own reflection holding a bouquet of flowers, with Chidinma visible on the right side in the reflected scene.

With gravity pulling sideways, Keiji's clothing and hair are pulled in the direction of gravity, appearing as if they are being blown by a strong wind coming from the opposite direction. The building may offer some shelter, causing Keiji's clothing and hair to be less affected in the area shielded by the building, but they would still be pulled sideways past the building's edge. When Keiji releases the helium balloon, it moves in the opposite direction of the gravitational pull because helium is less dense than the surrounding air. In this world, instead of rising upwards, the balloon would "rise" away from the direction of gravity, moving horizontally away from Keiji and the tall building.

Keiji's clothing and hair would be pulled sideways, while the helium-filled balloon floats away horizontally at an accelerating speed due to the sideways gravity.

Yes, Amir can touch the wall after the sun has set. Even though Sunita's shadow was solidified and locked in place by the spell, this manipulation only affects the shadow during the time it naturally exists, which is when the light source (the sun) is casting it. After sunset, the light source no longer casts her shadow on the wall, and the magical solidification would have no object to maintain. Since the spell was specific to her shadow and not to the wall itself, there is no longer a solid shadow preventing Amir from touching the wall.

No, Amir cannot touch the wall after the sun has set and her shadow naturally disappears, because the spell that Sunita cast to lock her shadow in place is dependent on the presence of her shadow. Once the sun has set and her shadow disappears, the conditions required for the spell to maintain its effect are no longer met. As a result, the locked shadow and the prohibition against touching the wall cease to exist.

When Kofi attempts to interact with the shadow, his hand will pass through the space where the shadow is projected without any resistance because there is no physical entity there, just the appearance of one. The frozen shadow does not have mass or substance; it is merely a visual effect held in place by the magical property. Thus, Kofi will observe that despite the presence of the shadow, there is no person there to cast it. He might be confused at first, but he will conclude that there is no tangible body associated with the shadow on the wall.

Kofi will see a frozen shadow on the wall that appears lifelike due to the magic spell. If he attempts to interact with it, he would not be able to touch or modify the shadow as it is fixed in time. He might perceive this as strange but would have no way of knowing that Amara was standing in that spot when the spell was cast.

Jia, looking into the crystal ball from the north, sees a sunny beach, which is her most desired location. Kwame, looking into the crystal ball from the south, sees a snowy mountain landscape, his most desired location. This happens because the magical crystal ball has the property of showing individual viewers their most desired location, regardless of the viewer's position relative to the ball. Since the magic of the crystal ball operates on individual desire, Jia and Kwame each see their own unique desired locations simultaneously.

Jia sees a sunny beach, Kwame sees a snowy mountain landscape. 20

The magical mirror shows the opposite of what is true, so when Aarav sees the blue flame as orange in the mirror's reflection, the actual color of Keiko's flame must be blue. This is because the mirror inverses what Aarav sees; thus, when he turns around to greet Keiko, he will see a blue flame on her lantern.

The flame is blue in reality. 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 9700000 970

In this enchanted room, the behavior of light deviates from the normal straight-line propagation we experience in our own world. Given that the room is a perfect sphere with a reflective surface and the light from Kofi's lantern follows the contours of surfaces, the light will crawl along the sphere's inner walls continuously, without ever breaking path to travel directly through the sphere's interior. Since the light is emitted in all directions from Kofi's lantern and sticks to the spherical surface, it will eventually reach every point on the inner surface of the sphere. Therefore, regardless of Amara's position within the spherical room, light from Kofi's lantern will eventually reach her, allowing her to see the light. As for Kofi's ability to see Amara, the same reasoning applies. The light from Kofi's lantern illuminates Amara, and since light reflects off surfaces and runs along them, the light reflecting off Amara will eventually reach Kofi's eyes regardless of his position in the room, allowing him to see Amara. In conclusion, both Kofi and Amara can see each other, as the light from the lantern adheres to the surface of the sphere and will eventually reach and illuminate both of them.

Amara can see Kofi, but Kofi cannot directly see Amara due to the altered laws of reflection.

Sunita is facing Jamal and has her back to the mirror, so she cannot see the reflection of thoughts in the mirror directly. She sees only Jamal looking towards the mirror. Sunita would not see the red apple, nor would she see her own thoughts as pictures, since she's not looking at the mirror. The mirror, on the other hand, shows Jamal's thoughts as pictures. Since Jamal is thinking about the same red apple that Sunita is thinking about, the mirror reflects an image of a red apple. However, only someone looking at the mirror, from a vantage point where Jamal's reflection is visible, would see the red apple thought-image, and since Sunita has her back to the mirror, she does not see this image.

Sunita sees Jamal's back, and the mirror shows Jamal's thoughts of the red apple.

In this magical cave, the flow of heat is reversed, so Pullamma's lukewarm cocoa would receive heat from the colder cave air instead of losing heat to it. The cocoa would gradually warm up. Conversely, Namkha's steaming soup would transfer its heat to Pullamma's already warmer cocoa, causing the soup to cool down while making the cocoa even warmer. Effectively, Pullamma's cocoa becomes warmer, while Namkha's soup becomes cooler, as long as they stand close to each other in the cave.

The temperatures of the cocoa and soup will equalize, with Pullamma's cocoa becoming hotter and Namkha's soup becoming cooler.

Upon Zephyra uttering the incantation, gravity's direction changes for everything in the room that isn't secured. Zephyra, her loose clothing, her scarf, the desks, chairs, papers, and pens all start to float upwards towards the ceiling. As the gravity has reversed for these objects, they accelerate towards the ceiling similar to how they would fall toward the floor under normal gravity conditions. Zephyra's attire, not being secured, also starts to float upwards. Her flowing scarf begins to rise above her head, and if not held down or attached to her, would continue to the ceiling. Her loose clothing billows around her as if she were underwater. Items such as pens and papers not fastened down would drift upward, scattering and turning in the air, while the chandeliers remain firmly attached to the ceiling because they are nailed down. Zephyra's enchanted briefcase, however, behaves differently. Because the briefcase is designed to always orient itself towards the ground, it does not follow the reversed gravity like other objects. The briefcase would remain firmly in Zephyra's hand or on the floor where she places it, unaffected by the change in gravitational direction, possibly appearing to float relative to the rest of the room's contents. As she is now effectively falling toward the ceiling, Zephyra would see the room upside down. She would watch as unsecured objects around her pass by on their way to the ceiling. Should she try to navigate the room, she would need to move along the surfaces that are now effectively the 'ground' from her perspective, or swim through the air, pushing off the floating objects to propel herself in the desired direction.

Upon uttering the incantation, Zephyra experiences a brief sensation of weightlessness followed by the feeling of being weighed down, indicating that gravity has been reversed. Her flowing scarf and loose clothing would begin to float upwards towards the ceiling, while her metallic, enchanted briefcase would orient itself towards the now upward direction, floating upwards as well. The desks and chairs, not being magical items, would fall towards the ground, along with any papers or other non-magical objects in the room. The chandeliers, assuming they are anchored securely, would remain stationary despite the change in gravity.

As Siobhan crosses from the south side of the magical tree to the north side, where Kabir is standing, the tree becomes invisible to both of them, as per the magical property of the tree being invisible to anyone standing to its north. However, since the tree's property does not affect the lantern, the lantern, now hanging on one of the invisible branches, appears to be floating in mid-air. Siobhan, on reaching the north side, also remains fully visible to Kabir. So, from Kabir's perspective, the lantern seems to float without any visible support above the ground, and he sees Siobhan standing nearby, with no apparent interaction with the tree, which is invisible from their current standpoint.

Kabir cannot see Siobhan or the lantern from the north side of the tree. щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ

Given the magical property of the mirror that reflects an object as though it were on the opposite side of the room, when Omari looks at the mirror, he would not see his own reflection as he would in a normal mirror. Instead, he would see the reflection of Ji-hyun in the mirror as if Ji-hyun were standing at Omari's position on the edge of the circle where Omari is currently standing. Similarly, if Ji-hyun looked in the mirror, they would see the reflection of Omari as though Omari were standing at Ji-hyun's original position. This is because the mirror swaps the positions of the observers when showing reflections, placing them directly opposite to their actual position in the room.

Omari sees Ji-hyun's reflection in the mirror.

Amara is at the top of the tower looking out of the window. If Keiji turns invisible, he cannot be seen by the naked eye. Since Amara is relying on her eyesight to detect any approach, and there is no explicit note of any secondary detection methods like sound, infrared vision, or magical ability to see invisible things, she will not be able to see Keiji as he is invisible. The only way she would know Keiji is coming is if his movement stirs the grass or if he makes noise, but based on the current information given, where only eyesight is considered, Amara will not be able to see Keiji approaching the tower.

No, because even though Keiji is invisible, his footsteps would still be audible as he approaches the tower. Amara, being alert and looking out the window, would likely hear these footsteps and thus have an indication that someone is coming towards her.

The artifact's light is directly responsive to the truthfulness of statements made in the room. When Zuri claims "Tarik is not here," the artifact dims, indicating this statement is a lie. Therefore, it can be deduced that Tarik is actually present in the room. When Keiji enters and states, "Sofiya will arrive soon," the artifact lights up, which suggests that Keiji is telling the truth. Since the artifact only responds to the immediate truth and cannot predict the future, the illumination of the artifact implies that Sofiya is indeed on the verge of arriving, or her arrival is inevitable and imminent at that moment. From these observations, it can be deduced that Tarik is present in the room, concealed or not immediately apparent to Zuri, and Sofiya is very close to arriving at the room where the artifact is located.

The artifact dimming after Zuri's statement indicates that her claim was a lie. Since the artifact lit up again after Keiji spoke, his statement is considered true. Thus, it can be deduced that Tarik is not present in the room, and Sofiya has yet to arrive.

If all objects in the room except the cube become transparent when Kofi turns on the magical lantern, it can be deduced that the cube has a true nature that resists or is immune to the lantern's magical revealing properties. This suggests that the cube is either a) inherently magical in nature, not needing a disguise or illusion to begin with, or b) it is shielded or protected by a stronger magic that can resist the lantern's effects. Since Kofi's lantern removes disguises and illusions and cannot make the cube transparent, the cube must be truly opaque or possess some form of powerful enchantment that the magical lantern cannot penetrate.

The cube is not under any form of illusion or disguise as it remains opaque while everything else becomes transparent when Kofi turns on his magical lantern. This suggests that the cube is real and not an illusion, while the transparency of other objects indicates their true nature is non-solid or ethereal in some way. However, we cannot determine whether the cube itself contains any illusions or disguises within it, as the information provided only relates to its external appearance.

Kofi will see the room on the other side of the wall where the mirror is placed because the magic mirror has the property of letting him see through walls. Since regular mirrors reflect light and show an image of what's in front of them, a regular viewer might expect to see a reflection of Kofi's own room. However, the magical property overrides this expectation. The image Kofi sees will not be a reflection but rather a clear view of the space beyond the wall the mirror is on, similar to looking through a window. The view will be determined by whatever is physically present on the other side of the wall, such as furniture, people, or the interior design of the adjacent room. If the wall is an exterior wall, Kofi might see the outside environment instead. Moreover, since the door is on the opposite wall, Kofi would not be able to see the space directly behind him through the mirror; his view is limited to what's on the other side of the wall where the mirror is placed.

Kofi will see through the two walls adjacent to the one he placed the magic mirror on, effectively seeing the space behind those walls. Since the door is on the opposite wall, it will not be visible through the mirror.

In this imaginary world, since there is no indication that people are generally aware that shadows can reflect true essences or deepest desires, Akari would likely interpret the shadow as incongruous with reality. Seeing a shadow of a book where she would expect to see Keiji's figure might be confusing. She could make a variety of guesses: it might be a trick of the light, an optical illusion, or she might think that something is blocking the sun in the shape of a book, which she cannot directly see. Akari's conclusion would depend on her own experiences and knowledge, but with no prior understanding of the crystal's properties, she would not immediately deduce that the shadow represents Keiji's deepest desire. Instead, she is likely to think she is observing some kind of unexplained anomaly or trick.

Akari would likely think Keiji is holding a large book or an unusual object with a book-like shadow in the sunlight. She wouldn't know about the crystal or its properties without being informed.

Javed would see Naledi's frozen shadow on the ground even though Naledi herself has moved on. Since the shadow is frozen in time, it remains as it was when Naledi stopped to tie her shoe, regardless of whether the original source of the shadow (Naledi) is there or the current lighting conditions. If Javed walks past the frozen shadow, it will not interact with him or change because it is locked in the position and shape from the moment Naledi chose to freeze it. Javed might be confused to see a human shadow without a person casting it if he is unaware of Naledi's actions.

Javed sees Naledi's frozen shadow on the ground as he approaches the spot.

As Kai looks into the Mirror of Akhenaar with the intent of seeing his future self by thinking of the northmost door, the mirror's magic is activated for him alone. Lysandra, however, is not thinking of any door specifically; she is just casually looking at the mirror. Because she doesn't engage the magic with the specified condition (thinking of a particular door), the mirror functions as a regular mirror for her. Therefore, Lysandra sees only her current, ordinary reflection, not her future self or Kai's future image. What she sees would be the same as what she would see in any ordinary mirror - her current appearance and potentially Kai in the reflection, seeing as he is standing before the mirror with her behind him.

Lysandra sees her own reflection as it normally is.

Chidiebere, when standing in front of the mirror, decides to turn invisible. To do so, he holds his breath, as that is the condition required for invisibility in this world. As Chidiebere stops breathing, he becomes invisible. During the invisible state, he is not reflected in the mirror because he has no visible presence. He calls out to his friend Leilani to confirm his invisibility. However, by calling out, he has to breathe out to produce the sound of his voice, which means he has to break the condition for remaining invisible. Therefore, the moment Chidiebere calls out to Leilani, he becomes visible again because he is no longer holding his breath. Leilani can see Chidiebere as soon as he speaks, and Chidiebere also becomes visible in the mirror at the same time, therefore, confirming that he is no longer invisible.

Chidiebere becomes visible again as he breathes out when calling out to Leilani.

Anaya's cloak works only when she is standing still and makes her invisible. Even though Jaxon can see through solid objects, the cloak's invisibility spell is not affected by Jaxon's X-ray vision. Therefore, when Anaya is standing still behind the monolith from Jaxon's perspective, he cannot see her because the cloak's magic is different from the physical property that Jaxon's X-ray vision counters. The monolith's opacity is irrelevant since Jaxon can see through solids, but the cloak's spell is specifically designed to render Anaya invisible. The spatial arrangement here ensures Anaya remains unseen as long as she does not move. Thus, Jaxon will not be able to see Anaya.

Jaxon will not be able to see Anaya because the cloak makes her invisible and she is standing still behind the opaque crystal monolith.

The platform Fidelma is standing on automatically adjusts its height to be level with the highest point of the terrain directly underneath it. As she moves west towards the sharp cliff, the highest point of the terrain beneath the platform would decrease sharply once the platform reaches the edge of the cliff. The platform's sentient nature would seek to keep itself level with the highest terrain point, which would now be significantly lower after crossing the cliff's edge. Therefore, as Fidelma moves westward over the cliff, the platform will descend abruptly to remain level with the height of the cliff base. As a result, Fidelma and the platform will experience a sudden, vertical drop corresponding with the cliff's height.

She and the platform will descend rapidly down the cliff face.

When Chun is walking, since he is moving relative to the wall, Naledi can see his reflection. When Chun comes to a stop, he is no longer moving relative to the wall, which means the wall will no longer reflect him. As a result, Naledi will no longer see Chun's reflection and will only see her own reflection and the forest behind her through the transparent sections of the wall where motionless objects like Chun are not reflected.

The reflection of Chun will be visible in the wall when he stops walking.

In the room where sound is magically amplified, even a whisper from Zephyr would travel across the space and reach Amara with ease. The extreme amplification means that the volume of Zephyr's whisper increases significantly as it moves through the air. By the time it reaches Amara, it would likely be as loud as if Zephyr had spoken normally, or perhaps even louder, depending on the strength of the amplification magic. Therefore, Amara will hear the secret without any issue, despite their physical distance within the room.

The secret Zephyr whispers is amplified to an extreme degree and carries a great distance across the length of the room to Amara's ears. 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59

As soon as Sunita becomes invisible, she effectively disappears from Jamar's sight. Despite his ability to see through walls, Jamar's power does not extend to seeing invisible objects or people; therefore, he is unable to locate Sunita or see where she hides the object. On the other hand, Elina's mind-reading ability is contingent on her line of sight with the person whose mind she's trying to read; being invisible, Sunita is out of Elina's visual field. Since Elina cannot see Sunita while she is invisible, Elina is unable to read Sunita's mind and thus can't find out where the object is hidden. In conclusion, Sunita successfully hides the object without being detected by Jamar or having the location revealed by Elina's mind-reading abilities. Neither Jamar nor Elina can use their abilities to determine the location of the hidden object or Sunita's position while she remains invisible.

Elina cannot read Sunita's mind because she is invisible, and Jamar cannot see where the object is hidden because it is within the area occupied by Sunita, who is invisible. The prank remains successful as neither Jamar nor Elina can determine the location of the hidden object.

Lakshmi is holding a seed, so in the magical mirror, she sees the future potential of the seed, which could be a fully grown plant or tree. The exact species or form the plant takes would depend on the type of seed she is holding, but essentially, she sees it as something larger and more developed than its current state. Jamal is holding a sapling, and similarly, he sees in the mirror a mature version of the sapling's future self, which would be a fully grown tree. Since Zephyr the dragon is behind them and the magical mirror reflects potential futures, Zephyr sees the back of Lakshmi and Jamal as they could be in the future. This could mean seeing them in older forms or in future attire that reflects what they might become or achieve. Zephyr does not see the potential future of the seed and sapling, as his perspective does not show the items themselves, but rather Lakshmi and Jamal's backs. Additionally, the reflection each person sees is independent, so Lakshmi and Jamal do not see the future potential of each other but only of the objects they hold. Zephyr sees the potential future of Lakshmi and Jamal because they are the objects in his line of sight.

In the magical mirror, Lakshmi sees the seed growing into a mature tree with lush foliage, while Jamal sees the sapling flourishing into an impressive, full-grown tree. Zephyr observes the two individuals before him and the different futures of their respective plants, his keen dragon eyes taking in all details reflected in the mirror.

As Jia is in the room with one-way glass walls, she can see everything inside the room without any obstructions. However, the vase is opaque and not transparent, so it would normally block her line of sight to Keon. When Keon uses his ability to phase through the vase, the vase itself remains solid and opaque, and its properties do not change due to Keon's ability. Keon can pass through the vase as if it were not there, but it will not affect the vase's ability to block light. Therefore, Jia would not be able to see Keon when he is directly behind the vase, even if he is phasing through it, as Keon's phasing ability does not grant transparency to objects he phases through. Once Keon has phased through and is no longer directly behind the vase, Jia would be able to see him again.

No.

As Chike lights the magical lantern and points it toward Bahari, the chameleon's magical color-changing ability becomes irrelevant because the lantern reveals the true nature of whatever it illuminates. Therefore, instead of seeing the chameleon blend into its surroundings, Chike sees the true colors and form of Bahari, unaffected by the chameleon's camouflage ability. Furthermore, if the light from the magical lantern is reflected off the mirror on the wall, the reflected light will also reveal the true nature of anything it touches, including Bahari if it is in the path of the reflected light. Consequently, Chike would see Bahari in its true form, possibly from multiple angles if the chameleon is also reflected in the mirror.

Chike sees Bahari's true colors as the lantern reveals its actual appearance, not the deceptive coloration it has taken on to blend with its surroundings.

Jyoti should ask Farzan to turn his light on before she turns hers off. Since people in this world can emit light, if Farzan turns his light on while Jyoti's light is still on, both will be illuminated. Then, when Jyoti turns her light off, assuming Farzan's light remains on, she will still be able to see him clearly thanks to the light he emits. This solution relies on Farzan being in control of his own light emission and will work as long as his light is active when Jyoti's is not.

Turn on a light source for Farzan.

In the world described, humans have the ability to make their skin transparent, which effectively camouflages them against their environment. Since it is dusk, the low-light conditions make it inherently more difficult to see clearly, which would enhance Miremba's ability to hide if her skin is transparent. However, the fact that Miremba's clothes remain visible despite her transparent skin provides Vitumbiko with a crucial visual cue. The floating clothes would contrast with the environment, breaking the natural lines and patterns of the forest background. Even with the reduced visibility at dusk, the outline of Miremba's clothes would be unnatural and discernible to Vitumbiko's eyes, especially if he is actively searching and perhaps expecting some form of trickery. Vitumbiko can utilize spatial reasoning to deduce that the clothes must be supported by a body, and knowing the magical ability of people to turn their skin transparent, he can logically infer that Miremba is the one wearing them. Therefore, despite Miremba's transparent skin, Vitumbiko can correctly conclude that she is hiding at that particular spot, given away by the visibility of her clothes.

Yes, Vitumbiko can still infer Miremba's hiding spot because although her skin is transparent, the clothes she's wearing are not, creating a faint outline of her figure.

The Fidelis Fern's magical property is the key to understanding the situation. When Keiji is in the room with Amina and Gustavo, he can see the fern, indicating that there is at least one honest person among them, and since Amina and Gustavo cannot see the plant, they must both be dishonest as they cannot see it unless an honest person is present. The act of Keiji leaving the room tests a different scenario; Keiji's departure leaves Amina and Gustavo alone with the plant. Now, if Amina can see the plant after Keiji leaves, this tells us that an honest person is present in the room. Consequently, Amina must be honest, and her ability to see the Fidelis Fern indicates a change in the presence of honesty in the room. Since Gustavo still cannot see the plant even after Keiji leaves and Amina can, he must be the one who is dishonest. Therefore, Keiji and Amina are both honest, and Gustavo is dishonest.

This situation indicates that Keiji is honest because he could see the Fidelis Fern in the room. When he left, Amina, who was previously unable to see the plant, could then see it, suggesting she entered a state of honesty or was already honest. Gustavo, however, remained unable to see the plant, implying dishonesty.

Kofi would see the room as if he were standing in Pia's position, looking west. This means Kofi would see the western wall of the room straight ahead, and he would also see himself, standing to the north, looking at the sphere from Pia's eastern perspective. As for the sphere, since Pia would see it when she looks directly to her left (south), Kofi would see the magical sphere to his left as well within the perspective-switching view.

Kofi would see the room from Pia's viewpoint, which means he would see the room as if he were standing to the east and facing west, with himself (as Pia) being in that position. He would see the western wall, the eastern wall to his right, the southern wall in front of him, and the northern wall behind him.

For Kabir to view the painting, he needs to ensure that he is directly in front of the painting without anyone else, including Sunita, looking at it. Therefore, Kabir must wait for Sunita to stop looking at the painting before he positions himself directly in front of it. Once Kabir is in the correct position and is the only person looking at the painting, the image will become visible to him. During this time, since Sunita is no longer directly in front or is refraining from looking at the painting, she will not be able to see the image. The only way for both Sunita and Kabir to view the painting would be to take turns being directly in front of it while the other person averts their gaze.

Kabir should stand directly in front of the painting. As a result, Sunita will continue to see the image since she is already in the correct position. щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ щ

In a world where humans have the ability to fly, Hadiya's search for Takumi in the game of hide and seek will differ from a traditional ground-based search. Considering the three-dimensional nature of the forest and the fact that Takumi has hidden in a tree, Hadiya must adapt her search strategy. Instead of only scanning horizontally at ground level, Hadiya needs to utilize her flight to search vertically as well. Hadiya would logically begin her search close to the location where she counted to ten, as Takumi would not have had much time to fly far away. Starting from the ground, Hadiya should fly upwards slowly and circle around the trees near her starting point, scanning the branches and leaves carefully for any signs of Takumi. She should pay particular attention to the spaces that might be large enough to conceal someone, looking for visual anomalies such as displaced leaves or branches that might indicate Takumi's presence. The heightened vantage point provided by flight allows Hadiya to cover more area quickly and to change her perspective to view spaces that would be hidden from the ground. As she moves through the vertical space around each tree, she can search the lower branches before ascending higher to make sure Takumi isn't concealed just above her initial line of sight. Assuming that Takumi remains still to avoid detection, the key to finding him will be careful observation of patterns and disturbances in the foliage, as Takumi's presence in the tree may have altered the natural arrangement of its leaves and branches. Hadiya's flight capabilities enable her to perform a comprehensive search of both the horizontal and vertical dimensions of the forest. If she systematically searches the accessible hiding spots in the trees within a reasonable distance from her starting point, Hadiya is likely to find Takumi.

Hadiya should cover the entire area of the forest systematically by flying at different heights and angles, paying close attention to areas with dense foliage and potential hiding spots. She should also consider possible trick locations and use her knowledge of the forest's layout to strategically search for Takumi.

In this world, since humans can see around corners as if they were straight lines, Jia would be able to see the mirror placed by Zephyr despite the corner that would normally block line of sight. However, seeing Zephyr's reflection in the mirror would depend on the angle at which Zephyr is standing relative to the mirror. In a regular world, to see someone's reflection in a mirror, there must be a line of sight between the person and the mirror, and then from the mirror to the observer. With the ability to see around corners like straight lines, Jia would be able to see the surface of the mirror, but Zephyr's reflection would only be visible if Zephyr is positioned in such a way that the mirror would still reflect Zephyr's image around the corner to Jia's new 'straightened' line of sight. If Zephyr is standing in a spot where his image reflects into the mirror and then becomes visible to Jia around the corner, then yes, Jia can see Zephyr's reflection. If Zephyr is standing outside of this reflective path, then Jia would not see Zephyr's reflection, just the mirror itself.

Yes, Jia can see Zephyr's reflection in the mirror because the ability to see around corners as if they were straight lines only pertains to direct vision, not reflected images. The mirror reflects light from Zephyr towards Jia, allowing her to see Zephyr's reflection despite the corner obstruction.

When Kyoko looks at the cube through the magical spherical crystal, the unique property of the crystal inverts the cube. This means that the crystal creates a mirror image of the cube along all axes. Since Kyoko is looking from the north side of the sphere to the south where the cube is located, the arrow that was originally pointing up will now appear to point down to her. The inversion makes the south-north orientation switch and, since the arrow was pointing upward, this top-bottom inversion results in the arrow now pointing downward. Thus, to Kyoko, the direction of the arrow now appears to point down through the crystal.

The arrow appears to point down to Kyoko.

Divya, standing with her back to the northern wall and looking into the magical mirror, would see the southern wall of the room because the mirror shows her what's directly behind her, as if she had eyes in the back of her head. Since the walls absorb magic, they do not affect the functioning of the mirror held by Divya and it works as intended by showing the southern wall. Anh, standing with his back to the southern wall and looking into his magical mirror, would likewise see the northern wall of the room. Despite the northern wall's magic-absorbing properties, since Anh is holding the mirror and the magic originates from the mirror itself, the wall does not negate this magic, allowing Anh to see what is behind him--the northern wall. Therefore, Divya sees the southern wall in her magical mirror, and Anh sees the northern wall in his magical mirror. Neither mirror's magic is negated by the walls since the magic is contained within the mirrors themselves, and the mirrors are functioning exactly as designed, showing the holder what's behind them.

Divya sees Anh, while Anh sees Divya. The mirrors reflect the people behind them, but due to the room's walls absorbing magic, the reflection is limited to only the person standing in front of the mirror.

When Kyoko enters the room with the potted plant and Akachi activates the magic lantern, the light from the lantern will illuminate both Kyoko and the potted plant because both are living entities. Even though the room has no windows, the special property of the lantern to illuminate only objects that are alive will make Kyoko and the potted plant visible to Akachi. Any non-living objects in the room will remain cloaked in darkness as the lantern's light passes over them without effect, highlighting only the living Kyoko and the plant.

The lantern will illuminate the potted plant as it is alive.

When Hamza looks into the crystal ball, he is facing it, and therefore the magical property of the ball is to show what is behind him. Since Yumiko, holding a red rose, is standing directly behind Hamza, the image in the crystal ball reflects what is behind Hamza. Consequently, Hamza sees the image of Yumiko holding the red rose in the crystal ball.

Hamza sees Yumiko holding a red rose.

Leandro can determine if Mariam is directly behind the screen by thinking about her and observing the direction in which the needle of his magical compass points. If Leandro focuses on Mariam, the compass needle will align itself in the direction of Mariam's current position, even through the screen, since the magical compass is not impeded by barriers or distance. If the needle points directly towards the screen, it indicates that Mariam is indeed behind it. If the needle points in a different direction, it means that she is not located directly behind the screen. Therefore, without moving, just by observing the direction of the compass needle when thinking about Mariam, Leandro can deduce where she is hiding.

No.

As the magical breeze enters the room, it affects the areas less than 10 centimeters above the ground. Because the mug and skillet are both at approximately the same height when sitting on a typical surface like a table or countertop, their relative position to the ground is crucial in this situation. Since Jinhai is standing, they would be above this 10-centimeter threshold and would not be directly affected by the cooling breeze. If the mug and skillet are on the ground, they will both be within the 10-centimeter zone impacted by the magical cooling breeze. Since cold is visible as a blue glow in this world, Jinhai would see both the mug and the skillet begin to emit a soft blue glow, indicating that they have been cooled to freezing. However, if the objects are resting on a surface higher than 10 centimeters off the ground, they would not be affected by the breeze, and neither would glow blue. The material of the objects doesn't influence what Jinhai sees because the magical property only depends on the objects' altitude relative to the ground level. So irrespective of whether the mug and skillet have different thermal properties in the real world, in this imaginary scenario, they are only affected by the magical breeze based on their height. Therefore, Jinhai will only see the mug and skillet glow blue if they are within the 10-centimeter magic breeze zone above the floor. If they are on a taller structure, like a table, Jinhai will observe no change, and the objects won't glow blue.

Jinhai observes that only the ceramic mug, being less than 10 centimeters above the ground, freezes due to the magical breeze while the iron skillet remains at room temperature as it is above the 10-centimeter threshold. The ceramic mug exhibits a soft blue glow, indicating that it has become cold. 3502e8f2cca7f96a4b72e03a6afc7df51 3502e8f2cca7f96a4b72e03a6afc7df51 3502e8f2cca7f96a4b72e03a6afc7df51 3502e8f2cca7f96a4b72e03a6afc7df51 3502e8f2cca7f96a4b72e03a6afc7df51 3502e8f2cca7f96a4b72e0

In the Chamber of Echoes, since spoken words reverberate infinitely without diminishing in volume, the secret Nadifa whispers does not fade away as it would in a non-magical room. Instead, the whispered secret will continue to echo throughout the chamber. Despite the fact that the room is in complete darkness, sound does not rely on light to travel. Therefore, the lack of light has no impact on the sound of the secret traveling. Since Takumi is on the opposite end of the room, he will indeed hear the whispered secret as it will continue to echo and reach him. The magical property of infinite reverberation without volume loss ensures that the secret is audible to Takumi regardless of the distance between him and Nadifa in the Chamber of Echoes.

The whispered secret reverberates infinitely, maintaining its original volume, and yes, Takumi hears it.

When Kailani looks into the mirror with Zephyr present in the room, Kailani sees a normal reflection without any revelation of secrets. The magical property states that the mirror will only reveal someone's deepest secret if they are alone in the room. Since Zephyr is still in the room, the condition for the magic to work is not met for Kailani, and thus, the mirror functions as a regular mirror for her.

Kailani sees nothing out of the ordinary.

In this world, since shadows have mass, Jaxon's shadow, which is cast upon the seesaw's seat, would exert a force due to its mass just as a physical object would. The seesaw functions based on the principle of moments, where the relative distances and forces will determine its balance or imbalance. With Jaxon's shadow being cast on one end, and Amara sitting on the opposite end, the seesaw would respond to the presence of Jaxon's shadow as if an object of equivalent mass were placed on it. Consequently, if Jaxon's shadow mass is less than Amara's mass, the seesaw would tilt downwards on Amara's side due to her greater weight. If Jaxon's shadow has an equivalent mass to Amara, the seesaw would balance, assuming the seesaw is uniform and the fulcrum is centered. However, if Jaxon's shadow has more mass than Amara, the seesaw would tilt downwards on the side where Jaxon's shadow is cast. In summary, the seesaw would tilt in the direction of the greater mass, whether it is Amara's mass on one end or the mass of Jaxon's shadow on the other.

The seesaw remains in its initial position as there is no external force acting upon it due to the absence of shadows having mass or interacting with physical objects in this scenario. Additionally, the light source is directly overhead, providing equal illumination on both sides and not causing any imbalances.

As Kofi walks up the wall, the change in his position relative to Ming's introduces a shift in perspective. Initially, when Kofi is on the ground, he sees Ming from a lateral, eye-level point of view. As he ascends, his viewing angle of Ming increases, transitioning from a direct side view to more of a downward angle. This elevation change means that Kofi can now see the top of Ming's head and, depending on the height of the ascent, potentially a bird's-eye view. Ming's visibility doesn't diminish unless Kofi climbs to a point where the ceiling itself obstructs his line of sight to Ming. However, the details of Ming's features may become less distinct to Kofi the higher he climbs, considering the increasing distance and change in perspective.

Kofi would appear smaller from Ming's perspective as he walks up the wall.

As Zahara throws the ball straight up, in Gravitoria, gravity does not pull it back down towards her feet as it would on Earth. Instead, since gravity pulls towards the east, the ball would move horizontally from Zahara's perspective, accelerating towards the east rather than coming back down to her. Considering Zahara's hair, as there's no 'downward' pull of gravity in Gravitoria, her hair would not fall towards her feet if untied. However, affected by the easterly gravity, it would be pulled horizontally towards the east, assuming there is no other force (like air resistance or wind) acting on it. So, her hair would stream out horizontally to one side instead of hanging down. If she was facing north or south, her hair would appear to be blown to the side by a strong wind coming from the west; if facing east, it would seem to be pushed backward; and if facing west, it would flow forward into her face.

The ball would follow an arc that appears as a gentle curve ascending to the east, eventually reaching its highest point and then falling back towards the ground in the same direction. Meanwhile, Zahara's untied hair would be lifted off her head and carried along with the ball's trajectory due to the eastward gravitational force, forming an elongated cascade. 57; 58; 59; 60; 61; 62;

When Sade looks into the magical mirror, the reflection shown is not the present but exactly one day in the past. Since Sade and Amari entered the room at the same time, and there is no indication that Amari was in the room a day earlier at the exact same moment, Sade will not see Amari's reflection. Instead, Sade will see the room as it was one day before at the exact moment she is looking into the mirror. What Sade sees will depend on what was in the room or who was present in front of the mirror at that time a day prior. If the room was empty and nobody else was standing where Sade is now, she would see an empty room in the mirror, without Amari or her own reflection.

Sade sees the world as it was one day prior.

Mirror B shows the person's future from their perspective; that is, what they would see directly with their own eyes. Since Jamal is currently standing behind Parvati and looking over her shoulder, his future perspective shown in Mirror B would not include the back of Parvati's head, as he is looking into a future moment, not at the current situation in the room. Therefore, he would see a scene from his own future as if he were experiencing it himself, without the presence of Parvati in the field of view of his future perspective. Even though he's standing behind Parvati at the moment, the magical property of Mirror B transports his point of view to a future moment where Parvati is not necessarily included in what he's witnessing. Consequently, Jamal sees a future event from his life as if he were living that moment, with no reference to the current setting or Parvati's presence.

Jamal would see Parvati's future as she would see it through her own eyes, including her memories that have yet to be created by the time he observes the reflection. Since Jamal is standing behind Parvati and looking into Mirror B, his view would be partially obstructed, showing only a portion of her future.

Under the magical property that heat moves toward the nearest source of music, the warm pot of soup placed next to the playing violin would cause the heat from the soup to move towards the violin. Since the movement of heat is now bound to the location of music rather than the inherent property of heat rising, the rest of the room, including where Qamar is sitting, would become comparatively cooler as the heat concentrates around the violin. Qamar would not feel any warmth from the soup pot because Qamar is sitting on the opposite side of the room with no music source to attract the heat.

The pot of soup would move towards the violin and Qamar would experience a cooler temperature on his side of the room due to the absence of music.

When Neela observes the reflection of the Mirrorveil, she will see the surroundings and herself sans the red ball; the red ball, due to its unique property, will not be reflected and will appear invisible. Since the blue ball's reflection covers her face, she will not see her face reflected either. However, like any other ordinary mirror, the clothes she's wearing and the rest of her body, which the red ball obscures in reality, shall remain visible in the reflection (unless they are also red). Therefore, Neela sees in the reflection her own body without her face and torso, with the background filling in the spaces where the red ball would have been. The space where her face should be will show whatever is behind her from the perspective of the Mirrorveil.

Neela sees only the blue ball's reflection on her face and a hidden red ball below it.

When Kianda stands facing the magic mirror, Echeria, and looks into it, her reflection appears as if she is holding the vase in her left hand because the mirror shows the opposite of the actual movements and positions. However, the characteristics of the object, such as its color, do not change; the red vase Kianda actually holds in her right hand still appears red in the reflection, but it is now in the reflection's left hand. Similarly, when Zephyr faces the mirror with his blue vase in his left hand, his reflection will show as though he is holding the vase in his right hand. Again, the color remains consistent, so it will still be blue in the reflection. Therefore, when Kianda and Zephyr look into the mirror, Kianda sees a reflection holding a red vase in its left hand, and Zephyr sees a reflection holding a blue vase in its right hand.

In the magical mirror Echeria, Kianda's red vase appears to be blue, and Zephyr's blue vase appears to be red. So, they see their reflections holding opposite colored vases.

Given that mirrors reflect sound instead of light in this world, Naledi, facing the mirror, would hear the sound of Priya's bell coming from the direction of the mirror. Since sound is being reflected, the bell's ringing would travel to the mirror, reflect off the surface, and then reach Naledi's ears, giving her the perception that the sound is emanating from the mirror. Keiji is silently reading a book and not making any sound, so there is no sound coming from his direction to be reflected by the mirror. Therefore, the only audible noise that Naledi would hear from the mirror would be the reflected sound of Priya's bell.

Naledi hears Keiji's silent reading and Priya's ringing bell reflected in the mirror.

Rajani, standing still, looks at the mirror. The mirror's magical property is that it only reflects objects in motion. Since Rajani is motionless, she will not see her own reflection. However, Kwame is moving behind her as he walks back and forth. Therefore, Rajani will see Kwame's reflection in the mirror when she looks at it. She will only see him when he is in motion and behind her within the line of sight of the mirror. If Kwame stops, he too will become invisible in the mirror just like Rajani. Rajani will only see the background of the room or any other objects in motion in the reflection, but not herself or Kwame unless he is moving.

No reflection.

In a world where gravity is acting sideways, objects would fall toward the new "down" which is to the side instead of toward the center of the Earth. When Naledi throws the ball towards Mikhail, the ball would initially travel in the direction of the throw, but the sideways gravity would then start to curve the ball's trajectory, pulling it sideways as it moves through the air. The direction in which the ball curves would depend on which way gravity is oriented in this magical world. Assuming gravity is pulling in the direction from Naledi to Mikhail, the ball would accelerate sideways toward him, which means it would likely reach him faster than if gravity would have been pulling it downward in a typical non-magical world. However, if gravity is oriented the other way, pulling the ball away from Mikhail, the ball would begin to curve away from him. In this case, unless Naledi threw the ball with sufficient force to counteract the pull of gravity, the ball might not reach Mikhail at all, instead it would fall to the ground (now a side wall, in this scenario) before getting to him. From Mikhail's perspective, standing opposite Naledi, he would observe the ball either curving towards him faster than normal or curving away from him, depending on the direction of gravity's pull. If the ball curves towards him, he must be ready to catch it sooner; if it curves away, he might not be able to catch it without moving closer to Naledi.

In this scenario, the ball would follow the path of the sideways gravity, curving toward Mikhail who is on the opposite side of the anchored tree. Mikhail would observe the ball moving along an arc towards him, potentially passing by or even around the tree depending on the initial force and angle of Naledi's throw.

As Keiji moves closer to the light source, his shadow on the wall becomes larger because the light source creates an enlarged projection of Keiji's form on the wall behind him. Since shadows in this world are solid and can be felt as if they were physical objects, Yara's shadow, which is also on the wall, will come into contact with Keiji's enlarging shadow. As Keiji's shadow grows, it will begin to overlap with Yara's shadow. When this overlap occurs, Yara will feel the sensation of something touching her because her shadow is sensitive to contact just like her physical body. As Keiji continues to approach the light, his shadow will continue to expand and apply pressure to Yara's shadow, intensifying the sensation Yara feels, as if a larger or heavier object is pressing against her.

As Keiji approaches the light source, his solid shadow expands and overlaps with Yara's shadow on the wall. This causes Yara to feel the sensation of someone or something pressing against her from behind, as the shadows interact physically.

Chidubem, with his eyes closed, can 'see' the reflection of the bright red apple in the mirror because of the cube's magical property that allows reflections to be seen with closed eyes. His mind would interpret this as perceiving the reflection, perhaps akin to a vivid mental image or through magical sight. On the other hand, Eirlys, with her eyes open, cannot see the reflection of the apple in the cube's mirror face. However, because she is standing behind Chidubem and nothing in the scenario suggests an obstruction of her direct line of sight to the apple, she can see the actual apple on the floor. Concerning their ability to see each other: Chidubem cannot see Eirlys directly because his eyes are closed; however, he can 'see' her reflection in the magical mirror if she is within the mirror's field of reflection while he is facing it. Eirlys can see Chidubem directly, as she is standing behind him with her eyes open, but she cannot see his reflection in the mirror since the mirror does not show reflections to those with open eyes.

Chidubem can see his own reflection in the mirror, but Eirlys cannot see her own reflection or the apple. Chidubem can also see the apple, while Eirlys cannot. They can both see each other since they are not facing the mirror side of the cube.

When Jia and Kwame start walking towards the mirror, they and their reflections will simultaneously get closer to the mirror. Given the magical property that reflections become real and solid, the mirror essentially doubles the room, creating a symmetrical space on the other side. As Jia and Kwame approach the mirror, their reflections do the same from the other side. Because the reflections appear closer to the sides of the mirror than Jia and Kwame are to the walls of the room, the reflections will reach the edge of the mirror first. Once at the edge, since reflections are real and solid, the reflections will not be able to move further, as they will meet the solidity of the mirror's frame, creating a barrier. Meanwhile, Jia and Kwame, who are further from the walls of the room than their reflections are to the edges of the mirror, will still have some space left to continue walking before reaching the mirror. However, since their reflections have become solid and are now at the edges, Jia and Kwame would not be able to reach the mirror itself. They will be stopped by their reflections that have become solid when they reach the edges of the mirror, preventing any further forward movement by Jia and Kwame. This would make Jia and Kwame effectively come to a stop without reaching the mirror, the distance between them and the mirror exactly matching the distance their reflections had from the edges before becoming solid.

As they walk towards the mirror, their reflections will gradually merge into one single figure due to the overlapping of their reflected selves. When they reach the mirror, they will be able to step through it as if it were not there, thanks to the magical property of the mirror, and they will end up in a mirrored version of the room on the other side. Their reflections that remained on the original side will disappear since they are no longer being reflected.