Olmo 3 Pre-training
Collection
All artifacts related to Olmo 3 pre-training
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Once Upon a November: Footprints of Alexander Dodge
October 25, 2019
When "Anastasia" rolls into town to light up the ASU Gammage stage late this fall, it will be a homecoming of sorts. The acclaimed set designer for the Broadway production, Alexander Dodge, spent his formative years here. While growing up on the Taliesin West grounds and romping around ASU Gammage and the campus’s birthday cake-like music building, Dodge's own designing brain was incubating.
"My father was working with Frank Lloyd Wright, so I spent time growing up both at the Gammage and the music school’s building sites," Dodge said of his ten Arizona years. "It was a crazy and magical time. We used the interns’ abandoned shelters [at Taliesen West, where Dodge's father is still working] as our play forts."
As a teenager, Dodge performed in Tempe piano competitions that were located at the new music building on campus. He recalls that the competitions were nerve-wracking, but the breathtaking scene could calm his jitters.
"It was the enchanting view. The competitions were held on the rooftop terrace," he said of the serene setting.
Thinking about what kind of impact his remarkable, early experiences in the Valley may have had on his career, Dodge said, "I guess I learned how to see, how to look at things. I developed my own philosophy of designing from the inside out. For a set designer, that means I think a lot about things like, ‘What are the characters who occupy this space thinking? Feeling? Doing?"
He asked those kinds of questions when he designed his Tony-nominated “A Gentleman's Guide to Love and Murder" set, a show we at ASU Gammage laughed through a few seasons back. He also used that mindset as he tinkered with how to depict "Anastasia"’s story. It's a tale that traverses not just different countries, but that bridges huge social gaps, too, as its lush story chugs along.
"We needed a world that unified Russia and France, a world in an envelope. It needed to become its own breathing, living machine," Dodge explained. "LED screens and other media, technology that wasn’t feasible even a few years ago--say, when we designed "Gentleman's Guide" — helped create new effects."
Dodge noted the train car scene, when Anastasia, Dimitry and Vlad are traveling from Russia to France--during a song called "Learn to Do It"--was his biggest challenge. The scene developed into a visually stunning presentation of silhouettes and steam and mesmerizing juxtapositions.
"I took that challenge on head first. It was one of my ways in [to the approach he developed for the whole show]," Dodge said. "The number is a trio that jumps from person to person. It’s cinematic, like we’re in a movie peeking into different windows. The train car starts to spin on stage while projections of a train are coming straight at you. Next, you're seeing through the side of the car. Once we solved the train car, the rest was more standard."
Part of Dodge's inspiration came from firsthand observation. He soaked in classical architecture at its source.
“Oddly enough, I was on location in France. It was sort of a three birds with one stone experience,” said Dodge.
The France trip allowed him to research and work on not just "Anastasia." He was also designing the opera "Ghost of Versailles" and Disney’s stage musical, "The Hunchback of Notre Dame." Though Russia was not on his travel itinerary, Dodge was able to make the country-hopping on stage flow seamlessly.
“There are so many similarities and elements that are the same.... Maybe because the Russians took their ideas from France,” Dodge said wryly.
He described the show's palette as "nuanced and subtle," though he's also attracted to the power of saturating the stage in opulent reds at one point when the scene smoothly transforms into a Paris nightclub.
The central feel, however, he described by saying, "There’s a metaphysical element in the naturalistic pale blue of Monet. It calls up a dream palace or the cloud of a fairytale."
When Dodge thinks of "Anastasia" playing at ASU Gammage, he appreciates that the necessary changes for the tour are aimed at getting intimacy and immediacy into bigger houses. It has become a "taller, grander" show than New York's smaller Broadhurst Theatre would allow.
"Definitely the essence and the feel of the Broadway show is present," Dodge said about the majestic settings that include a Russian palace. "Because the houses on tour are bigger, we were able to add an extra three feet to the towering arches, making it even more palatial.”
As our calendars turn away from October and we find the way to our seats, we'll remember the Taliesin West boy who became Set Designer Alexander Dodge for "Anastasia." The Prologue's lyrics, rather than "December," will remind us that ASU Gammage itself helped inspire the show's set that came to us 'Once Upon a November.'
"Anastasia" will premiere on the ASU Gammage stage Oct. 29 through Nov. 3. Tickets are on sale now!
This article was written by Jennifer Haaland and was posted in ASU Gammage's "Inner Circle" magazine vol. 24.
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Porous Structures
May 1 – June 8, 2019
515 West 24th Street
下载新闻稿
Gladstone Gallery is pleased to present Porous Structures, an exhibition of new sculptures and site-specific works by Damián Ortega. This show explores Ortega’s longstanding interest in visually dissecting the underlying sociohistorical narratives embedded in everyday materials. Including a mix of works created with sand, cement, brick, clay, and crystals, Porous Structures excavates the materiality of permeable structures and objects, and how the cultural, political, and socio-economic implications of manufactured and natural constructions impact humankind in both a deeply personal and universal way.
For this exhibition, Ortega presents a series of distinct bodies of work that demonstrate the artist’s incisive approach to his mediums, as well as his uncanny ability to transcend ordinary materials into objects with complex narratives. A series of cement-brick sculptures depicting geological figures such as the reinterpreted topography of a mountain range, glaciers, volcanos and valleys, highlight the ways in which human intervention and environmental erosion impact the creation of both natural and manmade objects. His use of brick is particularly significant and recurs through his oeuvre; Ortega recontextualizes building materials to highlight how raw matter can be transformed into structures or systems for habitation. Modern sublease, a helix-shaped, staircase-like structure made with cement and clay, similarly connects to the artist’s interest in architecture and construction materials. As the viewer moves around the work, small crevices are revealed throughout the staircase, mimicking the architectural structure of a wasp’s nest or the geometry of modernist urban planning, transforming this undulating, wall-like structure into a place for community and collaboration.
In his monumental new site-specific work, Irregular emplacements, which consists of two 7-foot-tall mountainous structures made with sand and cement cubes, Ortega conflates the process of creating sculpture with an economics of positive and negative spaces that the viewer enters into. This installation aims to question what constitutes a sculpture, and highlights the significance of both the physical object on display as well as the negative space surrounding the sculpture. Ranging from the intimate to the monumental, Ortega’s works on view are both cultural artifacts and living objects in permanent transformation, existing as open structures that react and converse with the space inside and outside their physicality, housing and containing change over time.
Damián Ortega was born in 1967 in Mexico and currently lives and works in Mexico City and Berlin. He has had solo exhibitions at notable international venues including: Garage Museum of Contemporary Art, Moscow; The Fruitmarket Gallery, Edinburgh, United Kingdom; Museo Reina-Sofia, Madrid; Museu de Arte Moderna do Rio de Janeiro; HangarBicocca, Milan; Museo Jumex, Mexico City; The Cleveland Museum of Art; the Barbican, London; the Institute of Contemporary Art, Boston; Tate Modern, London; Kunsthalle Basel; Institute of Contemporary Art, Philadelphia; and Centre Pompidou, Paris. Ortega participated in the 55th Venice Biennale (2013); the 27th São Paulo Biennial (2006); the 4th Berlin Biennial (2006); and the 50th Venice Biennale (2003).
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VIP - VideoChannel Interview Project
Quelven, Roland
Roland Quelven
French videomakler
Interview: 10 questions
1. Tell me something about your life and the educational background
Born in 1967 in France. Graduated in Mathematics.
2. When, how and why started you filming ?
I started to manufacture static images through paintings during 20 years before manufacturing moving images in 2009. First I made Flash animations and digital collages for a website devoted to a project named Napolecitta. Since 2010 I make videos in quicktime format.
3. What kind of subjects have your films?
Most of my video pieces are numbered, assembling a register, an imaginary official record. Combinations of numbers, maps, writings, paintings and masterpieces of Art history digitally assembled, all this seen through the prism of the Detail.
4. How do you develop your films, do you follow certain principles, styles etc?
I consider that a video is never finished. I use details of my precedent works and researches and introduce them in my new projects following a principle that I call “The fractal virtues of Detail”. All the videos and researches belong to an encyclopaedical project named Napolecitta.
5. Tell me something about the technical equipment you use.
I work with an Imac intel 27” and use After Effects CS5 and Adobe Soundbooth.
6. The field of “art and moving images” (one may call it videoart or also differently) is representing an important counter position in contemporary art. Tell me more about your personal position and how you see the future of this field ( your personal future and the future of “art and moving images”).
I believe that the field of “art and moving images” now is similar to Film research and theory at the end of the XIXth century, when the nature of static and moving image was undecided.
An exponential evolution related to that of the new technologies (eg. The HD capable Nokia mobile phones). Also I would like to point to the Quicktime format as a legitimate one.
7. How do you finance your films?
I am self-financed as I make them on my computer.
8. Do you work individually as a video artist/film maker or do you work in a team ?
if you have experience in both, what is the difference, what do you prefer?
I have experience in both, I enjoy those and I prefer to alternate. There are two kind of collaborations. The first one is using another artist’s imagery, as a demanding exercise in which to figure another artist’s universe with my own filter and specific vocabulary is rewarding. The second one is a collaboration with a musician composer: Sofia Koubli to whom I submit a video and then we exchange.
9. Who or what has a lasting influence on your film/video making?
Peter Greenaway ( Prospero’s book and the use of the Tulse Luper suitcase’s project).
Istvan Horkay ( Bolzanogold’s project in collaboration with Peter Greenaway).
10. What are your plans or dreams as a film/video maker ?
Screenings on a multi wide screen, triptych installation. Projet Napolecitta.
Website Napolecitta
http://www.napolecitta.com
http://mubi.com/garage/films?user_id=383715
http://vimeo.com/rolandquelven
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50 Works for 50 Years: Collections Retrospective
May 31 marked the 50th anniversary of the dedication and opening of the South Dakota Art Museum, then known as the South Dakota Memorial Art Center. The campaign to build a state art museum had been historic. It required the largest capital campaign within the state at the time, with an estimated 50,000 individuals contributing to the efforts. The public streamed through its doors that first day 50 years ago.
This historic community effort is the bedrock of the museum, a testament to the relationships that the museum was founded on and the public service it is dedicated to. The museum was built by community, built to serve and celebrate community, and is still vital and vibrant today because of the support and involvement of the communities it serves.
I loved walking through such a diverse exhibit. The beauty of this entire collection is outstanding. Thanks for sharing it.
Great exhibit! I had some of these artists as teachers at SDSU in the 1970s. It brings back lots of great memories!
What a beautiful exhibit! I will be using this to guide me through my comp class and I'm excited to explore this realm of writing.
I am supposed to write an essay on one of these pieces too. Very excited!
Lovely art :🙂
A class of mine is based off one of these pieces (writing). I can't wait to research them more!
I like the one by Laura Rogers with the forest fire.
We really value visitor comments about South Dakota Art Museum exhibitions and your experience at the museum or here on our website. Please take a moment to send us your comments and let us know if we can share them here. We also appreciate visitor reviews on GoogleTripadvisorFacebook and other social sites!
The many people that helped create, support, and shape the museum throughout its history are embodied in the collection of the museum itself. They are alive in the artworks they helped to preserve for the benefit of the public. To study the works in the collection is to truly understand the history of this place, experience inspiring values, witness beautiful achievements, all crafted by outstanding individuals and cultivated by communities who gave to art so art could give to all of us.
The museum has a rich collecting history, with more than 7,000 objects now in its care. This exhibition features just one artwork acquired each year for all 50 years of the museum’s existence. With so many artworks in the museum’s care the picture this exhibition paints is far from complete. The selections for the show celebrate the strength of the quality and diversity of the museum collection as a whole, and draw attention to important facets and relationships of the museum through key acquisitions of historical significance.
We will be sharing more information on the artists, artworks, and relationships represented in the exhibition over the course of the show’s run, both in the gallery and online. We encourage you to revisit us here in person or online through social media and our website, to join us in retracing our footsteps and celebrating the richness this exhibition contains. There is so much to celebrate here.
And we want to hear your 50th anniversary South Dakota Art Museum stories. Please share with us in comment books in the galleries or in our digital platforms. Let us know what the South Dakota Art Museum means to you.
The South Dakota Art Museum is proud of all its accomplished in its 50-year history, all of the efforts that built up to that first 50 years, and excited to bring so many more fruits of art to the people it will serve in the next 50 years.
Explore the Works by Decade
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May 21, 2024
Super Art is Almost
“deaf Entertainment And Art” American Sign Language
The Hammer Museum launches Hammer Channel, a streaming archive of each artist talk, panel discussion and reside performance since 2005. A new technology of Black artists is amending and countering comedian books’ racist roots. While I imagine that it is potential to overcome this dilemma as a musician, as you become extra of a public figure, it’s indisputably challenging to take action consistently. You have to have the ability to deliver compelling material that translates across broadly varied audiences and meet the calls for of these surrounding you. Gaga mentioned her frustration with being seen as a public determine first and artist second, and how her presence turned more necessary than her product as her career developed. While there are notable differences between Picasso and Kendrick Lamar, the attribute they share is that their art taps into the feelings of their audiences.
• Coachella, a music pageant that draws round 500,000 people annually, has been postponed until Oct.
• The C.A.K.E. Village offers faculty assemblies in addition to immersion field trips that include social, visual and performing arts.
Count Moïse de Camondo lived a couple of doors away from Edmund de Waal’s forebears, the Ephrussi, first encountered in his greatest-selling memoir The Hare with Amber Eyes. Like the Ephrussi, the Camondos have been a part of Belle Epoque high society.
Build A Customized E Mail Digest By Following Subjects, People, And Corporations Revealed On Jd Supra
Located subsequent to USAG Wiesbaden’s new lodging facility, slated to open later this 12 months, and across from Army Community Service, the center offers easy accessibility to a bunch of entertainment choices. Besides the 16 bowling lanes which may be configured to function numerous game choices for individual and league play, neighborhood members can settle in to look at sports or music videos on tv and big, drop-down screens over the lanes. Sectors throughout Entertainment the trade include arts, entertainment, recreation, playing, well being and health facilities, spectator sports, and amusement parks. Whether you’re an art gallery or an arts and crafts retailer, you’re constantly confronted with the challenge of proving that you’re one-of-a-kind and never just another face within the crowd. So, make sure that your arts enterprise name and brand design are work of artistic cognition to tickle pink the fancy of art lovers.
On most occasions artists sing the main lyrics and are accompanied by devices. Indian music consists of a number of varieties of people, popular, pop, and classical music.
Priyanka Chopra Addresses The Art Of Giving With The Rad Impact Award
Spend a few hours exploring the many galleries and museums along the strip. Be certain to cease at Anno Domini to learn more about the city’s road art scene and, where to search out murals from notable artists – opens at midday and closed on Sunday and Monday. The Supreme Court has interpreted the First Amendment’s protection of inventive expression very broadly. It extends not solely to books, theatrical works and paintings, but additionally to posters, tv, music movies and comic books — regardless of the human artistic impulse produces. The faculty presents concerts, art exhibits and theatre throughout the year.
This email is scheduled for delivery on Monday-Friday at round 6am. It will include essentially the most important recent articles from all sections of TylerPaper.com. Get really helpful Art scripture studying, weekly faith columns, and newest church information. ICYM is a weekly newsletter highlighting thee important, talked about, and most learn tales of the final week.
Aldrich Up To Date Art Museum Launches New Program To Spotlight Artists
Just wished to supply a counter-level to “would not turn into art if you only need to watch it as soon as” from my perspective. For the sake of argument, I’ll present my personal opinion. I contemplate A Clockwork Orange and Full Metal Jacket to be art, and I’m assuming based mostly on your name that you simply do too. Leonard Lawrence, as a character, is a fucking masterpiece. Yet these are two motion pictures I really have no inclination to watch a second time.
Taking thrill seekers for an exhilarating, chook’s-eye view of the distinctive art in The SPINE, this glider-ride positions two riders towards each other in a race to the finish, reaching 8 miles per hour. Art Island – The first-ever everlasting gallery for the exhibition of large-scale, commercially out there, festival-inspired art work. The brand-new venue welcomed its first friends following an opening ceremony helmed by Chief Executive Officer Winston Fisher and Chief Creative Officer Michael Beneville, who additionally Art And Entertainment serves as co-founder and CEO of Beneville Studios. Otherworldly art vehicles, billowing plumes of colored smoke and an eclectic mix of AREA15 ambassadors and performers joined the executives for the opening moment. On the optimistic facet I agree with many different people, when you enter you are feeling so welcome! The service is sweet and so were the drinks-cutely named to suit the Halloween theme.
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Cleo Collects
Cleo Collects is an antique and vintage gallery and sourcing service, coveting exclusive European homeware designs for Interior Designers and personal collections. They source known French and Italian designers from the Art Deco to Midcentury era, as well as antiques and artwork.
Growing up in France and San Francisco, Cleo Collects’ Director Bronte Taton came to appreciate different ways of thinking and the culture entrenched within the French and American psyche – both substantially different in many ways.
“I took the ‘preference for moderation’ from the French, and the importance of individuality and self-expression from my time in the states. Both of these influence my approach to interiors. When I consider furniture and homewares, I yearn to know the context of the piece, and in turn the meaning it has for me. This ties in with my preference for moderation, in that I stay away from fast fashion in design and view each item in my home as an investment. It also speaks to my need for individuality.” – Bronte Taton
The Cleo Collects gallery also represents several local West Australian Artists whose work can be viewed at their Subiaco showroom.
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#ArtistDayTrip October2018
Can you believe we are here in October 2018, We are seeing cool weather now here on the West Coast? Hope everyone has an awesome creative time, there are lots of festivals starting for the fall so we will be updating our calendar for our Artist Day Trips.
OCT 7
Artists’ Reception: 25 Years in the Making
2 PM · Chaffey Community Museum of Art
Artist Day Trip and Classes: July, 2018
Can you believe we are in July 2018, I am excited that summer is here and guess what the festivals are here. Below is our calendar, hope you will join us as we take you on our #ArtistDayTrip
Sunday, July 22, 2018, First Annually Chili Festival 11:00 am – 5:00 pm
Saturday, July 21, 2018 9:00 am – 11:00 am
Beginning Water Color Class III Registration $25 (Paypal: wordprocesser1@yahoo.com ) Limited 10 seats, the class will be on Zoom link will be sent 24 hours before class
Join us on Periscope.tv and Instagram.tv (IGTV)
Follow us and be sure to sign up for our email list so you can keep in touch with us. .
#ArtistMotivationalMonday:Risky Business
Here is the segment for this weeks show on Anchor.FM.
Being a creative is risky business. There are a lot of unknowns , twist and turns that will cause you to be overdrawn.
Listen to my segment “#ArtistMotivationalMonday:Ep23 What is Risky Business” on Anchor: https://anchor.fm/chinue-phillips6/episodes/Episode-23-e1kikg/ArtistMotivationalMondayEp23-What-is-Risky-Business-a3uoko
Six Months Into 2018
Well if you’re seeing this we have made it to the halfway mark of 2018. So my question is “how is your year looking so far”. We have had plenty of eventful things happen since January some good, some fair and some downright discouraging. Yet we have made it to the mid-year.
Now that we have all come to this point how are we going to finish out the next six months? It is clear that we are not allowing the distractions, and detours stop us from moving forward.
So take a moment and breath in this next six months of your journey, and know that you are on the right path even with all the detours. It’s a journey, not a destination, continue to move forward one paint brush, one camera shot, one dance, on a completed book at a time because the world is waiting for us and our gifts.
Thank you so much for all who have followed me from day one on this journey, thank you for liking and sharing the post, for coming to the broadcast, and just for being a support factor alone the way.
June is always exciting, the festivals start so there will be plenty of #ArtistDayTrips to explore. You can find us on most platforms and you can catch our broadcast on #Anchor and #Periscope.tv.
Be sure to get on our email list by completing the form right under the affiliate links so you can know what we are up to. Remember the affiliate links help us keep our site free to you, we do get a commission for every sale and there are always some great art supplies and other items for you to purchase. Just click on the links and it takes you right to the stores.
Watercolor Class
Here is the first watercolor class project from our class today. It was a great class with lists of great questions. If you have not signed up on our email list be sure to do so. To your right→
You can also get your art supplies from #BlickArtSupplies just click on the link to your right→
Today we painted A bell pepper, white onion, and potatoes
We used watercolor pencils to sketch out first. The watercolor pencils will blend well with most paints. We used #ArtistLoft Crimson Red, Viridian Green, Yellow Ochre and #Premium Chinese White , round soft watercolor brush, and watercolor pad 6×6.
From Sketchbook to Canvas
When I did this in my sketchbook I decided I wanted to do it on canvas so I could frame it.
This is #Watercolor on canvas pad textured 12 × 16 .
After the paint dried I went in with a #BlackSharpie to bring out more details.
Since May seems to be Mermaid month its the perfect setting.
So let me know what your thoughts are in the comments. Like, follow and be sure to get on our email list.
Thanks for supporting our journey called art. Be sure to follow us on Periscope.tv
May 2018 Calendar #ArtistDayTrip #Classes
Well here we are May 2018. Can you believe how fast this year is moving forward.
The weather here is no where near sunny but cold and we have had rain which is late in the season.
We are building our calendar for May so we will be adding events along the way.
It’s also my Birthday month so there is no telling what #ArtistDayTrip we will have.
So follow, share, and join our email list so you will be connected and able to get notifications.
May 11,2018 Art Float, 10:00 am, Riverside #ArtistDayTrip
May 12, 2018 Kite Festival San Diego 10:00 am – 4:00pm #ArtistDayTrip
May 26,2018 Beginning Watercolor.10:00 am -11:00 am (PST) 10 Seats open, Registration $25 paid in advance via PayPal(wordprocesser1@yahoo.com) Class will be in Zoom. Link will be send 24 hrs before class.
Be sure to follow us on Periscope.tv/theartist_56 for #ArtistMotivationalMonday, #MidDayArtBiz and #ArtistDayTrip
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Books, Comics, Music Reading List
Brace Yourselves: Besties!
It’s about time I posted. This blog is now over 10 years old, and long gaps between posts have been a regular feature, which never fail to shame me, not to mention obliterate my minuscule SEO, so as soon as I got some holiday downtime, I brewed an extra pot of coffee and sat down to catch up.
I’ll post about what the new year holds as far as classes and exhibitions soon, but after a frantic year end I’m ready for an escape, and comics have always been my escape. They actually do somewhat relate to graphics as a commercial print medium. But I first started these reading lists as a way of breaking up non-stop posts about me and my work, a sort of ‘Sunday features’ section for the blog that would also up the content for the blog, and take advantage of a perceived niche for comics criticism that explicates the power of this ancient but misunderstood medium to a more general audience. That’s the theory. I patterned my contributions somewhat after Nick Hornby’s Polysyllabic Spree column from the Believer.
This year turns out to be end-of-the-decade, of course, so my second ever Besties list is now, grandiosely, Besties of the Decade. There will be no klieg lights, no red carpet. I do have most of a bottle of decent Rye whiskey and some antipasti left over from Christmas; c’mon over.
The metric for inclusion is innovation and unique vision, but clarity in both design and narrative is also a huge factor. Still, stuff that makes me wonder just what the hell the author is on about is not necessarily a bad thing, if there’s some richness or intrigue to the vision. There’s a fair amount of diversity here, mostly in gender, but there are creators from Europe and England and America, comics intended for kids and many others that have been challenged in libraries, and many different genres. Reminder: comics are not themselves a genre, as the more ignorant and denigrating observers would have you believe. They are a medium. I’ve always been attracted to comics’ ability to offer expression to marginalized creators, so I don’t think the amount of women here is a surprise. There’s stylistic diversity, too, with clear line-type projects probably predominant, but more expressive, and even cartoon brut type of styles definitely included, especially in the catch-all of the anthology.
If I was to predict it before I sat down to make the list, I wouldn’t have expected so many ‘mainstream’ projects to make the list. This is defined fuzzily as output of large publishers with fairly high sales numbers, though increasingly, the lines blur. Most here is from the creator-owned Image line, not surprisingly, and it’s probably best to point out that the Marvel Now re-boot that that spawned a lot of brave interpretations of mostly B-list Marvel characters ( such as the Hawkeyes) is long gone. With the success of the Marvel Cinematic Universe, the tail is now definitely wagging the dog, as far as I can tell. It’s also worth noting that to make any even minimal effort to keep up with that stuff, you need to visit the off-the-beaten-track Direct Market shops, and I just don’t do that so much. I keep my eyes peeled for worthy efforts, but I still think most of it is dreck. I don’t apologize for sticking mainly to the small press, bookstore-oriented things.
Still, about a third of the top ten and over 25% of the list when including Honorable Mentions is ‘mainstream’ product, which just goes to show you what can happen when the giants think outside of the long box, because those numbers in no way accurately represent the total out put on a month-to-month basis.
I’m going to milk this by going bottom to top, with the Honorable Mentions ( Resties) first, in no particular order, then the #9-2 Besties and ending with the coveted “Bestiest”. Roughly, the 10 Besties are in order of when they popped into my mind, so the last ones came to me first, and thus have a certain amount of memorability attached to them, a valid attribute in a top 10-type list.
Resties/Honorable Mention
Kramer’s Ergot #8, 2011; #9, 2016 #10, 2019; Sammy Harkham, Editor: Cheating here by including all the issues of the decade, but they’re never disappointing, and include nice samples of many current trends such as Cartoon Brut which I define as a concern for an essential graphic truth and the material properties of ink along with highly personalized interpretation of timeless comics tropes; and Fort Thunder School, a group that came out of a Providence R.I. art collective; mixed in with giants of the earlier alt-comics, such as Steven Weissman; and also Harkham’s own work, striking in its unrelenting camera eye and quiet, charged backgrounds. Now, Mome and other anthologies are worthy things to search out as well.
Supreme, Blue Rose , Warren Ellis and Tula Lotay: Meta-fictional re-boot of a meta-fictional Alan Moore reboot of a typically Marvel-esque original Image superheroby Rob Liefeld in the 90’s. In which, interestingly, the super hero never appears. Yes, like many mainstream comics, the backstory is complex and nearly impenetrable, but Tula Lotay’s lush charismatic graphics, and Warren Ellis’s antic storytelling make this an obscure work of genius, worth going onto Wikipedia to research the past iterations, as I had to. In a comic book store, it is sometimes rewarding to let your eyes lead you.
Super Mutant Magic Academy 2015: Jillian Tamaki forged an award-winning career in YA with her cousin Mariko starting in the Oughts with the exquisite coming-of-age/ coming out tale Skim. Lately she’s appeared to be interested in crossing over into a traditional general adult bookstore market, and published Boundless, which was critically well received but which I confess, seemed a bit precious and over wrought to me. I prefer this simple, hilarious web comic about interspecies gifted youth at a Harry Potter-like private academy, which coalesces very organically into ( again) a coming out tale.
How to Be Happy, 2014 and Frontier #7, Eleanor Davis: A simple, fleshy tangibility to her drawings; a provocative moral insistence in her tales. The first, a collection of post- and pre-apocalyptic short stories, the second, a small press one-off exploration of alternative sexuality.
Wally Gropius, Tim Hensley: Antic send up of Archie/Richie Rich Harvey Comics of the 60’s with satiric implications of today’s celebrity and mega-rich obsessed pop culture. Also did a Tubby ( Little Lulu’s frenemy)/ Alfred Hitchcock mash-up to satirize the petulant, entitled white male auteurs of 50’s cinema.
Leaving Richard’s Valley 2019: Prolific Canadian cartoonist Michael DeForge has at least 6 books that I considered, all of them innovative in their ways, and very provocative. He explores modern narcissism, among other things, with one story featuring a scene where the implied main human character asks for, and receives, a blow job from his computer’s operating system. This one is about friendship, emotional manipulation and betrayal, and is graphically the most original work on this list, seamlessly blending childish funny animal abstractions with computer graphic/photographic textures.
Sex Fantasy Sophia Foster-Dimino 2017: Originally published as mini-comics ( yes the zine/DIY scene is alive and well in modern comics, along with its web comic offspring). These are simple but highly affecting speculations on what people want from sex and relationships, and how the two often conflict.
On a Sunbeam, Tillie Walden, 2018: Young Adult masterpiece that proves how surprisingly cogent that rapidly growing category can be. A young girl wrestles with professional and sexual identity in a beautiful sci fi universe. No male-identifying character appears, innovative in itself.
Saga, Brian K. Vaughn and Fiona Staples, 2013 : A candidate for Bestiest though the writer and cartoonist have taken a year long break, mid-saga ( a return is rumored to be soon). A young, mixed-species couple and their child battle prejudice and violence in a universe of never ending war. Humor, sex and Staples’ very original character designs distinguish this from your everyday space opera. The creative team say that it was designed to be a comic book only, but someone will eventually make a movie of this one, and you should read it first.
Hawkeye, Matt Fraction and David Aja, 2012. The only true super hero comic on these lists, but one that very convincingly and very affectingly explores what a super hero’s off-time hours might be like, in a hilarious and graphically concise and innovative way. Turns out Clint (Hawkeye) is somewhat of a slacker/wastrel. Fraction makes use of running gags to highlight complex, humanistic psychologies better than any writer in comics. He’s married to Kelly Sue DeConnick ( below). What I’d give to sit in for the weekend, after-studio unwinding after their kids are in bed and their many unique projects wrapped for the week. Funny, heartbreaking, pulse-pounding, and again, something that only one medium can deliver. A sequel by Kelly Thompson featured a second Hawkeye character from this series, Kate Bishop, and did not fall too far adrift of the Resties.
Building Stories 2012: Chris Ware designs a box of comics in various, allusive formats (e.g: a Little Golden Book knock-off, A newspaper broad sheet about a bee who lives in a discarded Coke can in a vacant lot next to the titular building, a game board) that form a complete narrative in time and space of a Victorian-era apartment building and its inhabitants in a Chicago neighborhood.
Stroppy, Marc Bell, 2015: Very appealing comedy of a class-strictured future world where Stroppy, a Candide-like workingman, becomes a somewhat passive victim of control systems that benefit the rich and famous. With one (Big) Foot planted firmly in the roots of comics ( E.C. Segar, as channeled through Crumb) and another in the nihilism and dystopian vision of the Fort Thunder movement, Bell comes across as a sort of Carl Barks on acid, with Stroppy a man-child in a cartoon world he never made.
Coyote Doggirl, Lisa Hanawalt 2018: this deceptively candy-colored cartoon brut adventure reads like a feminist Lonely Are The Brave, by Abbey. To preserve her independence from victim hood after a rape, Coyote Doggirl escapes into the essential girlhood sexual fantasy of a girl and her horse in the wilderness.
Beverly, Nick Drnaso, 2016: Preternaturally quiescent and unsettling stories of families and youth in extremis, and yet trying to preserve normality, these gem-like stories reminded me of nothing so much as Salinger’s. The washed out pastels and deadpan line work adds to the chill. I have nothing against his second book Sabrina, nominated for the Mann-Booker prize, but this was my first encounter with Drnaso who seems to share with me and others a love of the short story format in comics, which belies the commercial format/ categorical catch all term ‘graphic novel.’
Pretty Deadly, Kelly Sue DeConnick and Emma Rios, 2013. 2015, 2019: Would have been on this list in any case, even if this Fall’s volume, The Rat, still incomplete, had not breathed fresh fire into DeConnick’s multi part poetic apocalypse. If I felt Volume 2 ( The Bear), set in WWI, flagged a bit after the startling and allusive Volume 1 ( The Shrike), kicked things off with its violent and compelling goth/ spaghetti western/ medicine show fabulism, The Rat proves there is nothing in mainstream comics like Pretty Deadly, by a mile. Emma Rios makes visual narrative subordinate to the double paged spread/montage, rather than the panel grid. Jordie Bellaire, not one of the copyright holders, but clearly a full creative partner in the enterprise, channels the subdued pinks and violets of Western landscapes and suppressed feminine yearnings; the acidic greens of poison gas and the lurid yellows and oranges of Hollywood puppet animation to DeConnick’s vision. Death’s Garden unleashes ambiguously motivated Reapers to call home various members of a black family from the 1870’s through the 1930’s. There really is no tidy summary of all the plot threads possible because DeConnick refuses to be limited to one interpretation. Suffice to say that feminine archetypes rich in the violence and striving of their agency, abound. This comic may be the first to warrant the reader’s guide to allusions ala Pynchon and Wallace; I predict the critical literature will be extensive when the epic ( 2 more parts are planned) finally ends. Don’t know if it’s even possible to make a movie of this. One of the entries on this list that can really, only be done with comics. Those who believe that the cultural ‘future is female’ are fools to ignore the comics medium, Where KSD, as the blogosphere calls her, weaves a tale that even she, one suspects, is not sure of all the implications. I, for one, am happy to watch her resolve it on the fly.
That leads us to the:
Bestiest : This is meant to highlight a book that had real impact on me both at the time I first read it, and sustained relevance as the decade has gone by, through multiple re-readings. Once I’d been reminded of White Cube, Brecht Vanden Broucke, 2014, which I’d read in the middle of the decade, there really was no challenger for Bestiest. I read it for the 3rd time recently and it is still finely poised between punk nihilism and artistic conceptual subtlety, in a painterly style that nods both to cartoon brut and Little Lulu. It’s funny, highly transgressive, yet strangely thoughtful in its explorations about how art enters our daily lives. The pink-skinned twins who star in this collection of mostly ‘silent’ strips, single panel vignettes and double page tableaus insist upon their own artistic vision as they wage their 2-man war against the aesthetic authority of the White Cube gallery world. They paint large blue thumb’s up “Like” symbols on the gallery masterpieces and are chased from the White Cube, but they always return. They are every newspaper and comic book anti hero, from Bushmiller’s Sluggo, to Herge’s Thomson and Thompson, to Bart Simpson.
Comics, the marginalized, censored step child of pop culture, also have a difficult and complex relationship with the authorities of the art world, as exemplified in this Russ Manning mini-memoir on Liechtenstein’s uncredited ‘appropriation‘ of his images for his paintings. White Cube is the first comic to fully address this relationship which is ground-breaking in itself, but it also comfortably inhabits both worlds, those of challenging art and reflexive anarchy, which is an essential feature of modern comics’ renaissance.
I’m going to include a separate list on books about comics, and I’m going to exclude retrospective collections from the first list, and include them in the second. This mini adjunct to the Besties separates important collections of forgotten or ignored past work and also needed exegeses on comics history from contemporary fictional projects. It expands the number of books listed to 22, but is fully justified in this historically significant decade, when comics expanded into the bookstore market (being credited with giving bookstores a rare area to expand sales) and innovation was rampant.
This is where we see, in no particular order:
Resties/Honorable Mention
John Stanley: Giving Life to LIttle Lulu by Bill Schelley, 2018: Died this year and will be missed. He recognized that John Stanley, a frustrated genius of the anonymous, marginalized ‘hack’ era of comics in the 50’s was one of the funniest and most relevant writers of his time. He explicates Lulu’s surprising verisimilitude to the actions of children (not to mention her status as one of the few authentic feminist voices of the time).
The Comics Journal #302 , Gary Groth, Editor, 2013: This 300-page issue of the comics magazine of record was probably a marketing fiasco, as the magazine disappeared from print for several years after that, having only and thankfully being revived last year. But it’s a comics fan’s feast with its many and diverse articles on such intriguing and little-covered subjects as Mort Weisinger, R. Crumb’s copyright lawyer, and Maurice Sendak. Comic Art magazine is much lamented after disappearing in the Oughts, but TCJ soldiers on with the recent Simon Hanselman interview an example of comics journalism addressing such relevant topics as gender fluidity and political correctness in the comics blogosphere.
Mauretania: Comics From a New World, Chris Reynolds, 2018 : Words cannot express how besotted I’ve always been with this obscure 80’s/90’s British comic replete with unresolved narratives; evocative inks and somehow infused with the thick light of Wales and Southern England. Its hero, Monitor, quests after meaning in a vaguely dystopian near future. Another character, a detective, dies but mysteriously reappears and doesn’t recognize her family. A quixotic visual tone poem curated by Seth, whose own title, Palookaville, was also a viable contender for this list.
Somnambulance Fiona Smyth, 2018: Again, a forgotten fave from the first explosion of alternative black and whites from the 80’s. Here again a distinctly feminist vision first finds voice in comics, and Smyth’s luscious sensual inks also foreground transgender and gender queer imagery and narrative, a real ground breaker in that area.
Drawn Together 2012: Aline Kominsky-Crumb pioneered feminist self-published comics ( along with Diane Noomin, Trina Robbins, et al) in the underground era, then embarked on a brilliant lifelong collaboration with husband R. Crumb, with each illustrating one half of each panel of an autobiographical comic series about their lives, sex lives and marriage. The unlikely combination of her scratchy primitivism with his classic big-foot style, along with their decidedly unapologetic politically incorrect narrative (feminists hated Crumb’s sexualized women, and her unabashed masochism) was far more than the sum of its parts, as this 30 year retrospective brilliantly proves. Kominsky-Crumb, like other women of the 80’s comics scene, is finally getting her due as a pioneer cartoonist and editor who advanced female creative agency.
The Origins of Comics Thierry Smolderen, 2014 : A somewhat academic endeavor, but after a false start with one literary theory-clotted excerpt published in Comic Art magazine in the Oughts, Smolderen cleaned up and focussed his rhetoric and published this important survey of the (mostly European, sorry, American exceptionalists) roots of comics. In it, he argues convincingly for the early proto-comics of those such as Topfer as dynamic precursors to modernist art and cinema, rather than outgrowths of the academic, moralizing tableaus of such popular image-makers as Hogarth.
Comics: A Global History Dan Mazur and R. Alexander Danner, 2014 : Indispensable and ground breaking in its scope which includes Europe and Japan, as well as England and America. A real eye-opener as to the interweaving threads of the development of comics as a medium in the current period. I do regret that it doesn’t cover comics from the Golden Age on; but that would have been a different and much more expensive project to publish, and we need this sort of critical vision right now. Wonderfully illustrated and researched. If like me, you’ve regretted your ignorance of Manga, which was first to advance self-expression as a legitimate function of comics in the 60’s, then the chapters on the Japanese scene are very welcome.
There is a Clunker this year, a work that should have been much better than it was, not necessarily bad, or unreadable in this case, but a real drop off from past work. Jerry Moriarty is a massive figure in the NYC school of alternative cartoonists of the punk-inflected 80’s Raw Magazine crowd. His first book, Jack Survives straddles very purposefully the line between comics and art, with its lush colors and Hopper-esque sense of place and time. But his newest project, What’s a Paintoonist? a speculation on himself as a little girl, married to an account of moving his studio upstate, has an unfinished and deflective, even detached, feel to it as if he just couldn’t buy into the concept. It has its moments, but was ultimately pretty meh.
So there you have it. The sample size was huge, not to mention the worthy contenders that I never got to read, or simply forgot. I surprised myself by leaving long-time favorites such as Los Bros Hernandez, Gabrielle Bell, and Peter and Maria Hoey off the list, as well as striking newish cartoonists such as Anya Davidson and Dash Shaw. All these cartoonists are innovative and important in their own right; I tried to sneak in enough mentions to exemplify just how hard this list was to compose.
Most are under $30, or available at the library. It’s an extremely vibrant medium, with many genres available within, such as Darwin Cooke’s very entertaining Parker adaptations of Donald E. Westlake crime novels. In a time-pressed world, it’s nice to have something quick to escape to, and now you can have the bestiest.
Art Shows Art Students League Month of Printmaking Workshops
Dangly Bits
My Mad Science Monoprint workshop is this close to filling up. It’s my last publicly available class this year and runs for five Monday evenings, ending in time for Holidays.
I’m also co-teaching a class in large monoprints for Very Special Arts Colorado students with Javier Flores, of VSA and Metro State. It’s been fun, with the side benefit that I am working on a Lino cut for the first time in decades.
I’ll have two pieces in the Arvada Center’s January show Print Educators. It will be one of the signature shows for #Moprint2020. The opening is January 16.
The winter-spring catalog is now open for registration online at Art Students League of Denver. My first workshop availability in 2020 will be Jan 7. That will be my Monotype Starter beginner’s class, which prepares you for my other classes, and also certifies you to use our big airy print room independently ( for a reasonable fee per month). I don’t know whether it will fill up, but it can’t hurt to register now.
My last library workshop of the season, at Green Valley Ranch branch, has once again been re-scheduled for November 20 at 5:30-7 PM.
I’m going to do my Besties top ten book list for comics and graphic novels again this year. I can’t say I’ve kept up on this year’s releases that well- mostly because of still catching up on last year’s releases, but I realized that this is a decade-turning year and I have lots of opinions on this decade’s batch of comics, some of which will be noted for a long time. So I’ll have plenty of candidates. I’m adding a link to last year’s version, my first attempt at this holiday staple.
My webstore is again making progress after upgrading my website programming and security to hopefully accommodate the finicky Woo Commerce plug-in. I’m taking a few days’ break after a busy fall, but will return to it within days. Still hoping for a Thanksgiving launch.
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accessibility ACCESSIBILITY
Call: (925) 254-2360
Dental Office with a rustic interior design
The inspiration for the rustic interior design of Dr. Todd Pearson's new state-of-the-art dental office is a historic and beloved family owned cabin built more than a century ago in Northern Idaho.
Because the cabin, with its majestic views of the Canadian Rockies, is a favorite family get-away, Dr. Pearson envisioned bringing its woodsy, warm feeling to his new office. "I wanted to bring the cabin's sense of nature and peace here. My goal was to create a unique and refreshing atmosphere for our patients and a highly effective and pleasant workspace for myself and my staff".
Dr Pearson's design objective was to ensure that his patients feel comfortable when visiting the dentist. Working closely with his design/construction team, he has created a unique and relaxing environment. We are a dental practice devoted to restoring and enhancing the natural beauty of your smile using conservative, state-of-the-art procedures that will result in beautiful, long lasting smiles!
The airy and open floor plan features a natural fieldstone fireplace, knotty-pine trim, high beamed ceilings, and "cabin art" from accomplished local artists and craftspeople. The rich palette of earth tones was inspired by the room's artistic focal point, a delightfully colorful painting of a moose, that his wife found in a local gallery.
In spite of its rustic sensibility, the office's technological capabilities are state-of-the-art and have been designed to anticipate future technology and treatment requirements.
We look forward to serving you!
- Dr. Todd Pearson
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proposal designs template
proposal designs template is a proposal designs sample that gives infomration on proposal designs design and format. when designing proposal designs example, it is important to consider proposal designs template style, design, color and theme. if your brand colors focus on a single accent color, this is the perfect proposal template to customize. this proposal cover template allows you to easily add your company introduction, portfolio, testimonials and budget information for your potential clients and services. the bold, serif headings in this branding proposal example help you to create a contemporary design perfect for online businesses and modern branding companies. design tip: use a bright color as an accent hue within your proposal to really grab attention. design tip: be sure to include a good bit of white space and margins in your proposal to ensure your content doesn’t look too crowded and overwhelm your reader. if you’re looking for a unique and modern way to share your proposal information with your audience, this project proposal template is the perfect solution.
proposal designs overview
design tip: create some kind of unifying factor on each page to keep your proposal design consistent. keep the pages of your business proposal design and other projects on brand using dynamic fields in visme. if you’re looking to create a sleek proposal to impress your audience and sell your service, this is the perfect proposal template for you. this proposal template makes it easy to input a map to showcase your business’s various locations, your team, your workflow and more. showcase a lot of color on your proposal designs with a template like this one. use this color in a variety of page designs to grab your reader’s attention. however, the format below communicates your ideas effectively and is applicable to a wide range of use cases.
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proposal designs format
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proposal designs guide
companies offering website design, development, and maintenance services can use this sample website proposal template to power up their next pitch. companies that provide professional development workshops will find this workshop proposal template valuable when preparing training and professional development seminar proposals. start by choosing a business proposal template with all or most of the elements you need, such as a pricing table, deliverables section, and approach section. now that you’ve updated the proposal template and utilized some advanced strategies to increase your chances of success, it’s time to send that proposal. a great business proposal template does the heavy lifting for you, so you don’t have to guess what to put in your proposal.
wow your potential clients with this proposal template that includes social proof, payment terms and more. don’t just showcase your portfolio, use our proposal template to show your mission, results, expected roi and more. the construction proposal is easy to fill in and will help you win new clients. use our ecommerce proposal template that has all the right elements to maximize your conversions and make your clients sign every time. use this event filming proposal to explain your process and win more deals. use our high-end web design proposal template to showcase your design expertise and custom coding skills. use our marketing proposal to speed up your proposal process and win over the client with a great marketing automation strategy. use our beautiful photography proposal to show your photography style and win new clients.
use our recruitment proposal to showcase your recruitment strategies and win bigger deals. use our pre-designed web design proposal template to speed up your proposal process and win new deals. use our social media consulting proposal to outline all campaigns, research and other parts of your consulting services. use our video game development proposal to present your services and design more games in the future. just edit a few details and your proposal is good to go. use our pre-written interior design proposal to showcase your previous design work, the specifics of your processes, pricing and more. use our professional-looking medical services proposal to explain your services and win bigger clients. use our pre-written computer repair proposal to explain your services, present your pricing and win new deals. this proposal template comes pre-written and let you customize it to your needs.
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I’m Alberto Gregoratti, an Italian-born UX Designer, recently graduated from the Designlab Academy, studying a course in UX Design. I have a background in Graphic Design cultivated in the Royal Academy of Fine Arts based in Venice.
Combining the two worlds of user experience design and graphic design is my creative practice, I have an arsenal of tools that allows me to solve problems in radical and creative ways.
My approach to design is based on breaking apart the problem in order to find connection points between the emotional and logical aspects that compose it. This system allows me to develop products that can have a significant impact on people's lives.
As a UX designer, the problems that I love solving range from creating new websites and apps from a blank canvas, to adding new and radical features to existing products.
I very much like to combine work and study together, because I believe that is the best strategy to think more deeply about my work.
I am currently looking for a UX design position as I would be delighted to help bring someone’s vision to life.
United Kingdom
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Bridget Table by Bross
This product is only available to pro account holders
Learn more
Table base in solid oakwood, natural, stained or mat lacquered finish with glass top. Dimensions: 200 × 100 cm – 250 × 110 cm
Elegant and classic, but of contemporary style, Bridget has a solid oak frame consisting of two oblique trapezoids, that crossing each other create an unprecedented game of shapes and volumes. This table is made particularly sophisticated by the oval top in oak-wood or clear glass, in which it finds its highest expression. The simplicity of the forms are emphasized by the role games between solidity, transparency and elegance, creating unexpected effects depending on the observation angles.
The history of Bross is inextricably linked to two factors that make it unique from its birth: on one side, the love for wood and natural materials, on the other hand, the strong international vocation.
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We never post opportunities that require a submission fee. LEARN MORE.
Monday, September 19, 2022
The Moxie Incubator
Deadline: October 7, 2022
What is it? The Moxie Incubator is a season-long accelerated development program for new, unproduced plays*
Who is it for? The Incubator Cohort will be made up of 3 playwrights, 3 directors, and 3 line producers - in alignment with Moxie's mission, we will select work by artists of historically-excluded genders for this program.
Is this paid? Yes - All participating artists are paid a stipend for every round of the Incubator process.
Does it cost to submit? No - Moxie is passionate about keeping opportunities accessible for all artists. We do not charge a submission fee for any artist.
If you are interested in submitting to be a part of the Moxie Incubator Program, you can submit via the link below. Artists can submit to the Incubator as:
• A Playwright
• A Director
• A Line Producer
The Incubator Cohort offers will be extended no later than November 14, 2022, to be announced for the season on Tuesday, November 29, 2022.
Read More About the Selection Process >
Table Readings
In February 2023, each new play will have the chance to be read aloud with actors, a dedicated director, and a line producer in a virtual table read as the first step of development.
The virtual table read is designed to open the piece for the first time to an audience reaction, begin to till the proverbial soil of the play, and create space for growth and exploration as the playwright is able to hear the pages aloud for the first time and benefit from the structured feedback.
29 Hour Reading
Using the AEA 29-Hour Reading model, each new play will be read in front of an invited audience as the second step of the development process in spring 2023.
The readings will receive production casting assistance, dedicated rehearsal space, a director, stage manager, and line producer to help shape this part of the Incubator process. Round 2 is an important step in the development process, as it allows for the playwright to see and hear their material in front of a curated audience, providing further opportunity for feedback and potential industry partnerships for production development in the future.
Fully Staged Workshop
Under AEA Showcase Code*, each new play will receive a dedicated weekend of workshop performances in July 2023 in New York City.
These workshops will be as fully staged and produced as possible - lights, set, costumes, design teams, etc.
We want our Incubator artists to see their work fully staged and ready for audience engagement.
These will be ticketed performances running Thursday night through Sunday matinee, a total of 5 performances per show. Industry invitations are curated by our Executive Producers and line producers, and professional production photos are provided.
*if there are no union members in the cast, this will not be under a showcase code; however, production will still follow showcase rules.
Blog Archive
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Curtains With Tieback 3d Model
Apr 28, 2011
(Click on image to enlarge)
By downloading and using following assets, you accept these terms
ZIP Archive Direct Download :MAXFBXOBJ3DS
3D Asset Details
Laces are attached to the wall behind the curtain with a small ring hook, mounted in a wall on the similarity of building anchor. Tieback gathers the curtain, forming its beautiful puffy folds. This assembly allows the fabric to get rid of repetitive cloth pattern, making the drawing on it more chaotic and unpredictable, and the actual blinds very much heavier. Feature of this 3d model of curtains is that it is not just a two-sided plane, wrinkled using reactor, but is literally a realistic model of curtains with front bend. That is, the lateral part of the fabric tuck so are visible both burgundy front silk and back gold satin. Such a fold can make a nice contour on the curtains, emphasizing its a gathered form. A characteristic feature of this 3d model is its fastening. This curtain is designed for mounting behind the cornice, when the mechanism of suspension is not visible and is completely hidden. But the main highlight of this 3d model is its photorealistic material of vanguard silk. It looks cool even on the of the material editor sample sphere!
If you do not know how or do not want to spend time creating complex material for any other model of curtains, you can easily use this material for your photo-realistic 3d renderings. Color of material can be easily changed in Photoshop, simply changing the color of the diffuse texture. This could save you a lot of time.
Modeled in 3ds Max 2008. Rendered with V-Ray.
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Discovered on Pinterest on January 19, 2024
“Merzouga Desert Original Limited Linocut Print, Lino Print, Hand Printed, Wall Art – Etsy”
Another useful design and branding influence
What is this page about?
I'm James Kindred, a brand consultant and graphic designer based in Suffolk. I have over 25 years of experience in brand development, graphic design and digital delivery.
Why have you kept a reference of “Merzouga Desert Original Limited Linocut Print, Lino Print, Hand Printed, Wall Art – Etsy”?
Hello there! This is one of the many images I've admired on Pinterest. While I don't own these images, I certainly appreciate their aesthetics.
Presenting ideas to clients has never been easier, thanks to Pinterest's visually appealing boards that can effectively convey a design style or brand character.
Every design, whether it's a simple logo or a comprehensive website, serves a distinct purpose and communicates a specific message. A strong brand identity distinguishes itself in a saturated marketplace, creating a memorable impression on consumers. Design is about transforming limitations into creative solutions, turning challenges into opportunities. A brand's voice, values, and vision are amplified and communicated through its design choices.
What Pinterest tells us about this image
An original two layer linocut print of “Merzouga”, inspired by my Merzouga desert trip in Morroco. Hand-carved lino print, A4 in size. Printed on 300 gsm paper with oil based ink. Like all handmade prints, there are small variations and defects which makes each print unique. Prints are numbered, titled and signed by the artist. Frame size in photos- A4 and A3. Sold unframed! Carefully packaged in hard cardboard envelope to hopefully prevent bending or damage. Interested in ordering a custom color print? Feel free to message me, custom orders are welcome! – This was originally posted on Pinterest. See the original
To top
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Auber – Gustave III ou Le Bal masqué
Out of stock. You can listen to it on any streaming service.
SKU: ARN348220 Category:
Daniel-Francois-Esprit Auber had been a pupil of Cherubini, but until he met Scribe in the early 1820’s had not been particularly successful. That meeting and their subsequent collaboration changed his ca-reer. If Scribe, the greatest French librettist of his time, collaborated with many composers amongst whom were Halevy (six operas including La Juive), Meyer-beer (five including Les Huguenots and Le Prophete), Donizetti (five including La Favorite), Boieldieu (four including La Dame Blanche}, all this pales in compari-son with the thirty eight works that he wrote for Auber.
Additional information
time period
number of cds
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Moroccan Art | Earthquake Donation
Call of the Wild Studio
Shipping calculated at checkout.
Earlier this year, the artist visited Morocco for the first time and was immediately enchanted by its colors, patterns, and bustling streets. From every direction, unique handmade art could be seen. Marrakesh has a special place in the hearts of both tourists and locals, its winding streets, vibrant markets, and stunning architecture creating an atmosphere like no other. The recent earthquake there has been devastating, however, Islamic Relief has launched an £10 million appeal to assist the people of Morocco. To help raise funds, all profits from these art prints will be donated to the appeal, with a minimum of £5 per order given. Get a beautiful A4 Art Print on high quality paper and make a difference - simply pick a print and head to the checkout
💌 For more information about the appeal, visit the link below and please share if you cannot donate 💜 https://islamic-relief.org/appeals/morocco-earthquake-appeal/
Meet the Maker
Our makers range from city-dwellers to remote islanders. They are creative, innovative, passionate, skilled and hugely hardworking. Here are their stories
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François-Emile
Ehrmann and Théodore Deck
François-Emile Ehrmann (Strasbourg, 1833 - Paris, 1914) and Théodore Deck (Guebwiller, 1823 - Paris, 1891)
Earthenware and painted wooden frame
79 cm
Alsatian-born Théodore Deck began his career as a ceramicist in an earthenware stove factory in Strasbourg. In 1851, he settled in Paris and opened his own workshop.
Deck tried to rediscover the manufacturing and decorating techniques of the old factories. He copied and interpreted Saint Porchaire ceramics, Iznik earthenware and Italian majolica Eclectic by temperament and by training, Deck also demonstrated his qualities as an inventor and discoverer. He succeeded in creating a turquoise blue known as “Deck blue” and perfected a technique for creating gold backgrounds which won him a Grand Prize at the Universal Exhibition in 1878.
His growing fame culminated in his appointment as head of the Sèvres porcelain factory in 1887. Deck collaborated on many occasions with painters and sculptors, notably Albert Anker, Raphaël Collin and François Ehrmann who provided the design for this plate. Ehrmann drew much of his inspiration for this neo-Renaissance pastiche from majolica wares created in Castel Durante around 1530. Even the wooden frame fits in with the 19th century conception of the way in which majolica was displayed.
Inventory number:
Inventory number : ODUT01621
Acquisition details : Purchase, 1993
Room 29
Roll your mouse over the exhibit to view detail.
45 / 52
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Umagic Mod APK [PRO + Paid Unlocked] Download
v1.3.3 by Daily Joy Studio
Turn words & images into incredible AI art, paintings & drawings in seconds!
Create your fantasy world with 🔥 Umagic — powerful AI art generator 🔥
All at simple touch: you can input anything in ANY LANGUAGE – such as "Dragon in space suit", "Neon butterfly", or just upload an image, pick from 30+ styles (anime, Dali, cyberpunk, etc.), then hit "generate" to see your incredible AI art!
Imagine creating your fantasy artwork for posters, banners, thumbnails for YouTube video, or covers for your ig story…. All you need is an idea, and with the power of our AI art generator, becoming a great artist within a few seconds has never been easier!
✨Key Features ✨
📖Turn text into art
Shocked by the fantasy scenes in sci-fi movies? Now you can create one based on your own imagination!
Umagic allows you to text anything: words, phrases, lyrics, Shakespeare's sonnet, lines from your favorite movie …
🌟Remix your image
Tired of typing? Then try images!
Whether it's your family photo, Da Vinci's paintings, or anything else…our AI generator will create fantasy artwork based on your original image – and of course add some extra prompts to make your creation perfect!
By changing the influence value, you are free to travel between the real world and a more fantasy one!
🎨Explore multiple styles
With Umagic's AI art generator, you can explore every art style: impressionism, modernism, sur-realistic, anime, etc.
Not satisfied? Don’t worry and just change styles, and re-generate your AI art to make it closer to your imagination.
💗Cool arts you can create
Imagine yourself sketched in black and white, or your lovely golden retriever fighting Godzilla on a spaceship!
Feel free to use your AI art anywhere! Lock screen for your phone, marketing posters, or unique avatars on profile. You can even make postcards and send them to your family at Christmas🎄
😋Share your Imagination
Get ready to see how your friends and followers smash the like button, and yell for more masterpiece? Do share your stunning AI art with everyone on Instagram, TikTok, Snapchat, Telegram, Twitter, and anywhere!
🎉Become an AI artist now:
No more art lessons, no need for any skills, Umagic helps you become a brilliant artist. You can create wonderful paintings like Monet, Da Vinci, Van Gogh, without any brushes or canvas.
Text whatever you like, try whatever style you want, now with Umagic AI, start creating your very own AI generated masterpieces!
🌸Your suggestion matters
Umagic AI values your EVERY IDEA! If there is any feature you’d like to see in future, do contact us: umagic.aiart@gmail.com
🌟 6 New Styles: Unlock entrance to Picasso, Marble, Papercut, and more. 🌟 Enhance Your Art: Meet your enhanced HD art. 🌟 Mark Your Style: Mark your favored style and spot new styles immediately. 🌟 Prompt Guru: Better art comes from better prompts.
You are now ready to download Umagic AI- AI Art Generator for free. Here are some notes:
• Please check our installation guide.
• To check the CPU and GPU of Android device, please use CPU-Z app
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6. Ace Hotel
Street artist Michael Anderson was commissioned in 2009 to create a collage for the Ace Hotel made from his collection of graffiti stickers (unofficially considered the world’s largest collection, according to NY Mag.) Anderson had been collecting the stickers, which he would peel off subway entrances, lampposts, walls and other public places and keep in a notebook, since the early ’90s. His collage in the trendy Ace Hotel shows what art has become.
The hotel’s restaurant, the Breslin, and the John Dory oyster bar, which were run by acclaimed chef April Bloomfield, have both closed. Currently, the only place to eat and drink in the hotel is the lobby bar.
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Cartamundi Digital — 3D Assets
For a new expansion of an internal project Cartamundi wanted to make the switch to 3D design, assigning me to transform some existing flat designs into 3D characters and props. Their style had to be as close as possible to the original drawings, along with cute facial expressions and fun animations. The original charachter designs below are created by Jeroen Decru.
This project is an entertaining and at the same time educational platform for children. It focuses on minigames with educational exercises in a fun concept, set in a world of little monsters.
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Michelangelo http://southboundtavern.com/
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Revealing An African
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Keep Readingthe Civilization Of The Renaissance In Italy
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What Is The Difference Between Renaissance And Reformation?
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Raymond Gid Biography
Raymond Gid became first known through his posters, after having studied at les Beaux-Arts. As a film enthusiast, he designed many movie posters, for example Vampyr de Dreyer (photomontage, 1932), Le Silence de la mer by Melville (1949), Les Diaboliques by Clouzot (1955). But a meeting with Guy Levis Mano (editions GLM), editor and typographer, soon directed Gid towards the book. In 1935, he publishes, together with the photographer Pierre Jahan Devot Christ de Perpignan and Chats, Chiens by Ylla. It is an intensive period of his life period: he meets Dufy, Corbusier, Hake, Lurcat and receives the gold medal for a poster at the International exhibition of Paris (1937). He reacts to the Civil War in Spain with a poster " Help to the civil populations ". Together With Father Carre, « bete-a-bon-Dieu » of the Resistance, Raymond Gid began to design liturgical texts. Apocalypse Six (an extract of the biblical text of Saint John) appeard after the war. It is one of his major works, composed in the Peignot typeface, which was designed by Cassandre in 1937. He designs several post-war period posters, for example Week of absent, a simple Lorraine cross surrounded by barbed wire on a dark background. Right from the beginning of the symposiums in Lure (Provence) in 1954, Raymond Gid participates in discussions on typography, particularly with Maximilen Vox, Charles Peignot, Roger Excoffon. Raymond Gid puts on page and illustrates the Dialogues of the Carmelite nuns by Bernanos (1954), then some pages in Caractere Noel 1955, dedicated to his friend Jan van Krimpen, the creator of dutch type faces. He plays with the breathing of the text, in the manner of Mallarme, as in his Book of hours (1959) or his Apocalypse (1964), adapting medieval text to present day tastes. He also designs posters like those for the Club Mediterranee (1961), Bally (1976) or, heavier fare, like that of Amnesty International (1973). During his whole life, Raymond Gid remained attached to the typographical arts. He liked to try out new characters in his compositions, mixing them with his very free drawings, as for example in Messidor published by the Imprimerie nationale (1989).. Jean-Francois Porchez, type designer; translated from french by Babelfish and cleaned up a bit.
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Interview: Abi Hampsey (MINUTES Exchange) | NARC. | Reliably Informed | Music and Creative Arts News for Newcastle and the North East
Narc. Magazine Online
Reliably informed
MINUTES Exchange is a collaborative postal art project run by three Newcastle University art graduates (Mark Bletcher, Abi Hampsey and Oliver Hoffmeister) which looks to raise money for worthy causes. With the second auction due to take place between the 18th – 31st of January, we caught up with Abi to find out more…
What is MINUTES Exchange?
MINUTES Exchange is an informal by-post project that hopes to create dynamic and sustainable conversation between artists and make positive change!
First, we send a box full of paper to an artist and they select a charity to raise money for though MINUTES exchange. After making an artwork to contribute to the project, they will then send the box onto the next artist they nominate to do the same. When the box is full, they send it back to us, and the MINUTES team will host an auction on our Instagram page featuring all of the contributions to raise money for charity and to support the artists!
Tell us more about the project and yourselves?
The project actually started out as a bi-monthly painting magazine, in which we would publish conversations about painting and art, hence the name ‘minutes’. Due to the pandemic we weren’t able to invite artists to physically partake in conversations at the studio and so had to adapt.
All three of us are graduates of the Newcastle University Fine Art BA and are practicing painters, with studios at the Newbridge Project. Mark and Ollie live and work in Newcastle while Abi has recently moved to London to pursue a masters degree.
How did you come up with the concept? What inspired it?
With our original concept coming to a grinding halt and with a small amount of funding left. We had to figure out how to be sustainable and most of all something that if we weren’t behind it would want to be a part of – where when one person wins everybody wins.
We decided that it was actually now even more important to highlight the artistic communities and families we are all part of even when we cannot be physically together. The box starts with one person and ends with someone who the original artists may have never met, thus facilitating conversations and new relationships despite the restrictions of the pandemic.
We did not want to make a profit or become a business, we started this project because as graduates we missed the conversations you would get on a daily basis in the hallway or eating lunch. We wanted to facilitate that for ourselves and others, no matter what stage of their career someone was at.
What were some of your favourite pieces in the first art box auctioned off. How much did that raise?
When the first box arrived back after it’s almost four month journey we were so thrilled by the obvious effort and time the artists had put into their submissions that it would be unfair to choose a favourite. Although we owe a lot of thanks to Narbi Prices for being an early supporter and helping hand along the way we were over the moon with the lockdown bench painting he chose to include.
In the end this box raised a total of £700 for The Trussell Trust with the artists choosing to donate their proportion of the sales back to the charity.
The second box is set to go on auction between 18-31st January. What can you let us know about this box and the charity it will raise money for?
The second box is a very exciting one for us as its charts artists and territories unknown to the three of us. Although starting in Newcastle it’s made its way to Newcastle alumni Andras who is currently completing a masters at the Slade, introducing us and the box to a whole new community.
The artworks in this box chart the early career artists working in London right now. This box is raising money for the MS society with 40% of proceeds going to them, 40% to the artists and 20% back to us to help fund more boxes.
What have you got planned for the future?
We hope we can sustain ourselves and continue sending out boxes, mapping out the interconnected rather than disconnected nature of artistic communities.
We hope that once the pandemic allows it we can host physical exhibitions including all the artists that have taken part in the minutes exchange and allow them a chance to actually meet and facilitate those so valuable conversations.
For now we just want to connect as many artists as possible and donate to as many charities as possible.
Painting by Andras
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wb 2/3/20
Date: 13th Mar 2020 @ 1:12pm
This week in Maths Y4 Kestrels have been ordering the smallest perimeter or area to the largest perimeter or area.We have also been drawing shapes with a certain area and perimeter.
On Thursday 5th March it was World book day and one guy came as a banana from a comic that he and his friend made. One other guy kept calling him Agent- Peely from a video game, that got him laughing. In the morning we drew a picture of an animal and we had to draw different facial expressions on them. Then we had to make a story with no words using are drawings for the main characters,there were four different scenes for the story.
On this week on RE we have been learning about muslim festivals and how they worship.
This week on topic we chose a animal and wrote emotions on it and a storyboard.
This week in maths y3 have been adding and subtracting
This week in English y3 have been writing a boxed up plan about a Midsummer's Night Dream and we have started to write the story.
This week in topic we have been doing a story board and filming.We have been green screen and we have been filming our groups.
Student Login
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Ask more, know more, do more
How an Entrepreneur Uses Surveys for Academic & Business Research
How an Entrepreneur Uses Surveys for Academic & Business Research
Entrepreneur Gili Golander, is the co-founder and CMO of Pinvolve. She took some time out of her busy schedule to talk with us about how SurveyMonkey has helped support her research, not just with her own business, but also as a Master’s student in the study of Human Computer Interaction (HCI).
Welcome, Gili!
“Style and fashion are really important. This is obvious to people from consumer products or haute couture. But it is not so well appreciated in the high-tech sector.” —Bill Buxton, Principal Researcher at Microsoft Research
Companies who are guided by visual design are all the rage nowadays, take Pinterest or Instagram for example, but back in 2007 when Bill Buxton wrote the above quote, it wasn’t as ubiquitous. Still, in a world saturated with ever-changing visual design, many questions about how people react to it remain.
I became particularly interested in how different people (those with a design background vs. those without one) perceive visual design trends. If I could figure this out, maybe I’d be able to provide some guidance for businesses who push their products, designed by the former group, into a world dominated by the latter.
In the summer of 2010, as part of my Master’s thesis at Ben-Gurion University of the Negev, I conducted an experiment in order to measure people’s reaction to visual design trends and zeroed in on web design. I chose SurveyMonkey as my research tool for this experiment. Why?
Three reasons:
1) It was friendly and simple to use. Both for me as the researcher and for my subjects.
2) The ability to easily integrate images in the survey.
3) Exporting our results into flexible Excel format allowed me to immediately analyze the data.
The survey displayed a collection of 26 web design trends to a group of 262 people, about half of which had design background, while the other half did not.
*The subjects were asked to evaluate just how up-to-date the design trends were.
Trend Perception - Perceived up-to-dateness
They were also asked how much they liked them.
Trend Perception - Level of Liking
The results were pretty clear-cut. It turns out that there was indeed a difference between the group of non-designers and designers when it came to their reaction to web design trends. The designers had more positive attitudes towards current web design trends–they perceived them as more up-to-date and liked them more than non-current web design trends. The non-designers exhibited just the opposite behavior–they perceived the non-current trends as more up-to-date and liked them more than current web design trends. What’s the significance? Our results indicated that all people like web design trends they perceive as current, but that designers are able to identify the current web design trends better than non-designers.
When I presented the survey results, a product manager of a very successful consumer web company approached me with a smile and said, “You’ve just solved a mystery for me!” It turned out that while their designers were cranking out cutting-edge, trendy design templates for their users, the major part of their users were sticking to older design templates, and they couldn’t figure out why. Understanding that there’s a difference in people’s visual trend perceptions helped this company come to some important design conclusions.
I soon learned this for myself after starting my own company, Bazaart.
Our startup has developed a mobile app that lets our users create beautiful photo collages. Armed with the knowledge gained from our SurveyMonkey research, we make sure that Bazaart is designed in a way that would appeal to as many users as possible, by combining both innovation and familiarity.
For example, we do our best to innovate in all things pertaining to photo editing–think Photoshop on your mobile–while at the same time keeping the navigation and social facets of the app as close as possible to what people have grown to know and love. As a result, we have a very wide range of age and geographic location demographics in Bazaart–from three-year-old kids to “non-techie” women aged 60+. Our users are located in the United States, Russia, Brazil, and all over the world.
With SurveyMonkey’s help, I was able to efficiently conduct a very visual experiment, which led to an award-winning academic paper, and most importantly, to a better understanding of how people react to visual design trends and how businesses can continue to build better products.
*Gili’s thesis, “Trends in Website Design”, was originally published in THCI–an international scholarly journal on HCI–and can be accessed here.
To learn even more about Bazaart or Pinvolve, be sure to visit their pages and let Gili know if you have any questions or comments below!
One thought on “How an Entrepreneur Uses Surveys for Academic & Business Research
1. Gili Golander says:
Thanks for the opportunity to guest post, SurveyMonkey!
For those interested, the academic paper mentioned in the post is available at http://aisel.aisnet.org/thci/vol4/iss3/1
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DX to FX – upgrading from D7000 to D800E
I’ll admit it — I was a bit late to the party. While everyone else has been enjoying the brand new D750 and D810, I have been happily stuck with my aging D7000.
Being a student, I am on a student budget. This means that I buy used technology, and I buy old technology. I have nothing against this, though, since older DSLRs are truly dependable machines, and they still are capable of producing wonderful images. Over the course of two years, I have taken 50,000 photos with my D7000, and it doesn’t look a click over 10,000.
[Read more…]
Long Exposure Photography Tips
Salt Lake Sunset at Mandurah
Long exposure photography can produce stunning photos. Nighttime shots can bring out unexpected detail and create amazing light effects. Daytime long exposure can create images with haunting moods and ethereal imagery. None of this is actually hard to achieve, but it does take a little thought and preparation. Here are some tips to ease you into long exposure photography.
[Read more…]
Using Telephoto Lenses for Landscape Photography
Telephoto Landscape (10)
When one thinks of landscape photography, one more often than not imagines dramatic, sweeping grand landscape scenes, which are almost exclusively taken with ultra wide-angle lenses. While these scenes can be quite stunning (and beautiful… and a lot of fun to shoot!), it is nice to make use of the drastically different perspective afforded by a telephoto lens. A telephoto lens, as you may know, is used to capture frame-filling images of faraway subject matter. This is because it has a much narrower angle of view than a wide-angle lens. While a wide-angle lens exaggerates differences in both the size of and the distance between near and far objects, a telephoto lens effectively reduces those differences. This means that a telephoto lens causes a close object to appear more similar in size relative to a further away object, even if the closer object would actually appear larger in person, and it means that a telephoto lens can cause the apparent distance between near and far objects to appear smaller, which creates a nice compression effect.
[Read more…]
Weekly Critique Section #1
Abstract by ©Rick Keller
About a week ago, my inbox started filling up with new forum topic notifications. A day later, Nasim contacted me stating the exact same thing with a hint of fear in his voice – that, our dear readers, was how we experienced your reaction to the introduction of a new mini-project here on Photography Life. That slight shock me and my friend felt after seeing how enthusiastically the idea was received is of the good sort. All the work that’s been submitted is a compliment to us, and also an emphasis on just how much of a commitment Weekly Critique really is. What have we gotten ourselves into!
It was no easy task, choosing the images for this week’s article. As I said, though, these decisions were very subjective and in no way showcase what we believe to be “good” or “bad” work. With that in mind, let’s take a closer look at photographs submitted by Rick Keller, Levi Obarr and Betty.
[Read more…]
Film Considerations for Landscape Photography
Photographing Landscapes with Film (11)
When I submitted my photos of Acadia National Park as a guest submission on Photography Life, I was amazed at the response, especially on the fact that the majority of photos were shot using a Nikon F100 with Fuji Velvia 50. Nasim contacted me to do an article on film considerations for landscape photography as a follow up. So this is my stab at it.
[Read more…]
Autumn Magic in Acadia National Park
Acadia National Park (1)
As the maximum temperatures slowly drop below 40 F (6 C), the ephemeral autumn silently gives way to a long winter in New England; but not before weaving its colorful magic yet again. This year, I was fortunate to witness this magic from up close during a weekend camping trip in Acadia National Park in Maine. Colors in Acadia usually peak around mid-October, which roughly coincided with my trip and I found the foliage in good shape: either peaking or just past peak. Moreover, the forecast called for cloudy skies and occasional rain with breaks both in morning and evenings, which meant I can photograph all day: golden light at the fringes and soft, overcast light in between. My equipment was a Nikon D610 and a Nikon F100 (loaded with Velvia 50) along with the a host of Nikkor lenses (with polarizers): Nikon 24mm f/2.8 AI, Nikon 24-120 f/4G VR, Nikon 18-35mm, Nikon 50mm f/1.2 AIs, Nikon 85mm f/1.8G and Nikon 70-200mm f/4G VR.
[Read more……]
Which To Upgrade? Gear Or Skill?
1 Emerald Lake Alaska
You must forgive my ramblings on this age-old debate. And for many of us, it may seem like the chicken and egg quandary. Should I get a better camera to make me a better photographer? Or has my skill evolved to the point whether I need a better camera to fully realise my potential? If someone hands me an airplane do I automatically become a pilot? Or do I need to go to flight school first?
[Read more…]
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Cartoon Osterbrun1076
Help collecting!
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Rating community:
(11 Ratings: 0-0-0-0-6-5 4.5 - 2847 Views)
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Rate this work: bad super
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Trumix - 20.04.11 20:22
Prima Idee.
Aaron - 20.04.11 16:33
Echt gut, wirklich.
tommes - 11.04.10 22:18
Geiler Gag!!!
Wolfgang - 06.04.10 17:47
das ja ma ne "übsche" idee
RainerUnsinn - 06.04.10 10:32
@Ron: Tja, der hat wahrscheinlich gerade die Rühreier vom letzten Jahr entdeckt...
Ron (toonsUp admin) - 06.04.10 10:06
Klasse Idee!
Und dann hilft es dem Hotel noch zu sparen!
Gut gelungen ist auch die Kopfdrehung von dem Typ vorne!
Discover thousands of comics and cartoons
on the comic community toonsUp!
Quickly go to toonsUp start page!
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Good Art is What You Like
By, Justin Ayars and Yasir Afzal
HOT Bus-Sisley.jpeg
Leesburg is a historic town nestled in Loudoun County. In the past two decades, the town’s population has grown from 17,000 to over 51,000. The affluence of Loudoun County, together with the region’s community of talented local artists, led long-time Leesburg resident, Jim Sisley, to see a unique opportunity. Jim wanted to tap into the region’s competitive real estate market and, concurrently, create a space where local artists could come together and showcase their work under one roof. The resulting enterprise that emerged was Tryst Gallery. “Tryst Gallery is built on the back of needing to be more competitive in the real estate business,” Jim explained. “We have a tech incubator for companies that want to be federal contractors. We also rent out office space. I built this space to emulate an art gallery because I’m a visual artist and I have a lot of paintings that I wanted to hang and try to sell.” Roughly 35% of Jim’s business centers around the art gallery.
Since Jim’s business is housed within an art gallery, he hired Lisa Strout, a 3D artist, as the gallery’s manager. Jim has known Lisa for four years and has always been impressed with her ceramic work. After managing the gallery for 18 months, Lisa encouraged Jim to reach out to local artists and have them display their works alongside his own. Jim instantly took to the idea because he had long felt that Leesburg lacked sufficient gallery and studio space for the region’s burgeoning artistic community.
This past June, Jim and Lisa hosted an artist party, which officially announced Tryst Gallery to the community. About 50-60 visual artists attended, all of whom were thoroughly impressed with the space. After the party, Jim and Lisa put out an art call to over 350 artists in Virginia, D.C. and Maryland. Jim and Lisa are “medium agnostic,” meaning they do not care what type of art is submitted, so long as it is quality work and can be hung on the wall. Of the over 100 submissions they received, Jim and Lisa selected about 70 pieces for their first 60-day art show (the duo plans to host six 60-day shows each year). On Friday, August 5th, during one of Leesburg’s famous “First Fridays,” Tryst Gallery hosted its inaugural show. Over 140 people attended and the gallery sold six paintings! Some local artists burst into tears when they sold their first work. The third 60-day show, which will be called 12th Night, will debut on December 2nd.
Tryst Pic 2.jpeg
Beyond the tears of joy and sense of community that Tryst Gallery provides for local artists, there is a strong commercial element. “The job of an art gallery is to introduce artists’ works to the buying public,” Jim explained. “The great unknown is how do you directly communicate with art buyers and get them to spend their hard-earned money on the art we display.” Unlike other galleries, Jim feels that Tryst Gallery has a bit of an advantage on this front. Its unique space is “a convergence of business, high net worth people, educational seminars and public events that, we hope, will encourage the buying community to step up in a more active way.”
Describing Lisa as “a fire-starter in her ideas,” Jim credits her with taking the mission of Tryst Gallery beyond Leesburg. Lisa is working with Visit Loudoun “to incorporate all the surrounding towns to contribute to a Virginia Artisan Trails Network.” The network will function as an agency that will promote all its members. “Its purpose,” Jim explained, will be to get “artists from across the county who work in a variety of mediums—3D, 2D, writers, culinary arts, viticulture, craft brew—together as a group and produce a map” for the Virginia Tourism Commission. Lisa will be the “Trailboss” for this project. After blushing somewhat, Lisa commented, “Art, in general, is pretty lonely work; it’s a singular effort. Very few partnerships exist.” Expounding on this fact, Jim commented, “There is a green-eyed dynamic” when it comes to artists looking around and feeling that the market can’t support them. “We want to undo that.” Lisa echoed Jim’s sentiments, “The goal is to get the community to work together and realize the benefits of collaboration. A rising tide lifts all ships.” Given its location within Leesburg’s Arts and Cultural District, Tryst Gallery has the potential to become a unique community hub where art, commerce and education intersect in a way that will benefit artists, art lovers and the local economy.
Importantly, Jim noted, Tryst Gallery is not based upon the current gallery model that most cities use. “People are used to seeing a huge open room that 300 people can be in. Everyone in the room is either facing the wall where the art is, the bar where the wine is or their friend who they came with. Tryst Gallery does not provide that sort of experience.” Instead, the gallery is uniquely intimate. Rather than being 20 feet from a piece of art, “you’re—at most—two feet away from the art at any given moment.” That creates an entirely different experience for the viewer and, frankly, for the artist. Moreover, the gallery is highly approachable, even for people who know nothing about art. Jim explained, “We speak English here, not fancy art talk. In the vast gulf between trying to display local art and what ‘experts’ say good art is, there is a fabulous amount of locally created art that the public deserves to see.”
So, what exactly is “good” art? With a big smile across his face, Jim replied, “Good art is what you like and, if you like it enough, it should go home with you.”
Tryst Gallery is located at:
312 East Market Street
Suite F
Leesburg, VA 20176
http://www.trystgallery.com/
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The postwar public art that became a symbol of the British modernist dream
Victor Pasmore’s 1969 Grade II*-listed sculpture/bridge for Peterlee new town, County Durham, was designed as a ‘purely abstract form through which to walk, in which to linger and on which to play’. The Apollo Pavilion’s intersecting cast concrete planes epitomised the modernist dream of a pristine villa in a landscape.
(Image credit: Simon Phipps)
It’s not hard to determine where fine art photographer Simon Phipps’ expertise lies. With previous publications entitled Brutal London, Finding Brutalism and even a Brutalist London map under his belt, one could say his subject is somewhat cast in concrete. For his latest book, Concrete Poetry, Phipps has diverted his discerning lens towards prominent postwar public art and sculpture across the UK.
In the aftermath of the Second World War, Britain began rebuilding its fractured, rubble-ridden urban landscape and reestablishing societal morale. The hope of a new breed of citizen emerged, one that was community-minded, liberal and embraced the largely uncharted territory of communal living spaces.
This was a municipal renaissance: 27 new towns sprung up across the British Isles and existing city centres were revived and remodelled. With it came an era in which the function of publicly owned art came to the fore as symbols of creative democracy, emblems of Britain in the midst of progression and in the Phipps’ words, totems for ‘shared social experiences’.
Marking the first photographic examination of modernist sculpture within a brutalist context, the book both rejoices in and laments for work commissioned and created during this period, much of which has since been lost, vandalised or destroyed entirely. ‘Many of these works have a sense of “rightness” in their location,’ Phipps reflects in his introduction, ‘a feeling of belonging that can sometimes mean a certain invisibility, often as a result of a normality engendered over time.’
The author visually dissects the role of this sculptural revolution and in turn, recognises the tangible impact of these offerings on the wider socio-political landscape. From County Durham to Glasgow, down to Leicestershire and West to Cardiff, the author traces a broad litany of work found in the nooks and crannies of urban and suburban Britain. These include British-German designer Bernard Schottlander’s vibrant 2MS Series No. 4 (1970), a quartet of chromatically vibrant structures sliced at sharp angles in situ in the Fred Roche Gardens in Phipps’ native Milton Keynes.
With an untitled work in 1968, British architect Peter Womersley foreshadowed the impending postmodernist era with his linear geometry fused with semi-circular motifs. This was commissioned for the world’s first purpose-built organ transplantation unit, documented by Phipps in Edinburgh’s Western General Hospital.
Three Obliques (Walk-In) is a 1968 work by British sculptural doyenne Barbara Hepworth for Cardiff University’s School of Music. The artist deploys her signature ‘pierced forms’ in this this harmonious trio of bronze slabs – a structure that demands active engagement, or as Hepworth herself artfully advised, ‘You can’t look at a sculpture if you are going to stand stiff as a ramrod and stare at it.’
Phipps has compiled yet another weighty tome deeper than aesthetics and broader than brutalism. One thing Concrete Poetry resoundingly reaffirms is that brutalist sculpture continues to be as divisive as it is entrenched in the familiar landscape of postwar Britain.
Declaration, 1961, by Phillip King. Beaumanor Hall, Beaumanor Drive, Woodhouse, Loughborough. Listed, Grade II
Declaration marks a point in both King’s artistic development and that of modern British sculpture. One of the first non-figurative works King produced, it has been proposed as the first instance of a British sculptural composition based on repetition of non-organic forms. Originally cast in green cement (the colour now eroded), it was purchased by Leicester Education Authority and installed at Stonehill High School. In the 1990s it was moved to Beaumanor Hall, which the county council runs as a conference venue.
Three Obliques (Walk-In), 1968, by Barbara Hepworth. School of Music, Cardiff University, Corbett Road, Cardiff. Unlisted
Contrary to her usual practice, Hepworth made a small-scale version of Three Obliques, to be cast in bronze, before working it as a monumental piece. As such, it deliberately invites an active engagement – ‘you can’t look at a sculpture if you are going to stand stiff as a ramrod and stare at it,’ Hepworth urged, ‘you must walk around it, bend toward it, touch it and walk away from it.’
Concrete Sculpture, 1976-77, by Charles Anderson. Bannerman High School, Baillieson, Glasgow. Unlisted
Details of the commissioning of this work by Charles Anderson are not known. Twin blocks of in situ cast concrete, one lying horizontal and one upright, feature the swirling circular motifs that can be seen in other sculptural relief works by Anderson. It stands at the entrance to Bannerman High School and, like many public artworks of its kind, seems to have become absorbed into the anonymous landscape of the school. ‘I don’t really notice it at all,’ remarked one member of staff.
2MS Series No. 4, 1970, by Bernard Schottlander. Fred Roche Gardens, Silbury Boulevard, Milton Keynes. Listed, Grade II
The Milton Keynes Development Corporation’s ambitious commissioning programme has gifted the new town with over 200 public artworks. After Schottlander’s 1972 solo show in London, the corporation purchased four of his sculptures. Possessed of a buoyant pop sensibility, these monumental works in painted welded steel were originally installed in the grounds of the corporation’s Wavendon Tower headquarters, but in 1983 were distributed around the city. 2MS Series No. 4, a quartet of orthogonal elements sliced at an angle, stands with two other Schottlander sculptures in Fred Roche Gardens.
Extrapolation, 1982, by Liliane Lijn. Library of East Anglia University, Norwich. Unlisted
Extrapolation was the winning sculpture of the Norwich Triennial Festival Sculpture Competition in 1982. The brief was to design a sculpture for the inner courtyard of the Norwich Central Library. Lijn played with the idea of layers or leaves as in the pages of a book. In 1992, the sculpture was re-sited in a garden in front of the Grade II-listed Library of East Anglia University.
Nuffield Transplantation Surgery Unit, 1968, by Peter Womersley. Western General Hospital, Edinburgh. Unlisted
Womersley may well be one of brutalism’s best-kept secrets. His charismatic design for the world’s first purpose-built organ transplantation unit lends emphatic presence to a pioneering medical establishment and embodies the platonic geometries and uncompromising technical rigour of high modernism. At the same time, this profoundly sculptural concrete structure has a mannerist quality that seems almost to hint at a postmodernism yet to come.
Kingsway Tunnel Vents, 1971, by Edmund Nuttall Ltd. Liverpool. Unlisted
Designed to relieve congestion in the existing Birkenhead and Queensway tunnels beneath the Mersey, the Kingsway Tunnel was constructed by Liverpool civil engineers Edmund Nuttall Ltd (the firm responsible the Liver Building), and opened in 1971. The ventilation shafts standing on either bank of the Mersey are a forceful expression of technological achievement, positively flamboyant in their uncompromising modernity. Unconscious, possibly, but they also hint at the profile of city’s other ‘Mersey Funnel’, the Metropolitan Cathedral.
Avila, 1975, by Bryan Kneale. Bosworth Academy, Leicester Lane, Desford, Leicestershire. Unlisted
Kneale was the first abstract sculptor to be elected to the Royal Academy, an honour he refused to accept unless the institution staged a show of contemporary British sculpture. The resulting landmark exhibition, ‘British Sculptors ‘72’, showcased the work of Eduardo Paolozzi, Phillip King, Geoffrey Clarke and others. Avila, formed from tubular and flat steel elements, braced against each other, and painted blue, mustard and purple, stands in front of the former community college, now an academy specialising in sport.
Callanish, 1974, by Gerald Laing. Wolfson Centre, University of Strathclyde, Glasgow. Unlisted
Often (erroneously) referred to as ‘Steelhenge’, Callanish in fact references the standing stones of the Western Isles and was designed, the artist noted, ‘to remind the scientifically orientated student that there is a place for the contemplative – and the art student that art must make use of modern scientific materials and scales to remain relevant’. This ring of Corten steel elements, rising stark and sheer from a lawn, was jointly funded by the University of Strathclyde and the Scottish Arts Council.
Concrete Poetry: Post-War Modernist Public Art, £20, published by September Publishing. For more information, visit Simon Phipps’ website
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
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This book contains step-by-step instructions for creating a family tree and searching for information. The birds on this family infinity tattoo make it more meaningful. read more, REAL ESTATE PHOTOGRAPHY TIPS FOR BEGINNERS. Sharing and organizing this information can be a lot of fun! Personally, I enjoy having an outfit in the mix that has all the colors in it. 23. Put toilet paper rolls on the stick and hang the ends on the chairs (or let family members hold it). Many excellent family photo ideas can be easily implemented right in your kitchen. All this will help get a more cohesive feel on the shots. Have the children: Paint a background on the inside of it. 2.) Faith and Family (3 of 4) by Jeff Strite. FAMILY SERMON OUTLINES. See them all here! Then, have each immediate family take their own picture using the timer on their cameras. Explore the beautiful family room photo gallery and find out exactly why Houzz is the best experience for home renovation and design. Think the old-fashioned family portrait is getting stale? Here is the list of dos and don'ts for the final outfit. I guarantee you will like the photos. Go for a simple walk with your beloved people and autumn itself will offer you the best family photo shoot idea. Thatâs why family photography is an amazing addition to your online photography portfolio; youâll never run out of business. 0 votes. Parents and Family. Ideas for family portraits come in all shapes and sizes. Nowadays teepees are widely used so it wouldn’t be a problem to find them or even make one yourself. Like to throw snowballs, make a white snowman with your kids, or sit in the blankets in front of the fireplace? Ask your committee heads and members to keep a list of their ideas and have regular communication to share ideas with everyone. Huge array of family room furniture, styles, color schemes, layouts and amenities. a. farmers. Family Portrait Clothing Ideas. La propriété background-color se définit grâce à une valeur de type . Play in golden leaves, look at wonderful sunsets , and enjoy fall together with your relatives. Balloons are surely a nice choice among ideas for family photo. It is suitable for dark shots and it enhances tonality. In order to make your pictures even cuter, use these family portrait ideas to take awesome photos at your family’s home or at the studio. Throw a dance party: Put on some music and have the family show off their best dance moves. Family Titles Ideas for Scrapbook Layouts and Cards "Angel Poses and Runny Noses" "Because being together is enough" "Family Blessings" "JUST US RELATIVES" 'Ohana means family (Heart) My Guys 20% Grandpa+ 20% Grandma+ 20% me +20% Aunty+ 20% buba= 100% family 3 Became 4 4-Legged Family Members 50% Mommy + 50% Daddy = 100% Perfect! A. Go natural Artful Heart Photography . Let your kids search for eggs, add some interesting props like chocolate bunnies, colorful baskets, interesting hats for children and implement another unique family photo idea. Include the pet if the child has one. Limit patterns. It’s actually not important whether you are going to use them or not, for they will just create a special atmosphere. Potential clients that see these shots in your portfolio will know you can manage a family photoshoot while letting those special moments happen. Formal outfits can add some uniqueness to your family Christmas photo shoot ideas. (Check out this guide for everything you need to promote and market your portrait photography business! Most people choose holidays to implement family photo ideas in studio. Take the stairs: Try shooting the family on a set of stairs. Moreover, such an item can make any space look more extraordinary and exciting. Inform them beforehand, if you want them to be in formals or in traditional attires. Make them comfortable: Shoot at the familyâs home or one of their favorite places. Make the baby the center of attention: If the family has a newborn, try putting the baby near the center and having the rest of the family focus their attention on the baby. Once you have your portrait website up, you can use it to find more family photography clients. Apply it to make shots implementing family portrait ideas look better. To get candid family photos, youâll have to find ways to put the family at ease and let them act naturally. It will help put them at ease and offer many photo opportunities, such as getting the family to show off the things they like to do together. Just choose a few colors you like best and add some interesting textured clothing items. Group couples: If your portrait is going to include extended family, try grouping couples and immediate family members together. The pumpkin is the special attribute of every autumn. Around f/11 or so is a good rule of thumb. Some of the accessories you should consider picking up include: But when youâre ready to invest in some new equipment, check out our guides on the best cameras and best lenses for portrait photography. Here are some ideas for family photo settings. Get inspired by these maternity picture ideas that put your bump front and center. Start celebrating the most wonderful time of year—even if it's just virtually—with these 10 holiday Zoom backgrounds. A beautiful autumn apple orchard will fill your photos with sweetness and love. Tree Sunset Amazing. Avoid Using Big Logos and Diverting Patterns. Nov 22, 2020 - Ideas and Inspiration for Custom Family Tree Art. As a result, you'll get perfect colors. Add some props to emphasize the beauty of autumn. Pay tribute to your favorite rock-n’-roll band Simplicity Photography . Secret handshakes have been used by groups for millennia to distinguish members and non-members. Moreover, you don’t need to come up with inconvenient poses. The street will provide even more space for fun family photo ideas. Architecture keeps the memories through the ages. You will see how it can help understand what item looks great and which one must be replaced. It can also refer to such things as your social and racial origins, your financial status, or the type of work experience that you have. If you want to feel the magic power of winter, give preference to spontaneous photos under the white snowflakes. There is nothing to be ashamed of! One of the most popular family photos ideas is incorporating a chalkboard. Family Portrait Clothing Ideas. There are a great deal of postures that can be done at the coastline between the sand, the water, and also the rocks. Capture this process and these sweet memories will be with you forever. Discover inspiring ideas that will make your family photos and artwork stand out. silhouette of tree near body of water during beautiful sunset. If you can get good at that, youâre sure to get plenty of repeat clients and referrals. Want to feel the energy of summer love? Hi there, I'm Ann Young - a professional blogger, Actually, there are more options to achieve such a result. Milky Way Starry Sky. Taking photographs with your little best friends on the winter street can probably be one of the best family picture themes. Cornfields are a great option for a family photo shoot, not only in the autumn but also in the summer. Here are some ideas on how to use clothing to make your family portraits more attractive and interesting. After you interview your family,what you learn may influence So our roots and origin is one of the most important things to explore. The same option can be used for the child Christmas photo ideas. Funny grins and lovely smiles are guaranteed. Take a camera and realize these crazy and cute family portrait ideas. Turn your memories into an artful photo display. 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Welcome from Bren; The Story of Ink & Brayer
Welcome from Bren; The Story of Ink & Brayer
Kia ora and welcome to Ink & Brayer!
Bren Sutton - Ink & BrayerHi I'm Bren - a designer based in Auckland, New Zealand. It’s been a month since I launched Ink & Brayer, so this welcome is well overdue! But here I am finally, to introduce myself, and to share the story of how Ink & Brayer came to be. Thanks so much for joining me here.
Like so many people, my life turned upside down last year with COVID, but I had a double-whammy to contend with. Just weeks before the first COVID lockdown in New Zealand, my husband Mike was diagnosed with cancer and required major surgery. His odds were not good and he became extremely unwell, very quickly. At that time I was working as a product designer and illustrator for a large NZ souvenir company. The demand for souvenirs plummeted due to the borders closing, so although I was saddened about my job being under threat, the timing wasn’t all bad because I had to focus on my family and to help Mike get through the battle of his life.
Couple Bren and Mike together during Covid lockdown, just after Mike's cancer diagnosis
Image: Me and Mike early in lockdown, just before Mike's health took a downhill plunge. (Notice the dog soft-toy in the window -remember the cute ‘teddy bear in the window phase? How cool on those walks with the kids!)
Mike pulled through his most critical challenge – a liver resection. But his health was still uncertain , appointments were daily, and souvenirs were still not a thing. And Mike could no longer drive. So I needed to create a business that I could work on in flexible hours, sometimes from Mike’s bedside in hospital, and often in waiting rooms. Ink & Brayer was my solution. I set about building a website, but not having a clear vision of what it should be. It wasn’t until I attempted to summarise my creative personality in just a few words that it became clear to me. Print, Pattern, Passion!
I’ve always dreamed of having my own creative business. It was in my thoughts, but not in my plans. COVID made it a necessity, and I am grateful that something so exciting for me has come out of such a difficult time.
Bren Sutton and Pippa Fay's illustartions mocked up on an apartment wall, along with the sun and plants the room looks like a very happy place
Ink & Brayer is a reflection of everything I love and all the passions and interests in my life. I genuinely love everything I choose for the store. The aesthetic is print and pattern based, with strong illustrative content. It all makes sense when you know my background and who I am as a person.
I was trained in traditional hand-drawn animation and worked for years with Walt Disney Australia. There I discovered a passion for the organic shapes and textures in nature through drawing special effects, and also learnt to see and appreciate strong geometric shapes in drawing. I fell in love at Disney too - with Mike - a fellow kiwi, and we came home together to NZ.
Mike and I started a family, and I worked in several different roles while our children were small, my favourite being surface pattern design. My passion for pattern and colour was ignited!
NZ artist Bren Sutton in her Auckland studio holding some of her illustrations and art prints
Pattern and textiles are now a part of who I am. Art and illustration always was. Printmaking is a new love but has always appealed - I’m particularly drawn to a Japanese aesthetic and I adore wood block and linocut art. Photography has become my almost daily mindfulness practice, mostly just with my iPhone. And so there you have Ink & Brayer - a curation of all my creative passions; but not just my art, because when I fall in love with something, when I get hit with that magical excitement and energy that comes from uplifting design and colour, I have to share it! I want you to feel joy too – to be energised and uplifted by beautiful pattern and colour. There is so much to share. I hope that I can create a space here that you will enjoy visiting – not just to shop, but to feel excited and inspired, a place that makes you want to create too.
I’m just getting started, there is so much to come; please join me on this journey and share your thoughts, your passions, your suggestions. Tell me who your favourite artists are, what makes you happy. I’d love to hear from you.
Have a great day,
Bren X
Oh, and btw, we received great news about Mike’s health last week. Things are looking up!
(AND, because I know you are wondering, a brayer is the roller a printmaker uses to roll out ink.)
Image below: Me working on an illustration in my home studio, early in my surface pattern design career
Artist Bren Sutton working on an illustration
Image: My vibrant pinboard in the years when I first fell in love with pattern and colour
The vibrant pinboard in Bren's studio when she first fell in love with pattern and colour
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Drink and draw
Mar 21, 2023 6:30 PM - 9:30 PM
Rockwell gallery & Wiggins bar
Open to the public
Limited seating, up to 25 people
$25 | General admission
$20 | Salmagundi members with promo code
Salmagundi members will receive their promo code via email for the discounted price. The promo code may also be requested by emailing info@salmagundi.org
Ticket includes drawing session and 1 drink ticket.
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About the Event
Join us for Salmagundi’s oldest tradition: life drawing at the Salmagundi bar in New York’s home for realism!
Gather with artists and friends at Salmagundi’s Wiggins Bar with a figure drawing session. There will be a live female model with 20 minute to 1 hour poses. Posing sessions will be from 6:30 PM – 9:30 PM in the Rockwell Gallery. The bar will remain open until 10:00 PM.
Please bring drawing materials only.
A few easels will be available, on a first come first serve basis.
Ticket includes session and 1 drink of your choice at the bar.
Model: Aubrey Zich
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in Data Studio
Dolma 3 Sample: 150B Mix
Dataset Sources
Sample of data for 1Bx5C and 7Bx1B. For the full Dolma 3 pool, see: https://huggingface.co/datasets/allenai/dolma3
| Name | Tokens | Documents | License |
|---|---|---|---|
| Common Crawl | 118.8B | 9.67B | ODC-BY |
| olmOCR Science PDFs | 18.2B | 101M | ODC-BY |
| StackEdu (Rebalanced) | 11.0B | 167M | ODC-BY |
| FineMath 3+ | 4.0B | 21.4M | ODC-BY |
| arXiv | 1.3B | 3.95M | ODC-BY |
| Wikipedia & Wikibooks | 63.5M | 6.67M | ODC-BY |
| Total | 153.3B | 10.0B |
Licensing Information
Dolma 3 is licensed under the Open Data Commons Attribution License v1.0 (ODC-By). It is intended for research and educational use. For more information, please see our Responsible Use Guidelines.
Citation
A technical manuscript is forthcoming! Find the paper at: https://allenai.org/papers/olmo3
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