bookbot/wav2vec2-ljspeech-gruut
Automatic Speech Recognition
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1.31k
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13
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stringlengths 10
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audioduration (s) 1.11
10.1
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stringlengths 174
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stringlengths 5
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LJ001-0001 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0001.wav | Printing, in the only sense with which we are at present concerned, differs from most if not from all the arts and crafts represented in the Exhibition | Printing, in the only sense with which we are at present concerned, differs from most if not from all the arts and crafts represented in the Exhibition | p ɹ ˈɪ n t ɪ ŋ , ˈɪ n ð ə ˈoʊ n l i s ˈɛ n s w ˈɪ θ w ˈɪ t͡ʃ w ˈi ˈɑ ɹ ˈæ t p ɹ ˈɛ z ə n t k ə n s ˈɚ n d , d ˈɪ f ɚ z f ɹ ˈʌ m m ˈoʊ s t ˈɪ f n ˈɑ t f ɹ ˈʌ m ˈɔ l ð ə ˈɑ ɹ t s ˈæ n d k ɹ ˈæ f t s ɹ ˌɛ p ɹ ɪ z ˈɛ n t ɪ d ˈɪ n ð ə ˌɛ k s ɪ b ˈɪ ʃ ə n |
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LJ001-0002 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0002.wav | in being comparatively modern. | in being comparatively modern. | ˈɪ n b ˈi ɪ ŋ k ə m p ˈɛ ɹ ɪ t ɪ v l i m ˈɑ d ɚ n . |
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LJ001-0003 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0003.wav | For although the Chinese took impressions from wood blocks engraved in relief for centuries before the woodcutters of the Netherlands, by a similar process | For although the Chinese took impressions from wood blocks engraved in relief for centuries before the woodcutters of the Netherlands, by a similar process | f ɚ ɔ l ð ˈoʊ ð ə t͡ʃ aɪ n ˈi z t ˈʊ k ɪ m p ɹ ˈɛ ʃ ə n z f ɹ ˈʌ m w ˈʊ d b l ˈɑ k s ɪ ŋ ɡ ɹ ˈeɪ v d ˈɪ n ɹ ɪ l ˈi f f ɚ s ˈɛ n t͡ʃ ɚ i z b ɪ f ˈɔ ɹ ð ə w ˈʊ d k ˌʌ t ɚ z ə v ð ə n ˈɛ ð ɚ l ə n d z , b ˈaɪ ə s ˈɪ m ɪ l ɚ p ɹ ˈɑ s ˌɛ s |
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LJ001-0004 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0004.wav | produced the block books, which were the immediate predecessors of the true printed book, | produced the block books, which were the immediate predecessors of the true printed book, | p ɹ ə d ˈu s t ð ə b l ˈɑ k b ˈʊ k s , w ˈɪ t͡ʃ w ɚ ð ə ɪ m ˈi d i ɪ t p ɹ ˈɛ d ə s ˌɛ s ɚ z ə v ð ə t ɹ ˈu p ɹ ˈɪ n t ɪ d b ˈʊ k , |
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LJ001-0005 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0005.wav | the invention of movable metal letters in the middle of the fifteenth century may justly be considered as the invention of the art of printing. | the invention of movable metal letters in the middle of the fifteenth century may justly be considered as the invention of the art of printing. | ð ə ɪ n v ˈɛ n ʃ ə n ə v m ˈu v ə b ə l m ˈɛ t ə l l ˈɛ t ɚ z ˈɪ n ð ə m ˈɪ d ə l ə v ð ə f ɪ f t ˈi n θ s ˈɛ n t͡ʃ ɚ i m ˈeɪ d͡ʒ ˈʌ s t l i b ˈi k ə n s ˈɪ d ɚ d ˈæ z ð ə ɪ n v ˈɛ n ʃ ə n ə v ð ə ˈɑ ɹ t ə v p ɹ ˈɪ n t ɪ ŋ . |
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LJ001-0006 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0006.wav | And it is worth mention in passing that, as an example of fine typography, | And it is worth mention in passing that, as an example of fine typography, | ˈæ n d ˈɪ t ˈɪ z w ˈɚ θ m ˈɛ n ʃ ə n ˈɪ n p ˈæ s ɪ ŋ ð ˈæ t , ˈæ z ə n ɪ ɡ z ˈæ m p ə l ə v f ˈaɪ n t ə p ˈɑ ɡ ɹ ə f i , |
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LJ001-0007 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0007.wav | the earliest book printed with movable types, the Gutenberg, or "forty-two line Bible" of about 1455, | the earliest book printed with movable types, the Gutenberg, or "forty-two line Bible" of about fourteen fifty-five, | ð ə ˈɚ l i ɪ s t b ˈʊ k p ɹ ˈɪ n t ɪ d w ˈɪ θ m ˈu v ə b ə l t ˈaɪ p s , ð ə ɡ ˈu t ə n b ɚ ɡ , ˈɔ ɹ f ˈɔ ɹ t i t ˈu l ˈaɪ n b ˈaɪ b ə l ə v ə b ˈaʊ t f ˌɔ ɹ t ˈi n f ˈɪ f t i f ˈaɪ v , |
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LJ001-0008 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0008.wav | has never been surpassed. | has never been surpassed. | h ˈæ z n ˈɛ v ɚ b ˈɪ n s ɚ p ˈæ s t . |
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LJ001-0009 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0009.wav | Printing, then, for our purpose, may be considered as the art of making books by means of movable types. | Printing, then, for our purpose, may be considered as the art of making books by means of movable types. | p ɹ ˈɪ n t ɪ ŋ , ð ˈɛ n , f ɚ ˈaʊ ɚ p ˈɚ p ə s , m ˈeɪ b ˈi k ə n s ˈɪ d ɚ d ˈæ z ð ə ˈɑ ɹ t ə v m ˈeɪ k ɪ ŋ b ˈʊ k s b ˈaɪ m ˈi n z ə v m ˈu v ə b ə l t ˈaɪ p s . |
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LJ001-0010 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0010.wav | Now, as all books not primarily intended as picture-books consist principally of types composed to form letterpress, | Now, as all books not primarily intended as picture-books consist principally of types composed to form letterpress, | n ˈaʊ , ˈæ z ˈɔ l b ˈʊ k s n ˈɑ t p ɹ aɪ m ˈɛ ɹ ə l i ɪ n t ˈɛ n d ɪ d ˈæ z p ˈɪ k t͡ʃ ɚ b ˈʊ k s k ə n s ˈɪ s t p ɹ ˈɪ n s ɪ p l i ə v t ˈaɪ p s k ə m p ˈoʊ z d t ə f ˈɔ ɹ m l ˈɛ t ɚ p ɹ ˌɛ s , |
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LJ001-0011 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0011.wav | it is of the first importance that the letter used should be fine in form; | it is of the first importance that the letter used should be fine in form; | ˈɪ t ˈɪ z ə v ð ə f ˈɚ s t ɪ m p ˈɔ ɹ t ə n s ð ˈæ t ð ə l ˈɛ t ɚ j ˈu s t ʃ ˈʊ d b ˈi f ˈaɪ n ˈɪ n f ˈɔ ɹ m ; |
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LJ001-0012 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0012.wav | especially as no more time is occupied, or cost incurred, in casting, setting, or printing beautiful letters | especially as no more time is occupied, or cost incurred, in casting, setting, or printing beautiful letters | ɪ s p ˈɛ ʃ l i ˈæ z n ˈoʊ m ˈɔ ɹ t ˈaɪ m ˈɪ z ˈɑ k j ə p ˌaɪ d , ˈɔ ɹ k ˈɔ s t ɪ ŋ k ˈɚ d , ˈɪ n k ˈæ s t ɪ ŋ , s ˈɛ t ɪ ŋ , ˈɔ ɹ p ɹ ˈɪ n t ɪ ŋ b j ˈu t ɪ f ə l l ˈɛ t ɚ z |
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LJ001-0013 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0013.wav | than in the same operations with ugly ones. | than in the same operations with ugly ones. | ð ə n ˈɪ n ð ə s ˈeɪ m ˌɑ p ɚ ˈeɪ ʃ ə n z w ˈɪ θ ˈʌ ɡ l i w ˈʌ n z . |
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LJ001-0014 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0014.wav | And it was a matter of course that in the Middle Ages, when the craftsmen took care that beautiful form should always be a part of their productions whatever they were, | And it was a matter of course that in the Middle Ages, when the craftsmen took care that beautiful form should always be a part of their productions whatever they were, | ˈæ n d ˈɪ t w ə z ə m ˈæ t ɚ ə v k ˈɔ ɹ s ð ˈæ t ˈɪ n ð ə m ˈɪ d ə l ˈeɪ d͡ʒ ɪ z , w ˈɛ n ð ə k ɹ ˈæ f t s m ɛ n t ˈʊ k k ˈɛ ɹ ð ˈæ t b j ˈu t ɪ f ə l f ˈɔ ɹ m ʃ ˈʊ d ˈɔ l w ˌeɪ z b ˈi ə p ˈɑ ɹ t ə v ð ˈɛ ɹ p ɹ ə d ˈʌ k ʃ ə n z w ˌʌ t ˈɛ v ɚ ð ˈeɪ w ɚ , |
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LJ001-0015 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0015.wav | the forms of printed letters should be beautiful, and that their arrangement on the page should be reasonable and a help to the shapeliness of the letters themselves. | the forms of printed letters should be beautiful, and that their arrangement on the page should be reasonable and a help to the shapeliness of the letters themselves. | ð ə f ˈɔ ɹ m z ə v p ɹ ˈɪ n t ɪ d l ˈɛ t ɚ z ʃ ˈʊ d b ˈi b j ˈu t ɪ f ə l , ˈæ n d ð ˈæ t ð ˈɛ ɹ ɚ ˈeɪ n d͡ʒ m ə n t ˈɔ n ð ə p ˈeɪ d͡ʒ ʃ ˈʊ d b ˈi ɹ ˈi z n ə b ə l ˈæ n d ə h ˈɛ l p t ə ð ə ʃ ˈæ p l ɪ n s ə v ð ə l ˈɛ t ɚ z ð ə m s ˈɛ l v z . |
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LJ001-0016 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0016.wav | The Middle Ages brought calligraphy to perfection, and it was natural therefore | The Middle Ages brought calligraphy to perfection, and it was natural therefore | ð ə m ˈɪ d ə l ˈeɪ d͡ʒ ɪ z b ɹ ˈɔ t k ə l ˈɪ ɡ ɹ ə f i t ə p ɚ f ˈɛ k ʃ ə n , ˈæ n d ˈɪ t w ə z n ˈæ t͡ʃ ɚ ə l ð ˈɛ ɹ f ˌɔ ɹ |
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LJ001-0017 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0017.wav | that the forms of printed letters should follow more or less closely those of the written character, and they followed them very closely. | that the forms of printed letters should follow more or less closely those of the written character, and they followed them very closely. | ð ˈæ t ð ə f ˈɔ ɹ m z ə v p ɹ ˈɪ n t ɪ d l ˈɛ t ɚ z ʃ ˈʊ d f ˈɑ l oʊ m ˈɔ ɹ ˈɔ ɹ l ˈɛ s k l ˈoʊ s l i ð ˈoʊ z ə v ð ə ɹ ˈɪ t ə n k ˈɛ ɹ ɪ k t ɚ , ˈæ n d ð ˈeɪ f ˈɑ l oʊ d ð ˈɛ m v ˈɛ ɹ i k l ˈoʊ s l i . |
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LJ001-0018 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0018.wav | The first books were printed in black letter, i.e. the letter which was a Gothic development of the ancient Roman character, | The first books were printed in black letter, i.e. the letter which was a Gothic development of the ancient Roman character, | ð ə f ˈɚ s t b ˈʊ k s w ɚ p ɹ ˈɪ n t ɪ d ˈɪ n b l ˈæ k l ˈɛ t ɚ , ˈaɪ ˈi ð ə l ˈɛ t ɚ w ˈɪ t͡ʃ w ə z ə ɡ ˈɑ θ ɪ k d ɪ v ˈɛ l ə p m ə n t ə v ð ə ˈeɪ n ʃ ə n t ɹ ˈoʊ m ə n k ˈɛ ɹ ɪ k t ɚ , |
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LJ001-0019 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0019.wav | and which developed more completely and satisfactorily on the side of the "lower-case" than the capital letters; | and which developed more completely and satisfactorily on the side of the "lower-case" than the capital letters; | ˈæ n d w ˈɪ t͡ʃ d ɪ v ˈɛ l ə p t m ˈɔ ɹ k ə m p l ˈi t l i ˈæ n d s ˌæ t ɪ s f ˈæ k t ɚ ə l i ˈɔ n ð ə s ˈaɪ d ə v ð ə l ˈoʊ ɚ k ˈeɪ s ð ə n ð ə k ˈæ p ɪ t ə l l ˈɛ t ɚ z ; |
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LJ001-0020 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0020.wav | the "lower-case" being in fact invented in the early Middle Ages. | the "lower-case" being in fact invented in the early Middle Ages. | ð ə l ˈoʊ ɚ k ˈeɪ s b ˈi ɪ ŋ ˈɪ n f ˈæ k t ɪ n v ˈɛ n t ɪ d ˈɪ n ð ə ˈɚ l i m ˈɪ d ə l ˈeɪ d͡ʒ ɪ z . |
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LJ001-0021 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0021.wav | The earliest book printed with movable type, the aforesaid Gutenberg Bible, is printed in letters which are an exact imitation | The earliest book printed with movable type, the aforesaid Gutenberg Bible, is printed in letters which are an exact imitation | ð ə ˈɚ l i ɪ s t b ˈʊ k p ɹ ˈɪ n t ɪ d w ˈɪ θ m ˈu v ə b ə l t ˈaɪ p , ð ə ə f ˈɔ ɹ s ˌɛ d ɡ ˈu t ə n b ɚ ɡ b ˈaɪ b ə l , ˈɪ z p ɹ ˈɪ n t ɪ d ˈɪ n l ˈɛ t ɚ z w ˈɪ t͡ʃ ˈɑ ɹ ə n ɪ ɡ z ˈæ k t ˌɪ m ə t ˈeɪ ʃ ə n |
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LJ001-0022 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0022.wav | of the more formal ecclesiastical writing which obtained at that time; this has since been called "missal type," | of the more formal ecclesiastical writing which obtained at that time; this has since been called "missal type," | ə v ð ə m ˈɔ ɹ f ˈɔ ɹ m ə l ɪ k l ˌi z i ˈæ s t ɪ k ə l ɹ ˈaɪ t ɪ ŋ w ˈɪ t͡ʃ ə b t ˈeɪ n d ˈæ t ð ˈæ t t ˈaɪ m ; ð ˈɪ s h ˈæ z s ˈɪ n s b ˈɪ n k ˈɔ l d m ˈɪ s ə l t ˈaɪ p , |
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LJ001-0023 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0023.wav | and was in fact the kind of letter used in the many splendid missals, psalters, etc., produced by printing in the fifteenth century. | and was in fact the kind of letter used in the many splendid missals, psalters, etc., produced by printing in the fifteenth century. | ˈæ n d w ə z ˈɪ n f ˈæ k t ð ə k ˈaɪ n d ə v l ˈɛ t ɚ j ˈu s t ˈɪ n ð ə m ˈɛ n i s p l ˈɛ n d ɪ d m ˈɪ s ə l z , s ˈɔ l t ɚ z , ˌɛ t s ˈɛ t ɚ ə . , p ɹ ə d ˈu s t b ˈaɪ p ɹ ˈɪ n t ɪ ŋ ˈɪ n ð ə f ɪ f t ˈi n θ s ˈɛ n t͡ʃ ɚ i . |
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LJ001-0024 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0024.wav | But the first Bible actually dated (which also was printed at Maintz by Peter Schoeffer in the year 1462) | But the first Bible actually dated (which also was printed at Maintz by Peter Schoeffer in the year fourteen sixty-two) | b ˈʌ t ð ə f ˈɚ s t b ˈaɪ b ə l ˈæ k t͡ʃ ə l i d ˈeɪ t ɪ d w ˈɪ t͡ʃ ˈɔ l s oʊ w ə z p ɹ ˈɪ n t ɪ d ˈæ t m ˈeɪ n t s b ˈaɪ p ˈi t ɚ ʃ ˈoʊ f ɚ ˈɪ n ð ə j ˈɪ ɹ f ˌɔ ɹ t ˈi n s ˈɪ k s t i t ˈu |
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LJ001-0025 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0025.wav | imitates a much freer hand, simpler, rounder, and less spiky, and therefore far pleasanter and easier to read. | imitates a much freer hand, simpler, rounder, and less spiky, and therefore far pleasanter and easier to read. | ˈɪ m ə t ˌeɪ t s ə m ˈʌ t͡ʃ f ɹ ˈi ɚ h ˈæ n d , s ˈɪ m p l ɚ , ɹ ˈaʊ n d ɚ , ˈæ n d l ˈɛ s s p ˈaɪ k i , ˈæ n d ð ˈɛ ɹ f ˌɔ ɹ f ˈɑ ɹ p l ˈi s ə n t ɚ ˈæ n d ˈi z i ɚ t ə ɹ ˈi d . |
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LJ001-0026 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0026.wav | On the whole the type of this book may be considered the ne-plus-ultra of Gothic type, | On the whole the type of this book may be considered the ne-plus-ultra of Gothic type, | ˈɔ n ð ə h ˈoʊ l ð ə t ˈaɪ p ə v ð ˈɪ s b ˈʊ k m ˈeɪ b ˈi k ə n s ˈɪ d ɚ d ð ə n ˈeɪ p l ˈʌ s ˈʌ l t ɹ ə ə v ɡ ˈɑ θ ɪ k t ˈaɪ p , |
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LJ001-0027 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0027.wav | especially as regards the lower-case letters; and type very similar was used during the next fifteen or twenty years not only by Schoeffer, | especially as regards the lower-case letters; and type very similar was used during the next fifteen or twenty years not only by Schoeffer, | ɪ s p ˈɛ ʃ l i ˈæ z ɹ ɪ ɡ ˈɑ ɹ d z ð ə l ˈoʊ ɚ k ˈeɪ s l ˈɛ t ɚ z ; ˈæ n d t ˈaɪ p v ˈɛ ɹ i s ˈɪ m ɪ l ɚ w ə z j ˈu s t d ˈʊ ɹ ɪ ŋ ð ə n ˈɛ k s t f ɪ f t ˈi n ˈɔ ɹ t w ˈɛ n t i j ˈɪ ɹ z n ˈɑ t ˈoʊ n l i b ˈaɪ ʃ ˈoʊ f ɚ , |
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LJ001-0028 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0028.wav | but by printers in Strasburg, Basle, Paris, Lubeck, and other cities. | but by printers in Strasburg, Basle, Paris, Lubeck, and other cities. | b ˈʌ t b ˈaɪ p ɹ ˈɪ n t ɚ z ˈɪ n s t ɹ ˈæ s b ɚ ɡ , b ˈæ s ə l , p ˈɛ ɹ ɪ s , l ˈu b ˌɛ k , ˈæ n d ˈʌ ð ɚ s ˈɪ t i z . |
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LJ001-0029 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0029.wav | But though on the whole, except in Italy, Gothic letter was most often used | But though on the whole, except in Italy, Gothic letter was most often used | b ˈʌ t ð ˈoʊ ˈɔ n ð ə h ˈoʊ l , ɪ k s ˈɛ p t ˈɪ n ˈɪ t ə l i , ɡ ˈɑ θ ɪ k l ˈɛ t ɚ w ə z m ˈoʊ s t ˈɔ f t ə n j ˈu s t |
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LJ001-0030 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0030.wav | a very few years saw the birth of Roman character not only in Italy, but in Germany and France. | a very few years saw the birth of Roman character not only in Italy, but in Germany and France. | ə v ˈɛ ɹ i f j ˈu j ˈɪ ɹ z s ˈɔ ð ə b ˈɚ θ ə v ɹ ˈoʊ m ə n k ˈɛ ɹ ɪ k t ɚ n ˈɑ t ˈoʊ n l i ˈɪ n ˈɪ t ə l i , b ˈʌ t ˈɪ n d͡ʒ ˈɚ m ə n i ˈæ n d f ɹ ˈæ n s . |
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LJ001-0031 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0031.wav | In 1465 Sweynheim and Pannartz began printing in the monastery of Subiaco near Rome, | In fourteen sixty-five Sweynheim and Pannartz began printing in the monastery of Subiaco near Rome, | ˈɪ n f ˌɔ ɹ t ˈi n s ˈɪ k s t i f ˈaɪ v s w ˈaɪ n h ˌaɪ m ˈæ n d p ˈæ n ɚ t s b ɪ ɡ ˈæ n p ɹ ˈɪ n t ɪ ŋ ˈɪ n ð ə m ˈɑ n ə s t ˌɛ ɹ i ə v s ˈu b i ə k oʊ n ˈɪ ɹ ɹ ˈoʊ m , |
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LJ001-0032 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0032.wav | and used an exceedingly beautiful type, which is indeed to look at a transition between Gothic and Roman, | and used an exceedingly beautiful type, which is indeed to look at a transition between Gothic and Roman, | ˈæ n d j ˈu s t ə n ɪ k s ˈi d ɪ ŋ l i b j ˈu t ɪ f ə l t ˈaɪ p , w ˈɪ t͡ʃ ˈɪ z ɪ n d ˈi d t ə l ˈʊ k ˈæ t ə t ɹ æ n z ˈɪ ʃ ə n b ɪ t w ˈi n ɡ ˈɑ θ ɪ k ˈæ n d ɹ ˈoʊ m ə n , |
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LJ001-0033 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0033.wav | but which must certainly have come from the study of the twelfth or even the eleventh century MSS. | but which must certainly have come from the study of the twelfth or even the eleventh century MSS. | b ˈʌ t w ˈɪ t͡ʃ m ˈʌ s t s ˈɚ t ə n l i h ˈæ v k ˈʌ m f ɹ ˈʌ m ð ə s t ˈʌ d i ə v ð ə t w ˈɛ l f θ ˈɔ ɹ ˈi v ə n ð ə ɪ l ˈɛ v ə n θ s ˈɛ n t͡ʃ ɚ i ˈɛ m ˈɛ s ˈɛ s . |
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LJ001-0034 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0034.wav | They printed very few books in this type, three only; but in their very first books in Rome, beginning with the year 1468, | They printed very few books in this type, three only; but in their very first books in Rome, beginning with the year fourteen sixty-eight, | ð ˈeɪ p ɹ ˈɪ n t ɪ d v ˈɛ ɹ i f j ˈu b ˈʊ k s ˈɪ n ð ˈɪ s t ˈaɪ p , θ ɹ ˈi ˈoʊ n l i ; b ˈʌ t ˈɪ n ð ˈɛ ɹ v ˈɛ ɹ i f ˈɚ s t b ˈʊ k s ˈɪ n ɹ ˈoʊ m , b ɪ ɡ ˈɪ n ɪ ŋ w ˈɪ θ ð ə j ˈɪ ɹ f ˌɔ ɹ t ˈi n s ˈɪ k s t i ˈeɪ t , |
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LJ001-0035 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0035.wav | they discarded this for a more completely Roman and far less beautiful letter. | they discarded this for a more completely Roman and far less beautiful letter. | ð ˈeɪ d ɪ s k ˈɑ ɹ d ɪ d ð ˈɪ s f ɚ ə m ˈɔ ɹ k ə m p l ˈi t l i ɹ ˈoʊ m ə n ˈæ n d f ˈɑ ɹ l ˈɛ s b j ˈu t ɪ f ə l l ˈɛ t ɚ . |
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LJ001-0036 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0036.wav | But about the same year Mentelin at Strasburg began to print in a type which is distinctly Roman; | But about the same year Mentelin at Strasburg began to print in a type which is distinctly Roman; | b ˈʌ t ə b ˈaʊ t ð ə s ˈeɪ m j ˈɪ ɹ m ˈɛ n t ə l ə n ˈæ t s t ɹ ˈæ s b ɚ ɡ b ɪ ɡ ˈæ n t ə p ɹ ˈɪ n t ˈɪ n ə t ˈaɪ p w ˈɪ t͡ʃ ˈɪ z d ɪ s t ˈɪ ŋ k t l i ɹ ˈoʊ m ə n ; |
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LJ001-0037 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0037.wav | and the next year Gunther Zeiner at Augsburg followed suit; | and the next year Gunther Zeiner at Augsburg followed suit; | ˈæ n d ð ə n ˈɛ k s t j ˈɪ ɹ ɡ ˈʌ n θ ɚ z ˈaɪ n ɚ ˈæ t ˈɔ ɡ z b ɚ ɡ f ˈɑ l oʊ d s ˈu t ; |
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LJ001-0038 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0038.wav | while in 1470 at Paris Udalric Gering and his associates turned out the first books printed in France, also in Roman character. | while in fourteen seventy at Paris Udalric Gering and his associates turned out the first books printed in France, also in Roman character. | w ˈaɪ l ˈɪ n f ˌɔ ɹ t ˈi n s ˈɛ v ə n t i ˈæ t p ˈɛ ɹ ɪ s j ˈu d ə l ɹ ɪ k ɡ ˈɪ ɹ ɪ ŋ ˈæ n d h ˈɪ z ə s ˈoʊ ʃ i ɪ t s t ˈɚ n d ˈaʊ t ð ə f ˈɚ s t b ˈʊ k s p ɹ ˈɪ n t ɪ d ˈɪ n f ɹ ˈæ n s , ˈɔ l s oʊ ˈɪ n ɹ ˈoʊ m ə n k ˈɛ ɹ ɪ k t ɚ . |
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LJ001-0039 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0039.wav | The Roman type of all these printers is similar in character, | The Roman type of all these printers is similar in character, | ð ə ɹ ˈoʊ m ə n t ˈaɪ p ə v ˈɔ l ð ˈi z p ɹ ˈɪ n t ɚ z ˈɪ z s ˈɪ m ɪ l ɚ ˈɪ n k ˈɛ ɹ ɪ k t ɚ , |
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LJ001-0040 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0040.wav | and is very simple and legible, and unaffectedly designed for use; but it is by no means without beauty. | and is very simple and legible, and unaffectedly designed for use; but it is by no means without beauty. | ˈæ n d ˈɪ z v ˈɛ ɹ i s ˈɪ m p ə l ˈæ n d l ˈɛ d͡ʒ ə b ə l , ˈæ n d ʌ n ˈæ f ˈɛ k t ˈɛ d l i d ɪ z ˈaɪ n d f ɚ j ˈu s ; b ˈʌ t ˈɪ t ˈɪ z b ˈaɪ n ˈoʊ m ˈi n z w ɪ ð ˈaʊ t b j ˈu t i . |
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LJ001-0041 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0041.wav | It must be said that it is in no way like the transition type of Subiaco, | It must be said that it is in no way like the transition type of Subiaco, | ˈɪ t m ˈʌ s t b ˈi s ˈɛ d ð ˈæ t ˈɪ t ˈɪ z ˈɪ n n ˈoʊ w ˈeɪ l ˈaɪ k ð ə t ɹ æ n z ˈɪ ʃ ə n t ˈaɪ p ə v s ˈu b i ə k oʊ , |
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LJ001-0042 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0042.wav | and though more Roman than that, yet scarcely more like the complete Roman type of the earliest printers of Rome. | and though more Roman than that, yet scarcely more like the complete Roman type of the earliest printers of Rome. | ˈæ n d ð ˈoʊ m ˈɔ ɹ ɹ ˈoʊ m ə n ð ə n ð ˈæ t , j ˈɛ t s k ˈɛ ɹ s l i m ˈɔ ɹ l ˈaɪ k ð ə k ə m p l ˈi t ɹ ˈoʊ m ə n t ˈaɪ p ə v ð ə ˈɚ l i ɪ s t p ɹ ˈɪ n t ɚ z ə v ɹ ˈoʊ m . |
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LJ001-0043 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0043.wav | A further development of the Roman letter took place at Venice. | A further development of the Roman letter took place at Venice. | ə f ˈɚ ð ɚ d ɪ v ˈɛ l ə p m ə n t ə v ð ə ɹ ˈoʊ m ə n l ˈɛ t ɚ t ˈʊ k p l ˈeɪ s ˈæ t v ˈɛ n ɪ s . |
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LJ001-0044 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0044.wav | John of Spires and his brother Vindelin, followed by Nicholas Jenson, began to print in that city, | John of Spires and his brother Vindelin, followed by Nicholas Jenson, began to print in that city, | d͡ʒ ˈɑ n ə v s p ˈaɪ ɚ z ˈæ n d h ˈɪ z b ɹ ˈʌ ð ɚ v ˈɪ n d ə l ɪ n , f ˈɑ l oʊ d b ˈaɪ n ˈɪ k ə l ə s d͡ʒ ˈɛ n s ə n , b ɪ ɡ ˈæ n t ə p ɹ ˈɪ n t ˈɪ n ð ˈæ t s ˈɪ t i , |
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LJ001-0045 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0045.wav | 1469, 1470; | fourteen sixty-nine, fourteen seventy; | f ˌɔ ɹ t ˈi n s ˈɪ k s t i n ˈaɪ n , f ˌɔ ɹ t ˈi n s ˈɛ v ə n t i ; |
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LJ001-0046 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0046.wav | their type is on the lines of the German and French rather than of the Roman printers. | their type is on the lines of the German and French rather than of the Roman printers. | ð ˈɛ ɹ t ˈaɪ p ˈɪ z ˈɔ n ð ə l ˈaɪ n z ə v ð ə d͡ʒ ˈɚ m ə n ˈæ n d f ɹ ˈɛ n t͡ʃ ɹ ˈæ ð ɚ ð ə n ə v ð ə ɹ ˈoʊ m ə n p ɹ ˈɪ n t ɚ z . |
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LJ001-0047 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0047.wav | Of Jenson it must be said that he carried the development of Roman type as far as it can go: | Of Jenson it must be said that he carried the development of Roman type as far as it can go: | ə v d͡ʒ ˈɛ n s ə n ˈɪ t m ˈʌ s t b ˈi s ˈɛ d ð ˈæ t h ˈi k ˈɛ ɹ i d ð ə d ɪ v ˈɛ l ə p m ə n t ə v ɹ ˈoʊ m ə n t ˈaɪ p ˈæ z f ˈɑ ɹ ˈæ z ˈɪ t k ə n ɡ ˈoʊ : |
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LJ001-0048 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0048.wav | his letter is admirably clear and regular, but at least as beautiful as any other Roman type. | his letter is admirably clear and regular, but at least as beautiful as any other Roman type. | h ˈɪ z l ˈɛ t ɚ ˈɪ z ˈæ d m ɚ ə b l i k l ˈɪ ɹ ˈæ n d ɹ ˈɛ ɡ j ə l ɚ , b ˈʌ t ˈæ t l ˈi s t ˈæ z b j ˈu t ɪ f ə l ˈæ z ˈɛ n i ˈʌ ð ɚ ɹ ˈoʊ m ə n t ˈaɪ p . |
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LJ001-0049 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0049.wav | After his death in the "fourteen eighties," or at least by 1490, printing in Venice had declined very much; | After his death in the "fourteen eighties," or at least by fourteen ninety, printing in Venice had declined very much; | ˈæ f t ɚ h ˈɪ z d ˈɛ θ ˈɪ n ð ə f ˌɔ ɹ t ˈi n ˈeɪ t i z , ˈɔ ɹ ˈæ t l ˈi s t b ˈaɪ f ˌɔ ɹ t ˈi n n ˈaɪ n t i , p ɹ ˈɪ n t ɪ ŋ ˈɪ n v ˈɛ n ɪ s h ˈæ d d ɪ k l ˈaɪ n d v ˈɛ ɹ i m ˈʌ t͡ʃ ; |
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LJ001-0050 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0050.wav | and though the famous family of Aldus restored its technical excellence, rejecting battered letters, | and though the famous family of Aldus restored its technical excellence, rejecting battered letters, | ˈæ n d ð ˈoʊ ð ə f ˈeɪ m ə s f ˈæ m ɪ l i ə v ˈɑ l d ʌ s ɹ ɪ s t ˈɔ ɹ d ˈɪ t s t ˈɛ k n ɪ k ə l ˈɛ k s ə l ə n s , ɹ ɪ d͡ʒ ˈɛ k t ɪ ŋ b ˈæ t ɚ d l ˈɛ t ɚ z , |
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LJ001-0051 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0051.wav | and paying great attention to the "press work" or actual process of printing, | and paying great attention to the "press work" or actual process of printing, | ˈæ n d p ˈeɪ ɪ ŋ ɡ ɹ ˈeɪ t ə t ˈɛ n ʃ ə n t ə ð ə p ɹ ˈɛ s w ˈɚ k ˈɔ ɹ ˈæ k t͡ʃ u ə l p ɹ ˈɑ s ˌɛ s ə v p ɹ ˈɪ n t ɪ ŋ , |
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LJ001-0052 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0052.wav | yet their type is artistically on a much lower level than Jenson's, and in fact | yet their type is artistically on a much lower level than Jenson's, and in fact | j ˈɛ t ð ˈɛ ɹ t ˈaɪ p ˈɪ z ɑ ɹ t ˈɪ s t ɪ k l i ˈɔ n ə m ˈʌ t͡ʃ l ˈoʊ ɚ l ˈɛ v ə l ð ə n d͡ʒ ˈɛ n s ə n z , ˈæ n d ˈɪ n f ˈæ k t |
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LJ001-0053 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0053.wav | they must be considered to have ended the age of fine printing in Italy. | they must be considered to have ended the age of fine printing in Italy. | ð ˈeɪ m ˈʌ s t b ˈi k ə n s ˈɪ d ɚ d t ə h ˈæ v ˈɛ n d ɪ d ð ə ˈeɪ d͡ʒ ə v f ˈaɪ n p ɹ ˈɪ n t ɪ ŋ ˈɪ n ˈɪ t ə l i . |
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LJ001-0054 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0054.wav | Jenson, however, had many contemporaries who used beautiful type, | Jenson, however, had many contemporaries who used beautiful type, | d͡ʒ ˈɛ n s ə n , h ˌaʊ ˈɛ v ɚ , h ˈæ d m ˈɛ n i k ə n t ˈɛ m p ɚ ˌɛ ɹ i z h ˈu j ˈu s t b j ˈu t ɪ f ə l t ˈaɪ p , |
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LJ001-0055 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0055.wav | some of which -- as, e.g., that of Jacobus Rubeus or Jacques le Rouge -- is scarcely distinguishable from his. | some of which -- as, e.g., that of Jacobus Rubeus or Jacques le Rouge -- is scarcely distinguishable from his. | s ˈʌ m ə v w ˈɪ t͡ʃ ˈæ z , ˈi d͡ʒ ˈi , ð ˈæ t ə v d͡ʒ ə k ˈoʊ b ə s ɹ ˈu b s ˈɔ ɹ ʒ ˈɑ k l ə ɹ ˈu ʒ ˈɪ z s k ˈɛ ɹ s l i d ɪ s t ˈɪ ŋ ɡ w ɪ ʃ ə b ə l f ɹ ˈʌ m h ˈɪ z . |
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LJ001-0056 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0056.wav | It was these great Venetian printers, together with their brethren of Rome, Milan, | It was these great Venetian printers, together with their brethren of Rome, Milan, | ˈɪ t w ə z ð ˈi z ɡ ɹ ˈeɪ t v ə n ˈi ʃ ə n p ɹ ˈɪ n t ɚ z , t ə ɡ ˈɛ ð ɚ w ˈɪ θ ð ˈɛ ɹ b ɹ ˈɛ ð ɹ ə n ə v ɹ ˈoʊ m , m ɪ l ˈɑ n , |
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LJ001-0057 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0057.wav | Parma, and one or two other cities, who produced the splendid editions of the Classics, which are one of the great glories of the printer's art, | Parma, and one or two other cities, who produced the splendid editions of the Classics, which are one of the great glories of the printer's art, | p ˈɑ ɹ m ə , ˈæ n d w ˈʌ n ˈɔ ɹ t ˈu ˈʌ ð ɚ s ˈɪ t i z , h ˈu p ɹ ə d ˈu s t ð ə s p l ˈɛ n d ɪ d ɪ d ˈɪ ʃ ə n z ə v ð ə k l ˈæ s ɪ k s , w ˈɪ t͡ʃ ˈɑ ɹ w ˈʌ n ə v ð ə ɡ ɹ ˈeɪ t ɡ l ˈɔ ɹ i z ə v ð ə p ɹ ˈɪ n t ɚ z ˈɑ ɹ t , |
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LJ001-0058 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0058.wav | and are worthy representatives of the eager enthusiasm for the revived learning of that epoch. By far, | and are worthy representatives of the eager enthusiasm for the revived learning of that epoch. By far, | ˈæ n d ˈɑ ɹ w ˈɚ ð i ɹ ˌɛ p ɹ ɪ z ˈɛ n t ɪ t ɪ v z ə v ð ə ˈi ɡ ɚ ɪ n θ ˈu z i ˌæ z ə m f ɚ ð ə ɹ ɪ v ˈaɪ v d l ˈɚ n ɪ ŋ ə v ð ˈæ t ˈɛ p ə k . b ˈaɪ f ˈɑ ɹ , |
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LJ001-0059 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0059.wav | the greater part of these Italian printers, it should be mentioned, were Germans or Frenchmen, working under the influence of Italian opinion and aims. | the greater part of these Italian printers, it should be mentioned, were Germans or Frenchmen, working under the influence of Italian opinion and aims. | ð ə ɡ ɹ ˈeɪ t ɚ p ˈɑ ɹ t ə v ð ˈi z ɪ t ˈæ l i ə n p ɹ ˈɪ n t ɚ z , ˈɪ t ʃ ˈʊ d b ˈi m ˈɛ n ʃ ə n d , w ɚ d͡ʒ ˈɚ m ə n z ˈɔ ɹ f ɹ ˈɛ n t͡ʃ m ɛ n , w ˈɚ k ɪ ŋ ˈʌ n d ɚ ð ə ˈɪ n f l u ə n s ə v ɪ t ˈæ l i ə n ə p ˈɪ n j ə n ˈæ n d ˈeɪ m z . |
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LJ001-0060 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0060.wav | It must be understood that through the whole of the fifteenth and the first quarter of the sixteenth centuries | It must be understood that through the whole of the fifteenth and the first quarter of the sixteenth centuries | ˈɪ t m ˈʌ s t b ˈi ˌʌ n d ɚ s t ˈʊ d ð ˈæ t θ ɹ ˈu ð ə h ˈoʊ l ə v ð ə f ɪ f t ˈi n θ ˈæ n d ð ə f ˈɚ s t k w ˈɔ ɹ t ɚ ə v ð ə s ˈɪ k s t ˈi n θ s ˈɛ n t͡ʃ ɚ i z |
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LJ001-0061 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0061.wav | the Roman letter was used side by side with the Gothic. | the Roman letter was used side by side with the Gothic. | ð ə ɹ ˈoʊ m ə n l ˈɛ t ɚ w ə z j ˈu s t s ˈaɪ d b ˈaɪ s ˈaɪ d w ˈɪ θ ð ə ɡ ˈɑ θ ɪ k . |
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LJ001-0062 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0062.wav | Even in Italy most of the theological and law books were printed in Gothic letter, | Even in Italy most of the theological and law books were printed in Gothic letter, | ˈi v ə n ˈɪ n ˈɪ t ə l i m ˈoʊ s t ə v ð ə θ ˌi ə l ˈɑ d͡ʒ ɪ k ə l ˈæ n d l ˈɔ b ˈʊ k s w ɚ p ɹ ˈɪ n t ɪ d ˈɪ n ɡ ˈɑ θ ɪ k l ˈɛ t ɚ , |
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LJ001-0063 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0063.wav | which was generally more formally Gothic than the printing of the German workmen, | which was generally more formally Gothic than the printing of the German workmen, | w ˈɪ t͡ʃ w ə z d͡ʒ ˈɛ n ɚ ə l i m ˈɔ ɹ f ˈɔ ɹ m ə l i ɡ ˈɑ θ ɪ k ð ə n ð ə p ɹ ˈɪ n t ɪ ŋ ə v ð ə d͡ʒ ˈɚ m ə n w ˈɚ k m ɪ n , |
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LJ001-0064 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0064.wav | many of whose types, indeed, like that of the Subiaco works, are of a transitional character. | many of whose types, indeed, like that of the Subiaco works, are of a transitional character. | m ˈɛ n i ə v h ˈu z t ˈaɪ p s , ɪ n d ˈi d , l ˈaɪ k ð ˈæ t ə v ð ə s ˈu b i ə k oʊ w ˈɚ k s , ˈɑ ɹ ə v ə t ɹ æ n z ˈɪ ʃ ə n ə l k ˈɛ ɹ ɪ k t ɚ . |
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LJ001-0065 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0065.wav | This was notably the case with the early works printed at Ulm, and in a somewhat lesser degree at Augsburg. | This was notably the case with the early works printed at Ulm, and in a somewhat lesser degree at Augsburg. | ð ˈɪ s w ə z n ˈoʊ t ə b l i ð ə k ˈeɪ s w ˈɪ θ ð ə ˈɚ l i w ˈɚ k s p ɹ ˈɪ n t ɪ d ˈæ t ˈʌ l m , ˈæ n d ˈɪ n ə s ˈʌ m w ˈʌ t l ˈɛ s ɚ d ɪ ɡ ɹ ˈi ˈæ t ˈɔ ɡ z b ɚ ɡ . |
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LJ001-0066 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0066.wav | In fact Gunther Zeiner's first type (afterwards used by Schussler) is remarkably like the type of the before-mentioned Subiaco books. | In fact Gunther Zeiner's first type (afterwards used by Schussler) is remarkably like the type of the before-mentioned Subiaco books. | ˈɪ n f ˈæ k t ɡ ˈʌ n θ ɚ z ˈaɪ n ɚ z f ˈɚ s t t ˈaɪ p ˈæ f t ɚ w ɚ d z j ˈu s t b ˈaɪ ʃ ˈʌ s l ɚ ˈɪ z ɹ ɪ m ˈɑ ɹ k ə b l i l ˈaɪ k ð ə t ˈaɪ p ə v ð ə b ɪ f ˈɔ ɹ m ˈɛ n ʃ ə n d s ˈu b i ə k oʊ b ˈʊ k s . |
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LJ001-0067 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0067.wav | In the Low Countries and Cologne, which were very fertile of printed books, Gothic was the favorite. | In the Low Countries and Cologne, which were very fertile of printed books, Gothic was the favorite. | ˈɪ n ð ə l ˈoʊ k ˈʌ n t ɹ i z ˈæ n d k ə l ˈoʊ n , w ˈɪ t͡ʃ w ɚ v ˈɛ ɹ i f ˈɚ t ə l ə v p ɹ ˈɪ n t ɪ d b ˈʊ k s , ɡ ˈɑ θ ɪ k w ə z ð ə f ˈeɪ v ɚ ɪ t . |
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LJ001-0068 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0068.wav | The characteristic Dutch type, as represented by the excellent printer Gerard Leew, is very pronounced and uncompromising Gothic. | The characteristic Dutch type, as represented by the excellent printer Gerard Leew, is very pronounced and uncompromising Gothic. | ð ə k ˌɛ ɹ ɪ k t ɚ ˈɪ s t ɪ k d ˈʌ t͡ʃ t ˈaɪ p , ˈæ z ɹ ˌɛ p ɹ ɪ z ˈɛ n t ɪ d b ˈaɪ ð ə ˈɛ k s ə l ə n t p ɹ ˈɪ n t ɚ d͡ʒ ɚ ˈɑ ɹ d l ˈi , ˈɪ z v ˈɛ ɹ i p ɹ ə n ˈaʊ n s t ˈæ n d ʌ ŋ k ˈɑ m p ɹ ə m aɪ z ɪ ŋ ɡ ˈɑ θ ɪ k . |
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LJ001-0069 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0069.wav | This type was introduced into England by Wynkyn de Worde, Caxton's successor, | This type was introduced into England by Wynkyn de Worde, Caxton's successor, | ð ˈɪ s t ˈaɪ p w ə z ˌɪ n t ɹ oʊ d ˈu s t ˈɪ n t u ˈɪ ŋ ɡ l ə n d b ˈaɪ w ˈɪ ŋ k i n d ə w ˈɔ ɹ d , k ˈæ k s t ə n z s ə k s ˈɛ s ɚ , |
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LJ001-0070 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0070.wav | and was used there with very little variation all through the sixteenth and seventeenth centuries, and indeed into the eighteenth. | and was used there with very little variation all through the sixteenth and seventeenth centuries, and indeed into the eighteenth. | ˈæ n d w ə z j ˈu s t ð ˈɛ ɹ w ˈɪ θ v ˈɛ ɹ i l ˈɪ t ə l v ˌɛ ɹ i ˈeɪ ʃ ə n ˈɔ l θ ɹ ˈu ð ə s ˈɪ k s t ˈi n θ ˈæ n d s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i z , ˈæ n d ɪ n d ˈi d ˈɪ n t u ð ə eɪ t ˈi n θ . |
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LJ001-0071 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0071.wav | Most of Caxton's own types are of an earlier character, though they also much resemble Flemish or Cologne letter. | Most of Caxton's own types are of an earlier character, though they also much resemble Flemish or Cologne letter. | m ˈoʊ s t ə v k ˈæ k s t ə n z ˈoʊ n t ˈaɪ p s ˈɑ ɹ ə v ə n ˈɚ l i ɚ k ˈɛ ɹ ɪ k t ɚ , ð ˈoʊ ð ˈeɪ ˈɔ l s oʊ m ˈʌ t͡ʃ ɹ ɪ z ˈɛ m b ə l f l ˈɛ m ɪ ʃ ˈɔ ɹ k ə l ˈoʊ n l ˈɛ t ɚ . |
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LJ001-0072 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0072.wav | After the end of the fifteenth century the degradation of printing, especially in Germany and Italy, | After the end of the fifteenth century the degradation of printing, especially in Germany and Italy, | ˈæ f t ɚ ð ə ˈɛ n d ə v ð ə f ɪ f t ˈi n θ s ˈɛ n t͡ʃ ɚ i ð ə d ˌɛ ɡ ɹ ə d ˈeɪ ʃ ə n ə v p ɹ ˈɪ n t ɪ ŋ , ɪ s p ˈɛ ʃ l i ˈɪ n d͡ʒ ˈɚ m ə n i ˈæ n d ˈɪ t ə l i , |
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LJ001-0073 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0073.wav | went on apace; and by the end of the sixteenth century there was no really beautiful printing done: | went on apace; and by the end of the sixteenth century there was no really beautiful printing done: | w ˈɛ n t ˈɔ n ə p ˈeɪ s ; ˈæ n d b ˈaɪ ð ə ˈɛ n d ə v ð ə s ˈɪ k s t ˈi n θ s ˈɛ n t͡ʃ ɚ i ð ˈɛ ɹ w ə z n ˈoʊ ɹ ˈɪ l i b j ˈu t ɪ f ə l p ɹ ˈɪ n t ɪ ŋ d ˈʌ n : |
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LJ001-0074 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0074.wav | the best, mostly French or Low-Country, was neat and clear, but without any distinction; | the best, mostly French or Low-Country, was neat and clear, but without any distinction; | ð ə b ˈɛ s t , m ˈoʊ s t l i f ɹ ˈɛ n t͡ʃ ˈɔ ɹ l ˈoʊ k ˈʌ n t ɹ i , w ə z n ˈi t ˈæ n d k l ˈɪ ɹ , b ˈʌ t w ɪ ð ˈaʊ t ˈɛ n i d ɪ s t ˈɪ ŋ k ʃ ə n ; |
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LJ001-0075 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0075.wav | the worst, which perhaps was the English, was a terrible falling-off from the work of the earlier presses; | the worst, which perhaps was the English, was a terrible falling-off from the work of the earlier presses; | ð ə w ˈɚ s t , w ˈɪ t͡ʃ p ɚ h ˈæ p s w ə z ð ə ˈɪ ŋ ɡ l ɪ ʃ , w ə z ə t ˈɛ ɹ ɪ b ə l f ˈɔ l ɪ ŋ ˈɔ f f ɹ ˈʌ m ð ə w ˈɚ k ə v ð ə ˈɚ l i ɚ p ɹ ˈɛ s ɪ z ; |
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LJ001-0076 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0076.wav | and things got worse and worse through the whole of the seventeenth century, so that in the eighteenth printing was very miserably performed. | and things got worse and worse through the whole of the seventeenth century, so that in the eighteenth printing was very miserably performed. | ˈæ n d θ ˈɪ ŋ z ɡ ˈɑ t w ˈɚ s ˈæ n d w ˈɚ s θ ɹ ˈu ð ə h ˈoʊ l ə v ð ə s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i , s ˈoʊ ð ˈæ t ˈɪ n ð ə eɪ t ˈi n θ p ɹ ˈɪ n t ɪ ŋ w ə z v ˈɛ ɹ i m ˈɪ z ɚ ə b l i p ɚ f ˈɔ ɹ m d . |
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LJ001-0077 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0077.wav | In England about this time, an attempt was made (notably by Caslon, who started business in London as a type-founder in 1720) | In England about this time, an attempt was made (notably by Caslon, who started business in London as a type-founder in seventeen twenty) | ˈɪ n ˈɪ ŋ ɡ l ə n d ə b ˈaʊ t ð ˈɪ s t ˈaɪ m , ə n ə t ˈɛ m p t w ə z m ˈeɪ d n ˈoʊ t ə b l i b ˈaɪ k ˈæ s l ə n , h ˈu s t ˈɑ ɹ t ɪ d b ˈɪ z n ɪ s ˈɪ n l ˈʌ n d ə n ˈæ z ə t ˈaɪ p f ˈaʊ n d ɚ ˈɪ n s ˈɛ v ə n t ˈi n t w ˈɛ n t i |
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LJ001-0078 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0078.wav | to improve the letter in form. | to improve the letter in form. | t ə ɪ m p ɹ ˈu v ð ə l ˈɛ t ɚ ˈɪ n f ˈɔ ɹ m . |
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LJ001-0079 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0079.wav | Caslon's type is clear and neat, and fairly well designed; | Caslon's type is clear and neat, and fairly well designed; | k ˈæ s l ə n z t ˈaɪ p ˈɪ z k l ˈɪ ɹ ˈæ n d n ˈi t , ˈæ n d f ˈɛ ɹ l i w ˈɛ l d ɪ z ˈaɪ n d ; |
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LJ001-0080 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0080.wav | he seems to have taken the letter of the Elzevirs of the seventeenth century for his model: | he seems to have taken the letter of the Elzevirs of the seventeenth century for his model: | h ˈi s ˈi m z t ə h ˈæ v t ˈeɪ k ə n ð ə l ˈɛ t ɚ ə v ð ə ˈɛ l z ɪ v ˈɚ z ə v ð ə s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i f ɚ h ˈɪ z m ˈɑ d ə l : |
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LJ001-0081 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0081.wav | type cast from his matrices is still in everyday use. | type cast from his matrices is still in everyday use. | t ˈaɪ p k ˈæ s t f ɹ ˈʌ m h ˈɪ z m ˈeɪ t ɹ ɪ s ˌi z ˈɪ z s t ˈɪ l ˈɪ n ˈɛ v ɹ i d ˈeɪ j ˈu s . |
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LJ001-0082 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0082.wav | In spite, however, of his praiseworthy efforts, printing had still one last degradation to undergo. | In spite, however, of his praiseworthy efforts, printing had still one last degradation to undergo. | ˈɪ n s p ˈaɪ t , h ˌaʊ ˈɛ v ɚ , ə v h ˈɪ z p ɹ ˈeɪ z w ˌɚ ð i ˈɛ f ɚ t s , p ɹ ˈɪ n t ɪ ŋ h ˈæ d s t ˈɪ l w ˈʌ n l ˈæ s t d ˌɛ ɡ ɹ ə d ˈeɪ ʃ ə n t ə ˌʌ n d ɚ ɡ ˈoʊ . |
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LJ001-0083 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0083.wav | The seventeenth century founts were bad rather negatively than positively. | The seventeenth century founts were bad rather negatively than positively. | ð ə s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i f ˈaʊ n t s w ɚ b ˈæ d ɹ ˈæ ð ɚ n ˈɛ ɡ ɪ t ɪ v l i ð ə n p ˈɑ z ɪ t ɪ v l i . |
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LJ001-0084 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0084.wav | But for the beauty of the earlier work they might have seemed tolerable. | But for the beauty of the earlier work they might have seemed tolerable. | b ˈʌ t f ɚ ð ə b j ˈu t i ə v ð ə ˈɚ l i ɚ w ˈɚ k ð ˈeɪ m ˈaɪ t h ˈæ v s ˈi m d t ˈɑ l ɚ ə b ə l . |
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LJ001-0085 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0085.wav | It was reserved for the founders of the later eighteenth century to produce letters which are positively ugly, and which, it may be added, | It was reserved for the founders of the later eighteenth century to produce letters which are positively ugly, and which, it may be added, | ˈɪ t w ə z ɹ ɪ z ˈɚ v d f ɚ ð ə f ˈaʊ n d ɚ z ə v ð ə l ˈeɪ t ɚ eɪ t ˈi n θ s ˈɛ n t͡ʃ ɚ i t ə p ɹ ə d ˈu s l ˈɛ t ɚ z w ˈɪ t͡ʃ ˈɑ ɹ p ˈɑ z ɪ t ɪ v l i ˈʌ ɡ l i , ˈæ n d w ˈɪ t͡ʃ , ˈɪ t m ˈeɪ b ˈi ˈæ d ɪ d , |
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LJ001-0086 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0086.wav | are dazzling and unpleasant to the eye owing to the clumsy thickening and vulgar thinning of the lines: | are dazzling and unpleasant to the eye owing to the clumsy thickening and vulgar thinning of the lines: | ˈɑ ɹ d ˈæ z l ɪ ŋ ˈæ n d ʌ n p l ˈɛ z ə n t t ə ð ə ˈaɪ ˈoʊ ɪ ŋ t ə ð ə k l ˈʌ m z i θ ˈɪ k ə n ɪ ŋ ˈæ n d v ˈʌ l ɡ ɚ θ ˈɪ n ɪ ŋ ə v ð ə l ˈaɪ n z : |
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LJ001-0087 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0087.wav | for the seventeenth-century letters are at least pure and simple in line. The Italian, Bodoni, and the Frenchman, Didot, | for the seventeenth-century letters are at least pure and simple in line. The Italian, Bodoni, and the Frenchman, Didot, | f ɚ ð ə s ˈɛ v ə n t ˈi n θ s ˈɛ n t͡ʃ ɚ i l ˈɛ t ɚ z ˈɑ ɹ ˈæ t l ˈi s t p j ˈʊ ɹ ˈæ n d s ˈɪ m p ə l ˈɪ n l ˈaɪ n . ð ə ɪ t ˈæ l i ə n , b ˈoʊ d ə n i , ˈæ n d ð ə f ɹ ˈɛ n t͡ʃ m æ n , d ɪ d ə t , |
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LJ001-0088 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0088.wav | were the leaders in this luckless change, though our own Baskerville, who was at work some years before them, went much on the same lines; | were the leaders in this luckless change, though our own Baskerville, who was at work some years before them, went much on the same lines; | w ɚ ð ə l ˈi d ɚ z ˈɪ n ð ˈɪ s l ˈʌ k l ə s t͡ʃ ˈeɪ n d͡ʒ , ð ˈoʊ ˈaʊ ɚ ˈoʊ n b ˈæ s k ɚ v ˌɪ l , h ˈu w ə z ˈæ t w ˈɚ k s ˈʌ m j ˈɪ ɹ z b ɪ f ˈɔ ɹ ð ˈɛ m , w ˈɛ n t m ˈʌ t͡ʃ ˈɔ n ð ə s ˈeɪ m l ˈaɪ n z ; |
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LJ001-0089 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0089.wav | but his letters, though uninteresting and poor, are not nearly so gross and vulgar as those of either the Italian or the Frenchman. | but his letters, though uninteresting and poor, are not nearly so gross and vulgar as those of either the Italian or the Frenchman. | b ˈʌ t h ˈɪ z l ˈɛ t ɚ z , ð ˈoʊ ʌ n ˈɪ n t ɹ ə s t ɪ ŋ ˈæ n d p ˈʊ ɹ , ˈɑ ɹ n ˈɑ t n ˈɪ ɹ l i s ˈoʊ ɡ ɹ ˈoʊ s ˈæ n d v ˈʌ l ɡ ɚ ˈæ z ð ˈoʊ z ə v ˈi ð ɚ ð ə ɪ t ˈæ l i ə n ˈɔ ɹ ð ə f ɹ ˈɛ n t͡ʃ m æ n . |
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LJ001-0090 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0090.wav | With this change the art of printing touched bottom, | With this change the art of printing touched bottom, | w ˈɪ θ ð ˈɪ s t͡ʃ ˈeɪ n d͡ʒ ð ə ˈɑ ɹ t ə v p ɹ ˈɪ n t ɪ ŋ t ˈʌ t͡ʃ t b ˈɑ t ə m , |
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LJ001-0091 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0091.wav | so far as fine printing is concerned, though paper did not get to its worst till about 1840. | so far as fine printing is concerned, though paper did not get to its worst till about eighteen forty. | s ˈoʊ f ˈɑ ɹ ˈæ z f ˈaɪ n p ɹ ˈɪ n t ɪ ŋ ˈɪ z k ə n s ˈɚ n d , ð ˈoʊ p ˈeɪ p ɚ d ˈɪ d n ˈɑ t ɡ ˈɛ t t ə ˈɪ t s w ˈɚ s t t ˈɪ l ə b ˈaʊ t eɪ t ˈi n f ˈɔ ɹ t i . |
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LJ001-0092 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0092.wav | The Chiswick press in 1844 revived Caslon's founts, printing for Messrs. Longman the Diary of Lady Willoughby. | The Chiswick press in eighteen forty-four revived Caslon's founts, printing for Messrs. Longman the Diary of Lady Willoughby. | ð ə t͡ʃ ˈɪ z w ɪ k p ɹ ˈɛ s ˈɪ n eɪ t ˈi n f ˈɔ ɹ t i f ˈɔ ɹ ɹ ɪ v ˈaɪ v d k ˈæ s l ə n z f ˈaʊ n t s , p ɹ ˈɪ n t ɪ ŋ f ɚ m ˈɛ s ɚ z . l ˈɔ ŋ m ə n ð ə d ˈaɪ ɚ i ə v l ˈeɪ d i w ˈɪ l ə b i . |
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LJ001-0093 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0093.wav | This experiment was so far successful that about 1850 Messrs. Miller and Richard of Edinburgh | This experiment was so far successful that about eighteen fifty Messrs. Miller and Richard of Edinburgh | ð ˈɪ s ɪ k s p ˈɛ ɹ ɪ m ə n t w ə z s ˈoʊ f ˈɑ ɹ s ə k s ˈɛ s f ə l ð ˈæ t ə b ˈaʊ t eɪ t ˈi n f ˈɪ f t i m ˈɛ s ɚ z . m ˈɪ l ɚ ˈæ n d ɹ ˈɪ t͡ʃ ɚ d ə v ˈɛ d ə n b ɚ oʊ |
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LJ001-0094 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0094.wav | were induced to cut punches for a series of "old style" letters. | were induced to cut punches for a series of "old style" letters. | w ɚ ɪ n d ˈu s t t ə k ˈʌ t p ˈʌ n t͡ʃ ɪ z f ɚ ə s ˈɪ ɹ i z ə v ˈoʊ l d s t ˈaɪ l l ˈɛ t ɚ z . |
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LJ001-0095 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0095.wav | These and similar founts, cast by the above firm and others, | These and similar founts, cast by the above firm and others, | ð ˈi z ˈæ n d s ˈɪ m ɪ l ɚ f ˈaʊ n t s , k ˈæ s t b ˈaɪ ð ə ə b ˈʌ v f ˈɚ m ˈæ n d ˈʌ ð ɚ z , |
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LJ001-0096 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0096.wav | have now come into general use and are obviously a great improvement on the ordinary "modern style" in use in England, which is in fact the Bodoni type | have now come into general use and are obviously a great improvement on the ordinary "modern style" in use in England, which is in fact the Bodoni type | h ˈæ v n ˈaʊ k ˈʌ m ˈɪ n t u d͡ʒ ˈɛ n ɚ ə l j ˈu s ˈæ n d ˈɑ ɹ ˈɑ b v i ə s l i ə ɡ ɹ ˈeɪ t ɪ m p ɹ ˈu v m ə n t ˈɔ n ð ə ˈɔ ɹ d ɪ n ˌɛ ɹ i m ˈɑ d ɚ n s t ˈaɪ l ˈɪ n j ˈu s ˈɪ n ˈɪ ŋ ɡ l ə n d , w ˈɪ t͡ʃ ˈɪ z ˈɪ n f ˈæ k t ð ə b ˈoʊ d ə n i t ˈaɪ p |
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LJ001-0097 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0097.wav | a little reduced in ugliness. The design of the letters of this modern "old style" leaves a good deal to be desired, | a little reduced in ugliness. The design of the letters of this modern "old style" leaves a good deal to be desired, | ə l ˈɪ t ə l ɹ ɪ d ˈu s t ˈɪ n ˈʌ ɡ l i n ə s . ð ə d ɪ z ˈaɪ n ə v ð ə l ˈɛ t ɚ z ə v ð ˈɪ s m ˈɑ d ɚ n ˈoʊ l d s t ˈaɪ l l ˈi v z ə ɡ ˈʊ d d ˈi l t ə b ˈi d ɪ z ˈaɪ ɚ d , |
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LJ001-0098 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0098.wav | and the whole effect is a little too gray, owing to the thinness of the letters. | and the whole effect is a little too gray, owing to the thinness of the letters. | ˈæ n d ð ə h ˈoʊ l ɪ f ˈɛ k t ˈɪ z ə l ˈɪ t ə l t ˈu ɡ ɹ ˈeɪ , ˈoʊ ɪ ŋ t ə ð ə θ ˈɪ n n ə s ə v ð ə l ˈɛ t ɚ z . |
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LJ001-0099 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0099.wav | It must be remembered, however, that most modern printing is done by machinery on soft paper, and not by the hand press, | It must be remembered, however, that most modern printing is done by machinery on soft paper, and not by the hand press, | ˈɪ t m ˈʌ s t b ˈi ɹ ɪ m ˈɛ m b ɚ d , h ˌaʊ ˈɛ v ɚ , ð ˈæ t m ˈoʊ s t m ˈɑ d ɚ n p ɹ ˈɪ n t ɪ ŋ ˈɪ z d ˈʌ n b ˈaɪ m ə ʃ ˈi n ɚ i ˈɔ n s ˈɔ f t p ˈeɪ p ɚ , ˈæ n d n ˈɑ t b ˈaɪ ð ə h ˈæ n d p ɹ ˈɛ s , |
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LJ001-0100 | /home/wilson_bookbotkids_com/.cache/huggingface/datasets/downloads/extracted/5ed0c84d103fd4780357da7cda66d20bf7dc0f028757d2d0e944cc4ae0fb3fab/LJSpeech-1.1/wavs/LJ001-0100.wav | and these somewhat wiry letters are suitable for the machine process, which would not do justice to letters of more generous design. | and these somewhat wiry letters are suitable for the machine process, which would not do justice to letters of more generous design. | ˈæ n d ð ˈi z s ˈʌ m w ˈʌ t w ˈɪ ɹ i l ˈɛ t ɚ z ˈɑ ɹ s ˈu t ə b ə l f ɚ ð ə m ə ʃ ˈi n p ɹ ˈɑ s ˌɛ s , w ˈɪ t͡ʃ w ˈʊ d n ˈɑ t d ˈu d͡ʒ ˈʌ s t ɪ s t ə l ˈɛ t ɚ z ə v m ˈɔ ɹ d͡ʒ ˈɛ n ɚ ə s d ɪ z ˈaɪ n . |