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I'm so confused. I've been a huge Seagal fan for 25 years. I've seen all of his films, and many of those dozens of times. I can only describe this film as "bizarre." Steven Seagal shares screenplay writing and producing credits on this film, but I have a really tough time believing he would choose to dub over his own voice for so many of his lines, with a thin, whiny imposter's voice no less. What I also don't get is, if they had to dub SOME of his lines, why does his own voice appear on the rest of them? I expect Seagal to age like the rest of us. But the Seagal in this movie barely exudes a fraction of the same swagger, confidence, bravado, charm, and sex-appeal he so easily showed us in ALL of his previous movies. What I found myself missing most of all was his cocky, self-assured attitude and his bad-ass sneer that so easily shifts into that adorable grin. Where is that in-your-face attitude and charm that made him such a huge star??? I hope that this film is not an indication of what Seagal has left to offer us - if so, his lifelong fans will have to concede that the Seagal we all knew and loved is gone.

I checked this movie out when it still had 6 votes and it said like 7.2 or something, but seriously this is a horrible movie. Lets break it down. The first thing you notice about this movie is that it was filmed on a hand-held digital camera owned by a freshman at a community college. the next thing you'll notice is that the actors, are all friends of said freshman (he probably met them at the pub the night before. Third on the list you will notice that the musical editing is horrible, and they try to cram many songs into this movie, at 30 second intervals... also all digital editing is done on said freshman's home PC... probably using windows movie maker. This movie was horrible... pretentious, had an undeniably bad script, and acting that followed suit. I wouldn't recommend this movie to anyone I know, but I do sentence the writer and director to watch this movie in hell for an eternity.

Meatballs works its way into conversations, like no other movie. Especially during Summer. Whether it's the song about the CITs (Counselors In Training) or the cut-downs or the inspirational Rudy the Rabbit or It Just Doesn't Matter speech...it pops up! Poor Mickey/Morty, who knows where he'd wake up next!?! Such a great snapshot of the seventies and a cultural icon for my generation of those who understand that non-PC is really funny, no matter who you are! Wheels and Spaz are favorites, as is the hot dog eating contest with the famous line "what..? no mustard?" Oh, how many times I've reiterated that line and been the only one laughing! Thank you to the writers, actors and directors! Applause, applause!

Back in the 1970s, WPIX ran "The Adventures of Superman" every weekday afternoon for quite a few years. Every once in a while, we'd get a treat when they would preempt neighboring shows to air "Superman and the Mole Men." I always looked forward to those days. Watching it recently, I was surprised at just how bad it really was.<br /><br />It wasn't bad because of the special effects, or lack thereof. True, George Reeves' Superman costume was pretty bad, the edges of the foam padding used to make him look more imposing being plainly visible. And true, the Mole Men's costumes were even worse. What was supposed to be a furry covering wouldn't have fooled a ten year-old, since the zippers, sleeve hems and badly pilling fabric badly tailored into baggy costumes were all painfully obvious. But these were forgivable shortcomings.<br /><br />No, what made it bad were the contrived plot devices. Time and again, Superman failed to do anything to keep the situation from deteriorating. A lynch mob is searching for the creatures? Rather than round up the hysterical crowd or search for the creatures himself, he stands around explaining the dangers of the situation to Lois and the PR man. The creatures are cornered? Again, he stands around watching and talking but doesn't save them until they're shot. Luke Benson, the town's rabble-rouser, shoots at him? Attempted murder to any reasonable person, but Superman releases the man over and over to cause more problems. Superman had quite a few opportunities to nip the problem in the bud, but never once took advantage of them.<br /><br />That said, both George Reeves and Phyllis Coates played their characters well, seemingly instantly comfortable in the roles. If only they had been given a better script to work with.

Crackerjack is another classic Aussie film. As so many Australian films like The Castle, The Dish and Sunday Too Far Away, it goes somewhere that hasn't been widely explored in film before, this time it is the game of Lawn Bowls and bowling clubs. Crackerjack is a much slower paced sports movie than many you will find such as Remember the Titans or Million Dollar Babybut the characters involved are athletes in their own right. This movie is a show case of a large area of Australian culture and features a sport that is popular and on the rise of popularity in Australia. Mick Molloy presents a classic, unforgettable character. It really is a must see.

Although this movie doesn't have the darkness of the books, it is in my opinion a great movie. It's great campy fun with the beautiful Stuart Townsend as Lestat. He may not have the blond hair and blue eyes that are so vividly described in the book, but to be fair, he would not look good with blond hair, and Lestat is most definitely about looking good. He moves like the predator I always imagined Lestat would have.<br /><br /> The visual effects are pretty good, and the soundtrack is absolutely amazing. It's not Interview with the Vampire, so don't try to compare the two. Interview is Louis' story. This is a cut and paste version of Lestat's. In any case, I highly recommend.

This movie was horrible. If it had never been made the world would be a better place. Come on, a flying wagon? What were they thinking? This was a sub-par movie with a horrible hook, and I would like a written apology from the studio that produced this, along with some cookies to help repay me for the time I wasted on this crap fest that I can never get back. If you payed to see this movie, I am truly sorry because I watched it on TV on a Sunday afternoon when I had nothing better to do and it pretty much ruined my whole week. A flying freaking WAGON?!?! And that's supposed to make up for having a horrible mother who cares more about her own screwed up needs than her children? No wonder they don't have enough sense to tell someone he is beating them, their mother teaches them nothing but that what she wants comes before everything else. Absolutely horrible.

I have to be honest, I really had a good time watching She's the Man. Despite it being a typical teenage comedy or if you will the switching of the sexes movie, it had some pretty decent laughs that I think anyone could get. Adults and teens alike would over all enjoy this movie.<br /><br />Amanda Bynes is your typical rebellious teen who dresses and acts like a guy, and when she is turned down to try out for the boy's soccer team, she decides to take over her brother's appearance to prove herself worthy of being on the boy's soccer team. Of course, love shows itself when she meets another guy who thinks she's her brother. She also has a girl who is chasing after her. Well, the tag line says it all.<br /><br />This is a fun little teen drama that I think will be remembered for a while. Amanda Bynes did prove something in the film, it's really hard to really act like a guy. :D Well, it's true! <br /><br />8/10

I like Steve Buscemi. I like his work very much, both as an actor and a director. You could say that I am -into- Steve Buscemi. A Steve Buscemi freak. I lurv Steve Buscemi.<br /><br />I remember when I first saw Buscemi's full length directorial debut, "Trees Lounge." I enjoyed the movie, although it wasn't as good as it could have been. It was -almost- there. It -almost- scratched that itch, the itch of wanting to see "small" movies about "small" people in "small" bars that are in "small" towns. It was close enough to where I would say that it was a very good movie - one that with a few tweaks could have been great. But that's OK. I like the movie and I've watched it more than once.<br /><br />But this review is not about Trees Lounge. It's about "Lonesome Jim." When I saw the description of the movie and then I saw who's movie it was, I was excited at the prospect of finally seeing the movie that I knew that Trees Lounge could have been. But what I actually experienced was not unlike that of leaving one of those smalltown bars with a belly full of cheap whiskey and an armful of cheap floozy, heading back to your apartment with a mushy brain full of exciting prospects that inevitably disintegrate into the reality of alcohol-induced impotence and headspinning regurgitation.<br /><br />In other words, this movie left me flat and unrequited and sorry that I wasted the time and the money that it took me to get to that state - the film equivalent of waking up next to that cheap floozy the next morning, or if you happen to be the floozy, waking up next to that stinking and farting and unshaven imbecile. The film had all of the substance of a stale white bread sandwich (with store brand white bread, no less) and the emotion of a cadaver. I am not sure what the point of this film was, and since it was supposed to have some sort of a point and was not an exercise in abstract surrealism that can get by without one then this lack of a point is a sin of omission. Sorta like those new cars that don't come with ashtrays anymore although there are millions of people who smoke and buy new cars (I'm not one of them, but hey, I can sympathize). Overall it was a boring film about boring people doing boring things and had none of the grit and believability that can carry and save such a film. I mean, Trees Lounge was about boring people doing boring things, but it was interesting. <br /><br />I blame a lot of this on Affleck. Why do people keep casting these Affleck turds? They suck the life out of anything that they are connected with. One Affleck was in one decent film (and wasn't even the reason why the film was decent) and all of the sudden every butthole named Affleck is stinking up as many films as they possibly can. And Liv Tyler is no better. Being the daughter of a rock star does not necessarily make an actress. She is as lifeless as Affleck. These people simply do not rise from the flat page of the script. People pay to see films and they deserve to see actors and actresses with a bit of charisma - these two duds together don't have the spark of the old guy who hands out shopping carts at Wal Mart. I always thought that Steve Buscemi was the type of guy who would rise above this type of pablum, but oh Steve you let us down. This film makes me want to stuff you into another wood chipper.

Assy McGee is a show that you really have to be a certain age to appreciate. Otherwise, it's likely you'll miss the references to 80's cop films and simply think it's a running gag about a walking rectum. Think it's brainless, infantile poop humor? Go watch the Stallone film 'Cobra' and you'll see what I mean. This show actually has very subtle humor, which says a lot, both for a show that aired on adult swim, and for a show about a walking ass.<br /><br />All the standard genre clichés are in place that made movies like Dirt Harry and Cobra so great and ripe for parody. Sanchez is Assy's partner, who is - as per the genre - level-headed and constantly apologizing for his partner's homicidal behavior. The police chief is, of course, a fire-breathing hard case who lives to scream "I want your badge on my desk first thing tomorrow morning!" The over-the-top, and sometimes completely nonsensical manner in which the 1980's 'Renegade Cop' film is parodied suits the subject matter well. For instance, while breaking up a bus robbery, one of the criminals stops to ask Assy, "Hey, where are you going, asshole!?" To which the title character snaps off the one-liner: "I'm going... to shoot you." <br /><br />Highly recommended for anybody who loves 80's action movies, and has actually viewed enough of them to understand the humor.

This is another enjoyable and entertaining Hitchcock film. James Stewart and Doris Day are incredible in this movie. Bernard Herrmann appears as himself near the climax.<br /><br />The scenery and locations are great, except the one scene early on where the background was obviously fake, which doesn't make sense to me since scenes before and after were in the same setting and they were real location shots. I've heard that Hitchcock did this on purpose sometimes.<br /><br />The reviews for this movie seem to be mixed. I think this is a better than average Hitchcock movie. Very entertaining and it has a great light comical scene at the end.<br /><br />I rated this movie 8 out of 10.<br /><br />

What You Need In the run up to 'What You Need', every episode since 'The Lonely' had been a winner to some extent. This episode is the first major failure since 'Escape Clause'. The Serling script is again based on someone else's materiel, a short story by Lewis Padgett. As with 'And When the Sky Was Opened', Serling altered the content significantly, removing a scientist and his machine and inserting an elderly peddler.<br /><br />'What You Need' works best when it is being sweet. The opening half, in which the peddler provides customers in a bar with objects they will need in the near future, has a gentle charm about it that may have worn thin throughout an entire episode but works well in the time frame it is allotted. Sadly, the main plot which it sets up is full of gaping holes. The minute Steve Cochran's performance as a two-bit thug becomes the main focus the episode falls apart. Cochran's part is an underwritten stereotype and his flat performance highlights this flaw. His exploitation of the old peddler is dull and predictable and the revelation that he will murder the old man is totally unconvincing, making the whole slippery shoes scene seem completely false. Ernest Truex is good as the peddler, bringing a magical, mysterious but warm edge to the character, but he's not good enough to help the floundering script.<br /><br />To make matters worse, the weak script is also full of inconsistencies. For instance, we learn that the peddler's power to provide people with what they need stems from an ability to see into the future. So how exactly does this allow him to produce a pen that will magically pick winning horses. That seems like it should be a little outside his realms of power. Also, for a man who can see the future, the peddler certainly acts surprised to find the thug waiting for him in his flat. There are many more holes that can be picked in 'What You Need' but it's hardly worth it when the episode is so thin that you can see through it anyway.

My observations: vamp outfit at end is ravishing and wonderful, exotic and fantastic. Jeanette wore it well, and got even with naive Nelson. Boat crashing into his balcony served him right. Costume outfits of his female mafia were designed surprisingly well, especially by today's standards. 1942 costume designer did great job. Main song theme just lovely.<br /><br />Caution to negative posters: 1942 was time of WW II; Pearl Harbor happened year before. U.S. just coming out of Great Depression; needed to get out and spend that hard earned money on diversion of singing, dance and yes, fantastic fantasy. Despotic dictators were trying to rule out there in RL, snuffing out freedoms. Thank goodness the public had these fantastic plot line movies to attend. Movie going was a privileged treat, in those depressing times. When you, negative posters, become actors or even movie stars, then YOU have room to talk and criticize. Jeanette's and Nelson's movies stand the test of time.<br /><br />Angel wings wonderful, on the real angel. RL wings at costume party not so hot, but great on Jeanette considering the SL.<br /><br />Beautiful singing by Jeanette and Nelson, as always. Jeanette dancing was a pure delight.<br /><br />15/10

I can't tell you how angry I was after seing this movie. The characters are not the slightest bit interesting, and the plot is non-existant. So after waiting to see how the lives of these characters affected each other, hoping that the past 2 and a half hours were leading up to some significant finish, what do we get??? A storm of frogs. Now yes, I understand the references to the bible (Exodus) and the underlying theme, but first of all, it was presented with absolutely no resolution, and second of all it would be lost to anyone who has not read the bible (a significant portion of the population) or Charles Fort (a still larger portion). As a somewhat well read person, I thought this movie was a self indulgent poor imitation of a seinfeld episode.<br /><br />Don't waste your time. It would be better spent reading...<br /><br />...well anything to be honest

On paper this looks a good film . Michael Caine plays a tough and ruthless boxing promoter who's son is up for a title eliminator . The pity is that when the story is transferred from paper to my television screen it loses a certain everything . I had hoped we'd be seen emulating his definitive role in GET CARTER and as the film progresses it does seem to take on the qualities of a tough gritty revenge thriller but the whole tone of the film jumps around so much you'll be confused as to what genre it's trying to fit in to . For example Caine ( Who you can't believe in as Billy " Shiner " Simpson , he's simply Michael Caine ) has a laugh out line as he refers to someone as " Hattie Jacques " then in a supposedly humorous moment has his henchmen break someone's arm . Oh how I laughed . I mean it's supposed to elicit a laugh the way it plays out on screen isn't it ? But these seems at odds with the way the rest of the film plays out <br /><br />Obviously director John Irvin doesn't know what approach to take with Scott Cherry's screenplay . Irvin isn't a bad director and is well regarded for his war films such as THE DOGS OF WAR and HAMBURGER HILL but he's ill suited to this type of violent drama and one can't help but feel he might have been intimidated somewhat by a living legend like Caine . Caine does give the impression he's just doing it for the money and the well known faces in supporting roles like Landua and Cranham are basically just cameos who could be played by anyone

I will freely admit that I haven't seen the original movie, but I've read the play, so I've some background with the "original." If you shuck off the fact that this is a remake of an old classic, this movie is smart, witty, fresh, and hilarious. Yes, the casting decisions may seem strange, but they WORK. <br /><br />I'm a staunch feminist, and I wasn't offended in the slightest by this movie--despite what other women might be saying. This is NOT a movie for men to see (so please, ladies, don't drag your guys to see it with you, that's just cruel); women will get the jokes, the situations, and the relationships. <br /><br />I was pleasantly surprised by the depth that Annette Bening brought to her character...she did an excellent job. Debra Messing was adorable, and Candice Bergen was fantastic. I was less impressed by Meg Ryan...she brought emotion to the table, but her comedic take on it was less strong. The all-female cast is strong, and it definitely a laugh-out-loud sort of comedy. I thoroughly enjoyed this movie, and fully intend to go see it again with my mother. Women will understand.

Ugh! Another one of those "fooled by the cover" DVDs. I expected some kind of action at least with bears, cats, & such on the cover. I got NOTHING! Bad movie!.<br /><br />I forced myself to watch this all the way through thinking that eventually SOMETHING would happen...no luck.<br /><br />Now the reason I gave this a 2 is because of the scenery; otherwise it sucked.<br /><br />The kid was terrible, talking to himself (although I suppose they couldn't just run a movie with dumb music and no dialogue at all), doing his lame karate stances to a tree stump, threatening a raccoon, munching on worms, and (what a dumbass) kicking a porcupine. And he wouldn't be pulling those quills out that easily either...they stick like fishhooks. At least he fought the bear (weakly) a couple of times.<br /><br />What was up with the flashback thing? It made a bad movie even worse. I wanted to see a survival movie, not some dramatic bs about a kid suffering thru divorce.<br /><br />What else can I say? Well, maybe they should have had the bear eat the kid or something. At least that would have been more exciting.<br /><br />People, don't waste your time on this one.

Oz is by far the best show ever to grace television. Better than The Sopranos, yes, ER, yes, CSI, absolutely. Uncompromising, daring, and utterly disturbing yet profoundly moving. Oz took us past any image of prison that anyone had ever conjured up on television. Tom Fontana truly did a brilliant job with the writing. No topic is taboo. Rape, drugs, murder. Oz is evidence of just how good TV can be. It follows characters of all different backgrounds and all different races, but always comes back to your everyman Tobias Beecher, in jail for vehicular manslaughter. We see what we don't want to see, pain, death, mayhem. Oz will disturb you, make you cringe, make you look away, but most of all it will make you think. To see Oz is to see a truly magnificent television production

We do not come across movies on brother-sister relationship in Indian cinema, or any other language or medium. This relationship has several aspects which have not been exploited in movies or novels. Typically, a sister is depicted as a pile-on who can be used for ransom in the climax. This movie treats the subject in an entirely different light.<br /><br />It is inspired by George Eliot's novel "The Mill on the Floss". The brother is very prosaic, all-good, the blue-eyed boy who is a conventionally good son and a favorite with his mother. The sister is romantic, wild and defiant of the unwritten rules of the society. In spite of this, the love of the brother-sister is the winner.<br /><br />This movie is about the love of the two siblings who are separated in childhood and revival of the same feeling when they meet years later. It is also the quest of the subdued brother to reunite with his sister who has chosen to be wild to defy the world.<br /><br />Although the movie and the novel are set about 3 centuries apart in two distant countries, yet the sentiments are the same and still hold true.

Many other viewers are saying that this is not a good movie to watch since they feel that it isn't "realistic." How can it not be considered realistic. They feel that say the incest part isn't easy to relate to, that it isn't common. i can guarantee you that you have met more people than you think that have had an incest act occur. Many of them aren't going to come out and say it, and mostly these are victims. Also, many people are Gay, and are still in the closest, because no matter how much they would like it to be, they know they will be ridiculed and possibly even abandoned. And tell me, how many kids have you went to high school with that has ended up being pregnant or had an eating disorder? i bet a lot, and although pregnancy isn't from incest most of the time, its still easy to relate to. Who can't relate to being an outcast or being bullied? that happens all the time. and many viewers are probably concerned with there education such as Marcus. being a stoner seems to be quite common these days to. so there are a lot of things to relate to. More than the rest though, no matter how popular you may get, sometimes you feel invisible or alone, not noticed, or overlooked such as the suicide victim, how can you not feel like you can relate to the movie? I find that the movie may have seemed pointless to others, but i would like to think of it as important. It an interesting way of showing that suicide happens, and to be aware. it comes from the people that don't show their unhappy thoughts, its very surprising. The people who show there problems do commit suicide sometimes to, but when you hear of suicide, who would have guessed is usually running through most peoples minds.<br /><br />The ending surprised me, i wasn't expecting it to be the girl that until the end, was mostly an extra in the scenes, not even introduced. the story, even in its description, says its about 6 teenage lives, when in fact it was 7. My only real disappointment was that it wasn't one of the characters that we got to learn about, it merely at first seems like the movie was pointless to watch if the real victim is just some random chick. until i thought more. it made perfect sense for being a huge surprise, since thats what suicides are like. plus, who was to choose who any of the other students had more of a reason than the other.<br /><br />though this movie has some bad points, most movies have a few, but i would recommend this movie, as long as you can deal with watching the tragic moments of watching the suicide, and violence and profanity shown in this film.

Los Angeles, 1976. Indie film brat John Carpenter, fresh out of film school and with one film - his class project's no-budget spoof of 2001 called Dark Star - under his belt, finishes a gritty actioner called Assault On Precinct 13. The story of an almost deserted police station under siege by an unseen LA gang, it was a minor hit on the drive-in circuit and garnered small praise from the few critics who cared, but it hardly set the film world on fire, unlike Carpenter's follow-up smash Halloween (1978). On Precinct, Carpenter was still learning how to exploit his almost non-existent budget by using lower-shelf actors, keeping the action to the one hellishly small location, and moving the film along at a tight pace with a combination of editing, intelligent camera work and switched-on genre savvy.<br /><br />No-one wants or needs to be hungry in Hollywood anymore, particularly if the week's catering bill on the 2005 version of Assault On Precinct 13 is more than the entire cost of the original. It does translate into a certain kind of laziness on a filmmaker's part - you have a stupidly large union crew, a studio and a marketing firm all doing your thinking for you. Which is why twenty years after watching Carpenter's film I can still see every glorious moment, from the small girl gunned down in cold blood while buying an ice cream, to the relentless pounding synth score. A week after Assault 2005, I remember Larry Fishburne's unmoving ping pong ball eyes and little else.<br /><br />"Forgettable popcorn actioner" fits the top of the poster perfectly. It's New Years Eve at Precinct 13, a station closing down with a skeleton staff to see in its final hours. On call is Jake Roenick (Ethan Hawke), an ex-narc now deeply troubled and hopped up on Jack Daniels and Seconol after his partners were iced in the opening scene; Iris (The Sopranos' Drea de Matteo), a nympho with a thing for criminal types, and Jasper (Brian Dennehy), a crusty old timer one scotch away from retirement. As in Carpenter's Assault..., a bus with four heavy-duty criminals is rerouted to the Precinct. All boozy eyes are on gangster kingpin Bishop (Fishburne, still beefed-up from his time in the Matrix) who has narrowly survived an assassination attempt from an undercover cop and plans to blow the lid on the endemic corruption in the organized crime unit led by Marcus Duvall (a tired-looking Gabriel Byrne). Soon the phones are out, the power lines are down, and both crims and police find themselves heavily armed with a serious police arsenal and consumed with paranoia while waging war against a task force of Duvall's corrupt cops sporting white balaclavas, bullet vests, infra-red bazookas and more high-tech gear than the Skywalker Ranch. This, we're expected to believe as the helicopters buzz around the top of the police station shooting rockets into windows, is a clandestine operation to cover Duvall's tracks. He may as well have taken out billboards on Hollywood Boulevard.<br /><br />As with the recent Seventies genre reworking Dawn Of The Dead, Assault 2005 takes the barest plot essentials of John Carpenter's original and, to quote the Seventies, "does it's own thing, man". The main question is - why bother? John Carpenter's 1976 is a cult favorite among genre buffs, but is hardly branded in the public's collective consciousness. Carpenter himself was busy reworking Howard Hawks' classic western Rio Bravo into a tight, claustrophobic urban thriller for only $20,000. French wunderkind director and rap producer Jean-Francois Richet, a self-professed fan of John Carpenter's work, seems less concerned with making an homage to either Hawks or JC - although the script is peppered with references to cowboys and injuns - and seems intent on squeezing in as much flash and firepower as the multi-million dollar budget can withstand. The result: some tense moments with hand-held POV cameras, an unexpectedly high (and bloody) body count, a few neat plot twists, but essentially a B-grade urban actioner with a much inflated price tag. As for name-checking Carpenter, it's pure conceit on the part of the filmmakers that doesn't pay off.<br /><br />To Monsieur Richet, I say bon voyage, and I wish you luck on your music career.

I love this show. I watch all the reruns every day even though I have seen all of them like 6 time s each.<br /><br />It's about two sisters, Holly (Amanda Bynes) and Val (Jennie Garth), who live in New York. Holly goes to live with Val when their dad is transferred to Japan. Val has the perfect life, she has a boyfriend and a perfect apartment of the Upper East Side.<br /><br />The show basically shows all the problems Vall and Holly go through. the main problem is guys but also is about being responsible and other life choices.<br /><br />Holly is 16 and is a total free spirit while Val is the complete opposite. She is the organized has to have a plan to do anything kind of person.<br /><br />The other characters are Henry, Vince, Gary, Lauren, and Tina.

Driving Lessons From the writer of the critically acclaimed films, Mrs. Brown and Charlotte Gray, Jeremy Brock brings a touching heartfelt dramedy starring Academy Award Nominees Julie Walters and Laura Linney and from the Harry Potter series, Rupert Grint. The beautiful portrait tells the story of Ben Marshall, (Rupert Grint) a seventeen year old boy being held captive in the heart of his religiously neurotic mother Laura (Laura Linney). After his school year ends he decides to take a job with a clever, free-spirited, and "heavy on the bottle" retired actress, Evie Walton (Julie Walters). The pair embarks upon wonderful adventures from camping to walks around the block to the simple conversations about life. Challenging the domineering mother, as well as each other along the way, the two develop a beautiful bond that revolutionizes both their lives.<br /><br />The comedic elements are flawless and precise especially coming from the British veteran, Julie Walters. Brock uses his unique style to create an infamous and loving nature that first time directors could only dream. Directing comes naturally to Brock as he builds up stunning imagery that breaks the surfaces and plunges the viewer down into an overabundance of adoration and creation. Even the subtle score by unknown composers Clive Carroll and John Renbourn accentuate the tone and manner Brock had no trouble in generating.<br /><br />Laura Linney is always making her mark in films as she does as "Laura." The bossy and overbearing mother is at times unbearable and with Linney at the helm of it we are engulfed into that persona. The complexity of her character couldn't have been more flawlessly portrayed by anyone else. Rupert Grint breaks away from "Ron Weasley" and tries on someone new. His performance is more responsive than loquacious but Grint gives us someone brand new to a child performance and the viewer gets to enjoy it. But the standout is coming from Oscar nominated actress Julie Walters who gives "Evie" a life of her own. Despite the role being clearly a leading one, Walters fairs better in the supporting category where I believe she can simply take home the prize. "Evie" is a mix of "Clementine Kruczynski" and "Mrs. Laura Henderson" with her free spirit and lovable persona. Hopefully her role will not go unnoticed this awards season.<br /><br />Driving Lessons isn't an "out of this world" experience but a fine, enjoyable one that any viewer could just kick back and learn a little something about life, love, and friendship coming in the forms of the most beautiful colors and sizes.<br /><br />Grade: ***/****

Hi, Everyone, Oh, Boy... This one is a lulu. It has really bad background music whenever they can squeeze it in. There are three bad guys who, I guess, are the stars of this. They beat people up and chop people up and crash trucks and bulldozers into people. Usual stuff.<br /><br />The woman who is sending them on their missions is unable to move her mouth when she speaks. It's sort of like watching a bad ventriloquist who is her own dummy. She walks like she is balancing an egg on her head.<br /><br />The wardrobe is 70s leisure style for the men and blah for the female lead who is supposed to be a good nurse. The bad novocain mouth woman wears red. A silk frock perhaps, or maybe just a poplin windbreaker that is too big.<br /><br />I actually liked the ending even though it did not make a lot of sense. It lets us in on what happened earlier in the film.<br /><br />The police officers are OK. Some bad, some good, all stupid except two. The two bright ones could have worked again in Hollywood.<br /><br />The movie starts interestingly enough and ends with a surprise. The middle sucks. The guy in the diner who gives a free hamburger to the star does a good job. He is like a 1940s character actor. Great voice.<br /><br />This one is a bit too long. The lady with marbles in her mouth could have had just a couple of lines and the rest could have been said by a parrot. It would have been easier to understand a bird.<br /><br />Her scene with a sword could have been handled by a trained woodpecker.<br /><br />Tom Willett

This is a wonderful film. The non-stop patter takes several watchings to fully appreciate. The musical productions of Busby Berkeley will never be duplicated. I think this movie easily outdoes all of his other efforts. Joan Blondell and James Cagney are incredible together. Some of the humor would almost push the boundaries of today's movies. Put rational explanation of how they did it aside and enjoy it for the spectacle that it is.

The Hanson brothers - Andy (apparently has his act together) and Hank (clearly doesn't have his act together) need money. Andy comes up with a scheme to get some dough that will have consequences for the whole Hanson family.<br /><br />This film delivers. This is a layered, full-blooded roller coaster ride that knows exactly what it is doing. As a crime drama / thriller I would happily compare it to 'No Country For Old Men.' While both films have have an ample supply of character drama and thrills, 'Devil' is more on the thriller side because of its fast pace. 'No Country' is a colder and bleaker film that you can really admire, while 'Devil' is a bit more enjoyable. There is definitely less violence in 'Devil' than 'No Country.' The acting delivers as well. Ethan Hawke, sometimes wooden in the past, brings the jitters, sweating and the deer-in-the-headlights-look to the besieged Hank. Philip Seymour Hoffman, as Andy, has the film's hardest scenes and is fast becoming the actor, who you believe can do anything.<br /><br />There's really not much wrong with this film. It jumps back and forth without being confusing. Events spiral out of control, but the film never does - the writing (from first timer Kelly Masterson), directing (veteran Sidney Lumet) and the editing stay as tight as a drum. In many categories, this is award caliber stuff, though maybe films like 'The Departed' and 'No Country' squeezed this one out of the limelight. If you liked those, you'll like this.

I'm a fan of Zhang Yimou and finally found this DVD title from the shelves of a Shenzhen bookstore after a long search at many places.<br /><br />This is a huge departure from previous Zhang Yimou work, esp in terms of style and locale. The director himself has said that this is the first and only time he'll ever attempt to make a black comedy set in contemporary China. You may even say this work is experimental in nature, compared to his other well known big budget and formal pieces.<br /><br />Filmed with a hand-held camera and wide angle lens throughout the duration of the whole film, the quick pace editing and high energy performance & naturalistic tone never let you go once it grips you from the start. It presents a very realistic account of modern Chinese urban sensibilities, which in this case is set in Beijing. If you appreciate and love this kind of black humor, you will love this film totally. Also look out for hilarious cameos by Zhao Benshan (Happy Times)and the director Zhang Yimou himself.<br /><br />A last point of note: I find the characters in this film, as in all other Zhang Yimou films, exhibiting similar personality traits - stubbornness, always trying to beat the odds & up the ante. Do let me know your thoughts on this.<br /><br />David Lee

Having seen this without knowing all the hoopla surrounding the lead character, indeed without even knowing that it was based on real-life events, I must say I am impressed. "Murder in Greenwich" is an above average production for a made-for-TV movie - the acting is uniformly great, Christopher Meloni in particular putting in a stand-out performance and the teen actors excel in what are difficult roles. The idea of the dead girl narrating the movie is a stroke of genius which elevates the movie from merely good to excellent. The script is exemplary for what is essentially movie-of-the-week fodder and the cinematography is beautiful.

This really should deserve a "O" rating, or even a negative ten. I watched this show for ages, and the show jumped the shark around series 7. This episode, however, is proof that the show has jumped the shark. It's writing is lazy, absurd, self-indulgent and not even worthy of rubbish like Beavis and Butthead.<br /><br />It is quite possible to be ridiculous and still be fun -- Pirates of the Caribbean, the Mummy, Count of Monte Cristo -- all "fun" movies that are not to be taken seriously. However, there is such thing as ridiculous as in "this is the worst thing I've ever seen." And indeed, this is the worst episode of Stargate I've ever seen. It's absolutely dreadful, and this coming from someone with a stargate in her basement.<br /><br />Makes me want to sell all of my stargate props, most seriously.

If you are an insomniac and you cant get anything to get you to sleep i definitely recommend this movie. If you are renting it for whatever other reason....DONT!....this movie is by far one of the most slow moving turtle motivated movies i have ever seen. The only reason i rented it was because my brother wanted to for some odd and strange reason. I cant even write about this movie anymore...GET IT AWAY FROM ME!!!!!!!!

This is a typical Sandra Bullock movie in which she plays a mousy (but profane) woman who is in trouble but finds a way to survive and be the hero. Sound familiar? <br /><br />There are plenty of holes in this story. Things just don't add up and some of the suspense is a little corny. But - that suspense is very good. There is a lot of tension in this story which has strong paranoia running through it. The story starts off slow but kicks in pretty soon and stays that way, making it an involving movie for the viewer. That's why I give it a pretty good rating - the movie gets you involved in it. Bullock is more cute than annoying, which she normally is to me, so this is my highest-rated movie with her in it.

I happen to have bought one of those "Legacy of Horror" 50 movie pack collections and would you believe I'm still looking through them to find a good HORROR movie in it. Sometimes you find an enjoyable yet campy one like The Devil's Messenger or The Devil Bat, or one of the great Alfred Hitchcock's films (some aren't horror however and are only on there because Hitchcock directed some horrors and suspense) but other times it seems that they put movies like The Island Monster and this on because they can't accept the fact they would easily be forgotten and should be for that matter.<br /><br />So we open up to sort of a Westing game idea. The rich yet cruel and abusive father played by Carradine (the one standing feature of this) has died and left his inheritance to his children and servants who he still hates. Carradine gives a good enough performance as always, but he's left mainly in a voice recording and flashback sequences leaving us to sit through the mediocre/terrible performances. The rest of the cast either overacts or underacts in scenes. Given this was an independent film of the 70's the lighting and effects are pretty limited. It's hard to build a lot of tension when the viewer can't see what's happening that well in some scenes. Some actors like the servants Igor and Elga give an effort at least and I'm ashamed to admit kind of left me chuckling at the end mainly for the sheer stupidity but still with some very minor happiness that they pulled some version of a twist to an otherwise pretty obvious who-done-it but not enough to enhance the quality of the film. You aren't meant to like the characters as they are either selfish and cruel or psychotic, but it takes it to a whole new level and makes many unwatchable. The death scenes are pretty bad and the suspense is not really there. It proves that you would probably enjoy the 20 movie pack "Chilling" containing films like House on a Haunted Hill, Little Shop of horror's with Jack Nicholson, and Night of the Living Dead over it. This is best avoided.

I'm sorry but this is just awful. I have told people about this film and some of the bad acting that is in it and they almost don't believe me. There is nothing wrong with the idea, modern day Japanese troops get pulled back in time to the days of Busido warriors and with their modern weapons are a match for almost everything. When the troops first realise something strange is happening does every single person in the back of the transport need to say "Hey my watch has stopped"? Imagine lines like that being repeated 15+ times before they say anything else and you have the movie's lack of greatness in a nutshell.

When "Madame" decides to let her cats inherit her it spells trouble. The snobbish Butler Edgar who is next in line to inherit decides to get rid of the cats. Thereby the story can begin and the cats can go on an adventure that would otherwise have been impossible. An adventure that lets them meet the charming, but not altogether trustworthy cat O'Malley. He helps them through many dangerous and funny situations until the inevitable happy end.<br /><br />The force of this movie is in its humor and music. Edgar is simply hilarious as the insulted butler who is out to settle the score and of course he himself takes some serious beatings. One of the best scene contains him being chased by the two dogs Lafayette and Napoleon. The score is great and like in "the Jungle Book" you have scenes that is almost "musical" in the sense that the story doesn't progress and the focus is to let the protagonists express themselves via dance. And of course we like, that the score is quite Jazzy.<br /><br />And of course it's not only me but also my children who love this one.<br /><br />Regards Simon

This movie resonated with me on two levels. As a kid I was evacuated from London and planted on unwilling hosts in a country village. While I escaped the bombing and had experiences which produced treasured memories (for example hearing a nightingale sing one dark night for the very first time) and enjoying a life I never could have had in London, I missed my family and worried about them. Tom is an old man whose wife and child have both died and who lives alone in a small country village.As an old man who is now without a wife whose kids have gotten married and live far away in another province, I am again sometime lonely. The boy's mother is a religious fanatic with very odd ideas of raising a child. Since a deep affection has grown between old Tom Oakley and this young lad, Tom goes in search of him and finally rescues him from very odd and dangerous circumstances. At the end of the story there is great tension since due to some bureaucratic ruling it seems that the child is going to lose someone who has developed a loving relationship with him.

I love this movie!!! Purple Rain came out the year I was born and it has had my heart since I can remember. Prince is so tight in this movie. I went to a special showing of Purple Rain last night and it was like a concert i was glad to see some true fans cause this movie is so undervalued, it is really one of the greatest movies of all time. The music is untouchable. The movie is about "The Kid", played by Prince, his family is dysfunctional, his band is the hottest act in town, and he has his eyes on the Apollonia, an aspiring singer. There is no question why purple is my favorite color I can thank "The Kid" for that. So if you have not seen this then you are need to asap. This is a classic - 4ever!

I own a vacation lake home not far from Plainfield, WI. Ten minutes from the Gein property to be exact. I've seen his land, the cemetery where he is buried and where he did his digging, and I've shopped at the hardware store that was formerly owned by the Worden family. While visiting relatives in California, we decided to rent this movie. It was disgusting. The true story of Ed Gein is so disturbing and creepy, why the creators of this piece of trash decided to make up their own story is beyond me. The actor playing Ed is a very large man, Ed was a very small, meek, and shy man. That is part of what makes his story so frightening. He did not have a helper to dig up the graves and anyone who owns land in the area knows that it is mostly sand with a little dirt in it. You won't break much of a sweat digging a hole. They didn't have to hire an actor with the physique of a wrestler, just do your research. And if the writing wasn't bad enough - there are NO mountains in Wisconsin, and I'm pretty certain that 911 was not available in 1957.

Why does this piece of film have so many raving reviews? <br /><br />This is amateurish, unfunny and annoying.<br /><br />The only memorable thing here is the corny title song. <br /><br />The production values are low and the "comedic" (if you want to call them that) ideas are weak, they seem like leftovers of leftovers from SNL that even they would not dare to have put on the screen.<br /><br />I'm beginning to thoroughly mistrust IMDb ratings. <br /><br />This is light years away from Kentucky Fried Movie - not even in the same Galaxy.<br /><br />It's not even possible to write 10 lines about it.<br /><br />OK, another good thing: ugly street scenes and ugly people - something one doesn't get to see a lot in todays TV and Movies.

1st watched 4/29/2007 - 4 out of 10(Dir-Mick Garris): Campy vampire-like Stephen King movie has so many strange and goofy elements that you start laughing over the extreme weirdness about 3/4 the way into the movie and you wonder if this movie might have a cult following for King fans. It's the story of a mother and son who are sleepwalkers(a shape-shifting feline-like, flesh eating, life needing, near extinct breed of humanoid) who move from town to town searching for virgins to feed on to keep themselves alive. They come across as pretty normal upper-class folk except they are secret lovers and cats hang around the outside of their home, day and night. Cats are deadly to them, so they set traps in their yard to try and keep the population down. We get to see them break a couple of their necks when they attack(which is also a first in my movie-going experience) --- hopefully no real cats were harmed in the making of the film. The boy is after a sweet girl that he has a crush on until he turns into a "sleepwalker" and then he just wants her body. There is so much campy uniqueness to this movie that it might have been better if it was an all-out satirical comedy on suburban life, but the director instead tries to scare you every couple minutes until you wish he'd just get over it and bring out the gore. Eventually that happens and the movie winds down to it's typical Stephen King downbeat ending. The movie is interesting because King's humor comes thru more than usual but his weirdness is also very present and what you have is a movie that his fans will probably like and should have in their collection, but as a worthwhile movie experience it really doesn't cut it.

Young Mr. Lincoln marks the first film of the director/star collaboration of John Ford and Henry Fonda. I recall years ago Fonda telling that as a young actor he was understandably nervous about playing Abraham Lincoln and scared he wouldn't live up to the challenge.<br /><br />John Ford before the shooting starts put him at ease by saying he wasn't going to be playing the Great Emancipator, but just a jack-leg prairie lawyer. That being settled Fonda headed a cast that John Ford directed into a classic film.<br /><br />This is not a biographical film of Lincoln. That had come before in the sound era with Walter Huston and a year after Young Mr. Lincoln, Raymond Massey did the Pulitzer Prize winning play by Robert Sherwood Abe Lincoln in Illinois. Massey still remains the definitive Lincoln.<br /><br />But as Ford said, Fonda wasn't playing the Great Emancipator just a small town lawyer in Illinois. The film encompasses about 10 years of Lincoln's early life. We see him clerking in a general store, getting some law books from an immigrant pioneer family whose path he would cross again later in the story. And his romance with Ann Rutledge with her early death leaving Lincoln a most melancholy being.<br /><br />Fast forward about 10 years and Lincoln is now a practicing attorney beginning to get some notice. He's served a couple of terms in the legislature, but he's back in private practice not really sure if politics is for him.<br /><br />This is where the bulk of the action takes place. The two sons of that family he'd gotten the law books from way back when are accused of murder. He offers to defend them. And not an ordinary murder but one of a deputy sheriff. <br /><br />The trial itself is fiction, but the gambit used in the defense of Richard Cromwell and Eddie Quillan who played the two sons is based on a real case Lincoln defended. I'll say no more.<br /><br />Other than the performances, the great strength of Young Mr. Lincoln is the way John Ford captures the mood and atmosphere and setting of a small Illinois prairie town in a Fourth of July celebration. It's almost like you're watching a newsreel. And it was the mood of the country itself, young, vibrant and growing.<br /><br />Fans of John Ford films will recognize two musical themes here that were repeated in later films. During the romantic interlude at the beginning with Fonda and Pauline Moore who played Ann Rutledge the music in the background is the same theme used in The Man Who Shot Liberty Valance for Vera Miles. And at a dance, the tune Lovely Susan Brown that Fonda and Marjorie Weaver who plays Mary Todd is the same one Fonda danced with Cathy Downs to, in My Darling Clementine at the dance for the raising of a church in Tombstone. <br /><br />Lincoln will forever be a favorite subject of biographers and dramatists because of two reasons, I believe. The first is he's the living embodiment of our own American mythology about people rising from the very bottom to the pinnacle of power through their own efforts. In fact Young Mr. Lincoln very graphically shows the background Lincoln came from. And secondly the fact that he was our president during the greatest crisis in American history and that he made a singularly good and moral decision to free slaves during the Civil War, albeit for some necessary political reasons. His assassination assured his place in history.<br /><br />Besides Fonda and others I've mentioned special praise should also go to Fred Kohler, Jr. and Ward Bond, the two town louts, Kohler being the murder victim and Bond the chief accuser. Also Donald Meek as the prosecuting attorney and Alice Brady in what turned out to be her last film as the pioneer mother of Cromwell and Quillan. And a very nice performance by Spencer Charters who specialized in rustic characters as the judge.<br /><br />For a film that captures the drama and romance of the time it's set in, you can't do better than Young Mr. Lincoln.

Very silly movie, filled with stupid one liners and Jewish references thru out. It was a serious movie but could not be taken seriously. A familiar movie plot...Being at the wrong place at the wrong time. An atrocious subplot, involving Kim Bassinger. Very robotic and too regimented. I have noticed that Al Pacinos acting abilities seem to be going downhill. A troubleshooter with troubles , but nothing more troubling than Pacinos horrible Atlanta accent. Damage control needs to fix this damage of a film. OK my one liners are bad, but not as bad as the ones in this film. This movie manages to not only be boring but revolting as well. Usually a revolting film is watchable for the wrong reasons. This movie is unwatchable. I did manage to sit through this. The plot ,if written a tad bit better, with , perhaps a little better acting and eliminating the horrendous subplot,and even dumber jokes, could have pulled this thriller out of the doldrums. What we are left with is a dull, silly movie that made sure it was drilled into our heads that Eli Wurman was Jewish. An embarrassment to all the good Jewish folk everywhere.

We watched this movie in my chemistry class, so obviously it had educational value. I thought the film did a really good job of intertwining the subjects of the science, moral issues and personal experiences of the manhattan project, but wasn't exactly focused on strong acting. I would recommend this movie for the scientifically inclined or those interested in the moral issues behind Fat Man and Little Boy, but if the subject of nuclear bombs bores you, don't see it.

After having watched "Guinea Pig", two questions come in mind ( besides 'Am I really a psychopath to watch that ?' ) : 'Is it a snuff ?' The answer is no ; although it's the closest thing to a snuff movie I've ever seen. And then : 'Where the hell have they found that girl ?'. Because she gets tortured for '45 min, without any reasons given ( in fact, there is nothing else in this movie !) : Fingernails teared off, beaten with hands, feet, tools, infested by maggots, ... and many more until the final scene ( I'm still not sure how they did that ). Because it belongs to the 'japonese underground scene', it's obvious she didn't get a lot of money. So what were her ( their ) motivations ?<br /><br />I saw it in japonese without subtitles, but it's not a problem ( no real dialogues, the boys are just insulting her in a few scenes ). I haven't seen yet all the serial, but the first "Guinea Pig" is not known for being the best one. Still I've rated 8, because if the purpose was making people believe this a snuff, the issue is quite good ( ask Charlie Sheen, the actor ). But I think they could have gone further, which they did in the following ones.<br /><br />Another movie I'm hiding from my parents.<br /><br />8/10

A group of teens that have broken into a huge department store, are attacked by a crazed police man. Exciting and suspenseful throughout and refreshingly devoid of extreme violence and gore, but those Aussie hairstyles and accents are a bit much to take. And they can induce headaches. But this is still a good thriller. 7 out of 10.

I remember watching this mini-series the first time in 1984 with a growing sense of anger and indignation. Having read the comments on this title, I must agree with those from the people in Greece. This was produced to coincide with the 1984 Los Angeles Olympic Games and, to me, it seemed like nothing more than an exercise in jingoistic, flag-waving American nationalism in which the American athletes are glorified at everyone else's expense. Some other nationalities would have every right to feel deeply insulted at the way they were portrayed in this series. It may, however, help to explain the way in which many American spectators behaved at the 1984 Los Angeles Olympics and the TV coverage which seemed only interested in events that Americans were likely to win.

From the offset, I knew this was going to be a terrific movie, the pace, the cinematography, personalities indigenous to the Dallas area, the diversification of characters, not to mention the director Oliver Stone and of course Eric Bogasian...The film starts out on a Friday (suggestively occult in the first place) and begins with a radio station in Dallas that is hosting their number one talk show, The Barry Champlain Show (Based on the Talk Radio Host Alan Berg)...Barry (Eric Bogasian) is the abrasive radio talk show host and his job is such whereby it is compulsory to pontificate all of the sensationalistic nuances of the radio audience feeding into his show...He attempts to commiserate with a bunch of societal deviates turned lonely, vulnerable, obscene phone callers who have the masochistic craving to be publicly vilified, Barry Champlain is effective in coping with this precarious ilk, by socially debasing them rather than simply subjugating them to mere admonishment...New technologies serve a stigmatic purpose for the Dallas radio audience, and paramount concepts take a backseat to perversion, talk about "Baseball Scores, Orgasms and People's Pets!!"<br /><br />The whole thing is a cacophony of drug-induced diatribes and a potpourri for psychopathic paranoia!! This high profile cannon fodder is something that Barry Champlain thrives on!!! The convoluted pathos, the deranged proclivities deeriving from inaneities and puveyors of pornography and the overall pop culture afflictions serve as volatile ammunition for Barry Champlain's stilted battleground!!<br /><br />The setting for this movie is perfect in that there is a two thousand foot drop in terms of ideology.. In the the center of Dallas there is an overbearing sense of cosmopolitan awareness, whereby 20 miles away resides a significant chapter of the Ku Klux Klan!!...The play is based in Denver,that is where the actual story takes place, other small theater plays depict the cities of Louisville, Atlanta and Cleveland. Dallas is the city where the film takes place, I thought it was an excellent choice!!...This movie illustrates how people have a horrid and erroneous and deadly misconceptualization of the Jewish people in America, whereby they control the banks, their agenda is different than everybody else's and their intellectual literature leads to perversion!! These preconceived notions compound Barry Champlain's overall dilemma!!! Barry Champlain's personal undoing is whereby he is irascible and non-responsive to his alcoholism, and his abrasive and politically controversial nature is his ultimate undoing, this is what makes the film so believable!!<br /><br />The characters in the movie were well portrayed, Dan, the tailor made for middle management hatchet man (played by Alec Baldwin) who was constantly monitoring Barry Champlain's every move!!..Laura, his girlfriend, also his producer, will constantly feel Barry is someone who is always misunderstood!! Ellen, his ex-wife, is a recipient of Barry's anguish and selfishness, but cannot quite relinquish her feelings for Barry regardless of the path of personal destruction he winds up resorting to!! The Dallas radio audience is a melting pot of socially misplaced retro-bates who are dementedly amused by their own real shortcomings!!!...In part, everybody's hang-ups including Barry Champlain's own hang-ups are what do Barry Champlain in!! His audience ogles depravity, solicits amelioration and ultimately becomes Barry Champlain's pet project for prescribed sinners!! Social culture conflicts become Barry Champlain's downfall!! <br /><br />This movie is superb!! In my opinion Oliver Stone's best picture, including Platoon and Natural Born Killers..That statement in of itself tells you how magnificent a film Talk Radio is...The story consulting and acting and co-producing of Eric Bogosian is simply compelling!! The camera angles, the dialogue, the haunting character portrayals, all top notch..The cinematography of the Dallas skyline at the end of the movie is terrific!! Dallas has the dubious distinction of being deemed a mega metropolis...So now, just like Los Angeles and New York, there are crack baby cases too numerous to count, low cost housing neighborhoods from Hell and budgets cuts that will mean there will be a significant number of people who will be dead by this time next year!!!!...Dallas asserts it's status as a major metropolitan area in the precarious manner by which human debauchery prevails!! The city has it's lynching radio listeners who have given a pejorative spin to the marvel of nationwide air wave communication!! These are the culprits in the movie!! The ghoulish tabloid derelicts who want to meet the big bad wolf, and their decadent curiosity has morally obliterated "The last neighborhood in America"

GOOD: Technomusic accompanying medieval swordplay. Also, the movie looks sleeker than most b-movies, but let's face it: Quake or Doom has more atmosphere.<br /><br />BAD: Unintelligent plot, no acting and totally unbelievable universe. I am usually able to see the potential of even very bad movies; heck, I love a good B-movie like "Split Second" and the likes. But this one has has nothing but boredom and cliché to offer... Totally predictable from start to end. Oh, and I forgot the lousy special effects, they look more like an old Playstation game than anything out of myth! The use of a classic poem to sell this sucker offends me!<br /><br />CONCLUSION: Quite simply boring. If you want to see Lara Croft, buy the game, it's way sexier!

I never thought an old cartoon would bring tears to my eyes! When I first purchased Casper & Friends: Spooking About Africa, I so much wanted to see the very first Casper cartoon entitled The Friendly Ghost (1945), But when I saw the next cartoon, There's Good Boos To-Night (1948), It made me break down! I couldn't believe how sad and tragic it was after seeing Casper's fox get killed! I never saw anything like that in the other Casper cartoons! This is the saddest one of all! It was so depressing, I just couldn't watch it again. It's just like seeing Lassie die at the end of a movie. I know it's a classic,But it's too much for us old cartoon fans to handle like me! If I wanted to watch something old and classic, I rather watch something happy and funny! But when I think about this Casper cartoon, I think about my cats!

This movie is just crap. Even though the directors claim to be part of that oi-culture, it's still a very, very bad directorial debut. The topic itself is very interesting and I accept the bad acting due to the fact, that they are all amateurs and never acted before, but the worst thing about this film are the dialogs and very unexperienced and naive directing. There's no timing at all in that movie. I felt like the directors were so exited to do that movie (it's their first feature), that they actually never really asked themselves, what story they wanna tell. I met Ben (one of the directors) on several occasions and he's a nice and thoughtful guy, but that doesn't make him a director. I think, that "American History X" is full of clichés, but somehow manages to transport a story. "Oi!Warning" is full of clichés, doesn't tell anything new or provocative and (-that's the sad thing about this movie) it's far from any Oi!-Reality.<br /><br />If you wanna see weird but great German films, watch the movies of Michael Haneke, Christoph Schlingensief, Oskar Roehler, Hans Weingartner or Oliver Hirschbiegel:<br /><br />Benny's Video Funny Games Die Unberührbare Mein Letzter Film Das Experiment Das Weisse Rauschen Muxmäuschenstill ...<br /><br />*** out of ten, because of the topic and the photography

There was a time when Michael Jackson was revered as the King of Pop. Then came a time when he attracted negative publicity as much as lemonade attracts wasps. Finally, it is now the time that we feel truly sorry for this man.<br /><br />This 'movie' is another reason to. I promised a rabid Michael Jackson fan to watch it with her. You know the type of fan -- someone who tells him- or herself to like everything the object of affection ever did. While watching this movie, which she had seen twice already, I realized how far this fandom goes. Probably far enough to rate this movie above a 1/10, as some people miraculously did.<br /><br />The movie attempts to be a parody of many other movies and series, most notably Cast Away, Lost and Jurassic Park. Unfortunately, it fails miserably at any level. The acting does not save the absolutely horrible story, the filming has the quality of a too-often played video tape, the special effects were better executed in Be Kind Rewind (for those who do not now this movie: with aluminum foil)... All this would be funny if the movie managed to be, well, funny. Unfortunately, it is not. It hurts to watch this.<br /><br />And then there is Michael Jacksons appearance in this garbage. He appears on a projection screen to deliver an important message, and manages to come across as mobile as Jabba the Hutt and as serious as a 4-year old. Just when I thought "who is the terrible person that lured this poor man into participating in this movie and yet again making a total fool of himself", I (finally) reached the ending credits and discovered that the movie was actually partially shot at Jackson's Neverland ranch. In other words: He. Likes. It.<br /><br />This movie, and Jackson's involvement in it, is truly disturbing. Do not watch it even for the "haha, a movie in the IMDb Bottom 100" effect. Or be warned.

I thought it was comedy!! What a hoot! I can't believe Forsythe or Reynolds would actually appear in this piece of trash..And then there's the beautiful Erika Eleniak or whatever this piece of eye candy is called..Appears she put on a few pounds since her Playboy centerfold..Like about 50!! The story line is ludicrous, the acting absolutely horrendous, and the tired old cliché's that are run over and over and over again, boy it took a lot of stamina to sit through this dog..The only thing worth it was the LAUGHS!! And there are PLENTY! If you really want to kill say, an hour and a half pick this baby up at the rental shop, but make sure you have a room full of brain dead people to watch it with you. I think that's who it was written for.. it plays like they were thinking of a real low rent, drug induced audience for this one..

I seriously enjoy Dr Who.<br /><br />Seriously, don't just dismiss me as a "sci-fi person", because I'm not normally. I caught on because a friend got me hooked when they started watching it. It is actually really funny, and more often than not, it's fast-paced. All of my family watch it pretty much and that's a miracle.<br /><br />Christopher Ecclestion is pretty good, but David Tennant is brilliant. I think it's because he made the Doctor so manic and it's just nice to have that little bit of eccentricity in a TV character again.<br /><br />I don't know what it is about it, but everything manages to work like clockwork. <br /><br />All I'm going to say is just try it. One episode (probably best if you don't pick the second half of a two-parter, though).

I usually read reviews before I watch a movie. Guess what, I didn't do that before watching TLB, and I have to say I was very surprised to see the above average rating at IMDb. I found it to have a total lack of story. You just get dropped into it (and, sadly, not in the way Saving Private Ryan dropped us into the movie), and it also has a sudden end, which was very unsatisfying for me.<br /><br />I have to admit, the wounded soldiers looked pretty realistic to me, especially with the low budget in mind. But prepare yourself to have a laugh... Some guys are being tossed through the air after an explosion as if they are Olympic gymnasts. A mid-air corkscrew or somersault during WW I is a bit too much for me, especially when it's performed countless times during the movie...<br /><br />But the parts that really got me laughing until I almost cried were the scenes containing close combat. The screaming and shouting German voices...unbelievably funny. It seems as if they are spoken by one single actor / voice performer, because they all sound exactly the same, and it just sounds like a 'typical' German voice.<br /><br />I would absolutely NOT recommend this movie to anyone, except to people who just want to have some laughs because of the sad and corny quality of it.

This film is a nightmare! The sensation you feel when you wake up from a nightmare is the same I got when I finished watching this movie: "Uff…OK, it ended, what a relief!" I felt pain watching this movie, so bad it was! It's a B-series low cost movie, that's for sure, but I think it not an excuse to be so bad! I've watched brilliant low cost movies, with nice plots, nice production, nice acting, and most of all, some substance! This one got nothing of it! The plot is hilarious, it almost seems like an "American guide about how to transform ancient Chinese mythology into a ridiculous teenage movie, with some kids playing with the occult"… I don't know if the Chinese tale present in this movie is real or not, but if it is, the "damage" is even worse! The production is just horrible, a plain zero (What "special effects" are those?). There's no suspense. The supposed "tension scenes" are a complete failure. The acting is not better; and what about the dialogs? Oh my God! A movie which has for several times dialogs just like: "I will pass there later, OK? Is that alright? – OK, alright. - OK? – OK, alright, bye then"… I'm sure it doesn't deserve more than a 1/10 score!<br /><br />Too bad to be true!

This film is a hodge-podge of various idiotic cliches. For instance, boy-meets-spoilt-rich-girl and gets her to fall in love with him by harassing her in college (an over-used backdrop in recent Indian commercial films). A male chauvinistic glorification of sexual conquest. The climax is predictable (having been used ad nauseum in several other films). As with many other recent commercial Hindi films, the film abounds with the incongruous insertion of songs, which probably contributed to the film's success more than anything else.

I completely understand WHY this movie was made. Silence of the Lambs was an incredible film - a gruesome thriller with a superb story and high jump-factor....<br /><br />What I don't understand is why THIS movie was made... and why Anthony Hopkins agreed to reprise his role as Hannibal the Cannibal in this terrible and dissatisfying film.<br /><br />There's no possible way to spoil the movie any further than going to see it could, but for those of you who prefer to waste your money, DON't READ ON. The film is absolutely horrible. It's so bad that the transition from Jodie Foster to Julianne Moore becomes a non-issue. <br /><br />The only way to truly enjoy the film is to set your watch and leave the theatre exactly two hours into the film, because up until that point, it's quite an interesting thriller. The reparte between Moore and Hopkins is comparable to Hopkins and Foster, and the performances by the other characters are pretty good. But literally at the two hour mark, the film degrades into nothing but a cheesy D-grade horror flick...it's sick, and it's stupid and almost like the crew ran out of filming time, and threw together an ending in one day of filming.<br /><br />Initial buzz over the Thomas Harris' book's unsatisfying and bizarre ending led director Ridley Scott to order a re-write... and, honestly, having seen the film AND read the book's finale, I don't know which is worse.<br /><br />Please - don't waste your money OR time on this film, unless you're prepared to leave EXACTLY at the two hour point, because that's the ONLY way you'll feel satisfied about the saga of Clarice Starling and Hannibal Lecter... continuing the mystery that made the first film, and the wait for this one, so great.

Potential viewers be warned, the current IMDb viewer rating for "Tomorrow at Seven" is an anomaly of low voter turnout. It has an interesting premise, a killer leaves an Ace of Spades calling card at the scene of his crimes, while alerting the victim in advance. The execution falls flat however, and to say that the movie has it's share of plot holes would be to imply that there actually is a plot.<br /><br />Chester Morris portrays mystery writer Neil Broderick, weaving elements of actual murders by the Ace of Spades killer into his latest novel. Broderick intends to interview a wealthy businessman for his book, but first he has to get past the man's eccentric secretary - "If you line his relatives up, you'd have enough nuts to hold a Ford together". That line unceremoniously endears him to the "nut's" daughter Martha (Vivienne Osborne), who offers to make the introductions.<br /><br />Broderick meets Thornton Drake (Henry Stephenson) just as the latter is about to complete a jigsaw puzzle delivered by a courier that morning. The only remaining pieces, as we learn in the following scene, form the bold, black shape of the Ace of Spades containing the words "At Seven Tomorrow Night". Now what person putting together a puzzle doesn't use the pieces with contrasting colors FIRST! <br /><br />Initially I was intrigued by the appearance of Frank McHugh and Allen Jenkins in their roles as a pair of police detectives summoned to the Drake residence. Generally, their characters are colorful enough to offer genuine comic relief, but here they're just plain annoying. McHugh's Clancy in particular winds up shouting objections to inane comments made by his partner Dugan, and both usually head in the opposite direction when real trouble might turn up.<br /><br />Now here's a question - in light of the identity of the Ace killer, why would he have invited a novelist and a pair of cops that he just met, on a flight to his Louisiana plantation? Especially when at seven o'clock, all parties would be a captive audience aboard the plane when the first murder is committed. It's not Drake however who's dead, but his secretary Austin Winters (Grant Mitchell). The early suspicion falls on pilot Henderson (Cornelius Keefe) following a lights out scene, but Henderson still hasn't reported the murder to his supervisor until well after he arrives at Drake's plantation with everyone else. Can you imagine anyone trying to get away with that today, unless your name was Ted Kennedy?<br /><br />With the cause of death yet to be determined, the local coroner is called in, but the first one that shows up (a Broderick accomplice) is a phony. Yet, when the real coroner shows up, he simply disappears immediately after! In a second dark out scene, a letter from the murder victim Austin Winters is about to be read. It winds up missing when the lights return, and because it may point to the murderer, it becomes a clue that must be retrieved. So where was the letter? Winters' daughter Martha grabbed it and placed in on the mantle of the living room! How much thought was put into this?<br /><br />Obviously, the entire affair is so inane that Morris' character solves the case rather easily. Even though the film comes in at just about an hour, it becomes almost a chore to watch with all the nonsense going on. There's really only one humorous moment worth repeating; while aboard the plane, the detectives have this exchange: Dugan - "Hey Clancy, how often do these things fall?" Clancy - "Once!" <br /><br />Except for McHugh and Jenkins, I can't say I've seen any of the other players in films of the era, though I'm a fan of most "B" grade mystery movies from the '30's through the '50's. Fortunately, the pair fares much better backing up Humphrey Bogart in a goofy 1938 gem - "Swing Your Lady", where the laughs are intentional. The best I can offer about "Tomorrow at Seven" is a quote from Martha Winters about midway though this turkey - "This is just a silly waste of time".

Black Scorpion is Roger Cormen's Batman. Which is cool and there is a lot of cool stuff in this movie. Like the Breathtaker being a cross between Doctor Doom and Darth Vader, that's kind of cool. The mind control gas in the inhalers was worthy of the Mad Hatter. The Cormen B-movie style is all over this puppy which is not always a good thing. There are plenty of stunts and hot babes to make any action fan happy. This movie, the good out weighs the bad. But if you aren't one for comic book movies, then I would advise not watching Black Scorpion, however if you like comic book like movies and don't care if it was ever a comic before. Then check out BLACK SCORPION, as for me I give it 8 STARS.

I watched this film in a Singapore theatre yesterday (4 February, 2006)and came away with a better understanding of what schizophrenia patients and their loved ones go through.<br /><br />Ms Aparna Sen must be congratulated for not only taking on a difficult subject, but also treating the mentally challenged with a deep understanding of their predicament that is necessary to help them cope with the trauma of disorientation, hallucinations and the storm of turmoil raging in their minds.<br /><br />We have had Hollywood movies on this subject such as "One flew over the cuckoo's nest" where Jack Nicholson carried away the honours. Since then research has helped provide more insights into the problem and clearing some misconceptions about treatment. In "... cuckoo's nest," for example shock therapy has been portrayed as barbaric, but in "15 ..." the point has been made that it is not as bad as it has been made out to be.<br /><br />The other misconception is that abuse in childhood is a cause for schizophrenia. But scholars such as Dr. E. Fuller Torrey have emphasised that studies have shown that childhood schizophrenia is a brain disease and is thought to have some genetic roots.<br /><br />It is now established that schizophrenia can be treated like any clinical ailment and its advance can be checked if detected early. Even in fairly advanced stages regular medication and counselling can be effective.<br /><br />The same understanding shown by Ms Sen is evident in the way the actors play out their parts. In keeping with the gravity of the theme, the acting is controlled throughout with Ms Konkana Sen-Sharma's evocative silences and eyes mirroring the helpless confusion of a disturbed mind speaking louder than some of the rantings we are used to in most of the movies that have included mentally challenged characters.<br /><br />Like me most of the audience in the theatre appeared confused at the abrupt ending. It leaves lot of questions hanging in terms of the plot.<br /><br />Has Meethi's search ended? Why is she not found in No. 15? Were children actually playing when Meethi strode past the gates with her eyes sparkling with recognition? Can anyone sort out this jigsaw puzzle?

Diana Guzman is an angry young woman. Surviving an unrelenting series of disappointments and traumas, she takes her anger out on the closest targets.<br /><br />When she sees violence transformed and focused by discipline in a rundown boxing club, she knows she's found her home. <br /><br />The film progresses from there, as Diana learns the usual coming-of-age lessons alongside the skills needed for successful boxing. Michelle Rodriguez is very good in the role, particularly when conveying the focused rage of a young woman hemmed in on all sides and fighting against not just personal circumstances but entrenched sexism.<br /><br />The picture could use some finesse in its direction of all the young actors, who pale in comparison to the older, more experienced cast. There are too many pauses in the script, which detracts from the dramatic tension. The overall quietness of the film drains it of intensity. <br /><br />This is a good picture to see once, if only to see the power of a fully realized young woman whose femininity is complex enough to include her power. Its limitations prevent it from being placed in the "see it again and again" category.

OK, first off there may be a SPOILER here since i don't know what constitutes giving out too much information. My subject line says it all but surely people will want to know WHY it's so stupid.<br /><br />First off, this film follows a bunch of Yuppies as they go to a sports game in Chicago but wind up taking the wrong exit and winding up in the ghetto. Scary, huh? Well, first of all, Emilio is driving everyone in the world's most overblown RV/Winnebago, tricked out with satellite dishes and crap like that on it. So these guys are GOING to a sports game (i forget which, though likely the Bulls or the White Sox since they're near the oh-so-scary ghetto), yet they can't even make it down the freeway without having an onboard viewing command center that would put ESPN to shame. Yet they're smart enough to earn livings that would pay for the stuff, but are such sports fans that they don't even know which exit to get off at on their way to the game they so love.<br /><br />I gave up on the movie within a half hour after that, but the reasons were plentiful. They wind up IN THE GHETTO, yet their main danger to their existence is DENIS LEARY. A WHITE GUY. I'm no racist, but COME ON. In anything RESEMBLING reality - and this film WAS trying to be an urban nightmare - Denis Leary would not be trying to kill Emilio Estevez, he'd be hitching a ride to get the f*** out of Dodge himself!!!<br /><br />This is easily one of the dumbest movies ever created, although I'm not familiar with much of the rest of the world's cinema. If MST3K were still on, they surely would have devoted an episode to this one.

In this sequel to the 1989 action-comedy classic K-9, detective Dooley [James Belushi] and his dog Jerry Lee return to fight crime, but this time they are teamed up with another detective [Christine Tucci] and her partner, a mean Doberman named Zues who does not get along with Jerry Lee very well. Dooley does not get along with his new partner much either. That all changes as the movie goes along. The movie is intense as their is a guy that really wants to kill Dooley for the way he treated him in the past. There is some dramatic scenes dealing with the death of Dooley's wife that don't really seem to be with the tone of the movie because the rest of the movie is action sequences, dog poop jokes, fart jokes, and jokes about dogs biting bad guys in a certain area. I know that that seems like very low humor, but some of it is actually very funny. I didn't see this movie for the jokes, I saw it for two reasons. The first reason is because I am a big James Belushi fan and the second is for the action sequences. James Belushi is funnier than he was in K-9 and the action sequences at are better too. It would have been nice to see more characters from K-9 to return, but it's still a fun movie. If you are a James Belushi fan, you'll love this movie.

The magnificent Greta Garbo is in top form in this, her first talkie. She gets fine support from the rest of the cast which includes Charles Bickford the rugged sailor who captures her heart. Ms. Garbo gives a great performance as she usually does as the estranged daughter of a sea captain who returns after fifteen years. Also in the cast is that great actress Marie Dressler. A great movie!

This is without doubt the worst movie i have ever seen. And believe me, I have seen a lot of movies. The unbelievable twist the movie makes - going from an extremely bad "Alien lifeforms inhabit earth" movie with sickening bad acting, to a film that tries to spread an Archchristian "Judgement day is at hand, seek Jesus or though shall burn for all eternity in the fiery debts of hell" message - left me stunned after being tormented for 85 minutes. Even religious Christians must be ashamed or furious by watching their beliefs being posted like this. I didn't know what to do with myself when I watched the horrible acting that could have been performed by 7-year-olds. Simply disgusting. I am not a Christian nor very religious. But if I had been, I would no longer be afraid of Hell. Rich Christiano has shown be something much, much worse.

Actually, the answer only occupies a tiny portion of this excellent Imax movie that educates us on our delicate selves. C.G. and special cameras--assisted by Imax--incredibly display the inner (and outer) workings of an average human, be it adult men and women, boys and girls, or babies. Nearly every human body part aspect is specifically detailed: digestion, reproduction (featuring a Marvin Gaye hit), the heart, etc. Some especially revealing moments include how an infant can be immersed underwater and also how the brain's impulses look. It is amazing how we function.<br /><br />The subject matter skips around an awful lot. But at all times we still learn a hell of a lot about our bodies that we should be *required* to know.

Quentin Tarantino once said that to succeed in the film industry you had to make your own Pulp Fiction or Reservoir Dogs. Writer/actor/director Larry Bishop seems to have taken that advice a little too literally with Hell Ride and concocted a messy homage that borrows much too heavily in its visuals, music, camera-work, and time-altering storytelling. But to properly mimic a Tarantino film, one has to have a knack for constructing creative conversations; unfortunately Hell Ride's primary derailing element is its atrocious ramblings and vulgar monologues that only work to disgust and confuse the audience while simultaneously invoking pity for the actors just for being involved.<br /><br />The anti-hero protagonist biker gang, The Victors, consists of several weathered vigilantes who bring their own brand of bloodthirsty justice to the lawless roads. The leader, Pistolero (Larry Bishop), is hell-bent on revenge and putting out fires. The Gent (Michael Madsen) just tries to balance his chaotic, psychotic symphony of life with putting lead into anyone who crosses his boss, and Comanche (Eric Balfour) follows with a fierce loyalty and a mysterious past.<br /><br />On the villainous front, Deuce (David Carradine) is the mastermind who orchestrates from afar, though not quite far enough, and Billy Wings (Vinnie Jones) spits venom and lewd explanations for his tattoos while toting a harpoon gun and a general disdain for life. While these characters might sound interesting on paper, once they're forced to rant horrendously ill-conceived dialogue all traces of cool disappear faster than the funding should for Bishop's next film.<br /><br />While Hell Ride is riddled with imperfections and missed opportunities, the main facet of its undoing lies in the poorly devised conversations. And because Bishop's main influences are the talky films of Tarantino, there are a lot of them. The first twenty minutes of the movie are nearly unintelligible and would probably make as much sense muted. By the time Pistolero's main squeeze is introduced and certain phrases are overused to the point of nausea, you'll pray for both death and the ability to turn the sound off. Even Dennis Hopper has trouble remaining cool while spouting off such goofy dialogue.<br /><br />Have you ever repeated a word or phrase to yourself so many times that it just doesn't sound right or even make sense anymore? Bishop starts there and then keeps the madness going until you envy the characters on screen getting their heads cut off. And when the dialogue finally takes a break, we're treated to interspersed shots of nude female oil wrestling and throats being slashed. I'm not sure what effect Bishop hoped to attain, but I doubt he found it.<br /><br />Hell Ride wants to pay homage to Quentin Tarantino films, Robert Rodriguez films, and every movie that idolizes the violent and devil-may-care attitudes of bikers. But while its intentions may be noble, the horrendously cringe-worthy dialogue and the hyper-stylized timeline-mangling editing prevents the audience from becoming invested with the generic tough-guy characters. By the time we figure out the mystery behind the characters' motives (and it may be awhile before you even realize there's a mystery to be solved), it's just too hard to care anymore. And while everyone on screen is clearly having fun, they've entirely neglected to translate any of that entertainment to the audience.<br /><br />- Joel Massie

I saw this movie when I was a lot younger but it captured me. I loved Orry and George's relationship so much. I was so enraptured in Orry and Madenline's love story. I am a hopeless romantic so it really got to me. I especially liked it when he first met her. I just wish he had more time with her and their baby. So you know in Book three I was so hurt that he died. I didn't really understand that because they had little time together. I just loved Patrick in this movie. I just bought all three books together and I can't stop watching them. My 12 year old son is stuck on it. He likes the fighting in the war. I cry every time. I wish I could meet Patrick and Madeline in person! It was a wonderful movie and cast!

I am sorry to rain on everybody's parade. Just a little background about me: I like and know a lot about Asian cinema, especially Japanese, Chinese and Indian. Admittedly I am a novice when it comes to South-Korean cinema but, if this is the best of the best, sorry. I just want you to know that I am not at all narrow-minded when it comes to appreciating foreign movies and I do not fit the stereotype of the "dumb American" . . . well, not perfectly.<br /><br />I cannot believe the high praise this piece of nothing is bestowed upon. This is a disgusting *and* ludicrous movie. Hammy acting - everything is badly done and overdone, like begging for the uneducated viewer's attention. Horrible camera-work, with an insistence on meaningless close-ups derived from the MTV aesthetics.<br /><br />The plot is more full of holes than a gigantic piece of Swiss cheese. Nobody expects a thriller to be 100% realistic, and for the sake of entertainment I'd be happy to close my eyes to small unfitting details. But, excuse me, what's happening here that *can* stand even summary scrutiny? This story of an unbelievably intricate and contrite act of revenge is worse than the worst tabloid story one can read in a line at the supermarket. (Don't want to spoil your "enjoyment", if that's the word, so won't go into details of the plot.) The fighting scenes are violent, unbelievable, downright stupid (the main "hero" taking on dozens and dozens of opponents in the same time, after he ONLY trained while imprisoned, punching a wall ! ) The truly "outstanding" features of this movie are two: the lurid and incestuous sex (brother on sister and father on daughter, well, we've evolved since Oedipus, didn't we?) and the graphic violence. The cut off body parts - hands, teeth, tongues - together with industrial quantities of spilled blood (how many tens of thousands of tomatoes had to die for this movie to be made?) have no esthetical function/motivation whatsoever.<br /><br />A feast for the S & M inclined, admittedly, but, even for those, a feast of no merit nor subtlety. Heavens, even Mel Gibson's recent and much-discussed work on an almost similar theme wasn't THAT bad.<br /><br />The invariably good press this pretentious, overblown, overlong piece of gratuitous gore coming from Korean shores obtains makes me wonder what's happening. I don't think of myself as being the ultimate paragon of taste and often I am ready to accept that a movie I didn't enjoy may be better than I was able to perceive. However, I have no scruples whatsoever in calling this one as I see it: bad, bad, bad. No redeeming qualities. My 2c? Find something better to do with your time.

Homicide: The Movie proved to be a good wrap-up to a well-written, well-directed, and well-acted series. Loose ends were tied up that weren't properly addressed at the end of the final season. The entire series, and especially the movie, provided a life-like look at life (and death) in Baltimore, a culturally unique city with an extremely high murder rate. My attraction to the series began long before I moved to Baltimore, but once I experienced life here for myself, I realized how realistic it was. And the movie certainly retained that spirit. I will certainly miss new original episodes of the series, but am very grateful to NBC and the producers and cast for giving us one last glimpse at the dark side of Charm City.

This show is brilliantly hilarious! I started watching in 2007, and had never heard of it before then. After one episode, I was hooked. I'm never home to watch it, so my wife bought me the entire series on DVD. Non stop laughs, need I say more? I wish it was still on TV, because it is definitely worthy and a whole lot better of crap on currently on TV.<br /><br />I wish they would make a movie, seriously, who wouldn't go see it. Kevin James's name alone will bring a huge fanbase to any movie, the guy is (make your stomach hurt) funny.<br /><br />Just a really good, down to earth, believable show. If you have the chance to buy it on DVD, do it, its worth it.

The worst movie i've ever seen. I still don't understand what Dennis Hopper and Michael Madsen intend to do in. Maybe they had bills to pay... The best and cult part happens during a flashback which brings us during WWII when a Nazi officer hide his Jewish wife. That's the beginning of a typical serial killer life! It seems to be directed during the beginning of the 80's but then appears a New Beattle... Amazing! This movie was directed in 2001... I'm quite sure that it took less than two weeks to do that movie. I heard that Dennis Hopper's wife asked for divorce after she saw that picture and Michael Madsen's mother had a heart attack when the actor admitted to be the man under the yellow baseball hat. Pathetic!

A total and absolute waste of time. Bad acting. Bad story. Predictable. Simple. Pathetic. After a while I was only watching to see what happens, since I'd already invested my time into it. Totally surprised Mrs Forlani played in a weak movie as this. Honestly - just don't bother. A total and absolute waste of time. Bad acting. Bad story. Predictable. Simple. Pathetic. After a while I was only watching to see what happens, since I'd already invested my time into it. Totally surprised Mrs Forlani played in a weak movie as this. Honestly - just don't bother. A total and absolute waste of time. Bad acting. Bad story. Predictable. Simple. Pathetic. After a while I was only watching to see what happens, since I'd already invested my time into it. Totally surprised Mrs Forlani played in a weak movie as this. Honestly - just don't bother.

In 'Hoot' Logan Lerman plays Roy Eberhardt, the new kid in school who has just moved from Montana. But Florida is a lot different from Montana. Despite is troubles in blending in, Roy discovers a bigger problem. A new franchise restaurant is coming to town and families of burrowing owls are in trouble. Can the new kid, a tomboy (Brie Larson) and a runaway (Cody Linley) stop big business from destroying these owls' home? <br /><br />This movie was pretty good. The kids (Logan Lerman, Brie Larson and Cody Linley) are the real stars of this film. Luke Wilson (Officer Delinko) is okay, but really does not have a very big part. Neither does Robert Wagner (Mayor) or Jimmy Buffett (Mr. Ryan).<br /><br />Nevertheless this was a fun film that the whole family will enjoy. For a first time producer, I thought Jimmy Buffett put together a quality piece of work. Plus the owls were really cute.

Growing up in the late 60s and 70s I could not help but become a fan of science fiction. With America's space program in top gear, sci-fi books, movies, TV shows, and comic books fueled my imagination and opened my mind to the possibilities that exist in the universe. Farscape is so unlike any other sci-fi show yet it has all the ingredients that made shows like Star Trek, Battlestar Gallatica, X-Files, and Deep Space Nine personal favorites. One of the criticisms of Farscape is that the casual viewer can't just jump in and watch one episode and understand what is going on. There have been other very successful shows that used multiple episode story arcs and complicated characters. This for me is one of the charms of the show. I don't need or want to have the story all tied up neatly at the end of every episode like the various incarnations of Star Trek have done. All in all, Farscape has wonderful and funny characters and a running storyline that says that although humans may be the least evolved or advanced intelligent species in the universe, they still have unique qualities and abilities.<br /><br />Unfortunately, the shortsighted people at the Sci-Fi channel have canceled Farscape's 5th season. They have stated that the cancellation was based on sagging ratings. Yet just a few years ago it was their top rated original series and a critical favorite. It's a shame that all of the artists who help create this show will be unable to continue their labor of love because of the fiscal problems of the very channel/company that made it all possible in the first place.<br /><br />Hey, don't take my word for it, watch the show, watch the re-runs and make up your own mind. Help save Farscape!

I was unsure of this movie before renting and did so on the assurance that Hilary Swank has always given excellent performances in her movies. She seems to rely on restraint to gain the emotional impact that she does. And she didn't prove me wrong in this movie.<br /><br />However the movie also had fantastic performances from all other members of the cast both speaking and non-speaking. I have to single out Jamie Bartlett and Chiwetel Ejiofor - the two main protagonists - for their outstanding acting abilities and portrayal of true human feelings and failings. The whole movie ran almost like a documentary.<br /><br />I must applaud Tom Hooper as the director and Avril Beukes as the editor for keeping a multiple layered story being revealed smoothly whilst keeping dialogue and action moving along in an understandable fashion. The opening sequence of the South African landscape was striking and I had to push the pause button to savour the photography.<br /><br />Why can't a movie like this ever get nominated for an International award. It seems to me to hit the high-rating button on all counts. It was not just a film it was a true experience of life in a country coming out of apartheid. A life of poverty was all around but it celebrated the dignity of the human spirit.

Avoid this crap at all costs. Bad script, bad directing, bad acting, bad editing, bad sound, and bad music. Get the idea? This movie tries to be western flavored, it's not. It tries to be hard core violent, it's not. It tries to present a fresh look at an old genre, it doesn't. The actors try there best, and my heart goes out to them. But with such inane material to work with it's hard to make something shine. To me this has all of the looks of a "fresh outta film school gonna set the world on fire" first attempt. Freshmen film makers often bite off more that they, or their budget, can chew. The best thing they can do is to take a few steps back, reassess what is possible, and work within their limited budget the next time out.

This is a extremely well-made film. The acting, script and camera-work are all first-rate. The music is good, too, though it is mostly early in the film, when things are still relatively cheery. There are no really superstars in the cast, though several faces will be familiar. The entire cast does an excellent job with the script.<br /><br />But it is hard to watch, because there is no good end to a situation like the one presented. It is now fashionable to blame the British for setting Hindus and Muslims against each other, and then cruelly separating them into two countries. There is some merit in this view, but it's also true that no one forced Hindus and Muslims in the region to mistreat each other as they did around the time of partition. It seems more likely that the British simply saw the tensions between the religions and were clever enough to exploit them to their own ends.<br /><br />The result is that there is much cruelty and inhumanity in the situation and this is very unpleasant to remember and to see on the screen. But it is never painted as a black-and-white case. There is baseness and nobility on both sides, and also the hope for change in the younger generation.<br /><br />There is redemption of a sort, in the end, when Puro has to make a hard choice between a man who has ruined her life, but also truly loved her, and her family which has disowned her, then later come looking for her. But by that point, she has no option that is without great pain for her.<br /><br />This film carries the message that both Muslims and Hindus have their grave faults, and also that both can be dignified and caring people. The reality of partition makes that realisation all the more wrenching, since there can never be real reconciliation across the India/Pakistan border. In that sense, it is similar to "Mr & Mrs Iyer".<br /><br />In the end, we were glad to have seen the film, even though the resolution was heartbreaking. If the UK and US could deal with their own histories of racism with this kind of frankness, they would certainly be better off.

Dewaana as a film goes through the usual clichés. Man and Woman fall in love and marry, husband is supposedly killed by a family friend who wants their family fortune, woman remarries and surprise surprise husband no.1 reappears. The movie is reminiscent of Yash Chopra's Chandni and countless others. Divya Bharti and Shah Rukh Khan give good performances. Amrish Puri as a villain goes through the motions and is nothing more than a standard bollywood villain The music by Nadeem Shravan is superb, all the songs were brilliant. My favourites are Sochenge tumhe pyar or Koyi na koyi chahiyye. Dewanna is an ordinary movie that goes through the motions.

This was one of the worst movies I've ever seen. Horrible acting,Not funny at all, and well just boring.<br /><br />I can only assume all these 10 out of 10 fav. all time movie comments are actually the actors themselves in disguise.<br /><br />Idk what the runtime on this movie is I'm sure its listed on this page It certainly felt like an eternity <br /><br />If your looking for a tough challenge,attempt to sit through this awful movie.<br /><br />otherwise<br /><br />Don't waste your time as I did on this one

This is definitely one of the most scary and spell-binding films ever made. You are stuck to the movie from the beginning to the very end. Even though there are some plot holes, it keeps being exciting to the final showdown. Besides "8 MM" and "Peeping Tom" this is one of the best films about "Snuff Movies", a taboo theme of our culture. If you like the SCREAM Trilogy, you will probably love that one.

This isn't cinema. It isn't talent. It isn't informative. It isn't scary. It isn't entertaining. It isn't anything at all.<br /><br />I got this because my cousin says, "Diablo! COOL!" Yeah, right. The only thing cool about this experience was the lone fact that I didn't buy it but rented it instead.<br /><br />It's shot like a bad soap opera. No wait. Soap operas at least LOOK professional...sorta. This? This looks like it was shot with someone's camcorder. It's horrid! Wretched! It sux.<br /><br />The cinematography is detestable! WHO IS this director anyway? I don't even care enough to look him up. He STINKS! The performances by these poor unsuspecting actors were far better than this crap-fest deserved.<br /><br />2.6/10 on the "B" scale. <br /><br />That registers about a 0.3/10 on the "A" scale from...<br /><br />the Fiend :.

With a movie called "Gayniggers from Outer Space" how could you go wrong? Just throw in some over the top stereotypes for the characters, use the Village People as the main suppliers for the soundtrack, and throw in tons of gay-gags. Plot is unimportant. Too bad, this film doesn't contain any of this and every joke misses the spot. The characters all look alike apart from the german gaynigger, one or two jokes work, the rest fails.<br /><br />The title made me laugh and I was prepared to laugh even more about the film. My expectation were to high apparently.

Having read the other comment about this superb piece of TV drama I felt compelled to balance things a little. If you like you murders, to be signature and serial, and your cops to be British, and shout a lot, and the gore to be bloody and have a religious slant then this hits every button. Not quite enough 'gov'ing to put the shouting into the Sweeney's rarefied heights, but otherwise highly rated. Ken Stott is excellent as the 'cop on the edge' and the guest stars are also well cast, including Edward Woodward and Art Malik. Recommended. (In response to the earlier comments, although I accept that 'Red' would not 'normally' drive away from a hit and run, he had just witnessed his brother arrested for murder, and I am fairly sure he does not see the boy move.)

The 80's is largely considered the decade in which horror decided to have fun. Sometimes, there were some definite brains behind it all ("Evil Dead II", "Night of the Creeps" and "Return of the Living Dead" for example) and then there were those movies that were mindless but had a definite low rent charm and were perfect for a night with beer and friends. Movies like "Pieces" and "Blood Diner" stacked rental shelves in the 80's and 90's, offering little in intelligence or craftsmanship but plenty in dumb entertainment. Kevin Tenney's 1988 movie "Night of the Demons" is a part of this tradition-stupid, poorly acted and not an original bone in it's body, but dammit if you don't have a good time.<br /><br />The plot is so simplistic it just had to come from the 80's: a group of dumb teens played by a bunch of actors in their mid to late 20's decide to go to a party at Hull House thrown by Angela (Mimi Kinkade) and Suzanne (Scream Queen legend Linnea Quigley.) Well, Angela and co. decide to throw a séance. This turns out to be as Will Arnett's "Arrested Development" character Gob would call it, a "Huge Mistake," because a demonic force soon possesses Angela, and starts to get to the others as well.<br /><br />Take "The Evil Dead", "A Nightmare on Elm Street" and your average dumb dead teen flick, throw them in a blender, and "Night of the Demons" is what you get. The movie is anything but original, and really, it's not a good movie. The whole thing is insanely derivative, the acting is terrible, the jokes often fall flat, the characters are annoying (especially the character of Stooge) and the plot holes are numerous. That out of the way, it's still a lot of fun. So why? <br /><br />Well for one thing, the make up and gore effects are top notch, with some really memorable moments (especially a nasty and just plane odd bit with a tube of lipstick) that really stick out. It also rarely if ever takes itself too seriously, yet with the exception of some terrible puns, plays it straight and never wastes the audiences time with winking self awareness. Plus, there's a definite energy and enthusiasm to the whole enterprise that's almost impossible to resist. Yeah, it's nothing special, but it knows that, and it couldn't be more proud of that fact. It's a goofy party horror movie, and it never pretends to be anything more.<br /><br />It might not be a classic, but "Night of the Demons" is a good example of horror junk food done right. It might not be too memorable or original, but sometimes you don't want a fancy beer. Sometimes you want a Budweiser.

Bruce Willis, as usual, does an excellent job.<br /><br />[warning: may be considered a "spoiler"]<br /><br />While my friend thought it was good, I kept glancing at my watch during the entire movie wondering when it would end. After seeing such great flicks as "The Patriot" and "Chicken Run" I was really disappointed in Disney's "The Kid."<br /><br />Willis plays a middle-aged man with a harsh and realistic attitude on putting a positive spin on people's images (he's an Image Consultant). An unknown kid shows up. Yes, it's him but younger, and even Lily Tomlin can see him. At this point I'm reminded of a cross between a poor "Quantum Leap" episode and a bad time traveling flick.<br /><br />Kid and Willis go through trying to figure out why he's in that time period. They figure it out. They meet Willis when he's older. Nevermind that it never goes into detail how old Willis teleports them between time periods and gets them together to begin with, how he got that knowledge to begin with, how he came to the realization that he needed to do this, and so on.<br /><br />Basically, it's a very tired, unoriginal, uninspiring plot that has some great actors in it. The good news is that "the Kid" actor is nowhere near as annoying as he's presented in the trailers on television.

I found this to be an utter waste of time, effort and money. I know Disney always displays lack of creativity when making "straight-to-video" films - but rehashing the plot of the original film with a "new perspective" is an all-time low...soon they'll just be re-releasing the original films with new animation and new songs and be calling it a "new version of the movie we all love." Nathan Lane surprisingly returns to his role of Timon yet again. Timon and Pumbaa the animated animals from the world of the original "Lion King" embark on a narrative journey to tell us the original story the way it REALLY happened...as they see it.<br /><br />Of course Timon is now the hero of the story, yadda yadda yadda, blah blah blah...<br /><br />The musical sequences are lame and the animation is crap. The vocal talents are impressive for a video feature, but then again, when was the last time you remember Matthew Broderick, Whoopi Goldberg or Nathan Lane being in anything of real commercial substance? Overall if you liked the original you'll hate this. It's insulting because it's unfair to children and adults alike. And that about sums it up.

I was all in awe of the film looking at the promos and went to watch it FDFS The film was horrible to say the least<br /><br />The first scene is good and till they go to London things are funny but slowly the pace slackens and they is nothing funny about it<br /><br />The Manoj Joshi subplot is funny at places but is unwanted and adds to the boredom<br /><br />The drugs part is funny especially the monologue of Govinda<br /><br />The film goes on and on aimlessly just like a small kid has written it<br /><br />The interval brings a twist in the story but by then i lost hope<br /><br />The second half starts okay but the way things are handled makes a mockery The entire Arbaaz- Jackie angle is half baked Also how come people don't identify them?<br /><br />The climax is quite funny though stupid<br /><br />Priyadarshan is not at all in his elements, from this film he started doing craps and his films got bad and bad Music is good, SIGNAL, TERE BIN stand out and AFREEN too Camera-work is good<br /><br />Akshay Kumar has white in his stubble and looks old but he acts well though this role he has done many times yet thanks to his natural comedy acting things look bearable Govinda looks out of shape, bad and his act except monologue is boring too surprising from Govinda seems too much pressure on him to comeback and Priyan fails to utilize him Paresh is okay in parts but overall just repeat act Manoj Joshi is funny at places Sharat Saxena is okay Shakti Kapoor is great Jackie Shroff looks overweight and acts in his sleep Arbaaz Khan is bad Lara Dutta shrieks to glory but fails to act

I caught this on local Mexican television at 2:00 a.m. and I decided to give it a chance since it's based on a real life case that deals with the murder of the typical All American family (a dad, a mom, and a young son).<br /><br />On the beginning the hints point to Walker to be the murderer as he had strong differences with his father. Shortly after, when Walker and Luke are taken to the Sheriff's dept. to being examined by the lies detection machine, things turn out to be very different...<br /><br />Also, when Walker and Luke attend to an appointment with their father's lawyer, they learn that Luke would receive $200,000 and Walker is out of the heresy. Luke immediately buys a convertible.<br /><br />Anyways, this is an excellent mystery movie that deals with betrayal, ambition, feelings, and cold , very cold blood.<br /><br />I know the real names were changed but still the experience is the same. Give this movie a try. I know there are HUNDREDS of "based on real murders" or events of the like, but this one is truly worthy. Pure quality on acting, direction, and plot.

It's somewhat telling that most of the great reviews for the film on IMDb all come from people who have only reviewed one film in their entire IMDb career and yes you've guessed it, that film is "Parasomnia". I've often suspected suspiciously good reviews on IMDb for what turns out to be an anything but good films as underhand marketing , but it seems fairly transparent in this case.<br /><br />That's not to say Parasomnia is terrible, but it stops well short of being the good or great film it had the potential to be.<br /><br />On the plus side, it has a great baddie in Patrick Kilpatrick who does a brilliant job projecting menacing and evil, I could easily see him having what it takes to play a truly memorable baddie on a par with Hannibal Lecter. There are some beautiful visuals in the dream sequences, in fact if the film had decided to explore that terrain more it might have been something better. The actual concept of devious misuse of hypnosis is great too.<br /><br />Although I understand suspension of disbelief is necessary for immersion in any good story, it's the mark of a good story that it succeeds in letting you do that. If you find yourself being annoyed at what you find illogical or just plain silly, then the story is losing you and that's what kept happening to me with this film. Other reviewers have mentioned this here and I don't want to get into spoiler territory, but I will say the setup at the ending was particularly ludicrous and disappointing, not too mention the varying mental age of a character that is only supposed to have experienced a few years of life.<br /><br />All in all, there is the germ of a great idea here in diabolically misused hypnotism, but sadly this film fails to realise it into anything special.

Steve Martin should quit trying to do remakes of classic comedy. He absolutely does not fit this part. Like the woeful remake of the Out Of Towners, this movie falls flat on it's face. How anybody ever thought Steve Martin could even come close to Jack Lemmon's wonderful performance is beyond me and the same is true for this movie. Dan Ackroyd could have played the Bilko part better. Martin is great when doing his own original characters but fails miserably trying to recreate other people's classic work. It's a sad statement when the funniest part of a movie is contained in the first line of the credits when the movie is over. The line "The producers gratefully acknowledge the total lack of cooperation by the United States Army" was just about the only line that actually made me laugh. If you want to see the real Bilko, get hold of the original episodes of the Phil Silvers Show. Those are guaranteed to make you laugh, unlike this mistake that should never have happened. I put this movie in the same category as the aforementioned Lemmon classic and the remake of Psycho. None of them should ever have happened.

Forget all those people who tell you it's not as good as the book. So what? This is a film after all. It is a sheer joy to watch, made entirely on location in Cephallonia, gorgeous photography but with dark, disturbing moments as well. The only problem I have is with the obvious miscasting of Nicolas Cage as captain Corelli. Apart from that the film was a very pleasant surprise.

Manmohan Desai made some entertaining though illogical films like AAA, PARVARISH and NASEEB but he made some craps like COOLIE and MARD and then GJS<br /><br />This movie is one of the worst movies ever made by him the dial became famous Mard ko dard nahin hota but the film is so bad you cringe<br /><br />The British are made carricatures and the film looks so weird The scene in the British hotel is damn stupid <br /><br />The film has many stupidities like Amrita assaulting Amitabh and then the entire scene plus towards the climax the film becomes even worse There are more gems like the horse statue getting life, The masks of Amitabh haha and more<br /><br />Direction by Manmohan Desai is bad Music is okay<br /><br />Amitabh does his part with style, nothing different from COOLIE, LAAWARIS type roles Amrita Singh is okay Satyen Kapuu is okay Prem Chopra is as usual, Nirupa Roy is again her usual self Dara Singh is also as usual

This movie sucked sooo bad, I couldn't even watch the ending. Milo's voice was too low and I couldn't understand what he said as well as some of Kendra's lines. Also, where did he get all these wedding dresses from; it was very impractical. The movie failed to elaborate on Milo's drowning and how it made people ridicule Dr. Jeter and his practice. Overall, I was disappointed that I was unable to give this movie a rating of zero because by grading this movie as a one, I felt I was giving it undeserved praise.

One would make you believe that this game is about a man obsessed with a number. And sure, it's an interesting subject - can a person become so obsessed by something marginal as a simple number that he completely loses touch with reality and becomes hopelessly delusional and paranoid? <br /><br />Well, perhaps someone will make a movie about that sometime. This one unfortunately doesn't have anything to do with the above, never mind what the trailers (or even the movie itself) would like you to believe. I would like to say that this number is just a MacGuffin, but it isn't even that. It's pointless. A gimmick. A hook for unsuspecting audience.<br /><br />Well what IS the movie about? A dog-catcher (Carrey) who becomes obsessed with a cheesy noir crime book because he feels it somehow reflects his own life. There. Sure, the character in the book - detective Fingerling (sigh) - is (for some reason) obsessed with number 23, and Carrey himself becomes obsessed and starts seeing the number everywhere.. but it's just padding, and totally irrelevant to the story. In fact, you can cut out all the 23 references and have the main character(s) obsess about cheese or something and you'll have the exactly same story. It is painfully obvious that all the "23" stuff was written in waay after the story was already finished, rejected and sent for "rewrites".<br /><br />Which would be OK.. I guess.. if the movie wasn't dull, dull, dull. Half of the movie is narrated, for chrissakes. You aren't watching the movie, you are listening to Jim Carrey narrating the movie. About a quarter-in Carrey starts reading the book, and from then until the horribly cliché ending we are forced to watch "real-life" scenes from dog-catcher's life (where nothing happens) interspersed with narrated artsy film noir-ish "book" scenes which will either leave you snickering or just plain depressed. It's like a poor man's "Sin City" with all the violence cut out, narrated by Carrey and shown in slow-motion. Ugh.<br /><br />This is a simple case of a C-movie script somehow being filmed with an A-movie cast.. probably because of the "number 23" hook which I guess sounded intriguing enough on paper to warrant the premium Hollywood treatment. However, since - as I said already - the movie is about number 23 as much as it is about cheese production in Switzerland, one cannot feel anything but cheated.<br /><br />I give "Fingerling - the movie" 3 out of 10, because I guess it didn't insult my intelligence as much as "Forsaken" did or made me downright suicidal like "Battlefield Earth" did and the bottom of the scale must be reserved for abominations like those. But fear not, this is still a pretty lousy flick.

I saw this movie on television as SCREAMERS and loved it. I heard an interesting story about this film. When Roger Corman released it to drive-ins in the summer of 1981, his trailer department sent out an advance trailer which was not actually footage from the film. It was allegedly footage of a naked woman being chased around a laboratory set by a monster. During the film's opening at drive-in's, irate customers complained the did not see the movie they paid to see. Theater owners called Corman and said their customers felt ripped off. So Corman had to run off copies of the footage, and send the positive film to theater owners to splice into the film themselves. Since the footage was never part of the film negative, it has not appeared in any video, DVD or television broadcast. Has anyone ever seen this footage? Anyone who saw this film at a drive-in in the summer of 1981 remember this?

The fifth collaboration between Marlene Dietrich and director Josef von Sternberg, BLONDE VENUS is a film that looks great while it's playing but fails to engages the viewer. The plodding storyline of Dietrich being torn between two men, becoming a mammoth cabaret star, and fighting for the custody of her child is jumbled and often feels like bits of three separate films half-baked together. Dietrich is unwisely cast in a rather passive, reactive role for much of the film and her character remains aloof from viewers, while Herbert Marshal is unconvincing as her ill-tempered husband, and Cary Grant is largely wasted as a suave suitor who dashes in and out of the picture. The film does contain some intriguing set pieces (the "Hot Voodoo" number is the high point) that are impressively surrealistic for this era in Hollywood, although it proves to no avail in such a dull, incoherent film.

This is a great movie! Most of us have seen Jurassic Park, where the Chaos Theory is summarized by telling about a butterfly's wings, causing a tornado on the other side of the planet. Well, Bug is all about that (or at least something, don't worry this is no spoiler) I'm definitely not a religious type and don't believe in pre-destined stuff, fate, etc, but this movie surely makes you wonder if coincidence really exists...<br /><br />further more, the acting and camera are excellent too, another prove that it's still possible to make a good movie without a zillion bucks

This movie captures the essence of growing up in smalltown America for a young girl on her own. The realism and subtle nuances, offered to Ashley Judd's character, Ruby, by the storyline, capture what can only be described as a true to life setting in the panhandle of Florida. From the slam of a screen door, to the lack of work, the echoes of what life is really like on the "red-neck riviera" provide rough choices for the young girl. Paradise did not come easy. But she slowly overcomes obstacles and deceit, and learns to be her own woman, with a strength that flows from within. Ashley Judd's winning smile, and infectious gait exude warmth and command respect and admiration. The careful pace of the character development resembles that of "Ulee's Gold" in 1997, starring Peter Fonda, and also directed by Victor Nunez.

Play Mystery Theater 3000 at home with your friends! Rent this movie for the laughs! The acting is poor, the sounds is terrible and the fights are ridiculously unbelievable. I thought the movie was a joke until I looked it up on IMBD. I can't wait to rent the sequel, China O'Brien II.

It's not a terrible movie, really, and Glenn and Keitel are top-notch actors. Further, they do an acceptable job with the very weak script. The scenery is lush and the plot has some interesting twists. Further, I umderstand why these actors and the crew made the film, they are professionals and they get paid for it. But I do wonder why studios spend the time and money to make a film and then don't release it for theater audiences? Even if a film is a box-office flop, surely it makes some money. If you are a fan of Keitel or Glenn, rent the video or catch it on TV, as did I. Granted, the movie won't help solve the immigration quandary with Mexico, but the experience is far better than 90% of the standard TV fare of today.