feliciamj/classifier · Datasets at Hugging Face

text stringlengths 4 267	label class label 2 classes
the rock is destined to be the 21st century's new " conan " and that he's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal .	1pos
the gorgeously elaborate continuation of " the lord of the rings " trilogy is so huge that a column of words cannot adequately describe co-writer/director peter jackson's expanded vision of j . r . r . tolkien's middle-earth .	1pos
effective but too-tepid biopic	1pos
if you sometimes like to go to the movies to have fun , wasabi is a good place to start .	1pos
emerges as something rare , an issue movie that's so honest and keenly observed that it doesn't feel like one .	1pos
the film provides some great insight into the neurotic mindset of all comics -- even those who have reached the absolute top of the game .	1pos
offers that rare combination of entertainment and education .	1pos
perhaps no picture ever made has more literally showed that the road to hell is paved with good intentions .	1pos
steers turns in a snappy screenplay that curls at the edges ; it's so clever you want to hate it . but he somehow pulls it off .	1pos
take care of my cat offers a refreshingly different slice of asian cinema .	1pos
this is a film well worth seeing , talking and singing heads and all .	1pos
what really surprises about wisegirls is its low-key quality and genuine tenderness .	1pos
( wendigo is ) why we go to the cinema : to be fed through the eye , the heart , the mind .	1pos
one of the greatest family-oriented , fantasy-adventure movies ever .	1pos
ultimately , it ponders the reasons we need stories so much .	1pos
an utterly compelling 'who wrote it' in which the reputation of the most famous author who ever lived comes into question .	1pos
illuminating if overly talky documentary .	1pos
a masterpiece four years in the making .	1pos
the movie's ripe , enrapturing beauty will tempt those willing to probe its inscrutable mysteries .	1pos
offers a breath of the fresh air of true sophistication .	1pos
a thoughtful , provocative , insistently humanizing film .	1pos
with a cast that includes some of the top actors working in independent film , lovely & amazing involves us because it is so incisive , so bleakly amusing about how we go about our lives .	1pos
a disturbing and frighteningly evocative assembly of imagery and hypnotic music composed by philip glass .	1pos
not for everyone , but for those with whom it will connect , it's a nice departure from standard moviegoing fare .	1pos
scores a few points for doing what it does with a dedicated and good-hearted professionalism .	1pos
occasionally melodramatic , it's also extremely effective .	1pos
spiderman rocks	1pos
an idealistic love story that brings out the latent 15-year-old romantic in everyone .	1pos
at about 95 minutes , treasure planet maintains a brisk pace as it races through the familiar story . however , it lacks grandeur and that epic quality often associated with stevenson's tale as well as with earlier disney efforts .	1pos
it helps that lil bow wow . . . tones down his pint-sized gangsta act to play someone who resembles a real kid .	1pos
guaranteed to move anyone who ever shook , rattled , or rolled .	1pos
a masterful film from a master filmmaker , unique in its deceptive grimness , compelling in its fatalist worldview .	1pos
light , cute and forgettable .	1pos
if there's a way to effectively teach kids about the dangers of drugs , i think it's in projects like the ( unfortunately r-rated ) paid .	1pos
while it would be easy to give crush the new title of two weddings and a funeral , it's a far more thoughtful film than any slice of hugh grant whimsy .	1pos
though everything might be literate and smart , it never took off and always seemed static .	1pos
cantet perfectly captures the hotel lobbies , two-lane highways , and roadside cafes that permeate vincent's days	1pos
ms . fulford-wierzbicki is almost spooky in her sulky , calculating lolita turn .	1pos
though it is by no means his best work , laissez-passer is a distinguished and distinctive effort by a bona-fide master , a fascinating film replete with rewards to be had by all willing to make the effort to reap them .	1pos
like most bond outings in recent years , some of the stunts are so outlandish that they border on being cartoonlike . a heavy reliance on cgi technology is beginning to creep into the series .	1pos
newton draws our attention like a magnet , and acts circles around her better known co-star , mark wahlberg .	1pos
the story loses its bite in a last-minute happy ending that's even less plausible than the rest of the picture . much of the way , though , this is a refreshingly novel ride .	1pos
fuller would surely have called this gutsy and at times exhilarating movie a great yarn .	1pos
'compleja e intelectualmente retadora , el ladrón de orquídeas es uno de esos filmes que vale la pena ver precisamente por su originalidad . '	1pos
the film makes a strong case for the importance of the musicians in creating the motown sound .	1pos
karmen moves like rhythm itself , her lips chanting to the beat , her long , braided hair doing little to wipe away the jeweled beads of sweat .	1pos
gosling provides an amazing performance that dwarfs everything else in the film .	1pos
a real movie , about real people , that gives us a rare glimpse into a culture most of us don't know .	1pos
tender yet lacerating and darkly funny fable .	1pos
may be spoofing an easy target -- those old '50's giant creature features -- but . . . it acknowledges and celebrates their cheesiness as the reason why people get a kick out of watching them today .	1pos
an engaging overview of johnson's eccentric career .	1pos
in its ragged , cheap and unassuming way , the movie works .	1pos
some actors have so much charisma that you'd be happy to listen to them reading the phone book . hugh grant and sandra bullock are two such likeable actors .	1pos
sandra nettelbeck beautifully orchestrates the transformation of the chilly , neurotic , and self-absorbed martha as her heart begins to open .	1pos
behind the snow games and lovable siberian huskies ( plus one sheep dog ) , the picture hosts a parka-wrapped dose of heart .	1pos
everytime you think undercover brother has run out of steam , it finds a new way to surprise and amuse .	1pos
manages to be original , even though it rips off many of its ideas .	1pos
singer/composer bryan adams contributes a slew of songs a few potential hits , a few more simply intrusive to the story but the whole package certainly captures the intended , er , spirit of the piece .	1pos
you'd think by now america would have had enough of plucky british eccentrics with hearts of gold . yet the act is still charming here .	1pos
whether or not you're enlightened by any of derrida's lectures on " the other " and " the self , " derrida is an undeniably fascinating and playful fellow .	1pos
a pleasant enough movie , held together by skilled ensemble actors .	1pos
this is the best american movie about troubled teens since 1998's whatever .	1pos
disney has always been hit-or-miss when bringing beloved kids' books to the screen . . . tuck everlasting is a little of both .	1pos
just the labour involved in creating the layered richness of the imagery in this chiaroscuro of madness and light is astonishing .	1pos
the animated subplot keenly depicts the inner struggles of our adolescent heroes - insecure , uncontrolled , and intense .	1pos
the invincible werner herzog is alive and well and living in la	1pos
morton is a great actress portraying a complex character , but morvern callar grows less compelling the farther it meanders from its shocking start .	1pos
part of the charm of satin rouge is that it avoids the obvious with humour and lightness .	1pos
son of the bride may be a good half-hour too long but comes replete with a flattering sense of mystery and quietness .	1pos
a simmering psychological drama in which the bursts of sudden violence are all the more startling for the slow buildup that has preceded them .	1pos
a taut , intelligent psychological drama .	1pos
a compelling coming-of-age drama about the arduous journey of a sensitive young girl through a series of foster homes and a fierce struggle to pull free from her dangerous and domineering mother's hold over her .	1pos
a truly moving experience , and a perfect example of how art -- when done right -- can help heal , clarify , and comfort .	1pos
this delicately observed story , deeply felt and masterfully stylized , is a triumph for its maverick director .	1pos
at heart the movie is a deftly wrought suspense yarn whose richer shadings work as coloring rather than substance .	1pos
the appearance of treebeard and gollum's expanded role will either have you loving what you're seeing , or rolling your eyes . i loved it ! gollum's 'performance' is incredible !	1pos
a screenplay more ingeniously constructed than " memento "	1pos
if this movie were a book , it would be a page-turner , you can't wait to see what happens next .	1pos
haneke challenges us to confront the reality of sexual aberration .	1pos
absorbing and disturbing -- perhaps more disturbing than originally intended -- but a little clarity would have gone a long way .	1pos
it's the best film of the year so far , the benchmark against which all other best picture contenders should be measured .	1pos
painful to watch , but viewers willing to take a chance will be rewarded with two of the year's most accomplished and riveting film performances .	1pos
this is a startling film that gives you a fascinating , albeit depressing view of iranian rural life close to the iraqi border .	1pos
an imaginative comedy/thriller .	1pos
a few artsy flourishes aside , narc is as gritty as a movie gets these days .	1pos
while the isle is both preposterous and thoroughly misogynistic , its vistas are incredibly beautiful to look at .	1pos
together , tok and o orchestrate a buoyant , darkly funny dance of death . in the process , they demonstrate that there's still a lot of life in hong kong cinema .	1pos
director kapur is a filmmaker with a real flair for epic landscapes and adventure , and this is a better film than his earlier english-language movie , the overpraised elizabeth .	1pos
the movie is a blast of educational energy , as bouncy animation and catchy songs escort you through the entire 85 minutes .	1pos
a sports movie with action that's exciting on the field and a story you care about off it .	1pos
doug liman , the director of bourne , directs the traffic well , gets a nice wintry look from his locations , absorbs us with the movie's spycraft and uses damon's ability to be focused and sincere .	1pos
the tenderness of the piece is still intact .	1pos
katz uses archival footage , horrifying documents of lynchings , still photographs and charming old reel-to-reel recordings of meeropol entertaining his children to create his song history , but most powerful of all is the song itself	1pos
like the film's almost anthropologically detailed realization of early-'80s suburbia , it's significant without being overstated .	1pos
while mcfarlane's animation lifts the film firmly above the level of other coming-of-age films . . . it's also so jarring that it's hard to get back into the boys' story .	1pos
if nothing else , this movie introduces a promising , unusual kind of psychological horror .	1pos
in a normal screen process , these bromides would be barely enough to sustain an interstitial program on the discovery channel . but in imax 3-d , the clichés disappear into the vertiginous perspectives opened up by the photography .	1pos
writer-director burger imaginatively fans the embers of a dormant national grief and curiosity that has calcified into chronic cynicism and fear .	1pos
. . . a roller-coaster ride of a movie	1pos
i enjoyed time of favor while i was watching it , but i was surprised at how quickly it faded from my memory .	1pos

the rock is destined to be the 21st century's new " conan " and that he's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal .

1pos

the gorgeously elaborate continuation of " the lord of the rings " trilogy is so huge that a column of words cannot adequately describe co-writer/director peter jackson's expanded vision of j . r . r . tolkien's middle-earth .

1pos

effective but too-tepid biopic

1pos

if you sometimes like to go to the movies to have fun , wasabi is a good place to start .

1pos

emerges as something rare , an issue movie that's so honest and keenly observed that it doesn't feel like one .

1pos

the film provides some great insight into the neurotic mindset of all comics -- even those who have reached the absolute top of the game .

1pos

offers that rare combination of entertainment and education .

1pos

perhaps no picture ever made has more literally showed that the road to hell is paved with good intentions .

1pos

steers turns in a snappy screenplay that curls at the edges ; it's so clever you want to hate it . but he somehow pulls it off .

1pos

take care of my cat offers a refreshingly different slice of asian cinema .

1pos

this is a film well worth seeing , talking and singing heads and all .

1pos

what really surprises about wisegirls is its low-key quality and genuine tenderness .

1pos

( wendigo is ) why we go to the cinema : to be fed through the eye , the heart , the mind .

1pos

one of the greatest family-oriented , fantasy-adventure movies ever .

1pos

ultimately , it ponders the reasons we need stories so much .

1pos

an utterly compelling 'who wrote it' in which the reputation of the most famous author who ever lived comes into question .

1pos

illuminating if overly talky documentary .

1pos

a masterpiece four years in the making .

1pos

the movie's ripe , enrapturing beauty will tempt those willing to probe its inscrutable mysteries .

1pos

offers a breath of the fresh air of true sophistication .

1pos

a thoughtful , provocative , insistently humanizing film .

1pos

with a cast that includes some of the top actors working in independent film , lovely & amazing involves us because it is so incisive , so bleakly amusing about how we go about our lives .

1pos

a disturbing and frighteningly evocative assembly of imagery and hypnotic music composed by philip glass .

1pos

not for everyone , but for those with whom it will connect , it's a nice departure from standard moviegoing fare .

1pos

scores a few points for doing what it does with a dedicated and good-hearted professionalism .

1pos

occasionally melodramatic , it's also extremely effective .

1pos

spiderman rocks

1pos

an idealistic love story that brings out the latent 15-year-old romantic in everyone .

1pos

at about 95 minutes , treasure planet maintains a brisk pace as it races through the familiar story . however , it lacks grandeur and that epic quality often associated with stevenson's tale as well as with earlier disney efforts .

1pos

it helps that lil bow wow . . . tones down his pint-sized gangsta act to play someone who resembles a real kid .

1pos

guaranteed to move anyone who ever shook , rattled , or rolled .

1pos

a masterful film from a master filmmaker , unique in its deceptive grimness , compelling in its fatalist worldview .

1pos

light , cute and forgettable .

1pos

if there's a way to effectively teach kids about the dangers of drugs , i think it's in projects like the ( unfortunately r-rated ) paid .

1pos

while it would be easy to give crush the new title of two weddings and a funeral , it's a far more thoughtful film than any slice of hugh grant whimsy .

1pos

though everything might be literate and smart , it never took off and always seemed static .

1pos

cantet perfectly captures the hotel lobbies , two-lane highways , and roadside cafes that permeate vincent's days

1pos

ms . fulford-wierzbicki is almost spooky in her sulky , calculating lolita turn .

1pos

though it is by no means his best work , laissez-passer is a distinguished and distinctive effort by a bona-fide master , a fascinating film replete with rewards to be had by all willing to make the effort to reap them .

1pos

like most bond outings in recent years , some of the stunts are so outlandish that they border on being cartoonlike . a heavy reliance on cgi technology is beginning to creep into the series .

1pos

newton draws our attention like a magnet , and acts circles around her better known co-star , mark wahlberg .

1pos

the story loses its bite in a last-minute happy ending that's even less plausible than the rest of the picture . much of the way , though , this is a refreshingly novel ride .

1pos

fuller would surely have called this gutsy and at times exhilarating movie a great yarn .

1pos

'compleja e intelectualmente retadora , el ladrón de orquídeas es uno de esos filmes que vale la pena ver precisamente por su originalidad . '

1pos

the film makes a strong case for the importance of the musicians in creating the motown sound .

1pos

karmen moves like rhythm itself , her lips chanting to the beat , her long , braided hair doing little to wipe away the jeweled beads of sweat .

1pos

gosling provides an amazing performance that dwarfs everything else in the film .

1pos

a real movie , about real people , that gives us a rare glimpse into a culture most of us don't know .

1pos

tender yet lacerating and darkly funny fable .

1pos

may be spoofing an easy target -- those old '50's giant creature features -- but . . . it acknowledges and celebrates their cheesiness as the reason why people get a kick out of watching them today .

1pos

an engaging overview of johnson's eccentric career .

1pos

in its ragged , cheap and unassuming way , the movie works .

1pos

some actors have so much charisma that you'd be happy to listen to them reading the phone book . hugh grant and sandra bullock are two such likeable actors .

1pos

sandra nettelbeck beautifully orchestrates the transformation of the chilly , neurotic , and self-absorbed martha as her heart begins to open .

1pos

behind the snow games and lovable siberian huskies ( plus one sheep dog ) , the picture hosts a parka-wrapped dose of heart .

1pos

everytime you think undercover brother has run out of steam , it finds a new way to surprise and amuse .

1pos

manages to be original , even though it rips off many of its ideas .

1pos

singer/composer bryan adams contributes a slew of songs a few potential hits , a few more simply intrusive to the story but the whole package certainly captures the intended , er , spirit of the piece .

1pos

you'd think by now america would have had enough of plucky british eccentrics with hearts of gold . yet the act is still charming here .

1pos

whether or not you're enlightened by any of derrida's lectures on " the other " and " the self , " derrida is an undeniably fascinating and playful fellow .

1pos

a pleasant enough movie , held together by skilled ensemble actors .

1pos

this is the best american movie about troubled teens since 1998's whatever .

1pos

disney has always been hit-or-miss when bringing beloved kids' books to the screen . . . tuck everlasting is a little of both .

1pos

just the labour involved in creating the layered richness of the imagery in this chiaroscuro of madness and light is astonishing .

1pos

the animated subplot keenly depicts the inner struggles of our adolescent heroes - insecure , uncontrolled , and intense .

1pos

the invincible werner herzog is alive and well and living in la

1pos

morton is a great actress portraying a complex character , but morvern callar grows less compelling the farther it meanders from its shocking start .

1pos

part of the charm of satin rouge is that it avoids the obvious with humour and lightness .

1pos

son of the bride may be a good half-hour too long but comes replete with a flattering sense of mystery and quietness .

1pos

a simmering psychological drama in which the bursts of sudden violence are all the more startling for the slow buildup that has preceded them .

1pos

a taut , intelligent psychological drama .

1pos

a compelling coming-of-age drama about the arduous journey of a sensitive young girl through a series of foster homes and a fierce struggle to pull free from her dangerous and domineering mother's hold over her .

1pos

a truly moving experience , and a perfect example of how art -- when done right -- can help heal , clarify , and comfort .

1pos

this delicately observed story , deeply felt and masterfully stylized , is a triumph for its maverick director .

1pos

at heart the movie is a deftly wrought suspense yarn whose richer shadings work as coloring rather than substance .

1pos

the appearance of treebeard and gollum's expanded role will either have you loving what you're seeing , or rolling your eyes . i loved it ! gollum's 'performance' is incredible !

1pos

a screenplay more ingeniously constructed than " memento "

1pos

if this movie were a book , it would be a page-turner , you can't wait to see what happens next .

1pos

haneke challenges us to confront the reality of sexual aberration .

1pos

absorbing and disturbing -- perhaps more disturbing than originally intended -- but a little clarity would have gone a long way .

1pos

it's the best film of the year so far , the benchmark against which all other best picture contenders should be measured .

1pos

painful to watch , but viewers willing to take a chance will be rewarded with two of the year's most accomplished and riveting film performances .

1pos

this is a startling film that gives you a fascinating , albeit depressing view of iranian rural life close to the iraqi border .

1pos

an imaginative comedy/thriller .

1pos

a few artsy flourishes aside , narc is as gritty as a movie gets these days .

1pos

while the isle is both preposterous and thoroughly misogynistic , its vistas are incredibly beautiful to look at .

1pos

together , tok and o orchestrate a buoyant , darkly funny dance of death . in the process , they demonstrate that there's still a lot of life in hong kong cinema .

1pos

director kapur is a filmmaker with a real flair for epic landscapes and adventure , and this is a better film than his earlier english-language movie , the overpraised elizabeth .

1pos

the movie is a blast of educational energy , as bouncy animation and catchy songs escort you through the entire 85 minutes .

1pos

a sports movie with action that's exciting on the field and a story you care about off it .

1pos

doug liman , the director of bourne , directs the traffic well , gets a nice wintry look from his locations , absorbs us with the movie's spycraft and uses damon's ability to be focused and sincere .

1pos

the tenderness of the piece is still intact .

1pos

katz uses archival footage , horrifying documents of lynchings , still photographs and charming old reel-to-reel recordings of meeropol entertaining his children to create his song history , but most powerful of all is the song itself

1pos

like the film's almost anthropologically detailed realization of early-'80s suburbia , it's significant without being overstated .

1pos

while mcfarlane's animation lifts the film firmly above the level of other coming-of-age films . . . it's also so jarring that it's hard to get back into the boys' story .

1pos

if nothing else , this movie introduces a promising , unusual kind of psychological horror .

1pos

in a normal screen process , these bromides would be barely enough to sustain an interstitial program on the discovery channel . but in imax 3-d , the clichés disappear into the vertiginous perspectives opened up by the photography .

1pos

writer-director burger imaginatively fans the embers of a dormant national grief and curiosity that has calcified into chronic cynicism and fear .

1pos

. . . a roller-coaster ride of a movie

1pos

i enjoyed time of favor while i was watching it , but i was surprised at how quickly it faded from my memory .

1pos

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