new_text
stringlengths 70
41k
| audio_filename
stringlengths 22
67
|
|---|---|
<|startoftranscript|><|en|><|transcribe|><|0.00|> Jaga, Jag Wi-Fi, Jag Monitor, Jag Penda, Jag Ispu, Jag Emission, Jag Map, Jag Survey.<|5.08|><|5.12|> Oh, it's over.<|5.98|><|6.08|> It's getting annoying, right?<|9.04|><|9.24|> There are so many applications from Jaki.<|11.30|><|11.42|> So for Jakarta residents in Jakarta only, press 495.<|15.08|><|15.24|> Don't forget to support everything that the DKI Jakarta Province Government does.<|19.02|><|19.14|> One of them is the Jaki application.<|20.72|><|20.92|> So, for viewers who haven't downloaded the Jaki application, download it now.<|26.46|><|26.46|> Because there are many benefits.<|27.46|><|endoftext|> | split-indonesian/9-94-64320000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> You will get the door price later<|1.40|><|1.40|> I have a jeriji<|3.22|><|3.22|> So for now we will inform<|5.14|><|5.14|> Don't worry you pee quickly<|6.96|><|6.96|> You won't come here in vain<|8.28|><|8.28|> the door price is huge<|10.58|><|10.58|> From Jakarta Only<|11.42|><|11.42|> With this 495<|13.26|><|13.26|> There will still be a lot of door price<|15.70|><|15.70|> And it's free<|16.90|><|16.90|> I love free gifts<|19.92|><|19.92|> And for the song<|21.36|><|21.36|> I got a whisper that there will be a song<|23.68|><|23.68|> Negaraku<|24.42|><|24.42|> From Garuda eyes to the last<|26.58|><|26.58|> I hold it for now<|28.88|><|endoftext|> | split-indonesian/9-94-64800000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> I want to know.<|1.80|><|2.04|> OK, and<|3.16|><|3.16|> for your information, later<|6.36|><|6.36|> the performance or<|8.24|><|8.24|> event that will be held by<|9.94|><|9.94|> Nair Rafif, not only music,<|12.30|><|12.58|> but also there is dance.<|14.34|><|14.72|> If I were the one dancing, it would just gout.<|16.58|><|17.94|> You would run, the people would run.<|19.90|><|20.22|> If you want to block the door, I don't need it, you can just go in<|22.20|><|22.20|> right?<|24.40|><|24.54|> Understandable. It's not a age factor,<|26.04|><|26.04|> but it's a feeling of a bit annoyed.<|27.86|><|28.20|> Oh, oh.<|29.30|><|endoftext|> | split-indonesian/9-94-65280000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Also performing outside the house this time.<|2.62|><|2.74|> See you at 6 o'clock.<|3.86|><|4.14|> Don't go home, okay?<|6.00|><|6.12|> Viewers.<|6.92|><|7.02|> Because there will also be events in there later.<|9.42|><|9.56|> JIS Stadium closed.<|11.14|><|11.24|> Or this Jakarta International Stadium.<|13.28|><|13.62|> And it's not least interesting either.<|14.96|><|15.20|> So if you want to know, don't go home.<|17.26|><|17.42|> There is an event inside.<|18.70|><|18.82|> There is an event outside.<|19.76|><|20.12|> And again don't get bored.<|21.58|><|21.58|> Remember the worm later baben.<|24.40|><|24.74|> At the end of this outdoor event.<|26.42|><|26.64|> There is Saikoji.<|27.58|><|endoftext|> | split-indonesian/9-94-65760000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Bang Igor, so don't go anywhere, this is one of my favorite musicians from 2006, it's my high school days, right?<|6.00|><|6.42|> I've heard it and, eh high school too?<|8.44|><|8.48|> Are you in high school? Oh I'm in kindergarten.<|9.52|><|10.78|> So I've heard Bang Igor, but apart from Bang Igor there are also many shows that are not least interesting and will spoil our ears.<|19.98|><|20.16|> One of them is from Nair Rafif.<|21.92|><|22.28|> For your information, it was founded on January 1, 2019 and focuses on heritage and modernity.<|27.66|><|endoftext|> | split-indonesian/9-94-66240000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> by producing around 6.8 million tons of plastic waste every year.<|5.22|><|5.42|> Well, besides the government, of course the community also needs to contribute to dealing with this plastic waste crisis.<|10.86|><|10.98|> And for this reason, as a form of contribution to the country,<|14.58|><|14.98|> WT Sarana Muti Infrastruktur in collaboration with Agengs Guangzhou de Development<|19.72|><|19.72|> held a comic strip contest with a joint theme against plastic waste.<|25.04|><|25.04|> Education and campaign to deal with the plastic waste crisis with a creative approach<|29.80|><|endoftext|> | split-indonesian/9-95-14880000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> This comic strip is really suitable for young people.<|3.34|><|3.80|> Well, besides having clinical guidance from Indonesian and French comic maestro.<|7.10|><|7.50|> In this event, there will also be announcements of the winner of the comic strip competition.<|11.66|><|11.78|> Which certainly makes you curious.<|13.70|><|13.82|> And it seems like many participants have joined through Zoom.<|16.86|><|17.24|> Let's ask how you are.<|18.30|><|18.44|> Hello friends, good evening.<|19.76|><|19.88|> How are you all?<|20.78|><|21.22|> You can wave your hand.<|22.30|><|23.92|> OK, everyone is excited.<|27.20|><|endoftext|> | split-indonesian/9-95-15360000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> ... year of plastic waste.<|1.02|><|1.64|> The majority of these waste was then thrown into the ocean...<|4.66|><|4.66|> ...so it has the potential to pollute water, marine biota and also health.<|9.16|><|10.52|> This is exacerbated by human incompetence...<|13.06|><|13.06|> ... danger caused by plastic waste.<|15.46|><|16.22|> According to the Central Statistics Agency report on the Behavior Index...<|19.00|><|19.52|> ...Indifferent to the Environment in 2019...<|22.28|><|22.28|> ...72 percent of Indonesians do not care about handling waste and waste.<|26.64|><|endoftext|> | split-indonesian/9-95-16320000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> But PT Sarana Multi Infrastruktur or SMI with Azon Franceis de Development or AFD held a comic strip competition against plastic for young people aged 18 to 25 years old.<|13.42|><|14.32|> This comic strip competition for young people is expected to produce various works that can impact society.<|20.38|><|20.82|> If it's difficult, in my opinion it's not as difficult.<|23.48|><|endoftext|> | split-indonesian/9-95-16800000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> The Comic Strip competition takes place from July 18 to August 6, 2021.<|6.44|><|7.20|> Participants are asked to upload original works in the form of Comic Strip with an allocation of 5 to 10 panels to their Instagram account.<|14.78|><|15.60|> During the competition period, the jury team monitors and evaluates each piece uploaded.<|20.16|><|20.46|> More than 300 works of Comic Strip have been accepted by the jury and are chosen to be organized from an artistic perspective, suitability to the theme and meet the specified requirements.<|29.64|><|endoftext|> | split-indonesian/9-95-17760000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> After being employed, 10 works were selected for further evaluation by the jury namely from PT Sarana Multi Infrastructure or PT SMI, Azwang Frances The Development AFD, as well as from French comic artist Emmanuel Lemaire, and Indonesian comic artist Beng Rahadian.<|17.34|><|endoftext|> | split-indonesian/9-95-18240000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> How do they convey problems?<|3.30|><|3.60|> So there are those directly, there are those that go through imagination, then there are those who use metaphors like that.<|12.80|><|13.22|> Using other elements, there are also other art that insert lyrics of such songs.<|17.44|><|17.88|> That is also there.<|18.80|><|19.24|> That is just to make readers aware of the comic message in question.<|24.60|><|endoftext|> | split-indonesian/9-95-18720000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> ... it is not the importance of young people to voice important issues such as plastic waste issues.<|5.92|><|7.14|> Wow, if we watch the video earlier, these young people are really creative and create comic strips that we can certainly enjoy together.<|17.00|><|17.00|> So, to better understand comic strips, let's discuss them in depth with two sources who are also judges for the Comic Strip Competition.<|26.68|><|endoftext|> | split-indonesian/9-95-19200000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Emmanuel Lemel, a comic artist from France.<|2.60|><|2.70|> Here is their profile both.<|4.26|><|4.50|> The first is Mas Beng Rahadian.<|6.58|><|6.78|> He is a comic artist who is now also the head of the visual design communication study program at the Jakarta Institute of Arts.<|14.70|><|15.14|> Additionally, he is also a bookwriter.<|17.78|><|17.78|> And next is Emmanuel Lemel.<|21.32|><|21.54|> This is the French comic artist who has created several works.<|26.84|><|endoftext|> | split-indonesian/9-95-19680000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> and also my neighbor is an Indonesian.<|3.52|><|4.06|> Oh, that's amazing of course.<|5.98|><|6.38|> It's a pride, being able to talk directly to both of them.<|11.60|><|11.76|> And let's ask how you are, first to Mas Beng.<|13.66|><|13.98|> Hello Mas Beng, how are you Mas Beng?<|16.28|><|17.54|> I'm excited about this, it's already very exciting, so many young people want to see it.<|23.48|><|23.48|> How are you, Mas Beng, how are you?<|25.14|><|26.52|> Very good, thank you Teacher Fahad.<|28.62|><|endoftext|> | split-indonesian/9-95-20160000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> I'm so happy being here.<|2.00|><|2.00|> Yes, just a moment to talk, Mas Beng.<|5.00|><|5.00|> But first, we'll call Mr. Lemaire.<|9.00|><|9.00|> Bonjour, Mr. Lemaire. How are you?<|12.00|><|17.00|> OK, we'll educate you in the comic world.<|20.00|><|20.00|> Are you excited?<|21.00|><|22.00|> I'm doing well, yes. I'm good. Thank you.<|25.00|><|endoftext|> | split-indonesian/9-95-20640000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> We will research the comic world.<|2.64|><|3.66|> Are you excited?<|4.36|><|5.98|> Yes, very much.<|7.00|><|7.66|> OK, okay. We are all eager too.<|12.24|><|12.60|> And besides discussing the material from the two cartoonists, we will also open a question and answer session later.<|17.88|><|17.88|> So for those of you who are curious, we will invite participants to quickly write questions for Mas Beng or Mr. Lemaire through the chat room at Zoom.<|28.42|><|endoftext|> | split-indonesian/9-95-21120000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> We will give Mas Beng the opportunity to present the material. Please sir.<|4.52|><|7.14|> OK, thank you. Good afternoon everyone, especially the participants and attendees at this event.<|15.44|><|15.44|> I feel honored and very happy to participate here.<|22.56|><|endoftext|> | split-indonesian/9-95-21600000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Many friends have made comic strips, but what is the comic strip?<|4.68|><|4.88|> What is the position in Indonesia?<|8.10|><|8.38|> So I will share a little with all my friends.<|11.92|><|13.18|> Please, we can start.<|14.16|><|20.52|> The theme is about comic strips.<|22.14|><|22.34|> This is a coincidence, now if we calculate from history,<|27.40|><|endoftext|> | split-indonesian/9-95-22080000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> so the limit is paper.<|1.56|><|2.52|> So once you read it, you're done,<|5.08|><|5.70|> or you also have to wait for the next release,<|9.10|><|9.20|> it can be serial, serial comic strips can happen.<|11.10|><|11.96|> Okay now, later I'll also tell you about the development of the medium,<|16.74|><|16.74|> but the point is that the comic strips are read once and done,<|20.96|><|21.04|> as made in the competition.<|22.46|><|24.96|> Can I continue?<|25.96|><|endoftext|> | split-indonesian/9-95-23040000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Okay, I should start from working on comics<|4.18|><|4.18|> So comics are used to show funny words<|10.28|><|10.28|> So something funny, something funny<|14.56|><|14.56|> Well now as time goes by, not now, for a long time<|19.76|><|19.76|> Many people use comics as a non-funny medium of expression<|25.84|><|25.84|> stories are heavy<|27.34|><|endoftext|> | split-indonesian/9-95-23520000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> the issue of struggle, until it starts to be defined.<|4.28|><|4.48|> So there is Will Eisner who says that comics are in a row.<|9.12|><|9.74|> Then it is updated again by Scott McCloud who says that the comics are pictures of<|15.70|><|15.70|> and the symbols placed.<|18.16|><|18.28|> I will explain that position later.<|20.44|><|20.60|> In a specific order to convey information and/or get an aesthetic response from the reader.<|27.78|><|endoftext|> | split-indonesian/9-95-24000000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> so that we can react, we have feelings, we have thoughts about what is being said.<|6.40|><|9.08|> Go ahead.<|9.80|><|12.00|> Well, this is justapus.<|13.72|><|14.34|> Placement of two adjacent objects or images that are nearby or adjacent to each other.<|19.10|><|19.54|> Friends who make comics understand, already know.<|24.60|><|25.06|> But talking about it is difficult.<|27.52|><|endoftext|> | split-indonesian/9-95-24480000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> That is Scott McCloud<|1.42|><|1.42|> If we look at the first picture<|4.12|><|4.12|> There is a knife, then the second picture<|6.14|><|6.14|> People in pain<|8.56|><|8.56|> If they<|10.48|><|10.48|> Split one by one<|12.42|><|12.42|> We don't see the connection<|13.74|><|13.74|> But when placed side by side there is the connection<|16.04|><|16.04|> That's an aesthetic reaction<|17.32|><|17.32|> We think the knife is pierced<|20.12|><|20.12|> Or hurt, or hurt<|21.88|><|21.88|> So that he falls ill, though not necessarily<|23.92|><|23.92|> Whereas. it doesn't necessarily be what happens in the same place<|26.58|><|26.58|> Well, this is what we're looking for<|27.96|><|endoftext|> | split-indonesian/9-95-24960000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> It's called invisible art. So it's invisible, but it's in our mind.<|6.00|><|14.00|> So, in conclusion, comics are pictures placed in one line or side by side with each other,<|20.00|><|20.00|> which shows the movement of time to tell something. This is actually just a general definition<|27.00|><|endoftext|> | split-indonesian/9-95-25440000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> new but this just makes it easier for us, next<|7.24|><|7.24|> well, why do I say conventional street comic formats, because now the media is<|17.18|><|17.18|> growing, so in the past comics in newspapers relied on newspaper space or magazines.<|23.46|><|endoftext|> | split-indonesian/9-95-25920000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> he can go two lines down, but if he can do more, he can go one page.<|5.52|><|6.38|> It's usually broken.<|7.94|><|8.66|> So there's one done, then the story just finished too, could be two.<|14.46|><|14.46|> But if it reaches more than eight, eight and above, it has entered short comics.<|21.18|><|21.82|> The comic strip is very short.<|24.06|><|26.54|> Yes, next.<|27.70|><|endoftext|> | split-indonesian/9-95-26400000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Well, there was a format introduced in 1945 during the Japanese colonization in Indonesia, it was called Sasyo Ono.<|11.96|><|12.90|> The term has 4 commas, which are read down.<|18.00|><|18.00|> What we can now see in the recent menu, on the screen, on the screen, we can scroll down to see something like this.<|28.16|><|endoftext|> | split-indonesian/9-95-26880000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> a magazine or newspaper sheet at that time.<|3.36|><|4.22|> Well, Sasywono was also an important person in the world of art in Indonesia<|8.66|><|8.66|> who introduced sketches and so on.<|10.92|><|12.74|> OK, next.<|13.50|><|17.78|> Yes, I wanted to recall back to 1895.<|24.78|><|24.78|> So someone started the comic strip.<|28.04|><|endoftext|> | split-indonesian/9-95-27360000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Richard O'Cartney with this character is called Yellow Kids. This started the comic strip industry.<|9.84|><|9.84|> And on the shirt there is text. It is actually a word balloon. So he hasn't found the<|18.20|><|18.20|> aesthetic word of the balloon. Then his word is recorded on his body. And this already knows about IP.<|26.56|><|endoftext|> | split-indonesian/9-95-27840000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> So, I want to give an example of the characters in the newspaper.<|8.42|><|8.68|> Until now you still have them.<|9.94|><|10.48|> So like doyok, from 78.<|12.98|><|14.02|> So when the artist passed away, the late Kliksis Woyo, it was still continued in the Peskota newspaper.<|22.58|><|22.58|> So this is a symbol too, a symbol that the comic strip is still being read.<|27.98|><|28.48|> Still in use.<|29.26|><|endoftext|> | split-indonesian/9-95-29280000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> The same goes for the character below, Panji Komi, the late Wigundoro, who was also inherited by his heirs.<|7.26|><|7.98|> So this already exists and continues to be preserved.<|15.00|><|15.18|> Well, this is what we need to get here.<|17.70|><|18.06|> This is just an example of how characters can last long in development, not just the media, but also evil.<|25.24|><|26.50|> The bottom follows.<|27.54|><|endoftext|> | split-indonesian/9-95-29760000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> still held by the boy.<|1.10|><|2.98|> Next.<|3.30|><|7.52|> Okay, I'm going to the media development.<|10.12|><|10.28|> So before it was the newspaper, before it was the magazine,<|12.46|><|13.04|> now we're expanding into the digital world.<|15.28|><|15.78|> There's a cellphone or a smartphone,<|18.54|><|18.80|> then we can see it on the desktop,<|21.02|><|21.60|> we can see it on the laptop,<|23.02|><|23.02|> we can see the media we don't hold<|27.48|><|27.48|> like we open a book in the newspaper,<|29.80|><|endoftext|> | split-indonesian/9-95-30240000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> but we see it on the screen.<|2.44|><|4.74|> But it's still called media.<|6.64|><|7.40|> And this is what we started with the web,<|10.78|><|10.90|> there is often a blog,<|12.18|><|12.30|> at that time it was still a blog,<|13.28|><|13.68|> then when social media started to appear,<|16.64|><|17.56|> many comic artists published their works on social media.<|20.10|><|21.12|> Next.<|21.46|><|24.94|> Again.<|25.66|><|endoftext|> | split-indonesian/9-95-30720000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> online or online, has opened up a growing space for how to create,<|3.66|><|3.98|> create comics, how to read them and how to distribute them.<|8.32|><|8.76|> So, when people read comics in the newspaper, comic artists can hide them.<|13.16|><|13.52|> But if we are now making comics, upload on our social media,<|17.98|><|18.12|> we expect a reply. So the response is real time.<|20.76|><|21.28|> People comment, people get angry, people like, people are happy,<|24.38|><|24.48|> we can see them live. But not in the newspaper.<|26.78|><|26.78|> Well, what's different is if the newspaper has an editorial.<|29.92|><|endoftext|> | split-indonesian/9-95-31200000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Some control, some filter.<|2.52|><|3.06|> But not on social media.<|4.34|><|5.02|> We post it, we are in an era of freedom of speech.<|8.80|><|9.22|> So when we are disappointed with something,<|11.46|><|12.04|> or something that makes us anxious, we show it.<|15.48|><|16.22|> And no one filters it,<|17.66|><|17.80|> unless many report it from netizens.<|20.70|><|21.18|> So the editor is netizens.<|23.26|><|23.92|> This is interesting because it changes the pattern.<|26.70|><|27.10|> Changing the pattern of appreciation as well.<|28.76|><|endoftext|> | split-indonesian/9-95-31680000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> connected<|1.38|><|1.38|> good, the advantage of<|7.20|><|7.20|> digital comic is<|9.08|><|9.08|> metapanel, so there is no<|11.02|><|11.02|> limitations like comic in the book<|12.76|><|12.76|> limited by paper sheets<|15.16|><|15.16|> or paper width, but it<|17.18|><|17.18|> actually<|19.06|><|19.06|> has a lot of pictures, but it is only limited to<|20.98|><|20.98|> on screen, so it is<|22.74|><|22.74|> unlimited panel<|26.14|><|26.14|> basically, so it does not exist<|28.76|><|endoftext|> | split-indonesian/9-95-32160000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> It could be that no pages are open, but flat.<|3.48|><|3.88|> The data goes on to the side, right, left, top, bottom.<|8.40|><|9.02|> That can be found or achieved by this digital comic<|13.56|><|13.56|> which is only digitally read.<|15.90|><|16.58|> So that's the feature, so it can't be read in book format.<|20.16|><|21.36|> Next.<|21.96|><|endoftext|> | split-indonesian/9-95-32640000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> I said earlier in the digital comic that was previously in the newspaper because it was adjacent,<|8.06|><|8.46|> in digital this could be one screen and one panel only.<|13.28|><|13.80|> Then we slow down again, the next panel again.<|16.40|><|16.40|> The next panel again.<|17.66|><|18.00|> Well, this is actually a little, not a complaint, but a little must be added to the concept of<|24.88|><|24.88|> juxtapus or adjacent sequence art.<|29.02|><|endoftext|> | split-indonesian/9-95-33120000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> This is indeed a way of reading, but if we go back to the concept of metapanel,<|5.06|><|5.40|> I think the definition of comics can still be used here.<|8.18|><|8.84|> If you have watched a beber movie show,<|13.14|><|13.44|> this is actually similar to a beber movie in Indonesia.<|17.28|><|17.90|> So one scene, that's actually one scene, revealed, right,<|22.64|><|22.98|> there are seven scenes, but what you noticed is one scene at a time,<|26.32|><|26.64|> while being verbally told.<|27.90|><|28.14|> Actually, this is the same.<|29.54|><|endoftext|> | split-indonesian/9-95-33600000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> the difference is just a sweep. So this is the way media reading can be associated with the past<|6.92|><|6.92|> actually. Only hardware has changed and a little bit of digital<|13.58|><|13.58|> concept patterns have changed. Next.<|16.60|><|21.10|> Well, this multiplication or carousel feature is what I mentioned earlier. A little bit<|27.16|><|endoftext|> | split-indonesian/9-95-34080000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> tech, yes, but this is what I said, so it makes reading unique, we can focus<|7.38|><|7.38|> on one panel, but sometimes we can also display some panels on one screen because<|12.90|><|12.90|> is a common aesthetic achievement that friends read to achieve webtoon even<|18.36|><|18.36|> there are scenes that can scroll down, so let's scroll the scene and scroll directly, that's the concept.<|25.44|><|endoftext|> | split-indonesian/9-95-34560000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> can be one long panel, then there will be another panel later.<|5.22|><|5.78|> So if it's still in the concept of being matched, it's still sequential.<|14.52|><|16.68|> So this is community distribution, this is my research in 2019.<|24.50|><|endoftext|> | split-indonesian/9-95-35040000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> So there are many comic strips that are now circulating on social media.<|5.08|><|5.26|> I think many friends have also seen them.<|8.26|><|8.44|> But the unique thing is that many comic strips use their own regional language.<|13.54|><|14.38|> Now it's interesting because when comic strips are used, using social media,<|24.26|><|24.56|> it crosses geographic boundaries.<|26.28|><|endoftext|> | split-indonesian/9-95-35520000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> without correction from editor.<|2.78|><|3.44|> So people with the story of the past together,<|7.42|><|7.64|> regional equations, even if they are far away,<|10.82|><|10.82|> can still relate to this comic.<|13.68|><|14.04|> Comics from Minang use Minang,<|15.72|><|15.82|> from Bali use Bali,<|17.10|><|17.20|> from Bandung use Sunda.<|18.98|><|19.38|> So this is actually a luxury for Indonesia,<|22.82|><|23.52|> because we have diverse potentials<|26.18|><|26.18|> and the good thing is that the district language is not extinct.<|29.60|><|endoftext|> | split-indonesian/9-95-36000000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Our fear of extinction begins to be eroded by the pony.<|4.32|><|5.04|> This is interesting.<|6.22|><|7.36|> Next.<|7.62|><|11.96|> Well, this is the last one.<|12.94|><|13.70|> So, if we use a comic strip with three panels,<|18.34|><|18.66|> just who, what they want, what the result is.<|21.54|><|21.90|> This is the concept of the premise.<|22.78|><|22.78|> So, this is a very, very short visualization of the premise.<|29.44|><|endoftext|> | split-indonesian/9-95-36480000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Three panels are enough to tell the problem.<|3.52|><|3.68|> Because of these three panels, we can actually break stories into longer stories.<|10.60|><|11.52|> So this really reflects how this one comic,<|18.80|><|19.50|> is the development of various sciences.<|25.44|><|endoftext|> | split-indonesian/9-95-36960000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> OK, next we will quickly read the question, but while waiting for the question from the colleagues who are already here.<|8.14|><|8.52|> Mas Beng, I want to ask if from the explanation Mas Beng has a step by step aka step how to create this comic strip.<|17.38|><|18.04|> It's difficult for Mas Beng for beginners, for example, I have no experience trying to do that because it's really enjoyable from the explanation.<|26.04|><|26.04|> So, do you think it's difficult, Mas Beng, to start and where can you start from?<|29.48|><|endoftext|> | split-indonesian/9-95-38400000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Yes, it's difficult and not difficult.<|5.74|><|6.48|> So, the comic only tells who, what, and how.<|12.80|><|12.96|> So, basically it's telling stories.<|14.26|><|14.44|> So, if we have ideas, ideas, want to tell stories, we just insert the pictures.<|20.44|><|20.78|> Well, these pictures are also different.<|22.82|><|22.96|> That means, we don't judge artistic achievements, but just symbols.<|27.30|><|endoftext|> | split-indonesian/9-95-38880000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> just by describing a stickman.<|2.06|><|2.70|> Circle, body is line, hand is line, foot is line,<|6.42|><|6.76|> then given a word balloon, there are three palens in one line,<|9.78|><|9.92|> that's really interesting.<|10.98|><|11.38|> That already explains the idea.<|13.08|><|13.96|> So the point is making a comic is about communicating or storytelling.<|17.86|><|18.40|> If we get that,<|19.96|><|20.40|> it can grow on its own.<|22.28|><|22.28|> So it's pretty simple, Sis.<|23.64|><|24.36|> OK, that means it doesn't depend on techniques and so on,<|27.86|><|endoftext|> | split-indonesian/9-95-39360000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> It turns out to be very good, but what's important is the idea,<|3.62|><|3.80|> how the idea can then be conveyed to the reader.<|7.02|><|8.70|> OK, good. This is the first question.<|12.50|><|12.86|> There is already a question from Mas Beng, Surya Graphics from Blitar.<|16.78|><|16.78|> Please ask Mas Surya Ayudinda Oje from Tamiang Layang to ask Mas Beng directly.<|23.98|><|endoftext|> | split-indonesian/9-95-39840000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> How do you publish through a publisher and what it takes to compete in the print comic market<|10.28|><|10.28|> OK, well, thank you, Mas Surya Please, Mas Beng, can you answer your question immediately<|17.00|><|17.00|> Yes, well, thank you, Mas Surya.<|20.68|><|endoftext|> | split-indonesian/9-95-40320000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> the more elastic, the less burden it is.<|5.84|><|6.94|> So comics can be printed using print on demand, so print is digital.<|13.24|><|13.90|> So the obstacle for us to invest or capital is to print a lot of books,<|19.84|><|20.00|> then we sell them, that can be overcome by printing them POD.<|24.98|><|endoftext|> | split-indonesian/9-95-40800000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> But the problem is that we have a big obstacle in producing it and then distributing it.<|8.50|><|9.26|> If, for example, in your mind, printing means there are publishers.<|13.00|><|13.00|> Well, I can say that it starts to decrease.<|21.18|><|22.32|> So many commit publishers start publishing just a few print commits and then the rest becomes digital.<|29.18|><|endoftext|> | split-indonesian/9-95-41760000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> I don't direct you to play digital<|2.14|><|2.14|> but only start considering<|3.80|><|3.80|> many market platforms<|5.98|><|5.98|> where you can own your own store<|9.04|><|9.04|> you can handle<|11.54|><|11.54|> people who want to buy your own comics<|15.32|><|15.32|> personally, like the one<|17.20|><|17.20|> ask for a signature, you sign<|19.24|><|19.24|> what you add<|21.06|><|21.06|> if you leave it in the bookstore<|22.90|><|22.90|> bookstore also now<|24.84|><|24.84|> rarely visited people<|26.78|><|26.78|> even though now they are increasing, right?<|28.52|><|endoftext|> | split-indonesian/9-95-42240000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> personalization. So book it like everyone else can. But if it's personalized directly to you, you don't<|5.00|><|5.00|> handle it, you send it. People can press through the market because there are already many. It's easy.<|10.50|><|10.50|> So don't worry if you want to venture into the printing world, you just need to put your personal branding<|15.70|><|15.70|> on the market. You just need to introduce yourself to the public. I make comics, this is my comic. Make<|21.70|><|21.70|> Instagram, make social media, show it to people first. So people already know, people want it<|28.90|><|endoftext|> | split-indonesian/9-95-42720000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> I think that's what can be done.<|1.54|><|2.72|> OK, it means not only creative in producing works,<|7.66|><|7.76|> also creative in marketing them, right Mas Beng?<|10.34|><|11.34|> OK, the next question comes from Niputu Ayudinda Oje from Tamiang Layang, Central Kalimantan.<|18.24|><|18.72|> Please, you can read the question directly.<|21.22|><|endoftext|> | split-indonesian/9-95-43200000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Yes, it seems like there is a problem with audio, Mas Beng.<|10.12|><|10.34|> But Niputu Ayu's question is more or less related to the making of comic strips, Mas Beng.<|15.62|><|15.62|> What makes people interested in reading them?<|18.54|><|19.18|> And also in terms of filming or what?<|22.92|><|23.08|> Then the second question is what is the first thing to do to create comic strips?<|28.02|><|endoftext|> | split-indonesian/9-95-43680000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Go straight to a bit, Mas Beng.<|1.36|><|3.24|> Thank you. This is a nice question.<|5.56|><|6.46|> So, what's interesting about the comic script I'll say is the story.<|11.48|><|13.46|> If we look at a popular example,<|18.38|><|18.46|> on Instagram, for example, there is a tahila comic directly.<|21.04|><|21.64|> That is, visually it's also normal.<|23.66|><|24.46|> Even in terms of stories, for me, who grew up in their teens in the 90s,<|29.98|><|endoftext|> | split-indonesian/9-95-44160000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> It's not really related either.<|1.52|><|2.10|> But he was able to build one thing that allowed me to escape into an imaginative world.<|8.04|><|8.70|> That's what it says.<|10.50|><|10.60|> That's how he conveyed it.<|11.98|><|12.12|> Even though there were four panels.<|13.10|><|14.00|> Sometimes it was short.<|15.26|><|15.92|> In a short time he could bring people to another world like that.<|18.98|><|19.04|> And we laughed too.<|19.88|><|19.88|> Sometimes I didn't understand.<|21.64|><|21.98|> I found out by reading the reviews.<|24.04|><|24.24|> Oh I just found out.<|25.10|><|25.48|> This is the connection.<|26.60|><|27.32|> And I followed the updates.<|28.46|><|28.82|> So first of all the story.<|29.98|><|endoftext|> | split-indonesian/9-95-44640000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> So, when you have an idea, you just create text first.<|3.86|><|4.40|> So, for example, there are three views, just make this dialog, connect this dialog, then connect this dialog.<|11.74|><|11.86|> Then you think about how the scene is.<|14.34|><|14.74|> So, you don't lose the dialog.<|15.90|><|16.20|> The dialogue is the sender.<|17.40|><|17.64|> Without the dialogue it's okay, what's important is the story is correct.<|20.34|><|20.72|> So, you can write, write first.<|23.18|><|23.44|> So, I suggest it.<|24.58|><|25.10|> Stories, stories, stories, beats.<|26.94|><|endoftext|> | split-indonesian/9-95-45120000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> First define the idea of the job.<|3.16|><|3.40|> Only then can you proceed to the agent's sketch to make it easier.<|6.34|><|6.44|> Is that so, Mas Beng?<|7.18|><|7.88|> OK, next question.<|9.76|><|10.12|> This is from Tanira from Sidoarjo, East Java.<|13.66|><|13.66|> OK, Miss Tanira, can you ask me directly?<|16.90|><|20.26|> Yes, the comic strip is now frequently posted on social media.<|25.48|><|endoftext|> | split-indonesian/9-95-45600000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> commercial without creator permission.<|2.28|><|2.44|> How do you solve it?<|4.08|><|5.10|> OK, Mas Beng, this is quite a significant issue.<|9.50|><|9.60|> It looks like a job theft, yes, it can offend there.<|13.40|><|13.56|> How are you, Mas Beng?<|14.20|><|16.20|> Yes, I am one of the victims of image theft.<|20.10|><|20.10|> Many, very often.<|22.60|><|23.54|> In fact, suddenly it has become a product.<|25.16|><|endoftext|> | split-indonesian/9-95-46080000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> control it 100%<|1.98|><|1.98|> because that is something<|3.92|><|3.92|> that is inevitable<|6.22|><|6.22|> in the digital world<|7.16|><|7.16|> well what we need to do is<|10.04|><|10.04|> stay<|11.20|><|11.20|> stay satisfied with just<|13.48|><|13.48|> so do as many friends<|16.10|><|16.10|> maybe because friends<|18.12|><|18.12|> that will report to you<|20.14|><|20.14|> if someone takes your job<|21.46|><|21.46|> if we find it itself difficult<|23.56|><|23.56|> so when we find it call<|26.14|><|26.14|> call you directly<|27.92|><|endoftext|> | split-indonesian/9-95-46560000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> it is considered that you are starting, it is authentic.<|4.20|><|4.20|> Because it starts with your social media,<|9.78|><|10.22|> then there is also,<|11.42|><|11.98|> if possible, you can add a watermark,<|14.20|><|15.20|> whether your hand or whatever, you can also manipulate it.<|18.06|><|18.24|> But that is the minimum we can do.<|20.62|><|21.10|> But my main advice is<|23.36|><|23.36|> learn about copyright registration.<|27.46|><|28.16|> Easy.<|28.98|><|endoftext|> | split-indonesian/9-95-47520000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> So just invest.<|1.86|><|2.18|> You created it, you registered it.<|3.92|><|4.10|> You created it, you registered it.<|5.12|><|5.28|> With that you have the power of law when people have problems with your image.<|9.36|><|11.10|> But now many people are afraid.<|12.98|><|12.98|> So my picture suddenly became a coffee packaging.<|17.34|><|17.74|> It's already a baju raya, right?<|20.44|><|20.66|> I'm just saying, I registered the copyright.<|23.60|><|24.50|> This has legal implications.<|25.78|><|26.10|> Then apologize.<|26.70|><|26.94|> Keep going down.<|27.80|><|endoftext|> | split-indonesian/9-95-48000000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> but at least lower it.<|0.96|><|1.10|> Finally, that's it, it's hard to move on further.<|6.02|><|6.58|> But that's the minimum we can do.<|8.14|><|8.56|> Realize the law, we just need to realize first, then we can educate people.<|12.10|><|13.28|> OK, that means awareness must come from us first as the creator of the work,<|17.52|><|17.66|> to register it immediately, because otherwise, risk can be taken,<|22.08|><|22.42|> and if for example this happens without us registering our work,<|26.12|><|endoftext|> | split-indonesian/9-95-48480000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> or find one by one.<|1.04|><|1.50|> OK, thanks Mas Beng, for the description of<|3.90|><|3.90|> which of course opens our eyes to the comic world<|7.72|><|7.72|> which can not only be used as a forum of expression<|11.26|><|11.26|> but many can be used as a sustenance field<|15.34|><|15.34|> for those who really Hobbies I make comics.<|18.28|><|18.62|> And, wow, it seems so promising<|21.32|><|21.32|> if you look at the creative world or the creative industry that is currently growing.<|25.12|><|25.50|> And next, we will immediately follow instructions from Mr. Emmanuel Lemel<|29.84|><|endoftext|> | split-indonesian/9-95-48960000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Mr. Lemaire, formerly Mr. Beng talked about the development of comics from analog to digital<|7.80|><|7.80|> and how it has influenced society over time.<|10.72|><|11.08|> And now it's time to tell more about the comic world. This time it's separate.<|15.02|><|endoftext|> | split-indonesian/9-95-49440000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> it's hard to say your crime is just to help you grow, I take two<|7.44|><|7.44|> I think it's easier to emphasize what I want, but I need to emphasize<|14.10|><|14.10|> better, we can take one more, so don't formalize you not in Above this, I'll talk<|19.92|><|19.92|> about two very simple rules that can be used in pictures and<|26.82|><|endoftext|> | split-indonesian/9-95-50400000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> which I call from point to point.<|8.00|><|8.00|> Regle from beautiful to beautiful is a very fun and very easy to use regle<|13.00|><|13.00|> when you need to have, for example, a conversation or action scene or something else<|21.00|><|21.00|> for the audience or the audience, because it is a universal rule and is used in movies,<|27.00|><|endoftext|> | split-indonesian/9-95-50880000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> The video after Ilah often goes to the level of lepon<|5.64|><|5.64|> lecture syarahan syarahan<|11.58|><|11.58|> impregni de votre histoire et donc pour tre impregni de l'histoire doit tout<|16.02|><|16.02|> prix ne pas ne pas penser savoir ce qui se passe l'cran il doit se laisser<|22.92|><|22.92|> porter paris donc vous devez l'aider a et les rgles que je vous donnais<|28.44|><|endoftext|> | split-indonesian/9-95-51360000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> is to decorate a truly<|3.96|><|3.96|> basic image, where an example should be observed<|9.60|><|9.60|> for example when you talk about 2 personajs<|13.30|><|13.30|> the correct personajs will be given on the screen, so the personajs here<|19.20|><|19.20|> will always be given on the right side of the screen and this is<|23.70|><|endoftext|> | split-indonesian/9-95-51840000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Then, another guy, in fact, is in front and then out of front.<|4.00|><|4.00|> So, this is a way to show very lucky actions.<|8.00|><|8.00|> Also, not losing, besides the audience being in the picture,<|13.00|><|13.00|> can also show a guy easily.<|18.00|><|18.00|> So, this is a principle, you don't need to forget it when making a painting or in a meeting.<|26.00|><|endoftext|> | split-indonesian/9-95-52320000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> I will discuss later, this is the image composition rule.<|6.00|><|6.00|> This is not only in the image, but also in the movie, at work, etc.<|13.00|><|13.00|> This is the most.<|15.00|><|15.00|> When you create an image,<|18.00|><|18.00|> you have this image, another image,<|21.00|><|21.00|> I have created it differently to show<|25.00|><|25.00|> that this rule does not depend on image formation,<|29.00|><|endoftext|> | split-indonesian/9-95-52800000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> which is used to make this like this.<|4.54|><|4.54|> You take this picture, for example, you split it into three<|7.70|><|7.70|> on the foot,<|11.14|><|11.14|> into three on the length,<|12.64|><|12.64|> you print a line and at the intersection section<|16.10|><|16.10|> this line, you still have four points.<|18.20|><|18.20|> And inside this point, physically, naturally,<|25.84|><|endoftext|> | split-indonesian/9-95-53280000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> and you will see that images will understand more<|7.00|><|7.00|> and will be more instinctive and will make you take a lot of time<|11.00|><|11.00|> and I also trust you to see the images you see<|17.00|><|17.00|> from classic creators or from movies<|20.00|><|20.00|> and you will see that this composition is always<|25.00|><|25.00|> and the principles are beautiful<|28.00|><|endoftext|> | split-indonesian/9-95-54240000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> and create images in a very simple way.<|3.00|><|3.00|> It will allow you to create images in a very simple way.<|10.00|><|10.00|> Because in the design base, all images should be broadcast this way<|15.00|><|15.00|> to be more efficient.<|18.00|><|18.00|> And this will allow you to continue,<|20.00|><|20.00|> do better things than you are doing now.<|23.00|><|endoftext|> | split-indonesian/9-95-54720000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> 2 examples from viewers<|3.00|><|3.00|> if two people don't take pictures<|7.00|><|7.00|> just because you guys have made very quality pictures<|13.00|><|13.00|> but I took two because I need to find examples<|16.00|><|16.00|> if other people don't take pictures<|21.00|><|21.00|> so just criticism is enough to make them<|25.00|><|25.00|> maybe some others, but now we stand on it<|29.00|><|endoftext|> | split-indonesian/9-95-55200000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> in the first picture here you see that there isn't so much fish when<|7.28|><|7.28|> there is a small that is technically useless in the picture that should be<|12.96|><|12.96|> everything and everything works with the feasibility you have a very small very small time<|18.00|><|18.00|> so it must be really impressive and so on and you feel that if you move<|24.06|><|endoftext|> | split-indonesian/9-95-55680000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> So, 4 power points with D3 and D3 rules here.<|5.00|><|5.00|> And if you move the fish here,<|7.00|><|7.00|> the big advantage on the image is that<|10.00|><|10.00|> space would be more necessary and you'd see the fish better.<|16.00|><|20.00|> Another example in this dome,<|25.00|><|25.00|> if you use the power point rules,<|28.00|><|endoftext|> | split-indonesian/9-95-56160000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> power point and personnel that are somewhat rikiki above with the feathers we see we don't see<|6.24|><|6.24|> also if this column is not used when in the picture, actually for me<|11.90|><|11.90|> this picture is the meaning of sharing, contraction., to say maximum with<|19.20|><|19.20|> with less is possible, so it's very complicated about how to do it, if you<|26.66|><|endoftext|> | split-indonesian/9-95-56640000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> and it doesn't use anything like here, so that's kind of depressing, so if you move<|4.80|><|4.80|> personaje, we see more that it's personaje, you dress to perform<|11.10|><|11.10|> this part better, basically you put a small logo and special color<|16.70|><|16.70|> special color that will allow us to see later what is really important<|23.30|><|endoftext|> | split-indonesian/9-95-57120000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> and about the personaj that is behind this,<|4.00|><|4.00|> you turn a little and put it on the goal.<|7.00|><|7.00|> Like that, you will see, you will feel healthy,<|10.00|><|10.00|> that the information you want to give,<|13.00|><|13.00|> is already given in front.<|15.00|><|15.00|> And text, you, yourself,<|18.00|><|18.00|> you put it outside of this purpose.<|21.00|><|21.00|> you have a more advanced picture,<|24.00|><|24.00|> this is not a quality problem, the quality of the painting,<|27.00|><|27.00|> the color is so beautiful, the painting is so nice,<|29.00|><|endoftext|> | split-indonesian/9-95-57600000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> by making it like this, the image will be more impressive<|4.00|><|4.00|> when you see this last image also<|8.00|><|8.00|> very beautiful image, but we don't see<|12.00|><|12.00|> the house<|16.00|><|16.00|> collected with water, if you use<|20.00|><|20.00|> power point, you use 3 here and 3 here, you will find<|24.00|><|24.00|> 4 power points that are here, you move the house<|28.00|><|endoftext|> | split-indonesian/9-95-58080000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> so that we can install a house here by installing it in a more sturdy place,<|3.00|><|3.00|> which is possible to make the house completely,<|6.00|><|8.00|> and add space around it,<|10.00|><|10.00|> so that we can see better that this house is surrounded by water.<|14.00|><|14.00|> You can also add<|17.00|><|18.00|> grudges,<|20.00|><|21.00|> and grudges around it,<|23.00|><|23.00|> so that we can see better that the house is surrounded by bad objects.<|27.00|><|endoftext|> | split-indonesian/9-95-58560000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> it comes from a story that is heard which is talking about maritime packaging, plastic.<|8.00|><|8.00|> Then you add personaj, you open the door, and you make the personaj come out this way.<|17.00|><|17.00|> This allows you to see it better, to show the personaj's exit movement.<|24.00|><|endoftext|> | split-indonesian/9-95-59040000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> with green light rayons,<|2.00|><|2.00|> so we can see the movement of that person.<|6.00|><|6.00|> And to solve,<|8.00|><|8.00|> the colors you found for this section,<|12.00|><|12.00|> for example you put red or green,<|15.00|><|15.00|> very important, very bright,<|17.00|><|17.00|> you put red here,<|19.00|><|19.00|> the author would do the connection between this section and this section.<|23.00|><|23.00|> So you would add the ability<|26.00|><|endoftext|> | split-indonesian/9-95-59520000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> from the writer and the writer will immediately post the information you provided.<|7.30|><|7.30|> We take a second example here.<|9.30|><|9.30|> This is a very beautiful story,<|16.80|><|16.80|> with a good writer,<|20.80|><|20.80|> but you will notice in the first picture,<|23.80|><|23.80|> there is a composition issue.<|25.80|><|endoftext|> | split-indonesian/9-95-60000000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> with power, you just move a slightly lost personaje from the side of that<|6.00|><|6.00|> with all the space that isn't much, you move the personaje to<|10.00|><|10.00|> power here, in a certain place, you move here, this allows you<|15.00|><|15.00|> here to add a little more grudges, you add swelling,<|20.00|><|20.00|> bottles, plastic or others, soon you'll know that the story happened<|25.00|><|25.00|> between his personaje and grudges, from the first image, which is the scene<|29.00|><|endoftext|> | split-indonesian/9-95-60480000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> and you move the head of personj and fish both to the top of the power<|5.50|><|5.50|> and your fur sticks it up and down<|8.50|><|8.50|> by showing with the fur<|12.50|><|12.50|> to make the investigation easier and efficient<|17.00|><|17.00|> You have the advantage of showing the box again here<|21.00|><|21.00|> which is unlocked<|24.00|><|endoftext|> | split-indonesian/9-95-61440000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> and finally here, so this is pretty pretty picture, no problem, but I<|10.00|><|10.00|> noticed that if you move part of the cat, a little, because there is no<|14.00|><|14.00|> big difference between here and here, and if you move the cat, personaj at this stage, so,<|21.00|><|21.00|> forcefully, you move the text more to the second third by pasting it<|29.00|><|endoftext|> | split-indonesian/9-95-61920000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> I am indeed trying to continue to be sustainable and persistent by following the 2 rules that I convey.<|12.00|><|12.00|> I am grateful to Audi Laurat.<|18.00|><|18.00|> Although Mr. Emmanuel Lemaire conveys materials in French, I remember there are subtitles.<|26.00|><|endoftext|> | split-indonesian/9-95-63360000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> This one talks about the technique for making comic strips and what makes comic strips interesting.<|6.70|><|6.90|> And thank you very much, Mr. Lemel, for your presentation.<|11.50|><|11.50|> And now we want to contact you, the opportunity to ask your question.<|17.74|><|17.94|> And here comes Mr. Ibnu from Lubuk Linggau, South Sumatra.<|22.66|><|23.28|> Please, Ibnu.<|24.10|><|endoftext|> | split-indonesian/9-95-63840000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Hi, I'm Mr. Emmanuel, I'm from Wobok, Inggo.<|4.00|><|4.00|> I want to ask, I believe everyone has their own way of finding inspiration from stories in comics.<|12.00|><|12.00|> And that's very important to note.<|16.00|><|16.00|> Do I know how you find your ideas in making comics?<|21.00|><|21.00|> Is that from your own experience in your life or what? Thank you.<|26.00|><|endoftext|> | split-indonesian/9-95-64320000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> I spent one year in Rotterdam and I will talk about this experience about one year in the country.<|19.00|><|21.00|> That's all.<|22.00|><|endoftext|> | split-indonesian/9-95-66720000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> And the next question from me, Mr. Lemaire, and related to the previous question,<|7.70|><|7.82|> is about creativity.<|8.96|><|9.34|> Actually, what do you think about freedom to be creative?<|12.52|><|12.84|> Is there any restrictions we should do, or can we really be free to express ourselves through art?<|19.08|><|23.64|> Can I repeat it, please?<|24.96|><|25.78|> Sorry, sorry.<|26.82|><|endoftext|> | split-indonesian/9-95-67200000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> What do you think about freedom to be creative?<|3.00|><|3.00|> Is there any restrictions we should adhere to?<|6.00|><|6.00|> Or can we freely express ourselves through art?<|11.00|><|18.00|> For me, you can do what you want in comics.<|22.00|><|endoftext|> | split-indonesian/9-95-67680000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> So for one more<|2.82|><|2.82|> For another question<|4.30|><|4.30|> Let's hurry up bro<|6.06|><|6.06|> Get ready Madam<|8.42|><|8.42|> What icon<|10.48|><|10.48|> From Jakarta city<|12.46|><|12.46|> This guy seems to be the fastest<|14.56|><|14.56|> This guy<|15.14|><|15.14|> A brown hat guy<|18.70|><|18.70|> A cute blue shirt<|21.06|><|21.06|> Don't worry Bro Non<|22.82|><|22.82|> Babe catfish who haven't gotten a part<|24.70|><|24.70|> Because after this we still have<|26.50|><|26.50|> Give out a gift for sure, OK?<|28.48|><|endoftext|> | split-indonesian/9-94-86400000.mp3 |
<|startoftranscript|><|en|><|transcribe|><|0.00|> Don't go anywhere<|1.98|><|1.98|> Okay sis, while we're waiting<|4.08|><|4.08|> Who will answer the question to take the stage<|6.72|><|6.72|> Let's visit first sis<|9.12|><|9.12|> Who will have a performance from after this?<|11.94|><|12.32|> Well, after this there will be a show that is definitely no less special<|14.76|><|14.76|> From Jakarta Youth Choir<|16.56|><|16.56|> Well, Jakarta Youth Choir or JYC<|20.46|><|20.46|> That is Jakarta DKI Youth Choir<|23.62|><|23.62|> Which was established on August 30th. 2015<|26.36|><|26.36|> From 2015?<|27.48|><|27.48|> From 2015<|28.36|><|28.36|> So it means it's been a long time, right?<|29.74|><|endoftext|> | split-indonesian/9-94-86880000.mp3 |