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In 2008 , Fernandez started dating Bahraini prince Hassan bin Rashid Al Khalifa , whom she met at a mutual friend party ; they separated in 2011 . While filming Housefull 2 in 2011 , Fernandez began a romantic relationship with director Sajid Khan . The relationship attracted media coverage in India and there was speculation of an impending wedding . However , the relationship ended in May 2013 . | 100 | 1 |
In addition to acting in films , Fernandez has supported charitable organisations and a number of causes . In 2011 , on the behalf of People for the Ethical Treatment of Animals ( PETA ) , she sent a letter to the Mumbai Municipal Commissioner asking for an end to horse @-@ drawn carriage rides in Mumbai . In early 2013 , she asked the consulate general of the Philippines , William John T Perera in Colombo , to hasten the transfer of an elephant from its inadequate housing at the Manila Zoo to a humane sanctuary . Later that year , she auctioned a breakfast in Mayfair , London , where she raised around £ 4000 for the Pratham NGO , which helps children primary education . In 2014 , Fernandez was named " Woman Of The Year " by PETA ( India ) for advocating the protection of animals . The following year , she auctioned her outfits on an online portal for a philanthropic cause . Some of her outfits included the ones she wore in the song " Party On My Mind " ( from Race 2 ) and " Hangover " ( from Kick ) . In March 2016 , she was part of " Jacqueline Builds " campaign that raised funds for the victims of the 2015 South Indian floods . | 101 | 1 |
In the early 2013 , Fernandez became the ambassador for HTC One , which she endorses in India . She was the face of Indian Bridal Fashion Week — IBFW of 2013 . Later that year , she became the spokesperson for Gareth Pugh designed Forevermark Diamonds in Mumbai , and was at the inaugural opening of the Forever 21 store in Mumbai . That year , she also launched Gillette Shaving System with Arbaaz Khan and Aditya Roy Kapur . While analysing Fernandez career , India TV noted : " Slowly and steadily Jacqueline Fernandez is climbing up the ladder of success [ ... ] Jacqueline is comfortably grasping every aspect of the work , which an actress is required to do and is accordingly giving results . " On the contrary , Charu Thakur of India Today criticized her acting skills , but remarked that : " [ she has ] managed to find her feet in Bollywood now by banking on glamorous roles " . | 102 | 2 |
In 2008 and 2011 , Fernandez featured in the UK magazine Eastern Eye " World Sexiest Asian Women " list , ranking twelfth . She was ranked third on The Times of India listing of the " Most Desirable Woman " in 2013 and 2014 , after being ranked eighth , seventh and fourteenth , respectively , in the preceding three years . In 2013 , Rediff.com placed her on their list of " Bollywood Best Dressed Actresses " . The following year , she held the sixty second position in the Indian edition of the Forbes Celebrity 100 , a list based on the income and popularity of India celebrities . She has been the cover model for many Indian editions of magazines , including : Vogue , FHM , Maxim , Cosmopolitan , Grazia , Elle , Verve , Harper Bazaar , Women Health , and L 'Officiel among others . | 103 | 8 |
Barry John Cullen ( born August 2 , 1964 ) is a Canadian former professional ice hockey centre who played in the National Hockey League ( NHL ) for the Pittsburgh Penguins , Hartford Whalers , Toronto Maple Leafs and Tampa Bay Lightning . He was a standout player for Boston University and is the school all @-@ time leading scorer . After the Buffalo Sabres selected him in the 1986 NHL Supplemental Draft but chose not to offer him a contract , Cullen signed with the Flint Spirits of the International Hockey League ( IHL ) for the 1987 – 88 season where he was named the IHL co @-@ Rookie of the Year and Most Valuable Player after leading the league in scoring . | 104 | 2 |
He idolized his elder brother Terry , who was considered a top NHL prospect until Terry career was ended when he suffered a broken neck after being hit from behind into the boards during a college game . While his brother was highly sought by American universities , John received only two scholarship offers , choosing to play for Boston University ( BU ) in 1983 . | 105 | 1 |
At the same time , his mother Loretta was diagnosed with skin cancer . Following her death early in his freshman year , Cullen contemplated returning to his Ontario home , but was convinced by his father to continue with both school and hockey . He used the game to cope with the loss and dedicated every game he played to his mother memory . Cullen felt that the inspiration he drew from his mother battle allowed him to become a better player . | 106 | 2 |
Cullen was a standout with BU ; he was named the East Coast Athletic Conference Rookie of the Year in 1983 – 84 after leading his team in scoring with 56 points . The National Hockey League passed him over , however , as he went unclaimed in the 1984 NHL Entry Draft . He was named to the Hockey East All @-@ Star Teams in 1985 , 1986 and 1987 , and a National Collegiate Athletic Association East Second Team All @-@ American in 1986 . He graduated as BU all @-@ time scoring leader with 241 points , and was named to BU Hockey East 25th anniversary team in 2009 . | 107 | 2 |
Passed over in the Entry Draft , Cullen was finally selected by the Buffalo Sabres in the 1986 NHL Supplemental Draft . When the Sabres failed to offer him a contract , Cullen signed with the Flint Spirits of the International Hockey League ( IHL ) for the 1987 – 88 season . He led the league with 157 points , scoring 48 goals , and won the James Gatschene Memorial Trophy as league most valuable player while sharing the Gary F. Longman Memorial Trophy with Ed Belfour as rookie of the year . Cullen outstanding season in Flint caught the attention of the Sabres and the Pittsburgh Penguins . He signed a contract with the Penguins for the league minimum , passing up a superior contract offer from Buffalo as he remained upset at how they released him the year before . | 108 | 1 |
Cullen made his NHL debut in 1988 – 89 , appearing in 79 games with the Penguins and scoring 49 points . He was given a greater role with the Penguins the following year after Mario Lemieux missed 21 games due to a back injury and responded by scoring 32 goals and 92 points to finish third in team scoring . Additionally , he played for Team Canada at the 1990 World Championship , scoring four points in ten games . Cullen had his best season in 1990 – 91 . As one of the team top offensive centres , he scored 94 points in the Penguins first 65 games and played in his first NHL All @-@ Star Game . However , when Lemieux returned after missing an additional 50 @-@ games due to injury , Cullen playing time and production declined . | 109 | 3 |
The Penguins needs led them to complete a blockbuster trade on March 1 , 1991 . Cullen was sent to the Hartford Whalers , along with Zarley Zalapski and Jeff Parker in exchange for Hartford all @-@ time leading scorer , Ron Francis , along with Ulf Samuelsson and Grant Jennings . The Penguins almost turned down the deal as they were concerned about giving up Cullen playmaking and leadership abilities , while his former teammates credited Cullen as being the primary reason they were in a playoff position at the time the trade happened . After the Penguins won their first Stanley Cup that season , Phil Bourque later said it " broke his heart " that Cullen was not able to share in that championship . | 110 | 3 |
In Hartford , Cullen worked to overcome the team fans disappointment at losing Francis . The Hartford fans initially booed him to show their dissatisfaction with the trade . He scored 16 points in 13 regular season games to finish the season with 110 points combined between the Penguins and Whalers , and was the team best player in their first round loss to the Boston Bruins in the 1991 Stanley Cup Playoffs . He initially accepted an invitation to join the Canadian team at the 1991 Canada Cup , but subsequently chose not to participate as his contract had expired , leading to greater insurance concerns . Still without a contract when the 1991 – 92 season began , Cullen missed the first four games before signing a four @-@ year deal with Hartford worth a total of $ 4 million . He returned to score 77 points in 77 games in his first full season with the Whalers and represented the team at the 1992 All @-@ Star Game . | 111 | 3 |
Midway through the 1992 – 93 NHL season , the Whalers sent Cullen to the Toronto Maple Leafs for Toronto second round selection at the 1993 NHL Entry Draft . Cullen was excited to play for his father old team , but injuries reduced his ability to perform . His most significant injury was a herniated disc in his neck that doctors initially feared would end his career . A bulky neck brace allowed Cullen to return and play out his contract in Toronto . When the Leafs chose not to re @-@ sign him following the 1993 – 94 season , he returned to the Penguins for one season before Tony Esposito convinced him to sign with the Tampa Bay Lightning in 1995 . | 112 | 2 |
After two months of quietly dealing with his symptoms , Cullen wife finally called team trainers and asked them to check into his illness . The team took an x @-@ ray and found a large black shadow in his chest . He underwent a CAT scan which revealed Cullen had a baseball @-@ sized tumor ; he was diagnosed as having Non @-@ Hodgkin lymphoma . The diagnosis ended his season , and he immediately began chemotherapy treatments that quickly reduced his cancer . The tumor was gone by September 1997 , but a precautionary test prior to training camp revealed that Cullen still had cancer cells in his body . He missed the entire 1997 – 98 NHL season as he continued to battle the disease , while his teammates wore a uniform patch with his # 12 in support throughout the year . | 113 | 1 |
Cullen appeared in four of the Lightning first eight games , but it was evident that he had lost much of his speed and strength . The Lightning assigned him to the IHL Cleveland Lumberjacks , but also gave him the option of retiring and taking up a position as an assistant coach . He chose to accept the demotion , giving himself one month to determine if he could continue playing . He appeared in six games for Cleveland , and in one game against the Chicago Wolves tied an IHL record when he scored seven points in a 7 – 3 victory . | 114 | 2 |
Cullen and his wife Valerie have three daughters , Kennedy and twins Karlyn and Kortland . Unwilling to spend so much time away from his family , he left the Lightning in 1999 and settled in the Atlanta area , joining his brother car dealership in Jonesboro , Georgia . He had always expected to become a car dealer after his hockey career , as his father , uncles and brother all worked in the industry . After apprenticing under his brother for five years , he bought a Dodge dealership in Newnan , Georgia in 2007 . However , he owned the dealership for less than two years before Chrysler closed him down as part of its recovery plan in response to the Automotive industry crisis of 2008 – 2010 . He has since returned to his brother dealership , serving as its general manager . | 115 | 2 |
Cullen battle with cancer inspired Timm Harmon of the Moffitt Cancer Centre to partner with the Lightning to raise awareness and money for cancer research . The NHL itself joined the cause in the winter of 1998 , creating the Hockey Fights Cancer program to raise money for research . Cullen has spent time promoting the initiative . | 116 | 1 |
SMS Erzherzog Ferdinand Max ( German : " His Majesty ship Archduke Ferdinand Max " ) was a pre @-@ dreadnought battleship built by the Austro @-@ Hungarian Navy in 1902 . The second ship of the Erzherzog Karl class , she was launched on 3 October 1903 . She was assigned to the III Battleship Division . | 117 | 1 |
A major mutiny among crews of the armored cruisers stationed in Cattaro , including Sankt Georg and Kaiser Karl VI , began on 1 February 1918 . Two days later , Erzherzog Ferdinand Max and her sisters arrived in the port and assisted with the suppression of the mutiny . Following the restoration of order in the naval base , the armored cruisers Sankt Georg and Kaiser Karl VI were decommissioned and Erzherzog Ferdinand Max and her sisters were stationed in Cattaro in their place . On the morning of 11 June , Admiral Miklos Horthy planned a major assault on the Otranto Barrage ; the three Erzherzog Karls and the four Tegetthoff @-@ class battleships were to provide support for the Novara @-@ class cruisers on an assault on the Allied defenses at the Strait of Otranto . The plan was intended to replicate the success of the raid conducted one year earlier . Horthy plan was to destroy the blockading fleet by luring Allied ships to the cruisers and lighter ships , which were protected from the heavier guns of the battleships , including the guns of the Erzherzog Karl class . However , on the morning of 10 June , the dreadnought Szent István was torpedoed and sunk by an Italian torpedo boat . Horthy felt that the element of surprise had been compromised , and therefore called off the operation . This was to be the last military action Erzherzog Ferdinand Max was to take part in , and she and her sisters spent the rest of their career in port . | 118 | 1 |
Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt . The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion , which emerged sometime in prehistory . Deities represented natural forces and phenomena , and the Egyptians supported and appeased them through offerings and rituals so that these forces would continue to function according to maat , or divine order . After the founding of the Egyptian state around 3100 BC , the authority to perform these tasks was controlled by the pharaoh , who claimed to be the gods representative and managed the temples where the rituals were carried out . | 119 | 1 |
The gods complex characteristics were expressed in myths and in intricate relationships between deities : family ties , loose groups and hierarchies , and combinations of separate gods into one . Deities diverse appearances in art — as animals , humans , objects , and combinations of different forms — also alluded , through symbolism , to their essential features . | 120 | 2 |
Gods were assumed to be present throughout the world , capable of influencing natural events and the course of human lives . People interacted with them in temples and unofficial shrines , for personal reasons as well as for larger goals of state rites . Egyptians prayed for divine help , used rituals to compel deities to act , and called upon them for advice . Humans relations with their gods were a fundamental part of Egyptian society . | 121 | 1 |
The Egyptian language terms for these beings were nṯr , " god " , and its feminine form nṯrt , " goddess " . Scholars have tried to discern the original nature of the gods by proposing etymologies for these words , but none of these suggestions has gained acceptance , and the terms origin remains obscure . The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity . The most common of these signs is a flag flying from a pole . Similar objects were placed at the entrances of temples , representing the presence of a deity , throughout ancient Egyptian history . Other such hieroglyphs include a falcon , reminiscent of several early gods who were depicted as falcons , and a seated male or female deity . The feminine form could also be written with an egg as determinative , connecting goddesses with creation and birth , or with a cobra , reflecting the use of the cobra to depict many female deities . | 122 | 2 |
The Egyptians distinguished nṯrw , " gods " , from rmṯ , " people " , but the meanings of the Egyptian and the English terms do not match perfectly . The term nṯr may have applied to any being that was in some way outside the sphere of everyday life . Deceased humans were called nṯr because they were considered to be like the gods , whereas the term was rarely applied to many of Egypt lesser supernatural beings , which modern scholars often call " demons " . Egyptian religious art also depicts places , objects , and concepts in human form . These personified ideas range from deities that were important in myth and ritual to obscure beings , only mentioned once or twice , that may be little more than metaphors . | 123 | 1 |
Many Egyptologists and anthropologists have suggested theories about how the gods developed in these early times . Gustave Jéquier , for instance , thought the Egyptians first revered primitive fetishes , then deities in animal form , and finally deities in human form , whereas Henri Frankfort argued that the gods must have been envisioned in human form from the beginning . Some of these theories are now regarded as too simplistic , and more current ones , such as Siegfried Morenz hypothesis that deities emerged as humans began to distinguish themselves from and personify their environment , are difficult to prove . | 124 | 1 |
Modern knowledge of Egyptian beliefs about the gods is mostly drawn from religious writings produced by the nation scribes and priests . These people were the elite of Egyptian society and were very distinct from the general populace , most of whom were illiterate . Little is known about how well this broader population knew or understood the sophisticated ideas that the elite developed . Commoners perceptions of the divine may have differed from those of the priests . The populace may , for example , have mistaken the religion symbolic statements about the gods and their actions for literal truth . But overall , what little is known about popular religious belief is consistent with the elite tradition . The two traditions form a largely cohesive vision of the gods and their nature . | 125 | 3 |
Most Egyptian deities represent natural or social phenomena . The gods were generally said to be immanent in these phenomena — to be present within nature . The types of phenomena they represented include physical places and objects as well as abstract concepts and forces . The god Shu was the deification of all the world air ; the goddess Meretseger oversaw a limited region of the earth , the Theban Necropolis ; and the god Sia personified the abstract notion of perception . Major gods often had many roles and were involved in several types of phenomena . For instance , Khnum was the god of Elephantine Island in the midst of the Nile , the river that was essential to Egyptian civilization . He was credited with producing the annual Nile flood that fertilized the nation farmland . Perhaps as an outgrowth of this life @-@ giving function , he was said to create all living things , fashioning their bodies on a potter wheel . Gods could share the same role in nature ; Ra , Atum , Khepri , Horus , and other deities acted as sun gods . Despite their diverse functions , most gods had an overarching role in common : maintaining maat , the universal order that was a central principle of Egyptian religion and was itself personified as a goddess . But some deities represented disruption to maat . Most prominently , Apep was the force of chaos , constantly threatening to annihilate the order of the universe , and Set was an ambivalent member of divine society who could both fight disorder and foment it . | 126 | 3 |
The roles of each deity were fluid , and each god could expand its nature to take on new characteristics . As a result , gods roles are difficult to categorize or define . But despite their flexibility , the gods had limited abilities and spheres of influence . Not even the creator god could reach beyond the boundaries of the cosmos that he created , and even Isis , though she was said to be the cleverest of the gods , was not omniscient . Richard H. Wilkinson , however , argues that some texts from the late New Kingdom suggest that , as beliefs about the god Amun evolved , he was thought to approach omniscience and omnipresence and to transcend the limits of the world in a way that other deities did not . | 127 | 1 |
Divine behavior was believed to govern all of nature . Except for the few deities who disrupted the divine order , the gods actions maintained maat and created and sustained all living things . They did this work using a force the Egyptians called heka , a term usually translated as " magic " . Heka was a fundamental power that the creator god used to form the world and the gods themselves . | 128 | 1 |
The gods actions in the present are described and praised in hymns and funerary texts . In contrast , mythology mainly concerns the gods actions during a vaguely imagined past in which the gods were present on earth and interacted directly with humans . The events of this past time set the pattern for the events of the present . Periodic occurrences were tied to events in the mythic past ; the succession of each new pharaoh , for instance , reenacted Horus accession to the throne of his father Osiris . Myths are metaphors for the gods actions , which humans cannot fully understand . They contain seemingly contradictory ideas , each expressing a particular perspective on divine events . The contradictions in myth are part of the Egyptians many @-@ faceted approach to religious belief — what Henri Frankfort called a " multiplicity of approaches " to understanding the gods . | 129 | 5 |
A recurring theme in these myths is the effort of the gods to maintain maat against the forces of disorder . They fight vicious battles with the forces of chaos at the start of creation . Ra and Apep , battling each other each night , continue this struggle into the present . Another prominent theme is the gods death and revival . The clearest instance where a god dies is the myth of Osiris murder , in which that god is resurrected as ruler of the Duat . The sun god is also said to grow old during his daily journey across the sky , sink into the Duat at night , and emerge as a young child at dawn . In the process he comes into contact with the rejuvenating water of primordial chaos . Funerary texts that depict Ra journey through the Duat also show the corpses of gods who are enlivened along with him . Instead of being changelessly immortal , the gods periodically died and were reborn by repeating the events of creation , thus renewing the whole world . But it was always possible for this cycle to be disrupted and for chaos to return . Some poorly understood Egyptian texts even suggest that this calamity is destined to happen — that the creator god will one day dissolve the order of the world , leaving only himself and Osiris amid the primordial chaos . | 130 | 3 |
Gods were linked with specific regions of the universe . In Egyptian tradition , the world includes the earth , the sky , and the Duat . Surrounding them is the dark formlessness that existed before creation . The gods in general were said to dwell in the sky , although gods whose roles were linked with other parts of the universe were said to live in those places instead . Most events of mythology , set in a time before the gods withdrawal from the human realm , take place in an earthly setting . The deities there sometimes interact with those in the sky . The Duat , in contrast , is treated as a remote and inaccessible place , and the gods who dwell there have difficulty communicating with those in the world of the living . The space outside the cosmos is also said to be very distant . It too is inhabited by deities , some hostile and some beneficial to the other gods and their orderly world . | 131 | 1 |
In the time after myth , most gods were said to be either in the sky or invisibly present within the world . Temples were their main means of contact with humanity . Each day , it was believed , the gods moved from the divine realm to their temples , their homes in the human world . There they inhabited the cult images , the statues that depicted deities and allowed humans to interact with them in temple rituals . This movement between realms was sometimes described as a journey between the sky and the earth . As temples were the focal points of Egyptian cities , the god in a city main temple was the patron god for the city and the surrounding region . Deities spheres of influence on earth centered on the towns and regions they presided over . Many gods had more than one cult center , and their local ties changed over time . They could establish themselves in new cities , or their range of influence could contract . Therefore , a given deity main cult center in historical times is not necessarily his or her place of origin . The political influence of a city could affect the importance of its patron deity . When kings from Thebes took control of the country at start of the Middle Kingdom ( c . 2055 – 1650 BC ) , they elevated Thebes patron gods — first the war god Montu and then Amun — to national prominence . | 132 | 4 |
In addition to their names , gods were given epithets , like " possessor of splendor " , " ruler of Abydos " , or " lord of the sky " , that describe some aspect of their roles or their worship . Because of the gods multiple and overlapping roles , deities can have many epithets — with more important gods accumulating more titles — and the same epithet can apply to many deities . Some epithets eventually became separate deities , as with Werethekau , an epithet applied to several goddesses meaning " great enchantress " , which came to be treated as an independent goddess . The host of divine names and titles expresses the gods multifarious nature . | 133 | 2 |
Egyptian deities are connected in a complex and shifting array of relationships . A god connections and interactions with other deities helped define its character . Thus Isis , as the mother and protector of Horus , was a great healer as well as the patroness of kings . Such relationships were the base material from which myths were formed . | 134 | 1 |
Family relationships are a common type of connection between gods . Deities often form male and female pairs , reflecting the importance of procreation in Egyptian religious thought . Families of three deities , with a father , mother , and child , represent the creation of new life and the succession of the father by the child , a pattern that connects divine families with royal succession . Osiris , Isis , and Horus formed the quintessential family of this type . The pattern they set grew more widespread over time , so that many deities in local cult centers , like Ptah , Sekhmet , and their child Nefertum at Memphis and Amun , Mut , and Khonsu at Thebes , were assembled into family triads . Genealogical connections like these are changeable , in keeping with the multiple perspectives in Egyptian belief . Hathor , as a fertility goddess , could act as mother to any child god , including the child form of the sun god , although in other circumstances she was the sun god daughter . | 135 | 1 |
Nine , the product of three and three , represents a multitude , so the Egyptians called several large groups " enneads " , or sets of nine , even if they had more than nine members . The most prominent ennead was the Ennead of Heliopolis , an extended family of deities descended from the creator god Atum , which incorporates many important gods . The term " ennead " was often extended to include all of Egypt deities . | 136 | 1 |
The gods were believed to manifest in many forms . The Egyptians had complex conception of the human soul , consisting of several parts . The spirits of the gods were composed of many of these same elements . The ba was the component of the human or divine soul that affected the world around it . Any visible manifestation of a god power could be called its ba ; thus , the sun was called the ba of Ra . A depiction of a deity was considered a ka , another component of its being , which acted as a vessel for that deity ba to inhabit . The cult images of gods that were the focus of temple rituals , as well as the sacred animals that represented certain deities , were believed to house divine bas in this way . Gods could be ascribed many bas and kas , which were sometimes given names representing different aspects of the god nature . Everything in existence was said to be one of the kas of Atum the creator god , who originally contained all things within himself , and one deity could be called the ba of another , meaning that the first god is a manifestation of the other power . Divine body parts could act as separate deities , like the Eye of Ra and Hand of Atum , both of which were personified as goddesses . | 137 | 4 |
Nationally important deities gave rise to local manifestations , which sometimes absorbed the characteristics of older regional gods . Horus had many forms tied to particular places , including Horus of Nekhen , Horus of Buhen , and Horus of Edfu . Such local manifestations could be treated almost as separate beings . During the New Kingdom , one man was accused of stealing clothes by an oracle supposed to communicate messages from Amun of Pe @-@ Khenty . He consulted two other local oracles of Amun hoping for a different judgment . Gods manifestations also differed according to their roles . Horus could be a powerful sky god or vulnerable child , and these forms were sometimes counted as independent deities . | 138 | 1 |
In the reign of Akhenaten ( c . 1353 – 1336 BC ) in the mid @-@ New Kingdom , a single solar deity , the Aten , became the sole focus of the state religion . Akhenaten ceased to fund the temples of other deities and erased the gods names and images on monuments , targeting Amun in particular . This new religious system , sometimes called Atenism , differed dramatically from the polytheistic worship of many gods in all other periods . Whereas , in earlier times , newly important gods were integrated into existing religious beliefs , Atenism insisted on a single understanding of the divine that excluded the traditional multiplicity of perspectives . Yet Atenism may not have been full monotheism , which totally excludes belief in other deities . There is evidence suggesting that the general populace was still allowed to worship other gods in private . The picture is further complicated by Atenism apparent tolerance for some other deities , like Shu . For these reasons , the Egyptologist Dominic Montserrat suggested that Akhenaten may have been monolatrous , worshipping a single deity while acknowledging the existence of others . In any case , Atenism aberrant theology did not take root among the Egyptian populace , and Akhenaten successors returned to traditional beliefs . | 139 | 4 |
Hornung arguments have greatly influenced other scholars of Egyptian religion , but some still believe that at times the gods were more unified than he allows . Jan Assmann maintains that the notion of a single deity developed slowly through the New Kingdom , beginning with a focus on Amun @-@ Ra as the all @-@ important sun god . In his view , Atenism was an extreme outgrowth of this trend . It equated the single deity with the sun and dismissed all other gods . Then , in the backlash against Atenism , priestly theologians described the universal god in a different way , one that coexisted with traditional polytheism . The one god was believed to transcend the world and all the other deities , while at the same time , the multiple gods were aspects of the one . According to Assmann , this one god was especially equated with Amun , the dominant god in the late New Kingdom , whereas for the rest of Egyptian history the universal deity could be identified with many other gods . James P. Allen says that coexisting notions of one god and many gods would fit well with the " multiplicity of approaches " in Egyptian thought , as well as with the henotheistic practice of ordinary worshippers . He says that the Egyptians may have recognized the unity of the divine by " identifying their uniform notion of ' god ' with a particular god , depending on the particular situation . " | 140 | 1 |
Egyptian writings describe the gods bodies in detail . They are made of precious materials ; their flesh is gold , their bones are silver , and their hair is lapis lazuli . They give off a scent that the Egyptians likened to the incense used in rituals . Some texts give precise descriptions of particular deities , including their height and eye color . Yet these characteristics are not fixed ; in myths , gods change their appearances to suit their own purposes . Egyptian texts often refer to deities true , underlying forms as " mysterious " . The Egyptians visual representations of their gods are therefore not literal . They symbolize specific aspects of each deity character , functioning much like the ideograms in hieroglyphic writing . For this reason , the funerary god Anubis is commonly shown in Egyptian art as a dog or jackal , a creature whose scavenging habits threaten the preservation of buried mummies , in an effort to counter this threat and employ it for protection . His black coloring alludes to the color of mummified flesh and to the fertile black soil that Egyptians saw as a symbol of resurrection . | 141 | 4 |
Certain features of divine images are more useful than others in determining a god identity . The head of a given divine image is particularly significant . In a hybrid image , the head represents the original form of the being depicted , so that , as the Egyptologist Henry Fischer put it , " a lion @-@ headed goddess is a lion @-@ goddess in human form , while a royal sphinx , conversely , is a man who has assumed the form of a lion . " Divine headdresses , which range from the same types of crowns used by human kings to large hieroglyphs worn on gods heads , are another important indicator . In contrast , the objects held in gods hands tend to be generic . Male deities hold was staffs , goddesses hold stalks of papyrus , and both sexes carry ankh signs , representing the Egyptian word for " life " , to symbolize their life @-@ giving power . | 142 | 3 |
However much it was believed , the king divine status was the rationale for his role as Egypt representative to the gods , as he formed a link between the divine and human realms . The Egyptians believed the gods needed temples to dwell in , as well as the periodic performance of rituals and presentation of offerings to nourish them . These things were provided by the cults that the king oversaw , with their priests and laborers . Yet , according to royal ideology , temple @-@ building was exclusively the pharaoh work , as were the rituals that priests usually performed in his stead . These acts were a part of the king fundamental role : maintaining maat . The king and the nation he represented provided the gods with maat so they could continue to perform their functions , which maintained maat in the cosmos so humans could continue to live . | 143 | 4 |
Temples , where the state rituals were carried out , were filled with images of the gods . The most important temple image was the cult statue in the inner sanctuary . These statues were usually less than life @-@ size , and made of the same precious materials that were said to form the gods bodies . Many temples had several sanctuaries , each with a cult statue representing one of the gods in a group such as a family triad . The city primary god was envisioned as its lord , employing many of the residents as servants in the divine household that the temple represented . The gods residing in the temples of Egypt collectively represented the entire pantheon . But many deities — including some important gods as well as those that were minor or hostile — were never given temples of their own , although some were represented in the temples of other gods . | 144 | 2 |
Egyptian gods were involved in human lives as well as in the overarching order of nature . This divine influence applied mainly to Egypt , as foreign peoples were traditionally believed to be outside the divine order . But in the New Kingdom , when other nations were under Egyptian control , foreigners were said to be under the sun god benign rule in the same way that Egyptians were . | 145 | 1 |
Thoth , as the overseer of time , was said to allot fixed lifespans to both humans and gods . Other gods were also said to govern the length of human lives , including Meskhenet , who presided over birth , and Shai , the personification of fate . Thus the time and manner of death was the main meaning of the Egyptian concept of fate , although to some extent these deities governed other events in life as well . Several texts refer to gods influencing or inspiring human decisions , working through a person " heart " — the seat of emotion and intellect in Egyptian belief . Deities were also believed to give commands , instructing the king in the governance of his realm and regulating the management of their temples . Egyptian texts rarely mention direct commands given to private persons , and these commands never evolved into a set of divinely enforced moral codes . Morality in ancient Egypt was based on the concept of maat , which , when applied to human society , meant that everyone should live in an orderly way that did not interfere with the well @-@ being of other people . Because deities were the upholders of maat , morality was connected with them . For example , the gods judged humans moral righteousness after death , and by the New Kingdom , a verdict of innocence in this judgment was believed to be necessary for admittance into the afterlife . But in general , morality was based on practical ways to uphold maat in daily life , rather than on strict rules that the gods laid out . | 146 | 2 |
Humans had free will to ignore divine guidance and the behavior required by maat , but by doing so they could bring divine punishment upon themselves . A deity carried out this punishment using its ba , the force that manifested the god power in the human world . Natural disasters and human ailments were seen as the work of angry divine bas . Conversely , the gods could cure righteous people of illness or even extend their lifespans . Both these types of intervention were eventually represented by deities : Shed , who emerged in the New Kingdom to represent divine rescue from harm , and Petbe , an apotropaic god from the late eras of Egyptian history who was believed to avenge wrongdoing . | 147 | 1 |
Egyptian texts take different views on whether the gods are responsible when humans suffer unjustly . Misfortune was often seen as a product of isfet , the cosmic disorder that was the opposite of maat , and therefore the gods were not guilty of causing evil events . Some deities who were closely connected with isfet , such as Set , could be blamed for disorder within the world without placing guilt on the other gods . But some writings do accuse the deities of causing human misery , while others give theodicies in the gods defense . Beginning in the Middle Kingdom , several texts connected the issue of evil in the world with a myth in which the creator god fights a human rebellion against his rule and then withdraws from the earth . Because of this human misbehavior , the creator is distant from his creation , allowing suffering to exist . New Kingdom writings do not question the just nature of the gods as strongly as those of the Middle Kingdom . They emphasize humans direct , personal relationships with deities and the gods power to intervene in human events . People in this era put faith in specific gods who they hoped would help and protect them through their lives . As a result , upholding the ideals of maat grew less important than gaining the gods favor as a way to guarantee a good life . Even the pharaohs were regarded as dependent on divine aid , and after the New Kingdom came to an end , government was increasingly influenced by oracles communicating the gods will . | 148 | 5 |
Official religious practices , which maintained maat for the benefit of all Egypt , were related to , but distinct from , the religious practices of ordinary people , who sought the gods help for their personal problems . | 149 | 1 |
Official religion involved a variety of rituals , based in temples . Some rites were performed every day , whereas others were festivals , taking place at longer intervals and often limited to a particular temple or deity . The gods received their offerings in daily ceremonies , in which their statues were clothed , anointed , and presented with food as hymns were recited in their honor . These offerings , in addition to maintaining maat for the gods , celebrated deities life @-@ giving generosity and encouraged them to remain benevolent rather than vengeful . | 150 | 1 |
Festivals often involved a ceremonial procession in which a cult image was carried out of the temple in a barque @-@ shaped shrine . These processions served various purposes . In Roman times , when local deities of all kinds were believed to have power over the Nile inundation , processions in many communities carried temple images to the riverbanks so the gods could invoke a large and fruitful flood . Processions also traveled between temples , as when the image of Hathor from Dendera Temple visited her consort Horus at the Temple of Edfu . Rituals for a god were often based in that deity mythology . Such rituals were meant to be repetitions of the events of the mythic past , renewing the beneficial effects of the original events . In the Khoiak festival in honor of Osiris , his death and resurrection were ritually reenacted at a time when crops were beginning to sprout . The returning greenery symbolized the renewal of the god own life . | 151 | 2 |
Personal interaction with the gods took many forms . People who wanted information or advice consulted oracles , run by temples , that were supposed to convey gods answers to questions . Amulets and other images of protective deities were used to ward off the demons that might threaten human well @-@ being or to impart the god positive characteristics to the wearer . Private rituals invoked the gods power to accomplish personal goals , from healing sickness to cursing enemies . These practices used heka , the same force of magic that the gods used , which the creator was said to have given to humans so they could fend off misfortune . The performer of a private rite often took on the role of a god in a myth , or even threatened a deity , to involve the gods in accomplishing the goal . Such rituals coexisted with private offerings and prayers , and all three were accepted means of obtaining divine help . | 152 | 3 |
Prayer and private offerings are generally called " personal piety " : acts that reflect a close relationship between an individual and a god . Evidence of personal piety is scant before the New Kingdom . Votive offerings and personal names , many of which are theophoric , suggest that commoners felt some connection between themselves and their gods . But firm evidence of devotion to deities became visible only in the New Kingdom , reaching a peak late in that era . Scholars disagree about the meaning of this change — whether direct interaction with the gods was a new development or an outgrowth of older traditions . Egyptians now expressed their devotion through a new variety of activities in and around temples . They recorded their prayers and their thanks for divine help on stelae . They gave offerings of figurines that represented the gods they were praying to , or that symbolized the result they desired ; thus a relief image of Hathor and a statuette of a woman could both represent a prayer for fertility . Occasionally , a person took a particular god as a patron , dedicating his or her property or labor to the god cult . These practices continued into the latest periods of Egyptian history . These later eras saw more religious innovations , including the practice of giving animal mummies as offerings to deities depicted in animal form , such as the cat mummies given to the feline goddess Bastet . Some of the major deities from myth and official religion were rarely invoked in popular worship , but many of the great state gods were important in popular tradition . | 153 | 1 |
The worship of some Egyptian gods spread to neighboring lands , especially to Canaan and Nubia during the New Kingdom , when those regions were under pharaonic control . In Canaan , the exported deities , including Hathor , Amun , and Set , were often syncretized with native gods , who in turn spread to Egypt . The Egyptian deities may not have had permanent temples in Canaan , and their importance there waned after Egypt lost control of the region . In contrast , many temples to the major Egyptian gods and deified pharaohs were built in Nubia . After the end of Egyptian rule there , the imported gods , particularly Amun and Isis , were syncretized with local deities and remained part of the religion of Nubia independent Kingdom of Kush . These gods were incorporated into the Nubian ideology of kingship much as they were in Egypt , so that Amun was considered the divine father of the king and Isis and other goddesses were linked with the Nubian queen , the kandake . Some deities reached farther . Taweret became a goddess in Minoan Crete , and Amun oracle at Siwa Oasis was known to and consulted by people across the Mediterranean region . | 154 | 2 |
Under the Greek Ptolemaic Dynasty and then Roman rule , Greeks and Romans introduced their own deities to Egypt . These newcomers equated the Egyptian gods with their own , as part of the Greco @-@ Roman tradition of interpretatio graeca . But the worship of the native gods was not swallowed up by that of foreign ones . Instead , Greek and Roman gods were adopted as manifestations of Egyptian ones . Egyptian cults sometimes incorporated Greek language , philosophy , iconography , and even temple architecture . Meanwhile , the cults of several Egyptian deities — particularly Isis , Osiris , Anubis , the form of Horus named Harpocrates , and the fused Greco @-@ Egyptian god Serapis — were adopted into Roman religion and spread across the Roman Empire . Roman emperors , like Ptolemaic kings before them , invoked Isis and Serapis to endorse their authority , inside and outside Egypt . In the empire complex mix of religious traditions , Thoth was transmuted into the legendary esoteric teacher Hermes Trismegistus , and Isis , who was venerated from Britain to Mesopotamia , became the focus of a Greek @-@ style mystery cult . Isis and Hermes Trismegistus were both prominent in the Western esoteric tradition that grew from the Roman religious world . | 155 | 1 |
Temples and cults in Egypt itself declined as the Roman economy deteriorated in the third century AD , and beginning in the fourth century , Christians suppressed the veneration of Egyptian deities . The last formal cults , at Philae , died out in the fifth or sixth century . Most beliefs surrounding the gods themselves disappeared within a few hundred years , remaining in magical texts into the seventh and eighth centuries . But many of the practices involved in their worship , such as processions and oracles , were adapted to fit Christian ideology and persisted as part of the Coptic Church . Given the great changes and diverse influences in Egyptian culture since that time , scholars disagree about whether any modern Coptic practices are descended from those of pharaonic religion . But many festivals and other traditions of modern Egyptians , both Christian and Muslim , resemble the worship of their ancestors gods . | 156 | 1 |
South of Heaven is the fourth studio album by American thrash metal band Slayer . Released on July 5 , 1988 , the album was the band second collaboration with record producer Rick Rubin , whose production skills on Slayer previous album Reign in Blood had helped the band sound evolve . | 157 | 3 |
South of Heaven was Slayer second album to enter the Billboard 200 , and its last to be released by Def Jam Recordings , although the album became an American Recordings album after Rick Rubin ended his partnership with Russell Simmons . It was one of only two Def Jam titles to be distributed by Geffen Records through Warner Bros. Records because of original distributor Columbia Records refusal to release work by the band . The release peaked at number 57 and in 1992 was awarded a gold certification by the Recording Industry Association of America . | 158 | 2 |
In order to offset the pace of the group previous album , Slayer deliberately slowed down the album tempo . In contrast to their previous albums , the band utilized undistorted guitars and toned @-@ down vocals . While some critics praised this musical change , others — more accustomed to the style of earlier releases — were disappointed . The songs " Mandatory Suicide " and the title track , however , have become permanent features of the band live setlist . | 159 | 3 |
South of Heaven was recorded in Los Angeles , California with Reign in Blood producer Rick Rubin . PopMatters reviewer Adrien Begrand observed that Rubin production " shoves [ Dave ] Lombardo drumming right up front in the mix . " Guitarist Jeff Hanneman has since said that South of Heaven was the only album the band members discussed before writing the music . Aware that they " couldn 't top Reign in Blood " , and that whatever they recorded would be " compared to that album " , he believed they " had to slow down " , something Slayer had never done on albums before , or since . Guitarist Kerry King cited the need to " keep people guessing " as another reason for the musical shift . " In order to contrast the aggressive assault put forth on Reign in Blood , Slayer consciously slowed down the tempo of the album as a whole " , according to Slayer official biography . " They also added elements like undistorted guitars and toned @-@ down vocal styles not heard on previous albums . " | 160 | 3 |
Judas Priest " Dissident Aggressor " is the only cover version to appear on a Slayer studio album . The song was chosen due to its war @-@ themed lyrics . Hanneman described the track as " more just like one of those odd songs that a lot of people didn 't know , but it was a favorite of Kerry and I , so we just picked that one . " Meanwhile , " Cleanse the Soul " has been heavily criticized by King who said that he hates the track : " That 's one of the black marks in our history , in my book . I just fucking think it 's horrible . [ Laughs ] I hate the opening riff . It 's what we call a ' happy riff . ' It 's just like ' la @-@ lala @-@ la @-@ la @-@ la . ' I can 't see myself playing it , but after that , where it gets heavier , I like that section . If we ever did a medley , I 'd put part of that in there . " The Slayer boxset Soundtrack to the Apocalypse featured , along with four songs of the album , an early version of the title track , recorded at Hanneman home . | 161 | 2 |
Artist Larry Carroll and Illustrator Howard Schwartzberg designed the cover artwork for South of Heaven , having designed the artwork for Slayer previous album Reign in Blood . Photographer Glen E. Friedman took the promotional shot which surfaced as the back cover of South of Heaven around the time of 1986 Reign in Blood . Lombardo felt it made Slayer seem as though they " had matured a little bit " , while Friedman himself deemed it " a really cool back cover " and " one of the most classic shots of them [ Slayer ] ever . " | 162 | 2 |
South of Heaven was released on July 5 , 1988 , and was the final Slayer album distributed via Def Jam Records . When label co @-@ founders Russell Simmons and Rubin parted ways , Slayer signed to Rubin newly founded Def American Recordings label . The album peaked at number 57 on the Billboard 200 album chart , and on November 20 , 1992 , became Slayer second album to be certified gold in the United States . South of Heaven was awarded silver certification in the United Kingdom on January 1 , 1993 , Slayer first record to do so in that country . Slayer official biography states that " some critics praised the album as demonstrating Slayer desire to grow musically and avoid repeating themselves . " Alex Henderson of AllMusic described the record as " disturbing and powerful , " while Joe Matera of Ultimate Guitar deemed the album a slight departure ; he wrote that while the pace was slowed down , it " didn 't sacrifice any of the heaviness inherent in Slayer music . " | 163 | 6 |
Reviewing the 2003 Slayer box set Soundtrack to the Apocalypse , Adrien Begrand of PopMatters described the album as " their most underrated , and on this set , its five selections show how highly the band thinks of the record . " KNAC.com Peter Atkinson was also positive , saying the album has a " grandiosity and imposing presence " which makes the record " so magnificent . " Grave Ola Lindgren and Bolt Thrower Karl Willetts both rate South of Heaven as amongst the top five albums of all time , while Max Kolesne of Brazilian death metal group Krisiun remembers hearing the song " Silent Scream " for the first time : " It just blew me away . It was like fast double @-@ bass , fast kicks during the whole song . That was very inspiring for me . " When discussing Slayer in an October 2007 interview , Evile frontman Matt Drake stated that while Reign in Blood " was just speed " , South of Heaven proved that the group could write " slow material as well . " Metal Forces reviewer gives " the band credit for at least making an effort to try something new and not being afraid to experiment at such a crucial stage of their career " , creating " one of the more original sounding thrash / speed metal albums he heard in a long while " . He remarks , however , that " if you ’ re expecting to hear Reign in Blood Part Two , you ’ ll be in for a major disappointment " . | 164 | 3 |
Kim Neely of Rolling Stone dismissed the album as " genuinely offensive satanic drivel . " Slayer official biography states : " The new sounds disappointed some of the band fans who were more accustomed to the style of earlier releases . " Michael Roberts of Westworld Online said this was due to some of the numbers moving " at the sludgier speed of Black Sabbath . " Araya commented that the " album was a late bloomer — it wasn 't really received well , but it kind of grew on everybody later . " | 165 | 2 |
The title track and the song " Mandatory Suicide " have received various cover interpretations , particularly on Slayer tribute albums . Toni Ferguson recorded string quartet adaptations of both tracks on the album The String Quartet Tribute to Slayer : The Evil You Dread , with the former cover being described as having " menacing chord shifts " by AllMusic Johnny Loftus . | 166 | 1 |
1995 Slayer tribute album Slatanic Slaughter featured three tracks which originally appeared on South of Heaven , with the title track , " Mandatory Suicide " and " Spill the Blood " interpreted by Cemetary , Crown of Thorns and Grope respectively . Its 1998 follow up Slatanic Slaughter , Vol . 2 only featured two tracks originally from the album ; namely " Silent Scream " arranged by Vader and " Read Between the Lies " interpreted by Anathema . 1999 Straight to Hell : A Tribute to Slayer collected four Slayer renditions which originated on the album , with versions of South of Heaven performed by Abaddon ( Venom ) and Electric Hellfire Club , " Mandatory Suicide " cut by Chapter 7 and " Behind the Crooked Cross " adapted by Gigantor . 2006 Argentine tribute album Al Sur Del Abismo ( Tributo Argentino A Slayer ) saw Nafak and Climatic Terra also respectively cover " South of Heaven " and " Mandatory Suicide " . Hatebreed covered the song " Ghosts of War " for their 2009 cover album For the Lions . They released a music video for it also . Korn has covered the title track at least twice live , once with Kid Rock on vocals and another using the intro to follow into one of their songs live . | 167 | 1 |
Two songs taken from the album ( " Mandatory Suicide " and " South of Heaven " ) have become near constant fixtures in the band live setlist , notching up appearances on the following : the live DVDs Live Intrusion , War at the Warfield , Still Reigning , Soundtrack to the Apocalypse deluxe edition bonus live disc , and the live double album Decade of Aggression . Lombardo guested with Finnish cellist group Apocalyptica on a live medley of the two tracks at 1998 Headbanger Heaven festival in the Netherlands . Adrien Begrand of PopMatters described " South of Heaven " as " an unorthodox set opener in theory " , noting " the song went over like a megaton bomb detonating the place : dozens of inverted crosses projected behind the high drum riser , the sinewy opening notes kicked in , followed by an overture of bass , cymbal crashes , and tom fills , leading up to the slowly building crescendo " in a concert review . Lombardo remembers listening to a live rendition of " South of Heaven " and thinking " ‘ Man ! There 's just so much groove in that song . ’ To my kids I was saying , ‘ Listen to that ! Listen to how groovy that is ! ’ And it 's heavy . " A rare live version of the track featured on the JÄGERMUSIC Rarities 2004 promotional CD , given away to attendees at the Spring 2004 Jägermeister Music Tour . A live rendition of " South of Heaven " was also included on a bonus DVD which came with the group 2007 re @-@ release of ninth studio album Christ Illusion , shot in Vancouver , British Columbia during 2006 Unholy Alliance tour . | 168 | 7 |
Behind the Crooked Cross is rarely played live as Hanneman hates the track , though King has always wanted to play it " because it 's got a cool intro " despite it not being his favorite song . King said " that 's fine " when speaking of the situation , noting " there are songs that he wants to play that I always shoot down . " " Ghosts of War " isn 't King favorite song either , which he attests " everybody always wants to hear " performed live . He confessed ; " I like the ending , you know , I like the big heavy part and I always say , ‘ Let 's put the heavy ending at the end of " Chemical Warfare " and just do the last half . ’ But I could never make that fly . " | 169 | 1 |
Slayer has toyed with the idea of creating a live set mixed with selections from the album and 1990 Seasons in the Abyss , though Hanneman said it 's something which hasn 't been " seriously considered . " Metal Maniacs asked Slayer in a 2006 interview whether they would consider playing South of Heaven in the footsteps of the Still Reigning tour , to which Araya replied , " It 's becoming a trendy thing now . I don 't know . We have some really cool albums , but I don 't think we 'll ever do that again . " King was equally unsure , commenting , " Probably not . And I just don 't like enough songs off South of Heaven . " | 170 | 1 |
With an expanded infrastructure in place , GA became established after the war when manufacturers such as Cessna and Piper introduced light aircraft designed for the private market . The Cessna 172 , developed from the late 1940s Cessna 170 , was introduced in 1956 , and became the world best selling single @-@ engine aeroplane . Single piston @-@ engine aircraft are still the most common class of aircraft in the UK GA fleet . The development of the Rogallo wing in the 1950s fostered the development of hang @-@ gliding during the 1960s and 1970s . The 1960s also saw experiments with motorised hang gliders , but it was not until the 1970s that this blend of technologies started to mature , resulting in the birth of the microlight movement . Another milestone in the development of GA was the 1964 introduction of the Learjet 23 . Although it was not the first business jet , it popularised corporate aviation , and established the personal jet as a " whole new class of aircraft " . | 171 | 1 |
Commercial operations are remunerated activities which fall within the ICAO definition of CAT . Some are , however , closely aligned to , and considered part of , the GA sector . Public transport operations are non @-@ scheduled , on @-@ demand services flying between points specified by the customer , providing a more flexible service than airline travel . Air taxi operations offer charter services for third parties , and business or corporate aviation uses company @-@ owned aircraft to transport employees and clients . Aircraft used in these operations include business jets , helicopters , and twin piston @-@ engine aeroplanes carrying between six and ten people . An example of this type of operation is the transport by helicopter of spectators to the British Formula One grand prix at Silverstone . This involves so many flights that , according to Cranfield Aviation Services , on race day the heliport is temporarily the world busiest airport . Aerial work is a small but important component of the commercial GA sector , characterised in its simplest form as remunerated non @-@ transport activities , such as surveying , crop spraying , and emergency services work ( air ambulance and police ) . | 172 | 1 |
Private flying is most associated with the traditional form of factory @-@ produced two and four @-@ seater , single piston @-@ engine training and touring aircraft . Examples of these are the Cessna 152 , Cessna 172 , and Piper PA28 Cherokee , all with their origins in the 1950s , and the more modern designs of Cirrus . The average cost per hour to fly such aircraft has been estimated to be £ 133 , compared to an estimated £ 77 per hour for gliders , and a reported £ 35 per hour for microlights . Recent trends have seen an increase in the use of microlights , and also in recreational helicopter flying following the introduction of smaller and cheaper machines such as the Robinson R22 and R44 . Another growth area in private flying in recent years has been in the use of amateur built aircraft , such as the Van Aircraft RV @-@ 4 and the Europa . | 173 | 1 |
Competitive gliding in the UK takes place between May and September . Regionals are local competitions , organised and run by one of the bigger gliding clubs in the region , and represent the entry level to glider racing . Races are handicapped according to glider performance , and normally take place over nine days . Success in the regionals allows pilots to progress to the nationals , where there are five classes of competition . These are based on glider performance , the lowest being club class , and then progressing through standard ( maximum 15 metres ( 49 ft ) wingspan , and flaps not permitted ) , 15 metres ( 49 ft ) ( as standard , but flaps are permitted ) , 18 metres ( 59 ft ) ( maximum 18 metres ( 59 ft ) wingspan ) , and finally open @-@ class ( no restrictions ) . Success at national level can lead to a place in the national team and competition at international level . In 2007 the British gliding team was ranked number one , and British pilots took two women world championships and the open class European championship . | 174 | 1 |
Handicapped air racing is open to any propeller @-@ driven aircraft capable of maintaining a minimum speed of 100 miles ( 160 km ) per hour in level flight . Races are a case of " fly low , fly fast , turn left " , consisting of 4 – 5 laps round a 20 – 25 mile ( 32 – 40 km ) circuit . Faster aircraft are handicapped by starting after slower aircraft , the intention being that the race concludes with all aircraft diving for the finish line together . There are up to 16 races per year , conducted at airfields in the UK , France and the Channel Islands , for prizes that include the Schneider Trophy and King Cup , and the season culminates with the British Air Racing and European Air Racing Championships . | 175 | 1 |
Parachute competitions are held at club , regional , national and international levels , and include the disciplines of accuracy landings , freefall gymnastics , formation skydiving , canopy formation , freestyle and freeflying , and skysurfing . British teams consistently win medals in canopy formation world championships , and a British team took the 2006 world championship in women 4 @-@ way formation skydiving . | 176 | 1 |
The number of aerodromes that support GA in the UK is difficult to establish with certainty . Pooleys 2008 United Kingdom Flight Guide lists 355 , and the Airplan Flight Equipment UK VFR Flight Guide 2008 lists nearly 500 . Lockyears Farm ' Strips and Private Airfields Flight Guide lists more than 300 landing sites . The GASAR study estimates 1 @,@ 100 formal flying sites in England alone , a figure which includes 400 sites known to planning authorities but not included in flight guides . It estimates another 759 informal sites known only to land owners , customs , and members of the enthusiast group Air @-@ Britain . | 177 | 1 |
SMS Zrínyi ( " His Majesty ship Zrínyi " ) was a Radetzky @-@ class pre @-@ dreadnought battleship ( Schlachtschiff ) of the Austro @-@ Hungarian Navy ( K.u.K. Kriegsmarine ) , named for the Zrinski , a noble Croatian family . Zrínyi and her sisters , Erzherzog Franz Ferdinand and Radetzky , were the last pre @-@ dreadnoughts built by the Austro @-@ Hungarian Navy . | 178 | 1 |
During World War I , Zrínyi saw action in the Adriatic Sea . She served with the Second Division of the Austro @-@ Hungarian Navy battleships and shelled Senigallia as part of the bombardment of the key seaport of Ancona , Italy , during May 1915 . However , Allied control of the Strait of Otranto meant that the Austro @-@ Hungarian Navy was , for all intents and purposes , effectively bottled up in the Adriatic . Nonetheless , the presence of the Zrínyi and other battleships tied down a substantial force of Allied ships . | 179 | 1 |
Zrínyi was built at the Stabilimento Tecnico Triestino dockyard in Trieste , the same place where her sister ships were built earlier . She was laid down on 15 November 1908 and launched from the slipway on 12 April 1910 . The teak used on Zrínyi deck was the only material Austria @-@ Hungary had to purchase abroad to build the ship . The ship was completed by 15 July 1911 , and on 22 November 1911 she was commissioned into the fleet . She was the last ship of the class to be completed and had a crew of 880 to 890 officers and men . | 180 | 1 |
The ship primary armament consisted of four 30 @.@ 5 cm ( 12 in ) 45 @-@ caliber guns in two twin gun turrets . This was augmented by a heavy secondary battery of eight 24 cm ( 9 @.@ 4 in ) guns in four wing turrets . The tertiary battery consisted of twenty 10 cm L / 50 guns in casemated single mounts , four 47 mm ( 1 @.@ 85 in ) L / 44 and one 47 mm L / 33 quick @-@ firing guns . Furthermore , the ship boats were equipped with two 66 mm ( 2 @.@ 6 in ) landing guns for operations shore . Three 45 cm ( 17 @.@ 7 in ) torpedo tubes were also carried , one on each broadside and one in the stern . | 181 | 2 |
The ship was assigned to the Austro @-@ Hungarian Fleet 1st Battle Squadron after her 1911 commissioning . In 1912 , Zrínyi and her two sister ships conducted two training cruises into the eastern Mediterranean Sea . On the second cruise into the Aegean Sea , conducted from November to December , Zrínyi and her sister ships were accompanied by the cruiser SMS Admiral Spaun and a pair of destroyers . After returning to Pola , the entire fleet mobilized for possible hostilities , as tensions flared in the Balkans . | 182 | 1 |
In proposing his plan for a mint and a coinage system , Secretary of the Treasury Alexander Hamilton in 1791 proposed that the one @-@ dollar denomination be struck both as a gold coin , and as one of silver , representative of the two metals which he proposed be made legal tender . Congress followed Hamilton recommendation only in part , authorizing a silver dollar , but no coin of that denomination in gold . | 183 | 1 |
In 1831 , the first gold dollar was minted , at the private mint of Christopher Bechtler in North Carolina . Much of the gold then being produced in the United States came from the mountains of North Carolina and Georgia , and the dollars and other small gold coins issued by Bechtler circulated through that region , and were now and then seen further away . Additional one @-@ dollar pieces were struck by August Bechtler , Christopher son . | 184 | 1 |
Soon after the Bechtlers began to strike their private issues , Secretary of the Treasury Levi Woodbury became an advocate of having the Mint of the United States ( " Mint " , when described as an institution ) strike the one @-@ dollar denomination in gold . He was opposed by the Mint Director , Robert M. Patterson . Woodbury persuaded President Andrew Jackson to have pattern coins struck . In response , Patterson had Mint Second Engraver Christian Gobrecht break off work on the new design for the silver one @-@ dollar coin and work on a pattern for the gold dollar . Gobrecht design featured a Liberty cap surrounded by rays on one side , and a palm branch arranged in a circle with the denomination , date , and name of the country on the other . | 185 | 1 |
In January 1844 , North Carolina Representative James Iver McKay , the chairman of the Committee on Ways and Means , solicited the views of Director Patterson on the gold dollar . Patterson had more of Gobrecht pattern dollar struck to show to committee members , again advising against a coin that if issued would be only about a half inch ( 13 mm ) in diameter . He told Treasury Secretary John C. Spencer that the only gold coins of that size in commerce , the Spanish and Colombian half @-@ escudos , were unpopular and had not been struck for more than twenty years . This seemed to satisfy the committee as nothing more was done for the time , and when a gold dollar was proposed again in 1846 , McKay committee recommended against it . | 186 | 2 |
Even before 1848 , record amounts of gold were flowing to American mints to be struck into coin , but the California Gold Rush vastly increased these quantities . This renewed calls for a gold dollar , as well as for a higher denomination than the eagle ( $ 10 piece ) , then the largest gold coin . In January 1849 , McKay introduced a bill for a gold dollar , which was referred to his committee . There was much discussion in the press about the proposed coin ; one newspaper published a proposal for an annular gold dollar , that is , with a hole in the middle to increase its small diameter . McKay amended his legislation to provide for a double eagle ( $ 20 gold coin ) and wrote to Patterson , who replied stating that the annular gold dollar would not work , and neither would another proposal to have dollar piece consisting of a gold plug in a silver coin . Nevertheless , Gobrecht successor as chief engraver , James B. Longacre , prepared patterns , including some with a square hole in the middle . | 187 | 1 |
McKay got his fellow Democrat , New Hampshire Senator Charles Atherton , to introduce the bill to authorize the gold dollar and the double eagle in the Senate on February 1 , 1849 — Atherton was chairman of the Senate Finance Committee . McKay introduced a version into the House on February 20 ; debate began the same day . The dollar was attacked by congressmen from the Whig Party , then in the minority , on the grounds that it would be too small , would be counterfeited and in bad light might be mistakenly spent as a half dime , the coins being similar in size . McKay did not respond substantively , but stated that if no one wanted these denominations , they would not be called for at the Mint , and would not be coined . Pennsylvania Representative Joseph Ingersoll , a Whig , spoke against the bill , noting that Patterson opposed the new denominations , and that the idea had been repeatedly turned down , whenever considered . Another Whig , Massachusetts Charles Hudson , related that Patterson had sent a real and a counterfeit gold dollar to his committee and the majority of members had been unable to tell the difference . McKay made no answer to these claims , but others did , including New York Congressman Henry Nicoll , who assured the House that the counterfeiting allegations were greatly exaggerated . The point was , he indicated , that the double eagle and gold dollar were wanted by the public , and , in the case of the gold dollar could help money circulate in small communities where banknotes were not accepted . Connecticut Representative John A. Rockwell , a Whig , tried to table the bill , but his motion was defeated . The bill passed easily , and met only minimal opposition in the Senate , becoming law on March 3 , 1849 . | 188 | 1 |
When Longacre began work on the two new coins in early 1849 , he had no one to assist him . Longacre wrote the following year that he had been warned by a Mint employee that one of the officers ( undoubtedly Peale ) planned to undermine the chief engraver position by having the work of preparing designs and dies done outside Mint premises . Accordingly , when the gold coin bill became law , Longacre apprised Patterson that he was ready to begin work on the gold dollar . The Mint Director agreed , and after viewing a model of the head on the obverse , authorized Longacre to proceed with preparation of dies . According to Longacre , | 189 | 1 |
Mint records indicate the first gold dollars were produced on May 7 , 1849 ; Longacre diary notes state instead that the first were struck on May 8 . A few coins in proof condition were struck on the first day , along with about 1 @,@ 000 for circulation . There are five major varieties of the 1849 gold dollar from Philadelphia , made as Longacre continued to fine @-@ tune the design . Mintmarked dies were sent by Longacre Engraving Department at the Philadelphia Mint to the branch mints at Charlotte , Dahlonega ( in Georgia ) , and New Orleans ; coins struck at the branches resemble some of the types issued from Philadelphia , depending on when the dies were produced . Of the coins struck at the branch mints in 1849 , only pieces struck at Charlotte ( 1849 @-@ C ) exist in multiple varieties ; most are of what is dubbed the " Closed Wreath " variety . Approximately five of the 1849 @-@ C Open Wreath are known ; one , believed the finest surviving specimen , sold at auction for $ 690 @,@ 000 in 2004 , remaining a record for the gold dollar series as of 2013 . One of the changes made during production was the inclusion of Longacre initial " L " on the truncation of Liberty neck , the first time a U.S. coin intended for full @-@ scale production had borne the initial of its designer . All issues beginning in 1850 bear the Closed Wreath . Beginning in 1854 , the gold dollar was also struck at the new San Francisco Mint . | 190 | 4 |
As early as 1851 , New York Congressman William Duer alleged that that Patterson had made the gold dollar too small in diameter on purpose to provoke criticism . Patterson retired that year after 16 years in his position , and under his successor , George N. Eckert , annular gold dollar and half dollar patterns were struck . Public Ledger reported that although gold dollars would not be struck in annular form , gold half dollars would be , to help fill the need for change . With the new Pierce administration , Thomas M. Pettit took office as Mint Director on March 31 , 1853 . In April , Treasury Secretary James Guthrie wrote to Pettit that there were complaints that the gold dollar was too small , often lost or mistaken for a small silver coin , and enquiring about reports the Mint had experimented with annular dollars . Pettit replied , stating that none had been preserved , but enclosed a silver piece of equivalent size . He noted that while there would be technical difficulties in the production of the annular dollar , these could be overcome . In a letter dated May 10 , Pettit proposed an oval @-@ shaped holed piece , or an angular @-@ shaped coin , which would lessen the production problems . Pettit died suddenly on May 31 ; Guthrie did not let the issue fall , but queried Pettit replacement , James Ross Snowden , concerning the issue on June 7 . As U.S. coins were required to bear some device emblematic of liberty , the secretary hoped that artists could be found who could find some such design for an annular coin . | 191 | 1 |
The Act of February 21 , 1853 , that had lightened the silver coins also authorized a gold three @-@ dollar piece , which began to be produced in 1854 . To ensure that the three @-@ dollar piece was not mistaken for other gold coins , it had been made thinner and wider than it would normally be , and Longacre put a distinctive design with an Indian princess on it . Longacre adapted both the technique and the design for the gold dollar , which was made thinner , and thus wider . An adaptation of Longacre princess for the larger gold coin was placed on the dollar , and a similar agricultural wreath on the reverse . The idea of making the gold dollar larger in this way had been suggested in Congress as early as 1852 , and had been advocated by Pettit , but Guthrie desire for an annular coin stalled the matter . In May 1854 , Snowden sent Guthrie a letter stating that the difficulties with an annular coin , especially in getting the coins to eject properly from the press , were more than trivial . | 192 | 2 |
Art historian Cornelius Vermeule deprecated the Indian princess design used by Longacre for the obverses of the Types 2 and 3 gold dollar , and for the three @-@ dollar piece , " the ' princess ' of the gold coins is a banknote engraver elegant version of folk art of the 1850s . The plumes or feathers are more like the crest of the Prince of Wales than anything that saw the Western frontiers , save perhaps on a music hall beauty . " | 193 | 1 |
The other candidate for the rarest from that mint is the 1861 @-@ D , with an estimated mintage of 1 @,@ 000 and perhaps 45 to 60 known . Two pairs of dies were shipped from Philadelphia to Dahlonega on December 10 , 1860 ; they arrived on January 7 , 1861 , two weeks before Georgia voted to secede from the Union , as the American Civil War began . Under orders from Governor Joseph E. Brown , state militia secured the mint , and at some point , small quantities of dollars and half eagles were produced . Records of how many coins were struck and when have not survived . Since dies crack in time , and all the mints were supplied with them from Philadelphia , coining could not last , and in May 1861 , coins and supplies remaining at Dahlonega were turned over to the treasury of the Confederate States of America , which Georgia had by then joined . Gold coins with a face value of $ 6 were put aside for assay . Normally , they would have been sent to Philadelphia to await the following year meeting of the United States Assay Commission , when they would be available for testing . Instead , these were sent to the initial Confederate capital of Montgomery , Alabama , though what was done with them there , and their ultimate fate , are unknown . The rarity of the 1861 @-@ D dollar , and the association with the Confederacy , make it especially prized . | 194 | 1 |
Since gold did not circulate in the United States ( except on the West Coast ) in the postwar period , much of the production of coins of that metal in the United States was double eagles for export . Accordingly , although 1 @,@ 361 @,@ 355 gold dollars were struck in 1862 — the last time production would exceed a million — the mintage fell to 6 @,@ 200 in 1863 and remained low for the rest of the coin existence , excepting 1873 and 1874 . The Mint felt it improper to suspend coinage of a coin authorized by Congress , and issued proof coins ( generally a few dozen to the tiny numismatic community ) from specially @-@ polished dies , also producing enough circulation strikes so that the proof coins would not be unduly rare . In 1873 and 1874 , old and worn gold dollars held by the government were melted and recoined , generating large mintages of that denomination . This was done in anticipation of the resumption of specie payments , which did not occur until the end of 1878 . Once specie again circulated at face value , the gold dollar found no place in commerce amid large quantities of silver coinage , either released from hoarding or newly struck by the Mint . The government expected that the resumption of specie payments would cause the dollar and other small gold coins to circulate again , but the public , allowed to redeem paper currency , continued to use it as more convenient than coins . | 195 | 1 |
In the 1870s and 1880s , public interest grew in the low @-@ mintage gold dollar . Collecting coins was becoming more popular , and a number of numismatists put aside some gold dollars and hoped for increases in value . The Mint most likely channeled its production through some favored Philadelphia dealers , though proof coins could be purchased for $ 1 @.@ 25 at the cashier window at the Philadelphia facility . Banks charged a premium for circulation strikes . They were popular in the jewelry trade , mounted into various items . The coins were often exported to China or Japan , where such jewelry was made . The dollars were often damaged in the process ; the Mint refused to sell into this trade and did its best to hinder it . Nevertheless , Mint officials concluded that jewelers were successful at getting the majority of each issue . Proof mintages exceeded 1 @,@ 000 by 1884 , and remained above that mark for the remainder of the series , numbers likely inflated by agents of jewelers , willing to pay the Mint premium of $ .25 per coin . Another use for the gold dollar was as a holiday gift ; after its abolition the quarter eagle became a popular present . | 196 | 2 |
A total of 19 @,@ 499 @,@ 337 gold dollars were coined , of which 18 @,@ 223 @,@ 438 were struck at Philadelphia , 1 @,@ 004 @,@ 000 at New Orleans , 109 @,@ 138 at Charlotte , 90 @,@ 232 at San Francisco and 72 @,@ 529 at Dahlonega . According to an advertisement in the February 1899 issue of The Numismatist , gold dollars brought $ 1 @.@ 80 each , still in demand as a birthday present and for jewelry . That journal in 1905 carried news of a customer depositing 100 gold dollars into a bank ; the teller , aware of the value , credited the account with $ 1 @.@ 60 per coin . In 1908 , a dealer offered $ 2 each for any quantity . As coin collecting became a widespread pastime in the early 20th century , gold dollars became a popular specialty , a status they retain . The 2014 edition of R.S. Yeoman A Guide Book of United States Coins rates the least expensive gold dollar in very fine condition ( VF @-@ 20 ) at $ 300 , a value given for each of the Type 1 Philadelphia issues from 1849 to 1853 . Those seeking one of each type will find the most expensive to be a specimen of the Type 2 , with the 1854 and 1855 estimated at $ 350 in that condition ; the other two types have dates valued at $ 300 in that grade . | 197 | 1 |
The gold dollar had a brief resurrection during the period of Early United States commemorative coins . Between 1903 and 1922 nine different issues were produced , with a total mintage of 99 @,@ 799 . These were minted for various public events , did not circulate , and none used Longacre design . | 198 | 1 |
If the ylide carbon is substituted with an electron @-@ withdrawing group ( EWG ) , the reagent is referred to as a stabilized ylide . These , similarly to sulfoxonium reagents , react much slower and are typically easier to prepare . These are limited in their usefulness as the reaction can become prohibitively sluggish : examples involving amides are widespread , with many fewer involving esters and virtually no examples involving other EWG . For these , the related Darzens reaction is typically more appropriate . | 199 | 1 |