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They can be divided into two separate clusters : one to the west of the River Medway and the other on Blue Bell Hill to the east , with the distance between the two clusters measuring at between 8 and 10 km . The western group include Coldrum Long Barrow , Addington Long Barrow , and the Chestnuts Long Barrow . The eastern group consist of Kit 's Coty House , Little Kit 's Coty House , the Coffin Stone , and several other stones which might have once been parts of chambered tombs . It is not known if they was all built at the same time , or whether they was constructed in succession , while similarly it is not known if they each served the same function or whether there was a hierarchy in their usage .

The Medway long barrows all conformed to the same general design plan , and are all aligned on an east to west axis . Each had a stone chamber at the eastern end of the mound , and they each probably had a stone facade flanking the entrance . The chambers was constructed from sarsen , a dense , hard , and durable stone that occur naturally throughout Kent , having formed out of silicified sand from the Eocene . Early Neolithic builders would have selected blocks from the local area , and then transported them to the site of the monument to be erected .

It seem apparent that the people who built these monuments was influenced by pre @-@ existing tomb @-@ shrine that they was already aware of . Whether those people had grown up locally , or moved into the Medway area from elsewhere is not known . Based on a stylistic analysis of their architectural designs , Stuart Piggott thought that they had originated in the area around the Low Countries , while Glyn Daniel instead believed that the same evidence showed an influence from Scandinavia . John H. Evans instead suggested an origin in Germany , and Ronald F. Jessup thought that their origins could be seen in the Cotswold @-@ Severn megalithic group . Ashbee noted that their close clustering in the same area was reminiscent of the megalithic tomb @-@ shrine traditions of continental Northern Europe , and emphasised that the Medway Megaliths was a regional manifestation of a tradition widespread across Early Neolithic Europe . He nevertheless stressed that a precise place of origin was " impossible to indicate " with the available evidence .

It had been built using about 50 stones . The barrow is sub @-@ rectangular in plan , and about 20 meters ( 64 feet ) in length . At its broader , eastern end , where the chamber is located , the monument measure 15 metres ( 50 feet ) , while at the narrower , western end , it is 12 metres ( 40 feet ) in breadth . As such , the barrow is a " truncated wedge @-@ shape " . The megalithic builders responsible for the Coldrum Stones positioned it on the top of a small ridge adjacent to the North Downs , and constructed it facing eastward , towards the River Medway .

The chamber of the monument measures 4 @.@ 5 metres ( 13 feet ) in length , and 1 @.@ 7 metres ( 5 feet 6 inches ) in width , although it was potentially much larger when originally constructed . The chamber 's internal height would have been at least 2 metres ( 6 feet 6 inches ) . In its current state , the northern side of the chamber is made up of two slabs , one being 8 feet long , 7 feet , 6 inches deep , and 1 foot , 9 inches thick , and the other 5 feet long , 6 feet deep , and 2 feet thick . Conversely , the chamber 's southern side consist of a single slab , measuring 11 feet , 4 inches in length , 7 feet , 3 inches in depth , and 1 foot , 9 inches in depth at its thicker , eastern end . The western end of the chamber is closed off with a slab measuring about 14 feet , 6 inches wide , with a thickness of 1 foot and a depth of around 8 feet . A collapsed , broken slab lie at the opening eastern end of the chamber . It is also possible that a largely rectangular slab at the bottom of the slope had once been part of the eastern end of the chamber . Excavation have revealed that flint masonry was used to pack around the chamber and support its sarsens ; twentieth @-@ century renovation have seen this largely replaced with cement , allowing the stones to continue standing upright .

A concave line of abrasion and polishing can be found on both one of the central kerb @-@ stones on the western end of the monument and a kerb @-@ stone on the south @-@ east of the monument . These have been attributed to the sharpening of flint and other stone axe @-@ blades on these sarsens . It is possible that these tools was sharpened for use in cutting and carving the timber levers and struts which would have been used in erecting the stones and constructing the tomb . Similar evidence for the sharpening of tools have been found at West Kennet Long Barrow , as well as later prehistoric monuments such as Stonehenge .

Coldrum Long Barrow is comparatively isolated from the other Medway Megaliths ; in this it is unique , given that the other surviving examples are clustered into two groups . However , it is possible that another chambered tomb was located nearby ; a razed , elongated earthen mound with an east @-@ west orientation is located in a hollow at the foot of the downs just under a quarter of a mile to the north of the Coldrum Stones . It may be that this represent the remnants of another such monument which have had its stones removed or buried . Several large sarsens to the south of the Coldrums might represent the remnants of a further such tomb , since destroyed .

= = Human remain = =

Ashbee suggested that given its size and comparisons with other long barrows , such as Fussell 's Lodge , the Coldrum tomb could have housed the remains of over a hundred individuals . Excavations conducted in the early 20th century have led to the methodical discovery and removal of what was believed to be the remains of twenty @-@ two human individuals . These remains was examined by Sir Arthur Keith , the conservator of the museum at the Royal College of Surgeons . He published his results in 1913 , in a paper largely concerned with discerning racial characteristics of the bodies .

A subsequent re @-@ analysis of the bones was conducted in the early 21st century , and published in the Proceedings of the Prehistoric Society in 2013 : the project presented " osteological analysis , Bayesian modelling of radiocarbon dates , and carbon and nitrogen stable isotope analysis to inform on the demography , burial practices , diet and subsistence , and chronology of the Coldrum population " . Disputing earlier conclusions , it stated that the minimum number of individuals was seventeen . These was then further identified as probably belonging to nine adults ( probably five males and four females ) , two sub @-@ adults , four older children , and two younger children ( one around five years old , the other between 24 and 30 months old ) .

Keith had suggested that the crania he examined displayed similar features , which he attributed to the different individuals belonging to " one family - or several families united by common descent . " Similar observations had been made regarding the crania from other long barrows in Britain , although osteoarchaeologists Martin Smith and Megan Brickley noted that this was not necessarily representative of a family group . Instead , they stated that it would also be consistent with " a population that was still relatively small and scattered " , in which most individuals was interrelated .

Isotope analysis of the remains revealed δ13C values that was typical of those found at many other Southern British Neolithic sites , albeit with significantly higher values of δ15C , which grew over time . Although this data is difficult to interpret , it was identified as probably reflecting a terrestrial diet high in animal protein that over time was increasingly supplemented with freshwater river or estuarine foods . In the case of the older individuals whose remains was interned in the tomb , the tooth enamel was worn away and the dentine had become exposed on the chewing area of the crowns .

Radiocarbon dating of the remains suggested Early Neolithic activity began at the site during 3980 – 3800 calibrated BCE ( 95 % probability ) or 3960 – 3880 cal BCE ( 68 % probability ) , when the first human remains was buried at the site . It then suggested that after an interval of either 60 – 350 years ( 95 % probability ) or 140 – 290 years ( 68 % probability ) , further depositions of human remains was made inside the tomb . This second phase probably began in 3730 – 3540 cal BCE ( 95 % probability ) or 3670 – 3560 cal BCE ( 68 % probability ) . The radiocarbon dating of the human remains do not provide a date for the construction of Coldrum Long Barrow itself ; it is possible that the individuals died either some time before or after the monument 's construction .

Cut @-@ marks was identified on a number of the bones ( two femora , two innominates , and one cranium ) , with osteoarchaeological specialists suggesting that these had been created post @-@ mortem as the bodies was dismembered and the bones removed from their attached ligaments . However , they further suggested that the lack of such cut @-@ marks on certain bones was suggestive that the body had already undergone partial decomposition or the removal of soft tissues prior to the process of dismemberment . The precision of the cut @-@ marks suggest that this dismemberment was done carefully ; " they do not suggest frenzied hacking or mutilation . " None of the criteria that osteoarchaeologists deem diagnostic of cannibalism was found on the bones .

This cut @-@ marked human bone assemblage represented the largest yet identified from within a Neolithic long barrow in Southern Britain , although similar evidence for dismemberment have been found from a number of other Neolithic British sites , such as West Trump , Eyford , Aldestrop , and Haddenham . There are two possibilities for how this material developed . The first is that the bodies of the dead was excarnated or exposed to the elements , followed by a secondary burial within the tomb . The second is that they was placed in the tomb , where the flesh decomposed , before the bodies was then rearranged within the tomb itself . These practices may have been accompanied by necrophagy , shamanism , or magical practices , direct evidence for which do not survive .

The inclusion of occupational debris over the bones was not unique to the site but common in chambered tombs from southern England . On the basis of an example discovered at Kit 's Coty House , Ashbee thought it apparented that the contents of the Coldrum 's chamber would have been compartmentalised by medial slabs , which served the same purpose as the side chambers of West Kennet and Wayland 's Smithy .

All of the surviving megalithic tombs from the Early Neolithic period have suffered from neglect and the ravages of agriculture . Although archaeologist Paul Ashbee noted that the Coldrum Stones represent " Kent 's least damaged megalithic long barrow " , it too have suffered considerable damage , having become dilapidated and fallen apart over the six millennia since its original construction . Most prominently , the eastern side have largely collapsed , with the stones that once helped to hold up the side of the barrow having fallen to the bottom of the slope . Conversely , it is possible that the sarsens at the bottom of the slope was not part of the original monument , but was stones found in nearby fields which was deposited there by farmers .

Excavation of Chestnuts Long Barrow revealed that it had been systematically destroyed in one event , and Ashbee suggested that the same may have happened to the Coldrum Stones . He believed that the kerb @-@ stones around the barrow was toppled , laid prostrate in the surrounding ditch , and then buried during the late thirteenth or early fourteenth century , by Christians seeking to obliterate non @-@ Christian monuments . Conversely , the archaeologist John Alexander — who excavated Chestnuts — suggested that the Medway tombs was destroyed by robbers seeking to locate treasure within them . As evidence , he pointed to the Close Roll of 1237 , which ordered the opening of barrows on the Isle of Wight in search for treasure , a practice which may have spread to Kent around the same time . Alexander believed that the destruction n Kent may have been brought about by a special commissioner , highlighting that the " expertness and thoroughness of the robbery " at Chestnuts would have necessitated resources beyond that which a local community could likely produce . Ashbee further suggested that in subsequent centuries , locals raided the damaged Coldrum tomb for loamy chalk and stone , which was then re @-@ used as building material .

Evans also recorded that there was a folk belief in the area that applied to all of the Medway megaliths and which had been widespread " up to the last generation " ; this was that it was impossible for any human being to successfully count the number of stones in the monuments . This " countless stones " motif is not unique to this particular site , and can be found at various other megalithic monuments in Britain . The earliest textual evidence for it is found in an early sixteenth @-@ century document , where it apply to the stone circle of Stonehenge in Wiltshire , although in an early seventeenth @-@ century document it was being applied to The Hurlers , a set of three stone circles in Cornwall . Later records reveal that it had gained widespread distribution in England , as well as a single occurrence each in Wales and Ireland . The folklorist S. P. Menefee suggested that it could be attributed to an animistic understanding that these megaliths had lives of their own .

In the early twenty @-@ first century , a tradition developed in which the Hartley Morris Men , a morris dancing side , travel to the site at dawn every May Day in order to " sing up the sun " . This consist of a number of dances performed within the stones on top of the barrow , followed by a song performed at the base of the monument .

The earliest antiquarian accounts of Coldrum Long Barrow was never published . There are claims that at the start of the nineteenth century , the Reverend Mark Noble , Rector of Barming , prepared a plan of the site for Gentleman 's Magazine , although no copies have been produced to verify this . Between 1842 and 1844 , the Reverend Beale Post authored Druidical Remains at Coldrum , in which he described the monument , although it remained unpublished at the time . Associating the site with the druids of Britain 's Iron Age , Post 's suggestion was that the name " Coldrum " derived from the linguistically Celtic " Gael @-@ Dun " , and that the chiefs of some of the Belgic Gauls was interned there . He further reported that in both 1804 and 1825 , skulls had been found at the site . In 1844 , an antiquarian named Thomas Wright published a note on the Coldrum Stones and other Medway Megaliths in The Archaeological Journal . Wright had been alerted to their existence by a local vicar , the Reverend Lambert B. Larking , and proceeded to visit them with him . Describing the Coldrums , Wright mentioned " a smaller circle of stones " to the others in the area , with " a subterranean cromlech in the middle " . He further added that " it is a tradition of the peasantry that a continuous line of stones ran from Coldrum direct to the well @-@ known monument called Kit 's Cotty [ sic ] House " , attributing this belief to the variety of megaliths which was scattered throughout the landscape .

In 1857 , the antiquarian J. M. Kemble excavated at the site with the help of the Reverend Larking , providing a report of their findings to the Central Committee of the British Archaeological Association . Describing the monument as a stone circle , they asserted that they discovered Anglo @-@ Saxon pottery at the site , and noted that as well as being called the Coldrum Stones , the monument also had the name of the Adscombe Stones , which Kemble believed originated with the Old English word for funeral pile , ad . In August 1863 , the Archaeological Institute , who was then holding their week @-@ long meeting in Rochester , took a tour to visit the site , guided by the antiquary Charles Roach Smith . That year , the monument was described in a copy of Gentleman 's Magazine by Yorkshire antiquary Charles Moore Jessop , who believed it to be a " Celtic " stone circle .

In 1869 , the antiquarian A. L. Lewis first visited the site , and was informed by locals that several years previously a skull had been uncovered from inside or near to the chamber , but that they believed it to be that of a gypsy . A later account elaborated on this , stating that two individuals excavated in the centre of the dolmen without permission , discovering a human skeleton , the skull of which was then re @-@ buried in the churchyard at Meopham . In an 1878 note published in The Journal of the Anthropological Institute of Great Britain and Ireland , Lewis noted that while many tourists visited Kit 's Coty House , " very few go to or ever hears of a yet more curious collection of stones at Colderham or Coldrum Lodge " . He believed that the monument consisted of both a " chamber " and an " oval " of stones , suggesting that they was " two distinct erections " . In 1880 , the archaeologist Flinders Petrie included the existence of the stones at " Coldreham " in his list of Kentish earthworks ; although noting that a previous commentator had described the stones as being in the shape of an oval , he instead described them as forming " a rectilinear enclosure " around the chamber . He then included a small , basic plan of the monument .

In August 1889 , two amateur archaeologists , George Payne and A. A. Arnold , came across the monument , which they noted was known among locals as the " Coldrum Stones " and " Druid Temple " ; according to Payne , " the huge stones was so overgrown with brambles and brushwood that they could not be discerned " . He returned the next year , noting that at this point , the brushwood had been cut away to reveal the megaliths . In his 1893 book Collectanea Cantiana , Payne noted that although it had first been described in print in 1844 , " since that time no one seem to have taken the trouble to properly record them or make a plan " , an unusual claim given that a copy of Petrie 's published plan existed in his library . For this reason , after gaining permission from the landowner , he convinced Major A. O. Green , Instructor in Survey at Brompton , to conduct a survey of the monument in August 1892 . He also wrote to the archaeologist Augustus Pitt @-@ Rivers , encouraging him to schedule the Coldrum Stones as a legally protected site under the Ancient Monuments Protection Act 1882 . Payne described the Coldrum Stones as " the finest monument of its class in the county , and one worthy of every care and attention . " Comparing it to other monuments of its type in Britain , he asserted that it was undoubtedly " of sepulchral origin , belonging to a period anterior to the Roman domination of Britain . " Payne also noted a folk tradition that there was stone avenues connecting Coldrum to the Addington Long Barrow , although added that he was unable to discover any evidence for the existence of this feature .

In 1904 , George Clinch published a note on the Medway Megaliths in the Royal Anthropological Institute 's journal , Man , in which he referred to the Coldrum Stones as " at once the most remarkable and the least known of the whole series . " Suggesting that its design indicate that it was built during " a late date in the neolithic age " , he compared the workmanship in producing the megaliths to that at the stone circle of Stonehenge in Wiltshire , although noted that they differed in that the Coldrum Stones clearly represented " a sepulchral pile " . Ultimately , he ended his note by urging for the site to be protected under the Ancient Monuments Protection Act 1900 . In that same issue , Lewis included an added note in which he rejected the idea that the monument had once been covered by an earthen tumulus because he could see " no evidence that anything of that kind ever existed " , and instead he interpreted the site as a stone circle , comparing it to the examples at Avebury , Arborlow , and Stanton Drew , suggesting that the central chamber was a shrine .

The Coldrum Stones have been excavated on multiple occasions . On 16 April 1910 , the amateur archaeologist F. J. Bennett began excavation at the site , after previously having uncovered some Neolithic lithics from Addington Long Barrow . He soon discovered human bones " under only a few inches of chalky soil " . He returned to the site for further excavation in August 1910 , this time with his niece and her husband , both of whom was dentists with an interest in craniology ; on that day they discovered pieces of a human skull , which they was able to largely reconstruct . A few days later he returned to excavate on the north @-@ west corner of the dolmen with the architect E. W. Filkins ; that day , they found a second skull , further bones , a flint tool , and pieces of pottery .

Later that month , George Payne and F. W. Reader met with Bennett to discuss his finds . With the aid of two other interested amateur archaeologists , Mr Boyd and Miss Harker , both from Malling , excavation resumed in early September . In 2009 , the archaeologists Martin Smith and Megan Brickley asserted that Bennett 's excavations had taken heed of the advice of Pitt @-@ Rivers that excavations should be recorded in full . They noted that Bennett had provided " clear plan and section drawings , photographs of the monument and careful attempts to consider site formation processes . " Suggesting that the monument was constructed on agricultural land , in his published report Bennett cited the ideas of anthropologist James Frazer in The Golden Bough to suggest that the Coldrum Stones " monument may at one time have been dedicated , though not necessarily initially so , to the worship of the corn god and of agriculture . " He proceeded to theorise that the human remains found at the site was the victims of human sacrifice killed in fertility rites . However , Evans later stated that " we have no means of knowing " whether human sacrifice had taken place at the site .

In September 1922 , Filkins once again began excavating at the site , this time with the aid of a resident of Gravesend , Charles Gilbert . Their project was financed through grants provided by the British Association and the Society of Antiquaries , with Filkins noting that at the time of its commencement , " a miniature jungle " had grown up around the site which had to be cleared . Excavation continued sporadically until at least 1926 . Human remains was discovered , and placed into the possession of Sir Arthur Keith of the Royal College of Surgeons . This excavation revealed all the existing sarsens surrounding the monument , a number of which had previously been buried beneath earth . The stones of the dolmen was shored up with concrete foundations where Filkins deemed it necessary . Although Filkins ' excavation was comprehensive , it did ignore stone holes , packing stones , and their relationship to the mound . In 1998 , Ashbee noted that while from " a present @-@ day perspective , it is possible to see shortcomings [ ... ] in terms of the general standards of the early part of this century , there is much to commend . "

In his 1924 publication dealing with Kent , the archaeologist O. G. S. Crawford , then working as the archaeological officer for the Ordnance Survey , listed the Coldrum Stones alongside the other Medway Megaliths . In 1926 , the Coldrum Stones was given to The National Trust , who dedicated it as a memorial to the Kentish historian Benjamin Harrison . A plaque was erected to mark this , which erroneously termed the monument a stone circle ; in 1953 , the archaeologist Leslie Grinsell expressed the view that " it is hoped that this error may be rectified in the near future " . Still owned by the Trust , the site is open to visitors all year round , free of charge . On their website , the Trust advise visitors to look for " stunning views from the top of the barrow " . John H. Evans characterised the site as " the most impressive " of the Medway Megaliths , while Grinsell described it as " the finest and most complete " of the group .

Krasnyi Kavkaz was initially intended to accommodate eight 8 @-@ inch ( 200 mm ) guns in four twin turrets , but this was impossible given her small and lightly constructed hull . Three twin turrets mounting the new 57 @-@ caliber 180 mm ( 7 @.@ 1 in ) B @-@ 1 @-@ K gun under development also proved impracticable and the Soviets had to settle for four MK @-@ 1 @-@ 180 single 180 mm gun turrets , two at each end . Her superstructure was massively revised to fit these turrets and all of the original casemated 130 @-@ millimeter ( 5 @.@ 1 in ) / 55 B7 Pattern 1913 guns was removed . As completed her secondary armament was only four 30 @-@ caliber 76 @.@ 2 mm Lender AA guns mounted between her funnels . Her original internal torpedo tubes was replaced by four triple 533 @-@ millimetre ( 21 @.@ 0 in ) torpedo mounts mounted on each side of the main deck abaft the forecastle break . She was given an aircraft @-@ handling crane , but a catapult wasn 't installed aft of her rear funnel until 1935 when a Heinkel catapult was imported from Germany . She was also fitted for mine rails with a capacity of up to 120 mines .

She was refitted before Operation Barbarossa , probably about 1940 , her catapult was removed , and her anti @-@ aircraft armament was greatly increased . Her four 76 @.@ 2 mm Lender AA guns was exchanged for four Italian Minizini twin gun 50 @-@ caliber 100 mm ( 3 @.@ 9 in ) AA mounts and she received four single mounts for the semi @-@ automatic 76 @.@ 2 mm 34 @-@ K was fitted as well as six 12 @.@ 7 mm ( 0 @.@ 50 in ) AA machine guns . Two single mounts for 76 @.@ 2 mm ( 3 @.@ 00 in ) 34 @-@ K guns was also fitted , one on each side of the quarterdeck just aft of the rearmost main gun turret . Some of these guns may have been received earlier , the sources are unclear . While under repair at Poti in late 1942 she landed her aft pair of torpedo tubes and received two more Minizini mounts salvaged from the sunken cruiser Chervona Ukraina . Ten single mounts for the naval version of the 37 mm AA gun was also fitted . By 1944 she was also carrying one quadruple Vickers .50 machine gun MK III mount on top of each of her superfiring main gun turrets and she may have been using Oerlikon 20 mm cannon .

She was awarded the Guards title on 3 April in recognition of her performance . Between 20 and 23 October , Krasnyi Kavkaz , her half @-@ sister Krasnyi Krym , and three destroyers ferried 12 @,@ 600 men of the 8th , 9th and 10th Guards Rifle Brigades from Poti to Tuapse to reinforce the defenses there . On the night of 4 February 1943 the Soviets made a series of amphibious landings to the west of Novorossiysk , behind German lines . Krasnyi Krym , Krasnyi Kavkaz , and three destroyers provided fire support for the main landing , but the Soviet troops there was wiped out by 6 February , although one secondary landing was successful . The loss of three destroyers attempting to interdict the German evacuation of the Taman Bridgehead on 6 October 1943 caused Stalin to forbid the deployment of large naval units without his express permission and this meant the end of Krasnyi Kavkaz 's active participation in the war .

Route 4 , also known as the Colonel Rodman Highway , is a 10 @.@ 37 @-@ mile ( 16 @.@ 69 km ) long numbered state highway located in Washington County and southern Kent County , Rhode Island , United States . The route is a major north – south freeway in the southern Providence metropolitan area , directly linking Providence with eastern Washington County , the beaches of Narragansett and South Kingstown , and the city of Newport . Route 4 begin as a two @-@ lane divided highway at an intersection with U.S. Route 1 ( US 1 ) in the town of North Kingstown , becoming a limited @-@ access freeway after 1 @.@ 89 miles ( 3 @.@ 04 km ) . The route have four numbered interchanges before terminating in the city of Warwick , where the northbound lanes merge into Interstate 95 ( I @-@ 95 ) .

The origins of Route 4 date back to 1952 , when construction began on a short , unnumbered arterial from US 1 to the modern location of exit 5 at Routes 2 and 102 in Wickford . In 1965 , the Rhode Island Department of Public Works began work on a 5 @.@ 4 @-@ mile ( 8 @.@ 7 km ) freeway from modern exit 6 north to the merge with I @-@ 95 . The freeway , designated as Route 4 , was completed in 1972 . At that time , the Route 4 designation was also applied to the Wickford arterial . In 1988 , the missing link in Route 4 between exits 5 and 6 was completed and opened . The Rhode Island Department of Transportation have long @-@ term plans to upgrade the southernmost portion of Route 4 to freeway status by constructing overpasses at Oak Hill Road and West Allenton Road and a grade separation with US 1 . Although the project was originally scheduled to be completed by 2007 , the $ 55 million project have been postponed indefinitely .

Route 4 begin at a fork in the alignment of U.S. Route 1 in the community of North Kingstown ; the two left lanes of US 1 default onto Route 4 north , with the right @-@ hand lane carrying Tower Hill Road and US 1 north into the village of Wickford . Route 4 heads in a northwestern direction as a four @-@ lane divided highway , crossing West Allenton Road at an at @-@ grade intersection with a traffic signal after approximately 0 @.@ 5 miles ( 0 @.@ 80 km ) . The highway continue on a northwesterly projection , passing to the northeast of Kettle Hole Pond and to the southwest of Secret Lake in a heavily forested region . After Secret Lake , the highway curve to the north , crossing Oak Hill Road at another at @-@ grade intersection .

Shortly after the intersection with Oak Hill Road , Route 4 transitions from a divided arterial highway into a four @-@ lane limited @-@ access freeway . The freeway pass to the west of Belleville Pond and begin to parallel the alignment of Route 102 ( Ten Rod Road ) near the community of Lafayette . Route 4 pass over Amtrak 's Northeast Corridor railroad before entering the business district of Wickford Junction . The freeway interchange with Routes 2 and 102 at exit 5 , a partial cloverleaf interchange . After the interchange , Route 4 bends to the northeast , beginning a parallel alignment with Route 2 that continue to its northern terminus . Route 4 crosses into the town of East Greenwich , passing under South Road before interchanging with Route 2 at exit 6 , a partial cloverleaf interchange .

After exit 6 , Route 4 pass the Rhode Island Army National Guard base to the east and to the Hunt River to the west . Route 4 northbound interchanges with Route 403 at exit 7 ; Route 403 , or the Quonset Freeway , is a four @-@ lane , limited access freeway and spur route of Route 4 that serve the Quonset Business Park and the village of Davisville . Heading southbound , exit 7 is split into exit 7B , which serve the Quonset Freeway , and exit 7A , which serve Route 402 ( Frenchtown Road ) , another spur route connecting the highway to US 1 and Route 2 . After exit 7 , Route 4 continue northward as a six @-@ lane expressway , passing farmlands to the west and entering a suburban region of East Greenwich . The highway cross under an overpass at Middle Road before interchanging with Route 401 , the freeway 's final spur , at another partial cloverleaf interchange . Exit 8 is also used to access Route 2 and I @-@ 95 south , which have no direct freeway connection with Route 4 north . Shortly after exit 8 , the Route 4 designation ends and the mainline of the highway defaults onto I @-@ 95 north .

During the late 1950s , a few years after the completion of the arterial , the Rhode Island Department of Public Works ( RIDPW ) proposed a relocation of Route 2 , which , at the time , was the major thoroughfare in the area . No action was taken until 1964 , when the RIDPW introduced a study for the " Relocated Route 2 " proposal . During the study , drivers who used the Colonel Rodman Highway arterial and was bound for the state capital of Providence was redirected onto Route 2 , an accident @-@ prone , four @-@ lane undivided highway near the modern exit 5 . In 1965 , the planned Route 2 freeway was given the new number of Route 4 , leaving Route 2 on its existing alignment . A public hearing was held by the state of Rhode Island on the proposed freeway , which was to be four lanes and have a divided , grassy median . This proposal was later accepted , and construction began two years later .

Construction of a 5 @.@ 4 @-@ mile ( 8 @.@ 7 km ) long section of Route 4 from what is now exit 6 in East Greenwich to I @-@ 95 in Warwick began in 1967 and was completed in 1972 . That year , the 3 @-@ mile ( 4 @.@ 8 km ) arterial south of the modern exit 5 was also designated as part of Route 4 . The divided highway remain largely intact to this date as the stretch of Route 4 from US 1 to Routes 2 and 102 at exit 5 ; the only piece of the arterial that have been significantly altered is the construction of a bridge over Amtrak 's Northeast Corridor line . By the early 1970s , Route 4 was complete north of exit 6 and south of what would become exit 5 , but there was a still a missing piece in the highway between the two exits . In the 1970s , the state of Rhode Island faced several budget problems and environmental concerns , both of which delayed the construction of the missing link for nearly eleven years . Environmental studies on the missing link began in 1977 , and the state estimated that the 1 @.@ 5 @-@ mile ( 2 @.@ 4 km ) long section of freeway would cost $ 15 – 21 million ( equivalent to $ 59 – 82 million in 2016 ) to construct .

In 1983 , the Rhode Island Department of Transportation ( RIDOT ) began construction of the new segment of Route 4 between exits 5 and 6 . The project , which ultimately went over budget at $ 24 million ( equivalent to $ 52 million in 2016 ) ) , was financed from a $ 63 million federal grant . In 1986 , during excavation for the new right @-@ of @-@ way , the Department of Transportation found archeological items from the Narragansett Indians dating from about 2 @,@ 000 to 4 @,@ 500 years prior . Although the findings was not centralized in the area , this caused delays for the extension of the freeway . On August 6 , 1988 , RIODT completed construction and performed a ribbon @-@ cutting ceremony for the new highway .

In January 1990 , two police cruisers was severely damaged during a chase on Route 4 . A driver was speeding in the southbound lanes of Route 4 near exit 7 ; when the driver exited at Route 402 ( Frenchtown Road ) , two police officers got into serious accidents in their attempts to pursue the vehicle . After the crashes , the American Civil Liberties Union restarted efforts to amend police chase policy and avoid further crash @-@ related injuries for officers in the line of duty .

In 2000 , construction began on the Quonset Freeway , a relocated Route 403 that serve the Quonset Business Park from Route 4 . The project included the reconstruction and reworking of exit 7 off Route 4 , which was a southbound @-@ only exit serving both Route 403 and Route 402 when constructed . The exit was converted into a trumpet interchange with new ramps between Route 4 , Route 403 and Route 402 and was completed in December 2008 , one year ahead of schedule . The project included the construction of a new northbound exit 7 serving Route 403 east .

The Rhode Island Department of Transportation ( RIDOT ) have laid out long @-@ term plans for improvements to both the southern and northern termini of Route 4 . During the 1980s and 1990s , RIDOT announced plans to eliminate the three traffic lights along the southern end of the highway . The department planned to replace the existing signalized US 1 and Route 4 merge , converting it into a grade @-@ separated interchange with an extensive overpass . This would cut @-@ off access to three local roads that intersect US 1 near the signal . The plan also included the replacement of the two other signaled intersections at West Allenton Road and Oak Hill Road with overpasses ; the overpass for West Allenton Road is planned to be constructed as a new exit 4 . In the 1990s , the state purchased and demolished several houses in the region to allow for an expanded Route 4 right @-@ of @-@ way in the vicinity of West Allenton Road .

The upgrade proposal proved to be very unpopular with North Kingstown residents who lived on the affected local roads . Additionally , RIDOT laid the highway out so that Route 4 would cross through wetlands in the area . This sparked environmental concerns , as one of the large wetlands that would be affected , Froberg 's Marsh , was deemed to be of high value by Rhode Island environmentalists . Despite local and environmental concerns , RIDOT still consider the Route 4 upgrade to be the safest way to improve traffic flow in the region . While the Department of Transportation considered upgrading nearby Route 2 to freeway standards as a potential alternative , this plan was ultimately rejected because of its effects on wells in the area . Although the project was originally scheduled to be completed by 2007 , the $ 55 million project have been postponed indefinitely .

RIDOT also have long @-@ range plans to construct direct freeway connections linking Route 4 north with I @-@ 95 south and I @-@ 95 north with Route 4 south . As of November 2010 , environmental studies are being prepared for a reconfiguration of the interchange .

Italics denoted future exit numbers .

West End Girls is a song by British pop duo Pet Shop Boys . Written by Neil Tennant and Chris Lowe , the song was released twice as a single . The song is influenced by hip hop music , with lyrics concerned with class and the pressures of inner @-@ city life which was inspired partly by T. S. Eliot 's poem The Waste Land . It was generally well received by contemporary music critics and have been frequently cited as a highlight in the duo 's career .

In April 1984 , " West End Girls " was released , becoming a club hit in Los Angeles and San Francisco , and a minor dance hit in Belgium , and France , but was only available in the United Kingdom as a 12 " import . In March 1985 , after long negotiations , Pet Shop Boys cut their contractual ties with Orlando , and hired manager Tom Watkins , who signed them with EMI . They red @-@ recorded " West End Girls " with producer Stephen Hague , and red @-@ released the song in late 1985 , topping the charts in both the UK and the U.S.

In an interview on BBC4 's Synth Britannia programme ( Video on YouTube at 1h 21m 19s ) , Neil Tennant explain the role of the then new sampling technology on the track and how every single sound came from the newly introduced E @-@ mu Emulator keyboard .

West End Girls is a synthpop song influenced by hip hop music . The song 's socially conscious streak , as well as the propulsive bass line , derive from Grandmaster Flash 's protest rap song " The Message " . Lowe and Hague created a " snaky , obsessive rhythm punch " for the music , replacing the song 's previously sparse beats and minimal keyboard lines .

Tennant started to write the song when he was staying at his cousin 's house in Nottingham while watching a gangster film . Just when he was going to sleep he came up with the lines : " Sometimes you 're better off dead , there 's a gun in your hand and it 's pointing at your head " . The lyrics was inspired by T.S. Eliot 's poem The Waste Land , particularly in the use of different narrative voices and arcane references . The song 's lyrics are largely concerned with class , inner @-@ city pressure . Tennant later said that some listeners had assumed the song referred to prostitutes , but was actually , " about rough boys getting a bit of posh . "

The lyric " From Lake Geneva to the Finland Station " refer to the train route taken by Vladimir Lenin when he was smuggled by the Germans to Russia during World War I , a pivotal event in the Russian Revolution . Indeed , it is highly likely the lyric was inspired by the book To the Finland Station by Edmund Wilson , a very famous work on the history of revolutionary thought and Socialism that Tennant would have at least heard of , if not read , as a student . The Bobby Orlando @-@ produced version of the single included another line , " All your stopping , stalling and starting , / Who do you think you are , Joe Stalin ? " which was removed for the 1985 version .

West End Girls have been generally well received by music critics . Stephen Thomas Erlewine from Allmusic in a review of the album Please called the song " hypnotic " , adding that " it 's not only a classic dance single , it 's a classic pop single " . In a review for the group 's second studio album Actually , Rob Hoerburger from Rolling Stone magazine commented that " West End Girls " was " as catchy as anything on the radio in 1986 " , praising " its enticing bass line and foreboding synth riffs " , but felt that it was almost " nullified by peevish spoken asides and the cryptic posturing of the duo 's lyrics " . In a review of the live album Concrete , Michael Hubbard from musicOMH said that " West End Girls " was one of the songs that " round out a collection that never feel too long or superfluous " , adding that it " go some way to installing Tennant and Lowe as national treasures " .

Nitsuh Abebe from Pitchfork Media , in a review of their compilation album PopArt : Pet Shop Boys - The Hits commented that in the song " we meet Tennant not as a singer , but as a speaker " , adding that " he mumble the verses to us not like a star , but like a stranger in a raincoat , slinking alongside you and pointing out the sights " .

The video was directed by Andy Morahan and Eric Watson , and consist of shots of the duo around London . At the beginning of the video , noise from the city can be heard , a camera pass Lowe on the street , and focus on two vintage dolls in a shop window . Then appear a sequence of quick cuts with shots of the city 's different sub @-@ cultures , the video freeze and cuts to Tennant and Lowe , who walk through an empty Wentworth Street in Petticoat Lane Market . They stand in front of a red garage door , Tennant is in front dressed with a long coat , white shirt and dark necktie , directly addressing the camera , with Lowe standing behind him with a blank expression . Lowe is filmed in double @-@ exposure and appear almost ghostlike . In other shots , Tennant walk imperiously while Lowe follow behind , as if one was a master and the other an apprentice .

Then the video show various shots at Waterloo station , as the chorus start . In slow motion , the camera pans across the WHSmith shop on the station concourse as the duo walk past . It cut to a brief shot of a No. 42 red double @-@ decker bus , showing the destination as Aldgate , also advertising the stage @-@ show Evita , then black and white shots of the Tower Bridge , Westminster and the Westminster Palace Clock Tower from the sky . The duo pose on the South Bank of the River Thames in a pastiche of a postcard image , with the Houses of Parliament as a background .

The camera show shots of young women , and pass through arcades and cinemas in Leicester Square . The camera now pass South Africa House showing protestors in the Non @-@ Stop Picket , an anti @-@ apartheid vigil . The video cut to a closeup of Tennant singing the chorus , with a purple neon sign passing across his face . At the end the camera pass again through Leicester Square , where people queue to see Fletch and Desperately Seeking Susan . The video was nominated for Best New Artist in a Video at the 1986 MTV Video Music Awards , but lost to a @-@ ha 's Take On Me .

Weary of constantly being asked for her primary genre , Clarkson had long @-@ desired to record a Christmas album as a means to defy genre limitations . She commissioned Kurstin , who had studied jazz music under the tutelage of Jaki Byard , to produce the entire album . Drawing inspirations from the soundtracks to the features A Charlie Brown Christmas and White Christmas , as well as the Christmas albums by Mariah Carey , McEntire , and Phil Spector , they experimented on various styles and sound using Spector 's famed Wall of Sound technique to a create a contemporary holiday theme to classics . The Christmas music of Wrapped in Red comprise a variety of the genres such pop , jazz , country , and soul , marking a departure from the pop rock sound established from her previous studio albums ; while its lyrics share a singular theme of the color red , which represent a plethora of emotions during the holidays .

Recording sessions of the basic instrumental tracks for Wrapped in Red took place in Kurstin 's Echo Studio in Los Angeles while orchestral sessions was recorded at EastWest Studios in Hollywood and featured vocals recorded in The Barn studio in Nashville . In recording tracks for the album , Clarkson and Kurstin wanted to showcase as many different styles as they could by experimenting in various sounds and styles to create fresh , contemporary sound to classic @-@ sounding music . He recalled , " It was a lot of fun for us because we got to go back to our roots . When Kelly started singing , it was clear she had the chops and had been trained to do anything . " Further adding , " We really experimented . It was so much fun and liberating . And it pay off . " Kurstin , who studied with jazz musician Jaki Byard at The New School for Jazz and Contemporary Music , recruited various jazz and soul musicians such as James Gadson , Kevin Dukes , Roy McCurdy , and Bill Withers to perform on the record to resonate a Memphis soul sound . He also collaborated with Joseph Trapanese to arrange and conduct a chamber orchestra .

Clarkson have cited the color red as the album 's only theme . A color traditionally associated with Christmas , she affiliated the color to various emotions in the holidays . Wanting to stray away from her usual pop sound , she described Wrapped in Red 's music as a representation to explore different genres such as jazz , country and Memphis soul . She recalled , " What 's cool about Christmas albums is you can do jazz , rock and roll , you can do pop , you can do blues , like you can do all that stuff and it work — cause it 's all classic and it 's Christmasy sounding . " She also noted that the album 's multitude of styles positively contribute to her artistic goal , saying , " My best friend from childhood heard it and said , ' This is what you sound like , before everything else . ' And I agree , It 's my core sound . Back in the day , when artists came out with things like " Fall to Pieces " and " Bridge over Troubled Water " , those songs transcended genres . It wasn 't , ' Where is it going to fit ? ' You catered to whatever the song call for . And that 's exactly what I did — without having to have an umbrella for everything . "

Clarkson shares writing credits on all five original songs on Wrapped in Red , some of which was written in December 2012 to avoid writing Christmas tunes during the 2013 summer season . She coed @-@ wrote the opening and the title track , " Wrapped in Red " , with Ashley Arrison , Aben Eubanks , and Shane McAnally . A Christmas ballad , the song was inspired by a scene in the holiday feature film Love Actually ( 2003 ) , in which someone confess unrequited love towards another . Critics singled out the track the one that resonate the Wall of Sound the most . The second track , " Underneath the Tree " , was written by Clarkson and Kurstin , making it the first time they had co @-@ written a track together . Clarkson remarked , " Greg and I have worked a lot together , but usually I just come in and I just sing . We 've never have actually written a song together at this point . And he and I was like , ' Let 's just try to write something for the record . " RCA Records chief executive Peter Edge remarked that its release as a single was partly inspired by the success of " All I Want for Christmas Is You " by Carey . The following track is a rendition of the holiday standard " Have Yourself a Merry Little Christmas " , which Clarkson had selected for its saccharine content .

Clarkson favored " Run Run Rudolph " as her favorite classic , saying " Just because it got to be a little more rock and roll . " She also remarked that " Please Come Home for Christmas ( Bells Will Be Ringing ) " , was the first song selected for inclusion after her mother 's recommendation and the song 's melancholic lyrics . Written by Clarkson and Eubanks , " Every Christmas " , was the first song to be written for the album . She revealed that the song narrates of her holiday life prior to meeting Blackstock , McEntire 's stepson , saying " Every Christmas , I was just like , ' This is going to be different , right ? I 'm going to actually find someone and not be pathetically alone for the rest of my life ? ' " . The seventh track is a cover of Elvis Presley 's " Blue Christmas " . Its follow @-@ up , a rendition of " Baby , It 's Cold Outside " , feature Ronnie Dunn . Clarkson had approached Dunn thinking that his personality suited the song 's content well , saying " Like , it 's straight @-@ up his personality to say all of that to try and get you to stay , and have a drink . " " Winter Dreams ( Brandon 's Song ) " was written by Clarkson , Arrison , and Eubanks as a companion piece to " Every Christmas " . Dedicated to Blackstock , the song account her holiday after meeting him . She remarked , " Christmas change , it morphs , it come to life a little more … It ’ s just a happier time . "

The tenth track , " White Christmas " , was the first song to be recorded for Wrapped in Red . A cover of Rodgers and Hammerstein 's " My Favorite Things " follow up as the eleventh track . Clarkson opted for the Broadway performance of the song to stray away from Julie Andrews 's version , citing " I think you shouldn 't go near anywhere of what she 's doing because she 's so good . " Clarkson and Kurstin coed @-@ wrote " 4 Carats " with Cathy Dennis and Livvi Franc . Originally wrote a pop song , they converted it as a Christmas song to fit the album 's theme , describing it as a crossover between Eartha Kitt 's " Santa Baby " ( 1953 ) and Madonna 's " Material Girl " ( 1984 ) . A rendition of Imogen Heap 's " Just for Now " was described by Clarkson as her highly dysfunctional environment , saying " Can we just stop for like five minutes and have like a normal Christmas setting ? " The song begin by sampling the melody of the Christmas tune " Carol of the Bells " . The closing track , a rendition of the traditional carol " Silent Night " , feature McEntire and Trisha Yearwood and end in an a capella setting between the trio . In addition , two tracks was also included in the deluxe edition of the album : the first , Clarkson 's cover of " I 'll Be Home for Christmas " from iTunes Session ; and the second , her rendition of the first stanza of the ecclesiastical hymn " Oh Come , Oh Come Emmanuel " .

Wrapped in Red was first released internationally on October 25 , 2013 by RCA Records through Sony Music Entertainment . It then received a North American release on October 29 , 2013 by RCA as part of its holiday promotional campaign with the soundtracks to the feature films Black Nativity and The Best Man Holiday , with Wrapped in Red being promulgated as the one that will transcend formats and become a new holiday classic . In an interview with Billboard , RCA marketing executive Aaron Borns remarked that the album was their main release of the holidays , quoting " The angle on this album is that , like all great Christmas records , it 's about amazing vocal performances . That 's what this is intended to be @-@ an album launched this year but timeless and genre @-@ defying . " In preparation for its release in the United States , RCA shipped a half @-@ million units on Amazon.com and Target , which exclusively released a deluxe edition . A red LP pressing of Wrapped in Red by United Record Pressing followed the CD release on November 25 , 2013 , marking the first time an album by Clarkson was released on a vinyl record . A deluxe LP and CD edition was also released on the Sony Music store which included a scarf , a holiday ornament , and a snow globe , all of which was decorated in red as inspired from the album . A international promotion campaign was also planned for Clarkson , but was later halted due her pregnancy . On October 21 , 2014 , Wrapped in Red was reissued by RCA with a special edition CD + DVD release exclusive to Walmart stores in the United States . A green LP pressing of the album will also have a limited 500 @-@ copy release on December 9 , 2014 .

On October 15 , 2013 , " White Christmas " was released as a promotional single from Wrapped in Red . Three days after , " Underneath the Tree " premiered on Clarkson 's Vevo channel . A television Christmas special , titled Kelly Clarkson 's Cautionary Christmas Music Tale , was filmed by concert director Hamish Hamilton on October 30 , 2013 , the eve after its street date , at The Venetian Las Vegas . A pastiche of A Christmas Carol , the Christmas special featured live performances of selections from Wrapped in Red ( one of which feature McEntire and Yearwood ) . Produced by Done and Dusted , Cautionary Christmas Music Tale premiered on NBC in the United States and Global in Canada on December 11 , 2013 , being pegged by RCA as the album 's primary promotional medium . NBC 's premiere broadcast of the special was seen by 5 @.@ 31 million viewers , according to Nielsen Media Research . It also received a 1 @.@ 4 share among adults between the ages of 18 to 49 , generated NBC ’ s second biggest overall audience its time slot . NBC had also a rerun broadcast of Cautionary Christmas Music Tale on Christmas Day , which was seen by an additional 3 @.@ 54 million viewers .

Clarkson had also promoted Wrapped in Red in various televised performances , all of which she was dressed in red attire . She first performed " Underneath the Tree " on the The Today Show on November 26 , 2013 . On December 4 , 2013 , she performed " Run Run Rudolph " and " Blue Christmas " on the Christmas at Rockefeller Center television special . Clarkson had then performed " Underneath the Tree " on more televised events : such as on the fifth season of the The Voice on December 3 , 2013 , The Ellen DeGeneres Show on December 5 , 2013 , and on Late Night with Jimmy Fallon on December 12 , 2013 . On December 25 , 2013 , Clarkson returned to The Today Show on its Christmas Day broadcast , performing " Blue Christmas " . Selected tracks from the album was also used in advertisements , such as " Run Run Rudolph " , which was used in a Belk holiday advertisement , and " Underneath the Tree " , which was featured in an Amazon.com and Amazon Kindle Fire HDX advertisement with an appearance by Clarkson performing the song . On December 20 , 2014 , She will host a Christmas concert , Miracle on Broadway , at the Bridgestone Arena . An annual Christmas benefit concert , Miracle on Broadway , will feature live performances of various Christmas songs by McEntire , Yearwood , Garth Brooks , Ronnie Dunn , Kacey Musgraves , Hayley Williams , Charles Esten , and Meghan Trainor , some of whom will also join Clarkson in performing selections from Wrapped in Red .

At Metacritic , which assign a normalized rating out of 100 to reviews from mainstream critics , the album received an average score of 73 , based on 6 reviews , and scoring higher than any other album by Clarkson . AllMusic 's senior editor Stephen Thomas Erlewine gave it a three @-@ and @-@ a @-@ half stars . He described its uptempo arrangements , as well as Clarkson 's vocal performance , as " bold and brassied " and its mid @-@ tempo arrangements as " even more alluring " . He also noted the track selection " favor the bold , " but that " she fare well in this setting , always sounding like the strongest element in the mix " Towards the end of his review , he wrote that " Perhaps the concept and execution are conventional , but even in this utterly expected setting , Clarkson retain her fiery , individual spirit , and that 's what make Wrapped in Red appealing : to the letter , it deliver what it promise . " Sal Cinquemani of Slant Magazine also gave it a similar rating . He noted that the album " largely offer a respite from the pop @-@ rock template she 's been relentlessly pursuing since Breakaway , with less shouting and more of the varied range and texture on full display that helped coronate her the winner of the inaugural season of American Idol . For better or worse , a decade of recording and touring have roughed up the edges of her voice , lending a lived @-@ in quality that imbue lyrics about love and longing with an authenticity that might have otherwise been missing had she recorded these songs just a few years earlier . "

NPR 's Ken Tucker described the album as a " glossy but heartfelt work " and approvingly compared its contrasting philosophy to Nick Lowe 's Quality Street : A Seasonal Selection for All the Family , both of which he described as " will put you in a holiday mood " . Matt Casarino of PopMatters gave the album a generally favorable review , claiming that " Clarkson play it safe and spend too much time showing off her upper register , but Wrapped in Red is a warm and romantic addition to the Christmas pop Zeitgeist , " adding " Wrapped in Red doesn ’ t need edge ; it ’ s just dynamic and varied enough to be satisfying , and it ’ s light @-@ years better than any of the whitewashed Christmas crap Simon Cowell have inflicted on the world " . Sarah Rodman of The Boston Globe gave a favorable review , particularly lauding " Underneath the Tree " , and described Clarkson 's rendering the Christmas standards as " fairly straight " . She added , " She start gently on " Have Yourself a Merry Little Christmas " before belting out the money notes . She amble assuredly through the soulful favorite " Please Come Home for Christmas ( Bells Will Be Ringing ) " and hangs by the piano for a torchy “ White Christmas . " Newsday 's music columnist Glenn Gamboa wrote that " Clarkson handle it all expertly — hitting remarkably high notes on " Have Yourself a Merry Little Christmas " and swinging jazzily on " Baby It 's Cold Outside " with Dunn . The new songs make Wrapped in Red a real gift , as the title track and " Underneath the Tree " channel the Phil Spector Christmas albums ; and " 4 Carats " somehow blend " Stronger " and " Santa Baby " . Reviewing for HitFix , Melinda Newman gave the album an " A " rating , praising Clarkson 's vocal performances and noting that she and Kurstin " have clearly studied legendary Christmas albums of yore — most notably Spector 's A Christmas Gift For You and Andy Williams ' Merry Christmas — to lovingly recreate Christmas standards , as well as craft new ones in the image of those sets . " Chris Klimek of Slate declared Wrapped in Red as the best of 2013 's new Christmas records , noting for its vintage sound . He also observed that its five original tracks , most notably " Wrapped in Red " and " Underneath the Tree " , have reasonable odds of remaining in the yuletide rotation five years from now . In his review for The New York Times , Jon Caramanica wrote that Clarkson is very likely the only singer working in pop with a real possibility of creating a modern holiday classic along the lines of Carey 's " All I Want for Christmas Is You . " and remarked that her take on familiar songs , however accomplished , are " also faithful in the way that someone mindful of pop history would be . "

Wrapped in Red became a commercial success in the United States . Prior it its release , music commercial analysts predicted that the album would likely sell at least 60 @,@ 000 copies in its first week of release in the region , and foresaw it to be the front @-@ runner as the bestselling holiday release of the season . On the week ending November 16 , 2013 , it debuted on the Billboard 200 chart at number 3 with 70 @,@ 000 copies sold in all retailers , a 93 @,@ 000 decrease from Stronger 's first week sales of 163 @,@ 000 copies in 2011 . Nielsen Music analyst Dave Bakula attributed its low performance to the falling market share of the holiday music in general , which saw 3 @.@ 8 percent decrease in 2012 . The album 's chart debut on the Billboard 200 earned Clarkson her sixth consecutive top three studio album as well as the highest debut for a Christmas record by a female artist since Susan Boyle 's first Christmas album The Gift debuted at the top of the chart in 2010 . Wrapped in Red also debuted three other different charts , most notably at the top of the Billboard Top Holiday Albums chart . On the week ending November 30 , 2013 , by charting at number six on the Billboard 200 , the album became the lone Sony release inside the chart 's top ten , with the others being Universal Music Group release .

Despite its modest debut week , Wrapped in Red began to gain traction at the beginning of the holiday season , selling up to 131 @,@ 000 copies during the Thanksgiving week . It experienced its best sales week after benefiting from NBC 's premiere broadcast of Cautionary Christmas Music Tale , selling up to 136 @,@ 000 copies on its seventh week of release . For nine consecutive weeks , it stayed in the top ten of the Billboard 200 , the most by any studio album by Clarkson . On December 5 , 2013 , the album was certified platinum by the Recording Industry Association of America , making it her fifth platinum studio album . Wrapped in Red subsequently became the bestselling Christmas release of 2013 by selling over 763 @,@ 000 copies , according to Nielsen Soundscan , making her the first American female artist to have the number @-@ one Christmas album of the Soundscan era . Twelve of the album cuts from Wrapped in Red have also entered the Billboard Holiday Digital Songs chart during its first week of release — led by " Silent Night " , " Have Yourself a Merry Little Christmas " , and " Underneath the Tree " at numbers one , two , and four , respectively . Other songs have also appeared in various Billboard charts throughout the holiday season : songs such as " Blue Christmas " and " Please Come Home for Christmas " charted on the Billboard Adult Contemporary chart , peaking at numbers 5 and 6 , respectively ; whereas " My Favorite Things " , " Run Run Rudolph " , " Please Come Home for Christmas " , " Silent Night " and " Wrapped in Red " peaked on the Billboard Canada AC chart at numbers eight , seven , 14 , 22 , and 49 , respectively . Tracks such as " My Favorite Things " have charted on the Billboard Mexico Inglés Airplay chart at number 49 ; while " Silent Night " attained a position in both the Billboard Holiday 100 and the Billboard Hot Country Songs charts , peaking at numbers 86 and 51 , respectively . Amazon.com listed Wrapped in Red as their second bestselling album during the holiday season , and listed it as their sixth bestselling title of 2013 . The album have sold 785 @,@ 300 copies in the US as of November 2014 . And in 2014 peaked at 7 on the holiday chart .

Internationally , Wrapped in Red had a relatively limited commercial performance . In Canada , the album debuted on the Billboard Canadian Albums chart at number 6 on the week ending November 16 , 2013 , making it her fifth top ten debut on the Nielsen @-@ tracked chart . It peaked on the chart at number 5 on the week ending December 28 , 2013 . Wrapped in Red became the second bestselling Christmas album of 2013 in Canada with 67 @,@ 000 copies sold in the region , behind A Christmas Gift to You by Johnny Reid . In Australia , the album debuted on the ARIA Albums Chart at number 82 on the week ending November 4 , 2013 , and peaked at number 29 on the week ending December 30 , 2013 . In Switzerland , it debuted on the Schweizer Hitparade at number 97 on the week ending November 10 , 2013 . In the United Kingdom , Wrapped in Red charted on the Official UK Albums Chart at number 65 on the week ending December 14 , 2013 . Despite its limited performance , Sony Corporation listed the album as their fifth bestselling release worldwide during the holiday season , which included albums , album cut tracks , and single sales .

All tracks was produced by Greg Kurstin , with vocal production on " Every Christmas " made by Jason Halbert .

Just for Now contain a portion of the composition " Carol of the Bells " , written by Peter J. Wilhousky .

Tracks from the concert DVD was filmed from the television special Kelly Clarkson 's Cautionary Christmas Music Tale .

Heavy rain from the developing storm contributed to significant flooding in South Carolina . Much of the rest of the East Coast was affected by high winds , coastal flooding , and beach erosion . New York State and New England bore the brunt of the storm ; damage was extensive on Long Island , and in Connecticut , 130 @,@ 000 households lost electric power during the storm . Widespread damage and power outages also occurred throughout Rhode Island and Massachusetts , where the storm generated 30 @-@ foot ( 9 @.@ 1 m ) waves along the coast . Because of the warm weather pattern that contributed to the storm 's development , precipitation was limited to rain . Two people was killed , and damage amounted to at least $ 21 million .

Deemed a " hybrid storm " , the cyclone rapidly intensified in warm waters of up to 80 ° F ( 27 ° C ) from the Gulf Stream combined with a cold air mass over the United States . The system continued to rapidly intensify while moving within the Gulf Stream ; it developed central convection , an unusual trait for an extratropical cyclone , and at one point exhibited an eye . Despite these indications of tropical characteristics , " There was no front associated with it and it had a warm core , but the radius of maximum winds was more than 150 nautical miles ( 170 mi ; 280 km ) , so under the standard NHC criteria it didned 't qualify as a tropical storm . " On December 23 and 24 , the nor 'easter intensified to attain a barometric pressure of 970 mb ( 29 inHg ) . An upper @-@ level low pressure system that developed behind the storm began to intensify and grew to be larger in size than the original disturbance . In an interaction known as the Fujiwhara effect , the broad circulation of the secondary low swung the primary nor 'easter northwestward towards southern New York and New England . The original low passed along the south shore of Long Island , and made landfall near New York City on December 24 . Subsequently , it moved over southeastern New York State . On December 25 , the system began to rapidly weaken as it moved towards Nova Scotia , before the pair of low pressure systems moved out to sea in tandem in the early hours of December 26 .

In South Carolina , flooding associated with the cyclone was considered to be the worst since 1943 . Over 5 inches ( 130 mm ) of rainfall was reported , while winds brought down trees and ripped awnings . In addition , the coast suffered the effects of beach erosion . Thousands of electric customers in the state lost power . As a result of the heavy rainfall , several dams became overwhelmed by rising waters . Extensive flooding of roads and highways was reported , many of which was closed as a result . Up to 3 feet ( 0 @.@ 91 m ) of water flooded some homes in the region . Approximately 300 people in Florence County was forced to evacuate because of the flooding , and at least 200 homes was damaged . Two deaths was reported in the state . One woman was killed when her vehicle hydroplaned and struck a tree , and another person drowned after her car was struck by another vehicle . Total damage in South Carolina amounted to at least $ 4 million .

Strong winds occurred along the North Carolina coast . Diamond Shoals reported sustained winds of 45 miles per hour ( 72 km / h ) , and offshore , winds gusted to 65 miles per hour ( 105 km / h ) . On Wrightsville Beach , rough surf eroded an 8 @-@ foot ( 2 @.@ 4 m ) ledge into the beach . On Carolina Beach , dunes was breached and some roads , including portions of North Carolina Highway 12 , was closed .

As the primary storm entered New England , the secondary low produced minor coastal flooding in the Tidewater region of Virginia on December 23 . Winds of 35 to 45 miles per hour ( 56 to 72 km / h ) and tide to 1 to 3 feet ( 0 @.@ 30 to 0 @.@ 91 m ) above normal was reported . In Sandbridge , Virginia Beach , Virginia , a beachfront home collapsed into the sea . Several roads throughout the region suffered minor flooding . Strong winds resulting from the tight pressure gradient between the nor 'easter and an area of high pressure located over the United States brought down a few utility poles , which sparked a brush fire on December 24 . The fire , quickly spread by the wind , burned a field . The winds brought down several trees .

Damage was light in Maryland . Some sand dunes and wooden structures was damaged , and above @-@ normal tides occurred . In New Jersey , high winds caused power outages and knocked down trees and power lines . Minor coastal flooding of streets and houses was reported . Otherwise , damage in the state was minor .

The storm brought heavy rainfall and high winds to New York State and New York City on December 23 and 24 . Gusts of 60 to 80 miles per hour ( 97 to 129 km / h ) downed hundreds of trees and many power lines on Long Island . Several homes , in addition to many cars , sustained damage . Roughly 112 @,@ 000 Long Island Lighting Company customers experienced power outages at some point during the storm . As the cyclone progressed northward into New York State , high winds occurred in the Hudson Valley region . Throughout Columbia , Ulster and Rensselaer Counties , trees , tree limbs , and power lines was downed by the winds . At Stephentown , a gust of 58 miles per hour ( 93 km / h ) was reported . Ulster County suffered substantial impacts , with large trees being uprooted and striking homes . Across eastern New York State , 25 @,@ 000 households lost power as a result of the nor 'easter . On the North Fork of Long Island , in Southold , a seaside home partially collapsed into the water .

In Connecticut , the storm was described as being more significant than anticipated . Gale @-@ force wind gusts , reaching 70 miles per hour ( 110 km / h ) , blew across the state from the northeast and later from the east . Trees , tree limbs , and power lines was downed , causing damage to property and vehicles . The high winds caused widespread power outages , affecting up to 130 @,@ 000 electric customers . As a result , electric companies sought help from as far as Pennsylvania and Maine to restore electricity . Bruno Ranniello , a spokesman for Northeast Utilities , reported that " We 've had outages in virtually every community . " In New Haven , the nor 'easter ripped three barges from their moorings . One of the barges traveled across the Long Island Sound and ran aground near Port Jefferson , New York . A man in Milford was killed indirectly when a tree that was partially downed by the storm fell on him during an attempt to remove it from a relative 's yard . Northeast Utilities , which reported the majority of the power outages , estimated storm damage in the state to be about $ 6 – $ 8 million ( 1994 USD ; $ 8 @.@ 8 – $ 11 @.@ 8 million 2008 USD ) .

Effects was less severe in New Hampshire and Vermont . In southern New Hampshire , a line of thunderstorms produced torrential rainfall , causing flooding on parts of New Hampshire Route 13 . Flash flooding of several tributaries feeding into the Piscataquog River was reported . In Maine , the storm brought high winds and heavy rain . Along the coast of southern Maine and New Hampshire , beach erosion was reported . Additionally , minor flooding was reported across the region , as a result of heavy surface runoff and small ice jams . In Rhode Island , the power outages was the worst since Hurricane Bob of the 1991 Atlantic hurricane season . Throughout the state , approximately 40 @,@ 000 customers was without electric power . As with Massachusetts , downed trees and property damage was widespread . There was many reports of roof shingles being blown off roofs and of damage to gutters . In Warwick , several small boats was damaged after being knocked into other boats . The highest reported wind gust in the state was 74 miles per hour ( 119 km / h ) at Ashaway , Rhode Island . Statewide damage totaled about $ 5 million .

Massachusetts , particularly Cape Cod and Nantucket , bore the brunt of the nor 'easter . Reportedly , wind gusts approached 100 miles per hour ( 160 km / h ) on Cape Cod and , offshore , waves reached 30 feet ( 9 @.@ 1 m ) . At Walpole , wind gusts peaked at 88 miles per hour ( 142 km / h ) , while on Nantucket gusts of 84 miles per hour ( 135 km / h ) was reported . The winds left 30 @,@ 000 electric customers without power during the storm , primarily in the eastern part of the state . Power was out for some as long as 48 hours . Property damage was widespread and many trees , signs , and billboards was blown down . A large tent used by the New England Patriots was ripped and blown off its foundation . The winds also spread a deadly house fire in North Attleboro . Although not directly related to the storm , it caused seven fatalities . Because tides was low , little coastal flooding occurred . Outside the Prudential Tower Center in Boston , the storm toppled a 50 @-@ foot ( 15 m ) Christmas tree . Rainfall of 2 to 3 @.@ 5 inches ( 51 to 89 mm ) was recorded throughout the eastern part of the state , contributing to heavy runoff that washed away a 400 @-@ foot ( 120 m ) section of a highway . Total damage in Massachusetts was estimated at about $ 5 million .

Sholay ( pronunciation , meaning " Embers " ) is a 1975 Indian Hindi @-@ language action @-@ adventure film directed by Ramesh Sippy and produced by his father G. P. Sippy . The film follow two criminals , Veeru and Jai ( played by Dharmendra and Amitabh Bachchan ) , hired by a retired police officer ( Sanjeev Kumar ) to capture the ruthless dacoit Gabbar Singh ( Amjad Khan ) . Hema Malini and Jaya Bhaduri also star , as Veeru and Jai 's love interests . Sholay is considered a classic and one of the best Indian films . It was ranked first in the British Film Institute 's 2002 poll of " Top 10 Indian Films " of all time . In 2005 , the judges of the 50th annual Filmfare Awards named it the Best Film of 50 Years .

The film drew heavily from the conventions of Westerns , and is a defining example of the masala film , which mix several genres in one work . Scholars have noted several themes in the film , such as glorification of violence , conformation to feudal ethos , debate between social order and mobilised usurpers , homosocial bonding , and the film 's role as a national allegory . The combined sales of the original soundtrack , scored by R. D. Burman , and the dialogues ( released separately ) , set new sales records . The film 's dialogues and certain characters became extremely popular , contributing to numerous cultural memes and becoming part of India 's daily vernacular . In January 2014 , Sholay was re @-@ released to theatres in the 3D format .

In the small village of Ramgarh , the retired policeman Thakur Baldev Singh ( Sanjeev Kumar ) summon a pair of small @-@ time thieves that he had once arrested . Thakur feel that the duo — Veeru ( Dharmendra ) and Jai ( Amitabh Bachchan ) — would be ideal to help him capture Gabbar Singh ( Amjad Khan ) , a dacoit wanted by the authorities for a ₹ 50 @,@ 000 reward . Thakur tell them to surrender Gabbar to him , alive , for an additional ₹ 20 @,@ 000 reward .

The two thieves thwart the dacoits sent by Gabbar to extort the villagers . Soon afterwards , Gabbar and his goons attack Ramgarh during the festival of Holi . In a tough battle , Veeru and Jai are cornered . Thakur , although he have a gun within his reach , do not help them . Veeru and Jai fight back and the bandits fled . The two are , however , upset at Thakur 's inaction , and consider leaving the village . Thakur explain that Gabbar had killed nearly all of his family members , and cut off both his arms a few years earlier , which is why he could not use the gun . He had concealed the dismemberment by always wearing a shawl .

Living in Ramgarh , the jovial Veeru and cynical Jai find themselves growing fond of the villagers . Veeru is attracted to Basanti ( Hema Malini ) , a feisty , talkative young woman who make her living by driving a horse @-@ cart . Jai is drawn to Radha ( Jaya Bhaduri ) , Thakur 's reclusive , widowed daughter @-@ in @-@ law , who subtly return his affections .

Skirmishes between Gabbar 's gang and Jai @-@ Veeru finally result in the capture of Veeru and Basanti by the dacoits . Jai attack the gang , and the three are able to flee Gabbar 's hideout with dacoits in pursuit . Fighting from behind a rock , Jai and Veeru nearly run out of ammunition . Veeru , unaware that Jai was wounded in the gunfight , is forced to leave for more ammunition . Meanwhile , Jai , who is continuing the gunfight singlehandedly , decide to sacrifice himself by using his last bullet to ignite dynamite sticks on a bridge from close range .

Veeru returns , and Jai die in his arms . Enraged , Veeru attacks Gabbar 's den and catch the dacoit . Veeru nearly beat Gabbar to death when Thakur appear and remind Veeru of the promise to hand over Gabbar alive . Thakur use his spike @-@ soled shoes to severely injure Gabbar and destroy his hands . The police then arrive and arrest Gabbar . After Jai 's funeral , Veeru leave Ramgarh and find Basanti waiting for him on the train . Radha is left alone again .

Viju Khote as Kaalia , another of Gabbar 's men whom he kill in a game of Russian roulette

The film was loosely styled after Akira Kurosawa 's 1954 film Seven Samurai , and drew heavily from the conventions of Westerns , especially Sergio Leone 's Spaghetti Westerns such as Once Upon a Time in the West ( 1968 ) , and John Sturges ' film The Magnificent Seven ( 1960 ) . Sholay was also influenced by the westerns of Sam Peckinpah , such as The Wild Bunch ( 1969 ) and Pat Garrett and Billy the Kid ( 1973 ) ; and by George Roy Hill 's Butch Cassidy and the Sundance Kid ( 1969 ) . A scene depicting an attempted train robbery was inspired by a similar scene in North West Frontier ( 1959 ) , and a scene showing the massacre of Thakur 's family have been compared with the massacre of the McBain family in Once Upon a Time in the West . Some plot elements was borrowed from the Indian films Mera Gaon Mera Desh ( 1971 ) and Khote Sikkay ( 1973 ) .

The producers considered Danny Denzongpa for the role of bandit chief Gabbar Singh , but he could not accept it as he was committed to act in Feroz Khan 's Dharmatma ( 1975 ) , under production at the same time . Amjad Khan , who was the second choice , prepared himself for the part by reading the book Abhishapta Chambal , which told of the exploits of Chambal dacoits . The book was written by Taroon Kumar Bhaduri , the father of fellow cast member Jaya Bhaduri . As cast members had read the script ahead of time , many was interested in playing different parts . Pran was considered for the role of Thakur Baldev Singh , but Sippy thought Sanjeev Kumar was a better choice . Initially , Dharmendra was also interested to play the role of Thakur . He eventually gave up the role when Sippy informed him that Sanjeev Kumar would play Veeru if that happened , and would be paired with Hema Malini , who Dharmendra was trying to woo . Dharmendra knew that Kumar was also interested in Malini . Sippy wanted Shatrughan Sinha to play the part of Jai , but there was already several big stars signed , and Amitabh Bachchan , who was not extremely popular yet , lobbied hard to get the part for himself .

Filming began on location on 3 October 1973 , with a scene featuring Bachchan and Bhaduri . The film had a lavish production for its time ( with frequent banquets and parties for the cast ) , took two and a half years to make , and went over budget . One reason for its high cost was that Sippy re @-@ filmed scenes many times to get his desired effect . " Yeh Dosti " , a 5 @-@ minute song sequence , took 21 days to shoot , two short scenes in which Radha lights lamps took 20 days to film because of lighting problems , and the shooting of the scene in which Gabbar kill the imam 's son lasted 19 days . The train robbery sequence , shot on the Mumbai – Pune railway route near Panvel , took more than 7 weeks to complete .

Sholay was the first Indian film to have a stereophonic soundtrack and to use the 70 mm widescreen format . However , since actual 70 mm cameras was expensive at the time , the film was shot on traditional 35 mm film and the 4 : 3 picture was subsequently converted to a 2 @.@ 2 : 1 frame . Regarding the process , Sippy said , " A 70mm [ sic ] format take the awe of the big screen and magnify it even more to make the picture even bigger , but since I also wanted a spread of sound we used six @-@ track stereophonic sound and combined it with the big screen . It was definitely a differentiator . " The use of 70 mm was emphasised by film posters on which the name of the film was stylised to match the CinemaScope logo . Film posters also sought to differentiate the film from those which had come before ; one of them added the tagline : " The greatest star cast ever assembled – the greatest story ever told " .

The director 's original cut of Sholay have a different ending in which Thakur kill Gabbar , along with some additional violent scenes . Gabbar 's death scene , and the scene in which the imam 's son is killed , was cut from the film by India 's Censor Board , as was the scene in which Thakur 's family is massacred . The Censor Board was concerned about the violence , and that viewers may be influenced to violate the law by punishing people severely . Although Sippy fought to keep the scenes , eventually he had to re @-@ shoot the ending of the film , and as directed by the Censor Board , have the police arrive just before Thakur can kill Gabbar . The censored theatrical version was the only one seen by audiences for fifteen years . The original , unedited cut of the film finally came out in a British release on VHS in 1990 . Since then , Eros International have released two versions on DVD . The director 's cut of the film preserve the original full frame and is 204 minutes in length ; the censored widescreen version is 198 minutes long .

Koushik Banerjea , a sociologist in the London School of Economics , note that Sholay exhibit a " sympathetic construction of ' rogue ' masculinity " exemplified by the likeable outlaws Jai and Veeru . Banerjea argue during the film , the moral boundary between legality and criminality gradually erode . Film scholar Wimal Dissanayake agree that the film brought " a new stage in the evolving dialectic between violence and social order " to Indian cinema . Film scholar M. Madhava Prasad state that Jai and Veeru represent a marginalised population that is introduced into conventional society . Prasad say that , through the elements of revenge included in the plot and the application of Jai and Veeru 's criminality for the greater good , the narrative reflect reactionary politics , and the audience is compelled to accept feudal order . Banerjea explain that though Jai and Veeru are mercenaries , they are humanised by their emotional needs . Such dualism make them vulnerable , in contrast to the pure evil of Gabbar Singh .

Gabbar Singh , the film 's antagonist , was well received by the audience , despite his pervasive sadistic cruelty . Dissanayake explain that the audience was fascinated by the dialogues and mannerisms of the character , and this element of spectacle outweighed his actions , a first for Indian melodrama . He note that the picturisation of violence in the film was glamourised and uninhibited . He further note that , unlike earlier melodramas in which the female body occupy the audience 's attention as an object of male fetish , in Sholay , the male body become the centrepiece . It become the battleground where good and evil compete for supremacy . Dissanayake argue that Sholay can be viewed as a national allegory : it lack a comforting logical narrative , it show social stability being repeatedly challenged , and it show the devaluation of human life resulting from a lack of emotions . Taken together , these elements comprise the allegorical representation of India . The narrative style of Sholay , with its violence , revenge , and vigilante action , is occasionally compared by scholars to the political unrest in India at the time of its release . This tension culminated in the Emergency ( rule by decree ) declared by prime minister Indira Gandhi in 1975 .

Dissanayeke and Sahai note that , although the film borrowed heavily from the Hollywood Western genre , particularly in its visuals , it was successfully " Indianised " . As an example , William van der Heide have compared a massacre scene in Sholay with a similar scene in Once Upon a Time in the West . Although both films was similar in technical style , Sholay emphasised Indian family values and melodramatic tradition , while the Western was more materialistic and restrained in its approach . Maithili Rao , in Encyclopedia of Hindi Cinema , note that Sholay infuse the style of the Western genre into a " feudalistic ethos " . Ted Shen of the Chicago Reader note Sholay 's " hysterical visual style " and intermittent " populist message " . Cultural critic and Islamist scholar Ziauddin Sardar lampoon the film in his book The Secret Politics of Our Desires : Innocence , Culpability and Indian Popular Cinema , both for its caricature and stereotyping of Muslim and women characters , and for what he call mockery of innocent villagers . Sardar note that the two most prominent Muslim characters in the film are Soorma Bhopali ( a buffoonish criminal ) , and an impotent victim of the bandits ( the imam ) . Meanwhile , the sole function of one female character ( Radha ) is to suffer her fate in silence , while the other female lead ( Basanti ) is just a garrulous village belle .