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= Valkyria Chronicles III = | = Valkyria Chronicles III = | = Valkyria Chronicles III = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Senjō no Valkyria 3 : Unrecorded Chronicles ( Japanese : 戦場のヴァルキュリア3 , lit . Valkyria of the Battlefield 3 ) , commonly referred to as Valkyria Chronicles III outside Japan , is a tactical role @-@ playing video game developed by Sega and Media.Vision for the PlayStation Portable . Released in January 2011 in Japan , it is the third game in the Valkyria series . Employing the same fusion of tactical and real @-@ time gameplay as its predecessors , the story runs parallel to the first game and follows the " Nameless " , a penal military unit serving the nation of Gallia during the Second Europan War who perform secret black operations and are pitted against the Imperial unit " Calamaty Raven " . | Senjō no Valkyria 3 : Unrecorded Chronicles ( Japanese : 戦場のヴァルキュリア3 , lit . Valkyria of the Battlefield 3 ) , commonly referred to as Valkyria Chronicles III outside Japan , <a href='drop_aux' title='1'><mark>is</mark></a>a tactical role @-@ playing video game developed by Sega and Media.Vision for the PlayStation Portable . Released in January 2011 in Japan , it <a href='drop_aux' title='2'><mark>is</mark></a>the third game in the Valkyria series . Employing the same fusion of tactical and real @-@ time gameplay as its predecessors , the story <a href='uninflect' title='3'><mark>runs</mark></a> parallel to the first game and <a href='uninflect' title='4'><mark>follows</mark></a> the " Nameless " , a penal military unit serving the nation of Gallia during the Second Europan War <a href='null_relcl' title='5'><mark>who</mark></a>perform secret black operations and are pitted against the Imperial unit " Calamaty Raven " . | Senjō no Valkyria 3 : Unrecorded Chronicles ( Japanese : 戦場のヴァルキュリア3 , lit . Valkyria of the Battlefield 3 ) , commonly referred to as Valkyria Chronicles III outside Japan , a tactical role @-@ playing video game developed by Sega and Media.Vision fir the PlayStation Portable . Released in January 2011 in Japan , it the third game in the Valkyria series . Employing the same fusion of tactical and real @-@ time gameplay as its predecessors , the story run parallel to da first game and follow the " Nameless " , a penal military unit serving the nation of Gallia during tdaSecond Europan War perform secret black operations and are pitted against the Imperial unit " Calamaty Raven " . | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 8 | 2 |
The game began development in 2010 , carrying over a large portion of the work done on Valkyria Chronicles II . While it retained the standard features of the series , it also underwent multiple adjustments , such as making the game more forgiving for series newcomers . Character designer Raita Honjou and composer Hitoshi Sakimoto both returned from previous entries , along with Valkyria Chronicles II director Takeshi Ozawa . A large team of writers handled the script . The game 's opening theme was sung by May 'n . | The game began development in 2010 , carrying over a large portion of the work done on Valkyria Chronicles II . While it retained the standard features of the series , it also underwent multiple adjustments , such as making the game more forgiving for series newcomers . Character designer Raita Honjou and composer Hitoshi Sakimoto both returned from previous entries , along with Valkyria Chronicles II director Takeshi Ozawa . A large team of writers handled the script . The game <a href='null_genetive' title='1'><mark>'s</mark></a>opening theme was sung by May 'n . | The game began development in 2010 , carrying over a large portion of the work done on Valkyria Chronicles II . While it retained da standard features of the series , it also underwent multiple adjustments , such as making the game more forgiving for series newcomers . Character designer Raita Honjou and composer Hitoshi Sakimoto both returned from previous entries , along with Valkyria Chronicles II director Takeshi Ozawa . A bigass team of writers handled the script . Tdagame opening theme was sung by May 'n . | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 4 | 0 |
It met with positive sales in Japan , and was praised by both Japanese and western critics . After release , it received downloadable content , along with an expanded edition in November of that year . It was also adapted into manga and an original video animation series . Due to low sales of Valkyria Chronicles II , Valkyria Chronicles III was not localized , but a fan translation compatible with the game 's expanded edition was released in 2014 . Media.Vision would return to the franchise with the development of Valkyria : Azure Revolution for the PlayStation 4 . | It met with positive sales in Japan , and was praised by both Japanese and western critics . After release , it received downloadable content , along with an expanded edition in November of that year . It was also adapted into manga and an original video animation series . Due to low sales of Valkyria Chronicles II , Valkyria Chronicles III was not localized , but a fan translation compatible with the game <a href='null_genetive' title='1'><mark>'s</mark></a>expanded edition was released in 2014 . Media.Vision would return to the franchise with the development of Valkyria : Azure Revolution for the PlayStation 4 . | It met with positive sales in Japan , and was praised by both Japanese and western critics . After release , it received downloadable content , along wit an expanded edition in November of dat year . It was also adapted into manga and an original video animation series . Due to low sales of Valkyria Chronicles II , Valkyria Chronicles III was not localized , but a fan translation compatible with da game expanded edition was released in 2014 . Media.Vision would return to the franchise with tdadevelopment of Valkyria : Azure Revolution for the PlayStation 4 . | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 5 | 0 |
= = Gameplay = = | = = Gameplay = = | = = Gameplay = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
As with previous Valkyira Chronicles games , Valkyria Chronicles III is a tactical role @-@ playing game where players take control of a military unit and take part in missions against enemy forces . Stories are told through comic book @-@ like panels with animated character portraits , with characters speaking partially through voiced speech bubbles and partially through unvoiced text . The player progresses through a series of linear missions , gradually unlocked as maps that can be freely scanned through and replayed as they are unlocked . The route to each story location on the map varies depending on an individual player 's approach : when one option is selected , the other is sealed off to the player . Outside missions , the player characters rest in a camp , where units can be customized and character growth occurs . Alongside the main story missions are character @-@ specific sub missions relating to different squad members . After the game 's completion , additional episodes are unlocked , some of them having a higher difficulty than those found in the rest of the game . There are also love simulation elements related to the game 's two main heroines , although they take a very minor role . | As with previous Valkyira Chronicles games , Valkyria Chronicles III <a href='drop_aux' title='1'><mark>is</mark></a>a tactical role @-@ playing game where players take control of a military unit and take part in missions against enemy forces . Stories are told through comic book @-@ like panels with animated character portraits , with characters speaking partially through voiced speech bubbles and partially through unvoiced text . The player <a href='uninflect' title='2'><mark>progresses</mark></a> through a series of linear missions , gradually unlocked as maps <a href='null_relcl' title='3'><mark>that</mark></a>can be freely scanned through and replayed as they <a href='drop_aux' title='4'><mark>are</mark></a>unlocked . The route to each story location on the map <a href='uninflect' title='5'><mark>varies</mark></a> depending on an individual player <a href='null_genetive' title='6'><mark>'s</mark></a>approach : when one option is selected , the other is sealed off to the player . Outside missions , the player characters rest in a camp , where units can be customized and character growth <a href='uninflect' title='7'><mark>occurs</mark></a> . Alongside the main story missions <a href='drop_aux' title='8'><mark>are</mark></a>character @-@ specific sub missions relating to different squad members . After the game <a href='null_genetive' title='9'><mark>'s</mark></a>completion , additional episodes <a href='drop_aux' title='10'><mark>are</mark></a>unlocked , some of them having a higher difficulty than those found in the rest of the game . <a href='dey_it' title='11'><mark>There</mark></a> are also love simulation elements related to the game <a href='null_genetive' title='12'><mark>'s</mark></a>two main heroines , although they take a very minor role . | As with previous Valkyira Chronicles games , Valkyria Chronicles III a tactical role @-@ playing game where players take control of a military unit and take part in missions against enemy forces . Stories r told through comic book @-@ like panels w/ animated character portraits , wiwittharacters speaking partially thru voiced speech bubbles and partially through unvoiced text . da player progress through a series of linear missions , gradually unlocked as maps can b freely scanned thrthrud replayed as they unlocked . The route to each story location on the map vary depending on an individual player approach : when one option is selected , the other is sealed off to tdaplayer . Outside missions , thdalayer characters rest in a camp , where units can be customized and character growth occur . Alongside the main story missions character @-@ specific sub missions relating to diff squad members . After thedame completion , additional episodes unlocked , sum of em having a higher difficulty than those found in the dat of the game . It is also love simulation elements related to the game two main heroines , although they take a very minor role . | 0 | 0 | 1 | 4 | 0 | 14 | 0 | 0 | 3 | 1 | 26 | 3 |
The game 's battle system , the BliTZ system , is carried over directly from Valkyira Chronicles . During missions , players select each unit using a top @-@ down perspective of the battlefield map : once a character is selected , the player moves the character around the battlefield in third @-@ person . A character can only act once per @-@ turn , but characters can be granted multiple turns at the expense of other characters ' turns . Each character has a field and distance of movement limited by their Action Gauge . Up to nine characters can be assigned to a single mission . During gameplay , characters will call out if something happens to them , such as their health points ( HP ) getting low or being knocked out by enemy attacks . Each character has specific " Potentials " , skills unique to each character . They are divided into " Personal Potential " , which are innate skills that remain unaltered unless otherwise dictated by the story and can either help or impede a character , and " Battle Potentials " , which are grown throughout the game and always grant boons to a character . To learn Battle Potentials , each character has a unique " Masters Table " , a grid @-@ based skill table that can be used to acquire and link different skills . Characters also have Special Abilities that grant them temporary boosts on the battlefield : Kurt can activate " Direct Command " and move around the battlefield without depleting his Action Point gauge , the character Reila can shift into her " Valkyria Form " and become invincible , while Imca can target multiple enemy units with her heavy weapon . | The game <a href='null_genetive' title='1'><mark>'s</mark></a>battle system , the BliTZ system , is carried over directly from Valkyira Chronicles . During missions , players select each unit using a top @-@ down perspective of the battlefield map : once a character is selected , the player <a href='uninflect' title='2'><mark>moves</mark></a> the character around the battlefield in third @-@ person . A character can only act once per @-@ turn , but characters can be granted multiple turns at the expense of other characters <a href='null_genetive' title='3'><mark>'</mark></a>turns . Each character <a href='got' title='4'><mark>has</mark></a> a field and distance of movement limited by their Action Gauge . Up to nine characters can be assigned to a single mission . During gameplay , characters will call out if something <a href='uninflect' title='5'><mark>happens</mark></a> to them , such as their health points ( HP ) getting low or being knocked out by enemy attacks . Each character <a href='got' title='6'><mark>has</mark></a> specific " Potentials " , skills unique to each character . They are divided into " Personal Potential " , which <a href='drop_aux' title='7'><mark>are</mark></a>innate skills <a href='null_relcl' title='8'><mark>that</mark></a>remain unaltered unless otherwise dictated by the story and can either help or impede a character , and " Battle Potentials " , which are grown throughout the game and always grant boons to a character . To learn Battle Potentials , each character <a href='got' title='9'><mark>has</mark></a> a unique " Masters Table " , a grid @-@ based skill table <a href='null_relcl' title='10'><mark>that</mark></a>can be used to acquire and link different skills . Characters also <a href='got' title='11'><mark>have</mark></a> Special Abilities <a href='null_relcl' title='12'><mark>that</mark></a>grant them temporary boosts on the battlefield : Kurt can activate " Direct Command " and move around the battlefield without depleting his Action Point gauge , the character Reila can shift into her " Valkyria Form " and become invincible , while Imca can target multiple enemy units with her heavy weapon . | The game battle system , the BliTZ system , is carried over directly from Valkyira Chronicles . During missions , players select each unit using a top @-@ down perspective of da battlefield map : once a character is selected , the player move the character around the battlefield in third @-@ person . A character can only act once per @-@ turn , but characters can b granted multiple turns at tdaexpense of other characters turns . Each character got a field and distance of movement limited by their Action Gauge . Up to nine characters can be assigned to a single mission . durin gameplay , characters will call out if sumin happen to them , such as their health points ( HP ) getting low or being knocked outt by enemy attacks . Each character got specific " Potentials " , skills unique to each character . They are divided into " Personal Potential " , which innate skills remain unaltered unless otherwise dictated by thdatory and can either help or impede a character , and " Battle Potentials " , which are grown throughout thedame and always grant boons to a character . To learn Battle Potentials , each character got a unique " Masters Table " , a grid @-@ based skill table can bbused to acquire and link diff skills . Characters also got Special Abilities grant them temporary boosts on the battlefield : Kurt can activate " Direct Command " and move around the datlefield w/o depleting his Action Point gauge , the character Reila can shift into her " Valkyria Form " and become invincible , while Imca can target multiple enemy units w/ her heavy weapon . | 0 | 0 | 0 | 1 | 4 | 13 | 0 | 0 | 2 | 3 | 28 | 5 |
Troops are divided into five classes : Scouts , Shocktroopers , Engineers , Lancers and Armored Soldier . Troopers can switch classes by changing their assigned weapon . Changing class does not greatly affect the stats gained while in a previous class . With victory in battle , experience points are awarded to the squad , which are distributed into five different attributes shared by the entire squad , a feature differing from early games ' method of distributing to different unit types . | Troops are divided into five classes : Scouts , Shocktroopers , Engineers , Lancers and Armored Soldier . Troopers can switch classes by changing their assigned weapon . Changing class <a href='uninflect' title='1'><mark>does</mark></a> not greatly affect <a href='None' title='2'><mark>the</mark></a><a href='negative_concord' title='3'><mark>stats</mark></a> gained while in a previous class . With victory in battle , experience points are awarded to the squad , which are distributed into five different attributes shared by the entire squad , a feature differing from early games <a href='null_genetive' title='4'><mark>'</mark></a>method of distributing to different unit types . | Troops r divided into five classes : Scouts , Shocktroopers , Engineers , Lancers and Armored Soldier . Troopers can switch classes by changing their assigned weapon . Changing class do not greatly affect no stats gained while in a previous class . w/ victory in battle , experience points are awarded to the squad , which are distributed into five different attributes shared by the entire squad , a feature differing from early games method of distributing to diff unit types . | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 6 | 1 |
= = Plot = = | = = Plot = = | = = Plot = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
The game takes place during the Second Europan War . Gallian Army Squad 422 , also known as " The Nameless " , are a penal military unit composed of criminals , foreign deserters , and military offenders whose real names are erased from the records and thereon officially referred to by numbers . Ordered by the Gallian military to perform the most dangerous missions that the Regular Army and Militia will not do , they are nevertheless up to the task , exemplified by their motto , Altaha Abilia , meaning " Always Ready . " The three main characters are No.7 Kurt Irving , an army officer falsely accused of treason who wishes to redeem himself ; Ace No.1 Imca , a female Darcsen heavy weapons specialist who seeks revenge against the Valkyria who destroyed her home ; and No.13 Riela Marcellis , a seemingly jinxed young woman who is unknowingly a descendant of the Valkyria . Together with their fellow squad members , these three are tasked to fight against a mysterious Imperial unit known as Calamity Raven , consisting of mostly Darcsen soldiers . | The game <a href='uninflect' title='1'><mark>takes</mark></a> place during the Second Europan War . Gallian Army Squad 422 , also known as " The Nameless " , <a href='drop_aux' title='2'><mark>are</mark></a>a penal military unit composed of criminals , foreign deserters , and military offenders whose real names are erased from the records and thereon officially referred to by numbers . Ordered by the Gallian military to perform the most dangerous missions <a href='null_relcl' title='3'><mark>that</mark></a>the Regular Army and Militia will not do , they <a href='drop_aux' title='4'><mark>are</mark></a>nevertheless up to the task , exemplified by their motto , Altaha Abilia , meaning " Always Ready . " The three main characters <a href='drop_aux' title='5'><mark>are</mark></a>No.7 Kurt Irving , an army officer falsely accused of treason <a href='null_relcl' title='6'><mark>who</mark></a><a href='uninflect' title='7'><mark>wishes</mark></a> to redeem himself ; Ace No.1 Imca , a female Darcsen heavy weapons specialist <a href='null_relcl' title='8'><mark>who</mark></a><a href='uninflect' title='9'><mark>seeks</mark></a> revenge against the Valkyria <a href='null_relcl' title='10'><mark>who</mark></a>destroyed her home ; and No.13 Riela Marcellis , a seemingly jinxed young woman <a href='null_relcl' title='11'><mark>who</mark></a><a href='drop_aux' title='12'><mark>is</mark></a>unknowingly a descendant of the Valkyria . Together with their fellow squad members , these three are tasked to fight against a mysterious Imperial unit known as Calamity Raven , consisting of mostly Darcsen soldiers . | Da game take place during the Second Europan War . Gallian Army Squad 422 , also known as " TdaNameless " , a penal military unit composed of criminals , foreign deserters , and military offenders whose real names r erased from thdaecords and thereon officially referred to by numbers . Ordered by the Gallian military to perform the most dangerous missions the Regular Army and Militia gon not do , they nevertheless up to thedask , exemplified by their motto , Altaha Abilia , meaning " Always Ready . " The three main characters No.7 Kurt Irving , an army officer falsely accused of treason wish to redeem hisself ; Ace No.1 Imca , a female Darcsen heavy weapons specialist seek revenge against the Valkyria destroyed her home ; and No.13 Riela Marcellis , a seemingly jinxed young woman unknowingly a descendant of the Valkyria . Together with their fellow squad members , dese three arrasked to fight against a mysterious Imperial unit known as Calamity Raven , consisting of mostly Darcsen soldiers . | 0 | 0 | 0 | 4 | 0 | 9 | 0 | 0 | 0 | 5 | 21 | 3 |
As the Nameless officially do not exist , the upper echelons of the Gallian Army exploit the concept of plausible deniability in order to send them on missions that would otherwise make Gallia lose face in the war . While at times this works to their advantage , such as a successful incursion into Imperial territory , other orders cause certain members of the 422nd great distress . One such member , Gusurg , becomes so enraged that he abandons his post and defects into the ranks of Calamity Raven , attached to the ideal of Darcsen independence proposed by their leader , Dahau . At the same time , elements within Gallian Army Command move to erase the Nameless in order to protect their own interests . Hounded by both allies and enemies , and combined with the presence of a traitor within their ranks , the 422nd desperately move to keep themselves alive while at the same time fight to help the Gallian war effort . This continues until the Nameless 's commanding officer , Ramsey Crowe , who had been kept under house arrest , is escorted to the capital city of Randgriz in order to present evidence exonerating the weary soldiers and expose the real traitor , the Gallian General that had accused Kurt of Treason . | As the Nameless officially do not exist , the upper echelons of the Gallian Army exploit the concept of plausible deniability in order to send them on missions <a href='null_relcl' title='1'><mark>that</mark></a>would otherwise make Gallia lose face in the war . While at times this <a href='uninflect' title='2'><mark>works</mark></a> to their advantage , such as a successful incursion into Imperial territory , other orders cause certain members of the 422nd great distress . One such member , Gusurg , <a href='uninflect' title='3'><mark>becomes</mark></a> so enraged that he <a href='uninflect' title='4'><mark>abandons</mark></a> his post and <a href='uninflect' title='5'><mark>defects</mark></a> into the ranks of Calamity Raven , attached to the ideal of Darcsen independence proposed by their leader , Dahau . At the same time , elements within Gallian Army Command move to erase the Nameless in order to protect their own interests . Hounded by both allies and enemies , and combined with the presence of a traitor within their ranks , the 422nd desperately move to keep themselves alive while at the same time fight to help the Gallian war effort . This <a href='uninflect' title='6'><mark>continues</mark></a> until the Nameless <a href='null_genetive' title='7'><mark>'s</mark></a>commanding officer , Ramsey Crowe , <a href='null_relcl' title='8'><mark>who</mark></a><a href='been_done' title='9'><mark>had</mark></a> been kept under house arrest , is escorted to the capital city of Randgriz in order to present evidence exonerating the weary soldiers and expose the real traitor , the Gallian General <a href='null_relcl' title='10'><mark>that</mark></a><a href='been_done' title='11'><mark>had</mark></a> accused Kurt of Treason . | As the Nameless officially do not exist , the upper echelons of da Gallian Army exploit tdaconcept of plausible deniability in order to send them on missions would otherwise make Gallia lose face in the war . While at times dis wrk to their advantage , such as a successful incursion into Imperial territory , other orders cause certain members of thda22nd great distress . One such member , Gusurg , become so enraged that he abandon his post and defect into thedanks of Calamity Raven , attached to the daal of Darcsen independence proposed by their leader , Dahau . At the same time , elements within Gallian Army Command move to erase the Nameless in order to protect their own interests . Hounded by both allies and enemies , and combined with the presence of a traitor within their ranks , the 422nd desperately move to keep themselves alive while at the same time fight to help the Gallian war effort . Tdiscontinue until the Nameless commanding officer , Ramsey Crowe , done been kept under krib arrest , is escorted to the capital city of Randgriz in order to present evidence exonerating the weary soldiers and expose the real traitor , the Gallian General done accused Kurt of Treason . | 0 | 2 | 0 | 0 | 0 | 9 | 0 | 0 | 1 | 3 | 20 | 5 |
Partly due to these events , and partly due to the major losses in manpower Gallia suffers towards the end of the war with the Empire , the Nameless are offered a formal position as a squad in the Gallian Army rather than serve as an anonymous shadow force . This is short @-@ lived , however , as following Maximilian 's defeat , Dahau and Calamity Raven move to activate an ancient Valkyrian super weapon within the Empire , kept secret by their benefactor . Without the support of Maximilian or the chance to prove themselves in the war with Gallia , it is Dahau 's last trump card in creating a new Darcsen nation . As an armed Gallian force invading the Empire just following the two nations ' cease @-@ fire would certainly wreck their newfound peace , Kurt decides to once again make his squad the Nameless , asking Crowe to list himself and all under his command as killed @-@ in @-@ action . Now owing allegiance to none other than themselves , the 422nd confronts Dahau and destroys the Valkyrian weapon . Each member then goes their separate ways in order to begin their lives anew . | Partly due to these events , and partly due to the major losses in manpower Gallia <a href='uninflect' title='1'><mark>suffers</mark></a> towards the end of the war with the Empire , the Nameless are offered a formal position as a squad in the Gallian Army rather than serve as an anonymous shadow force . This <a href='drop_aux' title='2'><mark>is</mark></a>short @-@ lived , however , as following Maximilian <a href='null_genetive' title='3'><mark>'s</mark></a>defeat , Dahau and Calamity Raven move to activate an ancient Valkyrian super weapon within the Empire , kept secret by their benefactor . Without the support of Maximilian or the chance to prove themselves in the war with Gallia , it <a href='drop_aux' title='4'><mark>is</mark></a>Dahau <a href='null_genetive' title='5'><mark>'s</mark></a>last trump card in creating a new Darcsen nation . As an armed Gallian force invading the Empire just following the two nations <a href='null_genetive' title='6'><mark>'</mark></a>cease @-@ fire would certainly wreck their newfound peace , Kurt <a href='uninflect' title='7'><mark>decides</mark></a> to once again make his squad the Nameless , asking Crowe to list himself and all under his command as killed @-@ in @-@ action . Now owing allegiance to none other than themselves , the 422nd confronts Dahau and <a href='uninflect' title='8'><mark>destroys</mark></a> the Valkyrian weapon . Each member then <a href='uninflect' title='9'><mark>goes</mark></a> their separate ways in order to begin their lives anew . | Partly due to dese events , and partly due to the major losses in manpower Gallia suffer towards the end of da war with the Empire , tdaNameless are offered a formal position as a squad in the Gallian Army rather than serve as an anonymous shadow force . This short @-@ lived , however , as following Maximilian defeat , Dahau and Calamity Raven move to activate an ancient Valkyrian super weapon within thdampire , kept secret by their benefactor . w/o the support of Maximilian or thedaance to prove theyself in the war wit Gallia , it Dahau last trump card in creating a new Darcsen nation . As an armed Gallian force invading the daire jus following the tdanations cease @-@ fire would certainly wreck their newfound peace , Kurt decide to once again make his squad the Nameless , asking Crowe to list himself and all under his command as killed @-@ in @-@ action . Now owing allegiance to none other den themselves , the 422nd confronts Dahau and destroy the Valkyrian weapon . Each member then go their separate ways in order to begin their lives anew . | 0 | 0 | 0 | 2 | 0 | 12 | 0 | 0 | 3 | 0 | 21 | 4 |
= = Development = = | = = Development = = | = = Development = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Concept work for Valkyria Chronicles III began after development finished on Valkyria Chronicles II in early 2010 , with full development beginning shortly after this . The director of Valkyria Chronicles II , Takeshi Ozawa , returned to that role for Valkyria Chronicles III . Development work took approximately one year . After the release of Valkyria Chronicles II , the staff took a look at both the popular response for the game and what they wanted to do next for the series . Like its predecessor , Valkyria Chronicles III was developed for PlayStation Portable : this was due to the team wanting to refine the mechanics created for Valkyria Chronicles II , and they had not come up with the " revolutionary " idea that would warrant a new entry for the PlayStation 3 . Speaking in an interview , it was stated that the development team considered Valkyria Chronicles III to be the series ' first true sequel : while Valkyria Chronicles II had required a large amount of trial and error during development due to the platform move , the third game gave them a chance to improve upon the best parts of Valkyria Chronicles II due to being on the same platform . In addition to Sega staff from the previous games , development work was also handled by Media.Vision. The original scenario was written Kazuki Yamanobe , while the script was written by Hiroyuki Fujii , Koichi Majima , Kishiko Miyagi , Seiki Nagakawa and Takayuki Shouji . Its story was darker and more somber than that of its predecessor . | Concept work for Valkyria Chronicles III began after development finished on Valkyria Chronicles II in early 2010 , with full development beginning shortly after this . The director of Valkyria Chronicles II , Takeshi Ozawa , returned to that role for Valkyria Chronicles III . Development work<a href='been_done' title='1'><mark></mark></a> took approximately one year . After the release of Valkyria Chronicles II , the staff took a look at both the popular response for the game and what they wanted to do next for the series . Like its predecessor , Valkyria Chronicles III was developed for PlayStation Portable : this was due to the team wanting to refine the mechanics created for Valkyria Chronicles II , and they <a href='been_done' title='2'><mark>had</mark></a> not come up with the " revolutionary " idea <a href='null_relcl' title='3'><mark>that</mark></a>would warrant a new entry for the PlayStation 3 . Speaking in an interview , it was stated that the development team considered Valkyria Chronicles III to be the series ' first true sequel : while Valkyria Chronicles II <a href='been_done' title='4'><mark>had</mark></a> required a large amount of trial and error during development due to the platform move , the third game gave them a chance to improve upon the best parts of Valkyria Chronicles II due to being on the same platform . In addition to Sega staff from the previous games , development work was also handled by Media.Vision. The original scenario was written Kazuki Yamanobe , while the script was written by Hiroyuki Fujii , Koichi Majima , Kishiko Miyagi , Seiki Nagakawa and Takayuki Shouji . Its story was darker and more somber than that of its predecessor . | Concept wrk for Valkyria Chronicles III began after development finished on Valkyria Chronicles II in early 2010 , with full development beginning shortly after this . The director of Valkyria Chronicles II , Takeshi Ozawa , returned to dat role fir Valkyria Chronicles III . Development work been took approximately one year . After the release of Valkyria Chronicles II , da staff took a look at both tdapopular response for the game and wht they wanted to do nxt for thdaeries . Like its predecessor , Valkyria Chronicles III was developed fa PlayStation Portable : this was due to the team wantin to refine thedachanics created for Valkyria Chronicles II , and they done not cum up w/ the " revolutionary " idea would warrant a new entry for the PlayStation 3 . Speaking in an interview , it was stated that the development team considered Valkyria Chronicles III to be the daies ' first true sequel : while Valkyria Chronicles II done required a bigass amount of trial and error during development due to the platform move , the tdad game gave em a chance to improve upon the bedaparts of Valkyria Chronicles II due to bein on the same platform . In addition to Sega staff from the previous games , development work was also handled by Media.Vision. The oridaal scenario was written Kazuki Yamanobe , while the scridawas written by Hiroyuki Fujii , Koichi Majima , Kishiko Miyagi , Seiki Nagakawa and Takayuki Shouji . Its story was darker and more somber than that of its predecessor . | 0 | 3 | 0 | 0 | 0 | 21 | 0 | 0 | 0 | 1 | 25 | 0 |
The majority of material created for previous games , such as the BLiTZ system and the design of maps , was carried over . Alongside this , improvements were made to the game 's graphics and some elements were expanded , such as map layouts , mission structure , and the number of playable units per mission . A part of this upgrade involved creating unique polygon models for each character 's body . In order to achieve this , the cooperative elements incorporated into the second game were removed , as they took up a large portion of memory space needed for the improvements . They also adjusted the difficulty settings and ease of play so they could appeal to new players while retaining the essential components of the series ' gameplay . The newer systems were decided upon early in development . The character designs were done by Raita Honjou , who had worked on the previous Valkyria Chronicles games . When creating the Nameless Squad , Honjou was faced with the same problem he had had during the first game : the military uniforms essentially destroyed character individuality , despite him needing to create unique characters the player could identify while maintaining a sense of reality within the Valkyria Chronicles world . The main color of the Nameless was black . As with the previous Valkyria games , Valkyria Chronicles III used the CANVAS graphics engine . The anime opening was produced by Production I.G. | The majority of material created for previous games , such as the BLiTZ system and the design of maps , was carried over . Alongside this , improvements <a href='uninflect' title='1'><mark>were</mark></a> made to the game <a href='null_genetive' title='2'><mark>'s</mark></a>graphics and some elements <a href='uninflect' title='3'><mark>were</mark></a> expanded , such as map layouts , mission structure , and the number of playable units per mission . A part of this upgrade involved creating unique polygon models for each character <a href='null_genetive' title='4'><mark>'s</mark></a>body . In order to achieve this , the cooperative elements incorporated into the second game <a href='uninflect' title='5'><mark>were</mark></a> removed , as they took up a large portion of memory space needed for the improvements . They also adjusted the difficulty settings and ease of play so they could appeal to new players while retaining the essential components of the series ' gameplay . The newer systems <a href='uninflect' title='6'><mark>were</mark></a> decided upon early in development . The character designs <a href='uninflect' title='7'><mark>were</mark></a> done by Raita Honjou , <a href='null_relcl' title='8'><mark>who</mark></a><a href='been_done' title='9'><mark>had</mark></a> worked on the previous Valkyria Chronicles games . When creating the Nameless Squad , Honjou was faced with the same problem he <a href='been_done' title='10'><mark>had</mark></a> had during the first game : the military uniforms essentially destroyed character individuality , despite him needing to create unique characters the player could identify while maintaining a sense of reality within the Valkyria Chronicles world . The main color of the Nameless was black . As with the previous Valkyria games , Valkyria Chronicles III used the CANVAS graphics engine . The anime opening was produced by Production I.G. | Da majority of material created for previous games , such as the BLiTZ system and tdadesign of maps , was carried over . Alongside this , improvements was made to the game graphics and some elements was expanded , such as map layouts , mission structure , and thdaumber of playable units per mission . A part of dis upgrade involved creating unique polygon models for each character body . In order to achieve tdis, the cooperative elements incorporated into thedacond game was removed , as they took up a bigass portion of memory space needed for the improvements . They also adjusted the difficulty settings and ease of play so they could appeal to new players while retaining the daential components of the series ' gameplay . The ndar systems was decided upon early in development . The character designs was done by Raita Honjou , done worked on the previous Valkyria Chronicles games . When creating the Nameless Squad , Honjou was faced witt the same problem he done had durin the first game : the military uniforms essentially destroyed character individuality , despite em needing to create unique characters the pldar could identify while maintaining a sense of reality within the Valdaia Chronicles world . The maindalor of the Nameless was black . As with the previous Valkyria games , Valkyria Chronicles III used the CANVAdaraphics engine . The anime opening was produced by Production I.G. | 0 | 2 | 0 | 0 | 0 | 16 | 0 | 0 | 2 | 1 | 26 | 5 |
= = = Music = = = | = = = Music = = = | = = = Music = = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
The music was composed by Hitoshi Sakimoto , who had also worked on the previous Valkyria Chronicles games . When he originally heard about the project , he thought it would be a light tone similar to other Valkyria Chronicles games , but found the themes much darker than expected . An early theme he designed around his original vision of the project was rejected . He redid the main theme about seven times through the music production due to this need to reassess the game . The main theme was initially recorded using orchestra , then Sakimoto removed elements such as the guitar and bass , then adjusted the theme using a synthesizer before redoing segments such as the guitar piece on their own before incorporating them into the theme . The rejected main theme was used as a hopeful tune that played during the game 's ending . The battle themes were designed around the concept of a " modern battle " divorced from a fantasy scenario by using modern musical instruments , constructed to create a sense of atonality . While Sakimoto was most used to working with synthesized music , he felt that he needed to incorporate live instruments such as orchestra and guitar . The guitar was played by Mitsuhiro Ohta , who also arranged several of the later tracks . The game 's opening theme song , " If You Wish for ... " ( もしも君が願うのなら , Moshimo Kimi ga Negauno Nara ) , was sung by Japanese singer May 'n . Its theme was the reason soldiers fought , in particular their wish to protect what was precious to them rather than a sense of responsibility or duty . Its lyrics were written by Seiko Fujibayashi , who had worked on May 'n on previous singles . | The music was composed by Hitoshi Sakimoto , <a href='null_relcl' title='1'><mark>who</mark></a><a href='been_done' title='2'><mark>had</mark></a> also worked on the previous Valkyria Chronicles games . When he originally heard about the project , he thought it would be a light tone similar to other Valkyria Chronicles games , but found the themes much darker than expected . An early theme he designed around his original vision of the project was rejected . He<a href='been_done' title='3'><mark></mark></a> redid the main theme about seven times through the music production due to this need to reassess the game . The main theme was initially recorded using orchestra , then Sakimoto removed elements such as the guitar and bass , then adjusted the theme using a synthesizer before redoing segments such as the guitar piece on their own before incorporating them into the theme . The rejected main theme was used as a hopeful tune <a href='null_relcl' title='4'><mark>that</mark></a>played during the game <a href='null_genetive' title='5'><mark>'s</mark></a>ending . The battle themes <a href='uninflect' title='6'><mark>were</mark></a> designed around the concept of a " modern battle " divorced from a fantasy scenario by using modern musical instruments , constructed to create a sense of atonality . While Sakimoto was most used to working with synthesized music , he felt that he needed to incorporate live instruments such as orchestra and guitar . The guitar was played by Mitsuhiro Ohta , <a href='null_relcl' title='7'><mark>who</mark></a>also arranged several of the later tracks . The game <a href='null_genetive' title='8'><mark>'s</mark></a>opening theme song , " If You Wish for ... " ( もしも君が願うのなら , Moshimo Kimi ga Negauno Nara ) , was sung by Japanese singer May 'n . Its theme was the reason soldiers fought , in particular their wish to protect what was precious to them rather than a sense of responsibility or duty . Its lyrics <a href='uninflect' title='9'><mark>were</mark></a> written by Seiko Fujibayashi , <a href='null_relcl' title='10'><mark>who</mark></a><a href='been_done' title='11'><mark>had</mark></a> worked on May 'n on previous singles . | Da music was composed by Hitoshi Sakimoto , done also worked on tdaprevious Valkyria Chronicles games . When he originally heard about the project , he thought it would be a light tone similar to other Valkyria Chronicles games , but found thdahemes much darker than expected . An early theme he designed around his original vision of the project was rejected . He done redid the main theme about seven times through the music production due to this gotta reassess the game . Thedain theme was initially recorded usin orchestra , then Sakimoto removed elements such as the guitar and bass , then adjusted the theme uusina synthesizer before redoing segments such as the datar piece on their own before incorporating them into the theme . The rdacted main theme was used as a hopeful tune played during the game ending . The badae themes was designed around the condat of a " modern battle " divorced from a fantasy scenario by using modern musical instruments , constructed to create a sense of atonality . While Sakimoto was most used to working w/ synthesized music , he felt dat he needed to incorporate live instruments such as orchestra and guitar . The guitdawas played by Mitsuhiro Ohta , also arranged several of the laterdaacks . The game daning theme song , " If You Wish fa ... " ( もしも君が願うのなら , Moshimo Kimi ga Negauno Nara ) , was sung by Japanese singer May 'n . Its theme was the reason soldiers fought , in particular their wish to protect wat was precious to them rather den a sense of responsibility or duty . Its lyrics was written by Seiko Fujibayashi , done worked on May 'n on previous singles . | 0 | 3 | 0 | 0 | 0 | 19 | 0 | 0 | 2 | 4 | 30 | 2 |
= = = Release = = = | = = = Release = = = | = = = Release = = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
In September 2010 , a teaser website was revealed by Sega , hinting at a new Valkyria Chronicles game . In its September issue , Famitsu listed that Senjō no Valkyria 3 would be arriving on the PlayStation Portable . Its first public appearance was at the 2010 Tokyo Game Show ( TGS ) , where a demo was made available for journalists and attendees . During the publicity , story details were kept scant so as not to spoil too much for potential players , along with some of its content still being in flux at the time of its reveal . To promote the game and detail the story leading into the game 's events , an episodic Flash visual novel written by Fujii began release in January 2011 . The game was released January 27 , 2011 . During an interview , the development team said that the game had the capacity for downloadable content ( DLC ) , but that no plans were finalized . Multiple DLC maps , featuring additional missions and recruitable characters , were released between February and April 2011 . An expanded edition of the game , Valkyria Chronicles III Extra Edition , released on November 23 , 2011 . Packaged and sold at a lower price than the original , Extra Edition game with seven additional episodes : three new , three chosen by staff from the game 's DLC , and one made available as a pre @-@ order bonus . People who also owned the original game could transfer their save data between versions . | In September 2010 , a teaser website was revealed by Sega , hinting at a new Valkyria Chronicles game . In its September issue , Famitsu listed that Senjō no Valkyria 3 would be arriving on the PlayStation Portable . Its first public appearance was at the 2010 Tokyo Game Show ( TGS ) , where a demo was made available for journalists and attendees . During the publicity , story details <a href='uninflect' title='1'><mark>were</mark></a> kept scant so as not to spoil too much for potential players , along with some of its content still being in flux at the time of its reveal . To promote the game and detail the story leading into the game <a href='null_genetive' title='2'><mark>'s</mark></a>events , an episodic Flash visual novel written by Fujii began release in January 2011 . The game was released January 27 , 2011 . During an interview , the development team said that the game had the capacity for downloadable content ( DLC ) , but that no plans <a href='uninflect' title='3'><mark>were</mark></a> finalized . Multiple DLC maps , featuring additional missions and recruitable characters , <a href='uninflect' title='4'><mark>were</mark></a> released between February and April 2011 . An expanded edition of the game , Valkyria Chronicles III Extra Edition , released on November 23 , 2011 . Packaged and sold at a lower price than the original , Extra Edition game with seven additional episodes : three new , three chosen by staff from the game <a href='null_genetive' title='5'><mark>'s</mark></a>DLC , and one made available as a pre @-@ order bonus . People <a href='null_relcl' title='6'><mark>who</mark></a>also owned the original game could transfer their save data between versions . | In September 2010 , a teaser website was revealed by Sega , hinting at a new Valkyria Chronicles game . In its September issue , Famitsu listed that Senjō no Valkyria 3 would b arriving on the PlayStation Portable . Its first public appearance was at the 2010 Tokyo Game Show ( TGS ) , where a demo was made available fa journalists and attendees . During the publicity , story details was kept scant so as not to spoil too much ffapotential players , along w/ some of its content still being in flux at the time of its reveal . To promote the game and detail the story leading into da game events , an episodic Flash visual novel written by Fujii began release in January 2011 . The game was released January 27 , 2011 . During an interview , the development team said that the game had the capacity fofaownloadable content ( DLC ) , but dat no plans was finalized . Multiple DLC maps , featuring additional missions and recruitable characters , was released between February and April 2011 . An expanded edition of the game , Valkyria Chronicles III Extra Edition , released on November 23 , 2011 . Packaged and sold at a lower price than the original , Extra Edition game with seven additional episodes : three new , three chosen by staff from the game DLC , and one made available as a pre @-@ order bonus . dudes also owned the original game could transfer their save data between versions . | 0 | 0 | 0 | 0 | 0 | 8 | 0 | 0 | 2 | 1 | 14 | 3 |
Unlike its two predecessors , Valkyria Chronicles III was not released in the west . According to Sega , this was due to poor sales of Valkyria Chronicles II and the general unpopularity of the PSP in the west . An unofficial fan translation patch began development in February 2012 : players with a copy of Valkyria Chronicles III could download and apply the patch , which translated the game 's text into English . Compatible with the Extra Edition , the patch was released in January 2014 . | Unlike its two predecessors , Valkyria Chronicles III was not released in <a href='None' title='1'><mark>the</mark></a><a href='negative_concord' title='2'><mark>west</mark></a> . According to Sega , this was due to poor sales of Valkyria Chronicles II and the general unpopularity of the PSP in the west . An unofficial fan translation patch began development in February 2012 : players with a copy of Valkyria Chronicles III could download and apply the patch , which translated the game <a href='null_genetive' title='3'><mark>'s</mark></a>text into English . Compatible with the Extra Edition , the patch was released in January 2014 . | Unlike its 2 predecessors , Valkyria Chronicles III was not released in no west . According to Sega , this was due to poor sales of Valkyria Chronicles II and the general unpopularity of the PSP in da west . An unofficial fan translation patch began development in February 2012 : players witt a copy of Valkyria Chronicles III could download and apply tdapatch , which translated thdaame text into English . Compatible with thedatra Edition , the dach was released in January 2014 . | 0 | 0 | 0 | 0 | 0 | 7 | 1 | 0 | 1 | 0 | 9 | 0 |
= = Reception = = | = = Reception = = | = = Reception = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
On its day of release in Japan , Valkyria Chronicles III topped both platform @-@ exclusive and multi @-@ platform sales charts . By early February , the game sold 102 @,@ 779 units , coming in second overall to The Last Story for the Wii . By the end of the year , the game had sold just over 152 @,@ 500 units . | On its day of release in Japan , Valkyria Chronicles III topped both platform @-@ exclusive and multi @-@ platform sales charts . By early February , the game sold 102 @,@ 779 units , coming in second overall to The Last Story for the Wii . By the end of the year , the game <a href='been_done' title='1'><mark>had</mark></a> sold just over 152 @,@ 500 units . | On its day of release in Japan , Valkyria Chronicles III topped both platform @-@ exclusive and multi @-@ platform sales charts . By early February , da game sold 102 @,@ 779 units , coming in second overall to The Last Story for tdaWii . By thdand of the year , the game done sold jus over 152 @,@ 500 units . | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 5 | 0 |
Famitsu enjoyed the story , and were particularly pleased with the improvements to gameplay . Japanese gaming site Game Watch Impress , despite negatively noting its pacing and elements recycled from previous games , was generally positive about its story and characters , and found its gameplay entertaining despite off @-@ putting difficulty spikes . 4Gamer.net writer Naohiko Misuosame , in a " Play Test " article based on the game 's PSN demo , felt that Valkyria Chronicles III provided a " profound feeling of closure " for the Valkyria Chronicles series . He praised its gameplay despite annoying limitations to aspects such as special abilities , and positively noted its shift in story to a tone similar to the first game . | Famitsu enjoyed the story , and <a href='uninflect' title='1'><mark>were</mark></a> particularly pleased with the improvements to gameplay . Japanese gaming site Game Watch Impress , despite negatively noting its pacing and elements recycled from previous games , was generally positive about its story and characters , and found its gameplay entertaining despite off @-@ putting difficulty spikes . 4Gamer.net writer Naohiko Misuosame , in a " Play Test " article based on the game <a href='null_genetive' title='2'><mark>'s</mark></a>PSN demo , felt that Valkyria Chronicles III provided a " profound feeling of closure " for the Valkyria Chronicles series . He praised its gameplay despite annoying limitations to aspects such as special abilities , and positively noted its shift in story to a tone similar to the first game . | Famitsu enjoyed da story , and was particularly pleased w the improvements to gameplay . Japanese gaming site Game Watch Impress , despite negatively nuthin its pacing and elements recycled from previous games , was generally positive about its story and characters , and found its gameplay entertaining despite off @-@ puttin difficulty spikes . 4Gamer.net writer Naohiko Misuosame , in a " Play Test " article based on the game PSN demo , felt dat Valkyria Chronicles III provided a " profound feelin of closure " fa the Valkyria Chronicles series . He praised its gameplay despite annoying limitations to aspects such as special abilities , and positively noted its shift in story to a tone similar to tdafirst game . | 0 | 0 | 0 | 0 | 0 | 8 | 0 | 0 | 1 | 0 | 10 | 1 |
PlayStation Official Magazine - UK praised the story 's blurring of Gallia 's moral standing , art style , and most points about its gameplay , positively noting the latter for both its continued quality and the tweaks to balance and content . Its one major criticism were multiple difficulty spikes , something that had affected the previous games . Heath Hindman of gaming website PlayStation Lifestyle praised the addition of non @-@ linear elements and improvements or removal of mechanics from Valkyria Chronicles II in addition to praising the returning gameplay style of previous games . He also positively noted the story 's serious tone . Points criticized in the review were recycled elements , awkward cutscenes that seemed to include all characters in a scene for no good reason , pacing issues , and occasional problems with the game 's AI . | PlayStation Official Magazine - UK praised the story <a href='null_genetive' title='1'><mark>'s</mark></a>blurring of Gallia <a href='null_genetive' title='2'><mark>'s</mark></a>moral standing , art style , and most points about its gameplay , positively noting the latter for both its continued quality and the tweaks to balance and content . Its one major criticism <a href='uninflect' title='3'><mark>were</mark></a> multiple difficulty spikes , something <a href='null_relcl' title='4'><mark>that</mark></a><a href='been_done' title='5'><mark>had</mark></a> affected the previous games . Heath Hindman of gaming website PlayStation Lifestyle praised the addition of non @-@ linear elements and improvements or removal of mechanics from Valkyria Chronicles II in addition to praising the returning gameplay style of previous games . He also positively noted the story <a href='null_genetive' title='6'><mark>'s</mark></a>serious tone . Points criticized in the review <a href='uninflect' title='7'><mark>were</mark></a> recycled elements , awkward cutscenes <a href='null_relcl' title='8'><mark>that</mark></a>seemed to include all characters in a scene for no good reason , pacing issues , and occasional problems with the game <a href='null_genetive' title='9'><mark>'s</mark></a>AI . | PlayStation Official Magazine - UK praised the story blurring of Gallia moral standing , art style , and most points bou its gameplay , positively nuffin da latter fa both its continued quality and the tweaks to balance and content . Its one major criticism was multiple difficulty spikes , something done affected tdaprevious games . Heath Hindman of gaming website PlayStation Lifestyle praised thdaddition of non @-@ linear elements and improvements or removal of mechanics from Valkyria Chronicles II in addition to praising the returning gameplay style of previous games . He also positively noted the story serious tone . Points criticized in the review was recycled elements , awkward cutscenes seemed to include all characters in a scene for no good reason , pacing issues , and occasional problems witt the game AI . | 0 | 1 | 0 | 0 | 0 | 7 | 0 | 0 | 4 | 2 | 16 | 2 |
In a preview of the TGS demo , Ryan Geddes of IGN was left excited as to where the game would go after completing the demo , along with enjoying the improved visuals over Valkyria Chronicles II . Kotaku 's Richard Eisenbeis was highly positive about the game , citing is story as a return to form after Valkyria Chronicles II and its gameplay being the best in the series . His main criticisms were its length and gameplay repetition , along with expressing regret that it would not be localized . | In a preview of the TGS demo , Ryan Geddes of IGN was left excited as to where the game would go after completing the demo , along with enjoying the improved visuals over Valkyria Chronicles II . Kotaku <a href='null_genetive' title='1'><mark>'s</mark></a>Richard Eisenbeis was highly positive about the game , citing is story as a return to form after Valkyria Chronicles II and its gameplay being the best in the series . His main criticisms <a href='uninflect' title='2'><mark>were</mark></a> its length and gameplay repetition , along with expressing regret <a href='null_relcl' title='3'><mark>that</mark></a>it would not be localized . | In a preview of da TGS demo , Ryan Geddes of IGN was left excited as to where tdagame would go after completing the demo , along with enjoying thdamproved visuals over Valkyria Chronicles II . Kotaku Richard Eisenbeis was highly positive about the game , citing is story as a return to form after Valkyria Chronicles II and its gameplay being thedast in the daies . His main criticisms was its length and gameplay repetition , along with expressing regret it would not be localized . | 0 | 0 | 0 | 0 | 0 | 5 | 0 | 0 | 1 | 1 | 8 | 1 |
= = Legacy = = | = = Legacy = = | = = Legacy = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Kurt and Riela were featured in the Nintendo 3DS crossover Project X Zone , representing the Valkyria series . Media.Vision would return to the series to develop Valkyria : Azure Revolution , with Ozawa returning as director . Azure Revolution is a role @-@ playing video game for the PlayStation 4 that forms the beginning of a new series within the Valkyria franchise . | Kurt and Riela <a href='uninflect' title='1'><mark>were</mark></a> featured in the Nintendo 3DS crossover Project X Zone , representing the Valkyria series . Media.Vision would return to the series to develop Valkyria : Azure Revolution , with Ozawa returning as director . Azure Revolution <a href='drop_aux' title='2'><mark>is</mark></a>a role @-@ playing video game for the PlayStation 4 <a href='null_relcl' title='3'><mark>that</mark></a><a href='uninflect' title='4'><mark>forms</mark></a> the beginning of a new series within the Valkyria franchise . | Kurt and Riela was featured in da Nintendo 3DS crossover Project X Zone , reppin tdaValkyria series . Media.Vision would return to thdaeries to develop Valkyria : Azure Revolution , wid Ozawa returning as director . Azure Revolution a role @-@ playing video game fir the PlayStation 4 form thedaginning of a new series within the Valkyria franchise . | 0 | 0 | 0 | 1 | 0 | 7 | 0 | 0 | 0 | 1 | 11 | 2 |
= = = Adaptations = = = | = = = Adaptations = = = | = = = Adaptations = = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Valkyria Chronicles 3 was adapted into a two @-@ episode original video animation series in the same year of its release . Titled Senjō no Valkyria 3 : Taga Tame no Jūsō ( 戦場のヴァルキュリア３ 誰がための銃瘡 , lit . Valkyria of the Battlefield 3 : The Wound Taken for Someone 's Sake ) , it was originally released through PlayStation Network and Qriocity between April and May 2011 . The initially @-@ planned release and availability period needed to be extended due to a stoppage to PSN during the early summer of that year . It later released for DVD on June 29 and August 31 , 2011 , with separate " Black " and " Blue " editions being available for purchase . The anime is set during the latter half of Valkyria Chronicles III , detailing a mission by the Nameless against their Imperial rivals Calamity Raven . The anime was first announced in November 2010 . It was developed by A @-@ 1 Pictures , produced by Shinji Motoyama , directed by Nobuhiro Kondō , and written by Hiroshi Ōnogi . Sakimoto 's music for the game was used in the anime . | Valkyria Chronicles 3 was adapted into a two @-@ episode original video animation series in the same year of its release . Titled Senjō no Valkyria 3 : Taga Tame no Jūsō ( 戦場のヴァルキュリア３ 誰がための銃瘡 , lit . Valkyria of the Battlefield 3 : The Wound Taken for Someone <a href='null_genetive' title='1'><mark>'s</mark></a>Sake ) , it was originally released through PlayStation Network and Qriocity between April and May 2011 . The initially @-@ planned release and availability period needed to be extended due to a stoppage to PSN during the early summer of that year . It later released for DVD on June 29 and August 31 , 2011 , with separate " Black " and " Blue " editions being available for purchase . The anime is set during the latter half of Valkyria Chronicles III , detailing a mission by the Nameless against their Imperial rivals Calamity Raven . The anime was first announced in November 2010 . It was developed by A @-@ 1 Pictures , produced by Shinji Motoyama , directed by Nobuhiro Kondō , and written by Hiroshi Ōnogi . Sakimoto <a href='null_genetive' title='2'><mark>'s</mark></a>music for the game was used in the anime . | Valkyria Chronicles 3 was adapted into a 2 @-@ episode original video animation series in the same year of its release . Titled Senjō no Valkyria 3 : Taga Tame no Jūsō ( 戦場のヴァルキュリア３ 誰がための銃瘡 , lit . Valkyria of the Battlefield 3 : da Wound Taken for Someone Sake ) , it was originally released through PlayStation Network and Qriocity between April and May 2011 . The initially @-@ planned release and availability period needed to b extended due to a stoppage to PSN during the early summer of that year . It later released for DVD on June 29 and August 31 , 2011 , with separate " Black " and " Blue " editions being available for purchase . The anime is set during tdalatter half of Valkyria Chronicles III , detailing a mission by the Nameless against their Imperial rivals Calamity Raven . The anime was first announced in November 2010 . It was developed by A @-@ 1 pics , produced by Shinji Motoyama , directed by Nobuhiro Kondō , and written by Hiroshi Ōnogi . Sakimoto music for the game was used in thdanime . | 0 | 0 | 0 | 0 | 0 | 6 | 0 | 0 | 2 | 0 | 8 | 0 |
The anime 's title was inspired by the principle purpose of the Nameless : to suffer in battle for the goals of others . A subtitle attached to the project during development was " The Road to Kubinka " , which referenced the Kubinka Tank Museum in Moscow . The game 's main theme was how the characters regained their sense of self when stripped of their names and identities , along with general themes focused on war and its consequences . While making the anime , the production team were told by Sega to make it as realistic as possible , with the consequence that the team did extensive research into aspects such as what happened when vehicles like tanks were overturned or damaged . Due to it being along the same timeline as the original game and its television anime adaptation , the cast of Valkyria Chronicles could make appearances , which pleased the team . The opening theme , " Akari ( Light ) -Tomoshibi- " ( 灯 @-@ TOMOSHIBI- ) , was sung by Japanese singer Faylan . The ending theme , " Someday the Flowers of Light Will Bloom " ( いつか咲く光の花 , Itsuka Saku Hikari no Hana ) , was sung by Minami Kuribayashi . Both songs ' lyrics were written by their respective artists . | The anime <a href='null_genetive' title='1'><mark>'s</mark></a>title was inspired by the principle purpose of the Nameless : to suffer in battle for the goals of others . A subtitle attached to the project during development was " The Road to Kubinka " , which referenced the Kubinka Tank Museum in Moscow . The game <a href='null_genetive' title='2'><mark>'s</mark></a>main theme was how the characters regained their sense of self when stripped of their names and identities , along with general themes focused on war and its consequences . While making the anime , the production team <a href='uninflect' title='3'><mark>were</mark></a> told by Sega to make it as realistic as possible , with the consequence that the team did extensive research into aspects such as what happened when vehicles like tanks <a href='uninflect' title='4'><mark>were</mark></a> overturned or damaged . Due to it being along the same timeline as the original game and its television anime adaptation , the cast of Valkyria Chronicles could make appearances , which pleased the team . The opening theme , " Akari ( Light ) -Tomoshibi- " ( 灯 @-@ TOMOSHIBI- ) , was sung by Japanese singer Faylan . The ending theme , " Someday the Flowers of Light Will Bloom " ( いつか咲く光の花 , Itsuka Saku Hikari no Hana ) , was sung by Minami Kuribayashi . Both songs <a href='null_genetive' title='5'><mark>'</mark></a>lyrics <a href='uninflect' title='6'><mark>were</mark></a> written by their respective artists . | The anime title was inspired by the principle purpose of da Nameless : to suffer in battle fa tdagoals of others . A subtitle attached to the project durin development was " The Road to Kubinka " , which referenced thdaubinka Tank Museum in Moscow . The game main theme was how the characters regained their sense of self when stripped of their names and identities , along with general themes focused on war and its consequences . While making thedaime , the production team was told by Sega to make it as realistic as possible , wit the consequence that the team did extensive research into aspects such as what happened when vehicles like tanks was overturned or damaged . Due to it bein along the same tl as the daginal game and its television anime adaptation , the cast of Valkyria Chronicles could make appearances , which pleased the team . The opening theme , " Akari ( Light ) -Tomoshibi- " ( 灯 @-@ TOMOSHIBI- ) , was sung by Japanese singer Faylan . The edang theme , " Someday the Flowers of Light Will Bloom " ( いつか咲く光の花 , Itsuka Saku Hikari no Hana ) , was sung by Minami Kuribayashi . Both songs lyrics was written by their respective artists . | 0 | 0 | 0 | 0 | 0 | 11 | 0 | 0 | 3 | 0 | 17 | 3 |
Two manga adaptations were produced , following each of the game 's main female protagonists Imca and Riela . They were Senjō no Valkyria 3 : Namo naki Chikai no Hana ( 戦場のヴァルキュリア3 名もなき誓いの花 , lit . Valkyria of the Battlefield 3 : The Flower of the Nameless Oath ) , illustrated by Naoyuki Fujisawa and eventually released in two volumes after being serialized in Dengeki Maoh between 2011 and 2012 ; and Senjō no Valkyria 3 : -Akaki Unmei no Ikusa Otome- ( 戦場のヴァルキュリア3 -赤き運命の戦乙女- , lit . Valkyria of the Battlefield 3 -The Valkyrie of the Crimson Fate ) , illustrated by Mizuki Tsuge and eventually released in a single volume by Kadokawa Shoten in 2012 . | Two manga adaptations <a href='uninflect' title='1'><mark>were</mark></a> produced , following each of the game <a href='null_genetive' title='2'><mark>'s</mark></a>main female protagonists Imca and Riela . They <a href='uninflect' title='3'><mark>were</mark></a> Senjō no Valkyria 3 : Namo naki Chikai no Hana ( 戦場のヴァルキュリア3 名もなき誓いの花 , lit . Valkyria of the Battlefield 3 : The Flower of the Nameless Oath ) , illustrated by Naoyuki Fujisawa and eventually released in two volumes after being serialized in Dengeki Maoh between 2011 and 2012 ; and Senjō no Valkyria 3 : -Akaki Unmei no Ikusa Otome- ( 戦場のヴァルキュリア3 -赤き運命の戦乙女- , lit . Valkyria of the Battlefield 3 -The Valkyrie of the Crimson Fate ) , illustrated by Mizuki Tsuge and eventually released in a single volume by Kadokawa Shoten in 2012 . | 2 manga adaptations was produced , following each of the game main female protagonists Imca and Riela . They was Senjō no Valkyria 3 : Namo naki Chikai no Hana ( 戦場のヴァルキュリア3 名もなき誓いの花 , lit . Valkyria of the Battlefield 3 : da Flower of tdaNameless Oath ) , illustrated by Naoyuki Fujisawa and eventually released in tw2olumes after being serialized in Dengeki Maoh between 2011 and 2012 ; and Senjō no Valkyria 3 : -Akaki Unmei no Ikusa Otome- ( 戦場のヴァルキュリア3 -赤き運命の戦乙女- , lit . Valkyria of the Battlefield 3 -The Valkyrie of the Crimson Fate ) , illustrated by Mizuki Tsuge and eventually released in a single volume by Kadokawa Shoten in 2012 . | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 7 | 2 |
= Tower Building of the Little Rock Arsenal = | = Tower Building of the Little Rock Arsenal = | = Tower Building of the lil Rock Arsenal = | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
The Tower Building of the Little Rock Arsenal , also known as U.S. Arsenal Building , is a building located in MacArthur Park in downtown Little Rock , Arkansas . Built in 1840 , it was part of Little Rock 's first military installation . Since its decommissioning , The Tower Building has housed two museums . It was home to the Arkansas Museum of Natural History and Antiquities from 1942 to 1997 and the MacArthur Museum of Arkansas Military History since 2001 . It has also been the headquarters of the Little Rock Æsthetic Club since 1894 . | The Tower Building of the Little Rock Arsenal , also known as U.S. Arsenal Building , is a building located in MacArthur Park in downtown Little Rock , Arkansas . Built in 1840 , it was part of Little Rock <a href='null_genetive' title='1'><mark>'s</mark></a>first military installation . Since its decommissioning , The Tower Building <a href='been_done' title='2'><mark>has</mark></a> housed two museums . It was home to the Arkansas Museum of Natural History and Antiquities from 1942 to 1997 and the MacArthur Museum of Arkansas Military History since 2001 . It <a href='uninflect' title='3'><mark>has</mark></a> also been the headquarters of the Little Rock Æsthetic Club since 1894 . | Da Tower Building of the Little Rock Arsenal , also known as U.S. Arsenal Building , is a building located in MacArthur Park in downtown Little Rock , Arkansas . Built in 1840 , it was part of Little Rock first military installation . Since its decommissioning , The Tower Building done housed two museums . It was home to tdaArkansas Museum of Natural History and Antiquities from 1942 to 1997 and the MacArthur Museum of Arkansas Military History since 2001 . It have also been the headquarters of thdail Rock Æsthetic Club since 1894 . | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 8 | 2 |
The building receives its name from its distinct octagonal tower . Besides being the last remaining structure of the original Little Rock Arsenal and one of the oldest buildings in central Arkansas , it was also the birthplace of General Douglas MacArthur , who became the supreme commander of US forces in the South Pacific during World War II . It was also the starting place of the Camden Expedition . In 2011 it was named as one of the top 10 attractions in the state of Arkansas by Arkansas.com. | The building <a href='uninflect' title='1'><mark>receives</mark></a> its name from its distinct octagonal tower . Besides being the last remaining structure of the original Little Rock Arsenal and one of the oldest buildings in central Arkansas , it was also the birthplace of General Douglas MacArthur , <a href='null_relcl' title='2'><mark>who</mark></a>became the supreme commander of US forces in the South Pacific during World War II . It was also the starting place of the Camden Expedition . In 2011 it was named as one of the top 10 attractions in the state of Arkansas by Arkansas.com. | Da building receive its name from its distinct octagonal tower . Besides being the last remaining structure of tdaoriginal Little Rock Arsenal and one of the oldest buildings in central Arkansas , it was also the birthplace of General Douglas MacArthur , became the supreme commander of US forces in the South Pacific during World War II . It was also the starting place of thdaamden Expedition . In 2011 it was named as one of the top 10 attractions in the state of Arkansas by Arkansas.com. | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 5 | 1 |
= = Construction = = | = = Construction = = | = = Construction = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
The arsenal was constructed at the request of Governor James Sevier Conway in response to the perceived dangers of frontier life and fears of the many Native Americans who were passing through the state on their way to the newly established Oklahoma Territory . Thirty @-@ six acres were appropriated on the outskirts of Little Rock by Major Robert B. Lee of the U.S. Army . The land had been previously used as a racetrack by the local jockey club . John Wormley Walker , a builder for the Federal Government , supervised the construction . Originally $ 14 @,@ 000 was allocated for the construction of the arsenal , but proved inadequate . The budget was later increased to $ 30 @,@ 000 . Work began on the Tower Building in 1840 , and it was the first permanent structure of the arsenal to be built . Being originally constructed to store ammunition , the building was designed with 3 @-@ foot @-@ thick ( 0 @.@ 91 m ) exterior walls . The original plans called for it to be built of stone , however , masonry was used instead . The Arkansas Gazette referred to the structure as " A splendid specimen of masonry " . | The arsenal was constructed at the request of Governor James Sevier Conway in response to the perceived dangers of frontier life and fears of the many Native Americans <a href='null_relcl' title='1'><mark>who</mark></a><a href='uninflect' title='2'><mark>were</mark></a> passing through the state on their way to the newly established Oklahoma Territory . Thirty @-@ six acres <a href='uninflect' title='3'><mark>were</mark></a> appropriated on the outskirts of Little Rock by Major Robert B. Lee of the U.S. Army . The land <a href='been_done' title='4'><mark>had</mark></a> been previously used as a racetrack by the local jockey club . John Wormley Walker , a builder for the Federal Government , supervised the construction . Originally $ 14 @,@ 000 was allocated for the construction of the arsenal , but proved inadequate . The budget was later increased to $ 30 @,@ 000 . Work began on the Tower Building in 1840 , and it was the first permanent structure of the arsenal to be built . Being originally constructed to store ammunition , the building was designed with 3 @-@ foot @-@ thick ( 0 @.@ 91 m ) exterior walls . The original plans called for it to be built of stone , however , masonry was used instead . The Arkansas Gazette referred to the structure as " A splendid specimen of masonry " . | The arsenal was constructed at da request of Governor James Sevier Conway in response to tdaperceived dangers of frontier life and fears of the many Native Americans was passing through thdatate on their way to thedawly established Oklahoma Territory . Thirty @-@ six acres was appropriated on the outskirts of Little Rock by Major Robert B. Lee of the U.S. Army . The dad done been previously used as a racetrack by the local jockey club . John Wormley Walker , a builder for the Federal Government , supervised the cdatruction . Originally $ 14 @,@ 000 was allocated fa the construction of the ardaal , but proved inadequate . The budda was later increased to $ 30 @,@ 000 . Work began on the Tower Building in 1840 , and it was the first permanent structure of the arsenal to be built . Being originally constructed to store ammunition , the building was designed with 3 @-@ foot @-@ thick ( 0 @.@ 91 m ) exterior walls . The original plans called for it to b built of stone , however , masonry was used instead . The Arkansas Gazette referred to the structure as " A splendid specimen of masonry " . | 0 | 1 | 0 | 0 | 0 | 10 | 0 | 0 | 0 | 1 | 14 | 2 |
= = Civil War = = | = = Civil War = = | = = Civil War = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
For several years the arsenal , which was owned by the federal government , served as a simple arms depot and was staffed with only a handful of soldiers . But in November 1860 , with the American Civil War on the horizon , a company of the Second United States Artillery , consisting of sixty @-@ five men , was transferred to Little Rock under the command of Captain James Totten . On January 15 , 1861 , the state legislature decided to hold a referendum to determine if a state convention should be held to consider the issue of secession and to elect delegates to such a convention . It was planned for February 18 ; however , events at the arsenal , would not wait . On January 28 , then Governor Henry Massey Rector informed Captain Totten that he and his soldiers would be " permitted to remain in the possession of the Federal officers until the State , by authority of the people , shall have determined to sever their connection with the General Government , " Totten responded to this by telling the Governor that his orders came from the United States Government and began a desperate but ultimately futile dispatch of letters and telegrams asking for reinforcements , although rumors were widely spread that they were already coming . The first telegraph wire to span between Little Rock and Memphis had recently been completed . Local attorney John M Harrel was asked to compose the first telegraph dispatched from Arkansas 's capital . In his message , Harrel reported unconfirmed rumors that more federal troops had been sent to reinforce the Little Rock Arsenal . | For several years the arsenal , which was owned by the federal government , served as a simple arms depot and was staffed with only a handful of soldiers . But in November 1860 , with the American Civil War on the horizon , a company of the Second United States Artillery , consisting of sixty @-@ five men , was transferred to Little Rock under the command of Captain James Totten . On January 15 , 1861 , the state legislature decided to hold a referendum to determine if a state convention should be held to consider the issue of secession and to elect delegates to such a convention . It was planned for February 18 ; however , events at the arsenal , would not wait . On January 28 , then Governor Henry Massey Rector informed Captain Totten that he and his soldiers would be " permitted to remain in the possession of the Federal officers until the State , by authority of the people , shall <a href='been_done' title='1'><mark>have</mark></a> determined to sever their connection with the General Government , " Totten responded to this by telling the Governor that his orders came from the United States Government and began a desperate but ultimately futile dispatch of letters and telegrams asking for reinforcements , although rumors <a href='uninflect' title='2'><mark>were</mark></a> widely spread that they <a href='uninflect' title='3'><mark>were</mark></a> already coming . The first telegraph wire to span between Little Rock and Memphis <a href='been_done' title='4'><mark>had</mark></a> recently been completed . Local attorney John M Harrel was asked to compose the first telegraph dispatched from Arkansas <a href='null_genetive' title='5'><mark>'s</mark></a>capital . In his message , Harrel reported unconfirmed rumors that more federal troops <a href='been_done' title='6'><mark>had</mark></a> been sent to reinforce the Little Rock Arsenal . | For several yrs da arsenal , which was owned by the federal government , served as a simple arms depot and was staffed with only a handful of soldiers . But in November 1860 , w/ the American Civil War on the horizon , a company of the Second United States Artillery , consisting of sixty @-@ five men , was transferred to Little Rock under tdacommand of Captain James Totten . On January 15 , 1861 , thdatate legislature decided to hold a referendum to determine if a state convention should be held to consider the issue of secession and to elect delegates to such a convention . It was planned fa February 18 ; however , events at thedasenal , would not wait . On January 28 , then Governor Henry Massey Rector informed Captain Totten that he and his soldiers would be " permitted to remain in the possession of the Federal officers until the date , by authority of the mfs , shall done determined to sever their connection wiwhe General Government , " Totten responded to this by tellin the Gdarnor that his orders came from the Undad States Government and began a desperate but ultimately futile dispatch of letters and telegrams asking ffirreinforcements , although rumors was widely spread dat they was already commin . The first telegraph wire to span between Little Rock and Memphis done recently been completed . Local attorney John M Harrel was asked to compose the first telegraph dispatched from Arkansas capital . In his msg , Harrel reported unconfirmed rumors that more federal troops done been sent to reinforce the lil Rock Arsenal . | 0 | 3 | 0 | 0 | 0 | 18 | 0 | 0 | 1 | 0 | 24 | 2 |
The United States troops at the outposts of the western frontier of the state and in the Indian nation have all been recalled from winter quarters to reinforce the garrison at Fort Smith . The garrison at Fort Smith had been previously transferred to the United States Arsenal in this city ( Little Rock ) . The arsenal is one of the richest depositories of military stores in the United States and is supposed to be the ultimate destination of the tropps [ sic ] ordered from the frontier . | The United States troops at the outposts of the western frontier of the state and in the Indian nation <a href='been_done' title='1'><mark>have</mark></a> all been recalled from winter quarters to reinforce the garrison at Fort Smith . The garrison at Fort Smith <a href='been_done' title='2'><mark>had</mark></a> been previously transferred to the United States Arsenal in this city ( Little Rock ) . The arsenal <a href='drop_aux' title='3'><mark>is</mark></a>one of the richest depositories of military stores in the United States and is supposed to be the ultimate destination of the tropps [ sic ] ordered from the frontier . | Da United States troops at the outposts of the western frontier of the state and in tdaIndian nation done alll been recalled from winter quarters to reinforce thdaarrison at Fort Smith . Thedarrison at Fort Smith done been previously transferred to the United States Arsenal in this city ( Little Rock ) . The daenal one of the richest depositories of military stores in the United States and is spose to b the ultimate destination of the tdaps [ sic ] ordered from the frontier . | 0 | 2 | 0 | 1 | 0 | 9 | 0 | 0 | 0 | 0 | 12 | 0 |
-John M Harrel Telegram , January 31 , 1861 | -John M Harrel Telegram , January 31 , 1861 | -John M Harrel Telegram , January 31 , 1861 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
The item was intended simply as a piece of news , but telegraph lines quickly spread the news throughout the state , fueling procession sentiment . The rumor was interpreted by some Arkansans as a call from the governor to assemble to help expel the federal troops from the arsenal . By February 5 , six militia units , consisting of 1 @,@ 000 men , with a guarantee that the numbers could be increased to 5 @,@ 000 if the situations deemed it necessary , had assembled in Little Rock . Governor Rector vehemently denied ordering the troops to assemble or giving any order at all in connection with the troops . Faced with the fact that the military had assembled believing they were following his orders and the consensus of the citizens of Little Rock against any armed conflict between the civilian army and federal troops , Governor Rector was forced to take control of the situation . On February 6 , he sent a formal demand for surrender of the arsenal to Captain Totten , | The item was intended simply as a piece of news , but telegraph lines quickly spread the news throughout the state , fueling procession sentiment . The rumor was interpreted by some Arkansans as a call from the governor to assemble to help expel the federal troops from the arsenal . By February 5 , six militia units , consisting of 1 @,@ 000 men , with a guarantee that the numbers could be increased to 5 @,@ 000 if the situations deemed it necessary , <a href='been_done' title='1'><mark>had</mark></a> assembled in Little Rock . Governor Rector vehemently denied ordering the troops to assemble or giving any order at all in connection with the troops . Faced with the fact that the military <a href='been_done' title='2'><mark>had</mark></a> assembled believing they <a href='uninflect' title='3'><mark>were</mark></a> following his orders and the consensus of the citizens of Little Rock against any armed conflict between the civilian army and federal troops , Governor Rector was forced to take control of the situation . On February 6 , he sent a formal demand for surrender of the arsenal to Captain Totten , | The item was intended simply as a piece of news , but telegraph lines quickly spread the news throughout the state , fueling procession sentiment . da rumor was interpreted by some Arkansans as a call from the governor to assemble to help expel the federal troops from the arsenal . By February 5 , six militia units , consisting of 1 @,@ 000 men , with a guarantee that tdanumbers could b increased to 5 @,@ 000 if thdaituations deemed it necessary , done assembled in lil Rock . Governor Rector vehemently denied ordering the troops to assemble or giving any order at all in connection with the troops . Faced w/ the fact that thedalitary done assembled believing they was following his orders and the consensus of the citizens of Little Rock against any armed conflict between the dailian army and federal troops , Governor Rector was forced to take control of the situation . On February 6 , he sent a formal demand for surrender of the arsenal to Captain Totten , | 0 | 2 | 0 | 0 | 0 | 8 | 0 | 0 | 0 | 0 | 11 | 1 |
This movement is prompted by the feeling that pervades the citizens of this State that in the present emergency the arms and munitions of war in the Arsenal should be under the control of the State authorities , in order to their security . This movement , although not authorized by me , has assumed such an aspect that it becomes my duty , as the executive of this Sate , to interpose my official authority to prevent a collision between the people of the State and the Federal troops under your command . I therefore demand in the name of the State the delivery of the possession of the Arsenal and munitions of war under your charge to the State authorities , to be held subject to the action of the convention to be held on the 4th of March next . | This movement is prompted by the feeling <a href='null_relcl' title='1'><mark>that</mark></a><a href='uninflect' title='2'><mark>pervades</mark></a> the citizens of this State that in the present emergency the arms and munitions of war in the Arsenal should be under the control of the State authorities , in order to their security . This movement , although not authorized by me , <a href='been_done' title='3'><mark>has</mark></a> assumed such an aspect that it <a href='uninflect' title='4'><mark>becomes</mark></a> my duty , as the executive of this Sate , to interpose my official authority to prevent a collision between the people of the State and the Federal troops under your command . I therefore demand in the name of the State the delivery of the possession of the Arsenal and munitions of war under your charge to the State authorities , to be held subject to the action of the convention to be held on the 4th of March next . | This movement is prompted by the feeling pervade da citizens of this State that in the present emergency the arms and munitions of war in tdaArsenal should be under thdaontrol of the State authorities , in order to their security . This movement , although not authorized by me , done assumed such an aspect that it become my duty , as thedaecutive of this Sate , to interpose my official authority to prevent a collision between the people of the State and the Federal troops under your command . I therefore demand in the name of the date the delivery of the possession of the Adanal and munitions of war under your charge to the State authorities , to be held subject to the acdan of the convention to b held on the 4th of March nxt . | 0 | 1 | 0 | 0 | 0 | 9 | 0 | 0 | 0 | 1 | 14 | 3 |
Perhaps because Abraham Lincoln had not yet been inaugurated as President , Captain Totten received no instructions from his superiors and was forced to withdraw his troops . He agreed to surrender the arsenal as long as the governor agreed to three provisions : | Perhaps because Abraham Lincoln <a href='been_done' title='1'><mark>had</mark></a> not yet been inaugurated as President , Captain Totten received no instructions from his superiors and was forced to withdraw his troops . He agreed to surrender the arsenal as long as the governor agreed to three provisions : | Perhaps b/c Abraham Lincoln done not yet been inaugurated as President , Captain Totten received no instructions from his superiors and was forced to withdraw his troops . He agreed to surrender da arsenal as long as tdagovernor agreed to three provisions : | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 4 | 0 |
The governor would take possession of the arsenal in the name of the United States . | The governor would take possession of the arsenal in the name of the United States . | The governor would take possession of da arsenal in the name of the United States . | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
The soldiers would be allowed safe passage in any direction carrying any personal and public property besides munitions of war . | The soldiers would be allowed safe passage in any direction carrying any personal and public property besides munitions of war . | Da soldiers would b allowed safe passage in any direction carrying any personal and public property besides munitions of war . | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 |
The soldiers would be allowed to march away as men leaving under orders , not as conquered and surrendering soldiers . | The soldiers would be allowed to march away as men leaving under orders , not as conquered and surrendering soldiers . | Da soldiers would b allowed to march away as men leavin under orders , not as conquered and surrendering soldiers . | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 0 |
On the morning of February 8 , 1861 , Rector and Totten signed an agreement placing the arsenal in the hands of state officials . That afternoon , the citizen militia marched to the arsenal with Governor Rector at its head . All of the federal troops had left at this point , except Totten who had stayed behind to listen to the Governor 's speech and to hand the arsenal over in person . | On the morning of February 8 , 1861 , Rector and Totten signed an agreement placing the arsenal in the hands of state officials . That afternoon , the citizen militia<a href='been_done' title='1'><mark></mark></a> marched to the arsenal with Governor Rector at its head . All of the federal troops <a href='been_done' title='2'><mark>had</mark></a> left at this point , except Totten <a href='null_relcl' title='3'><mark>who</mark></a><a href='been_done' title='4'><mark>had</mark></a> stayed behind to listen to the Governor <a href='null_genetive' title='5'><mark>'s</mark></a>speech and to hand the arsenal over in person . | On da mornin of February 8 , 1861 , Rector and Totten signed an agreement placing the arsenal in the hands of state officials . dat afternoon , tdacitizen militia done marched to the arsenal with Governor Rector at its head . alll of the federal troops done left at this point , except Totten done stayed behind to listen to thdaovernor speech and to hand the arsenal over in person . | 0 | 3 | 0 | 0 | 0 | 6 | 0 | 0 | 1 | 1 | 11 | 0 |
The Little Rock Arsenal was classified in 1860 as an " arsenal of deposit , " meaning that it was simply a warehouse for the storage of weapons intended for the use of the state militia in times of crisis . Thus there were no substantial operations for ordnance fabrication or repairs , nor for the manufacture of cartridges at the time the Arsenal fell into State hands . Most of these operations were started from scratch through the efforts of the Arkansas Military Board . | The Little Rock Arsenal was classified in 1860 as an " arsenal of deposit , " meaning that it was simply a warehouse for the storage of weapons intended for the use of the state militia in times of crisis . Thus <a href='dey_it' title='1'><mark>there</mark></a> <a href='uninflect' title='2'><mark>were</mark></a> no substantial operations for ordnance fabrication or repairs , nor for the manufacture of cartridges at the time the Arsenal fell into State hands . Most of these operations <a href='uninflect' title='3'><mark>were</mark></a> started from scratch through the efforts of the Arkansas Military Board . | Da lil Rock Arsenal was classified in 1860 as an " arsenal of deposit , " meaning that it was simply a warehouse for the storage of weapons intended for the use of tdastate militia in times of crisis . Thus it was no substantial operations for ordnance fabrication or repairs , nor fa the manufacture of cartridges at the time the Arsenal fell into State hands . Most of these operations was started from scratch through thdafforts of thedakansas Military Board . | 0 | 0 | 1 | 0 | 0 | 6 | 0 | 0 | 0 | 0 | 9 | 2 |
Inside the Little Rock Arsenal after its seizure in February , 1861 , the Confederates inventoried some 10 @,@ 247 weapons , 250 @,@ 000 musket cartridges , and 520 @,@ 000 percussion caps , as well as the four bronze cannon of Totten 's battery . Long arms in the Arsenal 's inventory consisted of : | Inside the Little Rock Arsenal after its seizure in February , 1861 , the Confederates inventoried some 10 @,@ 247 weapons , 250 @,@ 000 musket cartridges , and 520 @,@ 000 percussion caps , as well as the four bronze cannon of Totten <a href='null_genetive' title='1'><mark>'s</mark></a>battery . Long arms in the Arsenal <a href='null_genetive' title='2'><mark>'s</mark></a>inventory consisted of : | Inside the lil Rock Arsenal after its seizure in February , 1861 , the Confederates inventoried some 10 @,@ 247 weapons , 250 @,@ 000 musket cartridges , and 520 @,@ 000 percussion caps , as well as da 4 bronze cannon of Totten battery . Long arms in the Arsenal inventory consisted of : | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 5 | 0 |
M1822 .69 cal ( flintlock ) 5 @,@ 625 | M1822 .69 cal ( flintlock ) 5 @,@ 625 | M1822 .69 cal ( flintlock ) 5 @,@ 625 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
M1822 .69 cal ( percussion @-@ converted ) 53 | M1822 .69 cal ( percussion @-@ converted ) 53 | M1822 .69 cal ( percussion @-@ converted ) 53 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
M1842 .69 cal smoothbore ( percussion ) 357 | M1842 .69 cal smoothbore ( percussion ) 357 | M1842 .69 cal smoothbore ( percussion ) 357 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
M1855 .58 cal rifle @-@ muskets 900 | M1855 .58 cal rifle @-@ muskets 900 | M1855 .58 cal rifle @-@ muskets 900 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
M1817 common rifles 125 | M1817 common rifles 125 | M1817 common rifles 125 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
M1841 rifle ( " Mississippi Rifle " ) 54 | M1841 rifle ( " Mississippi Rifle " ) 54 | M1841 rifle ( " Mississippi Rifle " ) 54 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
M1847 musketoon 2 | M1847 musketoon 2 | M1847 musketoon 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Hall 's carbines 267 | Hall <a href='null_genetive' title='1'><mark>'s</mark></a>carbines 267 | Hall carbines 267 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
Hall 's rifles ( flintlock ) 2 @,@ 864 | Hall <a href='null_genetive' title='1'><mark>'s</mark></a>rifles ( flintlock ) 2 @,@ 864 | Hall rifles ( flintlock ) 2 @,@ 864 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
Total 10 @,@ 247 | Total 10 @,@ 247 | Total 10 @,@ 247 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Of this number , approximately 9600 weapons were serviceable , or ready @-@ for @-@ issue . Note there were only 1 @,@ 364 percussion weapons available . Disposition of the weapons found in the Arsenal is somewhat sketchy , but from various records it can be surmised that the 5th , 6th , 7th , and 8th Arkansas Infantry Regiments , mustered in June , 1861 , were issued M1816 / M1822 .69 caliber flintlocks . The 9th and 10th Arkansas , four companies of Kelly 's 9th Arkansas Battalion , and the 3rd Arkansas Cavalry Regiment were issued flintlock Hall 's Rifles . The units comprising the infantry force of Van Dorn 's Army of the West were the 1st and 2nd Arkansas Mounted Rifles were also armed with M1822 flintlocks from the Little Rock Arsenal . By the time the 11th and 12th Arkansas Infantry Regiments mustered in at Little Rock , the supply of arms had been almost completely exhausted , and only old " junker " weapons were left . | Of this number , approximately 9600 weapons <a href='uninflect' title='1'><mark>were</mark></a> serviceable , or ready @-@ for @-@ issue . Note <a href='dey_it' title='2'><mark>there</mark></a> <a href='uninflect' title='3'><mark>were</mark></a> only 1 @,@ 364 percussion weapons available . Disposition of the weapons found in the Arsenal <a href='drop_aux' title='4'><mark>is</mark></a>somewhat sketchy , but from various records it can be surmised that the 5th , 6th , 7th , and 8th Arkansas Infantry Regiments , mustered in June , 1861 , <a href='uninflect' title='5'><mark>were</mark></a> issued M1816 / M1822 .69 caliber flintlocks . The 9th and 10th Arkansas , four companies of Kelly <a href='null_genetive' title='6'><mark>'s</mark></a>9th Arkansas Battalion , and the 3rd Arkansas Cavalry Regiment <a href='uninflect' title='7'><mark>were</mark></a> issued flintlock Hall <a href='null_genetive' title='8'><mark>'s</mark></a>Rifles . The units comprising the infantry force of Van Dorn <a href='null_genetive' title='9'><mark>'s</mark></a>Army of the West <a href='uninflect' title='10'><mark>were</mark></a> the 1st and 2nd Arkansas Mounted Rifles <a href='uninflect' title='11'><mark>were</mark></a> also armed with M1822 flintlocks from the Little Rock Arsenal . By the time the 11th and 12th Arkansas Infantry Regiments mustered in at Little Rock , the supply of arms had been almost completely exhausted , and only old " junker " weapons <a href='uninflect' title='12'><mark>were</mark></a> left . | Of this number , approximately 9600 weapons was serviceable , or ready @-@ for @-@ issue . Note it was only 1 @,@ 364 percussion weapons available . Disposition of the weapons found in the Arsenal somewhat sketchy , but from various records it can be surmised dat da 5th , 6th , 7th , and 8th Arkansas Infantry Regiments , mustered in June , 1861 , was issued M1816 / M1822 .69 caliber flintlocks . The 9th and 10th Arkansas , 4 companies of Kelly 9th Arkansas Battalion , and the 3rd Arkansas Cavalry Regiment was issued flintlock Hall Rifles . Tdaunits comprising the infantry force of Van Dorn Army of thdaest was thedat and 2nd Arkansas Mounted Rifles was also armed with M1822 flintlocks from the lil Rock Arsenal . By the time the dah and 12th Arkansas Infantry Regiments mustered in at Little Rock , the sdaly of arms had been almost completely exhausted , and only old " junker " weapons was left . | 0 | 0 | 1 | 1 | 0 | 9 | 0 | 0 | 3 | 0 | 21 | 7 |
Most of the equipment , arms , and machinery at the Little Rock Arsenal was removed to east of the Mississippi River by order of Maj. Gen. Earl Van Dorn in April and May 1862 , and accountability for it is lost at that point . By all appearances , the equipment was sent down the river to Napoleon , Arkansas , and from there to Jackson Mississippi , where it was probably destroyed during the Vicksburg campaign in the early summer of 1863 . | Most of the equipment , arms , and machinery at the Little Rock Arsenal was removed to east of the Mississippi River by order of Maj. Gen. Earl Van Dorn in April and May 1862 , and accountability for it is lost at that point . By all appearances , the equipment was sent down the river to Napoleon , Arkansas , and from there to Jackson Mississippi , where it was probably destroyed during the Vicksburg campaign in the early summer of 1863 . | Most of the equipment , arms , and machinery at the Little Rock Arsenal was removed to east of da Mississippi River by order of Maj. Gen. Earl Van Dorn in April and May 1862 , and accountability for it is lost at dat point . By alll appearances , the equipment was sent downn the river to Napoleon , Arkansas , and from thea to Jackson Mississippi , where it was probly destroyed during tdaVicksburg campaign in the early summer of 1863 . | 0 | 0 | 0 | 0 | 0 | 7 | 0 | 0 | 0 | 0 | 7 | 0 |
Major General Thomas C. Hindman , sent to command the district of Arkansas in May , 1862 , found the state nearly destitute of military material . Hindman established another armory at Arkadelphia , and revived the Little Rock Arsenal as a collection point and depot for armaments and ammunition manufacture for small arms . Hindman recorded : | Major General Thomas C. Hindman , sent to command the district of Arkansas in May , 1862 , found the state nearly destitute of military material . Hindman established another armory at Arkadelphia , and revived the Little Rock Arsenal as a collection point and depot for armaments and ammunition manufacture for small arms . Hindman recorded : | Major General Thomas C. Hindman , sent to command da district of Arkansas in May , 1862 , found tdastate nearly destitute of military material . Hindman established another armory at Arkadelphia , and revived thdail Rock Arsenal as a collection point and depot for armaments and ammunition manufacture for small arms . Hindman recorded : | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 4 | 0 |
The Confederate ordnance establishment at Little Rock was reactivated in August , 1862 . Looking around for a suitable person to head this activity , General Hindman turned to the Confederate Navy and borrowed Lieutenant John W. Dunnington . Lt. Dunnington was the commander of the gunboat C.S.S. Ponchartrain , which had been brought to Little Rock in hopes of converting it to an ironclad . Dunnington was selected to head the ordnance works at Little Rock , and although he continued to draw his pay from the Confederate Navy Department , he was placed in charge of all Confederate ordnance activities ( which included artillery functions ) there with the rank of lieutenant colonel . | The Confederate ordnance establishment at Little Rock was reactivated in August , 1862 . Looking around for a suitable person to head this activity , General Hindman turned to the Confederate Navy and borrowed Lieutenant John W. Dunnington . Lt. Dunnington was the commander of the gunboat C.S.S. Ponchartrain , which <a href='been_done' title='1'><mark>had</mark></a> been brought to Little Rock in hopes of converting it to an ironclad . Dunnington was selected to head the ordnance works at Little Rock , and although he continued to draw his pay from the Confederate Navy Department , he was placed in charge of all Confederate ordnance activities ( which included artillery functions ) there with the rank of lieutenant colonel . | The Confederate ordnance establishment at lil Rock was reactivated in August , 1862 . lookin around for a suitable person to head dis activity , General Hindman turned to da Confederate Navy and borrowed Lieutenant John wid. Dunnington . Lt. Dunnington was tdacommander of the gunboat C.S.S. Ponchartrain , which done been brought to Little Rock in hopes of converting it to an ironclad . Dunnington was selected to head the ordnance works at Little Rock , and although he continued to draw his pay from the Confederate Navy Department , he was placed in charge of all Confederate ordnance activities ( which included artillery functions ) dere with the rank of lieutenant colonel . | 0 | 1 | 0 | 0 | 0 | 7 | 0 | 0 | 0 | 0 | 8 | 0 |
Lt. Col. Dunnington 's " Returns for the month of August , 1862 , at Little Rock Arsenal , C.S.A. , " are found in Vol . 149 , Chapter IV of the " Captured Rebel Ordnance Records , " and are most enlightening as to the scope of Confederate ordnance activities at Little Rock during this crucial time . According to Dunnington , " When I assumed command at this Post , all material had been removed to Arkadelphia . There were no persons employed . No shops were open for repair of arms or for fabricating ammunition . Material , tools , etc . , had to be procured as well as the employment of laborers . Work commenced the last part of the month . " | Lt. Col. Dunnington <a href='null_genetive' title='1'><mark>'s</mark></a>" Returns for the month of August , 1862 , at Little Rock Arsenal , C.S.A. , " are found in Vol . 149 , Chapter IV of the " Captured Rebel Ordnance Records , " and <a href='drop_aux' title='2'><mark>are</mark></a>most enlightening as to the scope of Confederate ordnance activities at Little Rock during this crucial time . According to Dunnington , " When I assumed command at this Post , all material <a href='been_done' title='3'><mark>had</mark></a> been removed to Arkadelphia . <a href='dey_it' title='4'><mark>There</mark></a> <a href='uninflect' title='5'><mark>were</mark></a> no persons employed . No shops <a href='uninflect' title='6'><mark>were</mark></a> open for repair of arms or for fabricating ammunition . Material , tools , etc . , had to be procured as well as the employment of laborers . Work commenced the last part of the month . " | Lt. Col. Dunnington " Returns fir da month of August , 1862 , at lil Rock Arsenal , C.S.A. , " are found in Vol . 149 , Chapter IV of the " Captured Rebel Ordnance Records , " and most enlightening as to the scope of Confederate ordnance activities at Litlilck during this crucial time . According to Dunnington , " When I assumed command at dis Post , all material done been removed to Arkadelphia . It was no persons employed . No shops was open fir repair of arms or for fabricating ammunition . Material , tools , etc . , had to b procured as well as tdaemployment of laborers . wrk commenced thdaast part of thedanth . " | 0 | 1 | 1 | 1 | 0 | 11 | 0 | 0 | 1 | 0 | 17 | 2 |
The military force at Little Rock under Dunnington 's command consisted of four officers : himself , Major John B. Lockman , Captain C.C. Green , and 2nd Lt. W.W. Murphy . In addition to these , he had 20 enlisted men and a civilian force composed of a foreman , 2 clerks , 3 gunsmiths for repairing small arms , a laboratorian , 26 laborers in the ammunition laboratory , and a carpenter for making packing boxes . | The military force at Little Rock under Dunnington <a href='null_genetive' title='1'><mark>'s</mark></a>command consisted of four officers : himself , Major John B. Lockman , Captain C.C. Green , and 2nd Lt. W.W. Murphy . In addition to these , he had 20 enlisted men and a civilian force composed of a foreman , 2 clerks , 3 gunsmiths for repairing small arms , a laboratorian , 26 laborers in the ammunition laboratory , and a carpenter for making packing boxes . | Da military force at Little Rock under Dunnington command consisted of 4 officers : himself , Major John B. Lockman , Captain C.C. Green , and 2nd Lt. W.wit. Murphy . In addition to dese , he had 20 enlisted men and a civilian force composed of a foreman , 2 clerks , 3 gunsmiths fa repairing small arms , a laboratorian , 26 laborers in the ammunition laboratory , and a carpenter ffirmaking packing boxes . | 0 | 0 | 0 | 0 | 0 | 6 | 0 | 0 | 1 | 0 | 7 | 0 |
During the month of August , 1862 , the following work was performed : " Fabricated : one pair of musket bullet moulds ; 10 @,@ 000 buck & ball shot cartridges ; repaired : 750 muskets , shotguns , and rifles ; received and repaired : ordnance stores and ordnances ; performed : guard , office , and police duties ; inspected : Posts at Camden and Arkadelphia . " | During the month of August , 1862 , the following work was performed : " Fabricated : one pair of musket bullet moulds ; 10 @,@ 000 buck & ball shot cartridges ; repaired : 750 muskets , shotguns , and rifles ; received and repaired : ordnance stores and ordnances ; performed : guard , office , and police duties ; inspected : Posts at Camden and Arkadelphia . " | Durin the month of August , 1862 , the following work was performed : " Fabricated : one pair of musket bullet moulds ; 10 @,@ 000 buck & ball shot cartridges ; repaired : 750 muskets , shotguns , and rifles ; received and repaired : ordnance stores and ordnances ; performed : guard , office , and police duties ; inspected : Posts at Camden and Arkadelphia . " | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
Lt. Col. Dunnington continued to build up his works at Little Rock until November 1862 , when Captain Sanford C. Faulkner ( composer of The Arkansas Traveler ) was placed in charge of the Arsenal . Dunnington presumably returned to his naval duties and the Ponchartrain . | Lt. Col. Dunnington continued to build up his works at Little Rock until November 1862 , when Captain Sanford C. Faulkner ( composer of The Arkansas Traveler ) was placed in charge of the Arsenal . Dunnington presumably returned to his naval duties and the Ponchartrain . | Lt. Col. Dunnington continued to build up his works at Little Rock until November 1862 , when Captain Sanford C. Faulkner ( composer of da Arkansas Traveler ) was placed in charge of tdaArsenal . Dunnington presumably returned to his naval duties and the Ponchartrain . | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 |
A " Summary of the Work Done for November , 1862 , Little Rock Arsenal " shows : Fabrication : | A " Summary of the Work Done for November , 1862 , Little Rock Arsenal " <a href='uninflect' title='1'><mark>shows</mark></a> : Fabrication : | A " Summary of da Work Done for November , 1862 , Little Rock Arsenal " show : Fabrication : | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 |
75 @,@ 000 buck & ball cartridges - percussion | 75 @,@ 000 buck & ball cartridges - percussion | 75 @,@ 000 buck & ball cartridges - percussion | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
14 @,@ 000 buck & ball cartridges - flint | 14 @,@ 000 buck & ball cartridges - flint | 14 @,@ 000 buck & ball cartridges - flint | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
275 paper fuzes | 275 paper fuzes | 275 paper fuzes | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
117 rounds , 6 @-@ pounder canister shot | 117 rounds , 6 @-@ pounder canister shot | 117 rounds , 6 @-@ pounder canister shot | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
130 rounds , 6 @-@ pounder ball shot | 130 <a href='uninflect' title='1'><mark>rounds</mark></a> , 6 @-@ pounder ball shot | 130 round , 6 @-@ pounder ball shot | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
96 ammunition packing boxes | 96 ammunition packing boxes | 96 ammunition packing boxes | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Repaired : | Repaired : | Repaired : | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
2 @,@ 236 shotguns and rifles ( repaired mostly for troops in service ) | 2 @,@ 236 shotguns and rifles ( repaired mostly for troops in service ) | 2 @,@ 236 shotguns and rifles ( repaired mostly for troops in service ) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
23 pistols ( repaired mostly for troops in service ) | 23 pistols ( repaired mostly for troops in service ) | 23 pistols ( repaired mostly for troops in service ) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Received & Issued : | Received & Issued : | Received & Issued : | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
752 packages of ordnance and ordnance stores received and mostly issued to troops in service . | 752 packages of ordnance and ordnance stores received and mostly issued to troops in service . | 752 packages of ordnance and ordnance stores received and mostly issued to troops in service . | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Repaired and painted : | Repaired and painted : | Repaired and painted : | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
4 gun carriages | 4 gun carriages | 4 gun carriages | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Performed : | Performed : | Performed : | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Guard , office , and police duties . | Guard , office , and police duties . | Guard , office , and police duties . | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Perhaps the most illuminating points of the above " Summary of Work " and those for following months are that the standard ammunition made was . " buck & ball " , indicating that the .69 caliber smoothbores and shotguns remained the predominant caliber weapon in use , and of this , nearly one sixth or more of all small arms ammunition was still for flintlock weapons , indicating that no less than a sixth of the Confederate troops in this vicinity were still armed with obsolete flintlock weapons . | Perhaps the most illuminating points of the above " Summary of Work " and those for following months are that the standard ammunition made was . " buck & ball " , indicating that the .69 caliber smoothbores and shotguns remained the predominant caliber weapon in use , and of this , nearly one sixth or more of all small arms ammunition was still for flintlock weapons , indicating that no less than a sixth of the Confederate troops in this vicinity <a href='uninflect' title='1'><mark>were</mark></a> still armed with obsolete flintlock weapons . | Perhaps the most illuminating points of da above " Summary of wrk " and those fa following months are that tdastandard ammunition made was . " buck & ball " , indicating that the .69 caliber smoothbores and shotguns remained the predominant caliber weapon in use , and of this , nearly one sixth or more of alll small arms ammunition was still for flintlock weapons , indicating that no less than a sixth of the Confederate troops in this vicinity was still armed with obsolete flintlock weapons . | 0 | 0 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 6 | 1 |
The " Summaries of Work done at Little Rock Arsenal , C.S.A. " continue at about the same pace and scale from August 1862 until August 1863 . Appended to the " Summary " for August , 1863 is the ominous notation , " During the last week in the month , nearly all stores at the Arsenal have been packed and sent to Arkadelphia , in obedience to orders from Chief of Ordnance , District of Arkansas . " This then marks the beginning of the evacuation of ordnance activities from Little Rock , with the city being surrendered to the advancing Federal troops of Frederick Steele 's Arkansas Expedition on September 11 , 1863 . | The " Summaries of Work done at Little Rock Arsenal , C.S.A. " continue at about the same pace and scale from August 1862 until August 1863 . Appended to the " Summary " for August , 1863 is the ominous notation , " During the last week in the month , nearly all stores at the Arsenal <a href='been_done' title='1'><mark>have</mark></a> been packed and sent to Arkadelphia , in obedience to orders from Chief of Ordnance , District of Arkansas . " This then <a href='uninflect' title='2'><mark>marks</mark></a> the beginning of the evacuation of ordnance activities from Little Rock , with the city being surrendered to the advancing Federal troops of Frederick Steele <a href='null_genetive' title='3'><mark>'s</mark></a>Arkansas Expedition on September 11 , 1863 . | Da " Summaries of Work done at Little Rock Arsenal , C.S.A. " continue at about the same pace and scale from August 1862 until August 1863 . Appended to the " Summary " fa August , 1863 is the ominous notation , " durin tdalast week in thdaonth , nearly alll stores at the Arsenal done been packed and sent to Arkadelphia , in obedience to orders from Chief of Ordnance , District of Arkansas . " This then mark thedaginning of the dacuation of ordnance activities from Little Rock , with the cda being surrendered to the addacing Federal troops of Frederick Steele Arkansas Expedition on September 11 , 1863 . | 0 | 1 | 0 | 0 | 0 | 10 | 0 | 0 | 1 | 0 | 13 | 1 |
In 1864 , after Little Rock fell to the Union Army and the arsenal had been recaptured , General Fredrick Steele marched 8 @,@ 500 troops from the arsenal beginning the Camden Expedition . | In 1864 , after Little Rock fell to the Union Army and the arsenal <a href='been_done' title='1'><mark>had</mark></a> been recaptured , General Fredrick Steele marched 8 @,@ 500 troops from the arsenal beginning the Camden Expedition . | In 1864 , after Little Rock fell to da Union Army and the arsenal done been recaptured , General Fredrick Steele marched 8 @,@ 500 troops from the arsenal beginning the Camden Expedition . | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 |
The arsenal was briefly seized once more by Joseph Brooks loyalists during the Brooks @-@ Baxter War of 1874 . | The arsenal was briefly seized once more by Joseph Brooks loyalists during the Brooks @-@ Baxter War of 1874 . | The arsenal was briefly seized once more by Joseph Brooks loyalists during the Brooks @-@ Baxter War of 1874 . | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
= = Decommissioning = = | = = Decommissioning = = | = = Decommissioning = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
In 1873 , the building was renamed Little Rock Barracks and used as a barracks for married officers and their families . The building was drastically altered the inside and outside . Prior to renovation , a rear basement door provided the only entrance to the building , while the tower served as a hoist to move munitions between floors . By 1868 , front and rear porches had been added to the building , as well as interior walls and stairs , some of which remain today , including the central staircase . In 1880 , Douglas MacArthur was born on the northwest upper floor of this building while his father , Captain Arthur MacArthur , was stationed there . | In 1873 , the building was renamed Little Rock Barracks and used as a barracks for married officers and their families . The building was drastically altered the inside and outside . Prior to renovation , a rear basement door provided the only entrance to the building , while the tower served as a hoist to move munitions between floors . By 1868 , front and rear porches <a href='been_done' title='1'><mark>had</mark></a> been added to the building , as well as interior walls and stairs , some of which remain today , including the central staircase . In 1880 , Douglas MacArthur was born on the northwest upper floor of this building while his father , Captain Arthur MacArthur , was stationed there . | In 1873 , the building was renamed Little Rock Barracks and used as a barracks fir married officers and their families . The building was drastically altered da inside and outside . Prior to renovation , a rear basement door provided the only entrance to the building , while the tower served as a hoist to move munitions between floors . By 1868 , front and rear porches done been added to the building , as well as interior walls and stairs , sum of which remain today , including tdacentral staircase . In 1880 , Douglas MacArthur was born on the northwest upper floor of this building while his father , Captain Arthur MacArthur , was stationed there . | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 5 | 0 |
In the 1880s , the federal government began closing many small arsenals around the country in favor of smaller ones built near railroads for quick deployment . The arsenal commander received word from Washington that the Little Rock site must be abandoned " not later than October 1 , 1890 . " On April 12 , 1893 the tower building and the surrounding buildings were traded to the city of Little Rock for 1 @,@ 000 acres ( 4 km ² ) in North Little Rock under the condition that the building and land be " forever exclusively devoted to the uses and purposes of a public park " for 1 @,@ 000 acres ( 4 km ² ) in Big Rock Mountain on the north side of the Arkansas River , present day North Little Rock . That site later became Fort Logan H. Roots . All of the original buildings surrounding the Tower Building were demolished . | In the 1880s , the federal government began closing many small arsenals around the country in favor of smaller ones built near railroads for quick deployment . The arsenal commander received word from Washington <a href='null_relcl' title='1'><mark>that</mark></a>the Little Rock site must be abandoned " not later than October 1 , 1890 . " On April 12 , 1893 the tower building and the surrounding buildings <a href='uninflect' title='2'><mark>were</mark></a> traded to the city of Little Rock for 1 @,@ 000 acres ( 4 km ² ) in North Little Rock under the condition that the building and land <a href='uninflect' title='3'><mark>be</mark></a> " forever exclusively devoted to the uses and purposes of a public park " for 1 @,@ 000 acres ( 4 km ² ) in Big Rock Mountain on the north side of the Arkansas River , present day North Little Rock . That site later became Fort Logan H. Roots . All of the original buildings surrounding the Tower Building <a href='uninflect' title='4'><mark>were</mark></a> demolished . | In da 1880s , the federal government began closing many small arsenals around tdacountry in favor of smaller ones built near railroads fa quick deployment . The arsenal commander received word from Washington thdaittle Rock site must be abandoned " not later than October 1 , 1890 . " On April 12 , 1893 the tower building and the surrounding buildings was traded to the city of lil Rock for 1 @,@ 000 acres ( 4 km ² ) in North Little Rock under thedandition that the building and land am " forever exclusively devoted to the uses and purposes of a public park " for 1 @,@ 000 acres ( 4 km ² ) in bigg Rock Mountain on the north side of the daansas River , present day North Litlilck . That site later became Fort Logan H. Roots . alll of the original buildings surrounding the Tdar Building was demolished . | 0 | 0 | 0 | 0 | 0 | 11 | 0 | 0 | 0 | 1 | 15 | 3 |
= = Æsthetic Club = = | = = Æsthetic Club = = | = = Æsthetic Club = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
In 1894 the Little Rock Æsthetic Club , one of the oldest women 's societies west of the Mississippi River , moved into the Tower Building . This was prompted due to increased membership and a need for larger , more permanent quarters . The previous year , club members working with women 's organizations throughout the state , raised money to furnish the Arkansas Building of the Columbian Exposition at The Chicago World 's Fair . At the fair 's conclusion , artifacts from the exhibit were displayed in the Tower Building , with the Æsthetic Club invited to meet in the " Columbian Room . " | In 1894 the Little Rock Æsthetic Club , one of the oldest women <a href='null_genetive' title='1'><mark>'s</mark></a>societies west of the Mississippi River , moved into the Tower Building . This was prompted due to increased membership and a need for larger , more permanent quarters . The previous year , club members working with women <a href='null_genetive' title='2'><mark>'s</mark></a>organizations throughout the state ,<a href='been_done' title='3'><mark></mark></a> raised money to furnish the Arkansas Building of the Columbian Exposition at The Chicago World <a href='null_genetive' title='4'><mark>'s</mark></a>Fair . At the fair <a href='null_genetive' title='5'><mark>'s</mark></a>conclusion , artifacts from the exhibit <a href='uninflect' title='6'><mark>were</mark></a> displayed in the Tower Building , with the Æsthetic Club invited to meet in the " Columbian Room . " | In 1894 da lil Rock Æsthetic Club , one of the oldest women societies west of the Mississippi River , moved into tdaTower Building . dis was prompted due to increased membership and a need for larger , more permanent quarters . Thdarevious year , club members workin wid women organizations throughout thedaate , been raised money to furnish the daansas Building of the Columbian Exposition at The Chicago World Fair . At the fair conclusion , artifacts from the edabit was displayed in the Tower Building , with the Æsthetic Club invited to meet in the " Columbian Room . " | 0 | 1 | 0 | 0 | 0 | 10 | 0 | 0 | 4 | 0 | 16 | 1 |
Except for Æsthetic Club meetings , the Tower Building remained largely unoccupied for almost fifty years and suffered significant deterioration . The Æsthetic Club provided much @-@ needed financial support during the period and even paid the electric bill during the Great Depression . The Æsthetic Club is still headquartered in the Tower Building . | Except for Æsthetic Club meetings , the Tower Building remained largely unoccupied for almost fifty years and suffered significant deterioration . The Æsthetic Club provided much @-@ needed financial support during the period and even paid the electric bill during the Great Depression . The Æsthetic Club is still headquartered in the Tower Building . | Except for Æsthetic Club meetings , the Tower Building remained largely unoccupied for almost fifty years and suffered significant deterioration . da Æsthetic Club provided much @-@ needed financial support during tdaperiod and even paid the electric bill durin the Great Depression . The Æsthetic Club is still headquartered in the Tower Building . | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 0 |
= = Public use = = | = = Public use = = | = = Public use = = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
The building and the surrounding park were used for many public purposes throughout the early 20th century . The Tower Building served as headquarters for the United Confederate Veterans Reunion , May 15 – 18 , 1911 . Over 106 @,@ 000 Civil War veterans , the largest popular gathering in the history of the city up to that time , attended and were housed in the building or camped in the park , which had also become a popular camping area . Later the building served as an armory for the Arkansas National Guard . In 1912 , the second floor of the Tower Building became Little Rock 's first public library . In 1917 , Little Rock built a fire station in the park , that building is now gone . A band shell named for H. H. Foster also was built in the park during this time , but also no longer exists . In 1936 , Works Progress Administration built the Museum of Fine Arts , now called the Arkansas Arts Center , just south of the Tower Building . | The building and the surrounding park <a href='uninflect' title='1'><mark>were</mark></a> used for many public purposes throughout the early 20th century . The Tower Building<a href='been_done' title='2'><mark></mark></a> served as headquarters for the United Confederate Veterans Reunion , May 15 – 18 , 1911 . Over 106 @,@ 000 Civil War veterans , the largest popular gathering in the history of the city up to that time , attended and <a href='uninflect' title='3'><mark>were</mark></a> housed in the building or camped in the park , which <a href='been_done' title='4'><mark>had</mark></a> also become a popular camping area . Later the building served as an armory for the Arkansas National Guard . In 1912 , the second floor of the Tower Building became Little Rock <a href='null_genetive' title='5'><mark>'s</mark></a>first public library . In 1917 , Little Rock built a fire station in the park , that building is now gone . A band shell named for H. H. Foster also was built in the park during this time , but also no longer <a href='uninflect' title='6'><mark>exists</mark></a> . In 1936 , Works Progress Administration built the Museum of Fine Arts , now called the Arkansas Arts Center , just south of the Tower Building . | The building and the surrounding park was used fir many public purposes throughout the early 20th century . The Tower Building done served as headquarters fir the United Confederate Veterans Reunion , May 15 – 18 , 1911 . Over 106 @,@ 000 Civil War veterans , the largest popular gathering in the history of da city up to that time , attended and was housed in the building or camped in tdapark , which done also become a popular camping area . Later thdauilding served as an armory fa thedakansas National Guard . In 1912 , the second floor of the Tower Building became lil Rock first public library . In 1917 , Little Rock built a fire station in the park , that building is now gone . A band shell named for H. H. Foster also was built in the park during this time , but also no longer exist . In 1936 , Works Progress Administration built the Museum of Fine Arts , now called the Arkansas Arts Center , just south of the daer Building . | 0 | 2 | 0 | 0 | 0 | 9 | 0 | 0 | 1 | 0 | 15 | 3 |
The arsenal was listed in the National Register of Historic Places in 1970 . Due to its association with the Camden Expedition of 1864 , the arsenal may be included in the Camden Expedition Sites National Historic Landmark designated in 1994 . | The arsenal was listed in the National Register of Historic Places in 1970 . Due to its association with the Camden Expedition of 1864 , the arsenal may be included in the Camden Expedition Sites National Historic Landmark designated in 1994 . | The arsenal was listed in the National Register of Historic Places in 1970 . Due to its association with da Camden Expedition of 1864 , the arsenal may be included in the Camden Expedition Sites National Historic Landmark designated in 1994 . | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
In 1942 , the Tower Building was renovated due to the efforts of the Æsthetic Club , Little Rock philanthropist Frederick W. Allsop , and the Works Progress Administration . It became the new home of The Arkansas Museum of Natural History and Antiquities , which had been located in Little Rock City Hall . The museum remained in the tower building for approximately fifty @-@ five years . The area surrounding the Tower Building had been known as Arsenal Park when the first decommissioned and then later renamed City Park . Due to the efforts of Bernie Babcock , however , the city finally named it MacArthur Park in 1942 in honor of Douglas MacArthur . | In 1942 , the Tower Building was renovated due to the efforts of the Æsthetic Club , Little Rock philanthropist Frederick W. Allsop , and the Works Progress Administration . It became the new home of The Arkansas Museum of Natural History and Antiquities , which <a href='been_done' title='1'><mark>had</mark></a> been located in Little Rock City Hall . The museum remained in the tower building for approximately fifty @-@ five years . The area surrounding the Tower Building <a href='been_done' title='2'><mark>had</mark></a> been known as Arsenal Park when the first decommissioned and then later renamed City Park . Due to the efforts of Bernie Babcock , however , the city finally named it MacArthur Park in 1942 in honor of Douglas MacArthur . | In 1942 , da Tower Building was renovated due to tdaefforts of the Æsthetic Club , Little Rock philanthropist Frederick W. Allsop , and the Works Progress Administration . It became the new home of The Arkansas Museum of Natural History and Antiquities , which done been located in lil Rock City Hall . The museum remained in thdaower building for approximately fifty @-@ five years . Thedaea surrounding the Tower Building done been known as Arsenal Park when the first decommissioned and then later renamed City Park . Due to the efforts of Bernie Babcock , however , the day finally named it MacArthur Park in 1942 in honor of Douglas MacArthur . | 0 | 2 | 0 | 0 | 0 | 6 | 0 | 0 | 0 | 0 | 8 | 0 |
In 1997 , the Museum of Science and Natural History merged with the Little Rock Children 's Museum , which had been located in Union Station , to form the Arkansas Museum of Discovery . The new museum was relocated to a historic building in the Little Rock River Market District . The MacArthur Museum of Arkansas Military History opened on May 19 , 2001 in the Tower Building . The new museum 's goal is to educate and inform visitors about the military history of Arkansas , preserve the Tower Building , honor servicemen and servicewomen of the United States and commemorate the birthplace of Douglas MacArthur . | In 1997 , the Museum of Science and Natural History merged with the Little Rock Children <a href='null_genetive' title='1'><mark>'s</mark></a>Museum , which <a href='been_done' title='2'><mark>had</mark></a> been located in Union Station , to form the Arkansas Museum of Discovery . The new museum was relocated to a historic building in the Little Rock River Market District . The MacArthur Museum of Arkansas Military History opened on May 19 , 2001 in the Tower Building . The new museum <a href='null_genetive' title='3'><mark>'s</mark></a>goal is to educate and inform visitors about the military history of Arkansas , preserve the Tower Building , honor servicemen and servicewomen of the United States and commemorate the birthplace of Douglas MacArthur . | In 1997 , da Museum of Science and Natural History merged with the lil Rock Children Museum , which done been located in Union Station , to form the Arkansas Museum of Discovery . The new museum was relocated to a historic building in the Litlilck River Market District . The MacArthur Museum of Arkansas Military History opened on May 19 , 2001 in the Tower Building . Tdanew museum goal is to educate and inform visitors abt the military history of Arkansas , preserve thdaower Building , honor servicemen and servicewomen of the United States and commemorate the birthplace of Douglas MacArthur . | 0 | 1 | 0 | 0 | 0 | 6 | 0 | 0 | 2 | 0 | 9 | 0 |
= Cicely Mary Barker = | = Cicely Mary Barker = | = Cicely Mary Barker = | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Cicely Mary Barker ( 28 June 1895 – 16 February 1973 ) was an English illustrator best known for a series of fantasy illustrations depicting fairies and flowers . Barker 's art education began in girlhood with correspondence courses and instruction at the Croydon School of Art . Her earliest professional work included greeting cards and juvenile magazine illustrations , and her first book , Flower Fairies of the Spring , was published in 1923 . Similar books were published in the following decades . | Cicely Mary Barker ( 28 June 1895 – 16 February 1973 ) was an English illustrator best known for a series of fantasy illustrations depicting fairies and flowers . Barker <a href='null_genetive' title='1'><mark>'s</mark></a>art education began in girlhood with correspondence courses and instruction at the Croydon School of Art . Her earliest professional work included greeting cards and juvenile magazine illustrations , and her first book , Flower Fairies of the Spring , was published in 1923 . Similar books <a href='uninflect' title='2'><mark>were</mark></a> published in the following decades . | Cicely Mary Barker ( 28 June 1895 – 16 February 1973 ) was an English illustrator best known for a series of fantasy illustrations depicting fairies and flowers . Barker art education began in girlhood wit correspondence courses and instruction at the Croydon School of Art . Her earliest professional work included greeting cards and juvenile magazine illustrations , and her first book , Flower Fairies of da Spring , was published in 1923 . Similar books was published in the following decades . | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 4 | 1 |
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