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Well, What can I say, other than these people are Super in every way. I quite like Sharon Mcreedy, I enjoy this pure Nostalgic Series And I have the boxed set of 9 discs 30 episodes, I did not realise that they had made so many, I also think that it is a great shame, that they have not made any more. I wish that I got given these powers, Imagine me, being knocked off my cycle, somewhere and being knocked out cold, then waking up in a special hospital. Later on, I discover that my body has been enhanced. Just like Richard Barrat. These stories are 50 Minutes of pure action and suspense all the way, You cannot fight these 3 people, as they would defeat you in all forms of weaponry. The music is well written, and to me, puts a wonderful picture of 3 super beings in my mind, The sort of powers that the champions have are the same as our domestic dog or cats, Improved sight, Improved hearing and touch. and the strength of 10 men for Richard and Craig and the strength of 3 women for Sharon. Who I thought was beautiful and intelligent. When I was a boy, I had a huge crush on her!!!! Now I can see why, on my DVD set. The box is very nice and it comes with a free booklet all about the series. I also thought that Trymane was a good boss, firm but he got things done!

1pos

Watching Floored by Love one thought comes almost immediately to mind, "My god this looks like a really bad sitcom." Sure enough, it turns out that FBL is a pilot for a series that may start this fall in Canada, poor poor Canada.<br /><br />Cara (Shirley Ng) and Janet (Natalie Sky) are a lesbian couple living in Vancouver. Janet has come out to her mother already but Cara's parents are still in the dark about their daughter's homosexuality. The pressure is on to out herself though when the parents come from Malaysia for her younger brother's wedding. That same week British Columbia legalizes gay marriage. With Janet wanting to wed, Cara has to decide whether or not to tell her conservative Chinese parents that's she's gay. Will she? Would she? Could she? Cara's situation is contrasted with that of Jesse (Trent Millar). Jesse has just declared his homosexuality to the world at the age of fourteen. His biological father Daniel (Andrew McIlroy) is coming for a visit soon. His stepfather Norman (Michael Robinson) fears that his chances of finally being fully accepted by Jesse are harmed by the fact that Daniel is gay and he is not. Will dialing 1-800-Makeover help?<br /><br />The dialogue and delivery come straight out of a lesser 1950's program along with the overdone physical emoting. The Full House-style melodrama is enough to make you wince from time to time and the attempts at comedy largely fail. McIlroy, Millar & Sky are the only performers that approach competency in this miscalculation but given the material they have to work with, it's no surprise that none impress. It's possible that the campiness was purposeful. It often seems like there is no way the performers are really that bad, that they must be trying to mimic the inferior sitcoms of days yore. If this is indeed the case than this review should probably be rewritten. The rewrite would focus on Floored by Love being a poor and ineffective send-up of old sitcoms.<br /><br />Writer/director Desiree Lim has put together a by-the-numbers bland-fest that's entirely forgettable. There was a time when merely having an openly homosexual protagonist was enough to make a mark on the screen. That time is gone. In this day we need quality as well.

0neg

It's a good movie maybe I like it because it was filmed here in PR. The actors did a good performance and not only did the girls be girlish but they were good in fighting so it was awsome! The guy is cute too so it's a good match if you want to the guy or the girls.

1pos

I really enjoyed this -- I'm a big fan of movies that mess with your mind and leave you with a lot of questions and ideas to debate, and this was a stellar example. But then, Terry Gilliam is always good at that (well, almost always. Let's just forget about Jabberwocky and The Brothers Grimm, shall we?).<br /><br />I particularly liked the way it handled the time travel theme and the avoidance of paradoxes -- the way events in the past and future intertwined and fed into each other.<br /><br />It was also really well done aesthetically -- the art direction was really great, and I wish I'd been able to see it on the big screen. The future scenes had a similar feel to Brazil in a lot of ways, and even the present scenes were often really visually compelling.<br /><br />But perhaps the most striking thing about it was that it featured two actors I normally don't much like, Bruce Willis and Brad Pitt, and they both delivered amazing performances here. Pitt especially -- I'd seen one or two films before that made me realize he could in fact actually act (contrary to what I'd originally thought), but this one really outdid them. I actually found myself asking my friends at one point "Are you SURE that's Brad Pitt?" This is probably the most memorable performance of his career (though admittedly that may not be saying too much).

1pos

Take your basic Frankenstein flick, inject some Reanimator (but not the good parts), and you have Doctor Hackenstein. Certainly, this was obviously inspired by aforementioned films but it never materializes as anything special on its own.<br /><br />A scientist accidentally kills his wife, so the whole movie takes place over the course of one night as he attempts to revive his wife. To revive his wife, he decides to chop off body parts from some women that have become stranded and, coincidentally, decide to stay the night at his place.<br /><br />I can't really say the acting is bad, nor is the directing. Everything here is just way too standard. What little attempts there are at humor actually work (check out the scene when Hackenstein keeps hiding behind his deaf assistant because she would undoubtedly be very upset if she saw him clutching a woman and a needle), but that's hardly enough to recommend this film. The music is decent, what blood that's there is decent, and the cast looks quite good. And for half of the time, I was even entertained by this film. But I never felt like this was anything more than a time waster. Avoidable.<br /><br />Try Frankenhooker instead.

0neg

I cannot believe this woodenly written and directed piece of cliche film got made. There are about four good looking shots (the director should think about switching to still photography) and that's it. A strong cast is utterly wasted, scenes repeatedly end at the least interesting moments and the script says nothing new. Please spare yourself this movie.

0neg

I've seen this film because I had do (my job includes seeing movies of all kinds). I couldn't stop thinking "who gave money to make such an awful film and also submit it to Cannes Festival!" It wasn't only boring, the actors were awful as well. It was one of the worst movies I've ever seen.

0neg

As a baseball die-hard, this movie goes contrary to what I expect in a sports movie: authentic-looking sports action, believable characters, and an original story line. While "Angels in the Outfield" fails miserably in the first category, it succeeds beautifully in the latter two. "Angels" weaves the story of Roger and J.P., two Anaheim foster kids in love with baseball but searching for a family, with that of the woebegone Angels franchise, struggling to draw fans and win games. Pushed by his deadbeat father's promise that they would be a family only when the Angels win the pennant, Roger asks for some heavenly help, and gets it in the form of diamond-dwelling spirits bent on reversing the franchise's downward spiral. And, when short-fused manager George Knox (portrayed by Danny Glover) begins believing in what Roger sees, the team suddenly has hope for turning their season around--and Roger and J.P. find something to believe in. Glover in particular gives a nice performance, and Tony Danza, playing a washed-up pitcher, also does well, despite clearly having ZERO idea of how to pitch out of the windup!

1pos

Now either you like Mr Carrey's humour or you don't. Me, Myself and Irene had audiences both walking out in droves and, on the other hand, cheering and collapsing in puddles of mirth. Bruce Almighty is a bit more mainstream, but you have been warned.<br /><br />If you're not sure, watch the trailer. I saw the trailer three times and still laughed at the same gags when I saw the film. If you don't find the sight of a dog putting the seat down after using the loo funny, don't bother with the movie.<br /><br />Carrey, a reporter stuck in a rut covering 'lighter news' berates God when the whole of his life seems to be going to pot. God takes up the challenge and asks Carrey if he can do better. Carrey gets into the swing of having all of God's powers by making his girlfriend (Jennifer Aniston)'s breasts bigger, getting himself promoted, and answering everyone's prayers by single stroke computer commands.<br /><br />This is not a highbrow movie or even that memorable, but it is very well made within it's very limited intent, provides almost continuous laughs to Carrey fans, and even any religious cheesiness is likely to be inoffensive to all but the most narrow-minded god-squadders and anti-god-squadders.<br /><br />On the more thoughtful level, the film tempts us to speculate about Carrey's own career - stuck in his 'comedy' typecasting he has largely failed to make an impression as a serious actor even after winning two Golden Globes. His most accomplished 'straight' role, the Man on the Moon, is less well known that his comedy romps - or The Truman Show (on which the Academy heaped three nominations whilst bypassing Carrey).

1pos

Dressed to Kill (1980) is a mystery horror film from Brian De Palma and it really works.The atmosphere is right there.The atmosphere that makes you scared.And isn't that what a horror film is supposed to do.All the actors are in the right places.Michael Caine is perfect as Dr. Robert Elliott, the shrink with a little secret.Angie Dickinson as Kate Miller, the sexually frustrated mature woman is terrific.Keith Gordon as her son Peter is brilliant.Nancy Allen as Liz Blake the call girl is fantastic.Dennis Franz does his typical detective role.His Detective Marino is one of the most colorful in this movie.There are plenty of creepy scenes in this movie.The elevator scene is one of them.There have been made comparisons between this and Alfred Hitchcock's Psycho (1960).There are some similarities between these two movies.Both of these movies may cause some sleepless nights.

1pos

I wanted to see an action comedy with a satirical twist (as this film was touted) but this one failed me miserably. For me, the plot was a bit confusing to follow and I rapidly lost interest. I feel so sorry for John Cusack, Joan Cusack, Ben Kingsley, Marisa Tomei and Hillary Duff for getting involved with this movie. I'll remain a fan of all of them but only time can heal my feeling over this one. The one thing I can say positively about the film is that Hillary played Yonica's character so well that I didn't even recognize Hillary; it took me a few scenes to realize that it was her. Luckily I rented it for $1 through Red Box; had I paid to see it in on the big screen, I would be really fuming!!

0neg

This movie was absolutly awful. I can't think of one thing good about it. The plot holes were so huge you could drive a Hummer through them. The acting was soo stuningly bad that even Jean Claude should be ashamed, and that is saying alot!!! And dialogue, What dialogue???To think that I was a fan of the first one (I use that comment loosely, its more like a guilty pleasure, than anything else). This movie had Goldberg in it for crying out loud!!!! Nothing good can come of this movie. What makes this film even worse is that it is soo bad you can't even watch it with a bunch of friends to make fun of!!! This has got to be in my top five worst movies of all time. 2/10 because it is soo hard for me to give a 1.

0neg

There's a lot of movies that have set release dates, only to get pulled from distribution due to a legal snafu of some kind, and then put in limbo for a long time. You can only wish a film as rotten as "Slackers" remained in a coma for what it's worth, which is miniscule. Release dates were continually shifted around for this truly awful movie that is so much a bleep on the radar like it deserves. The premise kicks off under the guise of Ethan, a creepy nerd with a scary obsession for the campus bombshell Angela. Ethan devilishly enlists the aid of David and his friends who have been scamming the school for their entire run with blackmail to help win Angela. I don't like to give spoilers out, but for a piece of crap like this I can make an exception. Angela falls for David, Ethan intentionally screws everything up, the good guys win. That's what happens in a nutshell for another tired retread of the teen gross out genre. Gross humor is funny, it always has been dating back to the days of the immortal classic "Animal House", to the likes of contemporaries like "There's Something About Mary" and "Road Trip" amongst dozens of others of which there are too many to mention. But when you use it as a plot point you can only get so far, case in point, Ethan has an Angela doll composed of her individual strands of hair of which he does god knows what with it. No one wants to take witness to watch Ethan urinating in the shower while singing to himself. No one wants to watch a young man singing "She'll be coming around the mountain" with a sock on his penis. But nothing can prepare you for the full visual assault of seeing 50's bombshell Mamie Van Doren bare her breasts at 71 years old. I don't know if it's the story's lack of coherence, which cuts to scenes that make absolutely no sense. Director Dewey Nicks was a former fashion photographer, and after reviewing this film, you can only wish he'll go back to the profession. The worst thing you can do on any film, is to make it look like you're having fun, because you detract from your objectives, just like "Slackers" does, by burying it's plot outline under a pile of gross out gags, pointless vignettes, and lack of construction. It's like a bunch of college students got drunk, took one's camcorder, and shot a bunch of random crap and compiled it together. If you want to see a teen gross out comedy that's actually good, then I suggest "American Pie" and "Animal House", or "Road Trip", just something that's entertaining, and not dreadfully bad like "Slackers". Coincidentally Cameron Diaz makes a cameo in this film, just as she did in another bad film such as "The Sweetest Thing" where the story treats gross humor like another plot, instead of a device much like this disaster.. If you pass by "Slackers" at your local video store, just keep on walking, and let it end up at the bottom of the shelf like it deserves.

0neg

I appreciate the need to hire unknowns for these kind of 'horror' movies, but they should at least hire some proper actors. The sergeant especially is guilty of using his monotone to bulldozer every single line he has. But let's face it, the lines aren't really important. There isn't really a recognisable plot, so most of the writing involves the words f**k, s**t, m*****f****r and other assorted bad language in place of proper dialogue.<br /><br />The 'story' as it is, is mostly made up of seemingly random gore and death, with a couple of cringe-worthy 'surprises', which happen around 10 minutes after you see exactly what's going to happen. Not only this, but there are several glaring plot holes and continuity errors (Why are they going in there? Didn't he have a weapon? Wasn't he dead?), so it makes the whole film seem as if it has been cut down by the several hours it would take to fix them.<br /><br />Another film which simply relies on blood and gore instead of any real cinematic experience.

0neg

Though this movie is cheesiness at its best, it is pulled off perfectly. This movie, without a doubt, has to be considered a modern classic. There are basically two kinds of movies I like - movies with depth (chick flicks, if you must - I blame my wife for this) and mindless comedies where I can sit back and relax. This movie is a perfect example of the latter.<br /><br />A friend of mine turned me on to this movie shortly after its release. Considering me to somewhat shallow, he said to me, "You've got to see this movie. It's just your type of movie." Foregoing the insult, I started watching. I know they mentioned The Ramones a million times, but when you actually see them, I said, "Hey, it is The Ramones." My friend replied, "I don't know they were a real band." I had my moment of glory.<br /><br />This movie, though now somewhat dated, is a must see for Ramones fans - or anyone else for that matter.

1pos

Terrible movie. If there is one Turkish film you should avoid seeing in 2006, that should be Banyo. What a waste of time. Other than couple of cheap laughs this movie achieves nothing, nada, zilch, nil. The dialog is cheap, and sexual clichés are all over it. The director needs to watch more films before attempting to direct his own. The red headed women displays examples of what an actress should not do. If you are interested in learning how not to act this is a perfect example of bad acting. The only good thing I can say about the movie is, wait, wait, there is nothing good I can say about it. I must have really disliked it to write about it this much. Jeez!

0neg

H.G. Wells in 1936 was past his prime and the books of his that will survive were long gone by. He was coming to the end of his life and he was confronted to his dream gone sour. At the very beginning of the 20th century he defended the idea that the world was doomed because the evolution of species, natural biology, on one side, and Marxism, market economy on the other side, were necessarily leading to the victory of the weaker over the stronger due to the simple criterion of number. The weaker were the mass of humanity and the stronger were the minority elite. He defended then a strict eugenic policy with the elimination of all those who were in a way or another weakening the human race. First of all the non-Caucasian, with the only exception of the Jews who would disappear thanks to mixed marriages. Then, within the Caucasian community all those who were not healthy, the alcoholics, the mentally disabled, all those who were genetically disabled, etc. That was not Hitler. That was H.G. Wells and that was not after the first world war. That was more than ten years before. And twenty years before the first world war he had published The Time Machine that defended the idea that the human "race", left to its own means and due to the vaster cosmological evolution of life on earth, would see the differentiation of the human "race" into two "species": the working class would become a subterranean laborious species and the bourgeoisie would become an idle surface species. The point was in the novel that the surface sophisticated and weak idle species was the prey of the other species who were the predators. Wells was convinced humanity was in danger and politicians were supposed to stop this evolution by imposing a strict eugenic policy. The first countries to follow this injunction were the Scandinavian countries who were also the last to drop it only very recently for some of them. The film here proposes a vision of 2036 with a world government that is absolutely dictatorial in the fact that there is no election, no parliament, no really democratic institution, only peace imposed by military conquest, and the government is dominated by one man or at the most one man and his few councilors. And in that future world all, absolutely all human beings are Caucasians. Wells was able to imagine humanity being completely white by 2036. Amazing. Wells envisaged some kind of a rebellion but that would be short lived and lead to nothing at all. The last sentences are the vision of this white civilization conquering the whole universe when contemplating the sky and its stars and planets. Frightening. And that was produced in 1936. All the more frightening since nowhere the slightest mention of Hitlerism, fascism, Japanese imperialism or Stalinism can be found. But it is essential to have that film in a good restored edition because it is crucial to have a full vision of H.G. Wells. We are obviously very far away from the Brave New World of absolute "democratic" social selection, or the Animal Farm of the dictatorship of the porcine proletariat, or the 1984 of the abstract mediatic dictatorship of Big Brother. This vision is at least just as much frightening as the three others. And I only want to compare Wells with the British science fiction writers of his days. It would be unfair to go beyond. This reveals that in England in these first three decades of the 20th century there was a tremendous fear among intellectuals: the fear that the future would only be somber, bleak and in the form of an impasse of some kind.<br /><br />Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines

1pos

***SPOILERS*** ***SPOILERS*** From its very opening credits this fantastic movie sets the record straight: it's an instant classic. It doesn't take long to realize that this movie is big, bigger than `Kindergarten Cop' or `Police Academy 7.' The sheer greatness of it left me speechless as I walked out of the movie theater and proceeded right back to the ticket counter to purchase myself another dozen of tickets.<br /><br />This is a movie that simply requires multiple viewings. The first watching will surely leave you with that strange `Huh?' feeling, but don't feel embarrassed - it happens to the best of us. The story is so diabolically clever that one has to wonder about the mortality of its authors. What seems to be a simple story of an idiot infiltrating the FBI, turns out to be an allegorical story that works on several levels and teaches us all about the really important things in life. The complexity of the plot structure will baffle you on your first viewing, but don't give up! Not until my sixth or seventh viewing did I only begin to unravel some of the hidden mysteries of `Corky Romano.' And watch out for the unexpected twist at the end, otherwise you might be caught completely off guard when it is revealed that FBI agent Brick Davis is FBI's most-wanted criminal, Corky is not a real FBI agent, Pops Romano is innocent, Peter Romano admits he's illiterate and Paulie Romano comes out of the closet as a homosexual. Surprised the hell out of me, I can tell you that much.<br /><br />Chris Kattan's comedic talents are unmatched as he leads his character Corky Romano through a maze of totally unpredictable situations. Reminiscent of John Reynolds' performance in `Manos, the Hands of Fate,' Kattan takes on innumerable multiple personalities and tackles all scenes with perfect comedic timing. However, Kattan is not just about comedy. He is a master of drama as well, as he controls the audience's feelings with the slightest moves of his face. His facial expressions reflect life itself, in a way. For example, in the scene in which he farts into his brothers' faces, you can see the expression of social injustice and alienation clearly reflected on his anguished face. At a moment like that, it's hard to find a dry eye in the house.<br /><br />Screenwriters David Garret and Jason Ward are the real heroes of `Corky Romano.' With a story of such proportions, it's easy to understand why two experienced writers had to be employed to complete this ambitious project. Their skillful storytelling and unorthodox structuring makes `Pulp Fiction' look like a mediocre Saturday Night Live skit. Garret and Ward's story is so compelling and alluring that it grips you by your hair, swallows you entirely, shakes you around and spits you right out. At the end of the out-of-this-world experience known as `Corky Romano' you find yourself a different person with different worldviews and different ideas, and with only one question on your mind:<br /><br />Why, God? Why?!?

0neg

An Insomniac's Nightmare was an incredibly interesting, well-made film. I loved the way it just throws you into the main character's subconscious without coddling the viewer...the acting was top notch - honestly, I would watch Dominic Monaghan read the phone book! - but everyone else, especially the young girl, was great as well. I was very impressed by the look of the film, too. Usually, "independent films" have a grainy, I-shot-this-on-my-camcorder look to them, but this director knows what she's doing. The lighting, the cinematography...quality work. I'm looking forward to a feature-length work from Tess Nanavati!

1pos

Definitely one of funny man Eddie Murphy's lesser films is this nonsense about a kidnapped mystical child, three hundred year old dragons and a "Chosen One".<br /><br />Murphy is the "Chosen One" in question, and as the opening song suggests, he is "the best man in the world". A finder of lost and missing children, he is approached by a mysterious Tibetan woman (Charlotte Lewis) who tells him he is "The Chosen One", and that it is his destiny to find and rescue "The Golden Child". For if the child were to die, compassion would die with him, as he is the bearer of compassion.<br /><br />If all this hocus pocus rubbish hasn't ruined it for you now, it surely will once the movie begins. Suffice to say the plot is abominable and destroys the whole film. Meant to be another vehicle for Murphy's egotistical brand of humour (the comedy isn't so great mind you), the movie fails on many levels. Even Charles Dance as the evil Sardo Numspa can't do much for proceedings. Very silly and disappointing.<br /><br />Sunday, December 12, 1993 - T.V.

0neg

Another detailed work on the subject by Dr Dwivedi takes us back in time to pre-partioned Panjab. Dr Dwivedi chose a difficult subject for his movie debut. He has worked on all meticulous details to bring the story to life. The treatment of the subject is very delicate.<br /><br />Even though we have not been to the region during that time, the sets and costumes look real. Unlike most movies made on partition, this one focuses not on the gory details of violence to attract audience, but on its after-effects. The characters come to life. Priyanshu Chatterjee has given an impressive performance. Manoj Bajpai has acted his heart out showing the plight of a guilt-ridden man. The rest of the cast has done a good job too.

1pos

I work at a movie store, and as such, I am always on the look-out for an excellent movie. I decided to check out Nothing as it sat in our Canadian section, and I've been trying to support my country's movie industry. I was in for a surprise. The film features David Hewlett and Andrew Miller in a highly entertaining story that seems to delve into so much of our minds and relationships...without working that hard. It is consistently comedic through the interaction of the two characters, as well as some funny exchanges ("We can't be dead, we have cable!"). What more can I say without noting that it is worth a shot, even if you abandon it within the first half an hour.

1pos

The acting is pretty cheesy, but for the people in this area up in the 80s and are now Detroit area automotive engineers, this is a great movie. I even work with a Japanese supplier so that makes this movie even more funny.<br /><br />Jay Leno was showing his age last night on The Tonight Show! He looks pretty young here...17 years ago. The opening scene, with the drag race on what appears to be Woodward Ave was great.<br /><br />Leno also owns some bad a** cars now, it would e great to see a remake of this with his modern collection. I'm sure the blown Vette in the opening scene was his own car.<br /><br />Typical 80s movie. Watch it and enjoy. No computer generated crap!

1pos

A comedy that worked surprisingly well was the little British effort "The Divorce Of Lady X (1938)" . It marks the first pairing of Laurence Olivier and Merle Oberon, before that little film about uncontrollable passion on the 19th century English moors. And while Olivier and Oberon are not particularly well-suited to screwball comedy, it all flows along nicely. Oberon is Leslie, a young woman who ends up in priggish divorce lawyer Logan's (Olivier) hotel suite by way of a nasty English fog preventing travel. She does everything possible to irritate him--but, in the crazy way films go, he falls for her. And she falls for him. But a serious case of mistaken identity occurs when Oberon's "Lady X" (that's all she leaves Oliver in a note) is thought by Olivier to be a married woman. To make matters worse, and more amusing, Lord Mere (Ralph Richardson) goes to Olivier wanting a divorce from his wife whom dear Larry thinks must be Oberon! There is some nice battle-of-the-sexes dialogue, and fun exploration of sexual politics. You can see that Olivier is not too confident with the comedy, but in true Olivier he's a consummate professional, and delivers. And he handles the screwball twists and turns, maybe not with ease, but with gusto. Oberon was no great shakes as an actress, but she was usually competent enough, and despite their reputed off-screen dislike of her, worked well with Olivier. This was filmed in early Technicolour that looks very primitive today (everyone looks even whiter than Michael Jackson), but perhaps the print needs cleaning up.

1pos

Firstly, I really enjoyed this movie and its message, which is about daring to live life to the fullest. Very poetic, with heartwarming and funny and sad scenes, very lively, it was a pleasure to watch. Here are my "exceptions" though: The movie was way too long and at some point, it kept adding more and more additional conflicts so that it started to lose the main story line. I disagree though with another comment that its unrealistic to have so many people with "strange" problems in such a small village. I think this was absolutely realistic! There are incredible dramas going on everywhere, we just don't know this about people we meet only superficially. I disliked the ending, which was so loaded with symbolism and extremely forced. It left a bad taste as it was just too much. I did not like it that so many big issues were dramatically mentioned in the group (when some accused others in front of everyone else of major things, people would just be more "ashamed" to voice everything so personal in front of everybody, even if those people are a group one is closely working with). And: defending oneself is a human-beings strongest instinct. So why on earth would Daniel let himself be beaten and never fight back, not even to defend himself? I mean he was not weak, he could at least try to defend himself when attacked but it just drove me mad to see him do nothing. It was as if the storyteller tried to forcefully bring across a message like "violence is not needed", but the way he chose to do this was not good. I am also against violence but the character loses credibility when he stays unmoved despite all the attacks. And: Gabriella...why on earth would a woman, who has spent years with a man beating her up, go to that man when he gets arrested and say "I do not wish you any harm. You have just done your best, like all of us". Oh really, this spoiled so much! Was she going to be a saint or what? It would be normal for her to be bitter but not so almost "holy" and therefore not human. Was her work with Daniel and the music so great that it made her forget all of the s**t that happened to her? Oh, please. So, these were the spoiling moments. Nevertheless, I still think this is a delightful movie all in all, which is amazing enough, given my discomfort with quite a few things. Watch it!! ;-)"

1pos

*Spoilers and extreme bashing lay ahead*<br /><br />When this show first started, I found it tolerable and fun. Fairly Oddparents was the kind of cartoon that kids and adults liked. It also had high ratings along with Spongebob. But it started to fall because of the following crap that Butch Hartman and his team shoved into the show.<br /><br />First off, toilet humor isn't all that funny. You can easily pull off a fast laugh from a little kiddie with a burp, but that's pretty much the only audience that would laugh at such a cliché joke. Next there are the kiddie jokes. Lol we can see people in their underwear and we can see people cross-dressing. LOLOLOL!!! I just can't stop laughing at such gay bliss! Somebody help me! But of course, this show wouldn't suck that bad if it weren't for stereotypes. Did you see how the team portrayed Australians? They saw them as nothing but kangaroo-loving, boomerang-throwing simpletons who live in a hot desert. But now... Is the coup de grace of WHY this show truly sucks the loudest of them all... OVER-USED JOKES!!! The show constantly pulls up the same jokes (the majority of them being unfunny) thinking it is like the greatest thing ever! Cosmo is mostly the one to blame. I hated how they kept on mentioning "Super Toilet" (which also has a blend of kiddish humor in it just as well) and Cosmo would freak out. And who could forget that dumb battery ram joke that every goddamn parent in Dimmsdale would use in that one e-mail episode? You know, the one in which every single parent (oblivious to other parents saying it) would utter the EXACT same sentence before breaking into their kid's room? Yes, it may be first class humor to some people, but it is pure s*** to others.<br /><br />If I'm not mistaken, I do believe Butch Hartman said something about ending the show. Thank God! Everyone around my area says it's, like, the funniest Nickelodeon show ever. I just can't agree with it… I think it's just another pile of horse dung that we get on our cartoon stations everyday, only worse.

0neg

As a low budget enterprise in which the filmmakers themselves are manufacturing and distributing the DVDs themselves, we perhaps shouldn't expect too much from Broken in disc form. And yet what's most remarkable about this whole achievement is the fact that this release comes with enough extras to shame a James Cameron DVD and a decidedly fine presentation.<br /><br />With regards to the latter, the only major flaw is that Broken comes with a non-anamorphic transfer. Otherwise we get the film in its original 1.85:1 ratio, demonstrating no technical flaws and looking pretty much as should be expected. Indeed, given Ferrari's hands on approach in putting this disc together you can pretty much guarantee such a fact.<br /><br />The same is also true of the soundtrack. Here we are offered both DD2.0 and DD5.1 mixes and whilst I'm uncertain as to which should be deemed the "original", the fact that Ferrari had an involvement in both means neither should be considered as inferior. Indeed, though the DD5.1 may offer a more atmosphere viewing experience owing to the manner in which it utilises the score, both are equally fine and free of technical flaws.<br /><br />As for extras the disc is positively overwhelmed by them. Take a look at the sidebar on the right of the screen and you'll notice numerous commentaries, loads of featurettes and various galleries. Indeed, given the manner in which everything has been broken down into minute chunks rather than compiled into a lengthy documentary, there really is little to discuss. The 'Anatomy of a Stunt' featurette, for example, is exactly what it claims to be, and the same goes for the rest of pieces. As such we get coverage on pretty much ever aspect of Broken's pre-production, production and post-production. And whilst it may have been preferable to find them in a more easily digestible overall 'making of', in this manner we do get easy access to whatever special feature we may wish to view.<br /><br />Of the various pieces, then, it is perhaps only the commentaries which need any kind of discussion. Then again, there's also a predictable air to each of the chat tracks. The one involving the actors is overly jokey and doesn't take the film too seriously. Ferrari's pieces are incredibly enthusiastic about the whole thing. And the technical ones are, well, extremely technical. Of course, we also get some crossover with what's been covered elsewhere on the discs, but at only 19 minutes none of these pieces outstay their welcome. Indeed, all in all, a fine extras package.

1pos

This is without a doubt one of the worst movies EVER, I emphasize, EVER made. What´s worse, my old hero Dolph is in it and he´s starring it. Jesus... The story is actually quite good but the way it´s carried out made even my body hurt. The fighting scenes for starters are about as well choreographed as a fight between two drunks slugging it out in the gutter. The actors, except for Dolph who kinda sucks also, perform so badly you can´t help but wonder if their reason for being there is that they´re all friends of the director, who by the way must have been absent most, if not all, of the time. This is §12 million spent in an unimaginable way, because by the look of the effects and scenery, the cost can´t be a cent above §1000.

0neg

Don't let the name of this film deceive you, In reality Jake Speed the character is quite possibly the laziest action hero ever known to film. When Jake Speed is not saving virgin girls from evil madmen, which he is often not, he's seriously relaxing. Perhaps this adds to his charm, but in my opinion an action hero is not suppose to "chill out" whenever he gets the chance. Furthermore, unlike other daring heros who usually have an impressive list of talents, this man has none, unless of course you call sleeping a talent. Anyhow, this movie is basically worthless, the writing is sub par and the action, when there is some, is very lame. (The machine guns on the jeep weren't bad, but that's about it) So, if you're in the mood to watch a movie that is a cure for insomnia, then this piece is perfect for you - It has a hero that not only puts himself to sleep, but also his audience.

0neg

This was an adorable movie. A real feel-good movie when you need one. The story is light (this is no Gone With the Wind) but sometimes, one needs this kind of plot. Funny and warm characters, fantastic acting and beautiful costumes/wardrobe.<br /><br />Parminder K. Nagra (also from the TV show ER) is WONDERFUL in this role. She is definitely a new shining star for Hollywood. All should keep an eye on her, she's going to be BIG in the future.<br /><br />Also impressing was the soundtrack for this movie. A nice mix of modern and Indian tunes. I was dancing throughout most of the movie.<br /><br />Highly recommended if a fun movie is what you need.

1pos

The number of times I've had tears in my eyes when watching a movie are few. And there is only one time when I have really cried and that was when I saw this movie. This movie has some kliches but I really don't care. I cry even as I write this and it was quite some time since I saw it. It is perfectly acted and all the production values are good, but what really matters is the simple and wonderful message. We all know it in our hearts, but it is not always easy to remember that the only thing that really matters in life is LOVE in all it's forms. It's only when we love that we're truly alive. I know how sentimental I sound and I promise I'm not usually like that. I'm quite a cynic. This movie has brought out stronger feelings of both sorrow and happiness in me than any other movies and it will probably always be the first movie I recommend others to see.

1pos

Do you know when you look at your collection of old, videotaped movies, and realize that there are some that you've only seen once or twice, and you can't remember if they're worth the time it takes to see them? The Alibi is/was one of those films; I found it, not long ago, and decided I might as well give it a chance. I'm not entirely sure if I'm happy with my decision... on one hand, the film is really, really bad, on the other, now I have another free tape... yeah, you get it. The plot is predictable and not in any way original. The pacing is bad. The acting is bad, but that's not really surprising, seeing as the two leads are former soap-opera stars... they're used to overact. The characters are poorly written clichés. The film even manages to screw up the easiest damn way to impress me(through film): court scenes. Even those don't elicit one single emotion for or against any of the cardboard-thin characters. The film just has no real redeeming qualities whatsoever... even the dialog is bad. The thing is, it's so full of clichés that it's laughable. And that's the one thing that lifts this above a rating of 1/10: the(albeit unintentionally so) comic relief of the many clichés and stereotypes. I didn't pay very much attention to the film, but just about every time I looked at the screen, there was something to laugh at. One final note: I considered using the line "Tori Spelling can't act" as a one line summary, but I guess everyone knows that, so I opted for the current one, seeing as it's more informative. All in all, a thoroughly bad film, but not the worst if you've got nothing else to do and if it's on TV. Good for a few laughs, if you can sit through it. 3/10

0neg

Let's face it; some lame kid who dies and has his soul transfered into a scarecrow. Das no gonna happen neva! OMFG This stupid loser kid who can't stand up for himself gets his ass handed to him by some drunk bastard screwing his mom. Right as he dies, he looks up at the scarecrow and he let's his spirit go into the scarecrow. The drunk guy covered up his death by making it seem suicidal and thought he had gotten away with it. We later see he is tossed out of the trailer and later earns another encounter with the scarecrow. They had a brief encounter which includes the drunk calling him a loser and the scarecrow rebounding with "Takes one to know one, loser!" The scarecrow flips off the building, calls him "daddy-o", and then beheads the poor man. We can see how this awesome movie unfolds from that. He goes on to kill many people, afterward. He mainly kills the people who gave him a hard time in rl and goes off to kill some random ass people, just for some laughs. No laughing here. He adds a punchline to every kill, too. Every time he killed someone, he would do some karate flips and finish it all off with one of his signature punchlines. In the case of someone who was hard of hearing, he would say "Here, have an EAR of corn!" then shove it up their ass. OR we can actually take an example from the movie! He just got done killing a cop and was on his way to killing the only person who ever stood up for him. Her father, the sheriff, yelled to the madman to stop, and he said "Hey, stay awhile!" and threw a dagger threw his chest and stuck him onto some tree. In the end of the movie, he killed two guys and threw in the punchline "Gotta split!" and killed two guys by shoving a scythe into their heads. Wowzors, this movie made me want to cream my pants so bad. Maybe next time this guy makes a movie, it won't be gay.

0neg

This film is shoddily-made, unoriginal garbage. I like romantic comedies sometimes. Watching a good one is like eating ice cream for dinner. It's not something you are going to do all the time, but the experience is so pleasurable that you can ignore how unwise you are being. This movie made me think about how stupid I was for continuing to remain seated for its entire running time. Everything about it screamed made on the cheap. It actually looks like they overexposed the film at certain points it is so washed out. It boasts cheesy CGI and lame sets, too.<br /><br />The writing was clunky. I know that you can usually expect some plot problems in a screwball comedy, but you usually don't really care because you are laughing. This movie is so unfunny that you actually sit there and wonder about the unlikely series of coincidences and completely unbelievable behavior involved. Events were placed in the film just to move the characters from one scene to the next or to provide exposition. Sure, this is how all movies work, but you shouldn't notice that it's happening. Inelegant. That's the term I should use.<br /><br />There was almost no one in the movie who was really likable. I didn't care who ended up with whom, as long as they all stayed the hell away from me, and I didn't have to listen to them talk about it anymore. Why would the only really cool character in the movie, the Paul Rudd character, want to have anything to do with the completely bitchy, condescending, control freak played by Eva Longoria? Also, almost all of the characters involved consistently picked the sleaziest solution to any situation. A straight man pretends to be gay for five years just to hang out (and bathe with) with a woman he is attracted to? The best feel-good moment they could come up with was to tack on a happy ending for the same schmoe where he gets together with Rudd's equally annoying lying, kleptomaniac sister? Lake Bell and Eva Longoria are very attractive, appealing women. Maybe they will find something better to appear in down the road.

0neg

Lorenzo Lamas stars as Jack `Solider` Kelly an ex-vietnam vet and a renegade cop who goes on a search and destroy mission to save his sister from backwoods rednecks. Atrocious movie is so cheaply made and so bad that Ron Palillo is third billed, and yet has 3 minutes of screen time, and even those aren't any good. Overall a terrible movie, but the scenes with Lorenzo Lamas and Josie Bell hanging from a tree bagged and gagged are worth a few (unintentional) laughs. Followed by an improved sequel.

0neg

I.Q., in my opinion, is a sweet, charming, and hilarious romantic comedy about finding the right person for you. If you ask me, James (Stephen Fry) really was a dull guy. To me, Ed (Tim Robbins) was more suited for Catherine (Meg Ryan) than James was. Anyway, everyone involved in this film did an absolutely outstanding job. Now, in conclusion, I highly recommend this sweet, charming, and hilarious romantic comedy about finding the right person for you to any Tim Robbins or Meg Ryan fan who hasn't seen it. You're in for lots of laughter, so go to the video store, rent it or buy it, kick back with a friend, and watch it.

1pos

Generally I don't do minus's and if this site could i would give this movie -3 out of 10 meaning I really hated this movie. I thought Uwe Boll's alone in the dark was the worst i've seen yet but at least i gave it a 2.5 out of 10 in my opinion(Stephen Dorff shooting at nothing made me laugh so i boosted the ratings a bit). Hell if it was if compared to bloodrayne, Bloodrayne would win a Oscar for best movie if they were competing.<br /><br />Now to the plot, this movie is about the BTK killer which is fine but they've could have done better. The start looked OK but that's it I had to fast forward most of it because the death's where boring. I like killer movies and even if they suck they could still get some cool deaths. I'm not a fancy movie expert but believe me he would have shot himself if did see this. Sorry for rambling but there's nothing good to say about it, because it looks like someone took a camcorder and film this.. this.. thing of disaster. Uwe Boll your movies are no longer on my list of worst movies ever this took the cake.<br /><br />Well sorry i couldn't explain the plot(if there was one) but that was the best i could. Now if you don't mind i'm going to crawl into a corner and move back and forth and reminding me of how bad this movie scared me for life.... OK not for life

0neg

Some people say Steve Irwin's larrikin antics and gregarious personality are only an act. Watch this film: it's obvious he can't act.<br /><br />Steve Irwin, dangerman star of the small screen in his *Crocodile Hunter Diaries*, *Croc Files* and eponymous *Crocodile Hunter* series (you see a naming trend here, or is it just me?), rockets his larger-than-strife persona to the big screen with *Crocodile Hunter: Collision Course* (yup – there's a definite trend of words beginning with 'C') - basically an episode of *Crocodile Hunter* mashed together with a B-Movie.<br /><br />On a mission to relocate a big croc to save it from being shot by an eccentric farmer (Magda Szubanski), Steve and wife Terri are unaware that the croc is being tracked by American spies (Lachy Hulme and Kenneth Ransom), out to recover a spy satellite beacon it has swallowed. Will it hurt my credibility to say "They're on a Collision Course with Wackiness"? (what credibility? - Ed note.)<br /><br />The plot is irrelevant, as it is Steve's animal magnetism that propels the film. If you find his persona trying, the film is a failure, but if you're a fan of either him (as a businessman, conservationist or just plain ass-klown) or his television shows, expect more of the same on a wide-screen budget.<br /><br />John Stainton, faithful liege, best mate and helmer of the Crocodile Hunter *oeuvre* (can it be called that with a straight face?), writes and directs with the same provincial swagger that made Steve a household wildlife jester.<br /><br />The most jarring aspect of this movie is that Steve (one of the few people for whom you can actually hear the exclamation points going by as he speaks) and Terri (Steve's spouse of 10 years, fiercest ally and closest friend) treat it like it IS one of their documentaries, breaking the "fourth wall" and speaking directly to the camera, whilst all the other characters behave as if they're in a bad movie (well…). It wouldn't be so incongruous if Steve and Terri were kept separated from the rest of the characters – but when the Bad Americans constantly threaten Steve's life, we Confused Viewers must ask ourselves why the indifferent camera crew doesn't at least call the cops if not try to poke the bad guys in the eye with the boom mics, or run screaming into the bush – anything but continue filming casually with great lighting, crisp audio and seven action angles. <br /><br />While Terri is unfairly painted as Steve's mildly incompetent sidekick (her acting consists of boldly inept line reads and gadding about in pear-shaped-buttock-hugging jeans - for the last, I'm not complaining), Steve goes about his business-as-usual of show-and-tell with creatures intent on killing him, doing all his stunts himself because, well, to him they're not really stunts, just a Day At The Office. <br /><br />Of course, watching this madman's koo-koo adventures after his tragic death in September 2006 casts a strange detachment over the proceedings. But to those of us who never met him, this kind of malarkey (as well as various incarnations of the *Crocodile Hunter* series in constant re-runs) keeps him as alive as ever in our crocodile burrows. The wrenching reality of his absence will only be apparent to those nearest him. And I truly wish them the best in following in his outsize footprints… <br /><br />So enjoy this diversion for what it is – a half-baked movie featuring a full-on legend. He died doing what he loved – interacting with wildlife - and he could never have asked for more of his first feature film in portraying him doing just that.<br /><br />(Movie Maniacs, visit: poffysmoviemania.com)

0neg

There have been countless talking-animal films in the past, the majority of which either feature animals' mouths digitally animated to nearly match the voice acting, or are ridiculously amateur. 'Homeward Bound: The Incredible Journey' is neither.<br /><br />This film doesn't need the infant-pleasing addition of moving canine lips, or gesturing feline limbs. It has the ability to make you believe that the animals are authentically talking to one another, and you can get rather emotionally attached to them at heart (as all great boy-and-and-his-dog films should).<br /><br />Homeward Bound is the epitome of all family-friendly animal romps to me, and boasts some beautiful cinematography, an inspiring soundtrack (from the genius of Bruce Broughton), and an impressive cast...<br /><br />Michael J. Fox ... Chance<br /><br />Sally Field ... Sassy<br /><br />Don Ameche ... Shadow<br /><br />Frank Welker (Voice God) ... Various<br /><br />It is a modernised version of the children's classic work of fiction 'The Incredible Journey', which was made into a semi-documentary film by Disney long long ago in 1963. The sequel (Lost in San Fransisco) isn't nearly as good a film, but extends the adventure of my favourite furry-footed friends, and is a fun urban-twist on the grand-outdoor-adventure theme. Want to entertain your children with a witty, pretty, heart-warming mini-epic, without the idiotic and often utterly ridiculous comedy of modern children's cinema? Parents, buy all three films for your children - now! Thank you, Disney, for bringing a tear to my eyes with each time I watch this early-90s classic!

1pos

I am going to keep this short.This "adaption" of the wonderful King book is a bad joke and nothing more.Of course there are many Kubrick and Nickolson fans in this site and,as a result,this movie has mysteriously find its way in the top-250.<br /><br />Jack Nicholson is laughable as Torrance and so is Shelley Duvall.The story,that has nothing to do with the book,is an incoherent mess and the characters of Jack and Wendy Torrance are complete jokes.<br /><br />My advice to anyone that hasn't read the book and wants to understand the characters of this story:stick to the TV series ....<br /><br />Oh ,and the people who are saying that Kubrick had every right to destroy the King story cause King is...not a good writer should stick to reviewing "masterpieces" like "eyes wide shut".

0neg

As many people know, Mexican cinema was very poor after the so-called Golden Age of the Mexican Cinema, fortunately, during the late 90's, and early 21st century, great movies like La Ley de Herodes, Bajo California, Amores Perros, Y Tu Mamá También and, of course, El Coronel No Tiene Quien le Escriba, appeared. El Coronel..., is a wonderful movie, that retells the classic story by Gabriel García Márquez, by eliminating the magic realism elements, and replacing them with the crude reality lived in Mexico, not only by people like the Colonel, who wait for their pensions, but by more than the half of the Mexican population, who live in complete poverty. The film's characters, satirically represent classic characters found in Mexican society, such as the nationalist Colonel, the cold and even ambitious priest, the hypocrite, but at the same time loyal compadre, the tolerant and patient wife, the hidden homosexual, etc. This movie, is a must-see if you want to know more about Mexican society, and specially, if you want to watch a gorgeous movie, by one of Mexico's finest directors

1pos

In its way, Mister Foe (originally, and more appropriately, titled Hallam Foe – I can't see addressing its title character as "mister"), is a tribute to good acting. Both Jamie Bell, as Hallam, a physically attractive voyeur/creep, and Sophia Myles, as Kate, his kinky partner in sex and fantasy romance, are convincing. The problem comes when you try to connect their roles to anything that happens in real life. A young man who spies on the intimate details of people's lives the way Hallam does would be deservedly beaten to a pulp. And a woman in Kate's situation would be repulsed and frightened - she would probably call the police.<br /><br />These things are not, however, what happens in the movie. Poor Hallam's mother has died and his father married a woman with whom he's been having an affair. Hallam, of course, hates his stepmother and lets he know it. She has sex with him. Kate's some kind of an employment person who places Hallam in a dish washing job and plays sexual games. She looks like his birth mother. It all ends happily with Hallam "resolving" his "issues".<br /><br />Forty some years ago, the play and brilliantly acted movie, Who's Afraid of Virginia Woolf, had a similarly optimistic ending, with characters becoming wiser and better after tearing each other apart. The trouble is, it doesn't always work that way, especially when nobody really cares. In Virginia Woolf, the ending's plausible because of the intensity of the emotional revelation. In Mister Foe, the emotional revelation never really happens.

0neg

I want so badly to give this piece of GARBAGE a zero, unfortunately, there isn't, so, I had to give it a 1 just to warn you about how stupidly terrible this imposter of a familiar cartoon really is! The characters look like they were drawn by pre-schoolers, no, wait, I've seen pre-schoolers do better! I prefer "Misadventures of Flapjack" to this terrible excuse for a cartoon! I'm probably saying what others have said, two words: RIP OFF!! Remember that episode of Dexter's Lab when they raced go-karts down that volcano? yeah, Mister Fellows even cashed in on that idea and failed! They even ripped off Shadow Lugia in that one episode that parodied Pokemon!(he even cashed in on that franchise!) That one character is a cheap rip off of Mandark from Dexter's Lab! Mister Fellows needs to be sued for statutory infringement for this piece of crap!! Everyone has their own opinion, but those of you who like Johnny (RIP-OFF) Test, your'e just lying to yourselves. Do yourself a favor, change the channel when this rip off tries to disgrace your screen!

0neg

Once again Jet Li brings his charismatic presence to the movie screen in the film Black Mask. In this film Li plays Tsui, an escapee from a super soldier program who seeks to regain the humanity that the program had taken away from him. To do this Tsui decides to become a librarian in order to live a normal and peaceful life, but fate demands that he clean up problems from his past before he can continue to seek peace. Other members of the super soldier program had escaped at the same time as Tsui, but they want to get even with the world rather than find inner peace. Thus Tsui becomes the only thing that can prevent his former team mates from releasing information that could cost many innocent people their lives. This film screams across the screen at a frantic pace and never lets its audience go. The martial arts is amazing, but because it uses wires it may not be appreciated as much as it deserves by American audiences. If you like action movies that have an interesting story and demand good acting performances because they deal with psychological as well as physical conflicts, then Black Mask is for you. I am glad to see that some of Jet Li's movies are finally getting main stream release in the United States and look forward to seeing how the changes that that release will require (things like dubbing and soundtrack) will affect the film. This is one of Li's best films, go out and see it on May 14 when it is released in America.

1pos

Yes i'll say before i start commenting, this movie is incredibly underrated.<br /><br />Sharon Stone is great in her role of Catherine Trammell as is Morrissey as Dr glass. He is an analyst sent in to evaluate her after the death of a sports star. Glass is drawn into a seductive game that Trammel uses to manipulate his mind.<br /><br />The acting was good (apart from Thewlis)<br /><br />Stone really has a talent with this role. She's slick, naughty and seductive and doesn't look a day older than she did in the first.She really impressed me(like in Casino). Morrisey was also good. He showed much vunerablitity in a role that needed it. Thewlis however was lame. He ruined his character and was over-the-top the whole way. He really sucked.<br /><br />Overall, this movie not as good the first but Stone is a hoot to watch. Just ignore Thewlis.

1pos

In my line of work, I occasionally get contacted by independent filmmakers who are trying to publicize their film. When I can, I take a look at these low-budget films and often they make me think that the future of Hollywood is going to the dogs. Once in a while, though, there is a film that is born of pure passion and desire, as if created for the purpose of reminding the film industry that good movies are still possible. The short film B R O K E N, directed by Alex Ferrari, is a genuine surprise and worth a second look.<br /><br />Clocking in at a scant 20 minutes, B R O K E N tries to tell a compelling (but surreal) story with almost no back story. The audience is plopped down in the middle of the action with no clue as to what is happening. A young woman (Samantha Jane Polay) awakens from a dream to hear a gunshot and is subsequently abducted from her home. When she awakes, she is surrounded by a group of mercenary thugs that look like they would be at home in a comic book. These nasty guys and girls are larger than life. They are all guns and knives. There is no way out.<br /><br />The kicker here is that, despite being a low budget film it doesn't play like one. From the very beginning, the feeling is that B R O K E N has been shot, edited, and produced by professionals. It looks like something Quentin Tarantino might have done on his day off when he was jamming with the Wachowski brothers. The film is sharp and cool, it looks good and it feels like something big.<br /><br />The acting is much better than I usually see in these smaller films. Polay and Paul Gordon (who plays the head killer, Duncan) were well chosen. As two of the few speaking roles in the film, it is up to them to carry the film. No special effects, no matter how good, would have saved this film from bad acting. Thankfully, Polay manages to convey true fear and Gordon manages to come off as a real psycho. Some of the more limited roles seem to be filled by lesser talent, but it hardly shows.<br /><br />The downside to B R O K E N is that it's only 20 minutes long. The story ends with a Twilight Zone twist that seems a bit contrived and is hardly subtle. Watching it, I felt like I was supposed to have some epiphany, but there was only a feeling that it was much more mundane than I had hoped it would be. The film tries hard to be one of those puzzles that leaves audiences talking for hours at the local coffee shop, but it comes off as unsatisfying. I keep thinking that this is the first 20 minutes of a longer film.<br /><br />MY RATING: 8 out of 10.

1pos

...........as I was when I saw this movie) I will never watch this movie again, not because it is a bad movie, but because it scared me so much! As I said, I was 14 when my English teacher decided to show it to us; the reason for this is that we had read an extract from the book.<br /><br />All the girls in my class were TERRIFIED when the Woman in Black comes through the window and floats over Kidd's bed, although, just before that there is something that also frightened us, which was when Kidd finds the toy soldier underneath his pillow, and he hears a child's voice say "It's for you". That scene still haunts me to this day, nearly 7 YEARS after I saw the film.<br /><br />If you are easily scared, AVOID THIS FILM!!!!!!!!

1pos

It's a rather good movie, but too Americanised in it's predictability. Change the Kung Fu for football and the Turkish Family for a Pakistani one, and you get to watch Bend It Like Beckham (2002) almost scene for scene. A nice feature the serves as the backbone of the movie is the progression of fights with the mysterious ninja under the highway, beginning with miserable losses and slowly progressing until the last fight is a win against oneself, as the Kung Fu master stressed several times. On a different level, the Danish life is revealed quite different than the image it has by outsiders: the non indigenous immigrants that make a large proportion (actually, the majority) of the Danish citizenry, the graffiti in the Copenhagen suburbs, the taunting of the immigrant girl in the begging of the movie. All portray a different picture than one has in mind when one hears the word Denmark.

1pos

The silent one-panel cartoon Henry comes to Fleischer Studios, billed as "The world's funniest human" in this dull little cartoon. Betty, long past her prime, thanks to the Production Code, is running a pet shop and leaves Henry in charge for far too long -- five minutes. A bore.

0neg

I was lucky enough to have seen this on a whim during a film festival and was smacked so hard with what I saw I returned the next night for its second of three screenings. A funny, savage and sharp-toothed attack on every aspect of mainstream entertainment passively swallowed without tasting by the lowest-common-denominator target audience waged by a lone-avenger journalist who slowly takes in members for his guerilla-war on predictability is what the movie's all about, and is executed in such an unpredictable and refreshing way that you're left after the credits roll with hope renewed, and excited that original films can still be made. Anyone frustrated with unfulfilled expectations for something to light up their imaginations would do well to hunt (and I do mean hunt) this scarcely-seen item down. For fans of Fight Club and any Charlie Kaufman film, and required viewing for anyone who avoids multiplexes like a rabid dog.

1pos

Words fail me. This film was extremely difficult to watch and in hindsight I really wish I hadn't done it. Although I attempted to sit through it until the end credits I have to admit I couldn't last for more than hour, so my opinion could be unfair. However, this film would require the most impressive final third in the history of film-making in order for it to be given a review which is anything but vicious.<br /><br />Please do not watch any part of this film.

0neg

It seemed as though the year 1984 was anything but the Orwellian nightmare it was calculated to be with George Orwell's science fiction novel!! 1984 turned out to be one of the happiest times in American history!! The upsurge in the economy, and a reemergence in basic American values, cultivated an idealistic aura of resumed innocence which was viewed by the American people with a very auspicious disposition!! There have been many ersatz renditions of classic movies in the past, but, the originals are almost always considered superior!! "Purple Rain" is such a movie in this category!! Made in 1984, "Purple Rain" provided a doggerel of eighties, happy-go-lucky quality music, which they incorporated into the making of this excellent film!! Certain artifacts indicative of the eighties are indeed classics!! Screwball comedies, neon accented clothing, and of course, the music!! Eighties music is considered by experts to be the best decade for music in American history!! Set in Minneapolis, "Purple Rain" accommodated the use of naive entertainment with the changing times of the city. When I was a little kid, I lived in Minneapolis for about eight months, back then, the non-white population was under 3%!! By 1984, African Americans had made some in roads into Minneapolis, and, thus, they established a firmly embedded culture of their own as well!! The movie "Purple Rain" evokes an eighties style clothing, and music ensemble, which effortlessly captivated the movie audience!! I loved the music to "Purple Rain", and, the innovative approach this film takes to confrontational success, is indeed, brilliant!! See this movie if you have not seen it already!! Prince became an eighties icon with this masterpiece!! For a short time, he dated Kim Bassinger, he must be doing something right!! "Purple Rain" put Prince on the map!! This film gets my emphatically assertive verdict of THUMBS UP!!!!

1pos

SPOILERS WITHIN.<br /><br />It appears that von Trotta was a lot more at ease with what the balance of personal story versus history of the events than she was in her earlier film Versprechen, Das (1995).<br /><br />The direction seemed carefully controlled, and visually I felt it was highly appealing - especially where the visual narrative was concerned (the title-sequence blend and the lighting of a new candle in modern times commemorating the deaths of various characters in the past).<br /><br />To clarify two points that many people have been confused by:<br /><br />Firstly, Lena did not sleep with Goebbels. Although this may have seemed implied, it was not the intent. Von Trotta told me so herself! (And she is a very nice lady, by the way!)<br /><br />Secondly, the time-frame of events was in fact historically accurate (the actual dates are shown on the close-up of the memorial) and the prisoners were released as suddenly as in the film. There is evidence showing that Goebbels was annoyed about having done this, and had planned to eventually recapture those he had set free.<br /><br />Overall, what most impressed me most was that it was an original story from a much 'over-movied' era. It seems a shame that it has taken such a long time (for various reasons) for this film to hit our screens.<br /><br />More of the same please, Margarethe!

1pos

This movie sucks ass. Something about a heatwave in some European country, complete trash. There's nothing going for this movie whatsoever. maybe 30 seconds of sex but that's it. There is a very annoying chick who hitches rides with people and really pisses me off. This movie is complete rash and you shouldn't subject yourself to watching it. I regret it it's very boring. I would rate it zero but i can't. No body in their right mind should see this. i'm sure you'll regret it completely i did. How could they think up something this bad. Even Mystery men was better. MYSTERY MEN. That sucks. That movie wasn't worth being made. complete waste of time. The characters in this are very hard to understand and i good very very very bored.

0neg

Ain't it hilarious when an average schmo leading a pathetic life suddenly has something outrageously magical happen to him, turning his life upside down and causing him to learn a few valuable lessons along the way? That formula never gets old, does it? It's such a sure fire way to make a classic film! Just look at major hits like Liar Liar and Big!... This must have been Rob Schneider's line of thinking when he made semi-successful Deuce Bigalow: Male Gigolo and followed it with The Animal. Since I've already traced the plot through sarcasm, allow me to color it in more: Schneider plays a loser cop who's suddenly involved in a tragic accident but is saved through surgery... by a loopy veterinarian who loads him up with animal parts, causing him to whinny like a horse at inappropriate times, run like a cheetah, etc. This movie is slightly more likable than other Schneider-starring flicks (such as another lame same-plot follow-up The Hot Chick), but it almost feels like they want audiences to hate it by casting a reality TV star as the romantic lead (Colleen Haskell from "Survivor") and inserting a cameo by Norm MacDonald. My favorite scene... just does not exist. Sorry - nothing memorably good except the production value. I just want to end this review by saying that slight references to other movies in a movie can be okay, but when it comes to lines being delivered the exact same way ("You can DO it!"), there's a word for that - "milking." Actually, here's another word - "cheap."

0neg

A great suspense movie with terrific slow camera-work adding to the dramatics makes this a treat to watch and enjoy. Director-writer Brian de Palma does a super Hitchcock-imitation (many called it a "ripoff") with this film and the 2.35:1 widescreen DVD is a must to fully appreciate the camera-work (and several scenes with people hiding on each side which are lost on formatted-for-TV tapes).<br /><br />The downside of the movie, at least to anyone that has some kind of moral standard, is the general sleaziness of all the characters, including the policeman played by a pre-NYPD Dennis Franz (who has hair here!). <br /><br />The opening scene is still shocking with a fairly long shower scene of Angie Dickinson that is quite explicit, even 25 years after its release. The film has several erotic scenes in it as Dickinson (if that is really her on the closeups) and Nancy Allen are not shy about showing their bodies.<br /><br />There is not much dialog in the first 20 minutes and no bad language until Franz enters the picture after the murder. The first 36 minutes are riveting and even though it's apparent who the killer is, it's still very good suspense and fun to watch all the way through, particularly for males ogling the naked women.

1pos

I gave this 3 stars out of a possible 10 - because the stories are open-ended and left unexplained, and because of the nauseating scenes of someone eating in an extremely disgusting way, plus scenes of a decaying corpse. <br /><br />Neither of the above needed to be shown in such a graphic manner.<br /><br />The film's plot, such as it is, concerns three loosely interconnecting stories, none of which conclude satisfactorily.<br /><br />The bounty hunter, played by Bruce Dern, is the character that connects all three vignettes.<br /><br />First we have Dylan McDermott, looking darn fine, as a wanted criminal who is fleeing to Mexico to escape both the law and the bounty hunter, when he rides through a border town and spots a sad-faced saloon girl played by Helen Hunt.<br /><br />Then we have one of the Hemingway girls, not sure which one, playing a western wife out on the lonely frontier who goes over to see about a neighbor woman, an attractive redhead, whom we soon realize has been out in the badlands a little too long.<br /><br />The conclusion of the film returns to the bounty hunter and what happens to him, with the final scene in the film being completely beyond rational comprehension.

0neg

Iam a Big fan of Mr Ram Gopal Varma but i could not believe that he made this movie. i was really disappointed.<br /><br />Ram Gopal Varma Ki Aag doesn't come anywhere close to the real Sholay. It does not leave a lasting impression on a viewer. Ram Gopal Varma fails to create chemistry between the characters . There is no camaraderie between Heero(Ajay Devgan) and Raj(Prashant raj). There are hardly any scenes with more than two people in the frame together. The sequence outside the courtroom with Amitabh Bachchan and Mohanlal face off is remarkable. Amitabh Bachchan should not have done this movie. Ajay and Sushmita sen was trying their best but no use. Rajpal Yadav's voice modulation - ineffective and rather pointless. Mohanlal did full justice and proved it again that acting is all about facial expression and body language. Rest of the cast was below expectation. The comedy situation which was adapted from the original sholay fall flat in this movie.<br /><br />Ram Gopal Varma could have worked upon the script but because of the controversies surrounded against the movie he messed up and just for the sake of making he made this Aag. But there is no fire.

0neg

Horrible waste of time - bad acting, plot, directing. This is the most boring movie EVER! There are bad movies that are fun (Freddy vs. Jason), and there are bad movies that are HORRIBLE. This one fits into the latter. Bottom Line - don't waste your time.

0neg

First off, anyone looking for meaningful "outcome oriented" cinema that packs some sort of social message with meaningful performances and soul searching dialog spoken by dedicated, emotive, heartfelt thespians, please leave now. You are wasting your time and life is short, go see the new Brangelina Jolie movie, have a good cry, go out & buy a hybrid car or throw away your conflict diamonds if that will make you feel better, and leave us alone.<br /><br />Don't let the door hit you on the way out either. THE INCREDIBLE MELTING MAN is a grade B minus regional horror epic shot in the wastelands of Oklahoma by a young, TV friendly cast & crew, and concerns itself with an astronaut who is exposed to bizarre radiation effects, wakes up in a hospital, and finds that his body is liquefying on him as he sits there feeling like a chump. The melting man is played by one Alex Rebar, who is recognizable for about the first four minutes of the film. But once he starts oozin' with Rick Baker's extraordinary special effects makeup he more resembles something you might find in a tin of spam before you drain off all the runny, viscous blebs of grease.<br /><br />The film has zero exposition and does not bandy about with plot points: There are a couple of scenes involving scientist types riding around on an absurd industrial conveyor machine who dutifully recite a few obligatory lines about the effects of radiation but the movie does not care, really. It's a freak show and a marvelous one at that with a decidedly sick sense of humor for those who can stomach it -- One great laugh comes when the melting man stumbles upon a young girl in the forest and is so at a loss for what to do that one of his eyes pops out. Hilarious.<br /><br />The "hero" of the film is played by Burr DeBenning, a fascinating character actor from the golden 1970s & 80s television scene who was sort of an early model for the Kevin Spacey prototype; slightly twisted, neurotic, and one step ahead of most everyone in the room even if he looks confused. He appeared just after this movie was made in a bizarre made for TV anthology horror piece called HOUSE OF THE DEAD (or THE ALIEN ZONE) that is regarded as one of the finest movies ever made in Oklahoma, which is where I suspect this film was made as well. The arid, cold looking rural midwestern landscapes are certainly the same, and the creek that one unfortunate fly fisher chooses for his afternoon of sport appears to be the same one that Cameron Mitchell fought off flying alien pancakes in WITHOUT WARNING ... which also had a sick sense of humor, a TV friendly cast, and some pretty outrageous gore. I definitely sense at least an aesthetic connection between the three movies, as well as THE SILENCE OF THE LAMBS which is of no surprise considering that director Jonathan Demme is a part of MELTING MAN's cast.<br /><br />Essentially, as others have pointed out, this is a 1950s B movie plot updated for later 1970s era special effects & the inevitable boobs. The movie it probably borrows most of it's ideas from is PHANTOM FROM SPACE with Peter Graves as an astronaut who also returns to Earth after being exposed to funky radiation effects that set him off on a killing spree. One of the things that I actually admire about the film is that absolutely no regard is given for the melting man's motivations: He simply goes on a rampage and the movie's drama comes from wondering if he's going to fall to pieces before certain characters fall victim to his madness. The budget for the film is also delightfully low and every dime spent on it is up there on the screen, Rick Baker's disgusting effects getting the lion's share of whatever was spent on this.<br /><br />Sick, disgusting fun best enjoyed with a crowd of friends and plenty of beer. Why can't people have made more movies like these? <br /><br />8/10

1pos

This very funny British comedy shows what might happen if a section of London, in this case Pimlico, were to declare itself independent from the rest of the UK and its laws, taxes & post-war restrictions. Merry mayhem is what would happen.<br /><br />The explosion of a wartime bomb leads to the discovery of ancient documents which show that Pimlico was ceded to the Duchy of Burgundy centuries ago, a small historical footnote long since forgotten. To the new Burgundians, however, this is an unexpected opportunity to live as they please, free from any interference from Whitehall.<br /><br />Stanley Holloway is excellent as the minor city politician who suddenly finds himself leading one of the world's tiniest nations. Dame Margaret Rutherford is a delight as the history professor who sides with Pimlico. Others in the stand-out cast include Hermione Baddeley, Paul Duplis, Naughton Wayne, Basil Radford & Sir Michael Hordern.<br /><br />Welcome to Burgundy!

1pos

Musings: Pure delight from beginning to end. Not a laugh riot, but a more subtle, sophisticated humor. What a goldmine of great scenes and character actors, including Reginald Denny, Nestor Paiva, Ian Wolfe, Harry Shannon and Jason Robards Sr.. <br /><br />Cary Grant is at the building sight of his new home, which is at that point, being framed. A young carpenter, played by future Tarzan Lex Barker, asks him if he wants his "lallies to be rabbeted", or some such thing that only a carpenter would know. Grant, not wanting to appear ignorant, replies in the affirmative. At that, Barker yells up to his mates, "OK boys, he wants 'em rabbeted, so....YANK 'EM OUT!" A second later you hear the ripping and tearing sounds of about 20 big nails being pulled out of various boards. All Grant can do is moan.<br /><br />Yes, the movie IS dated. You'd never see that many carpenters working at once on a single family home, and a place like that, in Connecticut of all places, would probably run a few million bucks.<br /><br />A classic movie that is really a treasure.

1pos

Emma is a true romance. If you love the soppy stuff, charged with wit and folly, you will love this movie! Its true to the novel, which is very important, with a few twists added for pleasure. Gwen is not one of my fave actreesess but she does justice to a role that required everything that she had to offer in spades. She shines in a role i think no other actress could have done proper justice to. <br /><br />Jeremy Northam, as the hero. how shocked are you? I never looked upon him as overtly handsome but heck! What the right role can do for you! He looks so good as the sensible, regal Mr. K, that i am literally looking at him in a new light. He makes and excellent romantic lead. The charm and character that he brings to his role is wonderful!<br /><br />Ewan McGregor, Greta Sacchi brings in the rest. a good cast. A good movie. If you are a fan of Jane Austen, see this movie, along with Pride and Prejudice - AND MOST IMPORTANTLY, buy the books. It enhances the movie to heights that are extraordinary

1pos

Bad plot (though good for a B-movie), good fast-paced fight scenes, at most a 5 out of 10. But something has always bothered me about this film: how come Mariska Hargitay never speaks? In the TV version, she shares several intimate moments with Jeff Speakman, even a kiss in a garden. Yet in the regular (video) version, most of her scenes are cut and she never speaks at all. This bothers me because it not only takes out a female (though cliched) point-of-view to the film, it also makes the final shot seem creepy. This film would have been better had they kept her scenes in, because in those scenes at least she has a personality, one that undercuts whatever Speakman says.

0neg

I have rarely been subjected to such outright nonsense in a film that is supposed to be based on a historical figure. A horrible joke of a film, I cringed throughout. Terrible, trite, distorted and riddled with outright lies and half truths.<br /><br />The famous Hitler biographer Ian Kershaw was to originally be a consultant for this film. However, he found the script to be so historically inaccurate and ridiculous that he refused, and also demanded they stop using his name as a source (it embarrassed him to think people would think he was involved).<br /><br />One scene shows Hitler beating his dog. There is not one source for this. Hitler loved animals above people. He brought in the strictest animal welfare laws in Europe, banned vivisection and animal experimentation. He was also a vegetarian.<br /><br />The film turns his gaining of the Iron Cross into a farce, involving bribery. Utter lies. He was awarded it for repeated acts of bravery over a long period of time.<br /><br />There are no historical documents showing that Hitler ever had a sexual relationship with his niece. Not one.<br /><br />Apart from these, Hitler is portrayed as a rabid simpleton in this garbage flick.<br /><br />If he was even half as ignorant, demented and thick as he is in this nonsense film as in real life you would not even know he had ever existed. Never mind become the leader of Germany.<br /><br />Honestly, this film was utterly terrible.<br /><br />Go watch Downfall and give this a very wide berth.

0neg

Over the past year, Uwe Boll has shown marginal improvement as a filmmaker, cranking out the competent "In the Name of the King" (a "Lord of the Rings" clone) and the proudly vulgar, post-9/11 satire "Postal." But then came "Seed," and the counter was reset to Zero, keeping his bid for legitimacy and respect that much further out of reach. And I'm a fan of the guy–his films exhibit a uniquely screwball vision, and are never dull.<br /><br />Spawned from his frustration over the savage notices his early films received, "Seed" is a colossally misguided attempt at social commentary, and an even worse jab at creating an iconic slasher mythology (Boll often seems to be taking a page from Rob Zombie's successful reboot of "Halloween"). The antagonist is Maxwell Seed (Will Sanderson), a mute, hulking brute who's slain 666 people and sits on death row, awaiting execution; after unsuccessfully frying the beast, he rises from the grave to seek revenge on those who put him there...and so begins a string of wholly gratuitous mayhem.<br /><br />Trying to create a new-millennium slasher in the vein of Michael Myers or Jason Voorhees, Max Seed is too nondescript and boring to leave an impression, ultimately resembling a washed-up pro wrestler doing "The Toolbox Murders" on a succession of equally boring victims. Furthermore, Seed's character and Boll's "message" run contrary to one another: the death penalty is wrong, sure, but are we really expected to sympathize with a soulless killer who's left a couple hundred corpses in his wake? I think not.<br /><br />Meanwhile, Michael Pare acts like a listless, long-lost brother to James Remar's character on "Dexter": a cop who sits at his desk a lot, thumbing through newspaper clippings, and watching pointless stop-motion scenes of decomposing animals and people trapped in Seed's lair. By the time he and a bunch of cardboard cops storm Seed's hideout, the sequence is so drawn-out, ill-conceived (the lighting is almost non-existent), and unexciting (despite a healthy dose of gore) that it almost put me to sleep.<br /><br />The shoddy film-making isn't limited to just that sequence: "Seed" appears to have been shot by a drunken cinematographer, since the camera bobs and weaves endlessly, a technique that's more stomach-turning than the gore itself; these protracted takes of very little happening only draw attention to the meandering, almost non-existent narrative. At 90 minutes, the film is distended enough to be considered a form of torture, which might have been Boll's intent all along.<br /><br />Pure genius...I guess the joke's on me.

0neg

This is quite possibly the most retarded 80's slasher ever realized, but how can you be harsh on a film that features non-stop images of dozens of gorgeous ladies with exhilarating bodies doing aerobic exercises, taking showers and wandering about in tight gym outfits? Prior to being a horror film, "Aerobicide" is a 90 minutes promo video to encourage the use of steroids, silicons and other body-stimulating fitness products. If you'd leave out all the footage of hunky boys lifting weights and yummy girls wiggling their butts and racks to insufferable 80's tunes, there probably only have about 15 minutes of story left. Plenty of time to improvise a plot about a sadist killer slaughtering young health-freaks with a big safety pin (yeah…). The film opens with an unintentionally hilarious scene of a girl getting fried between an electric sun-bathing device. Several years later people turn up dead in the same spa. You don't really need to be an experienced horror fanatic or a rocket scientist to figure out there's a link between the murders and the burning incident, now do you? Investigating the case are a seemingly braindead police officer (and Charles Napier look-alike!) and a beefcake private detective who gets lucky with the bustiest 80's beauty I've ever seen! Looking through the credits, her name's Dianne Copeland apparently, and she didn't do anything else apart from this turkey and an imbecile Troma-movie called "Surf Nazis Must Die". What a wasted opportunity! She may not have been a great actress, but she sure had two other BIG advantages that would help her move upwards in show business. The amount of gore and the quality of the make-up effects are nothing special, neither. We're treated to a couple of bizarre stabbings with a pin and some barbecued human flesh. The plot twists near the end are ridiculous and predictable, but by that time nobody is taking the film seriously anymore, anyway. "Aerobicide" (a.k.a. "Killer Workout") is recommended in case you want to switch of all your brain functions off for one night, but nevertheless feel like watching a film! It actually would make a terrific double-feature with "Death Spa". Both films have a lot of sexy and scarcely dressed babes … and both films are pretty dumb.

0neg

The first of the Tarzan movies staring Johnny Weissmuller. The plot has already been summarized so i wont go into it again. Just know that The actors who play Jane and Tarzan were born for the role. If you have not seen this film and you only have the modern day Tarzan films as a reference..you are missing a Real treat. Doesn't matter how far we've come in movie making, makeup set designs...no one will ever play Tarzan as well as Johnny Weissmuller did. He was and is Tarzan.

1pos

In Don Siegel's 1971 masterpiece "Dirty Harry", Clint Eastwood epitomized the super-tough, super-cool unorthodox, no-nonsense cinema-cop with his role of the eponymous Inspector 'Dirty' Harry Callahan. Two sequels followed, the first of which, "Magnum Force", tamed down on the delightfully politically incorrect attitude of the first one that had outraged many critics but enthused audiences. The second sequel, "The Enforcer" was grittier again, and was promoted as "the dirtiest Harry of them all". This title, however, truly belongs to the fourth film in the series, Clint Eastwood's own "Sudden Impact", which is doubtlessly the grittiest, nastiest, most violent and downright dirtiest of all Harry films, and, in my humble opinion, the second-best after the masterpiece original.<br /><br />***Warning! SPOILERS ahead!*** In a small town near San Francisco, a mysterious sexy lady (Sondra Locke) lures men into being alone with her. What these men don't know is that mysterious beauty is their former rape victim, longing for bloody revenge. As fate wants it, San Francisco's toughest cop, Inspector Dirty Harry Callahan, who has been suspended once again for angering his superiors, spends his leisure time in this exact little town... "Sudden Impact" is the dirtiest Callahan film in several aspects. The film is extremely gritty and graphically violent. Harry Callahan himself is dirtier than ever. Not afraid to make use of his 44. Magnum in order to stop trouble, Harry treats 'punks' as they are to be treated and even allows a person to get away with several murders because the revenge-murders are justified in his opinion. Clint Eastwood is, as always, brilliant in the role of Harry Callahan. Eastwood epitomized coolness and bad-assery as the "Man With No Name" in Sergio Leone's Dollar Trilogy, and he did so again in the Dirty Harry films. "Sudden Impact" gives us the dirtiest Harry we have ever seen. Eastwood's real-life girlfriend Sondra Locke fits very well in the role of the vengeful beauty. The great Pat Hingle, who had already worked with Eastwood in Ted Post's tough-minded Western "Hang 'Em High" in 1986 plays the police chief of the small town. The film furthermore includes a wide range of truly despicable scumbag characters, including a pathetic criminal played by Kevin Major Howard (best known for his role in Stanley Kubrick's "Full Metal Jacket") and a woman named Ray Perkins (Audrie J. Neenan), doubtlessly one of the most disgusting and despicable female characters ever in cinema. Albert Popwell, who played the bank robber in the famous "Do You Feel Lucky?" scene in "Dirty Harry" and the black militant leader in "The Enforcer" is also part of this one again, this time as Harry's colleague and buddy. Overall "Sudden Impact" is the grittiest, dirtiest and probably the most violent of all "Dirty Harry" films, (though "The Dead Pool" isn't exactly tame either), and my second-favorite after the brilliant 1971 original. An absolute must-see for Callahan fans, and highly recommended to all lovers of police thrillers and cinematic bad-assery. My rating: 8.5/10

1pos

I didn't know if i would laugh or cry seeing this. Only addicted fans of danni filth could have a taste for this. This is supposed to be a horror movie but there's only filth in this. The most cool scene is the car accident, with real special effects from the best of hollywood. Avoid this movie at all costs. See this only for studies of how bad can be a movie................

0neg

I can understand how fans of filmmaker Roman Polanski could love this movie- and I could understand how some could totally hate it (Ebert was one of the few who couldn't understand why people weren't running out of the theater). After a first viewing, I'm not sure I could fall into either category, however as someone who can't get enough of Kafka and bizarre dark comedies of paranoia The Tenant is effective enough for its running time. Or maybe not- this is one of those cases where it might have been more of a masterwork if it were a half-hour Twilight Zone episode, with Serling delivering the coda as Terkovsky (or whomever it might be(?)) writhes in his bed in bandages. It's very similar in the treatment of the doomed protagonist as Repulsion was, however it could be argued that there was more ambiguity, more of a sense of the surreal coming out through a sustained disintegration of character and location (and, quite frankly, a better lead performance) than the Tenant.<br /><br />As it stands, The Tenant does have an intriguing premise, the kind that one doesn't tire telling about to other people: Polanski is a Polish émigré to Paris who takes an apartment that was most recently acquired by Simone Choule, who jumped to her near death out of the window and died soon after. But the other tenants are conservative to the max in terms of noise; after a Saturday night at Terkovsky's with a few friends, there are complaints of too much noise. It won't happen again, Polanski's good-natured but slightly nervous tenant says, but there is no peace even in moving a cabinet or a chair. Soon complaints get registered against another tenant, but from him? Can he register complaints? This is a case of not so much mistaken identity but of there being a lack of peace of mind with oneself and the surrounding people. As the downward spiral goes on, Polanski ratchets up tension (and, dare I say, black-comedic laughs) by showing Terkovsky in the midst of a horrible dream- one of Polanski's strongest scenes from the period- and in finding teeth in the wall, not to mention the bathroom across the way (which, I might add, is always a cinematic lynch-pin of horror and surreal madness).<br /><br />But somehow, the film never really feels all that significant aside from its excessive design as a would-be mind-f*** machine, with Terkovsky's tenants only seeming to not be what they seem for a little while: there's not as much suspense when finding out that they really aren't out to get him, which makes the paranoia more self-fulfilling. At least once or twice I thought to myself as well 'why did Polanski take the title role for himself?' It's not that he's at all a bad actor, and he has appeared in several films and plays that aren't of his own direction. But aside from being great at looking awkward and tense, like in the church, or in his moments of sort of flipping out when thinking that they really are out to get him to kill himself, his transformation is less creepy than tongue-in-cheek, a test of himself to see if he can pull it off, which he doesn't entirely do. Despite Polanski working at it well to look like the meek and frazzled Terkovsky, I could see at least a few other actors who could pull it off with more subtlety and affecting personality. By the time one sees him in drag, it goes between cringe-worthy and true camp, particularly when he goes for the double-climax at the end (which, of course, is of little surprise).<br /><br />And yet there is pleasure for the film-buff and Polanski fan to see the supporting cast try and dig into the much more ambiguous characters (Winters and Douglas do this the best, even as they have to strain through limited characters), and the unexpected moments like Polanski and Adjani getting hot and heavy during a Bruce Lee movie, or when he gets really drunk, or in one almost random scene where he slaps a kid near a fountain, are rather brilliant in and of themselves. It's a very good film, and one that could maybe stick my attention up when on too many coffees after midnight. But an essential film? Not exactly.

1pos

Harman and Isings 'Old Mill Pond' is a true masterpiece of the art of animation. The consummate skill and artistry that characterise this duos work is nowhere more in evidence than in this cartoon. It is a shame that so many people can see only offence in what is, and was always intended to be, a light hearted piece of entertainment that in no way sought to denigrate black people. If anything it is a tribute to the infectious humour and musicality of the black race. I have not been able to view this confection for many years as the 'race commissars' in England have deemed it too offensive to be shown in multi racial Britain. If anyone knows where I can obtain a copy I would dearly love to view this masterpiece again. I think those who routinely look for messages and intent that were never intended in these cartoons, which are, after all, sixty years old, should try to lighten up and remember that the world is a very different place today, but that does not mean that anyone has the right to censor what is viewable from the past.

1pos

Let's face it-- if you rented a STDVD sequel of a forgotten 80's gem, and expected it to be better than the aforementioned, then you are an idiot. Wargames: The Dead Code joins the long running list of unnecessary sequels that the DVD market has filled so easily. Movies like this don't need spoilers, because YOU already know them.<br /><br />The "plot" for this "film", is as follows: Nerd meets girl; girl likes nerd; nerd likes girl; nerd gets accidentally involved with Top Secret Government computer; nerd and girl go to another country; nerd and girl end up being persecuted by Government suits in the other country; nerd and girl meet some important old guy that dies at key point in the "film"; nerd and girl are captured; the Top Secret Government computer gets crazy; nerd is hired to beat Top Secret Government Computer; nerd beats Top Secret Computer by using the same old Top Secret Computer from the first Wargames "film"; nerd saves the day; nerd gets laid. <br /><br />The end.<br /><br />The acting, script, effects, score, and cinematography are what you would expect-- B-grade. Some familiar faces are in here, and unless you are a mega fan of Colm Feore, then you should avoid this one. Granted, the movie won't make you insane enough to eat your own toes by seeing it, so if you like cheap looking STDVD sequels, then you are right at home.<br /><br />Sadly, Mathew Broderick was too involved with some "masterpiece", that he couldn't even do a five second cameo in this one. But can you blame him?

0neg

I hate this movie! It was NOTHING like the book, and just thinking about it makes me mad. If you watch the movie before reading the book, then yeah, it's a good movie. But King's book was AMAZING and this movie was nothing like it. I mean, the general meaning might be sort of similar but most aspects of the movie are completely different. The ending for example! So in the book it is extremely intense and Danny and Wendy escape seconds before the hotel explodes. but in this horrible movie version jack like takes them through a stupid maze... yeah, there is no maze in the book and there is no reason for it. Another part that made me angry was that jack just kills Mr. Halloran! what the heck, he is basically the hero of the book and they just kill him off like he wasn't important. Overall, it was just bad that the movie was so extremely off.

0neg

This is one of the funniest series ever! I laughed till my sides split and rolled around on the floor. If only someone would release in America. Region 0 or 1 - Non-PAL please. <br /><br />I know it being released in the UK but that's Region 2 and PAL besides! Let's give this series its fair shake. America must know this series. Moffat is a genius. I loved Tracie Bennett's quirky, goofy role in this. Of course I liked Fiona Gillies! But Tracie was a treasure!<br /><br />Release this show in America! or Show it again on the PBS stations. I need to laugh and laugh again! Please indulge us, please! Please!<br /><br />Thanks for reading.

1pos

The film transported everyone back to October 20, 1944 where we seemed to be part of the great Philippine 'I Shall Return' landing scene… It was on that Leyte shore where General MacArthur reaped his fame… <br /><br />Above all, Gregory Peck triumphed in his portrayal of the great general… It is the stride, the set of the shoulders, the intensity… It's what both men have had in common: intensity, total absorption, devotion… With MacArthur it was for the military… With Peck it was for the challenge of acting… An Academy Award winner for "To Kill a Mockinbird", an Oscar nominee for "Keys to the Kingdom", "The Yearling", "Gentleman's Agreement", and "Twelve O'Clock High"—he has played everything from an apparently homicidal amnesiac to a crusading journalist; from a troubled gunfighter to an obsessed attorney; from biblical David to Captain Horatio Hornblower… He has brought to them all his own unique insight, his character, his sincerity, warmth and love, and especially, his humor… <br /><br />There is a scene where 'MacArthur' stands on deck with the 'President of the Philippines.' We can hear the dialogue: "General, I hope the water isn't too deep," says the 'President,' "because my people will find out I can't swim." Then come Peck's sonorous voice: "And my people are going to find that I can't walk on water!" <br /><br />As "MacArthur," Peck once again justified his reputation as a giant in the film industry… Through him we felt MacArthur's emotions: we knew his anger, his happiness and we understood the relationship with his whole family…

1pos

Saw this Saturday night at the Provincetown Film Festival, and it's a stick-to-your-bones movie -- it's really stayed with me. Adapted very smartly from what is probably an excellent novel, it's a back-and-forth-in-time drama with fully rounded characters, thoughtful rumination on life choices, and, I'm not exaggerating. one of the greatest casts ever assembled in 100+ years of movie-making. Wonderful work from everyone, led by a luminous Vanessa Redgrave as a dying, deluded Newport matron, and Claire Danes as her much younger self. Meryl Streep's daughter Mamie Gummer is, like Mama, the real deal; Patrick Wilson looks like Paul Newman circa 1958 and doesn't overplay the charm; and what a pleasure to see such excellent stage actors as Barry Bostwick and Eileen Atkins contributing sharp, detailed cameos. Hugh Dancy, also from the stage, doesn't bring much edge to the somewhat clichéd role of an unhappy rich wastrel, and the family issues are resolved perhaps more neatly than real life would allow. But it's a deliberately paced, visually gorgeous meditation on real life issues, and you can cry at it and not feel like you're being recklessly manipulated. Also, what a sumptuous parade of 1940s/50s automobiles.

1pos

The first time I saw this film, I loved it. It was different.<br /><br />I am a Christian (Bible believing). I don't go along with the crowd of right wing believers. I dropped out of that atmosphere.<br /><br />To me in their attempts to take over our government they are doing what Judas tried to do. I call it the Judas Syndrome.<br /><br />Judas didn't get it, even though Jesus said his Kingdom was not of this world.<br /><br />This film certainly showed some of that.<br /><br />I also liked that Jesus enjoyed the simple pleasure of playing games and jokes with his disciples.<br /><br />Also he was a very gorgeous Jesus.<br /><br />It's a watch-over and over movie.<br /><br />Very satisfying.

1pos

"Ice Age" is one of the cartoon movies ever produced by Blue Sky Studios and released in 2002 as the company's first. We are introduced to the main characters: a squirrel named Scrat (voiced by Chris Wedge, AND PLEASE NOTE: the sound of Scrat's screams is the sound of Tom's screams from the "Tom and Jerry" cartoons), a woolly mammoth named Manny (voiced by Ray Romano of "Everybody Loves Raymond"), a sloth named Sid (voiced by John Leguizamo of "Titan A. E."), and a saber toothed tiger named Diego (voiced by Denis Leary of Pixar's "A Bug's Life").<br /><br />The movie opens with Scrat trying to bury an acorn and right after that, he caused an avalanche. We then see a herd going south for the coming Ice Age (except for Manny, who is going the other way looking for other mammoths that looked like him). Sid comes out of his cave yawning, and saw that his family abandoned him. He then pays toll with some aardvarks. Unfortunately, he gets pursued by Sylvia (voiced by Kirsten Johnston of "3rd Rock from the Sun"), a female orange sloth, who wants Sid to go migrating with her. Sid eventually teams up with Manny, and they became friends.<br /><br />Meanwhile, nearby a human tribe, Soto (voiced by Goran Visnjic), an evil saber toothed tiger, wants revenge against the tribe's leader for wiping out half of his pack just by stealing his infant son, Roshan, away from him. In the morning, he, Diego, and Soto's henchmen, Lenny (voiced by Alan Tudyk), Oscar (voiced by Diedrich Bader), and Zeke (voiced by Jack Black) attacked the tribe, but the leader's wife escaped with Roshan and gave him to Manny and Sid to look after. Eventually, Diego joins them, and went on a journey to return Roshan back to his tribe, who are also looking for him as well. Relax and watch the rest of the movie and find out, okay? Besides Manny, Sid, Diego, Scrat, Sylvia, and Roshan, the supporting characters in there including a pack of wolves that Roshan's tribe are using, and not to mention a fat female purple sloth named Jennifer (voiced by Jane Krakowski), and a skinny female yellow sloth named Rachel (voiced by Lorri Bagley), to whom Sid shows them Roshan as they relax in a tar pit. Incidentally, the two rhinos, Carl (voiced by Cedric The Entertainer of PDI's "Madagascar"), and Frank (voiced by Stephen Root of Pixar's "Finding Nemo"), who go after Sid for ruining their meal and confront Manny on a cliff, are simple minor characters. Same went for the dodos, who are using melons as their food supply.<br /><br />The gags in this movie are very funny. For instance, Manny talks through his trunk saying, "I'M NOT GOING!" When Jennifer and Rachel are out of the tar pit, Sid asks Jennifer "What do you say if we jump into the gene pool and see what happens?" Jennifer then responds to him, "What do you say if you go jump into the TAR PIT!?" Rachel also then kicks Sid in the waist. Sylvia sees Diego holding Sid by the neck with his teeth, then she asks Sid if he's holding his breath, tells Diego to eat him, and promptly walks off.<br /><br />Since "Ice Age" is not only a success, but it has 2 sequels: the first one was "Ice Age: The Meltdown", which was released in 2006, and the other was "Ice Age: Dawn of the Dinosaurs", which is going to be releasing next year. I can hardly die waiting to see what "Ice Age: Dawn of the Dinosaurs" will be like.

1pos

(spoilers)Wow, this is a bad one. I did a double take when watching an old Star Trek episode the other day-it was the one where everyone gets infected with that space sickness and then go a bit nuts-and there was Stewart Moss, a.k.a the unlikable 'hero' of It Lives by Night! He played the first crewmember infected, who dies from terminal depression. All I could think was that he'd watched his own movie too many times, that's what caused the depression. This movie is full of truly unlikable people. There is no redeeming character in the film, not one. It's very hard to feel bad about Dr. Beck's turning into a bat(or whatever he actually turned into), because you just don't like him. And you don't like his shrill, bony wife, or the nasty sleazy Sgt. Ward, or Dr. Mustache Love...So why would you invest any time or energy in this movie? Where there is no empathy with the characters, there is no reason to bother caring about it. Not to mention the horrible cinematography, which made it look like they'd filmed the movie through urine, and the five cent bat special effects, many of which appeared to be pieces of paper thrown into a fan to simulate hordes of bats flying. Not the worst film I've ever seen on MST3K, but down there in the bottom ranks, definitely.

0neg

I really don't get how people made this film and thought it was worth all the work they put into it. Even more puzzling are those who watched this film without feeling cheated out of 88 minutes of doing something valuable like cleaning under the couch or reading Leviticus. <br /><br />First of all, surely they could have 2 found real Irish people, and some good-looking women who could deliver their lines better than the washed up, haggard porn stars sprinkled throughout this film. Granted, the gore works- but strangely, it's not as troubling as you might think to see organs yanked out of the porn stars' hot (formerly) tight bodies left and right. Probably has something to do with the fact that after their horrific inhuman acting you just want them to die in pain.<br /><br />So, if you don't care at all about the following: <br /><br />- acting (seriously, everyone sucked. I've never witnessed this before. EVERYONE sucked).<br /><br />-plot (some crappy horror movies are remotely linear, or at the very least surprising. This movie doesn't make sense unless you're as trashed as the writers obviously were). <br /><br />- theme (Nothing to learn from this film. Nothing to be scared about in bed at night, nothing to contemplate or grasp, or explain to others). <br /><br />- soundtrack (Crap, crap, crap. Music as ordinary and dull as the script). <br /><br />- scenery (Could have been this film's saving grace, but no...nothing pleasing here. Even the rocks are fake).<br /><br />So, yeah. If you don't care about that, and you're just a horny teen with bad taste in music and "women," this movie is for you. Positive comments: interesting cinematography at times, wasted on the other elements. Very realistic gore; again, wasted. But the intestines scene is classic. I agree with the mutant- disembowelment solves the fake accent problem.

0neg

Just okay horror film about a nice suburban family dealing with the death of their parents and the "thing" in the basement that they keep feeding people they pick up off the street. Of course there is more to it then that but to say more would be telling.<br /><br />For me this just didn't come together as it tries to have it two ways both as a family drama and a horror film. the film tries very hard to walk the cutting edge between the two genres but seems more to stumble all over the place as it tries to be shocking, something it never really is. It doesn't help that the final revelation is less a scare then an "oh", as on "Oh thats it?". Maybe if I hadn't been watching so many horror films recently this might have been better or it may have just seemed it since I wouldn't have compared it to so much.<br /><br />I'd take a pass

0neg

how many minutes does it take to paint a poem? in this film much too long. <br /><br />it tells the story about the impact of a first love between two schoolboys. <br /><br />the boys can't withhold touching each other and making love. after a while one gets distracted by a brief encounter with a sensual guy in the disco and that raises doubt: exploration, fantasy, longing, lust and feelings of loosing grip on your love are themes that are all extensively painted with music, close-ups and silent scenes like telling a poem. but it really takes too long, annoying long, shame, the effort was promising

0neg

Every new fall line-up show deserves, at least, my "3 strikes and you're out" policy. I give a comedy 3 chances to make me laugh, that is, 3 complete episodes. After Episode 1, I actually said to the TV,"Cancelled tomorrow". It was that bad. I have now watched the first 4 episodes of "Cavemen" and have yet to manage even a smirk. Not a titter, a guffaw, a chortle, as a matter of fact, no facial movement at all. I will continue to punish myself by watching every future episode because I am convinced that I am clearly missing something in this show. I'm simply not "getting" it, but I believe that a comedy on a major TV network in prime-time, just HAS to be funny; but there are no laughs from me YET. There's just no way that ABC would put on the least funniest comedy of all time at 8:00 p.m. I KNOW there has got to be an inside joke that just isn't jiving with my brain. I've read each of the previous comments, I "get" the social aspect of it, but, WHERE ARE THE JOKES ???? I shall continue suffering for at least 30 minutes a week, until I have a light-bulb moment and smack myself in the head shouting "Eureka".

0neg

I love this movie, but the music at all the alumni gatherings is just stupid.<br /><br />The fateful game took place in 1972. That means that the protagonists graduated in 1972. But almost all of the music played at the dances etc. is from the 1950s and very early 1960s.<br /><br />Having just attended my 30th high school reunion, I can assure you that the last music to be played at a reunion or dance of former high school people is their parents' music.<br /><br />I understand the difficulty of finding relevant 1970s music -- we all know what a desolate time it was musically. But it wasn't completely bereft, and the producers of the film should have taken more care. I found those dance scenes very jarring to my otherwise willing suspension of disbelief in the rest of the film.<br /><br />This was a bad director and/or producer decision.

1pos

For all of the hype about this film, I kept an open mind as to what I would ultimately think. And, although a bit slow at times, the first 90% of the movie is quite good, with more than a few "old time" scares that make one jumpy and unsettled. I actually thought the cinematography was excellent regarding many of these scenes. Where Dark Remains fails, however, is in its climax. The ending of the film and the denouement are what seems to be MILES APART from its body. The storyline completely falls on its face with an illogical conclusion and, the answer I was seeking most - what REALLY happened to Emma? - was not elucidated upon! The rationale for the negative energy was ludicrous at best, and in the end, I felt very cheated. What could have been a superb horror film was ultimately haunted by a terrible ending.

0neg

I had a video of the thing. And I think it was my fourth attempt that I managed to watch the whole film without drifting off to sleep. It's slow-moving, and the idea of a mid-Atlantic platform, which may have been revolutionary at the time, is now just a great big yawnaroony. Apart from Conrad Veidt, the rest of the cast are pretty forgettable, and it is only in the action towards the end that things get really interesting. When the water started to spill big-time it even, on one occasion, woke me up.<br /><br />But give the man his due. No one could hold a cigarette like Conrad Veidt. He doesn't wedge it between his index and middle fingers like the lesser mortals. He holds it in his fingers, while showing us the old pearly-browns. There are a few scenes in this film where the smoke drifts up to heaven against a dark background,and looks very artistically done. But it does not say much about this film if all that impresses you is the tobacco smoke.

0neg

I watched DVD 1 only. The program proper may have 10 minutes of good information; otherwise it's snotty putdowns of religious people. It's as if director Brian Flemming only recently discovered both atheism and sarcasm, and feels with these tools he can easily bludgeon his opposition.<br /><br />Also, Flemming wanders extensively into his own personal issues, and they take over the movie. It never gets back on topic.<br /><br />Religious people are prone to discount skeptics when their objections to religion are obviously rooted in abusive upbringings. Arguments from such victimized people seem irrational, and therefore unconvincing.<br /><br />Anti-religious people will want more data. We don't need to be told that religious people are nutty, any more than American Jews need to be told how annoying Christmas music gets by mid-December.<br /><br />In the best scene, the Superintendent of Fleming's childhood Christian school rather insightfully confronts the director on his motivations. That seems like the most honest part of the movie, and it was too short.<br /><br />If Fleming were a bit more self-aware, he might have a good story in him about his own (past & current) relationship to Christianity, and the abusive institutions that indoctrinated him in his youth.<br /><br />And perhaps he could lend his "Christ never walked the earth" material to a more serious documentarian. I'm not studying the writings of Saul/Paul to find out how air-tight this all is, but a quick browse of Wikipedia suggests most of these arguments are discredited.<br /><br />The bonus interviews are pretty good, tho they don't bolster Fleming's thesis much. Sam Harris is a good spokesperson for the anti-religious POV, and he doesn't go light on those other, non-Christian religions. Harris also has some good (and easily Google'd) interviews on Salon.com , Amazon.com , and Samharris.org .

0neg

Why this movie has all but disappeared into obscurity is an absolute crime. "Conan" is perhaps the only Sword and Sorcery movie better. The brutal violence, cool character designs, and good pacing, make this one of the best fantasies around. It is certainly the greatest animated movie aimed at a more adult audience that I have ever seen. This is not similar to Bakshi's usual frenetic style. It's quite a departure for Bakshi, and in my opinion his best work. I hope that this film gets the recognition it deserves.

1pos

If the answer to this question is yes, then you should enjoy this excellent movie. I've just seen it a couple of hours ago here in Paris (where the action of the movie takes place)and I can still feel the huge trauma I received in the back of my eyes...What a visual shock ! I've never seen such a beautiful black&white photo and such a drastic change in the way of doing animated movies. I strongly believe there will a before and after "Renaissance", similarly to what we saw with Pixar movies or the Akira and GhostInTheShell experiences. This is a real breakthrough in the small world of animated movies and I hope this french initiative (a small unknown french studio with a few young folks who had a dream named "Renaissance"...) will receive the success and recognition it deserves. Vive la France !

1pos

What a movie! I never imagined Richard Attenborough could have such a movie in him. Gandhi has always left me indifferent, apart from Ben Kingsley's performance, and I never considered Attenborough a particularly good filmmaker. But Cry Freedom held my interest like few movies have in recent times. It's an exciting, mesmerizing political movie with great performances by Kevin Kline and a young Denzel Washington.<br /><br />Kline plays Donald Woods, a South Africa newspaper editor who befriends the civil rights activist Steve Biko. It starts as a difficult friendship, for Woods sees Biko as a black supremacist preaching hatred against whites. But Biko, with his kind words, upbeat attitude and complete transparency, wins over Woods and introduces him to a reality about Apartheid that Woods knew nothing about.<br /><br />Biko is a decent, law-abiding citizen who altruistically stands up against all prejudice and the system that keeps down his people. One night, coming from an illegal meeting, he's arrested and beaten to death. The authorities try to hush up the matter because Biko has become a huge personality in South Africa. But through the efforts of Woods the truth comes out. But what should be a triumph only becomes a nightmare as Woods and his family become targets for the secret police.<br /><br />This movie has an interesting structure. It has in fact two narratives: first it narrates the life and death of Biko. It's an amazing first half, completely dominated by the charisma of Washington in what may be his greatest performance yet.<br /><br />The second half, no less interesting, narrates Woods attempt to escape from South Africa to publish a book about Biko. Woods has become an enemy of state, a banned person, which means he can't meet people or leave his country. Plus he's constantly spied by the police. Kevin Kline gives a great performance in this second half too.<br /><br />Although the first half is quite straightforward, the second does interesting things with editing, by giving flashbacks of Biko and of events that show the repression against the black South Africans. Some may argue this is to make it more interesting, but for me the second half just as captivating, as Woods and his family devise a bold plan to escape South Africa.<br /><br />The last minutes were so heartbreaking I was in tears. George Fenton and Jonas Gwangwa's score certainly had something to do with it. Although I've never been much of a fan of Fenton (cannot stand his Gandhi score), I do think the score for Cry Freedom is one of the most beautiful ever composed for cinema. The movie, thanks to the music married to the powerful images, at times reached incredible peaks of emotion.<br /><br />Cry Freedom is definitely not a movie just to watch because of Denzel Washington. This is a movie to be cherished in its entirety. Acting, writing, music, editing, cinematography come together in a perfect synthesis to create an ode to the power of the human spirit. This movie deserve a place alongside movies like The Pianist, Life Is beautiful and The Shawshank Redemption.

1pos

I had to watch this film because the plot was so outrageous and the film lived up to expectations. In fact it makes for quite uncomfortable viewing at times. Unlike other Meyer films, the sexual antics are down to a minimum. Some of the scenes of violence are unnecessarily gratuitous and offensive. The plot is chaotic and some of the acting and lines are dreadful.<br /><br />The film is a strange combination of sado-masochistic fantasy combined with a window of the brutality and immorality of the slavery and fails on all counts. It's as though Meyer was trying to make up for the sexploitation/ blackploitation by having a higher moral message. Meyer knows we feel a bit guilty about getting turned on by the blatant dominatrix connotations of the early scene showing Lady Susan wielding a whip in a provocative outfit. He then tries to steer back to the righteous path by turning it into a film about the triumph of good over evil. However, because they cancel each other out, you end up with nothing.<br /><br />Because it so bad in so many ways, it is actually worth watching if you appreciate the art of making an awful film in the worst possible taste. Perhaps, because it is so bad, we almost let Meyer get away with the unacceptable.

0neg

Michelle Rodrigez was made for this movie, when I first saw her in Fast and the Furious. You could tell that she was a tough woman. With this movie, she has not only proven her acting, but shows no fear and is tough like she should be in this movie. She is more a bad girl and that's what I like about her. This movie is about a troubled girl, living the life as a tom boy and getting in constant trouble with school and family. As she gets interested in her brothers training to be a boxer, she decides to go after her love to fight and asks her brothers trainer to train her. Even though they don't think she has the potential, they get to be shown proven wrong.<br /><br /> I think this movie was a little slow at the ending, but was well done. It shows, that people can do anything even if they don't think you have the potential. I recommend it to be seen.

1pos

Saturday June 3, 6:30pm The Neptune<br /><br />Monday June 5, 4:30pm The Neptune<br /><br />Few celebrations of ethnic and cultural identity succeed as mightily as Carlos Saura's brilliant interpretation of Isaac Albeniz' masterpiece Iberia Suite. At the approach of its centennial, Saura drew together an unprecedented wealth of talent from the Spanish performing arts community to create this quintessential love song to their homeland. The twelve "impressions" of the suite are presented without narrative in stark surroundings, allowing the power of each performance to explode before Saura's camera. Creative use of large flats and mirrors, moved throughout the set, combined with screens, shadows, fire, rain and rear projection add glorious dramatic effects to the varied selections of song, dance and instrumental performance. Photographs of Albeniz reappear throughout the program, connecting the passion of the music to its great creator. Saura encompasses all Spaniards on his stage from the beautiful elegance of elderly flamenco dancers in traditional costume to children joyously dancing with their instructors.

1pos

Dragon Fighter is the first Sci-Fi Channel (although I guess it's now called Syfy?) original movie I have ever seen. But I have seen one or two others since, and I can tell you that they were stupid, but this one really scrapes the bottom of the barrel. The CGI is done poorly, the acting is bad, the script is ridiculous, and what happens at the very end is unexpected and out of place (if you have seen Dragon Fighter, you probably know what I mean; I didn't want to put a spoiler in my review). Plus, there was this one musical tune that was used in pretty much every single dangerous sequence. That was really stupid; they just played it over and over. And it's definitely not original; I know I've heard that somewhere before (I just can't remember where). This is one to avoid.

0neg

I love the book, "Jane Eyre" and have seen many versions of it. All have their strong points and their faults. However, this was one of the worst I have seen. I didn't care about Jane or Mr. Rochester. Charlotte Gainsbourg (Jane) was almost tolerable and certainly looked the plain part, but she had no emotion in any of her lines. I couldn't imagine what Mr. Rochester saw in her. <br /><br />That brings us to Mr. Rochester. William Hurt had even less emotion than Jane, if that were possible. How two such insipid people could fall in love is a mystery, but it certainly didn't hold my attention. Perhaps the director (Zeffrelli) fell asleep during the production.<br /><br />The Timothy Dalton (too handsome for Mr. Rochester!) version is far more faithful to the book, but Ciaran Hinds plays the perfect Mr. Rochester in the 1997 A/E version (which is NOT all that true to the book).<br /><br />Trying to find something positive about this movie: Geraldine Chaplain was perfect in her role.

0neg

this is an honest attempt to make a bewitchingly sweet love story. the obvious inspiration behind the successful TV series "Bewitched," this lovely sweet rom-com is a timeless treasure. the comparisons are obvious. jimmy stewart plays a hapless but stolid "straight." kim novac plays a voluptuous blond witch who captures him through the use of a love spell. but when that spell is broken by a stronger witch, she contents herself with the duties of running her own shop and takes comfort in the fact that her beloved pyewacket (her feline familiar) is being cared for by her beloved aunt. you'll recognize the aunt from "Murder by Death." this movie is fun and touchingly sweet, bearing some spectacular wit and a nice witchy feel. worth a look.

1pos

I was raised watching the original Batman Animated Series, and am an avid Batman graphic novel collector. With a comic book hero as iconic as Batman, there are certain traits that cannot be changed. Creative liberties are all well and good, but when it completely changes the character, then it is too far. I purchased one of the seasons of "The Batman" in the hopes that an extra bonus feature could shed some light on the creators' reasoning for making this show such an atrocity. In an interview on the making of "The Batman," one of the artists or writers (I'm unsure which) said that "We felt we shouldn't mess with Batman, but we could mess with the villains." So, they proceeded to make the Joker into an immature little kid begging for attention, the Penguin into some anime knockoff, Mr. Freeze into a super-powered jewel thief, Poison Ivy into a teenage hippie, and countless other shameful acts which are making Bob Kane roll over in his grave. <br /><br />To sum it all up: I wish I had more hands so I could give this show FOUR THUMBS DOWN. It squeezes by my rating with a 2 out of 10 simply because it uses the Batman name. Warner Bros...rethink this! Please!

0neg

Another reason to watch this delightful movie is Florence Rice. Florence who? That was my first reaction as the opening credits ran on the screen. I soon found out who Florence Rice was, A real beauty who turns in a simply wonderful performance. As they all do in this gripping ensemble piece. From 1939, its a different time but therein lies the charm. It transports you into another world. It starts out as a light comedy but then turns very serious. Florence Rice runs the gamut from comedienne to heroine. She is absolutely delightful, at the same time strong, vulnerable evolving from a girl to a woman.Watch her facial expressions at the end of the movie. She made over forty movies, and I am going to seek out the other thirty nine. Alan Marshal is of the Flynn/Gable mode and proves a perfect match for Florence. Buddy Ebsen and Una Merkel provide some excellent comic moments, but the real star is Florence Rice. Fans of 30's/40's movies, Don't miss this one!

1pos

Plot = Melissa is a new girl in town, she's fifteen years old and her birthday is coming up in one week. Since Melissa is beautiful, every boy in town wants to hook up with her, but the few that manage to catch her interest mysteriously die.<br /><br />To be honest the real reason I wanted to watch this film is because Dana Kimmel of Friday The 13th pt 3 was in it which isn't a proper reason why to rush out and see a movie. When I started watching it I realized that "Sweet Sixteen" isn't a very good slasher, it's really dull and boring and just doesn't go anywhere. After over an hour, only three murders have occurred and the story hasn't really developed in any possible way.<br /><br />The movie is nicely shot with quite nice photography and good directing but just as with many other slasher flicks from the 80s, the movie suffers from being too dark at times. The acting is actually pretty good though and Melissa's character is easy to sympathize with, even though she's a complete slut.<br /><br />The story line isn't completely rubbish but it's just way too dull to keep you interested, the only things that kept me interested was Melissa she was stunning and Dana Kimmel whose really sweet and cute in this movie.<br /><br />All in all pretty dull slasher flick that doesn't go anywhere I'd definitely wouldn't recommend it to Slasher fans.

0neg