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SST-2-sentiment-analysis-original

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you can taste it , but there 's no fizz .

a reworking of die hard and cliffhanger but it 's nowhere near as exciting as either .

a moving tale of love and destruction in unexpected places , unexamined lives .

it has more than a few moments that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing .

why ?

and that is where ararat went astray .

vincent gallo is right at home in this french shocker playing his usual bad boy weirdo role .

clockstoppers is one of those crazy , mixed-up films that does n't know what it wants to be when it grows up .

sandra bullock , despite downplaying her good looks , carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff .

it 's mostly a pleasure to watch .

its spirit of iconoclastic abandon -- however canned -- makes for unexpectedly giddy viewing .

a kilted jackson is an unsettling sight , and indicative of his , if you will , out-of-kilter character , who rambles aimlessly through ill-conceived action pieces .

i did n't find much fascination in the swinging .

this is no `` waterboy ! ''

but the nerve-raked acting , the crackle of lines , the impressive stagings of hardware , make for some robust and scary entertainment .

baby-faced renner is eerily convincing as this bland blank of a man with unimaginable demons within .

the kind of primal storytelling that george lucas can only dream of .

uplifting as only a document of the worst possibilities of mankind can be , and among the best films of the year .

the irwins ' scenes are fascinating ; the movie as a whole is cheap junk and an insult to their death-defying efforts .

it 's a frightful vanity film that , no doubt , pays off what debt miramax felt they owed to benigni .

he seems to want both , but succeeds in making neither .

by turns fanciful , grisly and engagingly quixotic .

the re-release of ron howard 's apollo 13 in the imax format proves absolutely that really , really , really good things can come in enormous packages .

i 've never seen -lrb- a remake -rrb- do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic ...

those who want to be jolted out of their gourd should drop everything and run to ichi .

mr. deeds is , as comedy goes , very silly -- and in the best way .

this amiable picture talks tough , but it 's all bluster -- in the end it 's as sweet as greenfingers ...

my little eye is the best little `` horror '' movie i 've seen in years .

the movie is a negligible work of manipulation , an exploitation piece doing its usual worst to guilt-trip parents .

it may ... work as a jaunt down memory lane for teens and young adults who grew up on televised scooby-doo shows or reruns .

suffers from a flat script and a low budget .

the movie is well done , but slow .

the master of disguise is awful .

the film is one of the year 's best .

one of the year 's most weirdly engaging and unpredictable character pieces .

the direction occasionally rises to the level of marginal competence , but for most of the film it is hard to tell who is chasing who or why .

the three leads produce adequate performances , but what 's missing from this material is any depth of feeling .

`` looking for leonard '' just seems to kinda sit in neutral , hoping for a stiff wind to blow it uphill or something .

the most surprising thing about this film is that they are actually releasing it into theaters .

... one resurrection too many .

oh , look at that clever angle !

no , i hate it .

for a long time the film succeeds with its dark , delicate treatment of these characters and its unerring respect for them .

the casting of raymond j. barry as the ` assassin ' greatly enhances the quality of neil burger 's impressive fake documentary .

the film is like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables .

the filmmakers want nothing else than to show us a good time , and in their cheap , b movie way , they succeed .

a rollicking ride , with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour that leads up to a strangely sinister happy ending .

an hour and a half of joyful solo performance .

contrived pastiche of caper clichés .

a triumph , a film that hews out a world and carries us effortlessly from darkness to light .

steven soderbergh 's digital video experiment is a clever and cutting , quick and dirty look at modern living and movie life .

kinnear 's performance is a career-defining revelation .

not only a reminder of how they used to make movies , but also how they sometimes still can be made .

the dragons are the real stars of reign of fire and you wo n't be disappointed .

if you 're over 25 , have an iq over 90 ### , and have a driver 's license , you should be able to find better entertainment .

for devotees of french cinema , safe conduct is so rich with period minutiae it 's like dying and going to celluloid heaven .

scherfig , who has had a successful career in tv , tackles more than she can handle .

this sade is hardly a perverse , dangerous libertine and agitator -- which would have made for better drama .

by the end of the movie , you 're definitely convinced that these women are spectacular .

... a plotline that 's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project !

the modern-day royals have nothing on these guys when it comes to scandals .

essentially `` fatal attraction '' remade for viewers who were in diapers when the original was released in 1987 .

it does n't really know or care about the characters , and uses them as markers for a series of preordained events .

` opening up ' the play more has partly closed it down .

even though it 's common knowledge that park and his founding partner , yong kang , lost kozmo in the end , you ca n't help but get caught up in the thrill of the company 's astonishing growth .

lots of effort and intelligence are on display but in execution it is all awkward , static , and lifeless rumblings .

every moment crackles with tension , and by the end of the flick , you 're on the edge of your seat .

the imax screen enhances the personal touch of manual animation .

coal is n't as easy to come by as it used to be and this would be a worthy substitute for naughty children 's stockings .

as pedestrian as they come .

why , you may ask , why should you buy the movie milk when the tv cow is free ?

sunk by way too much indulgence of scene-chewing , teeth-gnashing actorliness .

that 's fun for kids of any age .

raimi and his team could n't have done any better in bringing the story of spider-man to the big screen .

a colorful , joyous celebration of life ; a tapestry woven of romance , dancing , singing , and unforgettable characters .

a rip-roaring comedy action fest that 'll put hairs on your chest .

the premise of jason x is silly but strangely believable .

the modern-day characters are nowhere near as vivid as the 19th-century ones .

chelsea walls is a case of too many chefs fussing over too weak a recipe .

the cast ... keeps this pretty watchable , and casting mick jagger as director of the escort service was inspired .

-lrb- the kid 's -rrb- just too bratty for sympathy , and as the film grows to its finale , his little changes ring hollow .

contradicts everything we 've come to expect from movies nowadays .

there is little question that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out .

the script has less spice than a rat burger and the rock 's fighting skills are more in line with steven seagal .

the solid filmmaking and convincing characters makes this a high water mark for this genre .

the kind of movie that comes along only occasionally , one so unconventional , gutsy and perfectly executed it takes your breath away .

with an admirably dark first script by brent hanley , paxton , making his directorial feature debut , does strong , measured work .

funny , somber , absurd , and , finally , achingly sad , bartleby is a fine , understated piece of filmmaking .

every now and again , a movie comes along to remind us of how very bad a motion picture can truly be .

unfortunately , there is almost nothing in this flat effort that will amuse or entertain them , either .

schrader examines crane 's decline with unblinking candor .

that the e-graveyard holds as many good ideas as bad is the cold comfort that chin 's film serves up with style and empathy .

you would n't want to live waydowntown , but it is a hilarious place to visit .

the bai brothers have taken an small slice of history and opened it up for all of us to understand , and they 've told a nice little story in the process .

there 's not one decent performance from the cast and not one clever line of dialogue .

translation : ` we do n't need to try very hard . '

return to never land is reliable , standard disney animated fare , with enough creative energy and wit to entertain all ages .

it sticks rigidly to the paradigm , rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations .

caine makes us watch as his character awakens to the notion that to be human is eventually to have to choose .

a captivating and intimate study about dying and loving ...