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NLP Team at the Czech Institute of Informatics, Robotics and Cybernetics 7

Civilian disaster thriller with an unexpectedly realistic first half.

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The soundtrack is by James Newton Howard.

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It's barely a mediocre action film with the traditionally tragic Van Damme.

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Even though not turning off the film before the end credits was a heroic feat (not to mention that the filmmakers also overdid the tracking)!

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After watching this BBC documentary, your perception of reality will never be the same again.

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From now on, whenever someone says "Cleopatra," I will no longer see Monica Bellucci, but Taylor.

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The legend of Superman in a slightly different way, wrapped up in visually orgasmic action sequences...

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An incredibly well-made saga of tribal hatred, based on real events in American history.

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You don't swallow its length easily, and a lot of it sticks in your throat.

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To be honest, if only the last two episodes of Bob and Impulse are anything to go by as a weekend lunchtime breather, the rest of the show is absolutely rubbish.

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The second time, five years later, I also liked the film much more than the first time.

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I'm actually quite surprised that this banality, which plays all its cards in the opening "urban" chase, has anything to do with Peter Jackson.

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PS: I never liked the other parts.

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Here, unfortunately, it is weaker, when for two hours there are quite meaningless speeches about what is fair and what is not.

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My opinion is a bit more sober, because the full-metal Alchemist simply doesn't reach the vastness of One Piece or the complexity of the Hunter x Hunter universe.

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The only problem, really, is the character of Sully, who is so one-dimensionally meek, good and self-doubting that for the film to even work as a drama it has to demonize the NTSB investigators.

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The story is a complete concoction full of the usual clichés (SPOILER: especially the end, when J. Cusack fixes the jammed door at the last minute and then emerges from the depths after everyone thinks he's dead, I have seen it in about fifty films).

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The Almighty doesn't have an unexpected punchline, it doesn't have a brilliant conclusion, but nevertheless this is a film that will keep you entertained most of the time.

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The film has taken on a certain patina over the years, and it's certainly found its place with me.

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If there weren't so many songs it would be worth a hundred, but they are there.

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There's a lot of good and bad in this one, so I'll give it 3.5. Pity.

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This beautifully animated and charming series will entertain the whole family with a number of hilarious and quite unbelievable twists.

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No matter...... and by the way - I don't even need a model that wasn't worth as much as Rob Zombie's work, which most people condemned.

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Even though Wes Anderson is always repeating himself, I still enjoy this show.

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The role of Harys seems to me more sophisticated from the roles of the boys, family violence in his case seems more real, while the main character's family does not come across so naturally.

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As far as the action or adventure level is concerned, there's not much to be proud of, because in this respect director and scriptwriter Andy Tennant limits himself to two or three really well-done moments, but mostly these are uninteresting and transparent scenes that simply look great thanks to the excellent work of editors and cameraman Don Burgess, flawless as usual. It's also very fast-paced, but thanks to the shitty script it is still extremely uninteresting!!

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Nowadays, it is already a significantly outdated picture, because people living at this level of thinking nowadays are not even worth greeting and stopping...

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In it, the characters appeared like mannequins suspended on a string of an ideologized interpretation of history, while Trnka's puppets turned the dim shadows of heroes from national myths and legends into living figures.

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I just don't know, terribly drawn out and nothing happens there for me, even though I recognize that professionally it is excellently shot.

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It's also impossible to overlook (actually, mishear) the master of great music, even if some people don't like it, but I love it.

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The best retirement you can ever imagine.

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Except for the blood, it falls into the last group; that horrible creaking would work well in a horror film, but pulling bullets out of a tomcat sounds better in this drama.

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Nowadays, none of us can imagine life without modern technology.

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Not to mention how some of the twists remain unfinished (they leave two children living alone in a big house and are already taking care of them).

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This season not only surpasses the previous two, but also closes a chapter in a way that is rarely seen today.

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It's like the alphabet of death and all that crap.

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It was a great cast of relatively unknown actors who did an excellent job.

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Yes, it's a children's show, but one that adults will enjoy.

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In addition, he always had a sympathetic assistant Klára on hand who was easy to look at.

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Moreover, there is a lack of imaginative dialogue humour, which is replaced by stupid emotional outbursts or cheap physical fun, even though the fight with religious J.C. Reilly is excellent.

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But I don't think the film achieves either of those things.

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A very well-crafted atmospheric image.

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So calm, quiet, inconspicuous and yet original and cleverly filmed.

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In addition, we spend almost half of the season preparing for a specific thing that will set off the final, nerve-wracking episodes and perfect finale.

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The third and so far last season of the mysterious series Ultra Q, and definitely the weakest.

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The best part of the film is definitely in his home village in China.

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I seriously almost pissed myself laughing.

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It's just an oddity, but it still looks pretty good and the action moves along briskly.

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It would be enough to watch the first and last part, and devote the remaining evenings to some more interesting activities.

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Another in a series of pictures that hide nothing under the cheap veneer.

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It's incredibly detailed, especially visually.

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P.S.: The crowning glory of all this is the Czech dubbing, and its casting.

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I didn't really like it that way, though, and it also stole a chunk from Once Upon A King.

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It is true that it makes little sense to rank this alongside contemporary Czech films by young generation filmmakers, but only in the fact that experiment and well-learned philological play necessarily stand apart from anything else, especially conventional narratives which are familiar with procedures at foreign festivals.

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At first, it allows the audience to take a peek into the fictitious history of the egg in art and eventually comes up with a surprising, humorous punchline.

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The story slowly comes together, never stagnates, and gradually builds to an absolutely fabulous finale that is then completely killed.

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I remember watching it as a kid and wanting to be right next to the hero :)))

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I don't mind violence in a film by any means, but it must not be an end in itself, it must just be part of the plot.

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However, in terms of technical aspects and design, it is rather average.

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Certainly not average in terms of execution or story.

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Dafoe's role is superfluous, and regarding some of Dejmon's acting, in comparison with his performance in The Martian for example, it doesn't even need to be elaborated on, just a waste of words.

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Music, even though these are new songs that I currently hear on the radio, I have to say that they fit perfectly there and I wouldn't even say that those songs weren't played back then...

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:-) It's nice to see that and very simple The story may be enough to satisfy the viewer's eye.

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Very conflicted feelings, it's not a bad film but rather average, nevertheless I had quite a good time.

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Even though I understood, it didn't make me happy.

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Up until watching this film, I thought Jennifer Lawrence was a Hunger Games dime-a-dozen, dull and uninspiring.

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Cavill not so much, except that he fit in perfectly with all the other mannequins and models...

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Let's face it, I also have a soft spot for oppressed outsiders and minorities, so my soul cheered.

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But as a psychological film, I can recommend it to everyone - just don't expect any carnage.

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And I like originality, even if it's just a sitcom.

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It's a very good film, providing more than two hours of decent entertainment.

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I have never seen such a beautiful tribute to the filmmaker.

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Everything is gruesomely played and the Czech dubbing is almost unlistenable.

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animation is going further and further, and here's the proof that beyond technique, wit and story don't lag behind

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So if you're looking to get your jungle on again, Tarzan is the film for you.

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Otherwise, the effects and processing are quite good...

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The first half is too long and boring.

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Jorge Garcia is a nice guy, but Sarah...

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Sylvester Stallone's perfect charisma and his stupidity combined with strength make the whole film a beautiful spectacle.

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Only the acting is a bit off.

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Fantastic picture, fantastic sound and excellent background music.

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The film stars Oscar winners William Hurt and Chiwetel Ejiofor.

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After Villmark, another shot in the black.

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With every shot of the kidnapped girl, I wished that this pervert would finally do away with her and it would all be over.

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This mafia always takes some special criminal or street kid and turns him into a police officer through incredibly difficult and brutal training and education - an instrument that will not shy away from any blacks and will do anything...

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One of the reasons why this hamburger doesn't work is also its short running time, where there isn't much time to develop the story.

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I have no idea whether I like him or not, whether he gets on my nerves with his humour or not (I'm not saying that it happens all the time... but most of the time).

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Otherwise, it's business. The acting is pretty uninteresting, even boring.

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I didn't expect anything and there were no surprises.

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Despite this, True Blood has become a huge pop culture phenomenon (partly thanks to the show's success). provocative advertising campaign and savvy merchandising).

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It is true that this picture of the EPP was a bit over-fantasised.

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There's no point in going into too much detail, because I would just be repeating myself.

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It wasn't completely useless, but it just didn't catch on.

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The time on the ship wasn't very long, but Orlok walking around the ship will stay in my memory for a while.

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This is one of the worst marriages I have ever seen in my life.

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I don't know how else to describe it other than just being there.

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PS: the after credit scenes are a hoot and you shouldn't miss them.

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I have the same enthusiasm. and the last quarter of the film, in which there is such a psycho heat that even saunas would envy.

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They took the craziest thing that Americans think about states in Europe and underlined it beautifully several times.

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In IMAX it was simply unbelievable, but in a normal cinema it will probably be a bit boring.

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