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NLP Team at the Czech Institute of Informatics, Robotics and Cybernetics 7

I know Fulci's work well and it is far from being just "Godfather of Gore" for me, so I did not expect anything from the film that I would not get in the end.

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It has all the makings of what should be - for me - a good film.

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Originally, my 5 stars were shining here at Across the universe.

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It's a matter of the heart for me and an incredibly great duo, Costner x Eastwood.

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The oft-quoted "cattle" with the natural genitals of both sexes has been replaced here by a much more important meaning for me in the actions of the characters and a more engaging story.

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A visually absorbing trip into the near future, which will probably not be as science-fantastic as it might seem, unfortunately does not bring anything groundbreaking or stunning except for a few graphic attractions.

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In short, a horror film that completely fulfilled its purpose - ie. He scared me and I was tense the whole time.

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A prince is supposed to be good, that's nice, but climbing a steep rock and risking his life for a piece of thread (spindle?) in order to please a woman he met by chance;

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All of this is accompanied by an incredibly captivating music - three cheers for its creator.

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The second part did not surpass the quality of the first one, but it is definitely at the top of this year's animated films.

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A pointless and tedious film - even though it's only an hour and twenty minutes long, I felt like I had been watching it for years.

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But if I let go of the excellent book, which really fired my imagination, then this is a very good film.

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All I could remember was the scene where Greta is swimming in the sea with a beautiful dress on, because that's what I wanted to try.

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The last two episodes promise a better tomorrow, so maybe I'll be hooked...

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I was really looking forward to the Czech erotic thriller, but it came as a big disappointment.

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The first film as a whole hit me harder: 3.5*... for now... John Woo is great, as is Yun-Fat Chow.

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effects, camera, sounds are absolutely bravura at the time of their creation, as is the gloomy atmosphere...

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After watching episode four - the most interesting so far - I'm still very satisfied and looking forward to the rest of the series.

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It's a tedious, boredom-filled adventure comedy designed primarily for children, but even they can't like it very much, I would say.

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The second one not so much, but I can easily forgive him.

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B-movie treatment, B-movie actors... but it was still watchable.

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This Clark vacation wasn't all bad.

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When I looked at him today, to the point where I was surprised how naively and in some situations naive he is. The film also features (among other things) movements of robots, which seem to have fallen out of a scene by Vladimír Dvořák and Jiřina Bohdalová from one episode of Televarieté "The Institute for Gait Research").

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Gabin and Bardot made a beautifully incongruous couple, over which those who have not lost their senses only raise their eyebrows in scandal.

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Then it somehow doesn't make sense why he protects the main heroine in the beginning (he kills a lewd neighbour), puts her to sleep and cuddles up with her in bed - only to chase her at the end and want to kill her.

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Maybe I rate the theme more than the film itself and that's why I give it 5 stars, because to be honest some of the embarrassing scenes could have been forgiven but on the whole Kate's performance was very good this time I would say Fiennes fell a little short but that doesn't change the fact that I am glad he played the character. Young Kross no why not tried.

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In addition to the title videotapes, both female protagonists and their different approaches to life are very interesting; unfortunately, all of this was not enough for me.

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This film was probably originally supposed to look like "Falling Into Darkness," but I wouldn't be afraid to say that it was more of a fall into the p....., not even pretty Lena Headey could save it.

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I don't quite understand such a low rating, so I would imagine the film to be on another level.

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It's a shame that the film didn't manage to convert any of its four Oscar nominations into statuettes.

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Otherwise, as far as this amateur slasher is concerned, after the boring introduction it really took off and there was a lot of death and blood.

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For me, one of the weakest "Shyamalans," if not perhaps the weakest.

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Lots of great episodes with unforgettable moments.

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Drive is a difficult film to describe.

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The others had a decreasing tendency over time and the narrative thrust lost more and more strength.

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I've been looking at haircuts and this is just great.

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I really enjoyed Seal, especially the way they had money piling up at home and nowhere to put it.

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The lie is about Shakespeare and his plays, which he says are not his.

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An interesting film, but a bit too long for my taste.

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This is the second best Grindhouse trailer.

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This is perhaps the best and most emotional piece of crime fiction I have had the opportunity to watch.

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Shocking footage and gripping interviews with trainers and experts reveal the extraordinary nature of these creatures.

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The film is de facto about nothing, just memories of how it once was, with one resolution to rectify this today after twenty-five years and put everything back on the right track, but that didn't quite work out this time either:- (So would there be a third?

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The added TV play about guilt and revenge is neither agitation nor political morality, but rather a tragicomic reflection with the cautionary point that in our times - our time, when misdemeanours from the communist regime are not consistently investigated by legal means and dealt with judicially, an individual's efforts to redress injustice can degenerate into an abnormal situation and everything well-intentioned can then get out of hand - which is the case of the Electric Knife, where a young man, a relative of one of the prisoners whom old Brož once tortured with an electric knife and ruined their health, wants to at least scare the former investigator, but eventually he will pay for this "abnormal situation" himself.

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This is what a "survival" film should look like.

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The film is both a satire on the language of marketing and the real world of so-called "Poland B" (Poland east of the Vistula River) as well as an image of economic malaise, skillfully drawn from the dark comedies of Finnish master Aki Kaurismäki.

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Rogen/Franco's humour is also made up of lowbrow jokes (about drugs, sex and violence), but they are not 100% humour.

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I won't forget how family quarrels bothered me here and there, how one actor managed to get through an entire film with a single word, and Zooey, her eyes and her "playfulness," probably stood out the most in this picture.

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At the same time, I'm a bit She sobbed and cried when it was over.

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His songs are full of poetic images and macho roughness as well as tenderness, and represent a completely original branch of modern poetry.

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Fuck their philosophy, I can't listen to it anymore.

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As a thriller, it could have worked much better with the aforementioned crime plot.

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He will gradually use cunning methods to his advantage (or, if you like, he'll bluff) three people - Josef Kemr, Jan Libíček and Iva Janžurová.

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Everything went well, tricks, a great battle, even if confused.

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I attribute the screenplay's savagery to the fact that over the years of filming, there were so many cuts and rewrites in the script that it ended up being this incoherent mess.

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I love Marvano and frankly, I don't give a shit about the arguments of "evil propaganda," I just like that film, probably because my grandfather was also an iron grandpa and ended up with steam.

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I guess sometimes I need something where I can switch off and not force my brain to think.

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The direction in which the plot was heading, as well as the overall tone left me unsatisfied, disappointed.

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Gottfried John is also good as a villain, but I wouldn't say too much about that, even though he actually shot the two policemen with one shot.

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It's a fun romp with Jackie Chan in the lead role.

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I just didn't trust the hero to survive them.

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The masks in the photos were scary enough on their own, and Jack Nicholson after "The Shining" couldn't look as menacing as he does here.

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A wonderfully strange film that enchants and surprises with every shot.

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For a while, I toyed with the idea that this was the point of the film.

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Maybe things are more mobile and they can finally move around. They can also run and chase people like in a PC game, but despite all this they still look disgustingly digital and somehow there is no fear of them.

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I've had a long-standing dislike of Craig as Bond.

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Of course, the protagonists are ten times smarter, more intuitive, faster, stronger and 1000 times luckier than everyone else.

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It's a good thing they snuck it in, because Puritans would rather watch shadow kisses.

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Unfortunately, I'm missing a similar scripting invention.

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It is rarely possible to prepare a template so well as in this case.

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It's sexy and a bit erotic.

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I'll take 4,750." :D A very nice short film:)

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It's not a 100% perfect film, even though it was made by Alan Taylor, but it's excellent, I had fun + small note with spoiler: The cameos by Chris Evans as Captain America and Stan Lee as a patient in an asylum had me cracking up with laughter.

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I'm actually really excited for the movie!

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The character is something like a shabby, tired and slightly crazed outcast using his ability and having intense emotions within the event.

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Anyway, I can still recommend going to see Kawasaki's Rose at the cinema, it is definitely worth it.

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In some strange way, somewhere I have the feeling that I would rather pull my brain out with a red-hot iron, and sometimes it's exactly right.

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It's a shame that after an excellent first half, the film falls apart in the second half. Despite the brisk pace, it is a bit breathless and loses interest.

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This time, the logical lapses leave me completely cold.

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I really enjoyed how the director pulled me by the nose for almost the entire length of the film (the point is, in my opinion, undetectable) and Neeson's acting position literally made me purr with joy.

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I would like to highlight Mickey Rourke - as Marv, who seems to connect the stories into one and takes care of such a main storyline.

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And so ended a very enjoyable and entertaining crime comedy, dominated by Belmondo's unconventional methods of putting his adversaries on the spot.

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They didn't really fight, as I expected.

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An apt short film from a well-known universe surprises with its colouring and dark noir atmosphere.

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The film's persuasiveness is further enhanced by the performances, particularly that of English actress Rachel Weisz in the lead role. Romanian actress Rosana Condurache plays one of the victims.

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A trick-bravura spectacle (which is common with Zeman) and, compared to the version by Terry Gilliam, this one is a plus. And amusing.

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In the end, it all worked out very well for me.

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No good can come of an asshole like me anyway.

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I don't really like the actor Aaron Eckhart, but here he was somehow bearable.

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I don't understand how anyone can rate this fairy tale as a classic film and talk about what is "licked."

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Unfortunately, this is a routine story.

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It was first seen in the early 90s at the cinema and it was something of a jaw-dropper.

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The second time I would have avoided him with an arc.

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Due to the fact that it is a Czech film, I watched it through my fingers, but soon realized that it would not be any kind of concoction that Czech directors like to produce for us.

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Too many elements, poorly combined, a little biblical, a little shallow, a little distracted, unnecessarily pathetic... And then I get even more nauseous.

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The humour here has a fresher feel to it, and if the shaky camera in the action scenes could be taken down a notch, I'd pick the Norse god as the clear winner of IM3 vs. Thor2.

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Bella was magical, but I didn't really like much else about the film.

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In the fourth season, I'm starting to get more and more annoyed with the stretching of the plot (mainly due to the fact that the ambush is not finished) and in general the overall illogical thinking of the characters, the illogical failure to hit targets during a shootout, etc.

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A picture full of cruelty, blood, but also passion and love exceeded my expectations.

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I was tighter than the skin on Dominika Mesárošová's breasts.

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