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NLP Team at the Czech Institute of Informatics, Robotics and Cybernetics 7

An indestructible bunch of macho tough guys with dumb American faces makes a mockery of all the action heroes I love.

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But of course, I've had a soft spot for Jennifer for a long time (I'm not really into women, as I have mentioned several times here).

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But even this part does not deviate from the beaten track in any way.

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I have to say that I thoroughly enjoyed the first 5 episodes and was hooked, with allusions to The Karate Kid, Desperado, etc.

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Unlikable, uninteresting characters (with the exception of a charismatic villain who is given much more space than last time he was kept from us), nutritious traps, boring plot consisting of running around the house, arguing and climbing into traps like cattle to slaughter, B-movie twists, green filters, references to "one" and, of course, final musical explanation.

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Jesse James is one of my favorite book villains.

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I can't imagine this film being made by Americans.

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The main sex symbol and hero was not a good fit for me (Carrie-Anne as the commander, however, felt differently)...

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Interesting moments - a dying monkey, naked dancers (let's admit that at the time full nudity would simply not have passed muster in American film) and Milland's changing eyes.

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However, the well-executed action sequences are hardly able to compensate for the weaker rest of the plot.

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Matt Damon is great as the space castaway and Ridley Scott has clearly kicked Gravity into the background :-) 100% up to 50%

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Takoyaki octopus balls are a popular Japanese street food.

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I would probably have extended the ending a little bit, which was not so clear, it is true that she fell in love, but it could have been longer, for example another shot from the laboratories and what about John?

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Tarantino just wants to have fun and doesn't really care what he does or how it looks.

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A crazy animated film full of dangers, twists and especially the willingness to help others.

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Officially it's probably a comedy, although the audience certainly won't be rolling with laughter, but that doesn't really matter...

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Mr. Herz's direction is a quality in itself; you won't find a single extra shot in the entire film.

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The blood will not be wiped off again and they are trying to massacre everyone they meet, and this party has a lot of votes.

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If you take it even as a partial parody, you will start thinking about 4 * and how I think about it, I call it that way because I had an incredible time.

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This is Nolan's best work to date.

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Their scenes have been around since the late 70s. These are the numbers we like to go back to and laugh about over and over again.

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The Return of the King is an excellent climax to a trilogy, backed by some of the most Mediterranean and magical music I can listen to on a daily basis.

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One of the most tragic fates of a film in the history of cinematography, comparable in its scope perhaps only to never-completed films by Eisenstein or Erich von Stroheim.

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At the same time, I would like to start with a minor nitpicking that I can't forgive myself for.

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Despite being a film where nothing much happens, it's very well told and acted.

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Whenever I read a Poirot novel, I always think of David Suchet.

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The trailer set me up for a huge disappointment, and the film absolutely shocked me with its quality.

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Having played a few smaller tunajs and several hours of cash game, albeit certainly not of very high quality, I know that you will never voluntarily lose at the expense of a friend, girlfriend or relative.

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Leonardo DiCaprio's performance is great, but the rest of the actors are slightly lagging behind him, never mind.

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It is quite unrealistic and I am not aware that films from New York or any other city in America where it would be impossible to even see a black person are being made instead, somehow this trend escapes me and I would really like to know how such a nigga movie is actually created, do the sponsors and production and director all have an agreement that no white person can be seen there?

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Tsui Hark probably doesn't do the best of his directing, but at times I had the impression that it was actually a self-parody and with this approach the film can be watched. And several times.

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It's not really a disaster sci-fi, but a war movie like Black Hawk Down...

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I didn't shed a tear, but my eyes were strained for the entire hour and a half.

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Eight stories about eight different relationships, some of the stories excellent, others not so successful, but it is still an original and interesting idea.

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Lots of twists and turns, no good plot or scene.

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The film's effects really impressed me.

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The only positive things I can say are the nice colours and exotic environment of Colombia.

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The first time I saw the film on VHS, it was an unforgettable experience.

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Another great talent lost to the cesspool of sci-fi.

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There are some funny moments, but the story is almost non-existent.

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It's also a credit to the actors themselves - Joaquin Phoenix and Robert Duvall are long-standing acting certainties, but who will please you - you wouldn't expect it - is Eva Mendes.

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It is clear that for the director this was not just a film made to order, but that he has a warm relationship with it and took great care of the film.

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Mafia debts are much more dangerous than bank debts.

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For Pitt's monologue at the end, I give three stars instead of two.

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This mix of an all-star saga is the best that director Rian Johnson could bring to the big screen.

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A strange plot with no tension or suspense.

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He's not the flawless, invincible Batman of the original series.

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Here, everything is done "by the book," albeit very intensively, but "by the book."

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I tried and tried, but didn't have the patience to see it through.

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Add to that more of today's erotica and bolder, wackier humor with the help of today's comedians like Ben Stiller, and we have a hit of the season.

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The script is completely demented and full of "quasi-jokes" that, unfortunately, don't work at all.

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Too emotionally charged for Capaldi.

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And to be honest, I thought it would be worse and more banal.

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"Ganmo" more or less calmed down, Han Jun and Kōhei finally accepted their feelings, and it was already a bit boring compared to the beginning and middle.

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I am sorry to have to say, however, that the crom The first few minutes From the beginning to the end, nothing will put you on your ass and it is mostly an average show that picks up enough modern clichés.

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Great shots of planes, piers, boats and beaches.

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And also with the cut-off end, they have simplified it a bit; it's not that we don't need to know how things will turn out on which front, but that there is too much half-hearted emphasis on the fact that it doesn't matter.

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P.S. In the end, it turned out that "Passion and Sensibility" was just the right dose of emotions for me (unlike soap operas on Prima :-)) and I'm adding a fifth star...

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Even with such an experienced killer, the eyes of the glamorous Emily Blunt give him a decent wink and his peaceful retirement is suddenly postponed until later.

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Entertaining retro sci-fi with interesting elements of fantasy, simply a classic that has the same charm as our Zemanovka.

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It's a pretty good film from Lipsky.

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Unfortunately, Tenney has never been one of the too-good-to-be-too-good directors. And some interesting films.

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The characters are again simple and their behaviour is often demented, a lot of scenes unintentionally ridiculous or even embarrassing (the senseless undressing at the injured Bella's place, the opening dream sequence, Edward's apparition in the form of a ghost, and much, much more) and director Chris Weitz, unlike his predecessor Catherine Hardwicke, evidently lacks sensitivity for atmosphere, which was the biggest asset of season one. Even though the flimsy script frequently trips him up, he shot those few scenes that could have been impressive absolutely sterilely, so they just fizzle out as a result.

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The short game, which seemed to be very solid in the first two minutes, but then the pace dropped and there was no point.

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The great rawness of this series aims to show us the weaknesses of modern technology, the power of mass media and their ability to completely dismantle a human being who gets caught between gears.

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The film focused on my favourite actors and provided me with an interesting and very enjoyable crime and romance plot.

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It's not exactly my cup of blood, but it definitely won't leave the viewer cold.

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Excellent B-movie scifi in an alien style.

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Fortunately, my suffering was amply compensated for by the other actors, whether it be the excellent young generation or, above all, the faultless Big Boss and his excellent mother.

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I was just a little bothered by the stereotypical way red-eye victims die.

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As a film, I liked it much less.

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It's more psychological shit about sexual deviants.

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It's a film that really resonated with me, so I give it full marks.

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Due to the terrible accent, I wouldn't classify it as English spoken.

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An excellent psycho, where a mentally ill man, breeder of blood-sucking rats that he keeps as pets and lives somewhere in the middle of the wilderness of some old cabin, terrorizes anyone who even comes close to his musty property!

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The spectator, on the other hand, who is a third. He didn't play a part in Doom, he probably doesn't appreciate the film itself because it is terribly shallow and some scenes are unfortunately unfinished.

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The plot doesn't go anywhere, everything has already been seen, so it won't offend but will not inspire.

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One of the best comedies ever for me.

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I'm not entirely sure whether this film will be appreciated by true fans of the genre, because there were too many clichés for that genre, and the pace of the film didn't quite match a war film (maybe I just haven't seen enough war films).

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However, the atmosphere of the second part is generally better overall and I'm already quite interested in what soundtrack they will bring out for the third part, which takes place in 1666.

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But if you miss the Odyssey, nothing happens.

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If it wasn't for Connery, this would have been another mediocre action-chase flick for kids.

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The swift start-up together with the nostalgic ending complements one of my favourite films.

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This show deserves and I'm glad it has high ratings, that's just the way things are in our world.

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Sure, there are still those demented horror characters who behave exactly the way "evil" wants them to, but this time it's offset by a great atmosphere.

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The actors are top-notch, of course, and Svěrák is simply adorable (I thought his role was much closer to Brodský's in Babí leto than to Svěrák as we know him from Kolya).

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Hercules and his club would probably have had problems with such an unfair way of fighting.

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An orgasm is the most intense and pleasurable feeling you can share with your partner.

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In the decades since its creation, it has become a cult classic and one of Meyer's most distinctive films.

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Despite a lot of obvious flaws, the watchable affair that he's cementing. Ennio's theme song.

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Ridley, that was not a nice tribute to Tony!

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Despite its usual wackiness, this is an unusually funny French comedy with star actors in the leading roles.

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Of course, what I remembered most was the end of the film and the funeral scene - something I had never seen before or since - a matchless affair!

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Which is to say, it wouldn't have mattered anyway, but in such moments there should be a binding claustrophobic atmosphere from a hopeless situation, unfortunately the effect misses the mark.

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Because, in my opinion, psychopaths don't really make plans and just go out and kill people.

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The Czechs have not changed at all in 100 years, the presence of hatred, nepotism is simply a great vision for the future.

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But otherwise, I wouldn't have changed anything about the film overall - just a super relaxing thing.

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Tarantino's worst film, hands down. Even Kill Bill has more originality.

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The visuals aren't everything, and this is another in a long line of films that have suffered for it.

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A fiercely original, unconventional post-traumatic drama that defies all genre archetypes.

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