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contains no wit , only labored gags

that loves its characters and communicates something rather beautiful about human nature

remains utterly satisfied to remain the same throughout

on the worst revenge-of-the-nerds clichés the filmmakers could dredge up

that 's far too tragic to merit such superficial treatment

demonstrates that the director of such hollywood blockbusters as patriot games can still turn out a small , personal film with an emotional wallop .

of saucy

a depressed fifteen-year-old 's suicidal poetry

are more deeply thought through than in most ` right-thinking ' films

goes to absurd lengths

for those moviegoers who complain that ` they do n't make movies like they used to anymore

the part where nothing 's happening ,

saw how bad this movie was

lend some dignity to a dumb story

the greatest musicians

cold movie

with his usual intelligence and subtlety

redundant concept

swimming is above all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings , it succeeds .

equals the original and in some ways even betters it

if anything , see it for karen black , who camps up a storm as a fringe feminist conspiracy theorist named dirty dick .

a smile on your face

comes from the brave , uninhibited performances

excruciatingly unfunny and pitifully unromantic

enriched by an imaginatively mixed cast of antic spirits

which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening

in world cinema

very good viewing alternative

the plot is nothing but boilerplate clichés from start to finish ,

the action is stilted

on all cylinders

will find little of interest in this film , which is often preachy and poorly acted

by far the worst movie of the year

sit through ,

more than another `` best man '' clone by weaving a theme throughout this funny film

it 's about issues most adults have to face in marriage and i think that 's what i liked about it -- the real issues tucked between the silly and crude storyline

heroes

oblivious to the existence of this film

sharply

the entire point of a shaggy dog story , of course , is that it goes nowhere , and this is classic nowheresville in every sense .

sometimes dry

as they come , already having been recycled more times than i 'd care to count

covers this territory with wit and originality , suggesting that with his fourth feature

a $ 40 million version of a game

gorgeous and deceptively minimalist

cross swords with the best of them and

as a fringe feminist conspiracy theorist

proves once again he has n't lost his touch , bringing off a superb performance in an admittedly middling film .

disappointments

the horrors

a muddle splashed with bloody beauty as vivid as any scorsese has ever given us .

many pointless

a beautifully

contrived , well-worn situations

a doa

poor ben bratt could n't find stardom if mapquest emailed him point-to-point driving directions .

to be as subtle and touching as the son 's room

starts with a legend

far less sophisticated and

rich veins of funny stuff in this movie

no apparent joy

shot on ugly digital video

... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920 's ... the film 's ending has a `` what was it all for ? ''

though ford and neeson capably hold our interest , but its just not a thrilling movie

is pretty damned funny .

we never feel anything for these characters

's a lousy one at that

the corporate circus that is the recording industry in the current climate of mergers and downsizing

the storylines are woven together skilfully , the magnificent swooping aerial shots are breathtaking , and the overall experience is awesome .

of the most highly-praised disappointments i

sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy .

seem fresh

to the dustbin of history

as a director , eastwood is off his game

pays earnest homage to turntablists

weak and

skip this dreck ,

contains very few laughs and even less surprises

film to affirm love 's power to help people endure almost unimaginable horror

are an absolute joy

generates

, like life , is n't much fun without the highs and lows

based on a true and historically significant story

well-rounded tribute

, though many of the actors throw off a spark or two when they first appear , they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction .

so much like a young robert deniro

khouri manages , with terrific flair , to keep the extremes of screwball farce and blood-curdling family intensity on one continuum .

fashioning an engrossing entertainment out

spiffy animated feature

that 's so sloppily written and cast that you can not believe anyone more central to the creation of bugsy than the caterer

alternating between facetious comic parody and pulp melodrama , this smart-aleck movie ... tosses around some intriguing questions about the difference between human and android life

strung-together moments

, generous and subversive artworks

it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world

funny yet

overbearing and over-the-top

it 's robert duvall !

rich and sudden wisdom

acted and directed , it 's clear that washington most certainly has a new career ahead of him