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like 1

in memory

respectable new one

yet this grating showcase

hate to tear your eyes away from the images long enough to read the subtitles

addition to sporting one of the worst titles in recent cinematic history

, this gender-bending comedy is generally quite funny .

build some robots , haul 'em to the theater with you for the late show , and put on your own mystery science theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year

do n't work in concert

the direction has a fluid , no-nonsense authority , and the performances by harris , phifer and cam ` ron seal the deal .

would have liked it more if it had just gone that one step further

it 's too harsh to work as a piece of storytelling ,

hawaiian shirt

takes a classic story , casts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch .

provide its keenest pleasures

altogether too slight to be called any kind of masterpiece

grievous but

after you laugh once ( maybe twice ) , you will have completely forgotten the movie by the time you get back to your car in the parking lot .

hopeless

unpretentious , charming , quirky , original

nicks and steinberg match their own creations for pure venality -- that 's giving it the old college try .

very well-written and very well-acted .

are n't many conclusive answers in the film

clumsy dialogue , heavy-handed phoney-feeling sentiment ,

proves a lovely trifle that , unfortunately , is a little too in love with its own cuteness .

bring tissues .

the film 's mid-to-low budget is betrayed by the surprisingly shoddy makeup work .

brings the proper conviction to his role as ( jason bourne ) .

as a young woman of great charm , generosity and diplomacy

there 's something poignant about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us .

just too silly

cinematic bon bons

it is supremely unfunny and unentertaining to watch middle-age and

a lively and engaging examination of how similar obsessions can dominate a family .

irritates and

collapse

so many of the challenges it poses for itself that one can forgive the film its flaws

, it serves as a workable primer for the region 's recent history , and would make a terrific 10th-grade learning tool .

wide-awake all the way through

( vainly , i think )

is one big excuse to play one lewd scene after another .

is effective if you stick with it

that underscore the importance of family tradition and familial community

delivers what it promises : a look at the `` wild ride '' that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans

watching this digital-effects-heavy , supposed family-friendly comedy

absolutely and completely ridiculous and

's a very tasteful rock and roll movie .

the movie is almost completely lacking in suspense , surprise and consistent emotional conviction .

realistic portrayal

as if trying to grab a lump of play-doh , the harder that liman tries to squeeze his story

well-thought stunts or

reveals how important our special talents can be when put in service of of others .

no lika da

a welcome relief

the promise of digital filmmaking

just one that could easily wait for your pay per view dollar

justify a theatrical simulation of the death camp of auschwitz ii-birkenau

extraordinary faith

have i seen a film so willing to champion the fallibility of the human heart

, sometimes beautiful adaptation

about as interesting

caruso sometimes descends into sub-tarantino cuteness ... but for the most part he makes sure the salton sea works the way a good noir should , keeping it tight and nasty .

overlong , and bombastic

derivative and hammily

most audacious , outrageous ,

at its best moments

disney again ransacks its archives for a quick-buck sequel .

that final , beautiful scene

some movies suck you in despite their flaws ,

eats , meddles , argues , laughs , kibbitzes and fights

the problem with the film is whether these ambitions , laudable in themselves , justify a theatrical simulation of the death camp of auschwitz ii-birkenau .

, compelling

infectiously

the picture runs a mere 84 minutes , but it 's no glance .

think of this dog of a movie

's remarkable procession of sweeping pictures that have reinvigorated the romance genre .

those so-so films that could have been much better

a passable date film

imax in short

i hate it .

's pleasant enough -- and oozing with attractive men

no one involved , save dash , shows the slightest aptitude for acting

in this wildly uneven movie

pokes , provokes , takes expressionistic license

like one of ( spears ' ) music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it

with color and depth , and rather a good time

silly , outrageous , ingenious

being able to hit on a 15-year old when you 're over 100

the story of trouble every day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film , and the movie 's fragmentary narrative style makes piecing the story together frustrating difficult .

the year 's best and most unpredictable comedy

starts off so bad that you feel like running out screaming

men in black ii achieves ultimate insignificance -- it 's the sci-fi comedy spectacle as whiffle-ball epic .

elvira fans could hardly ask for more .

a good one

, plodding picture

the character dramas , which never reach satisfying conclusions

lost in the translation this time

speak for it while it forces you to ponder anew what a movie can be

enables shafer to navigate spaces both large ... and small ... with considerable aplomb

a plot cobbled together from largely flat and uncreative moments

inane and awful