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makes an unusual but pleasantly haunting debut behind the camera .

a fine , rousing , g-rated family film , aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats .

everything about girls ca n't swim , even its passages of sensitive observation , feels secondhand , familiar -- and not in a good way .

the cast is spot on and

ugly digital video

can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history

rather choppy

becomes one more dumb high school comedy about sex gags and prom dates

demands and receives excellent performances

xxx is a blast of adrenalin ,

pure escapism

create a film that 's not merely about kicking undead ***

about love and culture

is worse :

horrifying

mourns her tragedies in private

the action scenes are poorly delivered

it 's so bad

so bad

, 84 minutes is short

dabbles all around , never gaining much momentum

a masterpiece

a lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth

does n't leave you with much .

good acting

like most of jaglom 's films , some of it is honestly affecting

marivaux 's rhythms , and mira sorvino 's limitations as a classical actress

is less successful on other levels

's still quite worth seeing

intelligent and moving .

he appears miserable throughout as he swaggers through his scenes

men

accomplish what few sequels can

a clunky tv-movie approach to detailing a chapter in the life of the celebrated irish playwright , poet and drinker

i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening

exhilarating , funny and fun .

bound to appeal to women looking for a howlingly trashy time

, it never quite makes the grade as tawdry trash .

has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end .

endearing , caring

seagal , who looks more like danny aiello these days

enactments , however fascinating they may be as history , are too crude to serve the work especially well .

not everything in this ambitious comic escapade works , but coppola , along with his sister , sofia , is a real filmmaker

the dehumanizing and ego-destroying process

taboo subject matter

see this

utterly incompetent conclusion

has always been part of for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference ...

you find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her

run for cover

low budget

a deceptively casual ode

walked out muttering words like `` horrible '' and `` terrible , ''

help chicago make the transition from stage to screen with considerable appeal intact

you have ellen pompeo sitting next to you for the ride

a giant step backward

true fans

just copies

quite rich and exciting

luminous interviews and amazingly evocative film from three decades ago

from lynch , jeunet , and von trier while failing to find a spark of its own

, you ca n't help but get caught up in the thrill of the company 's astonishing growth .

this frozen tundra soap opera

a showdown

is simply too overdone

greatly

free

intriguing species

try and evade

scherfig , who has had a successful career in tv

watching it leaves you giddy

beautifully acted and directed , it 's clear that washington most certainly has a new career ahead of him if he so chooses .

far tamer

outrageously creative action

the most purely enjoyable and satisfying evenings

is never any question of how things will turn out

only open new wounds

despite suffering a sense-of-humour failure

for a story

in addition to hoffman 's powerful acting clinic

right stuff

the wonderful cinematography and naturalistic acting

high-concept films

sleepwalk through vulgarities in a sequel you can refuse

with no reason for being

just about all of the film is confusing on one level or another , making ararat far more demanding than it needs to be .

invigorating , surreal , and resonant

the chateau , a sense of light-heartedness , that makes it attractive throughout

have a passion for the material

maybe it is formula filmmaking , but there 's nothing wrong with that if the film is well-crafted and this one is .

a movie that ca n't get sufficient distance from leroy 's

romanticized rendering

is terrific as rachel

of special effects that run the gamut from cheesy to cheesier to cheesiest

the worst film a man has made about women since valley of the dolls

come , already having been recycled more times than i 'd care to count

with awe

joyous romp of a film .

a nonstop hoot

, partisans and sabotage