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For someone who remembers Jane in the Daily Mirror strip cartoon, viewing this film is an exercise in nostalgia. In that context it is wonderful, but younger viewers would undoubtedly find the comedy limp and would miss the point that the actors are cartoon characters. The plotline is also a bit limp for today's audience, but reflects the naivety of the 40s and 50s very well. Jane, you must remember, was part of the escapist fantasy of the wartime years, created to boost the morale of the troops. She gave a double meaning to the "strip" in strip cartoon. The story has something in common with the tales of Edgar Rice Burroughs and Rider Haggard. The theme would have been a familiar one to readers in that era, a bunch of bumbling Nazis thwarted by a few equally bumbling Englanders, and set in the African jungle of course. For Jane fans, a must see. For the rest of you, a damp squib. | 1pos
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] |
I see it's getting some bad reviews, but I really liked The Last Mimzy. I don't know how much it is like the book, but I liked the ideas the film was based on, the graphics were nice, and it was a new twist on an old storyline (the kids did a really good job acting too). Some people complain it didn't have any action and they "fell asleep" - well it's not an action movie, and honestly if you fall asleep, either you're really overworked or you're just not into light mystery and philosophical ideas. It definitely has a "new age" touch, it's mysterious, and with a nice bit of surreal/sci-fi - if you liked movies the same pace and style as K-Pax (though this one is a bit more geared towards kids), then you'll probably like Mimzy. I wouldn't suggest really young kids for this one, they might not understand a lot of it - 10 and up would probably enjoy it more. Also, the less you know about the movie, the more you'll like it. Don't spend a day reading reviews and looking at trailers. Grab your kids, go to the theater, and see it for yourself with a fresh mind. You'll probably enjoy it as much as I did. :) | -1no label
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] |
This film was a huge surprise to me while i watched it at Cinequest in the big California Theatre in San Jose. It's a musical, which normally I don't like, but I have to say this one was different. Robert Peters, who directed the film and stared in it, did such a wonderful job. During his Q & A he told the audience that he only had two other people for his crew! Most of the dialouge was made up on the fly and he actually made the film while attending another film festival in Germany! I can't say enough great things about this movie, the only bad thing is that you really tend to notice the camera work and it shakes a bit. If you happen to come across this film- check it out! | 1pos
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The original pre-cert videotape of this changes hands for crazy money these days, it's very very rare. I was 'fortunate' enough to get hold of a DVD-R of this, as it sounded right up my street... And the verdict?.....Jeeez! As noted previously, this is definitely "inspired" by 'Last House On The Left" but the tone is totally different. It's proper early-70s rough-ass grindhouse business, sexist as hell, dumb, with sub-porno standard acting. It's not disturbing in the slightest however, and whilst the subject matter (rape rape and more rape) is nasty, the way it's done is just funny. The soundtrack is absolutely wild - incoherent hippy wailing over acoustic guitar meandering, you couldn't make it up, honestly. Has to be heard to be believed. This is a great period piece...the work of anonymous drunken old hacks exploiting the hippy counterculture. God knows who any of the people involved in this are, but hell, I'd be fascinated to know how and why a movie like this came about. Worth seeing to sate your curiosity...this film is one of a kind. It is DEFINITELY bad though. | -1no label
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] |
"Salt Water Tabby" is another nice little classic by the duo Tom & Jerry. It is one of their funniest, apart some violent gags. For one thing, the designs, general quality and artwork of this short is quite pleasant, like in much of the cartoons from those times. Because this one takes place in a beach, on a Summer day, it gives the impression of being a «Summer blockbuster». He he he! There's lots of humor and funny gags on this one, starting by the way Tom introduces himself to that pretty female cat and the way he tries to impress her. Another funny thing about Tom is that he eats her hot dog and drinks her soda. Right after that, there comes more comical moments: our little rodent friend Jerry is in the picnic basket, throws a tomato and a banana peel and eats salami from a few sandwiches. Next, Jerry throws a couple of eggs to Tom's eyes. Tom's eyes sure look funny with those eggs and some "decorations" - lol. However, the most hilarious moments of this short are when Tom drinks sand instead of sugar in the coffee. That is so funny! And then Tom, tormented by the sensation of having his mouth full of sand, drinks water from the bucket, but it's ocean water and Tom spits it straight to the female cat's face! Oh my God, that is hysterical! It's true that Jerry is kinda mean by doing those things to Tom, but it's just so hilarious! Overall, aside the violent gags with a crab and some of other kind, this short is among the most amusing by Tom & Jerry. | -1no label
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] |
Well, it certainly is not the best CGI film I have ever seen. In fact, it is not even in the top 10, and that is just getting started. I am not trying to be mean, but this was not a good film. And no, its not just because they paired Chris Rock with Ben Stiller. Seriously, Stiller and Rock? Well I guess I can see how they would be locked away in a prison cell and have to fight with each other over pieces of bacon and raw fish, but not on an animated movie. Even though the thought of Ben Stiller trying to eat Chris Rock in real life brings me some small chuckles. Anyway, the CGI isn't well done. Not only that, but the characters aren't well developed. I still don't know how this pair landed in the zoo. Then again... Overall, not a good CGI film. "D+" | -1no label
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] |
The kindest thing that one can say about this film is "Thank God it's not any longer!" Don't get me wrong. It was an ingenious idea--$2 mm home movie, highly improvised, fine director in Steven Soderberg, a very talented cast, complex movie within movie (within movie--as the last shot shows) structure--but the result is far less than the sum of its parts. It's a dirty patch on the bootsoles of all involved comparable only to Spielberg's "AI"--which was until I watched "Full Frontal" the worst film by a talented director I had ever seen. I won't bother reprising what passes for a plot. Suffice it to say that the film covers 24 hours, and feels longer. It's rather like being trapped watching the home movies of a group of very artsy, very neurotic, very self centered, and ultimately very boring people. If I were to single out one aspect that is particularly like fingernails on the blackboard, it is Catherine Keener as Lee. I must say that it's probably a pretty good piece of acting, since Lee is every man's nightmare--needy, self centered, manipulative, cruel (her office behavior would get her fired at any decent firm--of course the character is an HR person, and so there is a drop of reality there), and completely loathsome. She makes any Woody Allen neurotic look like the poster child for mental health. It's probably not an unrealistic portrait of a certain kind of woman. The question is, do you want to spend even 101 minutes with her? I decided to watch this based on favorable buzz I had heard. Learn from my error. Avoid at all costs. This is 101 minutes of mind-numbingly self centered Hollywood masturbation, without a single relieving touch of charm or humor. I hope that Mr. Soderberg has the grace to blush when this leaden turkey is mentioned. | -1no label
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] |
There are some things I will never understand; why underwear comes in packs of threes when clearly thats not enough is an example. Similarly, I will never understand this film, and that is brilliant. If you approach this film expecting an actual movie, you might as well be approaching Satan expecting a hug; although that may well be possible if you greet this film's Satanic figures. Take Pitch for instance; the most ineffectual, camp, unhellish portrayal of a devil since Freddy Mercury and Wayne Sleep joined forces to create a ten foot Satan costume from red body paint and horns covered with condoms. However, it does create some of the most hilarious moments of any film ever. Seriously, this is no understatement. The same can be applied to every other character, bar the little girl who acts so sickly innocent she's probably overcompensating for some serious crime she's part of. Then again, if Santa's inter-space recon station is real, there is no chance she could have avoided him this long. Put simply, if you haven't seen this movie, you cannot consider yourself a serious buff. The achingly funny characterisation, acting, concept, and almost-under-the-radar racism makes this a must see above any film to date (if you're after pure laughter that is). | 1pos
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] |
This game is terrific. Even do this game is made for the game boy advance with all of the console's limits, is also extremely enjoyable. It is a very long and fun game with innovating stuff for the genre. Its story is really good as the characters are. But what is the difference between this RPG and others? It has magic. When you take into account that the game boy advance is not one of the best consoles out there, you would be a bit hesitant about this game. But I can assure you that all the good stuff totally make up for the system's limits. The fight are very well designed, the world is really big and you can find tons of monster to practice the moves. The sound is also enjoyable and the graphics are good for the game boy advance. The story is about a group of four adepts (The person who can use Psynergy) with different powers, who need to stop the bad guys from lighting the four beacons/seals and therefore break the alchemy seal that use to balance to forces on earth. The story is little more complicated than that since there are many sub-plots and you get to understand our characters and the bad guys actions. The new features included in this game are the Djinn, which are Pokémon like creatures (They need to be caught as well) with different powers. The difference is that there are only four kinds of them (Water, fire, wind and earth) which match each of the four main characters type. The main characters own special powers according to their type (for example the earth guy has powers related to earth and so on) which are necessary when you need to solve puzzles to beat the many different dungeons. You can set Djinns to each character to provide them with additional strength or you can also change types for them. The Djinn can be use in different forms in battle, you are able to use each Djinn special technique, or use a group of them to sum an even stronger attack. You can also use each character special power (They call it Psynergy) or simply attack the bad guys with your weapons. The battle system is really good as well but it would be a little long to explain. Overall this game is an absolute worth trying. Anyone who claim he/she likes RPG will love this title, and the rest will love it as well. | -1no label
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] |
I saw this for the first time as a kid in the 70s. It has always been one of my favorite movies in this genre. In re-watching it again last night, I once again marvel at the genius that was Jack Lemmon. Other recaps about the story's premise have already been given here, so I'll forgo that. This movie is hysterical...all the way down to the score. Jack Lemmon's tension and neurotic persona are brilliantly played out. Sandy Dennis was the perfect compliment to his "fast-paced" character. Her ability to stand by her man and be the obliging wife echoes both the time period of this movie, as well as her direct dichotomy to her husband's personality. They are simply perfect together. I know others have commented on her annoying voice, but to me, that made her part hilarious. There are so many funny scenes, and I find myself smiling throughout the entire movie. From the "circling and stacking", the buckling ankles, the Cuban ambassador fiasco, all the way to the end of the movie hijackers, this film is a true gem. | -1no label
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] |
this is a brilliantly done film. it is quite raw and blunt about its subject matter, however, so it should not be viewed for "entertainment" purposes, thought he story is inherently intriguing. we must just sit and watch in curiousity and amazement, but in concurrence with extreme sorrow, as we are shown the brutality that john merrick must face as his reality. a smile from another human being, or even a pleasant greeting (which is something that we all take for granted), is treated by this man as the highest form of complimentary behavior possible. one of the best films that i have ever seen. it wouldnt be called a top 25 of all-time film by the public (though i may place it there), however, based solely on the fact that it, as i mentioned earlier, is lacking in terms of typical "entertainment" value. even though you will certainly be immersed the entire way through. ah, who knows! im not expressing myself very well. make it a priority to see this film. enjoy absolutely amazing and memorable - 10/10 | -1no label
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] |
I was expecting a good story, good character development, excellent acting from Jolie & Banderas, and some great erotic scenes. What I got was a very implausible story that zigzags from love to murderous revenge and back again, no backstory, unsympathetic characters with erratic behavior, and a weird sadistic bisexual boyfriend/pimp (Thomas Jane's character). The sex scenes seemed passionless and were barely erotic. The acting by Banderas and Jolie was good, as were the sets, locations, and lighting, but it didn't rescue the film. Don't waste your time on this movie. | -1no label
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] |
This movie features several well known actors which I usually like, so I had at least modest expectations when I rented this on DVD. I was highly disappointed. In fact I walked off for some snacks somewhere during the last half hour and somehow I ended up in the kitchen rather then going back to the TV. The actor performances where poor pretty much all across the board and none of the atmospheres in the movie felt very convincing. Virtually all scenes had that "just a movie" feeling to them, I just sat there waiting to hear the director calling "CUT!" followed by the crew having a little chat about the scene before moving on to the next. Since the movie is about gangsters most characters are tough and mob-like, the problem here is just that this whole bad-boy attitude is played out so poorly that it just feels like a joke. The constant guitar-drilling soundtrack really tries to emphasize this atmosphere too, but when the same track is played the 18th time it just adds to the already strong feeling of the whole thing just being fake. Maybe it was just a really really bad script, maybe it was just poorly executed. I'm no movie critic, in fact I consider it rare to see something that's REALLY good, but this was just plain bad no matter how objective and forgiving I'm trying to be. NOT recommended, not even as a rental! | 0neg
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] |
Be warned. William Shatner does NOT know how to run Iron Chef shows. This is "Iron Chef USA." The real show to watch (American version) is "Iron Chef America!" Still, the Japanese "Iron Chef" beats them both with little effort. The real Iron Chefs are Chen Kenichi, Hiroyuki Sakai, Masaharu Morimoto, Masahiko Kobe, and Komei Nakamura. When I saw "Iron Chef America", I thought the show could use an Iron Chef Chinese in Ming Tsai. I just love how he prepared the duck dishes. I think he should become Iron Chef Chinese in "Iron Chef America." I also agree with Bobby Flay's comment that cooking can become an athletic sport and it should be on ESPN2. I hope that "Iron Chef America" can serve to make people forget the atrocities of "Iron Chef USA", which is NOT the same as "Iron Chef America." Also, "Iron Chef America" should let Morimoto speak English. | -1no label
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] |
at first i thought 'nasaan ka man' might be one of those progressive new filipino films. as someone noted earlier, the movie does not look poorly made. it's clear that the directors used more expensive cameras to shoot, better angles, better sound equipment, good-looking actors, and nicer locations. however, the improvements are all purely superficial. if it weren't for all the polish and expensive filters, 'nasaan ka man' would feel just like your typical, second-rate local movie - - hyperactive drama, predictable plot twists, "yeah right!" moments, crying, screaming, and characters you could care less about, all shoved down your throat. a couple of things annoyed me about this movie. first of all, since when is it okay to have sex with adopted family? that not-blood-related argument does not make an ounce of difference. second, would a woman really not tell anyone for 40 years that she was raped, simply because the father told her to keep it secret? and, where the hell were the lights in this movie? i know the director tried to make things look super dramatic, but i was simply forced to turn up the brightness feature on my TV set. | -1no label
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] |
What can possibly said about this movie other than, "viewer beware". Christmas Evil should come with a warning label like cigarettes do, because this was harmful to my eyes and ears. I am rarely this unsatisfied with a "b" horror flick, but this movie couldn't even bring a little scare to a five year old. The point of a relentless lunatic that has a thirst for blood in a film is that he/she should seem almost god-like, like nothing can stop their maniacal rage, but in this film the resident psychopath gets himself stuck in a chimney in a bizarre attempt to surprise his next victim and of course follow along with the all to popular legend of santa claus, it's a reminder to the viewer that this man is in no way dangerous because he's far too stupid to be dangerous. All in all a total waste of film. | 0neg
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] |
Although I had some hopes for this film, particularly since I enjoy the acting of Jason Segel (Freaks & Geeks, Undeclared) so much, I must say it was one of the worst films I've seen in recent memory (Loser and Dr T and the Women are also on that list). Yes, there were a couple of laugh out loud moments, although the movie could have been so much better. The premise was not bad- scam artists cheating their way through college meet their match when they're discovered by someone with a proposition for them. The problem is that the characters were all so unlikable, that I didn't care about any of them. The blackmailer (played by talented Jason Schwartzman) was such a psychopath that it wasn't that funny to watch him- he wasn't deranged in a particularly funny or charming way, he was just a crazy loser, who was actually rather dangerous and not fun to watch. The editing of the movie was hard to follow-- it kept cutting between fantasy and reality and it was often unclear which was which. Only two or three of the gang's scams were really shown, you just had to take it on faith that they were indeed scam artists-- showing their schemes would have made for a better movie. The so-called love story was absurd and unbelievable, in fact it was silly and poorly written and directed throughout. I could go on about the movie's shortcomings, but you get the idea. Not worth the $4 rental or the gas it takes to drive to and from the movie store to rent! | 0neg
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] |
The first installment of this notorious horror series presents a woman being kidnapped by a gang of black-clad men who torture her for several days before finally killing her.She is beaten savagely,spun around in the chair endlessly,has her finger nails pulled,animal guts are thrown at her,hot boiling water is poured on her and finally her eyeball is punctured with a needle(really sick and nasty scene).The makers of this unforgettable torture show tried to make it as real as possible and for me this one is the closest thing to a snuff film you can get without committing murder on tape.Of course some of the special effects are rather poor but the idea of making a snuff is pretty gruesome.I have seen also "Flowers of Flesh and Blood" which is more gory and sadistic,but less disturbing.Anyway,this one is a must-see for horror fans! | 1pos
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] |
There are some comments about this film that say that it is a bad and silly one and such an excellent actor as Pierre Fresnay should not have accepted to act in it. I think, just the opposite, that, even when the film is strange and has some weaknesses, the performance of Pierre Fresnay is so formidable that it converts the film in something excellent. His performance is probably the best in history. The film itself has a very polemic scene about the consecration of wine in the cabaret. For somebody who does not believe that a priest even a defrocked one can convert it in Christ's blood, the scene is perhaps bizarre. But for somebody who has been raised in a catholic framework, it is very emotive even if quite unpleasant. The scene of the death of the younger priest is tremendously shocking. But it is very well acted. Pierre Fresnay turns the crazy act of murder in something understandable within the temporal madness of his character, the tortured defrocked Morand who, in this terrible way, comes back to his duty. | 1pos
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] |
The late 1980's and early 1990s were the time live in. Especially if you had cable or big dish satellite and could pick up WWOR TV New Jersey 9 out of Secaucus. Howard Stern back then unleashed his adult brand of radio and TV humor that would be recognized later from E and Howard TV OnDemand. This version of The Howard Stern Show was on the level of Public Access. It had that cheap budget on the fly kinda feel with a bit more lean towards Party Time and Rock On all night long. The Howard Stern Show was sponsored by Snapple Ice Tea and this helped introduce it's pitch lady Wendy Kauffman "The Snapple Lady" to the rest of the world. Today ownership rights of the master 3/4 inch video tapes keep changing hands and there is no possibility what so ever of this show ever coming to DVD and Blu Ray Disc unless Alpha Blue or Anchorbay Entertainment gets hold of them. | -1no label
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] |
What an absolute pile of pants. Having read Chris Brookmyre's books religiously since I came across "Quite Ugly...", I was delighted to find out that this drama had been commissioned. I obviously had too much faith. Nesbitt is probably the best thing in this show - and even he doesn't quite fit. How anyone can read the book, and then adapt it to this piece of dross is beyond me. Entire characters are changed, situations are dropped, and to see Parlablane's dramatic break-in reduced to Nesbitt doing a quick chin up and sliding open a bay window... it brought tears to my eyes. I dread to think what's going to happen with "Country Of The Blind" if this is the benchmark... Please, just avoid it... | 0neg
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] |
I had high hopes for this one until they changed the name to 'The Shepherd : Border Patrol, the lamest movie name ever, what was wrong with just 'The Shepherd'. This is a by the numbers action flick that tips its hat at many classic Van Damme films. There is a nice bit of action in a bar which reminded me of hard target and universal soldier but directed with no intensity or flair which is a shame. There is one great line about 'being p*ss drunk and carrying a rabbit' and some OK action scenes let down by the cheapness of it all. A lot of the times the dialogue doesn't match the characters mouth and the stunt men fall down dead a split second before even being shot. The end fight is one of the better Van Damme fights except the Director tries to go a bit too John Woo and fails also introducing flashbacks which no one really cares about just gets in the way of the action which is the whole point of a van Damme film. Not good, not bad, just average generic action. | 0neg
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] |
A story about a grown-up pair of Siamese twin brothers - one does wonder. "Twin Falls Idaho" is a quiet yet possibly disturbing film (only if one is uncomfortable with the idea of looking at a pair of conjoined twins' physical features, which was actually only subtly featured). It is thought provoking and calmly sentimental. Well-written, acted, and just the right dosage, I felt. It's a tender story about brotherly love, man and woman young love, sons and motherly love - full of humanity. The natural delivery of everyone in the movie, including Penny's friend, the doctor who gave a routine check up on the twins - there's a casualness and ease to his brief performance. Michele Hicks somehow fits perfectly into the role of Penny - there's just the enough measure of beauty and heart demonstrated by her acting. There's also her low voice, the way she talks; her lean figure, the way she walks. Along with the ever fascinating to watch Leslie Ann Warren, 'tis blessed casting. The Polish brothers are themselves remarkable. How they delivered such poignant sensitivity about a pair of attached Siamese twins, when they themselves were not, is amazing. Michael Polish directed this script that he wrote with brother Mark. It's not Hollywood, not action movie. It is independent film flavor. It has no glamour - it does have some artistic camera angles and a dreamlike flashback sequence. But it is an intriguing film to experience, at its own pace, without rushing anything. The tone and mood, and the dim photography might suggest otherwise, but there is suspense and a secret to unfold. It all comes together naturally, with its slow dance. Its ending? Go see for yourself - it's an experience that would worth your while. Applause to the Polish Brothers and everyone involved in the production of this film. | -1no label
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] |
I looked at this as simply a good story, a solid drama that happened to have the sport of boxing figure into it. "Boxing movies." if people insist on labeling this under that category, were particularly popular around the time of this film. Many of them had similar stories about a good guy being told to take a dive or else. Yes, that was in here, too, but it wasn't anywhere near the central part of the story. This film was more of an earlier "Raging Bull"-type tale in that it concentrated on the friends, family, freeloaders, criminals and women surrounding the main male character. This was more of a story about a decent man who gets carried away with success and with the power and money that goes with it. As good as the lead actor, John Garfield, was in here - and he was good - I was more intrigued with the supporting characters. Lilly Palmer looked and sounded the part of a refined sweet, pretty French girl (whatever that means) and was a good contrast to the uneducated and quick tempered brute (Garfield). As in so many stories, she wasn't fully appreciated by her man until the end. Anne Revere, as Garfield's mom (she seemed to always play the lead character's mother in 1940s films) was fascinating as she always was and kudos to Joseph Peveny as "Shorty" and Lloyd Gough a "Roberts." Both added a lot to the film. Wlliam Conrad and Hazel Brooks added some great film noir-- type dialog, berating each other once in a while. These actors, and the photography of James Wong Howe, make this a cut above most if not all the so-called "boxing films." | -1no label
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] |
Saw this one recently and found the subject matter quite interesting, namely a 28 year old boy who doesn't want to leave the comfort of his parents' home. However hard they try to get him to leave he just won't go ! The film is a bit long and the idea wears itself out a bit by the end but the film is guaranteed to make you laugh ........... unless of course you have a child like Tangu ! I didn't see the relevance of the "Asia" element but presumably it was added in an effort to give "spice" to the film. Whatever the case, the acting is first rate and I think the film should in the coming months gain worldwide renown ( if indeed it is diffused in other countries than France ). If you've seen Tatie Danielle by the same cineast (Chatiliez) the caustic humour of this film is similar to that. Quite an original style and worth seeing ! | -1no label
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] |
I remember catching this film on a C4 screening a year ago and I was completely blown away by the whole thing. I thought the film managed to represent such a diversity of genres; the supernatural, a love story, the intrigue of crime, and so many more. I was hooked on the whole thing after a minute or so and was really concerned about the characters. It made me feel terrified at one second for Jimmy, and then had me laughing away at the gangsters in the next... and all the time I had my fingers crossed that things would work out for Jimbo! Heath Ledger and Rose Bryne are superb, Bryan Brown is absolute quality and had me creasing up, along with David Field, who was funny as well as being an evil git. Since I saw this film I managed to order it on DVD and as a result, every person I show it to has been hooked in much the same way. This film is perfect for a Sunday afternoon or a lazy evening, and it's one that you can really appreciate with your mates around. | 1pos
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] |
First of all I thought it was naughty of them to say in the credits that the story and screenplay were by Preston Sturges. Sturges was one of the better Hollywood screenwriters until his talent faded and he retired. However, it wasn't the Preston Sturges, it was Preston Sturges, Jr. The story was essentially based on Robert Louis Stevenson's short story "The Bottle Imp". A good man comes into possession of an evil object that will grant him any wish but which will ultimately doom him to hell. That's fine. Nobody said screenwriters had to be original. The actors are generally pretty competent given the mediocre writing that they had to translate onto the screen. My biggest complaint comes with the ending. The hero thinks he has discovered a way out of his dilemma but tries to solve the problem in a somewhat different way in an attempt to save an innocent person. At first this seems to have worked but true to the code of the modern horror film, they feel they have to provide one last dollop of horror at the very end of the film. This is a stupid convention. The older horror films got along just fine with allowing the hero to win out at the end. There is nothing wrong with good triumphing over evil no matter what the current crop of film makers seems to think. You can give the audience a good healthy scare and still make them feel happy at the end. In fact, I think it's preferable. | 0neg
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] |
I saw this film last night at the Fantasia film festival and I really enjoyed it!! It's well written, well directed and the relatively unknown actors are doing a fine job! In fact my only complaint, but it's a major one in my book, reside in the image quality of this film. As far as I understand, this film was shot on mini-DV and, unfortunately, it shows. There's a serious lack of definition and, most of the time, the image is very noisy! Hopefully it will look better whenever it comes out on DVD but, on a giant screen in a theater, it doesn't come out very good. Take in note that I work in the industry as a quality control technician, so my opinion on this matter could be a little strong compare to most people. As a matter of fact a friend of mine was present during this showing and told me that she didn't even notice that it was shot on mini-DV so... :) Beside that factor I really enjoyed this film and I strongly recommend it! | -1no label
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] |
I usually don't walk out of a movie, but halfway thru I did. This movie promised something different, but I kept thinking haven't I seen that before? Spoiler Alert! Back in 1, the spaceship crashes and lands on earth, well, all these years later, with a super adult on board no less, this thing still manages to burn up and crash! What, this advanced civilization can't seem to develop landing gear? For an industry that's so liberal, we get to see another Woody Allen movie, no blacks please! Superman runs around saving people, making sure he sticks to Europe and the US, don't go into darkie areas please. Maybe I could stomach this about 30 years ago, but now now. | 0neg
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] |
As with most Roadrunner cartoons there is not much of a plot just lots of failed attempts by Wile E Coyote to catch the Roadrunner for his dinner. His methods are amusing though; the best being the the pop-up barrier he installs in the road, of course it doesn't work when the Roadrunner goes past but a few minutes when Coyote is using "Acme Triple-Strength Fortified Leg Muscle Vitamins" which enable him to run so fast he literally sets the road on fire this barrier springs up just in time for him to run into it. If you like other Warner Brothers' cartoons I'm sure you'll like this although if I wanted to watch a few Roadrunner shorts I'd mix them in with other character's cartoons or they might seem rather repetitive. | -1no label
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] |
is not a bad movie but the acting and the screenplay can be better. I like this movie because i have a life that is in good part like the one in the movie. is hard for a lost generation to get a life in Romania, and 90 percent of us choose something else, and that something else includes dealing with people with "bad habits" if you understand me but that comes with the territory. this movie represent me and i like it. i have a rage in me that i barley talk with people, i live in a messed up society and i can't fit in and i don't want to,and that's the story of movie also, if you r like me you can understand the true movie, if not you will find it easy and cheap. | 1pos
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] |
This sequel is unworthy of Disney legend: First, the bonuses are a shame: no additional animation and only the choice to see the songs of the movie (what is the "scene selection" for then ?). Second, the animation is confused: some parts are good, other haven't even the level of the Saturday cartoons! Third, the story is too boring: if the end is rather enjoyable, it took maybe 40 long minutes to get there! So, what is left ? Only a good cast of characters: if the movie focuses maybe on the irritating Iago (the movie should have been titled "The Return of Iago!!!"), the gentle Genie is rather funny and Jasmine is one of the most beautiful Disney woman! OK, I feel a bias because my personal path crossed the one of a Arabian girl, and the two are really like twins, in their expressions as well as their charms! So, I guess I should rather look for the first one, to find more Jasmine (and nostalgia of my friend) & a better story !!!!! | -1no label
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] |
I have been watching this show since I was 14 and I've loved it ever since. I love this show because it's just plain funny! You will enjoy this show a lot because it shows something new and funnier everyday and my favorite part is when Benny always has her last comments on George after every punchline about his fat giant head.*laughs* I would laugh and I'd watch it with my friends at home it'd be like we were watching a funny movie but short. Love George Lopez. Funny, talented,funny,spectacular. This is a cool-funny-family comedy series enjoyable to everyone and you will definitely enjoy it--I did! And if you haven't watched it yet I suggest that you start watching because you wouldn't want to stop watching it. Even though there aren't anymore brand new episodes I still enjoy the re-runs. Still funny. Never wears off. 9/10 | 1pos
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] |
... and I have seen some bad ones. I have nothing good to say about this movie. The acting is poor by Jennifer Tilly - as to be expected. Daryl Hannah does an OK job, but nothing close to being able to save this movie. The biggest flaw in this film is that the plot is so weak - though based on a good premise - that the writer resorted to the "stupid heroine trick" to create a contrived suspense. When all Daryl Hannah would have to do is hide, she runs out in front of her pursuer. The hospital scene is absurd. Without exposing too much of what passes for a plot, I think it would be difficult for a bloody petite woman to carry a pregnant from a hospital without being noticed. Lame. Very lame. Save yourself some time and pick out another flick. | 0neg
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] |
I'm thinking of some things for this movie: First, really is a very bad movie. This is really "Superbad". The film looked very promising in the trailers but fell flat... Maybe the original idea was good, but between a bad script and bad acting the movie became boring and empty. My advise is don't waste 2 hours of your precious time. You have been warned. This is the first movie I rated 1 star at IMDb.com... Second, none of the characters are likable. You really don't care what happened to them... Third, the villain is very easy to identify. The grandson kills his father, sodomizes the friend's son, get the maid pregnant, smothers his grandfather... Like JT says, "If you like evil with no retribution, this is your movie". Nothing more to say... | 0neg
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] |
This concert is the type of concert that only comes around every twenty years or so, Madonna's Confessions on a dance floor era will certainly be remembered as one of the high points of her career. She's 48 and she looks simply divine, she keeps up with the dancers that are almost twenty years her junior. I am also very glad to report that all the songs were sung live, which is good because she actually sounds better live. Each song was so unique, the visuals where stunning. The performance of 'Live to tell' was fantastic and had me awestruck, 'Isaac' was exotic and gorgeous and was rich with political symbolism, the Arabic horn, the American eagle set free. I particularly liked the rockin performance of 'I Love New York', i almost stood up in my lounge room and cheered when she told her critics to suck George Bushes ****. And then again i was impressed by the 70's inspired music (inferno remix). This Spectacular decedent Concert made a fan out of me. Verdict: Highly Recommended with a Capital H. | 1pos
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] |
My brother and I had never heard of this movie and had no intention of seeing it or any other movie the day we saw it. Just after having lunch, we walked by the theater and they had big signs announcing that Warlords of the 21st Century was only $1! Wow--a first-run movie for only a buck?! So we took the bait and saw the movie with absolutely no preconceptions--we didn't know who was in it, what it was about--in fact, we had never heard of it before. So, my final verdict?! It was overpriced--I want my dollar back! In fact, they should have PAID US to see this claptrap. The movie had lousy acting, writing, directing, etc. etc etc. It was a cheap, quickly assembled and uninteresting knockoff of the Road Warrior flicks. So bad that Troma films would be ashamed to release it! | -1no label
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] |
THE DECOY is one of those independent productions, made by obvious newcomers, but it doesn't have all the usual flaws that sink most such films. It has a definite story, it has adequate acting, the photography is very good, the hero and the bad guy are both formidable men, and the background music isn't overdone. This is a DVD New Release, so people will be looking here to see if it's worthwhile. I don't know where all the 10's come from, as there's no way this film is that good --- even if you're the filmmaker's mother. The last film we saw at a theater was Warner's trashing of J K Rawlings much-loved and excellent book, Order of the Phoenix. In comparing THE DECOY with PHOENIX, consider that PHOENIX (as made by Warners) had no story, certainly no acting was allowed by the director, the photography was dreadful, and the wall-of-sound overbearing musical score was just a mess. I rated Phoenix a "1" because the scale doesn't go any lower. THE DECOY is 4 times better -- in all regards. If you have the opportunity, give THE DECOY a chance. Remember, this isn't "Decoy 3 -- the Shootout" or any such nonsense. It's original. If your expectations aren't overblown by the foolish "10" scores here, you might just enjoy the film on its own terms. | 0neg
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] |
I saw the movie in the theater at its release, then watched the VHS tape over the years, and while strolling through Target saw this DVD bundled with "Pushing Tin" for the exorbitant sum of $5.50. There is something about this comedy that has really clicked with me - how Kelsey Grammar, "with a tattoo on his thing", is an unorthodox commander who inherits a rusty diesel sub and a crew of screwballs and misfits. He's up against the Navy's best - a Los Angeles Class nuclear attack sub - and his old captain (Wm Macy). Bruce Dern plays the bad guy, Rip Torn the admiral running the exercise - If you don't laugh hysterically during the "run silent" segment with the cook, well, you have a different kind of humor from me. Towards the end the machinist says "D.B.F." with no explanation - it is apparently some inside knowledge gotten from an old submariner consultant - thanks to Google I learned that with the advent of the nuclear subs the old salts would wear "DBF" pins - Diesel Boats Forever. A Navy friend said that many of the technical aspects aren't correct but who cares - it is one of the funniest movies I've seen. I don't think it takes a clairvoyant to know who will win in this exercise! | 1pos
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] |
I've seen it before but I've never had occasion or the inclination to do it myself: apologise for giving a movie such a high rating. The punch line seems to be JCVD thinks this is good stuff. After every movie he releases the critics as one gang up on him and saw him to pieces for every imaginable and unimaginable cinematic crime. And he writes to them - he writes to them and apologises. And laments his latest and greatest didn't turn out as good as he'd counted on. And then he launches into a narrative about his next movie - and how good this next one, as opposed to all the losers before it, is going to be. Either the guy is just an astute businessman or he really thinks these movies are great or both. Either way it doesn't matter and what really matters is what we get to watch. No one I know would ever 'choose' to watch a movie like this. That we did watch it has to do with the fact that transmission is poor right now where we are living in paradise and there's only one channel and this is all that was on. Oh good grief. There's a certain competition going on amongst these non-actors: seeing who can come up with the goriest most unbelievably bloody, disgusting, and bloody disgusting scenes. And that's bad enough. But the direction and the S/FX make it even worse. A Bugs Bunny cartoon has more realism - and come to think of it, a Bugs Bunny cartoon has more pathos as well. This is a husk - it isn't a movie. It's downright unadulterated pathetic. Avoid at all costs. For that matter, avoid all movies made by this 'tussle from Brussels' at all costs. | -1no label
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] |
This is a great film in many different ways...perhaps the most important is that it introduces Western audiences to the remarkable, tragic story of Aung San Suu Kyi and her fight for freedom and democracy. Wonderful acting, gorgeous cinematography, breathtaking action and suspense: "Beyond Rangoon" has everything. I've seen this movie several times over the last ten years and each time it means more to me. Not everyone will like it (hence the relatively low rating on IMDb), but that's because it is not conventional Hollywood dumbtainment; rather, it challenges the viewer on several levels. I've never watched it without sobbing at the end and promising to live a more meaningful life. | 1pos
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] |
The action in this movie beats Sunny bhai in Gadar. Akshay Kumar possess the superpowers of Leonidus in 300, Neo in Matrix along with Spiderman and Superman. It is hilarious. Except for the typical Akshay Kumar and Anil Kapoor comedy I cannot see anything positive in this film. The story looks like the writer told his 10yr old son to write. The movie is so unreal that Anil Kapoors long range shooting with a shotgun is the least most mistake by the director. Except for the directors Tashan to make this movie there is no other Tashan. I regret wasting my money on this movie and I would not recommend it to anybody. 1/10 is the least I can give on IMDb or I would give it a zero. | 0neg
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] |
This is not what you would expect when you see the front cover of the DVD. Actually, it's not even close. It's just a "Scream" kind of film where a masked guy chases some frightened teenagers through an isolated mental hospital. From my point of view the first film was way better than this one. The first puts the accent on the horror part, this one emphasizes the bloody, cruel and disgustful part. As for the plot, it's a little bit incoherent because you actually don't know who killed the children's parents in the beginning of the movie. Anyway, "Boogeyman 2" is definitely not a horror fan's movie and I am a little disappointed in it's shallow approach of the Boogeyman subject. | -1no label
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] |
First, let me start off by saying this film SOUNDED very interesting: A serial killer copycatting the works of Edgar Allan Poe (who is one of my writers of all time). Sounds cool, right? Yeah, definitely not. Probably the worst film I've ever seen. Ever. And that's not an exaggeration. I've seen a lot of very, very bad movies. This one takes the cake. And I was even prepared for a bad movie before going into it. Perhaps the writer should've studied some law enforcement procedure: If you have the name of the killer, his entire life's history, a criminal record, and HIS ADDRESS, where is the first place you should look? Hmm. . . possibly. . . his house? What?! NO! That's a preposterous idea, Anthony! How could you suggest something so obvious and level-headed rather than going to a bowling alley? *spoilers end* Honestly, sometimes I can forgive a movie if the writing is good but the acting is bad, or vice versa. . . but this just had everything wrong with it you could possibly find. I think my biggest pet peeve was how the police/FBI acted. For example: Black FBI Agent: "Okay, endangered female, just sit here in this car in an empty parking lot while I go inside and look around the potential crime scene where a serial killer is supposed to be. Sound good to you?" Moronic Female FBI Agent: "Yeah, sounds a-okay to me. Go right ahead. I'll be sure to not focus on my surroundings or at least check the perimeter." Black FBI Agent: "Excellent, that's what I would do!" Honestly, if you want to be in law enforcement, rent this movie so you can learn how not to act. . . or if you're a human and want to learn the same. 0.5/10: A half-point just for getting a film produced and in stores. Congrats. -AP3- | 0neg
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] |
Wow, right from the start this movie is a real downer, not exactly an uplifting film! This is really depressing. William Hurt, Robert Duvall, Raul Julia, Sandrine Bonnaire and Jean-Marc Barr star in a film dealing with a plague that is infecting a South American city. It sounds interesting, which is why I rented it, along with the great cast. However, I found this very disappointing, not only because it was so depressing but it's too talky, the photography disappointed me and I think it tries to be a lot "smarter" than it comes across. I can't see a lot of people enjoying this film. Half the cast members don't seem to be into this story, either, especially Duvall who usually gives great performances. A friend of mine suggested I read the book and forget the movie. I should have taken her advice. At least the author was famous. | -1no label
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] |
'Beverly Hills Cop II' is an utterly obnoxious movie that epitomises the worst aspects of flashy '80s action and serves only as a monument to Bruckheimer and Simpson's lack of interest in anything besides cars, guns, tits and swearing. Sandwiched between the enjoyable original and the underrated third movie, not only is this sequel soulless, abrasive and boring, it's entirely lacking in laughs. Eddie Murphy's Foley comes off as a rude, selfish jerk this time round, and it's the fatal flaw of the movie than none of his shtick is remotely inventive. He just talks and talks and talks and talks and talks. Meanwhile the overly complicated plot relies on moronic coincidence to drag itself from one empty set piece to another, and the gaps in logic are filled with unmemorable pop songs, orange filters, Harold Faltermeyer's keyboard/electric guitar/bin lid/biscuit tin score, shoulder pads, bright red lipstick and big sunglasses. Diabolical. | -1no label
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] |
remember when you would hear a song & try to claim it before anyone else saying "that's my jam"? well "this my movie". not too many people know of this one which in a strange way is a good thing. we don't want it to be spoiled by mainstream biters. i myself just happened to stumble across this one when doing the typical back and forth at the blockbuster a few years back. i saw the cover and it looked appealing - let's see, a romantic comedy without meg ryan? black peeps who are professionals with upper mobility? a story that's actually not about the stereotypical thug? it's an original, creative story made by very talented actors, producers, and music biggies. soundtrack is on-point, characters are likable, even the cameos are well-chosen! overall it's a funny feel-good flick smoothed out on the r&b tip wit a pop appeal, appeal, to it. | -1no label
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] |
Every Sunday is an eleven minute short subject featuring the talents of two of its young juvenile contract players, a pair who would develop into players of note in the future. It's interesting and entertaining to see the contrasting styles of Judy Garland and Deanna Durbin as they perform at a Sunday concert for Deanna's uncle. Of course no one knew how big both of these young ladies would get to be. I've always wondered why Mayer kept Garland and let Durbin go to Universal. L.B. always had pretensions to culture and this was the guy who had Jeanette MacDonald at his studio and later on hired such lovely soprano voices as Jane Powell, Ann Blyth, Doretta Morrow, etc. Judy certainly had her glorious career at MGM, but she paid a heavy price for it. Deanna, along with Abbott&Costello and several Gothic horror monsters preserved Universal pictures. She was smart enough to get out at the top and make it stick. So, in their salad days, Deanna Durbin and Judy Garland. | 1pos
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] |
A friend of mine purchased this movie in a bargain bin, with a few others. Now, I am generally a fan of bad movies, particularly bad horror movies... This film however, left me aghast. I can summarize this simply, with the event that transpired after the film completed. Me:"I will give you a quarter to let me microwave that." Friend:"5 cents a second." The quarter was more then enough to put that poor DVD out of its misery. It then was aptly flung around until it shattered on a radiator. This movie is firmly placed at the status of "The Worst Movie Ever". And anytime someone brings up an alternative, I merely offer this one up as evidence. This movie has only a single place, that of forgotten obscurity, it is unfortunate that it was so bad, it has been wedged into my mind forever. | -1no label
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] |
This is the most awful film I have ever seen in my life...and I'm not exaggerating. First off, the direction is horrible; there is zero suspense where there is supposed to be. Pat Morita's character is not developed at all, and the rest of the cast were mediocre. Lots of the dialogue is cheesy and robotic. The kids find the Japanese sailor in their hide-out place and from there, nothing really happens for a while...it just lags on and on and on... The Japanese sailor acts all goofy and is not convincing at all!!! The ending is both flat and very un-realistic and you're left with a feeling like..THATS IT???!!! Falls flat on its face, even for kids...it's a total waste of your time. It might start off looking good but it turns into a jungle of crap scenes. WHATEVER YOU DO, DON'T WATCH IT!!!!!!!!!!!!! FOR YOUR OWN GOOD!!! | -1no label
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] |
I am a lover of all foreign cinema especially the Asian side of things but for me this came under the radar. I had not heard of this until i rented it in my local video shop 2 years ago. World cinema is far popular now than when i first got into it and i'm not to sure thats such a good thing because there was a time where only the best titles made there way to this country, a time where renting a foreign film guaranteed quality but that changed with the sudden American studio interest. This film was apart of that era for me, a film that i picked up many times but couldn't bring myself to rent. Wow was i wrong This film is politically based but mythically set, get past the war and into the ethos of dongmakgol and you have a far more enjoyable film. I am not writing off the atrocities of war by no means but the way the spirit of this village has in bringing these enemies together is what the film is all about. From the performances to the music score and even the quality SFX this film amazed me, how this isn't more widely appreciated is a sin. I urge all the people who read this that haven't seen it to watch it, and if you don't enjoy it then i can at least say i tried. | -1no label
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] |
In what is arguably the best outdoor adventure film of all time, four city guys confront nature's wrath, in a story of survival. The setting is backwoods Georgia, with its forests, mountains, and wild rivers. The director, John Boorman, chose to use local people, not actors, to portray secondary characters. These locals imbue the film with a depth of characterization unequaled in film history. No central casting "actors" could ever come close to these people's remarkable faces, voices, or actions. I don't recall a film wherein the secondary characters are so realistic and colorful. As much as anything else, it is this gritty realism that makes this film so amazing. Another strength is the film's theme. Nature, in the wild, can be violent. How appropriate that the setting should be the American South. Very few places in the U.S. are, or have been, as violent as redneck country. In a story about Darwinian survival of the fittest, the film conveys the idea that humans are part of nature, not separate from it. "Deliverance" is very much a product of its time when, unlike today, Americans expressed concern over a vanishing wilderness. The film's magnificent scenery, the sounds of birds, frogs, crickets, and the roar of the river rapids, combined with the absence of civilization, all convey an environmental message. And that is another strength of the film. At an entertainment level, the tension gradually escalates, as the plot proceeds. Not even half way into the film the tension becomes extreme, and then never lets up, not until the final credits roll. Very few films can sustain that level of intensity over such a long span of plot. Finally, the film's technical quality is topnotch. Direction and editing are flawless. Cinematography is excellent. Dialogue is interesting. And the acting is terrific. Burt Reynolds has never been better. Ned Beatty is perfectly cast and does a fine job. And Jon Voight should have been nominated for an Oscar. If there is a weak link in the film, it is the music, which strikes me as timid. Overall, "Deliverance" almost certainly will appeal to viewers who like outdoor adventure. Even for those who don't, the gritty characterizations, the acting, and the plot tension are reasons enough to watch this film, one of the finest in cinema history. | 1pos
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] |
Are you guys kidding? This is one of the worst films ever! The acting is atrocious, and there is almost nothing morally redeemable about the film at all. Racist, sexist, imperialistic--c'mon, get a life! The little 'slave' boy, grinning lackey slacker? Who just won't work reliably for the white trader? The idea that women's worth is to be measured on the basis of her looks (though admitting we can sometimes be wrong about it)???? That men set the value of all things, including women? This is truly as bad as it gets. Too bad Mormon children --especially the girls-- have to grow up with this crap. | -1no label
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] |
.... But that`s probably because I was expecting the worst movie ever made . This remake of the classic Brit thriller is far from being the worst movie ever made but it is rather substandard . Director Stephen Kay seems to have been influenced by MTV and this shows up in his directing , a funeral scenes is accompanied by a Moby song , a punch up is accompanied by Rush Holme With Love by Mint Royale ( A track that seems to be to film soundtracks this decade what Voodoo Chile was to film soundtracks the last decade ) while the final sequence closes with a track from Grove Armada . I do confess I do like MTV but if you don`t you`ll hate this directing style . There`s two aspects to the script that I disliked . One is the dialogue that tries to be super cool with lines like " Hold on there slick , all of a sudden you`re the f***in` good guy " and " We`ll take it to another level " which sounds false and unconvincing . The other is changes made to the original 1971 movie . I won`t spoil it for you but nearly everything from bleak original has been changed to a completely inferior story . If you liked the way everything worked in the original you`ll dislike the way everything plays out here The cast are very uneven and strangely for a thriller it`s the female cast members that give the best performances especially Rachael Leigh Cook and Miranda Richardson . It goes without saying Sly fails as a violent anti hero while Alan Cumming is very annoying and camp . Mickey Rourke spends the entire movie posing , John McGinley seems to be on speed while Michael Caine makes little impression . This remake isn`t as bad as some people have made out though it`s not nearly as good as the original . I give it four out of ten | -1no label
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] |
Pretty much run of the mill western displaying many of the same plot lines that have been rather beaten to death in the Western genre. Star William Holden gives a fairly mediocre performance for him in this one. Eleanor Parker, his female foil and romantic interest is very blase and dutifully unthespian like as the temptress who ultimately falls for the hero. The civil war theme is an important cinematic experience, but the film lacks a lot from a creative standpoint. The portrayal of the Indians as flat characters worthy of slaughter is never more obviously shown than here. The best part about the movie was probably the performance of old civil war veteran William Demarest who is very convincing in his crusty old sidekick backup role. The Cinematography was good, except for the fact that they chose for a location a real flat desert terrain with no vegetation whatsoever, so the good camera work is somewhat spoiled therein. I would give this picture about 4 stars (out of 10). | -1no label
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] |
Only at the IMDb can one find multiple positive comments for awful films - doesn't matter how awful, what film, who made it, or who's in it - the film will have its defenders. Well, I'm sorry to say, this film cannot be defended on any level, and this comes from someone who will pretty much go to the mat to defend Blake Edwards, because I think he's a great director. But, this film comes from his worst period - where he was making one completely unfunny film after another. This, however, is the nadir of his career. There is not one funny gag (and I cannot say the same about any other Edwards film), not one funny performance, not one patented Edwards great comedy shot, just and endless series of terrible gags, all rehashed from better films, until this thing finally limps to its stupid conclusion. One knows one is in trouble the minute the film begins, when one is assaulted by an insipid rock-and-roll (circa 80s) song instead of a witty or tuneful Mancini score. One knows one is in further trouble when there is not one single note of Mancini music in the film, even though he receives credit for Original Music. The only Mancini piece, save for the title song, is source music for a player piano. Otherwise, we get Blake trying to be hip and using rock songs - well, they not only stink, but they kill the comedy. I think I'm going to look up what are generally considered the worst films ever made, and my guess is that every single one of them will have at least five people saying it's a misunderstood masterpiece. Of course, what one comes to realize are that these "reviews" are written by people who were kids when they saw the films in question - and when that's the scenario, they love everything they saw as kids. No person with any critical faculties could think A Fine Mess is anything but A Fine Mess. | -1no label
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] |
Now when this movie first came out, no one really saw it. Critics gave it bad reviews. Part of the issue was the original Terms of Endearment was made back in 1983. So when some of the cast came back 13 years later, it can lose some of its box office draw. However, the time that passed actually made this movie more believable as the characters had also aged. Shirley MacLaine reprises her role and does a nice job, trying to raise her dead daughter's children. The movie stays grounded by dealing with everyday issues as well as getting older and the trials of a non-traditional family. Paxton plays a nice role in this film adding a little flare to the shadowing plot of Shirley MacLaine's character getting older. Nicholson's return, although brief, helped this film round itself out. See this one only if you see Terms of Endearment first. Best Scene: Nicholson and MacLaine re-living the past on the beach. | -1no label
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] |
This movie is little more than poorly-made, fetish porn, and this is saying a lot considering the similar crap that was made in that era. This was recommended to me by friend as a "unique film experience." He was right. I suppose he meant that as a joke. Not disgusting, not even that shocking. Just mediocre acting and poor attempts at shock art. A little bit of camp value, though I don't believe the makers of this film intended this. And yes, as a previous reviewer mentioned, it's sex with a guy in a bear suit. Don't spend a lot of money on this. Try to borrow it, if you must see it. Or contact me, I'd be happy to sell you my copy for half price. I may have to see another of this particular director's films, as he seems to have a certain following. But if it's anything like this, I will again regret another 2 hours of my life gone forever. | 0neg
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] |
Not a classic to be sure, but a decent TV movie-of-the-week adaptation of the oft-filmed Conan Doyle novel. Although it departs somewhat from the book, all the essential elements of the story are there. The cast does its best, and Granger makes an interesting Holmes. It would have been nice to have seen him as the Great Detective in other movies; he really was a class act. As noted by others, Bernard Fox is a more than adequate Dr. Watson. The costumes and sets are also good for a made-for-TV production of this era. But that music! You'd think that with the entire Universal Studios library of music at their disposal, the producers could have chosen more appropriate themes and cues! At about 72 minutes, this brief version of a classic mystery makes an enjoyable time-filler; suitable for family viewing. | -1no label
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] |
All I can say is, before watching the movie I did not have a hint indication who Annemarie Schwarzenbach was or what was her life story..and I have to confess that the movie was hardly a help to reach these data.. and even it was not successful to persuade me to do some research by typing few words on google website; however, all I can say is that the actress Jeanette Hain was great with her mute facial expression she really played well and showed a deep depression mental status, as it is in real. After all , based on the script the movie has happened in turkey and Tehran as well as Afghanistan.. but believe me I am familiar with the area , it was all about an Arabic desert in morocco.. Turkish people and persian people are completely different in face and culture as well as in language which is not arabic.. I suppose for making a film like this- documentary type- a thorough research about all these minor elements is mandatory.. | 0neg
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] |
i was listening to an overachieving radio show called Jake and Jackie one of their blow hards recommend that people go out and see this movie. let me just say it was god awful if anyone likes this film they clearly have the IQ of Paris Hilton on crystal method. Personally if i were you i would stay away from this movie. Robert Altman a really great director but he really s'd the bed on this one. Instead of seeing this everyone should go out and see broke back mountain gay cowboys are a much better watch. hope this helps and i hope this doesn't turn you off of altman's films. Jake and Jackie i hope you appreciate this | -1no label
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] |
I think I've seen worse films, so I'm giving this a 3, but it's a struggle to remember what they could have been!! Possibly Xtro (nasty & dull) or possibly Creep (just plain dull), but it is a struggle to think of something worse. It's difficult to know where to start. Let's just say it's a poor man's Under Siege, starring an even poorer man's Jean Claude Van Damme. The only redeeming feature was seeing Casper Van Dien - I always wondered what happened to him after Starship Troopers. Yes, he was Johnny Rico, if you really want to know. Judging from this site, he's been stuck in TV movie hell.... Casper, be more selective.... please!!!!!!!!!!!! Arghhhhh, I've just turned over and there's a half decent film on called Criminal Law...... now I'm beginning to get really resentful about the last 1.5hrs!!! | 0neg
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While in a plane, flicking through the large choice of movies, I came across Live! almost accidentally. oh boy! what a choice. I remembered vaguely seeing the trailer over a year ago and completely forgot about it expecting no more than another cheesy nonsense movie about a stupid reality show. Now I can easily say this has been a hell of a ride. I don't remember last time I have been so excited, terrified. Not sure if it was the high altitude playing with my senses, but the suspense grow gradually through the movie until reaching a climax where you can't turn away from the screen, literally sitting on the edge of your seat and biting the remaining nails you've got. You will first go through a personal moral assessment of where you stand about the righteousness of the show. You will drift from thinking "how come the human being can be so vicious" to "why not after all?".Ask yourself would you do it. Then learn about the contestants, their motives and start guessing. You will then watch contestant pulling the trigger one by one and get excited even though you know the first candidate is safe. Good acting, good directing, with a movie experience that reminds you those old movies where you knew what would happen in the next scene but still were craving for more. *Spoilers* couple of things i would have changed: - the casting of the contestants. i have really been moved by the farmer and we should have had a bit more like him. The idea of a rich writer who wants to be famous is a bit stupid, it felt like you didn't care about some of the contestants. Although this might have been done on purpose, i think the audience should have been able to associate with the majority of the contestants. - game rules, a big glitch : what happens if the 5th contestants doesn't die when he pulls the trigger. do you seriously think the last standing guy will pull the trigger and execute himself!!! they should have given a chance to all contestants to live, ie: if 5th is a blank too, then no one dies. interestingly I haven't been bothered too much by this bad points cause i really had a good time. just wish i had some popcorn with me! | 1pos
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To paraphrase Thora Birch: "I kind of like this movie. It's the exact opposite of everything I hate in a film". This obscure film was too low key and intelligent to get a theatrical release, any chance for success would have needed a costly promotional campaign. And a coming of age story where nothing spectacular happens - where instead the focus is on character development, has a limited target audience. Whoever heard of a mature teen movie? But if you have an opportunity to see this or if you can part with a few bucks for the DVD, you could do a lot worse. "My Teacher's Wife" is nothing revolutionary but it has a lot going for it and holds up well to repeated viewings. Jason London (as high school senior Todd Boomer) is the star and fits this character as well as his parts in "The Man In the Moon" and "Dazed and Confused". He is helped out by exceptional work from his supporting cast. Tia Carrere in the title role is a revelation (she can act) as Todd's calculus tutor and love interest. Christopher McDonald as the teacher in a nice self-parodying performance. Zak Orth and Alexondra Lee as Todd's best friends, and Jeffrey Tabor as his father. As someone commented earlier, this is a "mature" teen movie because the romantic relationships are universally unsuccessful-at least by traditional happy ending standards. Even Todd's parents are indifferent to each other, with his father panting after the title character and his mother (Leslie Lyles) literally on the telephone during her entire time on screen (a device that provides increasing comedy relief with each successive appearance). The London-Carrere romance has unexpected charm and is far more believable than any other older woman storyline you are likely to find. But the real strength of the film is the evolving relationship of the three friends. There is no overwrought melodrama here, just three immature people who alternate between testing and trusting each other, subject to all the dynamics that three young people can bring to this kind of thing. They actually manage to pull off a "believable" three-person relationship, perhaps the first one in cinema history. Then again, what do I know? I'm only a child. | 1pos
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This 1955 heist film follows Tony le Stephanois, recently released from prison for theft, as he undertakes the robbery of his life. He teams up with his old heist buddies and they bring in an expert safe-cracker, Cesar from Milan (played by Jules Dassin, who also directed. He only directed because he had been blacklisted as a communist in the U.S. and couldn't work in Hollywood.) The brilliance of this film is the 1/2 hour during the robbery. During all this time, there is no dialogue and no music, only the muted sounds of digging through the floor or drilling the safe. This increases the suspense and draws you in. They get away with several hundred million francs worth of jewels, but a jewel offered to a dancer by Cesar brings their haul to the attention of a trio of brutal brothers. They set out to get the stash for themselves and bring misfortune in their wake. Great heist/gangster movie, but I prefer J.-P. Melville's films in this genre. This movie is like some lemonade I had last night. I had gone to a Caribbean restaurant and the lemonade was made with sugar cane juice instead of sugar. It also had a lot of ice and was heavy on the lemons, leaving it fairly sour (which I like). The sugar cane juice imparted a subtle, slightly more mellow taste to it than actual sugar, and the ice made sure it was cold and refreshing as I sucked it down. 7.5/10 http://blog.myspace.com/locoformovies | 1pos
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It took a long time until I could find the title in a special videothek in Berlin, and I was lucky to find an english version with hollandish undertitles. I think it´s one of the best horrormovies ever. It seems strange for me that some people call this movie a black comedy. I must admit, I wasn´t able to laugh about, when I saw it the first time (and it was the same with the second time!) On the one hand Trelkovski seems so nice and even cute in his shy behaviour, but on the other hand he beats this boy on the playground and there is no explanation for that. But the most weired thing is of course his transformation in Simone Choule and the fact, that he doesn´t know, who he really is. His halluzinations are the most terrifying in this movie. Of course it´s all in his mind, but is it this flat that brings out this female side of him or was it also before he moved in - I think that´s an interesting question. His shizophrenic behaviour is hard to understand and it´s horrible to see his two sides or identities fighting against each other. The result of it is that he cuts his hand first and later jumps out of his/her window. But this terrible cry - does that mean, that all will repeat again and again and again... that his soul is in a cage or something? And these egyptian hieroglyphs and other egyptian stuff ? The fact, that he/she looks like a mummy in the Hospital - that´s not an incident, but a clue in my point of view. | 1pos
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*spoilers* I will admit that I was unable to make it all the way through this movie. The two reasons for this were. 1. Narrators voice was monotone. When you narrate a movie, it will pull the audience out of the experience, so you better have a really fun/sad/interesting voice to listen to. The narrator did not seem to care what was going on, no matter what happened it was always the same low drone voice. Picture Ben Stein.. "Bueller? Bueller? Bueller?". Some people had touched on bad acting, but I can live with a bad actor if the movie has a believable plot line. Which brings me to #2 2. So what made this movie soo unbelievable? The fact that, in 1998, a poor bunch of public access TV hosts had access to the internet in the middle of the woods. Even today we don't really have access in remote areas without expensive equipment. Perhaps I missed the explanation of how this was possible.. but I doubt it. I love IRC, so to see this movie use it as part of the plot line was laughable.. In closing, I hope that everyone involved in this movie learned from it. The Blair Witch creators took this idea and made it better. 10x better and even The Blair Witch kind of sucked. So when you see this playing on Sundance or IFC, please take that into consideration. | -1no label
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] |
Not a bad film as American cops and robbers cinema goes. But I am puzzled why so many US films focus on the toilet bowl of their society, burned out ghettos and amoral, worthless, usually unshaven characters. There is nobody in this movie to like. I know nothing about Long Beach NY but this film certainly triggers no desire on my part to visit there. Isn't that the reason communities lobby for filmmakers to shoot movies. I get a kick out of visiting places I have seen on film (or seeing films shot in places I have been.) Long Beach looks about as desirable as downtown Detroit. (And they never shoot movies there.) I found the whole thing depressing when it could have been inspiring. I generously gave it a four. | -1no label
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This film is waste of time, money, oxygen, cigarettes, cokes, electricity, etc. It cannot be worse than this. There is no acting, no directing, no camera moves or tricks or effects... The script is awful. Full of clichés, the worst ones... Music is just stupid. The casting is utterly and totally catastrophe. I like KURUPT though. But he does not talk very much. They tried to mix the white western culture and black R&B-HIPHOP thing!!! I don't even know what to call it. What is David Carradine doing there? Believe me I really want to give away the ending, but I will not, I don't know why. just DON'T !!!!!!!!!!!!!! Please... I am begging you | -1no label
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] |
The sad thing about Frontline is that once you watch three or four episodes of it you really begin to understand that it is not far away from what happens in real life. What is really sad is that it also makes extremely funny. The Frontline team in Series One consists of Brian Thompson ( Bruno Lawrence )- a man who truly lives and dies merely by the ratings his show gets. Occasionally his stunts to achieve these ratings see him run in with his Line Producer Emma Thompson ( Alison Whyte ); a woman who hasn't lost all her journalistic integrity and is prepared to defend moral scruples on occasions. The same cannot be said of Reporter Brooke Vandenberg ( Jane Kennedy )- a reporter who has had all the substance sucked out of her- so much so that when interviewing Ben Elton she needs to be instructed to laugh. Her reports usually consist of interviewing celebrities ( with whom she has or hasn't 'crossed paths' with before ) or scandalous unethical reports that usually backfire. Martin De Stasio ( Tiriel Mora ) is the reporter with whom the team relies on for gravitas and dignity, as he has the smarts of 21 years of journalism behind him. His doesn't have principles so much as a nous of what makes a good journalistic story, though he does draw the occasional line. Parading over this chaos ( in name ) is Mike Moore ( Rob Sitch ) an egotistical, naive reporter who can't see that he's only a pretty face for the grubby journalism. He often finds his morals being compromised simply because Brian appeals to his vanity and allows his stupidity to do the rest. Frontline is the sort of show that there needs to be more of, because it shows that while in modern times happiness, safety and deep political insight are interesting things; it's much easier to rate with scandal, fear and tabloid celebrities. | 1pos
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] |
what shall i say what hasn't been said so far. "absolute Giganten" is one of my all-time favorite flicks. This movie has everything, it deals with great friendship, melancholy, a lot of fun, tragic and love. The imagery is beautiful, the spare dialogues rock. Its set in Hamburg, and i can't imagine any other place that would have worked out that well with the plot and the feeling. Great actors as well, "DULLE, DULLE, DULLE" ;) I envy all the people who haven't seen it so far, because they can experience it the first time. So go and watch it. p.s. on october,26 2006 schippers second movie will hit the screen - "Ein Freund von mir" | -1no label
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] |
As soon as the credits rolled on Saturday night you could feel it in the air that the doctor was most definitely back! Watching those iconic moments where Christopher Eccelston met Billie Piper was the beginning of a huge long adventure. With this new series it brings with it substences in which the previous version of the show lacked. For instence, the emotion between the Doctor and his companion which they seemed to dismiss in the old series, as well as the doctor actually falling in love with a companion and receiving her love in return. Yet as we know, the doctor shall forever remain lonely as the end of Season 2 proved, he could not stay with a companion forever. Watching those moments, your eyes filling with tears as the doctor says his final farewell to the only companion he has ever loved, were moments beautifully written and acted. This show however proved it can live on as the doctor meets many other companions along his lonely yet exciting journey through his never ending life. Openeing new doors and secrets every episode it's a sure show for the family to enjoy... As Christopher Eccelston once described the show... "The journey of a lifetime." | 1pos
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] |
This is a movie about people receiving a love letter. Nobody knows who sent in and nobody knows who it is for. A good cast, headed up by Kate Capshaw, Tom Selleck and Ellen DeGeneres. This, however, is a completely dopey plot. As an example, the Capshaw character, one of the leading citizens of a small town in New England, takes up with an immature college student who works in her bookstore during the summer. She chooses him instead of Tom Selleck, the town firefighter who is crazy about her. If that isn't the epitome of stupidity, I don't know what is. Just an example of how dopey this movie is. Watching Kate Capshaw jog is a pleasure, but you immediately realize that she has never jogged a day in her life. Another obviously dopey part of a dopey movie. | 0neg
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] |
I cannot remember a more trivial, mind numbing and shallow film in other words a real chick flick of the worst kind. How can anyone watch this film and recommend it to others ? Only if they don't like admitting they made a mistake. It seems to summarise the worst of female aspirations. No real substance to it all happy and shallow. Yeah that'll please the masses. Well not this member of the masses. What a trivial load of drivel. I wanted to leave the cinema within 5 minutes of the start. And to think I paid £7 to see this ! I think this does however represent the dumbing down of cinema as with most media these days. So I like a bit of reality in my musicals call me sad or what ? | 0neg
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Originally filmed in 1999 as a TV pilot, "Mulholland Dr." was rejected. The next year, David Lynch received money to film new scenes to make the movie suitable to be shown in theaters. He did so - and created one of the greatest, most bizarre and nightmarish films ever made. The film really doesn't have main characters, but if there were main characters, they would be Betty (Naomi Watts) and Rita (Laura Elena Harring). Betty is a perky blonde who's staying in her aunt's apartment while she auditions for parts in movies. She finds Rita in her aunt's apartment and decides to help her. You see, Rita's lost her memory. She has no clue who she is. She takes her name, Rita, from a "Gilda" poster in the bathroom. So the two set out to discover who Rita really is. David Lynch has been known for making some weird movies, but this film is the definition of weird. It's bizarre, nightmarish, and absolute indescribable. It's like a dream captured on film. By the 100-minute point, the film has become extremely confusing - but if you've been watching closely, it will make perfect sense. Having watched the movie and then read an article on the Internet pointing out things in the film, I now understand the movie completely. The acting is very good. Watts is terrific. Justin Theroux is very good as a Hollywood director facing problems with the local mob. The music is excellent. Angelo Badalamenti delivers one of his finest scores. And the directing - hah! David Lynch is as masterful a filmmaker as ever there was. Is this your type of film? Well, that depends. You should probably view more of Lynch's work before watching this movie. You'll need to be patient with the film, and probably watch it a second time to pick up the many clues Lynch has left throughout the movie. For Lynch fans, this is a dream come true. "Mulholland Dr." is a masterpiece. It's brilliant, enigmatic, and masterfully filmed. I love it. | 1pos
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] |
I quite enjoyed The Wrecking Crew (1999), which was the last of the three films in this series (the first being Urban Menace (1999) which I've yet to see). I know it was baaaaad, but the three leads did a pretty decent job, all things considered. This, however, was truly atrocious. Ice-T was dreadful, and he's the producer! Can't say I've ever heard of Silkk The Shocker (who apparently never learnt how to spell), but his performance was one of the worst I've ever seen in a movie. Miss Jones did pretty well in her small role, though she later went on to make some atrocious, racist "jokes" on her radio show after the SE Asian tsunami (plus other occasions sadly). Way to go, girl... No-one else comes out with any credit. Strangely, TJ Storm and Ernie Hudson (who are both pretty bad here) are far better in The Wrecking Crew, which was made, along with Urban Menace, at the same time as Corrupt. How that works, I don't know. I'm going to try the Ice-T commentary now, to see whether he apologises for the film, or tries to make us think it's a great piece of film-making. | 0neg
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] |
When first saw Pet Cemetery II I wasn't expecting anything that would come close to the original, and I was right. First off the film isn't anything like the original the only thing remaining from the first film is the pet cemetery all other aspects of the first that made it good have been changed. The plot is basically a kid and his father move back to the town after the death of their mother/ex-wife, the kids makes friends with another kid who's dog dies and they bury it in the cemetery, well I think you know the rest. The predictability of the entire plot was just sad, I mean I could guess exactly what would happen next. The acting was average nothing horrible, nothing special. The film although directed by the person from the first was nothing like the first, whereas the first film used suspense and dark atmosphere with only very minor gore effects, The second film skips the suspense and atmosphere and goes straight for the gore, It seems like the director wanted to go in a different direction with this film in order to make it more action-packed, it really doesn't work. Overall this film ends up being everything the first wasn't, predictable, weak and just downright stupid. If your a fan of the original I wouldn't recommend this to you at all considering all the things you loved about the first have disappeared in this one. | -1no label
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] |
I can't believe some of the reviews I've read on this site about The Road to Wellville. Some people complain that it was crude and disgusting, others complain that it didn't have a coherent plot, and still others whine that it wasn't historically accurate (concerning Dr. Kellogg's methods). Those reviewers clearly missed the boat. As for those who thought the movie was crude and disgusting, what did you expect from a comedy set in a turn-of-the-century health sanitorium run by a well meaning but eccentric doctor? Such a movie is bound to contain scenes of patients vomiting, getting enemas, and having a sexual tryst or two, just as undoubtedly occurred in many health sanitoriums at that time. Furthermore, none of those scenes were graphic, so I don't understand anybody being offended by them. As for complaints that the movie didn't have a coherent plot, it didn't need one. It was a comedy, not a drama! The health sanitorium setting was a perfect vehicle for satirizing turn-of-the-century attitudes about health, and it was the dialogue and comedic situations that held the movie together and kept it moving, not its plot. Finally, for those who complain that the movie wasn't historically accurate about Dr. Kellogg's actual methods (such as his character's use of electric-powered machines for health therapy), the movie was a comedy, not a biography! It was meant to elicit laughs, and in that respect it was a smashing success. I haven't laughed so much during a movie in a long time. Some people should take Sargeant Hulka's ("Stripes") advice and "lighten up." Good comedy is not dependent on plot or historical accuracy to be entertaining; all that matters is that it's funny, and Wellville was one of the funniest comedies I've ever seen. | -1no label
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] |
Do you love Music? Or Do you love Western? Or Do you love Space fiction? If you love one of these, you will love Cowboy Bebop. This is what an anime fan could get after a month worth of prayers. Spike, Faye, Jet, Ed and Ein (Data Dog) are the lead characters. Its about a group of Bounty hunters looking for money, they *almost* succeed in catching the big fishes but never get the money that they deserve. Spike appears to be the central character with a troubled past who joins hand with Jet, a veteran ISSP Cop. Other characters join in over time. Everyone acts on his own and no one expects others to help them in the acts. There are some episodes that got little to do with the main story but then there are some where the main story eats up even the opening theme. Its a high action and drama anime, Highly recommended for everyone ( including people who quite never loved the "past" and "memory" based anime ) Buy it. Rent it, only if you can't buy it! For me the movie also turned out to be above expectations. I would rate that little above the series. | -1no label
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] |
Wayne Wang's direction may be the ingredient which made this film much more impressive to me than "Slums of Beverly Hills", which covers remarkably similar ground. The interplay between Susan Sarandon and Natalie Portman is riveting. Real chemistry there. This film succeeded in bringing me inside the dysfunctional life of these two women without dragging me down into depressed frustration. Susan Sarandon's character hammers at all the nerves which a narcissistic parent is capable of touching in an insecure adolescent. She amazingly manages to do this without coming across as floridly insane or intentionally sadistic. And, Natalie Portman deflects each attack on her character's ego with the resigned grace of an intelligent codependent child, untainted by the smug cynicism of the Natasha Lyonne character in "Slums of Beverly Hills". Portman's character is an adolescent with dignity under stress, an unusual creature in modern films. The film reaches a very satisfying resolution without trying too hard. I highly recommend this film to the viewer who wants to be challenged and entertained. | 1pos
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] |
Connie Selleca, whose acting rivals that of Ali McGraw as the worst actress ever to hit Hollywood or Made-for TV-Movies, has little redeeming value in this film. So much so that Kevin Dobson's infidelity is totally understandable. If Buck Rogers divorced her in real life, that should tell you something. As much as Kate Hepburn's quivering chin and teary eyes are an annoyance to devotees of serious acting in film, Connie Selleca's wooden gestures and her inability to deliver a line with any meaningful emotion are enough to invoke the "throw-up" doctrine for evaluating films: If an actor's inability to act creates such nausea that vomiting in unavoidable, then the film itself should be consigned to the nearest trash-bin. Ms. Selleca should do us all a favor and retire at once from the film biz. | -1no label
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] |
The summary is only for those who hate this movie, as finding the movie OK or average is acceptable. Visiting this movie on IMDb has made me nostalgic as I can't help myself going back in the year 1994. I was one of the few lucky ones who saw this movie in theaters. It instantly became one of my favourite comedies and took some years to make it my favourite. How can I say what made this movie my favourite? Was it the excellent writing ( story was OK but screenplay and dialogues were fabulous) Was it the superlative performances? Was it the mood of the film? After thinking about it for so many years I say it has to be a mixture. It is one of those movies which didn't have any flaws not even its music.(the other movie coming up in my mind right now is Sholay) PS: Rajkumar Santoshi please keep a balance between your drama and comedy movies. Only 1 comedy is not enough. I want moreeeeeeee.......... | 1pos
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] |
This is the type of movie you get when giving a camera to a bunch of drunken fat guys that watched way too much porno in their lives. They presumably intended to make their very own imitation of Wes Craven's "Last House on the Left" with aggressive sex scenes and violent revenge-action, only they only got around filming the sex footage and completely forgot about the action. Two young girls, surprisingly cute-looking and sympathetic, are picked up by bored rednecks and brought to a remote place where they get raped and beaten for hours! It's unbelievable how LONG these rape sequences last! Viagra must have been popular in the early 70's already. When the dirty beer-drinking & pot-smoking farmers have finally satisfied their lusts, the girls try to get back to civilization on foot but sadly for them they get captured by a pathetic hippie-cult, led by what unquestionably must be THE most annoying guy I've ever seen. The agony of this film ends with two totally unrelated characters having sex with a prostitute in a sleazy motel room. Who the hell are those people??? Just in case you still have doubts, "Wrong Way" should NOT be watched by anyone who still has some good taste left in him/her. The absolute low point was when the camera zoomed in on the girls as they were washing their vagina after being raped several times. At that point, I was really wondering why I was still watching this crap. The editing is lousy and the choice of music couldn't be more wrong. None of the cast members starred in another movie ever again and that's probably for the best. Rating 2 out of 10; a point for the girls each because I honestly felt sorry for them. | -1no label
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] |
British comedies tend to fall into one of two main types: the quiet, introspective, usually romantic study and the farcical social satire. Settings, characters, and concepts vary but certain characteristics place the vast majority of shows into one of the two categories. Butterflies is perhaps the epitomé of the first type. The scripts are very verbal, including long interior monologues by the main character Ria, a basically happy but unsettled housewife curious about what she might have missed out on when she embarked on a thoroughly conventional life. When she meets a successful but clumsy and emotionally accessible businessman (who makes his interest in her quite clear), she toys with the idea of finding out what the other path might have offered. The acting and scripts are always on the money, which makes one's reaction to the show almost entirely a personal one: I was neither blown away by it nor turned off. My mother, on the other hand, adored this show. I think the degree to which one identifies with Ria's dilemma is the most important factor in determining one's reaction to Butterflies. | 1pos
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] |
Enter the Ninja (1981) was the first of several "Ninja" films produced by Cannon starring or co-starring Japanese sensation Sho Kosugi. But the star of the first "Ninja" film was legendary tough guy Franco Nero. Sadly not even Mr. Nero or Sho Kosugi couldn't make this film watchable. When you have two bad dudes in an action film and it's neither watchable or fun, somethings amiss. But I digress. Skip this chapter and watch the next films in the series. They're more interesting and a whole lot of fun. Next is Revenge of the Ninja. Instead of playing the "evil oriental" (I use that term tongue in cheek mind you). He's the star! Strange for a western film. Watch that one instead. Not recommended except for die hard Sho Kosugi fans or Cannon film buffs. | 0neg
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] |
You know, I really hate IMDb's censor system, since my entire review is almost gone if you take out the cursing. But here we go. Editing time! Holy moley is this bad. I thought it might be a cool little movie, judging by the plot summary, since yknow I've blindly rented such gems as Frailty and American Nightmare before. But this is just abominal. It's about a killer who uses Edgar Allen Poe's works as reference for his murderous exploits, and the story of a detective who has to stop him. Can't these blithering hacks make a good movie without defiling the grave of a great horror writer? I mean, the kills in here are completely devoid of thought or originality, and the references to Poe are hokey and fake, without enough thought put into them. They're shallow, and they put Poe's work to shame. Full of holes, with awful sequencing. The acting is bad too, reminding me of the abortion that was known in some third world countries as "Fear X", what with all the pausing and un-emotional lines. I realize this is an indie movie, but that's no excuse. I've seen high school kids act better then these morons, and I myself could've come up with better kill scenes and a better plot, given ample time. This has no reason to exist. Avoid at all costs. | 0neg
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] |
210 minute version (extremely hardcore, or so I hear) or the R-rated version released into theaters? Both are terribly awful, of course. Peter O'Toole and Malcolm McDowell have both claimed they wish they had never made this film (the latter of the two men reported this in an IMDb interview!), and I can see why. Nothing but a nonsensical mess of softcore porn and a half-hearted attempt at a plot. Not much of anything here, other than cheap tricks and stupid scenes. I liked what McDowell himself said about the film: "It was like one moment I'd be staring, admiring my mule or something, and the next scene would be two lesbians going at it." How true. What an awful movie. 1/5 stars. | 0neg
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"The Danish Bladerunner" is boldly stated on the box. Are you kidding me?! This film is a complete drag. When I'm thirsty and go for a soda in the kitchen, I usually pause the vcr, so I won't miss anything. Not this time. I actually found myself looking long and hard in the fridge, just so I wouldn't have to go back. Why the hell is there not ONE sciencefiction-scriptwriter out there who has the vaguest clue about how computers work? It's mindboggling. One of the premises of film, is that our hero (who's a hacker), has a little computerassistant to help him (the Microsoft Office paperclip finally caught on in the future). When he loses the assistant in the movie, he's helpless and can't get into any computers. HE'S A HACKER! It's like saying, that you can't drive your car, if you don't have your lucky "driving-cap" on. I won't even go into the lightning-effect when he recieves electroshock... | 0neg
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] |
Quite possibly the nicest woman in show business, and the sexiest, Debbie gives another fine performance here. Although her work in American Nightmare was far superior, she is still worth watching in this film. The cast is filled with your typical Melrose Place types, chiseled features and seductive curves, that I had never seen before. Other than Debbie, Laura Nativo was the only actress I had seen before, in the similar Delta Delta Die. The plot centers around a group of California arrogants who initiate poor naive Debbie Rochon into their clique. They tell her that they have a murder club, and that she must kill someone to be accepted. Debbie wants nothing more but to be accepted by these cool people, so she quickly kills a person, and now the group must decide what to do with her, after she fell for their joke. VIOLENCE: $$$$$ (Plentiful! Debbie Rochon occasionally has blood splattered all over her and all of the murder scenes are done in your face. Gore hounds will surely enjoy!) NUDITY: $$$$$ (Plentiful as well! Debbie Rochon has several nude scenes as do many of the no-name actresses and actors. The pool party seems as just an excuse to get everyone naked; man and woman alike. Julie Strain also has a topless cameo but her character is gone after the first five minutes). STORY: $$ (Could have received a higher vote because the plot was very interesting and unique but the plot serves as filler between nude scenes. I understand that B-Rate films use nudity often, but this is borderline excessive). ACTING: $ (The acting is sub standard to say the least. Rochon is always a treat, easily the best B-Rate actress in the business today, but her character in American Nightmare was superior. Danny Wolske does a fine job as Debbie's object of lust but the other actors were nothing to write about). | 0neg
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] |
Nine months may not be the worst movie in the world but, it didn't make very much of an impression on me. The humor is all slapstick-so Much slapstick-that I found annoying rather then funny. Hugh and Julianne have been much better in other roles, in fact I don't like Julianne as a comedic actress, her forte is definitely drama. There are a million movies around like this and I happen to be a fan of predictable romantic comedies(if their good) but I found the characters and humor very weak and even though the movie's not DECADES old or anything it looks dated now, especially the hairstyles. I wouldn't call this terrible but I wouldn't call it interesting either and all these wonderful incredible talented performers have done their best work elsewhere. | -1no label
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] |
At first the movie seemed like an excuse for a soft porn movie. The only reason I stayed with it was because the acting was pretty good. Later it evolves into an interesting, twisted who's it. So in the end, I'm glad I stayed with it. In a movie this complicated, I am sure there are some loose ends, but I thought they did a good job of tying things together in the end. I was OK with the flashbacks and plot twists, but I am probably not your average viewer. It is true you have to pay attention to keep everything straight. If you don't like to stay with a film, it may not be the film for you. They do keep you guessing to the end. | -1no label
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Despite an overall pleasing plot and expensive production one wonders how a director can make so many clumsy cultural mistakes. Where were the Japanese wardrobe and cultural consultants? Not on the payroll apparently. A Japanese friend of mine actually laughed out loud at some of the cultural absurdities she watched unfold before her eyes. In a later conversation she said, "Imagine a Finnish director making a movie in Fnnish about the American Civil War using blond Swedish actors as union Army and Frenchmen as the Confederates. Worse imagine dressing the Scarlet O'Hara female lead in a period hoop skirt missing the hoop and sporting a 1950's hairdo. Maybe some people in Finland might not realize that the hoop skirt was "missing the hoop" or recognize the bizarre Jane Mansfield hair, but in Atlanta they would not believe their eyes or ears....and be laughing in the aisles...excellent story and photography be damned. So...watching Memoirs of a Geisha was painful for anyone familiar with Japanese cultural nuances, actual geisha or Japanese dress, and that was the topic of the movie! Hollywood is amazing in its myopic view of film making. They frequently get the big money things right while letting the details that really polish a films refinement embarrassingly wrong. I thought "The Last Samurai" was the crowning achievement of how bad an otherwise good film on Japan could be. Memoirs of a Geisha is embarrassingly better and worse at the same time. | 0neg
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That Certain Summer is way ahead of it's time for the year 1972.I did not see the movie when it originally aired in 1972. I had not even heard of the movie until I received this movie on VHS tape from a collector.I watched it a couple of nights ago, and I was amazed at the subject matter for the year 1972.First off, the cast was excellent. Hal Holbrook, Hope Lange, Martin Sheen, and Scott Jacoby were just right for their roles.The scenery and setting of San Francisco added to the film's atmosphere.What I like best about the movie is the way that the story ended. The ending did not produce any certain answers for the family involved.The viewer can decide whether the family will make it through the heartache and hurt that all of them are experiencing.This movie was very well done,and is very tender and touching.I recommend this movie very much.I have this movie. | -1no label
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] |
Really the tale of two cocky brothers and their respective falls from grace (via drug addiction) and later redemption. One brother, a self-proclaimed genius played by James Franco is your typical sensitive but intelligent man-child. The other brother is a hard-working future doctor who becomes less judgmental as he himself falls prey to addiction while dealing with the stress of living up to his family's expectations for both children. Not too heavy handed as drug fables are want to be, and all in all a pretty realistic sketch of the family dynamics that drug problems bring about. I'd recommend it to anyone interested in such character studies and commend James Franco for his efforts in what was obviously a labor of love. | 1pos
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] |
Exceptionally bad! OF course you should expect nothing less from the likes Andrew Van Slee. How the hell does that man make a living making crap? Apparently not just movies, but songs too, he has the midas touch - everything he touches is crap! Big smelling pile of steaming crap! This movie sucks so much, here's what really bad: 1) The sets are pathetic! Apparently they were so small, that in EVERY scene the actors had to walk as s l o w as possible in order to stay on set. And they were so fake and bad, like when there in the woods, yet there on sand? 2) The acting is sooo freaking bad, the cast is deplorable, where did they get these people? In one scene the guy is TRYING to cry and emote, it is terrible! This is the poorest casting EVER! 3) The title had NOTHING to do with the movie! Not like there was much plot anyway. 4) The camera work. Wow, really bad. There are so many shots where someone was giving dialogue, but only half of their face was in the shot! They must have been in a rush to get this steaming pile of crap of a movie out to the public. 5) The 'gore' was pathetic. The least a stupid horror movie can do is give us good death scenes, reward us with watching these stupid people getting grusemly killed - but NO, its so bad with just fake movie blood thrown on someone to show that they are dead. I would have liked a big gaping wound when a throat gets slashed instead of stupid red magic marker drawn on the victim's neck - which is exactly what this movie does. The best part of the movie: One of the characters says at one point "We should just all kill oursleves" to express her hopelessness at the situation. Yes, that is true, they should have killed themselves, that would have been MUCH better. In fact, everyone involved with the making of this atrocity should kill themselves. | -1no label
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] |
There are basically no big compromises made in "Black Robe," a source of great disappointment to most reviewers. There are interesting characters, a variety of messages, lots of visualized information but no reduction to something easy to accept. No personable characters for whom we can forgive any deed or word, no overarching stirring message, no overblown hope. In fact, how did the film get so much complex reality in? While the clash of cultures is presented, so are the clashes within cultures -- notably among the first nations but covering conflicts among Europeans as well. The film does not reduce the lives of its characters to any simple clash, theme, or plot. The reductionist aspect to the film is the undercutting of the way that people structure their lives around traits, values, kin, enemies -- these meanings are shown, by contrast among cultures and by plot development, to be insufficient and misleading. We cannot identify with the characters because their loves and ideas are shown to be misguided. I felt invigorated and depressed when I saw it on the screen and again on TV. Unlike the morbid European art films of the 60s that showed the meaningless of life by inventing meaningless lives, "Black Robe" shows people immersed in rich lives -- hard, beautiful, complex, compelling. While the plot may be slow, each scene draws you into a ton of immediate new reality, so you sense you are learning a lot about how people lived and believed and felt. By letting the characters glimpse the error of their constructions -- the insufficiency of love, the limits of faith, the death of kin, the hollowness of stoicism -- the director erodes our own hope for that most human of activities, giving meaning to life. I think this is among the best films ever made. Certainly something like Citizen Kane is childish by comparison. | -1no label
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] |
This is the final episode we deserved. At the end of the last season, things were left in a 'life goes on' mood, which was hardly the wrap-up that this realistic series deserved. While not a happy show, this series was always one that made you think (a rare thing on television), and this is no exception. 'Is death justified by reasoning?' 'Are morals reflective of society, or is society shaped by the morals that are selected by the few in power?' 'What is a just death, and can it exist?' All of these questions, and more, are posed by the writers of this show every week, and this is their final thesis. Fine acting, great writing, wonderful camera-work, brilliant editing, clean direction. If you have seen the series and you missed this when it first ran, then get a hold on a copy somehow. If you never watched the series when it ran, then this will stand up on its own, but it may be heavy going trying to keep up with who all the characters are and what they are alluding to in their varied pasts. For those of us who were avid viewers of the series in the last two seasons, this is very satisfying viewing. | 1pos
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] |
I enjoyed this movie a lot at its screening at the Venice Film Festival! It is a fun thing to remember, that the little girl main actress in this film was really crying in the lap of her real mother after the movie was over and while there was a standing ovation. It must have been the first time she'd have seen the finished film. * spoilers maybe ahead * Absolutely extraordinary guiding through some Historical places by the mediteranean sea. It's in portuguese. They speak several languages on a boat. John Malkovich is the awesome captain on that boat. And there you see him talk for hours with Catherine Deneuve and some other actresses. They talk about civilisation, history, languages, society... lots of interesting stuff! As some I heard the opinion from they though this film was badly boring in its talking and in its trying to teach us a lesson in all from the history of Europe, good manners, communication and so forth. But I enjoy a lot when a movie obviously tries to teach me a lesson in such things. Be it supposed to be common knowledge, seeing that orthodox priest talk at the Parthenon, see the two main characters talk and learn through the historical places is very interesting. Most importantly I find the cinematography in this movie very beautiful, specially when they talk on the boat and do stuff on the boat. I rate this movie 8/10, at least.. | -1no label
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] |
SEE! Mick Jagger portrayed by a Canadian actor whose accent moves from London to Ontario in a single sentence! SEE! Linda McCartney and Jim Morrison have a tasteful sex scene that looks like it belongs in a Skinemax 'erotic thriller'! SEE! A bunch of 're-staged' Linda snapshots of The Beatles (or a less than amazing simulation)! SEE! Why Gary Bakewell's Paul in Backbeat was reduced to a secondary character! SEE! Paul propound on the dangers of breast cancer and come up with a song title at the same time! SEE! Yoko take the blame! SEE! John be a complete and utter ass! SEE! Paul collapse into alcoholism (though we never see him inhale any wacky tobakky)! DON'T HEAR! The dreaded Hey Jude soundboard tape! TRY! To forget you ever watched this dreadful biopic! | -1no label
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] |
Kekekili is a mountainous wilderness in Tibet, home to the Tibetan antelope - now an endangered species since their fur became a valued commodity in the west. In the early 90's a group of volunteers formed to protect the antelope from poachers, working with meagre resources in a hostile terrain. When one of the volunteers is murdered, a journalist from Beijing travels to Kekexili to follow the patrol and tell their story. Tibet is a country that many in the west have a very romantic image of - a culture and lifestyle as far removed from modern, urban society as any on earth. The reality of Tibetan life in the modern age is probably that it's tough, first and foremost. Kekexili is a simple film, telling the story with no bells and whistles or attempt to shoehorn in clichéd dramatic devices, or to make the characters fit particular archetypes. People and events are presented plainly as the patrol pursue a group of poachers over the gorgeous backdrop of the mountain wilderness, risking their lives to protect the endangered antelope - but compromising themselves ethically along the way too. The ending is perhaps a little unsatisfying, but I guess reality can be like that :) | -1no label
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