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This is a truly awful and irritating episode of the original Star Trek series. Off the top of my head, I can only think of one worse episode. The biggest reason is that the fundamental plot is just annoyingly stupid. It seems that the Greek god, Apollo, is living out in space on his own planet. When the Enterprise comes near, he seizes it and brings down selected crew members to worship him and live like Greek hippies. How stupid can you get?! They meet Apollo in space?! THAT Apollo?! Hello,...is it just me, or is this really dumb. Kirk, always the first to kill a god (see the awful STAR TREK V movie and the "Val" episode for more about this), orders a sexy crew member to refuse Apollo's love in order to tick him off--even though she really does think the guy is pretty buff and sweet. Despite being a starring player, I don't think she ever returns for a follow-up episode--too bad. And, once this occurs, they manage to kill off Apollo!!! Yeah, right. The less said, the better. | -1no label
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I can't comment on the accuracy of this production, historical or literary, but I can say that I enjoyed it. If there is a God, the sound track will be released, Ilona Sekacz' work is truly enduring. Twenty years on I am still moved by the haunting themes of this production and return to it frequently. The story surrounds the entry into society of Catherine Moreland. Somewhat awkward and possessed of an unhealthy interest in Gothic stories (early pulp fiction?), Catherine descends on Bath in the company of Mrs Allen where she meets Henry Tilney. She is invited to visit the Tilneys at Northanger Abbey, the seat of the formidable (and somewhat financially challenged) General Tilney, who has the unfortunate misconception that there is wealth afoot. Where mutual attraction mixes with family finance, dispute is inevitable. This coupled with Catherines vivid imagination, leads her to fear for her safety. Her eventual departure is marred by accusations and counter accusations of deception and connivance. But the attraction between Catherine and Henry stands these trials. He returns to provide a happy ending. This final scene is especially compelling, given the incidental music of Ilona Sekacz. It may well be a "bad" production from the purists viewpoint, gaudy costumes and shaky performances not withstanding, but for me it's 88 minutes of bliss. | 1pos
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] |
This film is based on another film! It's a bad starting point. Now the worst thing is that the original one is far better than this copy. It's much a copy than a "based on" kind of thing. Don't waste your time and see the original, more details of original movie (Nueve Reinas): http://www.IMDb.com/title/tt0247586/ with 7,6/10 IMDb votes (over 3500 votes) This film is based on another film! It's a bad starting point. Now the worst thing is that the original one is far better than this copy. It's much a copy than a "based on" kind of thing. | -1no label
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What's up with David Janssen? I've seen any number of films he stars in and I've yet to see why or how the guy made so many films, especially late in his career. I know he made some good stuff early on like The Fugitive, but does anyone find the David Janssen that appeared in The Swiss Conspiracy appealing? Are we really supposed to believe the scenes of him in bed with Senta Berger? I'm not buying it for a second. He's got that greasy, unwashed look to him like he's on a three-day bender and has had one too many bottles of Scotch and just finished his third pack of cigarettes before noon. Actors like Clint Eastwood can scowl through a whole movie and look tough. Janssen just looks like he's got some sort of lower intestinal problem. And what's with that hair? Why in the world would anyone grow their sideburns long enough to comb them back over their ears? Did he really think that was a good look? As for The Swiss Conspiracy, there's a reason you can buy it in the U.S. for $1 from every public domain company to come down the pike it's not very good. It's amazing that you can take a cast that includes the aforementioned Janssen (regardless of my rant, I still like him), Senta Berger, John Saxon, John Ireland, Elke Sommer, Ray Milland, and Anton Diffring and make something this bad. Each of these actors appeared in any number of films that I enjoy. But not here. Part of the problem is that most of these actors are so underutilized that you wonder what made them want to do this film in the first place. Take John Saxon. His tough, Chicago hood character would have been great had he stuck around for more than 10 minutes. What a waste! | -1no label
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] |
Not only is this movie a great film for basic cinematography (screenplay, acting, setting, etc.) but also for it's realism. This movie could take place in any farm or rural setting. It makes no difference if the movie takes place in Louisiana or if it would take place in Kansas. The story and the messages it includes would remain the same. This movie shows family values and connections for an older audience, while at the same time it shows youthful behavior for the younger viewers. Everyone who watches this will walk away with something having touched them personally, I know I did. The ending hits way too close to home for me not to burst into tears every time I watch it. The ending stresses the importance of farm safety, and everyone who has ever worked on a farm needs to see this film. Not paying attention and carelessness gets you into dangerous situations. | 1pos
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] |
Despite a seemingly hokey premise, Frogs is one of the more memorable and effective entries in the nature-revenge genre. Family living in Florida's Okefenokee Swamp have been exterminating the local wild life, now it seems that the creatures are all out to kill them! Frogs is a movie that never fails to be sweat-inducing, especially to those who don't like reptiles! All manner of swamp wild life is used for this film - snakes, spiders, gators, lizards, heck even a turtle! So with all these critters coming for our unsuspecting human characters there's plenty of tension to be had! Director McCowan makes good use of the boggy setting and gives it an atmospheric feeling of certain doom! The eerie score also helps as well. The films cast is good. Veteran Ray Milland is perfect as the Crockett family's stubborn elder. Young, attractive Sam Elliot is decent as a nature photographer who happens on the scene. Joan Van Ark is good as Elliot's love interest and Adam Roarke as her no-account brother. The supporting cast is also on cue. While Frogs may be a B thriller that's best taken tongue-in-cheek, it's solidly done and is sure to cause a few chills! *** out of **** | -1no label
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] |
I caught a bit of this concert on public television and knew I had to have it. The boys give everyone at the Royal Albert an excellent, often thrilling performance complete in every way. Pure, too - no synth, no smoke-shrouded lasers and strobes, no grandiose entrance (and an unstoned, serious, and appreciative audience, all of whom left their bottle rockets at home). If you're a Cream fan (or if you've only heard of them); if you're a blues fan; if you're a rock 'n' roll fan; you will not be disappointed when you view and listen to this DVD. You also will never lose this DVD because you'll never lend it to anyone. (This DVD justifies selfishness! Tell them to get their own!) It's too good and too replayable; you'll want to keep it within easy reach. | 1pos
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] |
Okay, this has to be one of the worst 'romantic comedies' I've ever seen - its a completely unbelievable plot line, with a far-too-easily-HATEable heroine - who, by the way, overacts throughout the entire film. There are far too many close-ups in the last 15 mins of Brittany Murphy's quivering lips and tear-filled eyes - takes away any possible sympathy you might have been tempted to feel for her self-involved egomaniac character. And any rom-com that leaves the viewer at the end of a tortuous two hours with neither an idea of how romantically- happy the heroine ends up (whether one actually cares or not) OR whether there's any chance she might die in some horrible accident can really be summed up with the words "a complete and utter waste of my time" - that I'll never get back! | -1no label
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] |
"This film is great! I watched it with some friends and we thought it was proof that a film doesn't have to see commercial success to be a hit!" ...is what I would love to be able to say about this film. In the words of the film itself "you are very very bad!" I went to see an unlicensed acupuncturist once so generally agree with the moral of the film though. i'd include a spoiler, but the lack of plot makes this very tricky. overall, a cinematic disaster. quotes; 'you're not a leper at all!' 'you're beautiful, and i bet you're nice too' 'have you ever seen a naked man's body?' 'you couldn't break a piece of straw.' cameos in dubbing; Micheal cane x3, harold bishop, steve erwine, benjamin netinyahoo, yoda. | 0neg
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] |
I'm not sure how to describe this bizarre, but beautiful movie. First, it's long. Just one minute under three hours. And it's not exactly fast-paced either. If sci-fi for you means action, spaceships and interplanetary intrigue, give this one a miss. In fact, although the cover describes it as "The cult BBC Science Fiction film", I'd hesitate to call it science fiction; indeed, I'd hesitate to label it anything at all. And it's definitely flawed. The dialogue is riddled with melodrama and pretentious poetry; the camera-work sophomoric, and the editing clumsy. And yet the effect shines through: the movie has an eerie, otherworldly quality, where trivial details (such as an old lady glaring at a noisy conversation in a library) seem to take on ominous significance. And so, if you have the patience, you'll get sucked in to this movie. It's mysterious, and beautiful. But don't expect to come out satisfied. Although there is a plot, it is far from clear. The story moves from one surreal incident to another, each connected but seldom shedding any light on its predecessor; even at the end, when it appears that our protagonists have triumphed, it's far from clear what exactly they've triumphed over, and most loose ends are left firmly untied. Hywel Bennett does a fine job as as the somewhat petulant author caught up in a situation that might have been co-written by Kafka and Philip K Dick. Dinah Stabb perhaps succumbs a little to her melodramatic script; Dan O'Herlihy brings an artistic gravitas to his role. A cameo from a very young Daniel Day-Lewis, and a supporting role by Sting, add a bit of celebrity interest. Overall, Artemis '81 reminded me more than anything of Twin Peaks (which was made nearly a decade later, and, curiously, also featured Dan O'Herlihy) - the same sense of explanation hidden just around the corner, and another reality just half-glimpsed and poorly understood. I don't think everyone will enjoy this movie, but I certainly did. | -1no label
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] |
I don't know where to start; the acting, the special effects and the writing are all about as bad as you can possibly imagine. I can't believe that the production staff reached a point where they said, "Our job is done, time for it's release". I'm just glad the first two in the series never made it as far as the UK. I would actually recommend watching this film just so you can appreciate how well made most films are. I don't know how any of the other IMDb users could find it scary when the "terrifying" dinosaurs waddle down corridors with rubber arms flailing around. | 0neg
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] |
I have to admit, I wasn't expecting much going into this film viewing in my Japenese film class, but this film really blew me away. The director does a wonderful job following through with the title of his film, truly portraying a picture of madness. I think the fact that this film is silent adds to the resemblance of madness, helping the viewer experience the characters inner world rather than the world outside his mind. This film just added to my feelings about foreign silent films vs. American, in that the foreign films work much more to exercise your mind and make you think rather than going for the fluffy film always with the happy ending, exercising the imagination very little. | 1pos
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] |
This excellent film is one of William Holden's best earlier roles...not all that far from the major stardom that was to come. This was also a nice change of pace for Robert Mitchum. It was another sturdy performance by Loretta Young. I find it entertaining, honest and well made. I do wish Warner Home video would see fit to release it on DVD. It's a good 'family' movie, and I believe it would be popular. Considering it was one of RKO's biggest hits in the late 1940's, I guess the public back then saw it the same way I see it....as a terrific film. | -1no label
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] |
If there was ever a call to make a bad film that reflected how stupid humanity could become, this one would take the prize. The plot centers around bible prophecies that lie in hidden messages of the scriptures that prompt a group of power-seeking thugs to attempt total control of the world. Just how stupid does this writer believe people to actually be? The acting was bad at best. Casper Van Dien wasted his talent doing this film. Michael York's work was a fair match for the role, since he was the center of the film, and did a good job. This plot was sickening and very disturbing. No tender or immature minds should see this film. This is how a basic good vs. evil plot can go astray. There must be a lot of mental disease floating around the film circles, who look for ways to market this type of junk. There must have been something censored out to get a PG-13 rating, but it was still awful. | 0neg
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] |
I remember first seeing this movie in the 50's on TV as a kid and I enjoyed it then as a social commentary and just a reasonably good story. Yeah, some of it is outdated now but the movie held up as I recall when I've seen it in subsequent years. I haven't seen it in at least 15 years though. I thought the way everything escalated from just the innocent bump by an excited father to the race riot was presented well. As the situation develops, you get involved with the two sides. The telling moment comes when black and white mobs are about to slug it out with boards and guns and whatever, a child runs up to the leader of the white mob and says, "They found the kid", and he says, "What kid?" And then you realize you too are caught up in the action of mob violence. The mobs existed, not to right some perceived wrong, but were the people's justifications for their lives at that moment. | -1no label
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] |
I saw this movie on my local cable system under the title of 'Beyond Redemption'. I was searching for new material to watch, since most of the reruns one Saturday morning didn't interest me. I've always been a fan of Andrew McCarthy and Michael Ironside, so I chose this movie. I was pleasantly surprised. Personally, I enjoyed the film. Rich Roesing, who posted a comment about the film being spoiled for him by seeing scenes from the movie on the back of a video rental box, are well justified. I did not have the disappointment of knowing beforehand anything about the film. This led me to rate the movie higher than the average score listed on the page. I like suspense movies, and this one was no exception. The movie kept me guessing until the very end. I was surprised by the ending! The moments of reflection and remembrance of past experiences by the main character during the film only added to the suspense. His reactions to those remembrances gave the film a sense of the humanitarian, yet conflictual, side of police work. The struggle with his faith is also a welcome addition. If you like suspense films, but also like films that expound on the character's feeling, personal inflection side, this film is for you. Should you find this movie on your local cable or satellite system's guide, watch it! However, if you are looking for a rental video, follow Rich Roesing's advice and have someone get the video for you before watching it. | 1pos
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] |
The film is powerful from the start, delivering the struggles in the movement for gay marriage. It focuses around the ground breaking legislation that has Massachusetts at the forefront of this generation's civil rights movement. Put into three very tight, well organized beats, the story opens with ground breaking legislation which brings hope for the future, but has a huge uphill battle. Spawning a need for more gay political leaders, the legislation fuels a grassroots movement to obtain a larger political influence which in the third beat, may or may not turn out the way the viewer would expect. From open to close, this 90 minute feature flows well giving insight to the emotional, political and judicial struggles surrounding gay marriage. Whether the viewer's interest is political, religious, personal or educational, Saving Marriage is a must see. | -1no label
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A hit at the time but now better categorised as an Australian cult film. The humour is broad, unsubtle and, in the final scene where a BBC studio fire is extinguished by urinating on it, crude. Contains just about every cliche about the traditional Australian pilgrimage to 'the old country', and every cliche about those rapacious, stuck up, whinging, Tory Brits. Would be acceptable to the British because of its strong cast of well known actors, and to Australians of that generation, who can 'get' the humour. Americans -- forget it. The language and jokes are in the Australian dialect of English and as such will be unintelligible. | 1pos
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"Brooklyn Lobster" takes a close, careful look at a group of people dealing with major and minor problems in a rather unusual family business. Since it lacks contrived melodrama, I suppose it's vulnerable to the dreaded charge that "nothing much happens". However, I think a great deal does happen, although quietly. It's necessary to pay attention to appreciate what's going on, but this is easy to do thanks to a number of fine performances. Danny Aiello in particular does a great job in the central role, bringing out the strengths and weakness in the character and never crossing the line to histrionics. The film also does an excellent of giving the audience a sense of place, without ever turning into a travelogue. The only "I'm being taught about lobster farms" moment I had was when a character explained that they don't actually breed lobsters, which I thought was rather interesting. Other factual details emerge naturally from the story. I had read a few print reviews of "Brooklyn Lobster" earlier, so I was aware that some critics had been rather unenthusiastic. My reaction while seeing it was that if this had been a foreign film with a no-name cast, it would have been praised for "defying the canons of conventional storytelling" or something like that. It's certainly a film worth seeing, and goes on my personal top ten list for 2005. Due to a derogatory comment by another review on this site, I feel I should mention that I had nothing to do with this film, and don't know anyone who is connected with it. | -1no label
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] |
Humm, an Italian movie starred by David hasselhoff and Linda Blair, I wasn´t expecting very much, to be honest and in fact, I took even less than I was expecting. It doesn´t mean this movie is the worst I have seen because I have watched worse things than this but the plot was most of the times confusing and uninteresting and some good gore scenes are the only thing saving this. Apart from that you are going to love some special effects, they are really cheesy and bad. Now I only want to watch "Troll 3" by this same director, sure it is not going to be worse than that. | 0neg
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] |
Someone said that WEBS is a lot like an episode of SLIDERS, and I have to agree. Spoilers: I never liked the actors on Sliders, and rarely have seen it except when nothing better was on. WEBS is the kind of movie to see if you have no other choices. Read a book. WEBS has those kind of TV has-been actors that look like they are there as part of their PROBATION or Work Release Program. Some low budget TV movies have actors that at least look enthusiastic. The actors in WEBS look like they were getting paid minimum wage and were working on a Time-Clock. They have that desperate, "The-Paycheck-Better-Not-Bounce" look. The Queen Spider looks great, except it is rarely seen, and there are no other spiders (and no webs). The Queen Spider bites people, and they become Spider Zombies, which means that they try to keep their eyes WIDE OPEN when they are attacking the humans. The humans are all fighting among themselves over a number of different reasons, and they are not sympathetic. After meeting all the "humans" I would have recommended charm school for the characters. All that WEBS made me feel was APATHY. I was numb to the characters, and hoped for some interesting gore and special effects. The gore was minimal, and the special effects were reserved for the ugly spider queen, who looked good. If WEBS had a bunch of Spider Creatures eating humans, it would have been more entertaining. Apparently they could only budget "spider-zombies." WEBS is a sad entry into the field of SPIDER oriented movies. It may qualify as the worst Spider movie ever, because Eight-Legged Freaks had great special effects. | 0neg
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They loved him up and turned him into a horny toad! God, that gets to me every time. This is a great movie. Memorable lines, from "Thank God your momma died given birth; she'da seen ya she'da died of shame" to "I don't understand, Big Dan." Great scenes, from the opening train scene (laughed so hard I cried) to the bluegrass. Watch it. It's good, it's great, it's funny, and it's based on a famous story. Worth your while, believe me. Don't watch this if you have a weak bladder, for you will definitely wet your pants laughing. | 1pos
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] |
As a lover of bad movies, I definitely hit paydirt with this one. The plot isn't really that bad, but there are a few instances where you really have to ask yourself "what the heck is going on here?" There are many many things that make this the funniest bad movie ever. First off, Rudy Ray Moore had gotten so fat and slow when this movie was filmed that the special effects consist of speeding up the fight scenes to double time. There are also scenes where there is a slow-motion instant replay, jumping onto a ten foot high wall (by playing falling off of it backwards), naked men walking out of huge letters, and sex that literally brings down the roof (with the cable holding up the roof catching on fire). Of course, no Rudy Ray Moore movie would be complete without a completely gratuitous and random comedy club scene where Rudy makes fun of all the customers, interposed with people doing some odd dance. There are so many things bad about this movie, but they're bad in an entertaining way, and if you take your eyes off the movie, you might miss another mistake. Rating: 1/10 for actual value, 10/10 for cheese factor, 10/10 for picking out mistakes and goofs, averages out to 7/10. | 1pos
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] |
I know nothing about the reality of the supposed true story it is based on. But someone came up with a great first 10 minutes and last 5 minutes, and then promptly did a runner, leaving their abandoned 5 year-old daughter to finish it off. Yet another appalling screenplay that is far more painful than any brutality inflicted on screen. There is presumably a crowd of people who find this lowbrow fodder food for thought. Fine. But what is left for us grown-ups is way too stupid, crass and plain unforgivable. I suggest you watch the intro, then do something more useful like counting the hairs on your forearm, and make sure you set your alarm to ensure that you don't miss the ending. If this was an essay, I'd give it D+ and note that if they had written more than 4 lines, it would have been great. | -1no label
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] |
you can be fooled by your first impressions. as in, initial reactions to a movie, for example. as in, the first time i saw this movie i was bedazzled by the idea of it (first of all, i love black comedies). could even - despite being male, myself - empathise with the feisty girls' fervor to see their husbands deceased without delay. was tripped up by my own face-value (and, i do mean "face-value") response to nicolette sheridan and a couple of the other delicious dames in the picture. it just goes to show you that you've gotta step back from a situation sometimes and see that it's bad (and not "bad good," either): the reason i'm giving this movie a "4" rating is because of ms sheridan and her gams (the rest of 'er is pretty good, too); but this movie has all the hallmark TV movie characteristics - which means you'll be disappointed if your a lover of movies made for the big screen. the story contains plot holes you could run a tunnel through - and i'll generally overlook holes in a plot if the overall thing does it for me; and i just experienced an incredible letdown the second time i saw it. i don't think it's a total waste of time, but.... | 0neg
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] |
For someone who has watched a fair amount of foreign films, I am sad to say that I truly am dissatisfied with this picture. I do agree that "La Nina Santa" had many close-up shots; actually, the movie seemed to consist only of close-up and medium close-up shots which seemed to have ruined the film for me. This made it harder for to figure out exactly what was going on, and what the surroundings were. I don't even think I really knew that the convention was being held at a hotel until a conversation was held toward the middle of the movie between Helena and Freddy. I was under the impression it was at an all girl's school especially considering the fact that we witnessed many of the girl's religion classes without really knowing how they ended up there all of sudden. I believe this has a lot to do with the direction of photography because the director obviously wants us to concentrate more on the characters and their interactions involving those around them. After reading many other reviews this film received, I couldn't help but be excited to watch it. However, my excitement slowly started to diminish. I just wish the director could have brought more beauty to the story. When filming did occur outside it was either quite brief or the camera was considerably close to the character and caused the viewer unable to soak up Argentina's splendor. I could also take this in another direction and say that the director wanted me to focus more on the characters, but I wasn't able to form any kind of relationship to them which is why this film wasn't one of my favorites. | -1no label
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] |
Despite it going straight to video, you might be thinking, "Well, it has Steven Seagal, so it at least must have a good amount of action." Think again. Seagal doesn't do anything until near the end, and his martial arts sequences are so rapidly-edited and close-up with the camera, someone with no martial arts sequences could have taken his place and had the same effect. In fact, most of the movie shows Seagal sitting down and/or shot from the chest up (probably to mask his weight gain in recent years.) He hardly does a thing! And there's hardly any other action in the rest of the movie - this is one BORING movie, and I couldn't wait for it to end. If you do rent the DVD, you might find it interesting to hear the director/producer commentary (despite minutes on end going by without a comment). Not only did it confirm my suspicion that A LOT of stock footage was used, but that it was shot in a short time - just twelve days! Seagal was only used for six days, and Hopper did all his scenes in just one day! | -1no label
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] |
Las Vegas is one of the most brilliant shows of our time, its combines hard-hitting action with light drama and heavy doses of comedy. It features fantastic characters lead by the charismatic tough-guy Ed Deline (James Caan). The show uses cool high-tech surveillance equipment to bring down the cheats and schemers. The characters are joyful to watch especially as their different departments within the hotel/casino cross paths. The show is mainly centred around the surveillance and security part of the hotel/casino. The two leading characters are Ed Deline, president of operations and Danny McCoy (Josh Duhamel), former US Marine who served in Iraq but is now head of security. The shows five other main characters are former valet now security personnel MIT graduate Mike Cannon (James Lesure); the feisty, sexy casino host Samanthat Marquez (Vanessa Marcil); Danny's childhood sweetheart hotel manager Mary O'Connell (Nikki Cox); Danny's current sweetheart also Big Ed's daughter and manager of Mystique Delinda Deline (Molly Sims) and Ed's adopted daughter from his CIA past casino floor manager Nessa Holt (Marsha Thomason) who left the show after the second season. Each character is unique in their own quirky way, giving the show its energy and charisma that keeps its audience entertained for the entire duration of an episode. Every episode features a special quest star either a singer, actor or band who perform at the hotel's nightclub Mystique. These cameo appearances by big names is a specialty that is popular among the shows audience. Las Vegas is a show that can appeal to both male and female audiences. For the guys the show features sexy women, classy sports cars, high stakes gambling, adrenaline pumping action and overall a pool for topless women. For the ladies there is the young and handsome leading man (Duhamel) and the tough edgy Deline, romance and tanned topless guys around the same pool. The plot of each episode combines action with light drama and comedy to break the ice. Each episodes also features 2 even 3 secondary stories which revolve mainly around the female characters. Every season also ends with a bang which leaves the audience hanging until the airing of the next season. An excellent way to end a season! With a mix of genre's driving the show and a cast of colourful, charismatic characters and of course lets not forget the topless pool makes Las Vegas one of the greatest TV shows ever aired. 9/10 | 1pos
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I'm not sure if the filmmakers were after a Saw-type movie or 12 Angry Men (people piecing together the facts to get at the truth). Whatever it was, it was poorly done and not worth watching. I don't watch movies for blood and gore, but because this film had little else going for it, it should have shown the actual killing more. Most were off-camera, minimizing the horror that we were supposed to feel by the deaths. It also bugged me that the cop was among the victims; he unwittingly contributed to the innocent young man going to prison by accepting planted evidence (given to him by MJH) into the evidence room. (And wouldn't MJH a the prosecuting attorney, have had access to that evidence--taking it out and putting the wrong evidence back--anyway, so she wouldn't have needed the cop's help?). The others, while often also not realizing it was this particular person they were harming, still played larger roles in his ultimate demise. The gun dealer should have know his guns would be used for evil intent. The insurance guy rejected a person obviously in need, etc. But the cop's crime seemed minor in comparison since he didn't know exactly what he was doing. The filmmakers could have taken it a step further and had him be the one that encouraged MJH to plant the evidence, which would have made him more culpable. And MJH's yelling that he (the cop) got her in that mess doesn't make any sense at all. It would been more intriguing if each person died in a way that offered the others a clue to why he/she was there and deserved to die. The insurance guy, for example, could have had the applications he rejected rammed down his throat so he choked on them; the Oriental woman could have had her eyes gouged out because she was a false witness, etc. Yes, more violent that the gun deaths, but more interesting. The dialog wasn't witty, there were no twists, and the ending was one of the worse (if not the worst) I've ever seen. The ending along knocked three stars off my rating. The actors did a decent job, especially given the garbage lines and motivation they had to work with. Overall, a waste of time. | 0neg
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The film is based on a genuine 1950s novel. Journalist Colin McInnes wrote a set of three "London novels": "Absolute Beginners", "City of Spades" and "Mr Love and Justice". I have read all three. The first two are excellent. The last, perhaps an experiment that did not come off. But McInnes's work is highly acclaimed; and rightly so. This musical is the novelist's ultimate nightmare - to see the fruits of one's mind being turned into a glitzy, badly-acted, soporific one-dimensional apology of a film that says it captures the spirit of 1950s London, and does nothing of the sort. Thank goodness Colin McInnes wasn't alive to witness it. | 0neg
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I'd never heard of zero budget "auteur" Neil Johnson before seeing "Battlespace" on DVD at Hollywood Video. A few minutes into the movie I realize this isn't a bad thing. Like many straight to video Sci-Fi movies, this is a film dominated largely by overused bad special effects and a constant parade of pretentious sci-fi concepts that fail to create a story. Viewers are tortured with a religious sounding text introduction, then a spoken introduction followed by a narration by the main character's daughter. To me this seemed like a smoke screen to mask a film with militantly ugly visuals and zero character emphasis. Some people on here seem all too ready to take this film seriously and swallowed it's seemingly new age messages hook line and sinker. These favorable reviews must come from the same kind of people who can delude themselves into thinking that things like "Battlefield Earth" was a brilliant movie, or that Shasta is just as good as Coke. Those who were lured in by the cheesy cover art can look forward to lousy acting (in small doses, spaced with long blocks of people not talking), rotten computer animated effects (in extra large doses), and irritating talking computers. What you won't get is excitement, emotional stimulation, memorable dialogue, or a good story. "Battlespace" is impenetrable bull and the constant irritant of the narration proves it. Real science fiction, hell, real film-making, is about characters and their dialogue, not special effects and dull predictions. This is right down there with similar direct to video sci-fi like "Cl.One" and "Recon 2022". If the boredom of "Strange Horizons" and "Alien Visitor" is something you seek out, by all means, watch the crap out of this. If you enjoy good storytelling and hate fake lens flares, you're better off with a real movie. | 0neg
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Standard "Disease outbreak in remote area; expert who happens to be vacationing in the area takes charge" movie. There are only a few deviations from the norm. One is that the kids involved are pretty reasonable from the outset. Usually they are monsters who repeatedly gum up the works until they redeem themselves in the end. Another is that the local medicine man/witch doctor who is normally an impediment early on is never completely discounted or redeemed in the end. Perhaps since this seems to have been made for the faith oriented PAX channel, they didn't want to seem too judgmental about the faithful. Finally, there were no evil local politicians/leisure industry bigwigs trying to cover the whole thing up. The lack of these stereotypes was refreshing -- if we have the PAX channel to thank for that I may have to sample a few more of their offerings. Aside from that, however, this was pretty standard stuff. You've seen it all before. | 0neg
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Okay, if this contains any spoilers at all they won't be too extensive since I have to admit that I could only stomach just over 30 minutes of this dross. The first 20 minutes plays out like a weakly dramatised infomercial on the dangers of drink driving, the two characters we have a handle on by this time are about as deep as a cookie tray, seem to have an almost fatal case of the clichés and just as "she" confesses to "he" that she was responsible for her best friend's (and his girl friend's) death - what do they do? They jump into the sack for some well covered soft core, that's what! - the creature is basically introduced as someone with a breathing problem running around with a shaky camera, hiding in the scrub and generally exuding bad attitude... when it gives our "heroes" a scare naturally they reach for the bottle of booze. At this point I switched off and for a few seconds I thought about making it my purpose in life to warn everyone off buying or renting this movie - I gave it a rating of 1 for the nice forest scenery and the silly parrot with the fake voice. Avoid! | -1no label
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] |
This was a good film, but it has flaws. Visually it's got problems because much of it was shot on digital. I suppose they ran out of money, but it's a shame they couldn't use film. There were some interesting shots but the discipline of film would have had them making sure the light readings were carefully evaluated rather than what happened: the typical low quality of digital, but with even muddier shots than normal for digital. Now, on to the story: very interesting plot. And interesting characters. I felt they were real people. But the two actresses did a better job than the actors. Not that I didn't think the Michael character was that unbelievable. But he wasn't given lines to show any range of emotion. Of course his character is SUPPOSED to be subdued and pensive, but all people have a range of emotions within their personal boundaries and the Michael character didn't test them. The different takes on sex give you a lot to think about. But there could have been a little more irony/human condition/redemption...something in the story to give us more to ponder about. But there WAS something there. I left the theatre thinking about how there are more chaste individuals and more "alpha" individuals but how they can sometimes drift into the opposite directions. Specifically in this film how Michael unexpectedly responds to "Do you want to make love?" with "No. I want to f*ck you hard." Contrast that with the sexually confident Justin, who has to deal with one of those "criers after sex" on a one-night-stand and contemplate alone in a car later just what he lost with his current girlfriend. 6 out of 10 because it kept me thinking and I'm confident that both the director and actor/actresses have the talent to create even better art in the future. | -1no label
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] |
Opinions and taste is up to an individual: logic is not. Having worked in five countries and been around the block...a few times,I know the value of being able to chill out in order to get positive goals done! Dynomutt allows people to relax and it is a no brainer. Good nostalgia cartoons? You bet we need'em in this,sometimes,too serious world being materialistic (and look where that did go since last year). A good laugh is priceless and well needed nowadays. Anyway,isn't it amazing that this DVD has been redone in 2006 shows,somehow,its popularity: trust me,in business they do not do it because they feel like it. They did it because there is a demand... Even me,being French dig the coolness of this cartoon. | -1no label
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] |
Enough!! Get over yourself! You seem to harbor the delusion that television is obligated to YOU to be honest and forthcoming. You expect truth and respect from a medium that continually demonstrates it is incapable of either. A medium that places cameras everywhere, and makes it known to the participants; a medium that terms it's programming "reality TV" when NOBODY is real when they know they are being watched, appeals to the stupid among us. You seem to be well-educated, yet not bright enough to simply ignore network crap. You clearly have greater issues to deal with than to waste your time railing against the superficial perceptions of a "give the public what it wants" producer of a formula TV series. You fell in love with the series, and now you know better - move on. You were never part of the target audience; you simply thought you were. Learn to pick your battles - you can't win this one, because your opinion is irrelevant to them. As you must know by now, THEY DON'T CARE!! I wish you well in dealing with the circumstance you find yourself in, and know that my prayers are with you. You have a bright mind, and you are better served using it to deal with what is real around you. Network television deserves no attention from you - you're better than that. Focus yourself elsewhere; you're better than you think. | -1no label
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] |
Humans have fled the evil force that now rules the known galaxy, yet some living in a neo-primitive society (a hybrid of Conan the Barbarian and power rangers) fight back. There is just no way for this harmless summary to convey the wild mediocrity of this film. Comparing it to even the worst heroic-fantasy has to offer doesn't do it justice, because while those films are merely poor, this film's badness is extreme. Not content on featuring a ludicrously complicated plot, "Turkish Star Wars" boasts action scenes and characters that would make the worst Power Rangers/Xenia hybrid you could imagine look like Lord of the Rings. This is before you even consider the petrifying inclusion of shots stolen from Star Wars (particularly one shot of a TIE fighter exploding before the FAlcon, which reappears at least 10 times in the film) in the wrong aspect ratio and the shocking inclusion of music from Indiana Jones. Yet this film is a marvel because you'll be spellbound, either horrified and unable to move or laughing yourself into a coma. Subtitles are hardly necessary, because as a visual feast of ludicrousness, the film delivers. But see it translated and you're in for one hell of a headache... What makes this film a cult classic is that you can't overcome that sneaking suspicion that the makers were doing this intentionally. If so, they are geniuses to rival Kubrick. | -1no label
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] |
An Arab American man is kidnapped from an American Airport and flown to "somewhere in North Africa" where he is tortured. The reason? His cell phone received a call from a known terrorist. The CIA decides to avoid legal means to determine whether the phone call is implication of guilt or just a mistake. After watching this movie we can only but pray some terrorist doesn't accidentally punch in a wrong number! In addition to the rendition there are several related side stories. One involves the daughter of the chief of intel (secret police?) who is torturing the suspect, and her involvement with her lover who happens to be in night school for suicide bombers. This story is way too contrived, but nevertheless intriguing, especially when we see it's outcome. The Director uses a neat time line switcheroo to hook the audience. The second side story is the attempt by the suspects wife to find out what happened to her missing husband. She gets an old lover to help. He (a muted Saarsgard) is aide de camp to a Senator (Alda) and soon gets cold feet when he realizes that his job isn't worth uncovering the truth. Witherspoon is wasted in this role. All she gets to do is look forlorn and pregnant, with one brief rage attack. Streep is good and cold and stereotypical as the govt. (CIA?NSA?Homeland Sec?) official who seems to be a Cheney clone. Gylenhall also is wasted as a minor analyst pushed into in area he's over his head in, although he gets to do the "right thing" in the end. I found the movie engrossing, if somewhat languorous, but thought it added little to the subject. It is certainly not to be viewed as definitive, and it certainly has an axe to grind. Like "The Kingdom" it scratches the surface of a very complicated subject. The movie tries hard to give us an idea about rendition, but can only end up by being a "cautionary tale" about one botched one. The whole point of rendition is not to "torture" but to get "terror suspects" to give intel by avoiding legal (therefore obstructive) barriers. Torture, for sure, may be employed, especially if the rendition is out of our hands - although we are obviously not guiltless in this matter - but intel that can save lives is vital in this "shadow war." | 1pos
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] |
The most famous motoring footage of all time, or more perhaps infamous. A breathtakingly insane sprint across Paris in a Ferrari. Claude Lelouch has gone for the minimalist approach in the documentation of 'the bet' as legend puts it. No dialogue, no plot, just the sights and sounds of a headlight's eye view of Paris early in the morning as Lelouch tries desperately to traverse the Paris CBD in under 8 minutes. The boy racer in everyone will enjoy the enthralling ride - equal to any racecam footage modern motorsport provides - the roar of a 60's Ferrari - to the enthusiast a sound now made mechanically impossible by noise regulations. While Lelouch desperate flinging of the car through Paris is a joy, half the fun is the reactions of pedestrians, animals and other vehicles as Lelouch thunders through. | -1no label
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] |
First of all, I have seen only some parts of the last episode and also some small parts of other episodes (more then it deserves). I also read the novel. Where shall I start? The writing is just horribly ridiculous and unrealistic (for example: Valjean tells Cosette that Marius was wounded in the barricade, and all she seems to care about is that Valjean finally accepted him), the acting of ALL the actors, except for the guy who portrays Gillenormand, is terrible (especially John Malkovich as Javert and Depardieu (spl?) as Valjean, with his one face expression), the characters have turned into something very weird (Valjean is in love with Cosette?! 'Ponine sleeps with Marius?! Cosette turns into a spoiled brat who wants to dance?! I'm sure that Hugo is turning in his grave...), the whole thing is full of plot holes (Gavroche never ages, the Thenardiers wearing nice cloths, Javert hears the "Vive la republic" and does nothing) and why the hell is Gavroche Marius' best friend?! and 'Ponine tells the gang to rob Cosette's house? and why do everyone call her "'Ponine" for God sakes?! This is probably because their source materials were the musical and some sick fanfiction. This is probably the worst adaptation I've ever seen. The only good thing I can think of is the setting and the costumes (and Gillenormand, who usually is kept out of adaptations). | -1no label
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] |
Three soldiers returning from Iraq after sustaining injuries received during combat expecting a normal 30 days of leave. When their flights get canceled is when their journey starts. Expectations of home are not what they thought it would be. Being in the Army you have heard of and experienced this and know it can be true. The movie does a great job of portraying the Army in and out of Iraq. Three very different actors that do a great job of showing the diversity in the Army and going from state to state show their different backgrounds. Too much driving and not enough action. Movie was boring at parts and the ending was pretty predicable. We would recommend to watch this after dinner with the family. Good movie but could have been a little more lively. Super and Mik out! | -1no label
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] |
I really liked the Movie "JOE." It has really become a cult classic among certain age groups. The Producer of this movie is a personal friend of mine. He is my Stepsons Father-In-Law. He lives in Manhattan's West side, and has a Bungalow. in Southampton, Long Island. His son-in-law live next door to his Bungalow. Presently, he does not do any Producing, But dabbles in a business with HBO movies. As a person, Mr. Gil is a real gentleman and I wish he would have continued in the production business of move making. | 1pos
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] |
It's 1913. A studio prop boy spies the actress who is going to become Hollywood's next great movie star and he's the director that's going to make it happen. After inventing pie throwing and the keystone cops, his dream comes true. Being completely absorbed in his film-making, however, he fails to notice that he is losing his leading lady to another man. Several over-budget flops later, he is known as nothing more than the director who turned down Rin-tin-tin. Fortunately for him, the loyal and compassionate residents of Hollywood are untainted by ambition and ego. He'll be okay as long as he still has his friends. This movie starts out as a mad-cap comedy typical of the time period, and in the opening scenes it holds its own with the best of them. It has a playful lack of self-consciousness which is sorely missing in most of today's comedies. Shortly into the film, however, it moves away from this mode of comedy and instead attempts to entertain us using the films within the film. These are silent slapstick comedies, well done but nothing out of the ordinary, and they go on for much longer than is necessary for any audience which has seen the originals. Upon returning, the film takes a dramatic turn. It's well written and the cast does an excellent job of making the transition, but the movie really should have decided from the beginning what it was going to be. By the end of the film, it has transformed once again - this time into a paean to the glitter of Hollywood. The small town of Los Angeles has grown up into the city which makes the movies that entertain the whole world. In spite of its promising beginnings, this film has not aged particularly well. Nevertheless, it does have some strong scenes, a certain nostalgic appeal, and an entertaining sub-text about the people who made it and the audiences it was made for. | 1pos
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] |
Well, I am delighted to hear a rumor that this may finally be issued on DVD. When that will happen, I don't know, but I will grab it when it's released. In my humble opinion, this is Errol Flynn's most entertaining film, especially when "Gentleman Jim" Corbett's ring career begins in the film. Then it goes from a good film to a great one. Few people could play arrogant men and still come off as a likable good guy as well as Flynn could and this film is a perfect example of that. Reportedly, this was Flynn's favorite role and I believe that. You can just sense how much fun he was having here. Ward Bond also looks like he was really enjoying his role playing the famous John L. Sullivan. Bond, too, was never better. There is just the right amount of action boxing scenes in here and they are pretty well done, too. Corbett's family is fun to watch, too, as they carry on in the stands during Jim's matches. Out of the arena, Corbett's family's constant arguments and yelling can get a little too loud and annoying but they set the stage for a fitting conclusion. And speaking of the conclusion, Sullivan's speech to Corbett after the big fight is very touching and the highlight of the film. Some mean-spirited critics (Variety, for example) didn't like that ending nor the fact that much of the film is fictionalized but - duh - most films are fictionalized, like it or not. And, in this case, it made for a nice story and nice ending. (In real life, Corbett was a very soft-spoken true gentleman, not anything like Flynn's portrayal, but Flynn still make him a good guy.) This is one of the more entertaining classic films I have ever watched and I eagerly wait for the DVD. | 1pos
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] |
The only good thing I can say about this movie was I met a very beautiful lady waiting in line and was able to trash it over coffee. Shot in Ottawa, Canada, "Decoys" hits every bad cliche in the book and then pulls one of classic bad movie mistakes: It takes itself seriously. Now, had the film makers gone for 'camp' and spun it, Decoys could have been one of those films you kept on your self and pulled it out for a good chuckle once in a while (Army of Darkness, Arena, Robojox... You get the picture). Instead, the film tries to go for our fear points and give us the heebie jeebies. The only heebie jeebies I got from this was seeing that they have a sequal planned for next year. Bottom line: Set your money on fire or sit through Howard the Duck. Twice. | -1no label
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] |
Walt Disney World and Walt Disney Land have featured a ride called the Haunted Mansion for years. I have been to the one in Disney World and it is one of my favorites. The ride features ghosts, ghouls, and haunts that are amusing and fun. This movie, however is far from the ride. Although it centers around the Gracey Mansion which is the same as the ride it is based upon, the movie The Haunted Mansion isn't that good. The only thing worth watching are the comparisons to the actual ride. Much like Pirates of the Caribbean: The Curse of the Black Pearl, they makers of the film put in features from the ride like Madame Leota's head in a glass ball and the singing statues. These were all cute and a nice touch, but the plot of the movie is incredibly boring. It centers around Jim Evers (Eddie Murphy) and his family trying to make a deal on the house for his job. The kids are tricked into going and it seems like Jim is losing his family. When weird things start to happen around the house, it seems that Jim must save his family from certain disaster when some of the ghost mistake his wife for another woman who already passed on. The story itself is cute, but lacks luster. Some decent effects don't hurt the film, but the movie just isn't entertaining. Fans of the ride will be left disappointed and wanting much more. Disney should think twice before making a movie about another attraction in their parks. | -1no label
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] |
I don't understand why this movie has such a low rating. It totally deserves more! Sure, it's completely ridiculous, but that's what it was supposed to be. Don't expect cinematic transcendence from a movie about beauty pageant contestants stranded on a Caribbean island! What you should expect is a huge spoof of pretty much every relevant sci-fi, fantasy and block-buster movie in cinematic history, and even references to other spoofers. All completely exaggerated and sometimes totally unnecessary, but that's exactly what makes this movie stand out. If you like parodies, and enjoy say, Leslie Nielsen or Mike Myers, you're gonna love this. I sure did! | 1pos
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] |
I can't understand how someone can do such thing. I don't know if it was independent movie or what. But I never saw so bad image (like every scene was "blur" or something)in a movie, even in independent ones. The script is predictable, the actors are bad acting, trying to make scenes funny. Instead they have come ridiculous. So, why did I watch it, someone can ask: because my kids (11 and 13yo) asked us to watch any movie in the TV with them. Then I suggested them to choose one. And they did! But even they didn't like it. It should be better if they had chosen other films at Nickelodeon or Disney channel that are re-run several times a week. My time wouldn't be so wasted as it was. And this movie was played at prime time on HBO Family!!!!! | -1no label
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] |
A very natural and enjoyable film which I happened to fine just by chance. The atmosphere and slightly unconventional plot coupled with superb acting, directing, and script "writing" has allowed me to watch the movie more then twice with no disappointment Mr. Duvall is at his finest and I wait to see his beautiful co-star in another production. I am sure there might be detractors out there, but that would be because they lack good judgment. I especially enjoyed the impromptu scenes between Mr. Duvall and Miss Pedraza, to me, were worth seeing over and over, of course this might also be due to her great beauty. I have recommended this movie to all of my friends. | -1no label
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] |
747 en-route to London from New York is discovered to have a psychopath on board. Spelling-Goldberg TV-movie apes the theatrical plane-disaster films which were all the rage throughout the 1970s. The cast is a bizarre mixture of old and new faces, with Farrah Fawcett-Majors and Brooke Adams as stewardesses, Sonny Bono as a has-been musician, Polly Bergen as a flirtatious, drunken writer, Molly Picon and Walter Pidgeon as chummy oldsters, Hugh O'Brian (looking like Hugh Hefner) as a police detective, Danny Bonaduce as a 13-year-old prankster, and Robert Stack in the Charlton Heston role of the no-nonsense pilot (there are two other Stacks listed in the credits, perhaps making this a family affair). The low-budget doesn't allow the performers much to room to emote, with most of the in-flight action confined to First Class and the cockpit. There's also some hideous stock footage of emergency vehicles on the ground, as well as tiresome sidebars to George Maharis playing a security chief at Kennedy Airport with a toothache. The mystery surrounding stolen money gets muddled up alongside chatter about a bank robbery and a cop who was murdered, and a plot twist involving Farrah's character is just shucked off at the end. There's dumb-fun in watching this thing play out--if you're not too demanding--though one persistent question remains: why was the priest wearing fingernail polish? | -1no label
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] |
At the first glance of this film the camera angles immediately make you think that this is a low budget film that will bore you to tears or make you press the stop button. Surprisingly, the storyline comes forward and is played through the screen in a way that I feel most would relate to. I scored this movie at 7 but like most would, felt it should be a 10, you will understand as you watch it because its a rare thing for a film to be in touch with a persons feelings and how life should be shown by a TV set. Most films try to leave you in awe of their special effects, twists and turns etc, this film dealt a true hand showed a good film backed by an Alabama style storyline that most would feel was a good waste of a couple of hours. Wish I had put the popcorn maker on after all well done! | 1pos
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] |
This is the saddest excuse for a film I have ever seen! What a piece of crap! This film has no plot at all. It can't decide if it's about a school play, two girls wanting to meet a rock star, or a teenager overcoming her urge to lie compulsively. I would have been more entertained watching a dog take a dump. This movie is utter garbage and should never see the light of day again. First off, the main character seems to be more of an antagonist than the real antagonist is. How is an audience member supposed to sympathize with a selfish, obsessive, ignorant liar? Lola goes throughout the movie doing nothing but complaining and lying while her only friend puts up with it. Carla, her enemy, is more likable than her. And that's the truth. The romantic interest is barely in the movie at all. It's like "Hey, you were in this movie for like ten minutes, right? What's your name again? Let's end the movie with us kissing". It's was idiotic. This is a comedy that isn't. Please do not waste your time or your money, this film is movie vomit. | -1no label
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] |
This is a stop-motion animation movie about a doll that protects his master, a little girl, from rats, and the girl embarks on a fantastic quest that one cannot follow. SPOILERS AHEAD It is obvious that this is just a cliched dream sequence from the start, but what is up with the "adult" doll marrying the little girl? And the aunt and uncle approve of this? While this may seem like a fantastical flight of whimsy, it seemed to me that a bunch of film school students threw this together haphazardly. "Ok, you guys film an opulent palace, you people film a boring 10 minute ballet scene, and I will make an nonsensical war scene between rats and wind up soldiers. Gold!" This film is an incomprehensible mess. "Rudolph the Red-Nosed Reindeer" proved that an engaging film could be made using stop-motion techniques, but I guess the producers decided that a story was secondary to celebrity voices and hard-to-follow but beautiful animation. Not really a children or adult film. 5/10 | -1no label
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] |
Outlander is a movie who deserve better than the lack of interest around. Caviezel and Miles show a lot of power play and carve two strong characters from scratch, building up the momentum to the last confrontation between vikings and aliens confused with dragons. Kainan (Caviezel) is from outer space, a military officer responsible, along with others of his humanoid species, to the destruction of a race called Moorwen with fire. After terraforming, Kainan's people settle without knowing some Moorwen are still alive and loose their families to the vengeance. Eventually his ship, with a Moorwen aboard, drift into space and crash land on Earth, without any explanation why. The rest of the movie is a fast paced action, worthy to see instead of explaining, playing the Norwegian vikings an Kainan against the rampant dragon look alike alien. Ron Perlman is ,as always, a force of nature and John Hurt a perfect king - intelligent, tired and full of hope. In the end i have to mention the interesting look of the Moorwen species, a mix of legendary dragons and Alien from the movie with the same name. | -1no label
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] |
Blondie. Ramones. Talking Heads. With a roster like that, you'd think this documentary of the legendary 70s CBGB scene would kick ass, right? Well, sorry to say it doesn't. What we have here is home movie footage of the bands in action with rare demos playing in the background. The songs don't sync up with the bands. Worth it only for die-hard fans of the artists featured, really no one else. Don't you hate it when you search for a video of a band online and all you get is a twenty second clip taken from a cell phone video camera? This is the cinematic equivalent. "Another State of Mind", "The Decline of Western Civilization", and "End of the Century" are all superior punk rock docs. (2/10) | -1no label
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] |
Along four days in London, the dramatic life of the three sisters, their absent brother, parents, lovers and friends is disclosed in `Wonderland'. Debbie (Shirley Henderson), Nadia (Gina McKee) and Molly (the lovely Molly Parker) are sisters of a low middle class family in London. The hairdresser Debbie is the mother of an young boy. Nadia is a lonely woman, who works in a cafeteria, and is trying to find a love through the Lonely Hearts agency, specialized in blind dates. Molly is a pregnant teacher, who is close to the delivery. Nadia misses her brother Darren (Enzo Cilenti), who left London due to some problem with his bitter mother Eileen (Kika Markham), a very frustrated woman. Aileen and her husband Bill (Jack Shepard) are disillusioned with their lives. Bill is so bored with his life that he seems to be astonished, in the expectation of a call from his son Darren, like a salvation board for the situation of his common life with Eileen. Nadia has a blind date with Tim (Stuart Townsend) and feels a kind of non-corresponded love for him. Debbie has a promiscuous and well-resolved sexual life. Molly's mate is Eddie (John Simm), a man frustrated with his work and profession, and without enough courage to confess to Molly that he lost his job. The story is unfolded in a fragmented way, and in the ends, all the pieces are joined together, with characters and situations very well defined. Michael Winterbottom is a fantastic director. I have seen `Jude', `Welcome to Sarajevo', `I Want You' and now `Wonderland' and they are great films. `Butterfly Kiss' is the weakest I have watched. Unfortunately I have not seen the other movies of his filmography yet and I am not sure whether they are available in Brazil. Molly Parker is an amazing actress: in one movie, she is a pregnant woman feeling the pain of the birth, in `The Center of the World' she is very sexy, showing a great versatility in acting. The natural performance of the cast is also outstanding, making the story very real and credible. The `Minnie' hair of Nadia is the only negative point of this wonderful movie. My vote is eight. Title (Brazil): `Encontros e Desencontros' (`Meetings and Failure to Meet') | -1no label
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] |
Dan Haggerty has sure been in some fine movies. Elves, and this...and maybe some other equally fine movies. Grizzly Adams stuff, I reckon. I guess you could call this Nightmare on Elm Street meets Platoon, but that's an insult to Nightmare On Elm Street and I've never seen Platoon, but that's the first war movie that came to mind. Some Vietnam vets are having realistic dreams about their experiences during the war. They actually look rather young to have been there at all considering the war ended a good 16-17 years before this movie was made? I found this to be a very flat movie, little in the way of excitement or scares. It does have the "Nightmare on Elm St." thing going on though with trying to stay awake or having someone watch you so they can wake you up if the dream gets too bad. I could identify with the trying to stay awake part, I was having a lot of trouble with that myself. One absolutely ridiculous scene consists of two guys lying on a double bed in a suburban bedroom, dressed in their combat fatigues, firing their machine guns while asleep. What the hell? Anyway, I passed this one up time after time at the "used" store, but finally broke down and got it because I was intrigued. Nothing to be intrigued about, guess I should go with my gut feelings. Ptooey. | -1no label
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] |
Imagine the most depressing winter you will never experience: grey instead of white, no snow fights and certainly no wonderlands. This is the Finland as portrayed by 'Frozen Land'. This film follows a bunch of people whose lives are oddly linked to each others' with results beyond anyone's nightmares. Yes, most characters are flawed in the way that only celluloid characters can - completely annoying and frustrating to watch, yet for some reason you wish for their luck to turn. With some randomly placed humour and a cast that groups together Finland's somewhat mainstream faces, Frozen Land offers a glimpse of the Finnish mentality that despite its depressing downward spirals manages to restore some faith in humanity. More so than Kaurismäki, to say the least. | 1pos
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] |
Of all of John Waters films, this is the only one that offended me in some way. But more on that later. I was surprised to see that this early John Waters movie was available on video, presuming it would be long out of print (like "Mondo Trasho" and "Female Trouble")! It can usually be found for sale dirt cheap or for rent easily. Divine stars as a brunette for the first time in Waters' first sound film. The sound, cinematography, and editing is real rough, but it gives "Multiple Maniacs" a priceless documentary-like quality that is enhanced by the near flawless delivery of Waters' hilarious dialogue! Waters' early cast is here and two new additions (Cookie Mueller and Edith Massey) liven things up a bit. Great performances worth catching are given by Divine, David Lochary, Mary Vivian Pearce, Cookie Mueller, and Rick Morrow. Mink Stole gives one of only two mediocre roles in Waters' films (the other is "Mondo Trasho") and Edith Massey is not as great as she would be in her subsequent appearances in "Pink Flamingos", "Female Trouble", "Desperate Living" and "Polyester"! Watch close for Cookie Mueller and Mink Stole in cameos as two of the snobby patrons of the Cavalcade of Perversions! The music is fantastic, more copyright-infringing oldies that are great listening (including Elvis Presley's "Just Because" and a bunch of unidentified but classic instrumentals). Now why this movie offended me: the rosary job and the crucifixion. I just thought these scenes are the sickest things I've ever seen done in a Waters film (topping even the dog sh*t-eating in "Pink Flamingos")! The crucifixion is very well done, but just seems in VERY bad taste and the rosary job just defies any description. It's not even fun for me to watch! But everything else about "Multiple Maniacs" is classic Waters. The film does get a bit boring after Divine's rape by Lobstora, but the ending shows the lust for violence found in Vietnam Era America, juxtaposed with Kate Smith's "God Bless America" playing in the background. Not for a Waters fan who has only seen "Hairspray", that's for damn sure! Underground film fans will find lots of great techniques to use and psychotronic film fans will eat it up! | -1no label
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] |
Garden State was a mediocre film at best. The film seems more like a compilation of thoughts that the writer (Zach Braff) had, rather than a cohesive story. The disjointed plot may have been more engaging if it weren't interspersed with pointless scenes that were nothing more than "quirky." Coincidentally these scenes are often the ones that are relayed in conversation (Zack walking past faucets that turn on as he passes, crazy under-cranked party scene, shouting over a gorge, the list goes on). The main character is flat, disengaging, and ultimately unlikable, which is exhibited most in the scene where he talks to his father, selfishly ignoring his fathers problems, including a recently deceased wife, and droning on about his own "What am I to do with my life?" problem. The film ends when Andrew (Zach Braff) decides not to go back to LA because he cannot tear himself from the love of his life, Sam (Natalie Portman) whom he has known for 2 days. Which can only lead me to the conclusion that the message of the film is that love at first sight cures occupational dilemmas... Sure you could interpret it as a misappropriation of priorities, but if that is the case it could have been done better. Much better. This film does not know what it wants to be. A drama, a comedy, a teenage-wasteland film, or a gamut of other things. I say this not as a single-genre oriented person, but as a person who loves multi-genre pieces such as those mastered by Stanley Kubrick. The reason I feel it does not work for Garden State is because rather than blending the genres together, it jumps around; one scene is one genre, the next another, and back again, so on. I have heard many people tell me to cut Zach Braff some slack, after all it was his first feature film and he debuted as Director, Writer, and lead actor. Impressive as it was a first film, I should think that with as much money as he has, he could do better. There have been much better first-time feature film directors (Michel Gondry "Human Nature", David Gordon Green "George Washington"). Maybe if he stuck to writing OR directing OR acting it would have been better. Zach Braff is a talented performer, maybe his second attempt won't be so tedious and disjointed. | 0neg
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] |
Russ and Valerie are having discussions about starting a family. The couple live in a posh apartment and run an auction business that deals with valuable collectibles. At the same time, a dedicated adoption agency owner takes a mini vacation and leaves the orphanage in the charge of his father (Leslie Nielsen). Father Harry is in the rental business and he gets the brilliant idea to "rent" some of the children of the orphanage to couples like Russ and Valerie. Harry, who becomes aware of the couple'e dilemma, offers a family of siblings for a 10 day rental period! Brandon, Kyle, and Molly move into the apartment with their temporary parents, with amusing consequences, as the new caretakers are inexperienced with kids. But, where is the possibility of a happy ending? This is a darling family film. The actors, including Nielsen as the wheeler-dealer and Christopher Lloyd as the kind apartment doorman, are all wonderful. The script is snappy and fun and the overall production values quite high. Yes, if only life could be this way! Orphaned children everywhere deserve a chance to prove that they are lovable and can give so much joy to the parents who are considering adoption. If you want to show a film to your family that is rooted in good values but is also highly entertaining, find this movie. It is guaranteed to have everyone laughing, even as their hearts are melting. | 1pos
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] |
The real irony is this: Joe Besser was a top notch comedian, in other situations away from the Stooges. He had a definite track record for being very funny and clever. Moe and Larry and Shemp had actually known him or at least of him for many years and liked his work. So what on Earth was going on when he joined the troop as the "third stooge"? Obviously, nothing. In most of these "late Stooge" era shorts, more often than not, the boys are pitted against each other or Joe against the other two and this is not accurate Stooge etiquette. "One for all, all for one, every man for himself", to quote Curly from "Restless Knights". One thing about a good comedy team, Laurel & Hardy, Abbott & Costello, The Marx Brothers, no matter how much they all try to take advantage of each other or slap each other around, when the chips are actually down, they stick together and come to each other's aid. In this particular one, none of that happens. It's almost like watching a dog fight as one tries to cheat the others or be mean and nasty, and not for comedic effect either. One might assume that there was something behind the scenes going on here, art imitates life. Maybe there really was hence why Besser did not stay very long with Moe and Larry. Just look at the history of the other teams and tell me I'm wrong. | 0neg
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] |
On the box it put this film in the same company with greats like Night of the Living Dead and Texas Chainsaw Massacre. I completely disagree. For one thing, I was expecting to see at least a little gore in this film and there was almost none, other than a scene where the male character cuts himself shaving. For an "erotic" film, there was very little actual sex, apart from the first scene, which incidentally does not feature much nudity, and a shower scene. OK, so there wasn't much sex or violence, that doesn't mean it's a bad film. Some of the best films simply imply sex or violence. This however is not one of them. The acting is not bad, but the characters are written really flatly. The male character's mother who is dying of cancer is unconvincing. The wife is even less convincing. She doesn't seem to have any past at all. Where did these people meet? I still don't understand why the mother does not like the wife. The relationship between the vampire and her mistress is confusing. What is the mistress' purpose? It seems as though there is a symbiotic relationship, but what is the nature of that symbiosis? Overall, a disappointing film. | -1no label
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] |
I was watching this with my friends on a cold Christmas night, we were flipping through the channels and low an behold we stumbled upon this little gem. For starters we are presented with an all-star cast. Kal Penn, Jonathan Bennett, Donald Faison and the fat kid from Angus brilliantly portray what it would be like to go through the ULTIMATE Vegas adventure. The plot starts off rather simple as we are told that a group of guys are going on a trip to Vegas and bought the "Ultimate Vegas Bachelor Party Package". Well if simple means complex then this movie is simple. And if this simple means simple then this movie is NOT simple. The supporting cast is reminiscent of an Oceans 11 movie. We have Big Pussy, Chuck Liddell, Jaime Pressly, Daniel Stern and Kathy Griffin giving some very impressive performances. You are all wondering how what the heck are all these celebrities doing in this movie? Well if I told you then it would take all the fun out of the movie ;) The musical score in this movie treats you to a John Williams type experience as if you are listening to the Indian Jones theme for the first time. The way they incorporate the metal music with Chuck Liddells screen time was beautiful. Also I have to add there a twist at the end of the movie that even Rod Serling would have never guessed. Think Twilight Zone for Bachelor Parties 4 out of 4 stars | -1no label
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] |
I thought I'd witnessed every wrinkle the crime/gangster flick had to offer, but the Garrett-Marcin-Hammett combination pull off some genuine thrills and surprises here, thanks to the inventively forceful direction by Mamoulian, the atmospheric photography by Lee Garmes, plus remarkably sharp film editing and flawless special effects. Brilliant acting helps too. Coop gives one of his most convincing performances as the reticent hayseed-turned-fearless bootlegger (the sort of character progression he was to repeat in other roles such as Sergeant York). Miss Sidney (pictured center) in her first major role is also an eye-opener. The principals receive great support from Paul Lukas, Wynne Gibson and Stanley Fields as the heavies, and even from Robert Homans' hard-as-nails detective. The movie has obviously been realized on an extensive budget which is brilliantly deployed in its realistic, crowd-filled sets. | 1pos
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] |
I'm sure there will be plenty of people that will accuse "The edukators" of being such a cheap anti-capitalism manifest, a "cool" product designed for rich boys who feel like making a revolution. Whatever, nowadays we need idealism more than ever, we need to believe in lost causes, we have to appeal to the dignity of the individual and to spit in the riches' faces. "The Edukators" is one way of doing all those things from the cinema screen by telling the story of three rebel young guys that won't stay and look without doing a thing while the big corporations destroy this world and turn us into working-hard zombies. They have an idea: to assault mansions, mess everything up, to make trouble just to scare the owners... not to steal, not to break things. It is all about disconcerting. Obviously their "game" will soon get out of hand, they'll get involved in a kidnapping, and they will bump into something that's more powerful than revolution or ideals: love. Two boys, one girl... that means TROUBLES. As I said, we need more movies like this one that are so well made, and also tries to open people's eyes. (Unfortunatelly I'm sure that those who should get their eyes opened will never watch "The Edukators". PS: It is worth to watch "The Edukators" even if it's just for the last minutes of the film, with Jeff Buckley singing Leonard Cohen's "Hallellujah" (that also proves the director's exquisite taste). *My rate: 8/10 | -1no label
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] |
This was just about the worst movie I've ever seen. All I could think about during the "early days" part of the film was how terrible some children must have it when they are born to mentally and emotionally unstable parents. I did think Sean played his role well, but the story sucked me into a pit of despair and made my stomach churn at stupidity of Mrs Quinn. I noticed the accent mutilations as well. So true love is ditching your current husband and three young children for a guy you haven't seen ONCE in the last ten years? Sounds like those two should have shared that cell at the sanitarium. Many of the character interactions didn't make sense, the story had ample amounts of LAME, and the funniest part was the very very end where we see the 'happy couple' and their two loser buddies DRINKING and DRIVING down the road in that stylish 1968 Buick Riviera. Classy. | -1no label
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] |
Boris Karloff stars as a Greek general in 1912, trapped on an island in quarantine with a house full of people trying to avoid the plague. And is there an evil spirit at work also? This film is a horrifying journey from reason and faith to superstition descending into madness. Wonderful performances by all, but especially Karloff, help to carry this movie. But the setting and the camera work do wonders as well. From a gritty, yet realistic and lighter background initially to a much more dark and Gothic atmosphere in keeping with the story line and the characters' mental state, reminiscent of the subtle, yet terrifying atmosphere of Cat People, the mood of the film is both effective and frightening. I can think of few things worse than being quarantined after exposure to a deadly pestilence with limited medical resources...relying only on hope to save me, which quickly turns to despair as those around me fall into the darkness. Or the horror, which would almost certainly drive me mad, of being buried alive. Overall, I really enjoyed this movie and will definitely watch it again. | -1no label
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] |
First of all, the Tokyo Babylon manga is one of the most amazing things I have ever read. The characters were deep, sympathetic, and non-clichéd, and the story lines were very original. Congratulations to the ladies in CLAMP for creating such a beautiful story. That said, what on earth was this? Both of the Tokyo Babylon movies were more like bonus features - "Okay, you read the manga, here's some other cool adventures they got up to!" Which is a nice thought, but it really has no purpose. You cannot condense a series like this into a couple of movies - they tried it with X and it didn't work, they tried it with TB and it worked even less. There was none of the depth, none of the message, none of the character development - it turned into just another comic book, a collector's item. It was also rather irritating (TOUCHY SUBJECT ALERT) that half of the plot was ignored. Let's face it, folks, Tokyo Babylon is, in large part, a homosexual love story, learn to live with it. In the first TB movie, it seemed that Sakurazuka Seishiro's romantic advances were targeted more towards Sumeragi Hokuto than Sumeragi Subaru, and in this one, they were almost completely absent. Without this major part of the story, Seishiro is worthless - he becomes another clichéd villain. The animation was very pretty (as it always is in shojo) and the voicing couldn't have been better. Like I said before, it was a nice thought, but it simply isn't worth the trouble. 3/10. | -1no label
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] |
Scooby Doo and the Monster of Mexico was no doubt the weakest of the modern Scooby Doo animated features. Loch Ness Monster is a considerable improvement. This time the gang head off to Scotland to see the Highland Games and visit Blake castle, Daphne's ancestral home. And wouldn't you know, the castle happens to be in the 'quaint' fishing village of Drumnadrochit, on the shores of Loch Ness. During their stay they meet a few interesting folks. First there is Fiona Pembrooke, a scientist who has drowned all of her money into finding the Loch Ness Monster. Sir Ian Locksley, the boss of the National Heritage Museum of Scotland, he is staunch non-believer of Nessie. The Haggarts, the own a cozy Inn on the shores of the loch. The sons are a couple of local jokers, always into mischief. Del Chilman, a wild, paranoid hippie dude who is convinced the monster is out there and will stop at nothing on find her. And finally, Duncan MacGubbin, the dock master who has seen Nessie too many times to count. Most of these characters are stereotypes, which gets a bit annoying as this is teaching younger audiences a load of crap and giving the wrong impression. However if you can immune yourself to it you'll be alright. Being from Scotland I can't help but wince at the awfully mimicked Scottish accents. Fact: We DON'T sound like that. Soon enough Nessie, looking rather more demonic than 'usual', shows up and causes havoc. Looks like the gang have another mystery on their hands. The usual chase scenes, clues and Shaggy's wacky disguises follow. There are plenty of laughs. The animation is splendid, with some atmospheric scenes and locations. And the plot a lot better than Monster of Mexico. The only bad thing this time around is the music. I miss Louis Febre's scoring and the songs here are pretty rotten too. Where are the Hex Girls when you need 'em? The region 2 DVD is in crystal clear 1.78:1 anamorphic widescreen (the region 1 ain't) with Dolby 5.0 sound. Some okay extras are included. Definitely worth getting. | 1pos
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] |
Breakfast on Pluto is one of those beautiful packets with not a very interesting content could have benefit the movie. Patrick (Cillian Murphy) is an abandoned child raised by a foster family in the very catholic very conservative Ireland of the sixties. Very early in his childhood, assumed his homosexuality without any real conflict (perhaps a couple of shocks by his foster parents) and starts in a "Forrest Gay Gump" odyssey through the UK changing politics from the sixties to the eighties. The movie is a perpetual searching for his mother who left him in the door of a Catholic priest when he was a little baby. Many things happen in the movie, but everything is taken very superficial. There are almost no dramatic conflict about Patrick homosexuality, the IRA killings and politics (just a couple of murders never clearly explained). Historic events are so over sighted that barely register in the public (unless of course you lived there or know Ireland conflictive history). Directed by one of the most brilliant Irish directors and populated by the cream of Ireland's cinema (Neil Jordan, Liam Neeson, Stephen Rea, Brendan Gleeson and Cillian Murphy) the movie feels like a big disappointment. It is quite difficult to understand that a movie with such a subject matter could be so awfully shallow. Even more difficult, is believe that aside for a couple of tragic dead, this is really a light comedy (never gross), but most of the jokes (and dialogue) requires a lot of familiarly with Irish English (some subtitles might be welcomed). The length of the movie, is also too much. It could have benefited being half an hour shorter with less story lines. The Stephen Rea (excellent as always) magician feels added only to give him something to do (probably a job). However, not everything is bad. The acting is superb (cannot expect less with such a cast) but the music will make you run to near music shop buy the CD. A piece of advice, do it in the middle of the movie, you will not loose too much. | -1no label
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] |
I found this to be an enjoyable and entertaining movie. As a schoolteacher, I am always glad to find something I can show my students that does not use profanity, have excessive violence, sexual content, or have other things that might be labeled objectionable. The acting is quite good, despite the fact that most of the actors are not well known. They are believable and none of them are show stealers. Particularly interesting is the way in which Joey's nemesis, Reese, goes back and forth in his views of Joey. There are enough interesting sub-plots like this to keep the viewer interested. Movies of this type seem to be increasingly difficult to come by. "One Young Hero" is truly "family-oriented" and entertains without being sugary. | -1no label
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] |
Bad. Bad. Bad. Bad. Bad. What else can I say. Kate Jackson must have been desperate to direct. May be she should go back to acting...on second thought she was a bad actress to. Who would put money in to producing something this bad. I like anti-Christ movies and usually have a good laugh and the odd scare but this one is just Bad Bad Bad. The acting by the stars was worse than what you find on a soap opera. The special effects, if you can call them that, where laughable. I would not be surprised if you played the scenes in slow motion you would see the tubes the blood shoots out of. We had to turn the disc off after only 30 minutes. This so called movies original prints should be destroyed, all disc' and tapes destroyed and all the people associated with the making of the movie have to pay back money to the people that rented the movie. Then those people should never be allowed to act, direct or film any thing but their own home movies. | 0neg
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] |
The film City of Men is a fantastic Brazilian film. It's directed by the same creator of City of God and the City of Men TV series. Now, personally, I recommend you watch the TV series before watching the movie due to many flashbacks throughout the film. The TV series also adds more depth to the characters that add to the overall enjoyment of the film. The film is still set in the favelas in Rio, but instead of focusing on the gangs as in City of God, it focuses on two 18 year old boys. The film is similar to City of God, but with a more light-hearted feel to it. The film also has similar cinematography. Overall, I prefer City of God to this film, but it is a worthy follow up to a fantastic film. 9 stars out of 10 in relation to City of God, but as a film in general, compared to the majority of films created this would deserve 10 stars. | -1no label
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An African expedition intends to collect animals for zooery, which angers animal rights advocate Glenn Morris (as Tarzan). Eleanor Holm (as Eleanor aka Ellen) adds femininity to the casting expedition; of course, she catches Mr. Morris' eye. Morris, like Johnny Weissmuller, was an Olympic star; he looks great in the loincloth, but doesn't play either the Weissmuller or Edgar Rice Burroughs version of the "Tarzan" character very well. Ms. Holm was also an athlete; and, although she swims and cavorts wonderfully, she can't lift herself out of a shallow pool! Hedda Hopper (as Penny) and Cheetah (uncredited) provide support (and are supported). "Tarzan's Revenge" provided filmgoers with second-rate Tarzan fare, during a nearly three year wait between Weissmuller movies. *** Tarzan's Revenge (1/7/38) D. Ross Lederman ~ Glenn Morris, Eleanor Holm, Hedda Hopper | -1no label
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If not for tired clichés, I don't think Sayles would have had a script. "Make way for the Clean Sox!"; "Ya gotta pitch them one at a time." - spare me. Seems like all he did for research on the era was view old Hollywood baseball films and read anecdotes about the Black Sox. Another bad decision on the director's part is acting in his own film. His sarcastic singing in the train scene is the low part of the movie. The part about the selection of Landis as baseball commissioner is a farce. Could have been a great period piece about the times and America's early infatuation with the pastime. Instead, a cartoonish version of the story is presented. Sayles strikes out. | -1no label
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The film fleshes out the back story of the Ring trilogies' demon / troubled soul, Sadako, (played by Yukie Nakama), following her attempts to join an acting troupe and at the same time cope with her troubled psyche and the events of her mysterious past that still engulf her. The film itself has a fundamentally creepy atmosphere throughout but as with many prequels never really equals the original story, in this case never really delivering the same level of suspense, (although it does come close a couple of times), and failing to shock in the way the original did with Sadako being a silent Reagan, (The Exorcist), type character staring at you hatefully through a horrifically blood shot eye, peering through a nest of slimy, sinister, long black hair. The prequel enriches Sadako's character with a somewhat moving back-story, showing her coming of age, discovering acting, which she also finds therapeutic and finding true love in the arms of Hiroshi Tôyama, (Seiichi Tanabe). This sees a lot of the scenes shot inside a theatre, which provides a suitably eerie backdrop for Sadako's doomed quest to lead a normal life and battle the demons of her past that lurk ever closer. With regards to filling in the blanks left open in Ring and Ring 2, this film does very little, for we are already aware that Sadako was pushed to the bottom of the well by her step father, and only hints at the source of the true evil lurking inside her, without giving a clue of its origin or past. This could, arguably, be a good thing as it still leaves a veil of mystery over the first two films. The actors do a reasonably good job throughout, with a special hats off to Seiichi Tanabe who conveyed the confused yet blindly in love hero Tôyama. Nakama brought a certain level of pity to the role of Sadako, a girl seemingly running away from the evil that surrounds and trying to do the right thing. In conclusion Ring O does add depth to the trilogy and deepens rather then clarifies the mystery and in the same way to the recently released Starwars prequels, infuses the film's near one dimensional monster with a sense of depth, which serves to draw pity from it's audience. Over all not a bad prequel, which still leaves most of the questions unanswered, but whether you see that as a good or bad thing is up to you... | -1no label
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The last of the "Airport" sequels. This has Alain Delon and George Kennedy (who was in all the Airport movies) as pilots; David Warner (!!!) as the radio engineer; Susan Blakely as a newswoman targeted for death; Robert Wagner as a brilliant scientist (stop laughing!); Eddie Albert as a president of the airlines; Charo in a dreadful "comical" bit; John Davidson as a newsman (love how his hair stays in place even AFTER the plane turns upside down!); poor Martha Raye is humiliated; Cicely Tyson plays a mother who is flying a heart for her dying son (stop rolling your eyes!); Jimmie Walker as a clarinet player (what did I say about not laughing?); Mercedes McCambridge as a Russian gymnastics coach (OK you can laugh at that one); Bibi Andresson as a hooker and Sylvia Kristel and Sybil Danning as love interests. Just pathetic. Full of stupid plots and dialogue that will have you roaring--watch for Davidson getting "married" on the plane near the end! The Concorde is taking all these people to Russia. They're attacked with missiles, escape, land safely in France and TAKE OFF AGAIN the very next day!!!! Don't you think the flight would have been cancelled or something? Most of the acting is terrible--McCambridge is a sight to behold in a red fright wig and a horrible fake accent. The only good acting is from Kennedy and Delon (looking fantastic) who gives a very engaging performance. Still that's not enough to make you sit through this drivel. Too long and lousy special effects too. This was a mega-bomb and (thankfully) stopped Universal from doing anymore. | 0neg
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] |
This is the kind of movie that you can't wait for the success of the protagonist. The protagonist, looking for the success, has a lot of difficulties, expending money, time, energy, and all is a disaster. All the people in the movie is great. All is so real, so well acted, that the first time you are seeing the movie, you really think all is true. All the actors who want fame and glory, should see this movie. Sometimes this movie works as drama, sometimes as comedy. But in the end, you really think you are working and trying with Nick, giving strong to his determination, and is so terrible the karma, you feel sad. Great, 10 points. | -1no label
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Neighbours the show that has lost its way well where to begin, well we had so many good story lines from plane crashes to evil twin brothers but now the show has gone downhill. first off most of the new people on the street like Marco are simply boring where as Bridget is just annoying to the point where you wish the show was cancelled.hopefully the show will pick up again if they bring back evil Paul,Connor, Stu, and get rid of Marco, Didge, all the people who are involved in a storyline with Marco and Ringo as well for good measure.well that's all i have to say really i used to love this show but now it really has just begun to annoy me. p.s the actors who play ben and mickey are also terrible please cut them from the show | -1no label
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I rented the video of "The Piano Teacher" knowing nothing about it other than what was written on the video box. I did this with some trepidation because films that win awards at Cannes are usually very good or very bad. Unfortunately, this one falls in the latter category. About one quarter of the way into it I found myself saying out loud, "This movie is boring." About half way through I was saying to myself, "Where have I seen this before?" At the three quarters mark I had figured it out. In spite of its literary origins, this film is essentially a remake of Robert Altman's much earlier (1969), and better, "That Cold Day in the Park." Although the details obviously differ and Altman's work was more plot-driven and less of a character study, the two films are thematically identical. There is nothing "new" to be seen in this production. Every aspect of it has been done before: a character spiralling out of control with increasingly self-destructive behavior (Abel Ferrara's "Bad Lieutenant" 1992); a perverse and doomed 'love' culminating in an operatic (near) death scene (David Cronenberg's "M. Butterfly" 1993); uncommonly brutal sex scenes (David Lynch's "Blue Velvet" 1986); and so on. Hence, I am bemused by the fact that so many found the film to be "shocking," "shattering," etc. This highly derivative film seems to have been made for the sole purpose of making viewers feel uncomfortable, and clearly succeeded with some. However, I largely attribute such a reaction to a lack of film-viewing experience. See enough movies and you really will, eventually, have seen it all. And while it is true that I saw the expurgated 'R-rated' version, I doubt that the additional scenes would change my overall opinion of "The Piano Teacher." Technically, the film is not without merit. There is some very good camera work and the lighting is excellent. Isabelle Huppert's creditable performance also helps save it from being a waste of time. This is the first of Haneke's films that I've seen, and if I were to see more I expect I would have the same opinion of him that I have of Ferrara: an interesting director but not nearly the genius others make him out to be. Rating: 4/10. | 0neg
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] |
One of the best Tarzan films is also one of its most action packed (and graphic). Picking up a year or so after Tarzan the Ape Man, Niel Hamilton's Holt has asked a rich friend to finance a safari back to the elephants graveyard to collect ivory. His Friend arrives also carrying dresses and perfumes that Holt hopes to use to win Jane back from Tarzan. Before they can leave Holt finds his map stolen and it becomes a mad dash to try and capture a competing expedition. When they finally over take the thieves they find the whole party dead and themselves surrounded. They have no choice but to fight their way out and soon find they are out of the frying pan and into the fire. Eventually Tarzan and Jane show up and everyone is off on even more adventures. Infamous film was heavily censored to reduce the graphic violence (Its graphic even by todays standards. It probably would get a PG 13) and to remove all hint of nudity, (there is a several minute long nude swim scene involving Jane that is full frontal in its nudity, it was only recently restored). Its clear watching the restored version why this film was reduced by 20 minutes in its run time for TV. As it stands in its restored version this is a very adult film that is romantic, touching, action filled and everything else that a movie should be. Its an amazing film by almost any standard. Best of all its the sort of film that plays well both as a stand alone adventure, one need not to have seen the first film to enjoy it, but its also a film that deepens the characters and themes that were set up in that original film. Its an amazing thing. I really like this film a great deal. If there are any flaws to the film, its perhaps that the film hasn't aged well. The rear screen is often very obvious, there are gorilla suits for many of the apes and some of the other effects are more quaint rather than convincing. However on almost every other level this film is top notch. You really owe it to yourself to see this. Make yourself a big bowl of popcorn and curl up on the couch and just let yourself drift back to a simpler time. This is one of the great adventures. | 1pos
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] |
I was really stunned how much a film, that's over 60 years old could impress me. It is nearly two hours long, there are absolutely no stars in it, there are subtitles but nevertheless it is interesting and exciting to watch. What impressed me mostly was the realism of the film. You could nearly feel the coldness of the ice, because you could see that the storms are real. This is a relief in a CGI-world like ourdays. I wondered how much work this must have been for van Dyke. I read somewhere that it took 17 months to film it. Now who wants to talk about 'Titanic' anymore? It's a great film with a great message and I would recommend it to future directors to see how great and realistic movies can be if they are only directed with realism instead of visual effects. | 1pos
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] |
1st watched 8/29/2009 - 7 out of 10 (Dir-Sidney Franklin): Well told account of farmers in China and their rise to prominence and struggles with what Mother nature throws at them. This movie is based on an award winning novel and chronicles a family starting with the son's arranged marriage to a slave girl. The movie does a good job of keeping your interest despite a somewhat hammy performance by the lead played by Paul Muni. It chronicles , Wong Long(the character played by Muni) and how he works the land, buys more land, eventually becomes very rich but then returns to the land where he originally started. The relationship between him and his wife, played by Luise Rainer, is the main thread of the story(besides the land itself) and despite the obvious non-Chinese actors it does a pretty good job of displaying the country and it's people. It's obvious that MGM used it's money to create a really good epic with this one in an era where they could probably afford it. The scene with the locusts is done exceedingly well and the rest of th movie really looks good warranting the Best Cinematography award at the Oscars in that year. The definitive definition of an epic is what this story is and it's pulled off pretty well. | 1pos
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] |
I thought this was a solid film, great acting by the leads, great effects. The first hour was a bit slow, but in the end I understood that, they had to build the back-story in a way that it would be believable. I thought that all the players were good, Bruce Campbell did a great job, as always. I would definitely recommend this film to any of my thriller fan friends. I would compare this film to The Gift with Cate Blanchett. Both were suspenseful without being too gory. I understand that this film didn't have a huge box office life (if any) and that is a real shame. It was a creepy, suspenseful thriller. I rarely give any movie a 10, but this one was really close. | -1no label
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] |
I went to see this thinking it would be a great comedy and a comeback for Robin Williams, but when I saw it I realized I had bee lied to by advertisers as this is more drama than comedy, although it has a few really good laughs in it. It felt like I was watching two movies. One was a funny romp with Robin Williams that should have been the whole basin for the movie anyway, but you also get a techno thriller movie with political angst in the middle. I really don't know how to classify this film. But I can tell you it was good and I did laugh, not as much as I had hoped, but at least Williams is back in the right direction. See this but know before going it is not all comedy and is a little intense. | 1pos
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] |
I grew up watching this stuff as a Saturday afternoon matinee 30 years ago & now, it's still as much fun to watch. Hercules, now married to Ioli, is returning to Thebes to help sort out a dispute over who has the rights to the throne of Thebes. Along the way, Hercules loses his memory & is seduced by the evil Amphale who goes through husbands like Elizabeth Taylor, however, Amphale is something of a black widow & uses a few Egyptians to preserve her ex-husbands in the family crypt. However, one look at the rugged carved from granite Steve Reeves & all her black widow tendencies fly out the window, but she still wants him for good. Of course it all ends up in a good ruckus with sword fights, chariot duels, Hercules throwing tables & coffins at rushing troops, 2 insane brothers with a hatred for each other (& their father) & inevitably the faithful sidekick who chimes in with a few vital day-saving moments. Clint Eastwood may have been the king of the Spaghetti Western, but Steve Reeves was the king of the Spaghetti Swords & Sandals. So if that's your cup of tea, I recommend this movie as an excellent addition to your collection. | -1no label
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] |
Anyone with a half a brain can tell this was made by a group of amateurs with a budget that couldn't be more than a couple thousand dollars. I liked the film's use of lighting, as well as the costume design, but other than that there's nothing good I can say. The story's an incoherent mess. It's one of those confusing story lines that goes in many different directions and is hard to follow, yet at the same time it's not worth following. Besides the lighting and costume design, the film is a stylistic mess. It's like one of those student films where the director is simply trying to show the professor all the different things he can do with visuals, but totally ignores the concept of making a "good film." The sound is terrible. There's one scene where we're watching two characters get out of a car, from a distance, and it sounds as if the characters are right in front of the camera (an obvious use of ADR). Some of the camera-work is shoddy as well. In one scene, two of the characters are in an amusement park, and it's shot on a cheesy home video camera. And no, it wasn't a stylistic choice. I guess the filmmakers weren't able to sneak a film camera into an amusement park, so instead they used a mini-camcorder. That's the kind of stuff you can only get away with in film school. And like in many bad films, there's a good deal of nudity. Some of the girls have pretty nice bodies, but the use of nudity is simply a ploy to distract us from the fact that this movie really sucks and doesn't make a lick of sense. Some viewers may be able to interpret something from this micro-budget flick, but I was lost. Then again, I'm not a fan of movies that jump back and forth, nonchalantly, from one reality to another, and there's no surefire way of telling what's real and what's fake ("The Matrix" being a big-budget example). I'm sorry, but I actually like to understand a movie. Is that too much to ask? There are some complicated films that are worth uncovering the mystery in subsequent viewings, but this is not one of those cases. Besides, why should I take any film seriously that's made by a director who doesn't even bother to put any effort into hiring good actors or using good cinematography? | -1no label
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] |
The biggest surprise about this movie, is the fact it was not made by Jess Franco. This is infact a brazilian movie, and a standard women in prison one as well. Three bad girls are thrown in jail. Naturally, they are submitted to all kind of degredations. They escape, and are captured again. Even though they are the heroes of this movie, justice must be done, and the girls are thrown back behind bars. This "twist" is the only thing slightly surprising about the movie. The copy I have seen, contains several brief hardcore sexscenes, that seems to have been left in the movie by mistake. The scenes are, however, performed by the leads themselves, leading to the conclution, that this movie (like many Jess Franco movies that it resembles) also excists somewhere as a hardcore movie. The movie also, unwisely, combines humour and torturescenes. A bad movie alltogether. For WIP completeists only. | -1no label
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] |
"Rififi" is a terrific heist movie, and one from which subsequent heist films have drawn ever since. Jules Dassin had a feel for the seedy underworld in which these thieves live---you will not find here the Hollywood glamour of "Ocean's Eleven." The robbers in "Rififi" don't rob for the thrill, and they're not playing a game. They rob to survive, to pay for their children's upbringing, to prove to themselves and others that they still have something to offer the world. The much-lauded heist scene is a nail biter, filmed in virtual silence. I did have the feeling that the plot went on a bit longer than it needed to, but the high-speed race to deliver the child to his mother that ends the film is classic. Be warned---this movie is very bleak. But it's also very good. Grade: A- | 1pos
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] |
I am rating this an 8 because of the premise of the film. The acting was fine, there wasn't anyone that stood out as amazing or appalling. It is disturbingly true that intelligent people are having less and less children, or choose to have none at all...whereas dumb ass "W in '04" supporters are procreating like rabbits. And, though I don't believe the earth will actually exist in 500 years, I can see Mike Judge's parodied prophet coming to be, as life imitating art. The world is being run by idiots, and it will get worse as the intelligent free-thinking people become the minority and the "git 'er done" fans outnumber them. The proof is our farce of an election. But I digress. If you are fortunate enough to have this playing in your city, go see it. I have paid my $7.50 plus popcorn to see FAR WORSE rubbish than this (Date Movie or Napoleon Dynamite anyone?). There are laughs, there are cringes, but overall this is entertaining. If you have half a brain, you will think to yourself how this movie, though funny, is spot on (accurate) and a *tiny* bit uncanny. I'm not surprised AT ALL that this movie is almost completely unknown, as Fox was the one distributing this, and they wouldn't want any of their sheep to see this and think "maybe I WILL read a book, and not watch 'Next', or 'Cheaters', or 'Ow my balls'." If our society doesn't stop the dumbing down of everything,and the bastardisation of the English language (ahem, Mr. Bush), then this really is where we are going. | 1pos
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] |
Here you see Mr. Eastwood in all of his glory (i.e., at the top of his form as an actor and at the height of his physical appeal), but the "ladies" depicted are hardly typical of the South, then or now. The young girls at the boarding school are incredibly naive, some showing signs of developing into really depraved women, and Geraldine Page, full-blown in her corruption, hardly represents the mean when it comes to head mistresses of girls schools, either then or now. (That is not to say that there isn't the occasional bad apple in any barrel.) Mr. Eastwood has said this is one of his own two favorite films. "The Beguiled" does have an original plot, a lot of attractive characters and many surprises in store for the viewer. It's thoroughly engrossing and entertaining but not really realistic. (I know, having grown up in the South and attended a girls' school and college. Moreover, I have been acquainted with innumerable girls who did the same, not to mention their laid-back teachers, or you might even say "repressed professors" who were a far cry from the headmistress depicted here.) She is downright comical in her depiction of a Southern gentle woman who is not quite what she seems. This movie was a little outrageous when it first appeared and still is, I think, but you won't be sorry you spent your time watching it. | 1pos
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] |
Disclosure #1: I saw the first ten minutes and was so bored, I just FF'd through the rest. Disclosure #2: I worked on this film. It was a horrible horrible experience since the director was a huge, freakin' idiot who didn't know what he wanted or even how to get it in the instance that he did know what he was aiming for. It was the biggest fluster cluck I've ever been a witness to. Disclosure #3: I am neither black nor a hip-hop/rap fan so I'm not exactly in the demo that this movie was aimed at. That all said, this wasn't the worst film, Urban or otherwise, that I've ever seen. Bottomline, it's competently put together and I woudn't go much farther. It's not good enough to sit down and watch, nor is it bad enough to sit down and mock; it just sits there totally inert and lifeless. It just is. Meh. | -1no label
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] |
Try to look for another movie that is such a trip without having a story or plot and you'll be hard-pressed. HEAD is a masterpiece of non-linear non-structure, surrealism and experimentaion. In less than 90 minutes, it manages to be not only a time-capsule of an era, but also a full-length experimental feature that defies time,space and convention in a way that only underground films of the sixties could.HEAD is a reflection of those films. No matter how one feels about the Monkees, this is a film every filmmaker should see because it cracks wide open the endless possibilities of film as an art medium. Had it not been for the film's unorthodox ad campaign (and the fact that by the time it came out the Monkees so oversaturated the media that the public had become weary of them and every critic was ready to pounce on them) this could have had a much greater impact. Studying how the film was edited is much more important and exciting than what's actually in the film -and yet there are some great things in it (great songs, great cinematography, etc.) . Should be seen after midnight for maximum effect because of it's overall dreamlike feel. 1968 was a time of social unrest and a call for change (thus the film's working title "Changes") and HEAD perfectly mirrors that time. | 1pos
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] |
A 'video nasty' only in the sense that it smells like something nasty you stepped in at the park, this film features a mad girl killing off some trespassers on her and her disabled father's land one by one. Featuring a hysterical leading performance by a sixth rate actress, below budget effects you could probably recreate at home with some ketchup and a running time of just over an hour which still feels like an eternity, it all adds up to a real waste of time you watch at your own risk. I have no idea why it qualified as a two-disc special edition, but at least I can put a couple of beverages down on my table when a friend pops over without the stains on my fine mahogany. ZING! 2/10 | -1no label
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] |
I seriously enjoy Dr Who. Seriously, don't just dismiss me as a "sci-fi person", because I'm not normally. I caught on because a friend got me hooked when they started watching it. It is actually really funny, and more often than not, it's fast-paced. All of my family watch it pretty much and that's a miracle. Christopher Ecclestion is pretty good, but David Tennant is brilliant. I think it's because he made the Doctor so manic and it's just nice to have that little bit of eccentricity in a TV character again. I don't know what it is about it, but everything manages to work like clockwork. All I'm going to say is just try it. One episode (probably best if you don't pick the second half of a two-parter, though). | 1pos
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] |
Dickie Moore (of Little Rascals fame) stars as Dicken's most famous orphan in one of Monogram studios attempts at turning out the classics of literature. Compressing the story down to 70 minutes this is a real mixed bag that doesn't really work. The problem is in the casting which is a mess. Dickie Moore looks too good as Oliver (His hair is way too neat for a start) and unfortunately he can't act. His performance consists mainly of looking where ever he's directed not reacting to whats happening around him. It may have worked in the Little Rascals but here is awful. The Artful Dodger and his band of kids are now a band of college age reprobates trying to be much younger. William Stage Boyd as Bill Sykes is mostly over the top thanks to a script that makes him a bit too manic and menacing. Irving Pitchell as Fagin is okay to start but he slides into wide-eyed silliness at the end. Its watchable, but its far from good. If you want to see a film version of the story I'd go with one of the other versions. | -1no label
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] |
Blindingly stupid guff from the formerly talented John Hughes, who'll soon be making a film with the sperm from 'Look Who's Talking' if his stars get any younger. He recycles the 'Home Alone' formula yet again to produce this idiotic comedy, in which a baby makes his way around Chicago while inept kidnappers Joe Mantegna, Joe Pantoliano and Brian Haley try to catch him, along the way enduring much tiresome slapstick. If Mantegna and Pantoliano can't find a laugh somewhere in your movie then you're in trouble, but the laziness of the movie is most glaring in the scenes where crowds of people fail to notice a baby crawling around on the pavement. Utter nonsense. | 0neg
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] |
I like this movie and while it lacks the realistic and detailed gore of modern war films, and it does have its glitches and goofs, it did not do a bad job for a 1959 production.The attention to detail given to King Company's organizational structure, and many other technical aspects of the platoon and company level combat operation portrayed was outstanding thanks to Captain Joseph G. Clemons Jr., the movies' technical director and actual commander of King Company during the battle. In addition, there was also an in your face, down in the dirt grittiness about the film that many other war films even to this day lack. One of my favorite parts of this movie was the on going confrontation between Lieutenant Clemons and Private Franklin. The way the conflict played out in the movie brought out the motivational traits from Clemons that makes a great leader and the final acceptance of Franklin of his obligation as a soldier and his willingness to share the fate of his brother in arms, what ever it may be; I love Woody Strode. As one living in the real world, I shaped my views of this film not from the anti-war intent of director Milestone, but from a war movie fan, and real life Grunt perspective. While it does have anti-war overtones courtesy of director Milestone and others, Pork Chop Hill was based on an actual Korean War battle, and book of the same title by U.S. Army historian S.L.A. Marshal, and the movie does contain many factual events such as the friendly fire incident at the command post. I like Pork Chop Hill for the Hollywood production that it is, and would recommend that its critics be ignored, and enjoy the movie. | -1no label
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] |
Part of a litany of late 60s films that recognized the potential power (and fear of things not understood) of the rapidly improving computer systems. Like HAL, Colossus one ups its creators. The use of "B" list actors and borrowing computer equipment that was old at the time doesn't really detract from the story. Watching the general public start to accept the rule of the computers, even to the point of wearing tee shirts similar to those bought at rock concerts with the symbol of the Colossus Programming Office on them, foreshadows stuff that actually is happening today. Dated, even when it was made, this movie is still good fun. | -1no label
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] |