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The reason this movie has twenty alternate titles is because Tobe Hooper and the film's distributors wanted to combat the terrible word-of-mouth that would inevitably arise once the film was shown to unsuspecting audiences. That's how bad this movie is--even its creators were ashamed of it. Don't ask me what Tobe Hooper was thinking with this movie. One of these days I'll track him down and ask him about it. "Hey Tobe, why did you think we wanted to see a movie with Robert Englund as a sodomy-obsessed nutcase and a filty, rundown hotel with an obvious psychopath for a proprietor and a random, fake-looking alligator?" Maybe Hooper was drunk on the success of The Texas Chainsaw Massacre. Maybe he was just drunk. I don't know. But this seriously has to be one of the worst, most unbearable films of all time. In TCM you could sorta believe what was going on. Here we have what is probably the worst, least inviting hotel on the planet, but somehow people keep showing up and checking in. Are you people crazy? Just freakin' LOOK at that place! And look at the crazy guy with a scythe who runs it! And look at the giant alligator in the diseased swamp out front! Gee, honey, this place looks nice... For some reason the sky is red throughout almost the entire film. Is it supposed to be on Mars? | -1no label
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This cooking show is outstanding for a variety of reasons. First and foremost, is Ina Garten. She has such a relaxed speaking voice that you can't not help but feel relaxed. Her entire demeanor is one of a relaxed, good friend. You get the feeling that you're a long time friend of hers & you're simply sitting on a stool in her kitchen & she's talking with you as she prepares her meal. Her recipes of course are always tantalizing and I always get hungry watching her show. Her East Hampton home is classy & elegant without being pretentious. And it's great that she doesn't focus solely on the food but brings in the other elements to fine dining: that being table set-ups, location and of course people! It's fun to see the different locales on her show; whether it's her own back yard, or the beach or a friend's home. Ina Garten is a class act in this world of crass, kitchy-ness! | -1no label
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] |
Liongate has yet to prove itself. Every single movie from lionsgate has been abysmal. i've tried and tried to give them more opportunities and they just keep slapping me over and over again. And Cabin Fever is definitely no exception. I couldn't even pay attention to most of this movie it was so frustrating and bad. here's the plot. Guy cuts up dead dog for some reason. Gets infected by random virus, transfers it to kids at a camp, kids start to get infected and die, town finds out about it and rather than help them, kills them. then the water is infected and everyone dies. the end. Seriously, that's the whole movie. all the characters are completely retarded, you don't care for any of them, and the one kid should have stuck with boy meets world. Me and my friend found that talking about how fat and bitchy our one classmate was to be far more enjoyable than paying attention to this movie. We did manage to make it all the way to the end while screaming bulls$@t, because this film will make you do that. and i'm still confused by the random slow motion karate moves of the one random kid and how apparently everybody out in the country is completely retarded and hickish. And again, why did this dog attack the girl? why did the kid the hicks were trying to kill sit in a chair waiting for them to kill him? that was part of the two of their's plan? wow. best plan ever. i cannot believe this movie got a theatrical release. i could barely stomach the DVD, let alone have to sit in a theater not moving for an hour and a half. It wasn't scary, or funny, or cool, or anything. it's just a waste of 90 minutes that you could be using to...i don't know, plant a tree or something. it's more productive than this piece of garbage. The acting, special effects, and script are a joke. don't ever pick this up. Cabin fever gets one nasty leg shaving scene, out of 10 | 0neg
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] |
First, let me say that I'm not usually into these types of film. I prefer the popcorn movies with lots of action and not too much to think about. Every once in a while, however, I'll rent a "high-brow" movie and often I am bored to tears. Not with this movie. I am unfamiliar with most of Michelle Williams work, but she does an excellent job here displaying a woman dealing with a deep guilt, and remorse over the loss of her son (she doesn't seem to miss her husband much, however- but I digress). I honestly believe that if you cannot relate to her character here, then you are a soul-less creature and definitely have forgotten the tragedies of 9-11-2001. Terrorism is just murder on a grand scale, and murder benefits no one. Grief is universal. Go back into your caves and let those who still have the capacity to feel relish in the tragedy portrayed by an up-and coming actress. See this one! | -1no label
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] |
I saw this movie on TV a LOOONG time ago, and the other day I just kept thinking of this Chuck Norris flick where there was a fight scene where it was nothing but silhouettes in a neon light background on a staircase. After flipping through my uncle's VHS collection, I find this! You gotta love the old Chuck Norris flicks; he was what Steven Segal and Van Damme were in the 90s in the 70s and 80s. We see a 'Godfather-type' theme here, it gives for a decent plot for a bare bones martial arts action movie...and Chuck Norris delivers. It's a shame what he's become, because he was just RAW! An all around enjoyable old school action film. Anyone looking for anything else that what's being presented here is just misguided. *** out of **** stars. | -1no label
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This is definitely one of my favorite things of all time to watch--what does it for me, though, is the style and synchronization of the various 50's pop songs that are deliciously sprinkled throughout the movie---simply fantastic-----they blend well with the story and its characters and you are always pleasantly surprised when a new song just pops out of someone's mouth at the (sometimes) most inopportune time. I can't understand why it is not yet out on DVD---I purchased Potter's "Singing Detective" last year and I am anxiously awaiting this one---someone please light a fire under the powers that be in England so that we can all enjoy this treasure in its proper format. | -1no label
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A genuinely odd, surreal jumble of visual ideas which probably looked extremely puzzling on the printed page; just what drew Robert Redford to the project, one may never know. Sidney J. Furie directs this knockabout journey of an egotistical motorcycle racer taking a milquetoast juvenile under his wing; the kid looks up to this anti-hero, and eventually begins to ape his amorality. Disjointed and off-putting--though for some, the sight of Redford disrobing, about to disrobe, or having been disrobed might be enough to warrant attention. Lauren Hutton gets naked too, however all the sexy flashes are just teasers for the prurient-minded; there simply is no story. Perhaps Furie was making an esoteric comment about feckless wheelers and their flock circa 1970. If true, then this pre-Blank Generation approach backfired, as the film was not a success. *1/2 from **** | 0neg
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] |
First I read the book "The Mysterious Island" when I was very little and it gave me wonderful time of dreams and adventures. I was so excited during reading it. Last year I finally found the book and bought it and until now I've read it many times and I think it's one the greatest books ever written. I started watching this movie with some hope to see the journey and life of my heroes from the book, but I couldn't even stand to watch half an hour of it, because it has nothing to do with the book and it's made so so bad. The actors, the play...are awful! Lots of the scenes and special effects makes me wonder how is it possible this movie to be made in 2005 when they're so ridiculous and cheap. To all of you who respect the author and the book - you can leave this movie behind and believe me you're doing good. | -1no label
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] |
I first saw this film in 1980 in the midday movie spot. After many subsequent viewings (and purchase of the video) it still makes me laugh out loud. Yes, it's a relic of another age - a domestic comedy set in affluent middle class America - but well executed is well executed. But it's also a document of its age - a celebration of post-war optimism, the baby boom and the nascent consumer age. This film is no "guilty" pleasure. Three wonderful sophisticated leads actors - urbane Melvyn Douglas; bemused Cary Grant; daffily determined Myrna Loy - complement each other and a memorable team of characters. My favourite scenes - "It means we gotta blast" and "Miss Stellwaggen" and "This little piggy". Love it. | 1pos
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] |
First of all, in defense of JOAN FONTAINE, it must be said that Ginger Rogers would have been terribly miscast as Alyce, the young British lady who has the title role. Fontaine makes a fetching picture as the heroine here, but her acting inexperience shows badly and her dancing is better left unmentioned. Fortunately, she went on to better things. But here it's FRED ASTAIRE, GEORGE BURNS and GRACIE ALLEN who get the top billing--and they are excellent. Fans of Burns & Allen will be surprised at how easily they fit into Astaire's dance routines. Especially interesting is the big fun house routine that won choreographer Hermes Pans an Oscar. They join Astaire in what has to be the film's most inventive highlight. Unfortunately, not much can be said for the slow pacing of the story--nor some of the stale situations which call for a lot of patience from the viewer. It must be said that some of the humor falls flat and the usual romantic misunderstandings that occur in any Fred Astaire film of this period are given conventional treatment. Only the musical interludes give the story the lift it needs. Some pleasant Gershwin tunes pop up once in awhile but not all of them get the treatment they deserve. The nice supporting cast includes Reginald Gardiner, at his best in a polished comic performance as a conniving servant, Constance Collier and Montagu Love (as Joan's father mistaken as a gardener by Astaire). It's a lighthearted romp whenever Burns & Allen are around to remind us how funny they were in their radio and television days. Both of them are surprisingly adept in keeping up with Astaire's footwork. Director George Stevens makes sure that Joan Fontaine's hillside dance number with Fred is filmed at a discreet distance but clever camera-work cannot disguise the fact that she is out of her element as Astaire's dance partner, something she seems painfully aware of. | 1pos
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] |
Wow. This movie bored the pants off me when I saw it. Bland, pointless and unmoving. Apparently, Ash and co. can travel through time with the help of "The Spirit of the Forest" ('Princess Mononoke' much??) There, they meet a dorky kid named Sam, and the "plot" begins. So Tom (Ash) and Huck (Sam) get high with nature, become hippies and try to free Celebi (the "Spirit") from some weirdo hunter guy. I don't even know what else went on. It all went by in a blur. Ash's friends were hardly in it, and all the fight scenes were boring. After saving the day, Ash and his infamous friends, must return to their time, while watching Sam float away with Celebi (that scene was just creepy. O-O;) Then, after returning to their time, Ash learns that his new friend is actually his rival's grandpa. And I think that's it. Pretty retarded isn't it? If you love your children, you won't expose them to this. (1 out of 10.) | 0neg
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] |
(Spoilers) Oh sure it's based on Moby Dick. Totally obsessed and it destroy's him. It's a total folly. The movie starts off rather well, but by the end of the film, everyone else is destroyed and the main star's mind is a blank. The supposed half sister is never convincing. Some very poor lighting effects. Music is interesting. But little else. It took me over a month to finally finish the darn thing. I suppose if you like Being John Malkovich, you might like this. But where as BJM was a great movie that I just didn't want to watch again, Pola X is a movie I just hate to high hell. The only possible excitement in the film is the gratuatious incest sexual scene towards the end of the film. (Hopefully yer not thinking of Catherine either.) This movie is severely boring, depressing, and poorly directed. Not highly recommended. If if you like french movies. (go watch Crimson Rivers instead) 4/10 Quality: 5/10 Entertainment: 1/10 Replayable: 0/10 | 0neg
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] |
I first saw All the Rivers Run on TV when I was a kid and loved it. It was great seeing a mini-series that was set and filmed in a place so close to home. Living fairly close to Echuca, I loved going to the historic port to see the paddle steamers. The first one I ever had a ride on was the Pevensy(Philadelphia in the movie). I love how it takes its time to let the events unfold. Nothing feels rushed as most movies are today. The acting was fantastic. All the Rivers Run was perfectly cast and I just love the crew of the Philadelphia. Mac is always amusing to watch with his trademark raw onion sandwich after a big night out. Easily deserves a 10 out of 10 and is one of my favorites mini-series of all time along with the Dirtwater Dynasty. | 1pos
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] |
Gracie (Kristen Bell) is not your average 16-year-old girl. For as long as Gracie can remember, she has been raising her four siblings, each of whom has a different, absent father. Gracie's mother (Anne Heche) seems to be on the fast track to self-destruction, while Gracie's well-meaning grandma (Diane Ladd) is too old and frail to provide a stable home. When the children's lives are about to be pulled apart, Gracie will have to do the impossible and make great sacrifices to keep her siblings together. Kristen Bell's performance is the main reason to invest two hours watching "GRACIE'S CHOICE." Bell is in most every single scene of the film and she plays her dysfunctional part with all-American charm. Bell appears poised for great success in Hollywood. Produced by the LIFETIME CHANNEL, "GRACIE'S CHOICE" is a watchable made-for-TV drama inspired by actual events. Keep your ears peeled for the original song "I Belong" performed by Cherie exclusive to this film. | -1no label
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] |
I saw this movie at 1:30 AM one night, and couldn't turn it off. I'm a bit of an obscure movie buff, and I turned this on just as it started - so I didn't know the premise. Well, within a few minutes, I was dying to see how it turned out. Because I had NO clue what was going on, I really thought this was a documentary about the now-known fake Nick Decker. I really felt bad for this guy, because he was a putrid, horrible actor. However, the actor playing Nick was convincing me that this guy was a really bad actor, while when he was not in auditions was what I consider a GREAT performance. He really made me think this guy was real, his struggles were genuine, and his angers real. He seemed like a young, naive, honest guy from the midwest trying to make it in a killer type of acting atmosphere. The best scene in the movie is when Angie finds out he's been lying to her. What had captured my attention was when I heard the name Adam Rifkin...who I had heard of, but wasn't quite familiar with. Well, I think he did a terrific job with this movie! Sometimes the "normal" way of doing things gets old, and this was very refreshing. It also goes to show how hard it is to get work in Hollywood. What the big surprise of this movie was lies with that of the red-headed vixen Angie Everheart. I REALLY THOUGHT THIS HAD happened, with the fake press clips, newspapers clips, etc. She was fantastic!!! Look at her career before this movie, and you will see like 6 jobs in 5 years in movies. Since this movie, she's had like 15 jobs in 3 years! Angie has really matured as an actress...I also like how the "angie" character was sincere and genuine, it really made me like the personality of her and want to know more about her....overall, very entertaining..surprisingly good performances when you find out afterwards it's fake (but based on someone else's story) | -1no label
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] |
I AM NOT LYNNE BATES MY NAME IS RITCHIE LYNNE IS MY MOM IM JUST USING HER ACCOUNT! This is, without a doubt, the worst film ever made. I'm 12, and I have seen my share of cheesy comedies, Good Burger, Heavyweights and the rest. After seeing Good Burger I thought to myself "It cant get any more worse than this!". I was wrong. Terribly wrong. Slappy and the Stinkers is the worst family movie ever, I am even ashamed to say I have a watched-once-only VHS copy of it in my wardrobe that I got for my 9th birthday. The good thing is that it only lasts 76 minutes, IMDb have the running time wrong! I cannot list all the bad points, as there are so many obvious cheesy kid movie catches in it. In one scene, a man slips on a skateboard, crashes into a crowd of people, LITERALLY flies across the room, and lands in a large aquarium tank, and emerges with a octopus that looks its right out of "The adventures of Timmy the Tooth" stuck to his face! Give me a break! I really can't explain just how crap it is, you have to see it to believe it. Snap up a copy quick, it'll be in the 99cent video bin with Good Burger! | -1no label
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] |
I know what this movie wanted to be. It wanted to be an ensemble movie of people facing traumatic cornerstones in their lives and overcoming, with the usual connection of characters such as movies likes Crash, 20 Bucks or Short Cuts. A noble gesture and not exactly original but OK. However , the fact of the matter is that besides being slow , this movie did what so many other movies seem they feel they have to do... Go right to seediness. A movie that is supposed to be inspirational, challenging , interacting and about making new friends turns into a flick about glorifying mentally warped individuals. By that I mean the glorification of a stalker. Not only was the stalker glorified but rewarded by cheap role sex as well. From an Oedipus complex stricken young man to an eye specialist , beautiful lady that just lost a toddler to an older, underachieving mail clerk losing his eye sight we have the proponents of a could be good movie. With a supporting cast of a vastly younger coworker, in love with older man and the separated husband of the eye specialist, trying to work things out after tragedy. I rambled enough, just thought the movie had great potential but it failed to deliver. | -1no label
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] |
SCORPION'S REVENGE (1997; AKA Sasori In USA) Japanese interior designer (Yohko Saitoh), wrongly sent to an American cooler for the murder of her husband via exploding car, gets a flip through the back catalogue of women-in-prison movie indignities: delousings, showers, beatings, cafeteria catfighting, yard catfighting, a warden who quotes scripture while he brutalizes and rapes the fishies, raging American bull dykes, and an absolutely inhumane LACK OF PANTS! But Scorpion's revenge ain't against the system, baby, even though she does manage to fuck it up a bit on her way out; it's with the people who killed her man and sent her away, and when she breaks out with another fish in tow, a blind girl looking for her own justice against the sleazeballs who offed her Latino guitar-picker boyfriend, and discovers in a staggering revelation that her husband faked his own death in order to kill a bunch of shyster lawyers who were suing his company (not a spoiler!), she realizes his clock must be punched, permanently. This probably should've been more tongue-in-cheek, but perhaps director Daisuke Gotoh wasn't aware just how big a joke the genre has become to American B-movie filmmakers and fans. As such, however, he does include everything one has come to expect from a babes-behind-bars epic; problem is its all crammed into the first 40 minutes, the remainder being dedicated to a rather laborious trek across the desert and the decidedly predictable and anti-climatic round of score settling with The Man. Worth it if you can find it cheap, and compared to fellow Asia Extreme labelmate BEAUTIFUL PREY, a fair bit more fun. I give it a 7. | -1no label
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] |
Dramatic ? Yes......Historically accurate ? Not Quite !.... This movie twists the Bibles details of the deluge by placing Lot meeting Noah during the building of the Ark. Fascinating time travel for Lot made in part by NBC !....being Lot had not been born until 2136 BCE, 234 years AFTER the floodwater's (2370BCE)....Thats like having George Bush meet with William Shakepeare ! And whats with this guy floating around selling items & nicknack's to Noah ? You can make a movie based on historical facts dramatic, but don't twist it around placing people where they weren't....especially when it comes to Gods Word. | 0neg
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] |
I'm a big Gary Cooper fan, but even the Coop's by this time ageing skills can't rescue this comedy-western from mediocrity. The plot is contrived, scenes are too long, characters and situations are poorly drawn - in truth, as a movie it just drags and sags to its predictable happy-ending finish. The problem for me is that the older Cooper got, the less believable his country bumpkin persona convinces. Here familiarity really does breed contempt, and while his Melody Jones character gets into some heated clinches with the alluring but otherwise out of place Loretta Young, in truth there's little other chemistry between them and you can't imagine her really throwing over the at least mildly dangerous desperado Dan Duryea, whose abilities are wasted here on an underwritten part, for slow-walking, slow talking Jones. The action sequences are pretty inactive, to be frank, the laughs are few and far between (Jones' hat falling off every time he enters a room is about the height of the humour), conveyed by pretty lumpen direction and by the end you realise that the film is something of an epitaph for the comedy-western genre. Tougher, more realistic westerns were just around the corner (Ford's "My Darling Clementine", Gregory Peck's "The Gunfighter" and James Stewart's collaborations with Anthony Mann, to name but a few examples) and Cooper was to find his last great role when he eschewed the overdone country hick in favour of the dignified seriousness of the marshal in the classic "High Noon". I love the Coasters' hit song of the same name as this film, penned by the great Leiber and Stoller partnership from a few years later than this and before watching, had hoped it had been inspired by a rollickingly funny and richly entertaining movie. I was wrong. | -1no label
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] |
This is another very good Bugs Bunny and one of a few where he is involved in classical music (others are "A Corny Concerto" and "Baton Bunny"). Unlike those other ones I have seen of Bugs Bunny playing music, here he combines some of his more slapstick-style humour as well as verbal humour, along with his various styles of playing the piano. The episode references to some past and future Looney Tunes jokes and makes new jokes with an original style. All the humour in this episode is very good and works well. In this episode, Bugs Bunny begins to play Lizst's second Hungarian Rhapsody, when a mouse, who lives in the piano, interrupts Bugs Bunny and the rabbit begins to play various other tunes (not all classical), all very well. Bugs Bunny constantly tries to battle with the mouse and make him stop interrupting HIS show, but does the mouse pay any heed..? My favourite joke in the cartoon (I found it even funnier when I realised that it was Lizst's music Bugs Bunny was playing), is when Bugs Bunny receives a call in the middle of the show. At Bugs Bunny's end we hear, "Franz Lizst? Nah, never heard of him." I highly recommend this cartoon to anyone who likes music, Bugs Bunny and cartoons. Enjoy "Rhapsody Rabbit"! :-) | -1no label
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] |
I watched Sleeper Cell with a bit of trepidation worrying over whether the terrorists would be glorified. This mesmerizing series not only handled the subject matter responsibly, it created depth and substance to almost every character. Oded Fehr just gobbles up the screen in every scene he's inand even though his character is the charismatic leader of a jihad terrorist cell, he still has hypnotic appeal. Michael Ealy held his own well, though in some scenes I wondered why he wasn't shot on the spot because of the scowl he wore on his face. The pros of the series are the two leads, Fehr and Ealy, the well written characters--all of which were believable and tragic, and the disconcerting issues addressed in the story. Having been married to a Muslim myself, the atmosphere created was quite realistic. The cons, for me personally, were that the female T&A was overkillmost seemed gratuitous, as well as some of the sex scenes. Despite that, it is a raw gripping series that will make you think. Somebody give Fehr more juicy roles like this one and let him run with it. He's got incredible screen presence and a strange kind of innate power emanating off him. | 1pos
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] |
As usual the cast and crew have written the first few reviews! I wonder why they bother when surely everybody by now knows that anything with a decent rating and a low number of votes must just be being pimped by the people who made it. Please don't waste your time watching this total garbage. It looks like it was made by schoolkids. The violence is laughably badly done (think 8 year olds pretending to play war or something - punches that don't connect, blood out of a ketchup bottle, etc. etc.). The endless 'thoughtful' silences at least have the decency to let you know the film is going to be boring as hell within the first 10 minutes. The camera work is awful, with the usual shaky-cam work trying to give it a gritty feel (I would suggest changing the sheets on your bed Mr Director - bound to be some grit floating about there), sometimes the main subject of a shot is out of focus while, for instance, a bus window frame is in focus... poor poor poor. If they can't even get the basic mechanics of film-making right it's no wonder the end result is a total waste of film, money, effort and more importantly the viewer's time. Watching Battlefield Earth is a better use of your time. | -1no label
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] |
With TWO good themes carried off in a hilarious way, good characters chosen and a good plot, this Daffy Duck episode is pretty tough to beat! Yet another good thing about this episode, is the clever, brilliant mux-ip of the modern and the old Daffy Duck (this episode was made in 1950, when the new greedy, sly, mean Daffy Duck that most of us know was just starting to appear) and the choosing of so many Looney Tunes characters - including a new one! The episode begins with Daffy feeling hyperly angry and stressed at doing so much comedy and he has had the nerve and steel to write a script which focuses on a more serious theme - or as serious as Daffy can possibly be. The story is not the Scarlet Pimpernel - but the Scarlet Pumpernickel, as Daffy! Also appearing is Porky as the High Chamberlain and who seems to be a new character, a yellow duck, as the fair Melissa. She is to marry the Grand Duke, who is Sylvester, but she loves the Scarlet Pumpernickel, who is an outlaw. It's the start of a grand adventure, with good gags along the way... Good for people who like comedy versions of famous book people and good for people who want to watch Daffy's attempt at a more serious episode. Enjoy "The Scarlet Pumpernickel"! :-) | -1no label
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] |
Ram Gopal Verma strikes gold once again as debuting Randeep Hooda stars in this absolutely breathtaking movie! Full marks to the acting of Randeep, Chunkey Pandey and the others. Good music too although the editing and directing is not up to the mark. A story highlighting the success of a middle-class man in the dark side of society. From a mechanic in Dubai to a gangster in Mumbai, D portrays the idealism and expressions of an average-Joe in the underworld. Jealousy, suspicion, murder ....... this movie has everything. The background score and the only 3 songs in it gets the audience enthralled. Rumours have it that this movie actually depicts how the International Don Dawood Ibrahim came to power. Overall, a must watch for RGVs fans. | -1no label
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] |
I remember watching this on prime time when I was about 7 years old. I was a huge comic book reader at the time, and anything relating to superheroes was anticipated heavily. The end result, however, was underwhelming. I was aware of the "Emma Peel" Diana Prince stories, as they had only recently come to an end and Diana was returned to her Amazonian form. However, there was so little action that I was bored throughout most of the movie. The final costume was an interesting idea, but looked more like a cheerleader than a superhero. I saw the movie again in my late teen years. It hadn't improved much. Cathy Lee Crosby was more familiar, thanks to That's Incredible, but her acting was no better. The script had a few good ideas, like the rogue Amazon, and a decent villain in Ricardo Montalban, but it just didn't come together and was still boring. I think they should have built the back story better, and built the show into a more epic climax. It was too much like a bland spy film, crossed with a superhero story written by someone who had never seen a comic book. The Amazon elements were intriguing, but needed to be expanded. The film did succeed in forcing producers to go back to the drawing board and come up with something more faithful, if a bit too camp and low budget. The budget was also pretty low here, and superheroes don't come cheap. It would be nice to have the movie available on DVD, if only as a comparison and historical document. Even Superman 4 is available, and it has nothing over this film (except Chris Reeve and Gene Hackman). It's worth seeing for curiosity sake and for a bit of inspiration and caution for future versions. | 0neg
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] |
K-Pax is a very intriguing film. Is Prot (Kevin Spacey) really an alien, or is he a mentally deranged human who just thinks he is an alien? That is the question that Dr. Powell (Jeff Bridges) must answer before the self proclaimed deadline that Prot sets for his departure from Earth. As the film unfolds and more evidence is uncovered, both theories grow in credibility. His ability to map from memory the area of the galaxy where his home planet is located indicates a knowledge that no human could possibly possess. Yet the hypnosis sessions lead us to a real person with a very real and traumatic life, filled with devastating events that could have caused such a personality aberration. The ending seems to give the answer, but is just ambiguous enough to make you wonder if you really know. Normally, I don't like lady or tiger endings, but this one is tantalizing. I have my own theory that fits all the clues, but I don't know that my theory is any more correct than anyone else's. Director Iain Softley (`Wings of the Dove') spins the tale delicately, with great skill. This is a rare example of the director staying in the shadows and inducing outstanding acting performances out of talented actors to let the story dominate. This is not to say that the directing is technically inferior, because it is excellent. However, Softley remains unobtrusive, delivering great power through the use of subtlety, a pleasant change from today's vanguard directors who visually grab and shake the viewer as if to scream, `Look how brilliant I am!' Kevin Spacey once again delivers a marvelous performance as Prot. This is a part that is extraordinarily demanding, requiring Spacey to render the cool and logical Prot one minute, and then switch gears to conjure his tormented alter ego under hypnosis the next. Spacey is so believable as both alien and human, it makes the viewer's task that much more difficult. Jeff Bridges is also terrific as the relentless psychologist who becomes obsessed with learning the truth about Prot. This is inspired storytelling for the thoughtful viewer. I rated it a 9/10. If you must have closure at the end of a film, this movie will be very frustrating. However, if you like a fascinating mystery that keeps you thinking long after the credits, you won't be disappointed. | 1pos
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] |
This might be the WORST movie I've ever seen. Junk like PLAN NINE FROM OUTER SPACE at least has some camp entertainment value. But this movie doesn't even have that sense of fun going for it. The acting is uniformly dreadful. The police procedure is of the most ridiculous level (let's see, kids getting slaughtered nightly at the same drive-in movie, what should we do? Close the theatre? Have dozens of cops staking it out? Nope, let's just have two cops park at one end of this huge parking lot and hope they see something. And one of them has to dress as a woman, because God knows only couples to to drive-ins). The sound is horrible, the opening song is unbearable. Oh, God, I could go on and on and on, but I've already wasted enough with this movie. If can only stop one person from seeing this movie, it'll have been worth it! | -1no label
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] |
to make this short and sweet: i hope this movie will not be considered the seminal work for the "gener-asian" of american film making. the acting was sub-par, relying on stereotypes, raised voices, and exaggerated eye-buggery to convey its message. chris chan park does not delve very deep into the any of his characters, allowing them to remain caricatures of angry/frustrated/distant/uncommunicative asians. these depictions do not make characters mysteriously appealing; it makes them confusing and unsympathetic. i like to think that us asians are more complex than that. i came out of the movie unconvinced. unconvinced that these characters had a life long, blood-brother like connection with each other to go to the lengths they did to help their buddy out. unconvinced that the main character had anything beyond a superficial attraction to his girlfriend. unconvinced that hard working immigrant parents wouldn't pay for their son's college education. unconvinced that all of the characters were even necessary, i.e.: janet, who is put to bed in the back of the car and quickly forgotten. the story line, which i actually think had potential, was not allowed to come into its own for two reasons: 1) flat characters for whom i had no sympathy/affinity, 2) the plot is overshadowed by meaningless non-sequitur scenes, such as the seance/donut shop sequence with amy hill which was simply ridiculous and unnecessary. i commend park for his efforts, as i'm sure it took a lot of hard work to even produce the film, and i'll even give him the benefit of the doubt this time around as a rookie director/screenwriter, but i sincerely hope that next time around he'll go a little deeper. just because the film is one of the first of its kind about the korean american experience, doesn't mean it's automatically good. | 0neg
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] |
The story idea behind THE LOST MISSILE isn't bad at all, but unfortunately the story does get a bit dull towards the middle and the overuse of stock footage as well as poor special effects sink this film to the sub-par level. The film begins with a missile heading towards the Earth. In a panic because it's about to strike the Earth, the Soviets manage to deflect the object. This isn't necessarily good, however, as this seemingly unmanned craft has a vapor trail that destroys everything in its path AND the ship is now in a low orbit over the planet. In other words, with each pass it makes, a swath of death follows--one that could potentially kill us all!! So, it's up to the good scientists of the US (led by a very young and hardly recognizable Robert Loggia) to formulate and plan to save us--and especially save New York that is in its immediate flight path! Unfortunately, they aren't able to save Ottawa (I've never been there, so I can't say whether or not this is a big loss) but thanks to good old American know-how, they are able to eventually destroy this harbinger of destruction!! So, as you can see, the story idea isn't bad and rather original. But, so many old clips of fighter planes and guys manning radar scopes gets a bit old and it seemed like padding. Overall, a decent but hardly inspired film that extreme fans of the genre may like--all others, see it at your own risk. | 0neg
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] |
I love this movie. At first, I didn't expect much of this movie since I didn't hear anyone talk about it and it seemed like it went on video soon after it had just opened in the theatres. I also didn't think David and Minnie would make a good on-screen couple. (I've expected a lot out of on-screen couples since I saw "You've Got Mail" and "Sleepless in Seattle" with Tom Hanks and Meg Ryan.) Personally, I think Joely Richardson should've played Minnie's part and vice versa. I don't know, I just think Joely should've stayed in the movie longer with David. They seemed perfect for each other. But it just figures that in a movie, the girl next door always gets the guy. :) (Like in "While You Were Sleeping".) I was very wrong though. This movie was fantastic!!! Everything was done brilliantly. Bonnie Hunt did a great job of directing. The lines were perfect with the wise cracks everywhere. ***WARNING: SPOILERS AHEAD!!!*** I love how everything intertwined with each other. For example, in the beginning, Elizabeth and Bob were talking about going to Italy, and in the end, Bob meets Grace in Italy. Sydney (the ape) doing the hand thing with Grace like he had done with Elizabeth is an example too. ***NOTICE: SPOILERS END NOW!!!*** One thing I didn't like about the movie was it was a little unrealisitic. Well, I just don't think a man could get over his wife in a year when she was the only woman he had ever been with his entire life. You'd think he'd isolate himself from the world for years before even coming out of his house to talk someone. Instead, he goes on a blind date a year later and falls *instantly* in love with a woman he's never seen in his life but feels a connection with. Over all, it was a splendid movie. It had me crying two or three times, and it had me laughing countless times (the scene in the restaurant with Bob's picky date for bottled water was hilarious!). It is definitely up there with great romantic-comedies like "You've Got Mail", "Sliding Doors", and "While You Were Sleeping". GO RENT IT TODAY!! | 1pos
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] |
Jason Goes To Hell is part 9 of the Friday the 13th series. It is also the worst film of the series. The movie seems to have been improvised from the start to the finish, as the storyline and characters do not make any sense whatsoever. What makes this movie so terrible is that Kane Hodder's portrayal of Jason Voorhees is in the film for about 5 minutes. Did the makers of this film really think that Jason fans would care to see a Jason movie without Jason really being in it? Plus the opening credits in the film last for about 15 minutes! Irritating! Also, the soundtrack sounds like it came from a rejected Disney film. I would strongly recommend not watching this movie at all as it contains no memorable lines, scenes, or characters. Plus, since this is a horror film, horror fans will be disappointed with the uninteresting violence and lack of nudity Jason Goes To Hell has to offer. This film is a complete waste of your time and money. | -1no label
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] |
I was at school in the late sixties and early seventies and this film is very much how my school was. The school play where the leading actors kiss, that happened at my school. A crazy gang of lads, my school again only when we went on a cross country run we would have a smoke! 'Getting the whack', some one at my school broke in through a sky light and broke the canes! after that they were kept in a safe!!! And as for certain nocternal activities! what can I say.... The film actually came out in 1982, I remember that as it was when I bought my house and the film was showing at the same time. If you like British films and films about school, growing up and period pieces, then this is for you. Another film very much like it, 'SWALK', came out a few years before and I for one would like to see that again, also 'Kes' is in the genre. Highly recommended. (But trust me, 1982 is when it came out) | 1pos
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] |
Can I be the ONLY person to see this? Haven't we learned yet that there is no such thing as a "value-free" education? This product of the post hippy-flower-child 60's crap-a-thon (that I lived through) is a perfect example of that impossible goal. It is simply the replacement of one set of values and judgements with another. Tradition, gender roles honored and functioning for thousands of years are now to be mocked and abandoned. We are not just to tolerate differences but to celebrate them, even the deviant and previously anti-social ones. "It's all cool!" we shouted. "You gotta do your own thang!" we cried. Until we found out that we were lonely, lost, and needed money. Then, suddenly we realized how wise previous generations were. Please spare your child this vapid tripe of political correctness. They'll learn more and better values by watching old Frank Capra films or any of the old Warner Cartoons. | -1no label
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] |
I have seen some awful movies. Movies that just aren't that great, aren't interesting, lack that certain spark that a Great Movie always has. I knew, walking in to screen this movie this morning, that this would lack that certain spark. I knew this would not be a Great Movie, but I expected it to be at least somewhat funny -- it is, after all, a comedy. And as for expecting the rest of it to be stupid, well, it went above and beyond: it was absolutely ridiculous. Generally, I'm indifferent to Mike Myers' stupid (for lack of a better word) humor. There have been some genuinely funny moments in past movies, but you won't find more than two or maybe even three in this one. The entire movie was basically sexual innuendo after innuendo after innuendo after humping elephants. At one point, I wanted to bash my head against a wall. This supposed "comedy" was absolute torture to sit through. But Stephen Colbert is interesting -- has a few funny lines -- and Jessica Alba was very pretty. Also, Verne Troyer has quite the clever line -- in the credits, that is. I suppose one thing to say about this movie is, while not exactly in a positive light, it will likely always be in your memory, never forgotten. Although, keep in mind: seeing a movie should never hurt this much. | -1no label
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] |
In one word... abysmal. I give it one star for the hippie sex scenes and eye candy women, otherwise forget it. Corman's worst effort, bar none. Ben Vereen should have had his name permanently stricken from the cast. I cannot believe that this is now going to be on DVD (as of 2/15/05) with "Wild In The Streets" - another retro stinker. I woke up sick in bed this morning with a cold, decided to watch a movie to cheer me up some, scanned the digital channels... the premise looked interesting enough because I like viewing B-movie sci-fi, hippie culture and rebellious teen flicks. It seemed familiar somehow and with Ben Vereen in the cast, I thought... why not? What a big mistake... it was a horrible start to my day. Only after viewing it, I now know why the familiarity crept into the recesses of my newly-awakened brain. I remembered seeing coming attractions for this film as a 14-year old (I'm 45), back in the early/mid-seventies at the Sombrero, a local art theater that no longer exists... the whole theater laughed hysterically and even groaned out loud at how bad this movie looked. Acting: dreadful, story: awful, cinematography: nearly-awful, music: terrible, sound: horrendous, directing: a joke. If you choose to watch this after my warning, remember... "I told you so." "Gass-s-s-s" is the perfect title for this film... you feel "gassed" after viewing this putrid movie - or maybe that you should be taken to a "gas" chamber for wasting your brain away. I have seen homemade Super 8 movies that put this film to shame. Definitely a new addition to my all-time Top Ten WORST films... it's up there (er, down there) with "Tentacles." Ted in Gilbert, AZ | -1no label
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] |
Like in many of their previous movies twins again failed at their latest attempt to portray themselves as serious actors. Like many of their past movies only true twins fans can really enjoy this movie that lacks a decent plot line. Jaycee Chan (son of Jackie Chan) makes his first and only appearance to date in a film and after seeing his poor performance I recommend that he stick with music. The only bright part to this poorly made movie is the small appearance of Jackie Chan to add some flavour to this movie. To all the twins fans out their you would probably enjoy this but to all the other serious movie goers I would not really recommend it. | -1no label
| [
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] |
Talk about movies that slip under the radar! Almost nobody heard about The Doe Boy and there really isn't a good - or even acceptable reason. Slowly paced this very gentle film packs an emotional wallop few films with far bigger budgets, more stars and loftier reaching stories could hope to achieve. Doe Boy is about Hunter - a boy with an American Indian mother and white father. Hunter is a hemophiliac, a disease seemingly unknown to Native Americans and which separates him further, forever making him feel like an outsider. His macho father (an absolutely terrific performance by Kevin Anderson) loves him, but is ever let down by the boy's inability to be more physically active because of his disease. As the film traces Hunter's story from childhood through his late teens, we see the difficulty of the relationship between he and his father strained to the limits as well as the inability of his mother to let him go and become the man her son needs to be. James Duval gives a performance that is positively incandescent; it is an amazing achievement. With relatively little dialogue, it is through facial features and body language that he fills Hunter with a sense of defiance and a desperate need for acceptance. We witness the painful struggle he endures of always being different, in not one, but numerous ways. Acceptance and understanding do not come easy, but with the aid of his wise grandfather, a beautiful girl, and coming to grips with his heritage and and the forces of nature, Hunter's journey is one that everyone should be able to relate to. It is a brilliant, moving performance. In every way this quiet, little movie is about as perfect as indie film can be. A joy to watch. | -1no label
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] |
This film is an attempt to present Jared Diamonds theory of "Guns, Germs and Steel", explaining how Europeans have dominated much of the globe. The version I saw of this documentary came on 2 discs covering 3 hours. I think the information could have been presented in 20 minutes. There are completely useless scenes of: Professor Jared Diamond watching birds through binoculars, Professor Jared Diamond failing to use a bow and arrow properly, Professor Jared Diamond firing a muzzle-loader badly. Was this documentary supposed to make a hero out of "Professor Jared diamond?". This part of the documentary was so bad, it could have been a spoof. The worst was when Diamond is shown breaking down and weeping when touring the malaria ward in an African hospital. None of this helps me understand his theory of "Guns, Germs and Steel." BTW, "Guns, Germs and Steel" is said about 100 times. "Can the Europeans guns, germs and steel get them out of this dire situation? Stay tuned and find out!" When he finally gets down to business, his theory is equal parts interesting and utterly boring. Europeans conquered the natives peoples of other lands, because they had guns and fine blades against stone and wooden weapons. Do I really need a professor to convince me of this? The parts of his theory that explain how the Europeans came to have the advantages that allow the conquest are interesting, but the coverage is paper-thin. In the end, I think the documentary was only trying to convince me that non-Europeans are as capable as Europeans. If I'm not a racist, I already know this. If I'm a racist, Jared Diamond is not going to convince me with his bumbling use of native implements. I don't think adults are the intended audience for this documentary. Kids may enjoy this more than I, though. I have read that the book from which this documentary is much better than the documentary. | 0neg
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] |
This might not have been as horribly bad as it was if not for the absolutely awful acting job done by Raymond Wallace! This guy is so bad it wasn't even funny! His character was needed in the film, but why they chose this guy is beyond me. If you're looking for some quality Chinese films.....might I suggest "Raise the Red Lantern"...."The Story of Qui Ju"...."Red Sorghum"...... Anything but this! I was surprised at how many people actually rated this highly! Really...the acting by this Wallace loser is so bad it overshadows the other good parts of this film. This was agreed upon by all 6 of us watching this movie last night! Stay Clear of this piece of garbage........ | 0neg
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] |
Considering some of the reviews here and elsewhere and the lack of any big names, I was more than a little skeptical going into this film. My suspicions turned out to be unfounded, though, as the film was actually surprisingly good. It's been a long time since I've heard a movie soundtrack where the bulk of the songs were not only performed by people born in the last 20 years, but they were performed well. A good soundtrack is hard to find and adds SO much to a movie. You can have a pretty mediocre film and add a great soundtrack and it ends up being quite watchable. Some of the acting is a little wooden and the plot is almost laughably cliché. One could argue, though, that a laughably cliché plot was their goal, that they were somehow trying to recreate the far-fetched plot horror flicks of years past. If so, they did it masterfully. I was expecting a very low budget, but it really didn't look that way. I'm always impressed when low budget movies don't look low budget. The editing was creative, especially the ramping of the kill scenes/killer's movements for increased dramatic effect. Overall, this movie portrayed something that seems to be in short supply on celluloid these days- youthful exuberance. If you are a teenager, or, if, for 83 minutes you can channel the spirit of a teenager, you're in for a fun ride. With a little more money and some better writing, I think these directors will be able to do really great things. I'm looking forward to their next project. | -1no label
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The best thing from the American Pie "bakery." I found the humor and the plot to be far more engaging audience than any of the American Pie movies to date. .Also concerning the appropriateness of the content I found this to be acceptable to a much larger audience than any of the previous American Pie movies. I thoroughly enjoyed this movie experience. When the movie first came out I read a number of negative reviews and ended up not going to see it while it was still in the theater...I now regret that decision. The movie far exceeded my expectations in terms of plot, dialog/scripting, and overall quality. I give it two thumbs way up! | 1pos
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Saw this movie last night at Sundance at BAM. I thought that I would get a look at the history, structure, economy, and cultural legacy of gang-life in LA. This movie didn't deliver on any of these fronts. Instead of history it just ran over the broad-strokes of black oppression on the west coast. Instead of gang's organizational structure it just talked a lot about finding a family and not having a father figure. Instead of the economy of drug- selling it just talked about how crack totally messed stuff up. Instead of cultural legacy it just flashed a bunch of pictures of west-coast rappers and had a hip-hop inspired soundtrack. Throughout the film there are constant montages of hyper-masculine men, showing off their muscles, guns, and clothes. After awhile, we can't help but question the filmmakers leering, homo-erotic/homo-phobic view of these gang-members. We rarely learn anything concrete about them. They rarely tell us particular stories, facts, or credible statistics. Instead we are presented with their hyperbolic exaggerated rants about how tough they are. It reminds me of some of the AA meetings I've attended, where former alcoholics brag about how high, drunk, messed-up they got in a way that seems to relish the very self-destructive aspects of their lives they now pretend to critique. In the end, this is one of those movies that can't get enough of the guns, blood, and violence culture, it pretends to disapprove of. | -1no label
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OK, so I know better than to watch movies on SciFi . . . er, sorry . . . SyFy. Or shifafa. Or whatever it is now. So sue me. I spent my whole Saturday doing advisory-board brainstorming for a nonprofit. I can be forgiven for flopping into my armchair and wanting to watch some movie I'd never seen, rather than read Proust in the original or learn how to play the oud. Which is to say, I didn't deserve Open Graves. Of which I saw none, incidentally. Were there any? Did I fall asleep? Why is it called this? Some icky visuals. Not many scares. As with too many films in modern horror films, no reasons are given--apart from shared humanity--to care about any of these people. Half a point, though, for the legless entrepreneur, who was clichéd but did have one good scene. It all sort of plays like Final Destination delivered via a board game. The game does have an intriguing look to it, and it involves one of my favorite old conundrums. I'll give it that much. The drawback there is that the game possessed more personality than most of the characters. As for the end, if you didn't see it coming, then I think YOU fell asleep. Somewhere back around the dawn of the genre. | 0neg
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] |
I've read many negative reviews of this movie and finally got a chance to see it on DVD. To be honest I really don't know what the problem with it is. It's a decent murder mystery thriller, shown from various points of view, from an eccentric cast of often drugged out potential killers/suspects, including the late porn king, John Holmes. Please read the plot synopsis for the exact details of the movie's plot - I wish to contribute more to a review than a synopsis. Many reviewers went so far to give this movie their lowest rating due to violence but I really don't see it. MANY modern movies were worse - Saving Private Ryan was ultimately more violent than this movie, which often relies on implied blood stains than actual brutal slayings (the murders depicted in this film were done with lead pipes, afterall). I was enthralled with both halves of the movie - the first showing John Holmes as a hopeless cash hungry drug addict, and the second half showing his side as a minor conspirator in a senseless bloodbath. The movie has excellent acting, even though Dylan McDemorant looks more than a bit out of place in his biker-esque personia and goatee'ed bad boy personality. The soundtrack was also awesome - a fantastic mix of 70's B-side rock and obscure pop, spread out over a couple of hours in all the right places ala Boogie Nights. | 1pos
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] |
Some of the acting was a bit suspect. I remember that asswipe Alexander Walker (Evening Standard critic, yeah OK, he's now dead) launched into a rant about this film saying it was a disgrace portraying NI Protestants as murderers. Now with respect to all NI protestants, this film was loosely based on the Shankill Butchers (who were loyalists)and who roamed Belfast in the 1970's. Believe me, they were not called butchers for nothing. my main moan about this film is the it shows no ray of light or hope, it's all doom & gloom, i mean did the little girl at the end have to die. Maybe this sounds corny but it could have taken the tact that not all Prods & tiags are bad or wholly good either. | 1pos
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Did Beavis and Butthead make this movie? It is just that bad. Truly an uneven and unfair portrayal of "bad" vs. "good" in the wine world. Did you notice the filmmaker trying any of the wines from the featured protectors of individual wines and terroir. The camera work is dizzying at best while the content may put you to sleep before long. This is not insightful journalism. What I got from this movie was that the filmmaker was trying hard to make a point about the globalism of wine by showing, for example, that the Mondavi family owned wineries in all parts of the world. Okay, that is a good start. So, how do these wines compare? Does the Mondavi Napa cab taste like their Italian wines. We never find out because no one in the film comments on this. Instead, there is a lot of innuendo about Nazi's and fascism. Well, those things don't grow grapes. Hmmmm. | 0neg
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To say this movie is low budgeted is an overstatement. If you like the quality, the production value, and the acting of a poorly done student film, you will love this one. The story: Two people decided to hole up in a small room at a rundown motel so he could write his next great play while his girlfriend works at a menial job in town to supporting him. Right off, strange things begin to happen in this cramp room. As the day gone by, things become worst and worst. The good: the first two minutes of the movie, when I thought this is going to be a reality style horror movie shot on video instead of film. The bad: The next 83 minutes of the movie. First of all, the surroundings of this movie doesn't promote any scariness nor creepiness. The motel room the haunting is suppose to take place is not big enough to fit two people along with a ghost. I mean, if a ghost wants to haunt the room they are in, one person needs to leave the room first. The directing is amateurish and so is the camera work, especially halfway thorogh the movie when the camera-person decided to play with the zoom lens. The sound is hard to heard. The male lead is a poster boy of over-acting. Nothing in this movie is remotely scary for a ghost story. I am very glad that I only rented this movie instead. | -1no label
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I only watched Lion King II because I taped it from TV. I watched it twice and still wondering if it's made by the same group that did the first movie. It's quite a disappointment. The characters are not interesting any more. Their facial expression has too many changes in one second it's not natural. And I'm hoping it's just me, I found Kiara very annoying, probably because of her sometimes-nasal voice (that always gives me a fake-cry impression). Besides, unlike Simba, she wasn't given the chance to mature. She was the same spoiled little girl from the beginning to end. It's a good thing they want to have a princess instead of a prince, but it's easy to tell the plot is still highly underneath Kovu. It's strange to talk about character chemistry in an animated movie, but I found Lion King II lack the kind of chemistry the first one had. Probably the director's fault. The plot did mature a lot, though. During a great length of the movie I thought Zira was to live. She's not really a villain, just some poor old thing stuck in the thoughts of revenge for too long. But I guess little kids won't understand it that way, so Kira dies at the end. Given a plot like this, it's pretty hard to screw up the characters due to lack of complicity, but they did. | -1no label
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] |
Just when you think we're coming out of the Dark Ages, along comes a film like this one ready to fling us back about 500 years or so. I like fairies. What's not to like about fairies - delightful, imaginary, little creatures with wings. Not in this film they aren't. The revelation of the past history of fairies as being malignant creatures of darkness and evil is interesting, and the scenery of Scotland and Ireland looks enchanted enough to really contain fairies. But then the film wanders off into the weeds of ridiculousness, as we meet present day people who straight-facedly claim to have seen the little people. Yes, these people believe in fairies. There is even a scene in a schoolroom where an adult visitor encourages the boys and girls to believe that fairies are quite real. I don't think that is what education is all about. We should be teaching children the truth about things not leading them back into superstition and nonsense. I personally was outraged that something like that was allowed. I gave it 4 stars out of 10, only because the scenery is fantastic, and so is some of the artwork depicting fairies and other such creatures, but the position the film takes on this subject is all wrong otherwise. | -1no label
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] |
It's hard to praise this film much. The CGI for the dragon was well done, but lacked proper modelling for light and shadow. Also, the same footage is used endlessly of the dragon stomping through corridors which becomes slightly tedious. I was amazed to see "Marcus Aurelius" in the acting credits, wondering what an ex-Emperor of the Roman Empire was doing acting in this film! Like "Whoopie Goldberg" it must be an alias, and can one blame him for using one if he appears in this stinker. The story might been interesting, but the acting is flat, and direction is tedious. If you MUST watch this film, go around to your friend's house and get drunk while doing so - then it'll be enjoyable. | 0neg
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My wife and I watched this after DVR'ing it off of Encore action this past week. It has to be the worst horror flick either of us had ever seen. Predictable dialogue ( my wife and I were guessing the lines before they were spoken), hokey special effects, a screenplay that drifted all over the place. I think the part that was the most annoying was the stereotyping of the various characters in the plot, not to mention the gratuitous sex scene between two of the young heroines in the movie, neither of which had any real purpose other than to bare certain parts of their anatomy for the cameras. This movie should be categorized as comedy, not horror as the villains of the movie (spiders) were stop motion animated and not believable in the least. I can't say that I would have done a better job making a film myself, but it was very amateurish and wasn't even a "B" movie, somewhere closer to a "d" movie, or "f" if that is possible. I think even Science Fiction 3000 would have to pass on this one! | 0neg
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] |
It is a joy to see a movie that has no pretentions of being anything other than just a movie. It is pure entertainment, and it is pure joy. To be able to sit back and enjoy this movie is one of life's pure joys. If only some more movies were like this, the other drivel out there would be so much more bearable (who in Hollywood actually thought THE HAUNTING was good?). If Gibson Frazier does not become a star, then something is wrong. His performance as Johnny Twennies steals the show from an otherwise likable cast --including Dwight Ewell (CHASING AMY), Frank Gorshin (TV's BATMAN), Susan Egan (HERCULES), Cara Buono (THE COWBOY WAY), David Margulies (GHOSTBUSTERS), and Anthony Rapp (SCHOOL TIES)-- with a dapper smile and a tip of the hat. Critics will tell you that the movie is slight. And guess what? It is, and it revels in being just so. But it does what movies were always meant to do... not teach you some social more, but transport us for a little bit of time, from our own dreary lives to some place sunnier, funnier. In other words, the film does nothing but entertain. Unfortunately the films' studio, Fine Line Features, is not giving this picture the full-press coverage that it really deserves, so you will have to look hard to find it in the theaters. An easier way is simply to click on theater listings at "www.manofthecentury.com". | -1no label
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] |
Well, I don't want to give any real spoilers (heck, it practically spoils itself) but 'Horsemen' sadly is an unfinished movie, like an exciting auto chase in the middle of a film and without warning the good guy swerves off an unseen cliff and the film's over. Speaking of spoilers, all the way through this, about four scenes before something happens, I kept thinking, "Oh, he's this" or "He'll discover this" or "The killer is
" Despite the fact I thought the movie was well shot, the locales made the most of the depressing city it portrays and Quaid did an above-average job, as he almost always does, the movie was very flat, (again) predictable and too clichéd. We have a recently single parent who's putting his job (law enforcement) in front of his two boys. We have a detective that visits an "oh, I'm smarter than you" criminal in jail for clues to his case. We have torture porn. All of these are very familiar stomping grounds. Unfortunately, when it's revealed (well fully, all the clues are spewed from minute one) why the bad things are happening, it's so off-center and contradictory (There are no four horsemen! There's thousands! And when the four horsemen come
what?) I think there was a great movie here, if they had finished it. Perhaps another 2-3 rewrites and it would have been more eerie. Basically the movie's about a detective bent on finding a killer or killers in so-called random murders, with clues left behind, before the next person dies! I can barely write that without laughing. Go watch (or re-watch) 'Seven.' Side note: I'm surprised I didn't get the phrase "Come and See" before Quaid's character did; I've heard it before listening to one of my favorite songs more than a dozen times: Johnny Cash's 'The Man Comes Around.' I first heard that song during the opening credits of the much better movie: 'Dawn of the Dead' (remake.) Yes, I know the original reference, but I haven't read that verse as many times as I had heard the song. | -1no label
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] |
I watched this film on ITV and I enjoyed it a lot. It was very watchable and very funny. Julie Walters and Rupert Grint were perfect in their roles. Julie Walters gets a special mention since she creates a wonderful diverse interesting character to watch. Ben's character is kinda shy and Stoic but the changes he goes through are wonderfully acted out by Rupert Grint, I would definitely say he has a future in acting after Harry Potter. Laura Linney is quite good in her role as Ben's over protective mother, the only thing they went wrong with is by making her too....Villain-y. Ben's father was also an interesting contrast to his mother, and in the end he is quite honourable too. The only character i wasn't keen on was Bryony, she was a bit plain and unnecessary i thought. Overall this is a great comedy drama that is very easy to watch. one of my favourite films of the year easily. | 1pos
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] |
This (very) low-budget film is fun if you're a John Krasinski fan, but is otherwise disappointing. At least it was short, so I didn't feel like I had wasted too much of my time. John's scenes are funny enough, but the attempted 'deep' scenes with Lacey Chabert are pretty nauseating. It starts off seeming like it could be a funny movie, but some of the characters are just so outlandish while the others are far too serious that it just falls flat. Don't get me started on the ending. It was totally implausible and didn't even fit with the rest of the movie. I will say that I wasn't bored, though, which is why I rated it above a three. Fans of John Krasinski will enjoy seeing him with a bandanna and stockings around his head, and eating Cheez-Its. Oh, and make sure to check out John's deleted scenes, they're better than some that were actually included in the movie. | 0neg
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] |
Star Trek Voyager was supposed to be groundbreaking, a fresh challenge, a slap in the face of what we had known. At least that's the way they sold it to us. The U.S.S. Voyager would be stranded in a remote sector of space unknown to mankind, truly exploring the unseen while looking for a way back. Too bad they(producers, writers) chickened out right from episode 1. What we got was more of the same, tired aliens of the week with a generic bump on their foreheads that spoke English perfectly, and loads of spatial anomalies and enough technobabble to fill Jupiter's Red Spot. We were supposed to have the first female lead, a female captain which was a wonderful idea, but we got that annoying midget of a woman, with a grating voice-pitch and schizophrenic personality. We got a stiff imitation of Leonard Nimoy, and a bunch of useless, unlikeable, bland and annoying characters as a crew. Plus, the ship always seemed a ridiculous coffee spoon. Not all was horrid, of course...naturally, Robert Picardo as the Holographic Doctor, the Special Effects, Jerry Goldsmith's Main Theme, and the Borg along with the sexy Seven of Nine did make this show watchable, and at times, even enjoyable. But it's sad, because, for a show that was supposed to throw all conventions through the window, it surely was the most conventional of them all. | -1no label
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] |
This was a really nice surprise. I was up late last night and couldn't fall asleep. Not really thinking twice, I turned on my TV and HBO was on, and this film was just beginning. Luckily I saw the whole thing, and I am very happy I did. Because this film was very good. The actors were well-cast, and they did a surprisingly good job. Kris Kristofferson delivered a solid performance, there was a lot of substance behind his lines. This film made me realize he's a good actor. Brian Keith was great as his father, as was Trey Wilson playing the Colonel (this was Trey Wilson's final role before his untimely death. Too bad, he was a quality actor and seemed like a nice guy). Jobeth Williams also did a nice job as Kristofferson's American wife. As far as the direction, I had no idea Franklin J. Schaffner was the director until I read the review in Leonard Maltin's Movie Guide(this was the last film he ever made). Now I understand why this movie was so good. Schaffner also directed Patton, a truly great movie(I haven't seen his other great film, Papillon). While I was watching "Welcome Home", I said to myself, "this director really knows what he's doing," not knowing that Schaffner had directed it. There's one really beautiful scene in a Thai orphan refuge, enough to bring tears to my eyes. Not only was this sensitively directed, but it was also directed in a very economical and taut way. There is nothing wasted in Schaffner's effort. The script was one reason this film is so good. The writer doesn't weigh the actors down with too many lines. It was written very simply but very effectively. It just shows you that a lot can be said with few words. This film also made me proud to be an American, at the same time that it showed you how beautiful ALL people are. | 1pos
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] |
In "The Prisoner of Zenda", a British major impersonates a foreign king to save his station. The film starts as more of a drama film and makes a transition to action film near the end. It also features nice sets in the old Hollywood style and an appropriate score. The film's cast delivers great performances. Ronald Colman is charming as Major Rudolf Rassendyll. Madeleine Carroll plays Princess Flavia, who is slated to marry the king. Colman and Carroll have chemistry together and nicely develop a relationship. C. Aubrey Smith is well-cast to play the part of Colonel Zapt, the king's loyal helper, and David Niven has a small role, also on the king's support staff. Douglas Fairbanks Jr. creates a memorable villain as the brazen and obnoxious but somewhat clever Rupert of Hentzau. Raymond Massey is decent as the other main villain, Michael, but not on par with Fairbanks. The start of the movie develops the film's premise and then the characters. The film mostly has an interesting story and clever dialogue,but it does have some slower spots in the middle. However, the film makes a transition to an action-oriented approach near the end. This was appropriate and in particular there was one duel with some amusing banter that was a highlight of the action. The film culminates in a satisfactory conclusion and is overall worth seeing for its premise, characters, dialogue and action toward the end. | -1no label
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] |
Going into this movie I understood two things. It was about an LDS missionary and it starred Anne Hathaway. After seeing it, I know that it is far from a story about a man's mission experiences with a pretty girl on the side. The experiences that Mr. Groberg has are incredible and delightful. Understanding that he is LDS is almost meaningless in the context of the movie's plotline. Whether you are LDS or not, you will be able to understand it's simple motives. Love (Godly, romantic and platonic), Integrity, Loyalty and Friendship all make a presence in the deep character development. As writer of the screenplay and as director Mitch Davis has masterfully crafted this adaptation of the life experiences of John Groberg. You sense he did not go into his mission with a desire to find glory or fame, but he did go to Tonga with a desire to do what was right. This I feel is the overarching trait of the character played by Chris Gorham. It pulled him through when he didn't know how to heal a seemingly dead child or make it to land after losing his ship in the middle of the ocean. Nevertheless, in persisting to be true to his religion, his family and his love, he was able to touch the lives of hundreds in the three years he served in Tonga. Now, his story is able to touch the lives of thousands more through the efforts of Mr. Davis and his staff. Thank you for pouring your life into this so we may view the greatness that is the life of John H. Groberg. | -1no label
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] |
I really loved this movie. I live close to the set it was filmed at. The movie was made in Lebanon, OH and my cousins live there and they lived close to where they were filming. My cousin told me that they were filming another movie in Lebanon (also the location where a medical movie was made, but I can't remember what it's called). She invited me to spend the night with her and we walked down to the set on the very last day to meet some of the stars. I got to meet Melanie Griffith. She was so tall in person at the time. She was a very sweet person. I remember also meeting Jessica Wesson. Me and her clicked right away. She was the greatest person to hang out with. I couldn't believe how hot and sexy Adam La Vorgna was in person. I still have his autograph and picture of me and him in front of the ice cream parlor that they filmed at a couple of scenes. They were so tired on the last day we asked them if it was OK if we took them to the ice cream parlor and the director said that was fine. We ate ice cream and talked and laughed with them. Michael was so funny in person. He made a lot of us laugh. He was great. They were the nicest people I have ever met. | -1no label
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] |
This movie reminded me of all of those "crazy guys on the loose" movies. "Weekend Pass", "Fraternity Vacation", et al. Except in this case the main characters were minorities. A big negative was all of the swearing, way too much. To me, a lot of swearing in a film shows a weak script. "How can we punch up this scene, dramatically?" "Ah, just put in a lot of swear words, that adds drama". I don't think so. Another thing is how each of the four main characters have an epiphany, that is straight out the "crazy guy" film handbook. Finally, the first few minutes start off promising and there is some humor but that vanishes further on. Unless, one finds humor in degrading women. And am I the only one that thought the title song sounded a lot like Motley Crue's "Dr. Feelgood"? | -1no label
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] |
Robin Hood, Elizabeth and Essex, They Died With Their Boots On -- add these to this movie, and you have a great combination. Errol Flynn was always so handsome and charming. Wish he could have lived forever. It is so wonderful that his images can be preserved in these excellent films. Yes, Don Juan was the great lover. He also had to be a great politician, what with dealing with kings, courtiers and husbands. If I were a movie director, and could get Errol Flynn to act for me in a leading man role, I know I could get a great performance out of him every time. RIP, Errol. You were the best. 12/10 | -1no label
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] |
I watched this because it is part of a collection of 50 horror movies. This package is a hodgepodge of B movies and old classics. The only horror about this film is the fact that it went into distribution. I saw that Roger Corman's name was above the title, so I figured some silly spook show. It's a women's prison movie. How did it get into the collection? Let's see. There is some plot about diamonds that have been hidden away in the Bayou. There are a group of women, some pretty famous actresses. There's Mike Connors (Mannix), and then a lot of gun pointing, and, pardon my sexism, cat fights. Connors' girl friend gets eaten by an alligator. The undercover cop is the hero but she allows innocent people to be killed. She's also not particularly attractive. There's Beverly Garland, the last wife on "My Three Sons." There's more fights. Connors sits with his hands tied behind his back for most of the movie. I don't mind bad movies. Sometimes they have something redeeming. This just pushes the button of stupidity. | -1no label
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] |
I tried to watch this movie on VHS years ago, but found it too boring to get through. I decided to give it another chance in a real theater, because I'd heard that it's such a classic. It definitely improved on the big screen (well, not that big), but the good things about the movie are undercut by the unsatisfactory story. The film starts out like a biting social comedy, on the order of "La Ronde", but strangely changes tone partway through, turning much darker. But because of the light opening, the characters are not three-dimensional enough to support a serious story. The actors, especially Darrieux, are good enough that they almost make it work, but they needed a better script. The abrupt, unexplained ending was especially frustrating to me. The film is beautifully shot, but the camera-work was a little too hyper for me in places--a dance sequence made me literally dizzy. (Probably most people wouldn't have a problem with that.) Also, the rich, somewhat claustrophobic production design showed a few too many 1950's influences for my taste. On the positive side, I admired the way Ophuls created (on the surface) a believable world of the rich, and yet had an awareness of the poorer people that surrounded it. That was something I did not expect. | -1no label
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] |
This movie was stupid and boring. I noticed that whenever Sofia VERGARA comes out in a movie, it is usually not a big hit. She really needs to enroll in some acting lessons. I think she needs to improve her English because her accent makes it very difficult to understand what the heck she is saying. I think she should stick to making calendars; the only thing she knows to do best. I remember when this movie first came out, it only lasted two weeks and it was directly sent to the dollar movies like a bullet. That is so embarrassing. The main problem is that now a days, people choose an actor according to their physical beauty. Many do not keep in mind that beauty and acting skills are two totally different things that should not be confused when choosing a great actor. | -1no label
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] |
A very positive message for our youth is shown in this movie. Through the sport of rugby as a mean, a High School rugby coach leads his players in their behavior and lifestyle, ON and OFF the field. The acting and directing are good. The rugby shots are just OK if you know some rugby or really cool if don't know much about it. I recommend this movie, worth watching, especially at a point in time when this sport is gaining more and more adepts every day. The plot is based on a true story taking place in Utah. The coach portrayed in this movie has been at the helm of the Highlanders for over 30 years (and loosing only game every 3 years). Enjoy! | 1pos
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] |
I was prepared for this movie to be sub-par. However, I did not think that this movie would sink this low whatsoever. To say this movie brings out the best in Christianity, TBN, and Chinese culture would be greatly misleading. In fact its an insult to people who study Asia or Christianity at any length. The beginning of the movie begins in "1941" in "Shanghai". I use quotations because I don't believe either to be true. Somehow Japanese troops take their house and bomb the pond. And when the Japanese troops spoke Japanese, the subtitle was "Asian Talking". But that confusion is not all. Somehow, we are transported to the 1950s in a post-Civil War China. Yet, little damage is seen to Shanghai. I highly doubt the city was fully rebuilt in only a few years, especially after years of conflict. Somehow, through writing, she becomes Christian again because she could hear God in the wind and chalkboard. Yet, everybody is speaking English. But when Mandarin Chinese (I assume its Mandarin) is spoken, its also couched as "Asian Talking". But not only that, its usually only spoken in a 'evil' tone. In dealing with the CCP authorities, she doesn't say the right things and it lead to more hardship. Her arrogant tone in trying to have a hate/hate relationship with the authorities has nothing to do with being Christian. In fact, her character was mostly counter-productive. She marries, has kids, but lives in a camp for a while. Why? Because she is moronic and didn't flee to Hong Kong earlier. Neither did her father, who could have fled there long ago and avoided this stupidity. Overall, the acting was phony. The story was ridiculous, especially if she claims she said all those things. I thought the effects were miserable. Why did they use American jeeps in the film? Why did her Chinese classroom have Filipinos, Indians, and a Japanese teacher trying to be "Chinese" students? This is a reason why TBN should NEVER make films if its focus is to win converts. Instead, it makes Christianity look bad. Only worth watching again for pain and laughter. "F" | -1no label
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] |
I’d watched three films by the same director prior to this one: while no discernible point seemed to emerge from them other than to show the dehumanized state of modern society, I certainly wasn’t enthralled by the unrelenting gloominess of Wakamatsu’s approach. With this in mind, I knew more or less what to expect here – but, then, there were other factors involved which rendered it even less appetizing than his other works! To begin with, the film opens on a disorientating montage of naked female bodies in a magazine being scrutinized (as it transpires, contemptuously) by the unbalanced protagonist. Then we cut to a group of female nurses in an isolated dormitory – a number of whom spy on two of their colleagues making love; in the euphoria of the moment, they invite in a male passer-by – an unwise decision, as he turns out to be none other than the misanthrope we’d been introduced to earlier…who unhesitatingly shoots dead one of the lesbians! Even if I caught the film mid-way through the credits myself, the whole thing runs for just 57 minutes: while the inherent tension within the central situation could well have sustained such modest duration, this is negated by the static direction – which renders the single-setting claustrophobic and the proceedings merely boring! Anyway, one by one, the six women (except one who had stunned the madman by questioning his motives!) fall prey to his violent outbursts: one is tied and tortured, while another gives herself to the killer in the hope of escaping her fate!! One wonders why they just don’t turn on him all at once or, even more obviously, try to escape via one of the other rooms in the house (in any case, this is said to have been drawn from a true-life incident). For the record, the black-and-white images are interrupted towards the end by brief flashes of color (such as the aftermath of the above-mentioned bondage scene and the tableau-like depiction of all the characters – naked and bloodied – huddled together in the main hall of the dormitory). The film, then, ends abruptly with the unannounced arrival on the scene of the military forces. | -1no label
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] |
Screened this morning for the press at Roma film festival, "N - io e Napoleone" is easy to love. First of all it can count on great production values, as very few Italian films nowadays can, with wonderful settings and costumes. The cast is great too. Director Virzì constantly speaks of the young lead Elio Germano as "a young De Niro". Now, of course he is going a way too far, but sure the boy can act. I loved his performance, and he did a great job with the (tuscan) accent. Daniel Auteuil is a great actor and did very well as Bonaparte. It's really great to see him acting in Italian, I hope to see him working in Italy again very soon. The supporting cast worked well too - people like Valerio Mastrandrea or Sabrina Impacciatore may seem unlikely choices, but they all gave fine performances. Even Massimo Ceccherini, best known for appearing in his own moronic films and in trashy TV reality shows, fitted in well and was actually funny. The low point of the cast was the "Diva" Monica Bellucci. Sure, she was slightly better than usual, but she managed to look (and sound) utterly unnatural even in the part of baronessa Emilia, in which, with a good dose of self irony, she used her own umbro accent. The script, by veteran Furio Scarpelli and Virzì himself is clever, with lots of laugh out loud lines, and a few very emotional moments too. Sure, the ending left me puzzled. The message is kind of ambiguous: the whole film says that political ideals can bring you to blind hate, but if you get closer you will learn that the object of your hate is after all a little human being like everyone else, sometimes funny, sometimes sad, sometimes pathetic, so that suddenly it's difficult to hate him; then, in the last few minutes it says that after all it would have been better to shoot him in the head at the beginning. Personally, I dislike very much this notion. "Io e Napoleone" is still a pleasant film, the best presented at the Festival so far (the other being Fur and the Hoax). My rating is 8/10 | 1pos
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] |
Dark City is a masterpiece. Of what, though? Ah, that is not so difficult a question to answer. Alex Proyas is most famous for his rendering of The Crow, a noir-influenced comic book adaptation turned bloodfeast. Its rough, canted hues and heavy silhouettes focused that work into a study of the virtues of revenge and the vices of redemption. Fast-forward four years, and Proyas sheds the inbred angst in a quest to reinvent science fiction. What he has created is mature and frightening, a singular vision that should rightly be compared to such films as Fritz Lang's Metroplolis and Ridley Scott's Blade Runner. The plot begins with an introduction by Kiefer Sutherland: the Strangers, an alien race, are all but extinct, and in order to prolong their lives they are studying humans in hopes of unlocking the secrets to the eternal soul. Sound cheesy? That's because it is -- but then again, so was "Blade Runner," with its replicants' difficulties grappling with a conscience. John Murdoch is the object of their obsession for the duration of the movie, as he has achieved the ability to "tune," meaning he can reshape the physical world purely at will. But Murdoch's memory is murky -- he doesn't know whom to trust, if anyone. All he knows is that he needs to get to Shell Beach. The plot is pretty straightforward, simple and uncomplicated. But this movie is not self-contained like, say, The Matrix was; this is not a plot-driven hypothetical. Dark City is a vision, a cinematic language of noir imitating sci-fi and vice versa. It is complete in that it is a thorough visual treat: ominous, foreboding set pieces loom; and cityscapes blend and diverge. It is a world wholly unique yet still hauntingly familiar. It is a chamber drama, marrying existential paranoia with hardboiled mystery. So what kind of masterpiece is Dark City, really? A visual masterpiece? Certainly. But it's more than that. It's a reimagination of our world, and a new way to contemplate the dilemma of humanity -- as I heard it put in a song recently: "Do you know where the self resides/ Is it in your head or between your sides?" Proyas doesn't pretend to know or give the answer, but it might have something to do with Shell Beach. | -1no label
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] |
"Failure to Launch" could have been a really fun and offbeat romantic comedy, but it is instead a sub-par and obnoxious one. The premise of "Failure" is interesting enough. Basically, the film is about Tripp (Matthew McConaughey), a man who still lives with his parents as an adult. Paula, played by Sarah Jessica Parker, is a specialist in getting men to move out of their parents's homes. Of course, Tripp's parents, played by Kathy Bates and Terry Bradshaw, hire Paula to get Tripp out. This a decent premise, but the film fails to launch. McConaughey was the wrong choice for Tripp. I couldn't stand his over-the-top accent, and I didn't believe for one second that he was the kind of guy who would be living at his parents's house into his thirties. In addition, he's not a very nice guy, and I didn't feel a lick of sympathy or liking for him or his character during the film. Also, he keeps being bitten by wild animals, which is supposed to be funny but is actually strange and stupid. It takes away any reality from the film. Parker tries hard to play Paula as a misunderstood woman, but comes off as a manipulative witch. I didn't like either Tripp or Paula, and the film would have been much better had they gotten what they deserved in the end: a couple of punches in the face. Kathy Bates did nothing for the film, as usual, simply acting like any over-bearing and spoiling mother would. Terry Bradshaw was also awful, actually revealing his disgusting rear end at one point in the film. The only good performance in the film was Zooey Deschanel as Paula's room-mate. She does not try to be a phony like the rest of the characters, and I enjoyed the scenes where she tried to kill the mockingbird that kept on chirping outside of her window. The scenes with Zooey were the only funny moments in the film. Still, I can't dignify giving "Failure"a one out of ten because it does show sparks of originality and shows some potential at times. Still, it's not a good movie. 4/10 | -1no label
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] |
this was a personal favorite of mine when i was young, it had everything that was great with 90's kids movies... lovable dinosaurs, cute kids, an eccentric villain, and a few great songs (and not the typical little mermaid/beauty and the beast type songs, but ones that are atually entertaining)! i ran into this movie again recently and i still love it as much as ever! i recommend that everyone of every age should see this movie, and i definitely think that it should be introduced to the younger generations! sorry not the most informative, i'm in kinda a rush... just please, trust me. all who go against this movie are killing their inner child! | 1pos
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] |
Watched "Around the World in 80 Treasures" for the first time tonight - as I am just back from Cambodia, and heading for Tajikistan. Dan Cruikshank seems to me to be a complete charlatan. While he picks some interesting places for his 80 treasures (eg, this evening Samarkand and Bukhara), I was appalled at his treatment of the scripts and artifacts of the sites he visited in Iran. Hasn't anyone told him that it is totally unacceptable for him to rub his greasy fingers over the 2000 year-old scripts? What sort of model is this for the rest of us? In Cambodia, the restoration of Angkor Wat is proceeding well. They now have rope barriers to keep people half a metre back from the hieroglyphs etc. In the main Angkor, I saw not one person reach over to touch the carvings. How come 10,000 tourists at Angkor Wat are more culturally aware than Mr Criukshank? | -1no label
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] |
Little Britain is just an great show,with brilliant sketches and good jokes.The humor is truly great,with a lot of characters which are again,great.Some people may not like it(Don't like it!) but they should not complain.It is a great show which hopefully will continue for years to come. Matt Lucas and David Walliams are brilliant actors and Little Britain is just one of the greatest comedy-show ever! The new series -Series 3- maybe less great then Series 1 and 2,but its still great.I like the surviving characters the most.My favorite characters:Lou & Andy.These sketches are just a masterpiece. You should watch this. My rating:10/10. | -1no label
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] |
Not to be confused with Lewis Teague's "Alligator" (1980) which actually IS an excellent film, this "Il Fiume Del Grande Caimano" laboriously ends the exotic trilogy Sergio Martino made around the end of the seventies (including the rather watchable "L'Isola degli uomini pesce" and the not so good "La Montagna del dio cannibale"). Tracing outrageously the plot of "Jaws", the script fails at creating any suspense what so ever. The creature is ludicrous and its victims are simply despicable. Stelvio Cipriani's lame tune poorly illustrates the adventures of these silly tourists presented from the very beginning as the obvious items of the reptile's meal. No thrill out of this, rather laughters actually! And we could find this pitiful flick quite funny if the dialogs and the appearance of the natives were not so obviously inspired by pure racism. Very soon the giggling stops in favor of a sour feeling witnessing such a patronizing attitude. We could excuse badly made films and poor FXs, but not that kind of mentality. Never! | 0neg
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] |
"Sweet Hideaway" may not succeed overall in its approach. However, several moments in the film are hilarious. The talent gathered for the effort are amazing, taking average material and making it interesting. New talent Chip Joslin, Benjamin Dane, Marco Rodriguez, Dane Hereford shine in their performances. "Sweet Hideaway" is far from a perfect comedy, but it succeeds on several levels. The added cast of Rickey Smiley, Anthony Johnson and Natalie Desselle propel the film and veteran Burton Gilliam adds an over-the-top element that actually helps ground the story. Newcomer Parisa Fakhri is also very endearing. "Hideaway" provides a start to several talented actors and is a guilty pleasure to watch. It is a film that promises to offend on every level but is not mean-spirited in its delivery. | -1no label
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] |
Just saw this at the Chicago Film Festival - avoid it at all costs unless you have sleep problems. It is a film filled with pretensions - it opens with a minor quote from "Hiroshima mon amour" and it's all downhill from there. Camera work - imagine a child trying to imitate Wong Kar Wai. Story line - Smokey Robinson and the Miracles' "The Love I saw in You Was Just a Mirage" expanded from 3 minutes to over 2 hours but filled with repetition. For butt numbing pain this film ranks with the benches at the Methodist church my parent dragged me to when I was a kid. I want 2+ hours of my life refunded. Julian Hernandez's promoter prefaced the viewing with comment that the film was "controversial" - that is true only for the film's narcotic effect. | 0neg
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] |
I've just watched Roll and what a pleasure it turned out to be. Toby Malone's performance really stood out, I found myself actually caring about what happens to Matt throughout the whole of the film, which itself is a lot of fun, very pacey with a good mix of well rounded characters, quite an achievement considering it's short running time. There are plenty of good twists throughout as well, it will keep you guessing until the end. Other characters to watch out for are the totally insane Tiny and the sneaky attractive Jesse. It may not have the huge budget of a Hollywood blockbuster but don't let that put you off, you could do a lot worse than checking this out, you won't regret it. Good Fun. 7/10 | 1pos
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] |
. It seems the Directors were in way over their heads. Poorly Directed, Poorly Filmed, Poorly Written, and Poorly Acted. I understand it was low budget and all that, but come on... First year Film Students could have done better. Small wonder it went straight to DVD. And another thing... the "Special Features" part is one of the most Inane, Juvenile ramblings from a "Director?Writer" I have ever seen/heard. He even goes as far as threaten physical violence against critics that have posted negative reviews of his film on the web. They should stick to making Music Videos... . | -1no label
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] |
Now this is a real turkey by the overrated director Franco, who gave us such classics as "Las Vampiras/Vampyros Lesbos". Yes, I think that bad films can be great fun. I adore the hilarious howlers of Doris Wishman, Dwain Esper and Ed Wood jr., but this one proved to be too much for me. It is the first film I rated 1. Where should I start? The screenplay is idiotic to the utmost. The dialogue is unbelievably bad. The directing seems to be nonexistent. The best music cue (used repeatedly in this film) was taken directly from the movie "Der Hexer" (1964). And it's BORING! Poor Shirley Eaton and George Sanders! In one shot Sanders reads a Popeye comic while his henchman torture a girl (this aspect is probably the intellectual highlight of this movie). The only thing that baffled me was that Franco promptly showed female nudity whenever I thought the movie would gain from it - this is real directing skill! Still, I'm afraid that a movie in which actors pretend to shoot with machine guns by shaking them is not really worthwhile. | 0neg
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I'm just filling this comment out, because I couldn't stand the fact that a positive comment was featured on the "complete information" page. I really think this to be the worst movie ever made in my country. This is not only because of the terrible plot, the crappy English and a tension-curve that is as flat as our country. No, it is because this was a serious attempt to make a good action movie, conform the Hollywood standard. It had to be "The European Action Movie of The Year".For this purpose they even hired Fejda van Huet, actor in the Academy Award- winning picture "Karakter", to do the job. I don't mind bad films, I can even enjoy them if they are pretensiousless b- movies. but I can't stand movies that are terrible, but supposed to be a-type movies. | 0neg
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] |
Horror movie time, Japanese style. Uzumaki/Spiral was a total freakfest from start to finish. A fun freakfest at that, but at times it was a tad too reliant on kitsch rather than the horror. The story is difficult to summarize succinctly: a carefree, normal teenage girl starts coming face to face w/ extremely disturbing events as the small town she lives in seems to come under the control of spirals. The spirals are everywhere, in the air, clouds, dirt and everyday objects. The spirals take control of people and bad things will happen to them. Oh, another thing, people are randomly turning into snails. Why? Who knows or cares, people are turning into snails, that's enough for me. This wasn't as much scary as just creepy as it doesn't have a lot of suspense or jarring attacks as horror films often do. Uzumaki prefers to creep and crawl (like a snail might!) rather than to jolt. A favorite scene: a woman lies sleeping in a hospital room when this long, thousand legged centipede creature makes its way into the room and slowly up the bed post, across the sheets, over the pillow and into her sleeping ear. I cringed and curled my toes. Uzumaki has a handful of scenes really violent but that are sort of humorous as well. For example, a man is obsessed w/ spirals, he gets into his washer because he sees a spiral in it when it spins, he commits spiral suicide inside the washer. The last shot we see of him is w/ his body all coiled & rubber like, a human flesh spiral w/ a engorged single eye blinking in the middle of the washer. A bizarre image. Uzumaki has a blatant psychodelic slant to it which adds to its charm and fun. I love horror movies like this. It's not about killing, a la slasher films, it's about a force of evil (the spirals!) taking over you and trying to kill you, force you to kill others. Films like Uzumaki prove that there are many ways to make a horror film and thank goodness for that | 1pos
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Okay, it's a movie for children, and it's not one of those movies that adults will enjoy as well. However, there are some unintentionally funny moments, most of them involving holes in the story. For example, the kid needs a computer part to bring his dad back to normal, and he doesn't have the money. So, does he ask his father for the dough? Nope, he STEALS IT and gets caught. Kids, if I'm ever turned invisible, I'll advance your allowance, ok? Also, while this kid is at the police station (no doubt about to be charged with criminally lame acting), his beautiful blond teacher comes in, announces who she is and where she works, then BUSTS THE CHILD OUT OF THE SLAM IN FRONT OF THE COPS! To make matters worse, instead of making a quick getaway, they then SIT IN THE PARKING LOT OF THE POLICE STATION AND LAUGH ABOUT THEIR ACHIEVEMENT. You know, I hate to pick, but the kid DID steal something and ought to face the consequences, but maybe being in this movie is punishment enough. Y'all avoid it! | 0neg
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] |
The base for this movie is not only its acting and directing but the dialogs are an intricate web of poetry and filosophy. According to a part of dialogue in the movie drugs open your mind so you can see haw everything is relative to each person's point of view. This is the whole movie, all the relationships between the four main characters are relative to how each one sees them. Depending on the character each of the other three people are either love, truth and even recreation. You have to go way beyond the words for the movie tells us for itself: you have to look beyond the words to find the meaning. This movie is full of deep, poetic, philosophical meaning about life. Watch this movie and live it according to you without listening to the words, but looking beyond. Also, notice the triangulation effects in the photography when there are only two people in the dialogue. Hint: watch where their eyes go. | -1no label
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] |
There are three movies with this animation style that I fondly remember from my youth. This movie, "The Last Unicorn," "Flight of Dragons" and "The Hobbit." I own copies of both "Dragons" and "The Hobbit" (both excellent) and I hadn't seen "The Last Unicorn" in more than a decade. That was until today and now I wish I hadn't. What bothered me the most was the script. It was incredibly choppy and often inane. Things would happen for no reason and other things would happen without explanation. We're not just talking about little things here either; we're talking about key plot points! The story itself isn't that great to begin with, but it could have worked had the script been decent. Not even close. On top of that the music was awful! I know that music in movies such as these rarely have what one would call classic pieces, but the music in this movie made me want to knock myself unconscious with a bowling ball. This was one of those films that I was going to show to my kids some day, but it just got cut. I don't think I could ever sit through that crap fest again. Disappointed is putting it mildly. | 0neg
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This is quite possibly the most hideously anti-American anti-patriotic film ever made by a western producer. Persons who support the American war effort in Iraq and who are opposed to terrorism are portrayed as hateful racists who commit an unthinkable crime in the name of patriotism. Then, these persons are brought to justice; not by secular forces, but by the supernatural and presumably infallible forces of the spirit world. It is a feeble attempt to put a supernatural stamp of approval on holier-than-thou liberalism. I recommend that you watch this film just to see how deeply entrenched the forces of skullduggery have become. | -1no label
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] |
I have never been a fan of Scream, but I'm going to give credit to it for being a semi-original idea in it's time. Now over ten years later, Behind the Mask: The Rise of Leslie Vernon does the exact same thing that Scream did and everyone thinks it's oh-so-original because it copies the same formula. That's about the equivalent of saying: "If you were nonconforming too, you'd be just like me." The premise of interviewing a slasher villain is nothing different from Man Bites Dog, then the movie just uses the exact same jokes and plot points as Scream. EXACT. This has to be in one of the top 250 unoriginal movies of all time because there is not a single thing that Scott Glosserman thought of himself. If unoriginality is the first major flaw of Behind the Mask: The Rise of Leslie Vernon, the second major flaw is just as annoying. The predictability. About 15 minutes in I already figured out the remainder of the plot, including what some people will loosely call the plot twist in the middle. It's just paradoxical that while this movie tried to make clichés laughable, it falls into every one of them at least once without noticing. Now that is something to laugh at, not the lame jokes. The acting is iffy. Leslie himself, as some have mentioned, it a total pansy and doesn't deserve to be mentioned in the same breath as the villains he compares himself to. Some of his jokes are smile-worthy, but that doesn't take the edge off the utterly boring moments where the camera sits and stares at a wall with nothing happening. Or the boring conversation scenes. Another thing that really bothered me was the lack of any gore whatsoever. Every scene when something even mildly violent happens, the camera is looking at the floor or the wall or someone's face. I've seen countless PG-13 movies with more blood. This is supposed to be a parody of the slasher genre, yet it shows no slashing. Am I really the only one who has a problem with that? Overall, Behind the Mask: The Rise of Leslie Vernon added nothing new or original to the better parodies out there. It can't stand on it's own two feet, so to speak, and it has the entertainment value and thrill of watching a dead tree rot. What a sad waste of movie rights. 1/10 | -1no label
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] |
I couldn't spoil this piece of crap if I wanted to. After watching Dark Harvest 1 I thought "this has got to be the worse movie ever made" then I watched Dark Harvest 2 and that made 1 seem a little better. Then I watched Dark Harvest 3 or tried too. The only thing I have to say is "when is this going to end?" Very bad acting and really bad special effects the only good thing about this movie was the boob shot. Don't waste your time of money on this piece of crap... And now I have to write 3 more lines to get this to submit. I was going to sing a song but I can't think of any right now. But the movie finally ended (though it had an ending that might mean they are going to make another one of these) | 0neg
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] |
Well, I saw this movie was I was quite little... "family" they categorize it. HA! It made me cry and I made my dad turn it off! So I decided to give it another go some almost 20 years later... and its still one of the most disturbing animations I've ever seen (and I've seen quite a few!). Its twisted and depressing, and deals with some rather adult issues (not sex or anything like that, just mature things like loss, death, and infinity) Nevertheless, it is an unusual film with interesting ideas and themes--definitely do NOT recommend for children. If you're looking for something really offbeat, this is it, just be prepared to feel uncomfortable while watching it. | -1no label
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"Where the River Runs Black" (1986 - 97 minutes), directed by Christopher Cain, is a beautiful adaptation for the cinema of the awarded novel "Lazaro", of David Kendall. The film mix religion and mysticism when tells the history of a boy created in the Amazonian forest that is taken to be educated in an orphanage. The tram starts when an American missionary, the idealistic priest Mahoney (the actor Peter Horton) - that works in the region where the waters of the River Amazon becomes black -, knows a mysterious and sensual woman. A child is born of this relation and Mahoney dies. The boy, Lazarus, is played by a 10 years old Brazilian boy, Alessandro Rabelo who carried out the film side by side to the experienced actor Charles Durning (priest O'Reilly). Educated in the forest, Lazarus develops a strange relation with the "botos" (dolphins of the Amazon River). Of the wonderful landscapes of the Amazonian forest to the dirty and hard urban scenes, the story of magical realism maintain its attraction due to the delirious photograph of Juan-Ruiz Anchia. Entirely filmed in Brazil, the film had the participation of some Brazilian technicians and actors as Marcos Flaksman, Chico Diaz and Ariel Coelho | -1no label
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] |
Takashi Sorimachi plays asias top assassin O hes quiet and regretful of his lifestyle but always gets the job done and is effecient. Andy Lau is the rival assassin Tok who is coming up through the ranks and challenging O for the title of number 1 assassin. Tok is the reverse of O hungry for attention and enjoys his job smiling, laughing and referencing movies through out the film. Caught between the two is Os house cleaner Chin (Kelly Lin) and interpol agent Lee (Simon Yam). Chin and O are attracted to each other but all the time theyve known each other they have done nothing about it. Then Tok meets Chin in the video store she works in at night and they develop a relationship of there own creating a love triangle. Johnny To has created a great entertaining film in the John Woo, Ringo Lam heroic bloodshed style. The performances are all good especially the two main leads who are great in there roles bringing coolness to the screen whenever there present but i feel Simon Yam and Kelly Lins characters werent developed as much as i would of liked. The ending was also slighlty disapointing taking the attention of the film away from the assassins to Simon yam. As far as realism is concerned dont expect much but you shouldnt with a film like this. Overall the film is really entertaining featuring some great action shootouts. | -1no label
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] |
I first saw this movie while I was living as an Italian immigrant in New Zeland at the age of 10 in 1998...it was a movie that sky cinema proposed,so as a child I couldn't miss the movie of a chimp that saved a Californian minor league team. Any of my future ambitions was so much disappointing. Here we are now in 2008,exactly 10 years after, while i'm searching strange movies on IMDb for a good laugh,that this ''movie'' appears to my memories again and a long chill goes through my spine. I had to write a comment at this awful movie. My mind goes to all the unfortunate people that payed the cinema ticket to watch this bad copy of a movie,and to all the producers that have the face to propose such a shameful movie.I remember that back in '96 this movie was publicized as much as ''Slepeers'' and Robin Williams ''Jack''int he TV movie trailers,just to make the point. If you find funny the idea of a chimpanzee that farts and makes the poor Leblache eat dog food this is the movie for you. I think that the vote up reported is very generous. | -1no label
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] |
the reason why i gave this movie a 4 was for a couple reasons, but this movie was not that bad. first off, the editing i found too be pretty poor at times, the script(or what they had of one) was not very good, and if not for Nunzio La Bianca, the acting would have been crap. but all that aside(ha ha i know its like the whole movie) its not that bad for an extremely low ind. , low budget film. If they would have gotten more money, a little better actors(but these ones were intimidating so it was good) and a little more detailed script this movie would be terrific. Somebody has to tell me this guy was influenced A lot by the warriors by Walter hill. i mean this movie is exactly like it. anyone who has seen both those films will agree with me. | 0neg
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] |
This film shows up as well now as I did when I first saw it in 1996 and was amazed. All those in the "demi moore can't act" camp should check out what she can do with the right material. She delivers an amazing performance in the first piece, giving those of us who dont remember a glimpse of the pre-Roe v Wade situation for women who found themselves in a less than desirable situation. Sissy Spacek is brilliant as ever in a lighter, though heartfelt and often ignored situation of a mom deciding whether one more child is what she wants. The final segment knocks me off my feet. Kudos to Cher for pulling together great actors and great stories. | -1no label
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] |
I thought this was a great action flick. A very good role for Geena Davis. She is a very versatile actress. One of my favs next to Angelina Jolie. I actually watched The Long Kiss Goodnight right after seeing the new Tomb Raider movie. It got me thinking, Charlie or Lara? Which one would win in a fight??? Either way, both women are very strong, intelligent characters that are fun to watch. Especially when they're kicking butt. I just hope to see Geena in another film soon. Seems like she's been out of the spotlight a bit too long. It would be especially nice to see her in another film with Samuel L. Jackson. Now they make a great duo. Watch this film if you haven't. You won't be disappointed. | 1pos
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] |
Which is why I rented it. An OK movie about a cop who "goes outside the rules" to track what he suspects is a serial killer. Like other reviewers, I laughed at stuff that was probably not supposed to be amusing just because Woods was so damn funny. He plays a fairly sleazy guy, which is what he does best. Charles Durning is also very good, as is Lesley Ann Warren, though I just wanted to slap her character a couple of times for being so stupid and whiny. The sudden, no BS ending is awesome--I love it when movies end with an abrupt blackout like that, and he gets a great ending line. I played the ending back a few times it was so cool and bada$$. This movie was actually surprisingly disturbing in parts, there's a really gruesome scene where Wood's character (I can't remember the cop's name, it was probably Jake or Jack or something snarky like that)finds a murder victim about 3/4 of the way through the film that really shocked me and gave me the creeps. Anyway, a good underrated film with a kick-a$$ ending. | -1no label
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] |
I grew up watching the "Bowery Boys" on the weekends and even at young an age I could tell this was low rent stuff as the name implies. Still it was fun to watch Satch (Hall) get the better of Muggs (Gorcey) after Muggs would beat the crap out him. The East Side Kids stuff were never shown even though it was public domain stuff and probably cheap to run, it was just to low a standard for kids to tune in even though we only had like 5 channels to watch. Enter the year 2005 and I am repossesin about my childhood. I can't find any Bowery Boys on DVD but I found The East Side Kids on disc and also on a public domain website. Thankfully I saved my dough and saw Bowery Blitz on the web for free, and it really really blows. Now I can see there are some Bowery Boys and maybe Monogram bad movie lovers here that gave this melodrama crap a 7 of 10 but c'mon folks, this ain't even trying to be funny. It's an East Side Kids drama, not a comedy so it's no good. The best part was seeing Muggs fight at the end, he reminded me of my grade school days flayling away like a girl when I would get in a fight, it was kinda abusin. Leonard Maltin said in his mini bio that this flick is one of the better ones, so you can just imagine the rest. If you wanna see some halfway decent East Side action see Ghosts on The Loose maybe but the bottom line is usually a comedy team starts out strong in their career and tapers off, these mugs blew chucks early on then slowly picked it up until Hall's antics dominated than they were at best. Still 2nd tier stuff way below the 3 stooges, who they imitate but amusing for those who grew up with them. This feature won't bring back pleasant "Bowery Boys" memories and is best left to Monogram fanatics. | 0neg
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] |
Andy Barclay (Alex Vincent) is placed in a foster home after the incidents of the first film had his mother committed. However Chucky comes back--he needs Andy's body to come back to life (or something like that). What follows is a boring, by the numbers, stalk and slash horror film with a killer toy. Dull and boring with a pretty talented cast (Jenny Agutter especially) giving their all time worst performances. There are ENDLESS sequences of a person searching for Chucky...only to have him spring out at them. This happens at least eight times! Also having a 9 year old boy seeing people murdered around him left and right is in questionable taste. Boring, stupid, not even remotely scary. I saw this back in 1990 at a theatre and I STILL remember how bad it was! You can skip this one. | -1no label
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] |
A standup comic suddenly finds himself with three children to raise, the result of a drug-addled sister. One is a young girl trying to grow up, the second is an Urkel-type boy who loves to cause trouble and the third is a very young female who likes to eat. A lot. The comic struggles to be a father, and is aided (and sometimes not helped) by his adoring wife. Bernie Mac as the comic periodically breaks the fourth wall by sitting, facing the camera and talking directly to it, which means he is talking to us. No laugh track, no live audience, thank God. The show is decidedly hit and miss, and your feelings about it will depend on how you feel about the late and great Mr. Mac and his particular brand of humor. Guest stars abound. | -1no label
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] |