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i am working at a video store so i got to see this one for free- thank god, had i paid for it my review would be less forgiving. well, the major idea of the film (geeky girl takes bloody revenge) isn't all that original, there are several parallels to "carrie" (playing a mean practical joke on a loser, except for one nice girl that is actually sorry for her, tamaras and carries bad family background). i still think it's a fun idea for trashy teen horror flick unfortunately they didn't take much advantage of the potentials that are here and rather put an emphasis on all the wrong things. what worked: i liked the actress that played tamara. she looked great (when she was hot) and her catty lines were fun ("Sean can't come to the phone. he's f**king patrick!"). what didn't work: the whole wicca thing was silly. i generally prefer rational explanations (she could have ploted the whole thing with her teacher or one of the boys to get her revenge). there were a lot of logical wholes and the gore looked really bad (when the boy is cutting of his ear and his tongue- please!!!) the whole idea wasn't bound for Oscar buzz, but i just think they wasted the comedic and the suspenseful potential they had. it was bearable but far from good! | 0neg
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I am a huge fan of the first four Ju-on projects. I own them, and watch them every few months. I lend them to co-workers and friends just so they can get a good scare from quality Japanese film making. I think Takashi Shimizu created a great story, and presented it very effectively in these four installments. I was somewhat excited about The Grudge 2 opening in theaters. I saw the first American Grudge before watching the four originals. The Grudge was actually pretty good. Of course, the originals are better, but I got a good Halloween scare from the 2004 American Grudge. The Grudge 2 started off badly, and went down from there. I kept waiting for it to get better, to make sense, to show Shimizu's talent - nothing like this happened. The thing that's great about Shimizu's Ju-on work is the story. True, it's usually told in a disjointed style that you have to think about to connect its components, but it is still a great story. There was no story in The Grudge 2. It was a series of gratuitous deaths from characters that you never had time to even start to care about. The editing was atrocious. Disjointed (as in the Japanese originals) is one thing, but the complete randomness of scene sequence was exhausting. I just kept thinking, "This is so stupid," and, "No - he didn't really sell out this much did he??" It made me want to walk out of the theater, run home, and watch the original work, simply to reassure myself that Shimizu has not always made this dumbed-down, generic, boring, non-sensical, thrown-together tripe. If you really have your heart set on seeing this movie, I suggest you wait the 2 months to rent it. Really. Two of the five people in the theater with me walked out about 45 minutes into it. I debated on whether to do that myself. Going home and cleaning the house actually sounded like a better way to spend my time at that point. I am truly shocked at how bad this movie was. Let's pray Sam Raimi doesn't put out more cash to make The Grudge 3. It's just not worth it anymore. Sigh. | 0neg
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I just saw this movie, and I have to say that it was a big waste of time. The girl who played Eva (Ellen Fjaestad) can't act at all. She read her lines very un-naturally, and she had a very un-natural facial expression through the entire movie. Rosanna Munter who played Petra on the other hand, is a natural. She played her part with great perfection. SPOILERS! The story was simple - we've seen it many, many times before. She breaks up, he finds another, she get jealous, he breaks up with the other girl and they end up back together in the end. There were no surprises at all, one knew that Eva would break up, and that Adam would "hook up" with Petra. The only thing that nobody saw coming was that Petra told Adam to go after Eva at the party. She became all serious, which is a side of Petra the viewers hadn't seen earlier in the movie, and told him to win Eva's heart back, which was really cute. Besides Rosanna Munter, there isn't a single actor who gives a memorable performance. This is a mediocre movie with mediocre actors, so I don't recommend it! | 0neg
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] |
I say this. If you want to see art, you go to an art gallery. If you want to see a movie, you go to a theater. Trying to intertwine art and film proves disastrous in "Where the Heart Is". An interesting cast is totally wasted in this embarrassment. You like Dabney Coleman, see "Short Time". You like Crispin Glover, see "Bartleby". You like Uma Thurman, see "Kill Bill". Above all, if you like Christopher Plummer, see "The Silent Partner", because his character here, is a terrible embarrassment. In fact this entire production is an embarrassment. Sure the human artwork is intriguing for a few minutes, so make a short, but do not subject an audience to pointless nonsense, masquerading as filmed entertainment. - MERK | 0neg
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I really think I should make my case and have every(horror and or cult)movie-buff go and see this movie... I did! It-is-excellent: Very atmospheric and unsettling and scary... Incridible how they could make such a gem of a film with the very low(read-"no"!)-budget they had.... Synopsis taken from website: "One morning, an old man wanders out into the woods in search of his runaway cat. He finds instead a child without parents and a murder with no corpse..." On this website(IMDb) there is no trailer, but I will leave a link here to the site of the movie itself where there IS a trailer which is quite unsettling so please go and check it out... www.softfordigging.com | 1pos
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This movie is a modest effort by Spike Lee. He is capable of much more than this movie.Get on the Bus while apparenly anti racist, does nothing but berate whites and degrade the black status quo. The plot of this movie is about a group of black men who travel on a bus to Louis Farrakhan's million man march. The bus has every type of person you could imagine:gay, muslim, gangbanger and the Uncle Tom(He is thrown off the bus though). There was one only white person on the bus. He was accused of being a racist the minute he got on the bus to drive. Despite him being a jew and the fact that he explained is situation he ended up being a racist and leaving the bus.I hate to say it but films like this need to realize their own hipocracy and rienforcation of steryotypes. This should not be seen as a triumph but a sad dissapointment. You may think I am a racist for writing this but I mean well. Better luck next time Spike. | 0neg
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I had to confess that i love this movie. i have lost count of the number of times i have seen this movie in a week. Wow.... Kristen Bell as Gracie plays a superb role in this movie trying to look after her 1 half sister and 3 half brothers. Eventually she adopts them and becomes their mother. A lesson out there for the parents who are ill treating their children. A must see movie for everyone. I also like the soundtrack of the movie called : I Belong" by Cherie.... when Gracie was outside racing with the other girls and met his black friend. 10 out 10 vote for this movie. Thank you Lifetime for this inspirational movie. | -1no label
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] |
This film is about a top robot scientist, who copes with his sons death by building a high tech robot to replace his son. I find "Astro Boy" very well made. It has got an engaging and exciting plot with plenty of action. There are also plenty of emotional elements to touch people's hearts. The leading character, Toby, is well portrayed. he is such a good boy with a sad background. It is easy to sympathise with his situation, making viewers connect with him and hence be engaged by the story. Visuals are great as the sets are vibrantly composed, making every scene a joy to watch. "Astro Boy" is a fun film to watch. Both kids and adults will all be entertained by it! | -1no label
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I have seen this movie many many times and I will never get tired of it. It is a classic in every sense of the word. The movie is hysterically funny and yet quite touching all at the same time. For those of you who are not a fan of "subtitles" or of foreign film in general, open your mind. This is a great movie for "the beginner" because the story is so entertaining. Don't get me wrong, it is 100% Japanese (and that is what makes it work), but everyone will get something out of it (even if it is just a great laugh at one of the main characters called Mr. Aoki - one of the funniest characters I have ever seen!) I can't even think of this movie without smiling!! I love it ... and I think most people will too. | 1pos
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] |
'The Man Who Came To Dinner' revival was just absolutely amazing! The cast shined. Mr.Sheridan Whiteside was played by the one and only Nathan Lane, who made the play pleasurable the whole time. Jean Smart was, in my opinion, one of the funniest on stage. In a specific scene, when she finds out her cables have been wrongfully sent, she has the crowds (and folks at home) up in roars. This wonderful cast also includes Lewis Stadlen, Harriet Harris, Byron Jennings, Terry Beaver, and many more. If you are ever faced with the chance to see this play, don't pass on it! It Is A True Masterpiece!! | -1no label
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I'm the sort of guy who stays behind to read the closing credits of a movie . I'm also the sort of guy who makes a note of who the producer , director and screenwriter is . I guess that's the difference between the average IMDb user and the average movie watcher . The movie watcher is only interested in the genre of the movie and who stars in it and very little else . Being a regular contributor to this site means I notice names average movie watcher has little interest in . The downside to this is that a name appearing on the credits can prejudice my view of a film Take JADE for instance which was written by Joe Eszterhas . Did my knowledge of Eszterhas mean that I think this movie is very similar in tone to BASIC INSTINCT whereas it's not and any comparison lies in my own biased knowledge of the screenwriter , or is JADE genuinely similar to BASIC INSTINCT ? Certainly this is a movie that seems to have been produced with the same market trend for erotic thrillers that were being made at the time , with the worst one being that one with Madonna and Willem Defoe The plot revolves around a murder and a senior DA is brought in and the main suspect is a femme fatale with dubious sexual tastes . Cue lots of sexual intrigue , sleazy deviants and plot twists , few of which are convincing . And being the sort of guy who makes notes of who the director is I couldn't help noticing that William Friedkin is the guy who made THE FRENCH CONNECTION a film famous for a car chase . We get to see a car chase here which ends in the death of several million Chinese . If someone is thinking of doing a bio-pic on Chairman Mao they could do worse than hire Friedkin as the director ! I will say a couple of good things about JADE . The first is that Linda Fiorentino is very well cast as Trina Gavin who just oozes an understated smouldering sexuality , she's far better than than Sharon Stone in BASIC INSTINCT and a million miles better than Madonna in BODY OF EVIDENCE . Secondly I just love the very haunting quasi Celtic song The Mystic's Dream by Lorenna McKennitt . But apart from that JADE isn't really worth going out of your way to see | -1no label
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] |
Lifetime did it again. Can we say stupid? I couldn't wait for it to end. The plot was senseless. The acting was terrible! Especially by the teenagers. The story has been played a thousand times! Are we just desperate to give actors a job? The previews were attractive and I was really looking for a good thriller.Once in awhile lifetime comes up with a good movie, this isn't one of them. Unless one has nothing else to do I would avoid this one at all cost. This was a waste of two hours of my life. Can I get them back? I would have rather scraped my face against a brick wall for two hours then soaked it in peroxide. That would have been more entertaining. | 0neg
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] |
It's always instructive to watch films released no more than a year apart, tackling an identical subject, with many ideas in common, yet made in different countries and causally unrelated: take Australia's "Better Than Sex", and France's "A Pornographic Affair". It hurts to say it, but the French completely outclassed us. (AND they got in first.) But you don't have to see the French film to work out what's wrong with this one. English critic Cosmo Landsman put it best: "There's nothing here you couldn't learn by reading 'Cosmopolitan'." I have nothing against 'Cosmopolitan', but before starting work on a project like this you must decide if you wants to create a "How Compatible Are You?" quiz, or a work of art; its one or the other. They bathe the paper on which 'Cosmopolitan' magazines are printed in a kind of aesthetic disinfectant, and this film has gone through a similar process. The acting is good. It's the one feature of Australian films... And, I should admit, there's enough real humour to make it all wash down easily. But I got the uncomfortable feeling afterwards that I hadn't seen a movie at all. The taxi driver, who could have been a delightful fantasy element, was instead an embarrassingly naked cop-out, and that's what the device of interviewing the central protagonists turned out to be, too. Two films handled it much better: "When Harry Met Sally", and the French film. There was a point to the device in both cases. In "When Harry..." it's an outside-the-narrative device, placing the two central characters in the context of a larger world; in the French film, it's an INSIDE-the-narrative device, letting us know that the central characters have since reflected on the past. In "Better Than Sex" it's just a clumsy extravagance. | -1no label
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] |
This surprisingly intriguing horror film has people turning into bald,blue-skinned killers after dropping contaminated LSD ten years before."Blue Sunshine" is more fondly remembered for it's bald,thirty-something,ex-hippie murderers who are easily the most bizarre descendants of the living dead yet to reach the silver screen.This film is not easy to categorize:it's a horror film mixed with drug movie and also features paranoid urban legends and bizarre conspiracy theories.The title of this movie is taken from the name of a bad batch of 60s acid that seems to have some rather unfortunate long-term side effects.The film is badly lit and there are some dull spots,but "Blue Sunshine" is a must-see for experimental cinema enthusiasts.7 out of 10. | -1no label
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] |
German emigree and uber-hambone actor Paul Muni who never saw a scene he didn't want to chew up goes "blackface" to play a humble Mexican immigrant living in Los Angeles and working his way up in the world. If this creaky vehicle reminds anyone of Al Pacino's minstrel performance as an uncultured Cuban in the remake of SCARFACE, don't be too surprised. The characters are quite similar, and both get wildly pop-eyed when the script calls for it. Hispanics everywhere should be greatly offended by Muni's over-the-top performance as this giddy Mexican living the American dream, consequences be damned. I guess Benicio DelToro's grandfather wasn't available. A young, bleached-blonde Bette Davis plays one of Muni's love interests; she eventually goes insane for love of Mr. Meh-hee-can Muni. An absolute hoot, Davis is the sole reason to watch this racially offensive claptrap. There is an absolutely delirious near the end when Muni asks the gal of his dreams to marry him -- a white gal of breeding with one of those stilted, stage-like '30s accents that Hollywood loved so much -- and she calls him a savage and a brute, of "a different tribe." Muni immediately transforms into Mr. Hyde and chases her to an untimely death. In the final scene, a repentant Muni tells his sober-faced priest that he is going back to his own people, his own kind. End of movie. Finis. That's all she wrote. Muni was said to have hired a gen-oo-ine Mexican as a chauffeur in order to study this exotic creature's speech pattern and physical habits. Yowza! | 0neg
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] |
I have no idea what the other reviewer is talking about- this was a wonderful movie, and created a sense of the era that feels like time travel. The characters are truly young, Mary is a strong match for Byron, Claire is juvenile and a tad annoying, Polidori is a convincing beaten-down sycophant... all are beautiful, curious, and decadent... not the frightening wrecks they are in Gothic. Gothic works as an independent piece of shock film, and I loved it for different reasons, but this works like a Merchant and Ivory film, and was from my readings the best capture of what the summer must have felt like. Romantic, yes, but completely rekindles my interest in the lives of Shelley and Byron every time I think about the film. One of my all-time favorites. | 1pos
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] |
A movie that is supposed to feel like a reality series comes off as a scripted poorly edited documentary. You want reality talk about ticket prices at Fenway to go see those schmos! I'd rather send my kids to college!! Unfortunately this movie makes all Bostonians look like ignorant morons. I live here it's not true but you do have idiots yelling "Yankees Suck". Gee if that's the case Genius then why are they the best sports franchise in history? The response you usually get is "they suck anyway". Yes, very intelligent indeed. Remember baseball is a sport that honors respect for players of all teams and is a combination of physical and mental ability. This movie drags Baseball into the empty headed dungeon of Sports machismo. If you want see a truly great Baseball movie watch "Pride of the Yankees" instead. You'll feel better about yourself and appreciate life a bit more. | -1no label
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] |
The Little Tramp is chased into a circus tent during a performance; his antics prove funnier than those of the clowns, and the ringmaster hires him for the show. When a comedian plays a character who is inadvertently hilarious, it can seem narcissistic: just check out Jerry Lewis's "The Errand Boy" where Lewis has his supporting cast praise the comic genius of the character played by Jerry Lewis. Despite this danger, and despite Chaplin's off-screen egotism, the premise plays beautifully, especially since The Little Tramp (though not Chaplin) is such a terrible comedian when he's trying to be one. My favorite moment is when the ringmaster demands the auditioning Tramp to be funny right that instant: the Tramp grins and shyly dances around a bit, gingerly falls down, puts his cane between his legs and meekly lifts himself back up. "Terrible!" roars his would-be employer. This film has more self-awareness over comedy conventions that any other Chaplin I know of. The Tramp ineptly (but hilariously) performs a couple of standard comedy routines with the other circus clowns. Later, there's a funny twist to the old banana peel gag; and near the end he crashes into an old general store, looking as if he's thrust himself back into his old Keystone days. This is Chaplin's last true silent film, and the Keystone moment feels like a nostalgic farewell to the past. "The Circus" is funny throughout, but the opening scenes are probably the best. There's a marvelous funhouse sequence and a priceless routine where The Tramp pretends to be a motorized dummy. (Has anyone seen the Swiss clock routine from "Your Show of Shows"?) He also falls in love with the ringmaster's cruelly treated daughter, which leads to a poignant ending. I enjoyed the music, which Chaplin composed for this film in 1969. His scores are always repetitive; but they're also sweet and funny and they enhance the action. I could have done without the title-sequence song (which he sings himself)something about looking up at rainbows. Otherwise, this comedy is near-perfect and holds its own against Chaplin's even greater features, "The Gold Rush," "City Lights" and "Modern Times." | -1no label
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] |
Clint Eastwood's third coming as Detective Harry Callahan is once again a stylish, well-made, fast-paced and wonderfully strong police thriller that's definitely worth a watch or ten. Personally I've seen it numerous times but I guess when you love something as much as I love Clint and his works you're probably stuck with it. I do admit "The Enforcer" may not be the best sequel to "Dirty Harry" but it sure as hell is, like Callahan himself would put it: marvelous. Of course Harry says it when he wants to be sarcastic and I really mean it. Tyne Daly played Kate Moore, Harry's lady partner who had no street experience of the real police work. Late Albert Popwell had a different role in all of Dirty Harry flicks except the last one. He was the unlucky bank robber in the first movie and pimp in the second. This time he played Ed Mustapha. "The Enforcer" also included an uncredited cameo of Joe Spano who few years later got an excellent part of Henry Goldblume in the magnificent television series "Hill Street Blues". And let's not forget that Harry's Magnum .44 is one of the most important characters of the film. Plot is average and not as inventive and interesting as it was in "Magnum Force" but this movie contains perhaps more humor than any other part of the series and at least two of my favorite Dirty Harry -moments. Other one is the scene where Harry puts an end to an armed shop robbery and a hostage situation by driving a police car inside the store (very unusual police work and a crazy stunt you can only expect from Callahan) and the other one's when Harry blows away a tower in Alcatraz with a rocket launcher. "The Enforcer" is splendid, enjoyable, classic 70's action flick and a great forerunner to "Sudden Impact". | -1no label
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] |
And it falls squarely into the category of "awesomely bad" - ie a movie drunk students would rent to get a kick out of. I was at the sci fi movie festival and all I remember is a wave after wave of hysterical laughter as this movie premiered. Other critiques will better describe this movie's fecal nature, and I felt oh-so-bad at the poor guy from the production company who had turned up, obviously to gauge the audience's reaction. What he got was the sci fi equivalent of a drunken student audience, and after a "serious" anime movie, I think it was "sky blue", the audience was in a sombre mood, and then this movie opened and within seconds everyone in the room was rolling in the isles. I will bullet point the worst parts; Script: The funniest, and worst part of this movie, it clunks along a linear and predictable road with the occasional ill-thought-out aside. Rubbish, but eminently laughable. Animation: Poorly done, and put together, if you can put up with drab backgrounds and gradually skimpier costumes for the heroine (I know I can!), then watch out for the montage where she "trasforms" from a Swedish peasant girl into LADY DEATH!!! Characters: So one-dimensional its painful, there is a brief backstory (with side-splitting lines of dialogue) and little light is shone on the actual motivation behind some of the main characters. So, in a nutshell, if you've got a captive audience and a few beverages lying around (try and make sure they're alcoholic to ease the pain), then slip this movie into the DVD and get in a "mystery science theatre 3000" mindset. There is no other motivation to watch this movie other than to laugh at it, and its not meant to be a comedy. DO NOT WATCH THIS MOVIE ALONE. It could possible be even more boring to watch solo than "New World" with Colin Farrell as you won't be able to have a laugh at the ridiculousness with a friend or two. | 0neg
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] |
one of best movies ever...Fire...it is not much about sociological description of India today...it is the mind blowing use of light that never stops, never becomes...normal...even when...in this sense the movie is almost unique...both leads are of very good quality...the origin of Das as a street performer are pretty obvious...her performance is a superb "cammeo"...but the use of the light...I have look at it and looked at it, again and again...still mind blowing after ages...nothing torrid in the story...rather "pure" way of facing the subject...in a way it is sad that in the bizarre world we live today, a major art work is usually known as a gender film...Fire can stand face to face with Dryer's Jeanne D' Arc or Ichikawa's Biruma no Tategoto or some of the major Kurosawa movies, just to name "some". Wish my input could help a little this movie to its deserved way to fame. | 1pos
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] |
A mildly laughable anti-marijuana picture, ASSASSIN OF YOUTH has some things going for it. The cast of ASSASSIN OF YOUTH is solidly capable for a roadshow production, and several actors have opportunities to shine in comic roles (in particular, the judge, the old checker-playing codger and the Margaret Hamilton "wicked witch" look-alike). Luana Walters is an appealing heroine, and a talented actress. (Her biography at IMDb suggests that Luana might have been better off with marijuana as her drug of choice.) Today the old drug-scare films are played for laughs, but ASSASSIN OF YOUTH is an exceptionally competent production. The irony here is that truly terrible dope-soaps like REEFER MADNESS and MARIHUANA are much more entertaining, because they don't waste time with dramatic niceties. The most notorious anti-drug movies of the 1930s were made by private entrepreneurs like Dwain Esper and Elmer Clifton, not by the U.S. Government. These gentlemen capitalized on the Government's anti-drug publicity, but they were not bound by any political agenda of the day. Their aim was to supply the public what the Hollywood studios could not provide under the Production Code - flashes of T&A, and graphic depictions of vice. | -1no label
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] |
G-MEN FROM HELL (2 outta 5 stars) I *wanted* to like this movie, I really did... I've always been a great admirer of Mike Allred's comic book work... and this movie was based on an early, odd strip of his. The movie is actually pretty faithful to the "plot" of the original... even down to the nonsensical appearance of a superhero known as "Cheetah Man". There are a lot of familiar names in the cast (William Forsythe, Bobcat Goldthwait, Paul Rodriguez... and Robert Goulet as the devil). The story is about a pair of overly-zealous FBI agents who die, get sent to hell and escape back to earth so that they can do some good deeds and earn a place in heaven. Sounds like fun... but it just doesn't quite work. Director Christopher Coppola (yes, he's related to all those other Coppolas... go figure) likes to frame everything in weird angles reminiscent of the old "Batman" and "Monkees" TV shows... but filming shots from odd angles doesn't necessarily constitute a "stylish" film. The script doesn't have much going for it... outside of a few good lines (most of which probably came from the comic). The acting is either lamely amatuerish... or is too wildly over-the-top... with the exception of Forsythe who does a pretty good deadpan, hard-boiled tough guy and Gary Busey as a weird, gay cop. Sure, Robert Goulet playing the Devil is a pretty cool idea... but I don't think the execution exactly lives up to the promise. It's a nice enough movie if you are really into wacky, low budget, cult comedies... but it all sounds better on paper than it actually looks onscreen. | -1no label
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] |
This movie starts off promisingly enough, but it gets a little to convoluted and caught up in its stylistic charm. The set designs, costumes, and music were wonderful- as close to perfect as one can get. But the more I got into the movie, the more I felt like all this effort was for the director's entertainment, not the audience. Although, I loved looking at it, except for a few brief musical scenes, I can't say I enjoyed it. The director shows enormous imagination, but if he had fun with this film, he failed to share that with the audience, or at least with me. I didn't get a sense of whimsy and I didn't get sucked into this universe. A big cause of this was (surprisingly) Zhang Ziyi. You can tell she's trying very hard, but she seems to have been so miscast that she comes off almost amateurish. She's a capable actress but she has her limitations. I've noticed in her acting, that she has yet to truly react to her fellow co-stars, a flaw that creates a void of chemistry. The language barrier in this film seems to have only exacerbate matters. She and Odagiri act as if they're on separate planets. She's also not a very good singer which made me cringe every time she sang, but thankfully there weren't too many scenes of that. Odagiri was OK but doesn't make much of an impression. I didn't even care for the characters separately. There really is a sore lack of characterization. The only reason to care about them seems to be that they're good-looking royalty. Without the compelling love story at the center of the film though, it's hard to care what happens. The film also takes detours into minor scenes that added nothing to the story and was actually distracting. I had to rewind because after going into a subplot I couldn't remember what the heck they we're doing in the main storyline. There were also scenes where it was hard to tell what the action occurring was because it was so stylized. Mostly I'm just disappointed because I really like the concept behind this and there are a lot of things I do like. The music and dance choreography are really great.The supporting performances are uniformly excellent, fantastic in both the acting aspect and the singing. It's just too bad the lead actors were so bland. | 0neg
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] |
Tremendous fun both as a film and as an excuse to sit back and play the 'oh, that's whassis name' game. Every star of the golden age of English films seems to be in this one and it was a joy to see them. And the greatest of them all, Richard Wattis, was as tremendous as ever. There is actually a plot that trundles along very nicely, there's also some splendid jokes and comedic moments, but the key to this films triumph is the characters within it. Alastair Sim is magnificent and somehow convinces you that a six foot, big-boned Scotsman could be the headmistress of a girl's boarding school. George Cole, Beryl Reid and Irene Handl all have their moments but, with Alastair and Richard, the star of the show is Joyce Grenfell. She is an absolute one-off and brings a smile whenever she's on the screen...her rolling-walk and plum accent done to perfection. And for those playing the , that's whassis name' game, you can even spot Arthur Mullard, Barbara Windsor and Ronald Searle if you look carefully. | 1pos
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] |
Before I watched this movie I was actually excited on watching this comedy/documentary movie. However, I was led to a big time let down. I am a Mexican-American and I was thinking it was going to be a movie that jokes about our stereotypes, but it was not like that at all. It was based more on how "upper-class white" people heavily depended on the cheap work of illegal immigrants. The movie classified most immigrants of those who are very loyal and humble, and at the same time they appeared to be very weak with no character and their main purpose was to serve white people. Point is illegal immigrants are people and they do have feeling and are not just personal slaves. They do get mad and have other feelings. They also talk mess about their boss, like most people do, behind their backs. I felt that this movie did not give this illegal immigrants that chance to show that they are also people. Even though there is still a lot of racism out there, they showed most white people as racists whom are helpless without an illegal immigrant doing cheap labor. I am not white and it might be true, but white people are people, they can easily adapt to changes in their environment. There are some white people that do cheap labor not all white people are rich. One last thing that i strongly disagree with this movie is that what if there are not Mexicans around there is still a whole bunch of Central-Americans and South-Americans who are always classified as Mexicans. If you eliminate the illegal immigrant Mexican you still will have a lot of illegal immigrants of different places of this planet that will do that cheap labor work. Is not just the Mexican who is the cheap labor illegal immigrant in this nation. Finally, disregarding the rest, the movie was not funny, and I didn't even seem to get a chuckle at that. If you want to see a way better comedy movie about illegal immigrants I recommend you to watch Born in East L.A. | -1no label
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] |
Normally I don't comment on films, until now. In short, I've been a huge fan of Genre, Euro-Horror, Art House, Grind House, Underground, Independent, Low Budget, High Budget, basically all aspects of films. We all know that Euro-horror films tends to be misunderstood or not even taken seriously. This particular film is the essence to why Great Italian or Spainish thrillers are never taken Seriously. I Despise this film beyond belief!! Andrea Bianchi lost points in my book along with the cast, crew and producers and distributors of the Giallo genre. The lead character is PURE SLIME!! I wanted so badly to see him CASTRATED and Bled to DEATH! SLOWLY!!!!!! In short, this film is an INSULT to the better films by Argento, Fulci, et all. AAAHHHH, (SIGH) I feel better now. Please, some one, for the sake of quality Euro- Thrillers that deserve an audience. BURN EVERY COPY OF THIS CRAP!!! | -1no label
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] |
I saw the first episode of Elfen Lied and thought it looked pretty cool, so I went and bought the rest of the series. It was even better than I thought it would be, much better. Even with only 13 episodes, This series is awesome. Elfen Lied is sad, moving, violent, has some great characters, emotion, and it is completely enjoyable. The first episodes aren't brilliant, but this is a series that gets better and better as it progresses, and the last two DVDs are a joy to behold. If you don't puke at the sight of blood, this is a series you should most certainly see, and you'll know why once you've watched it to the end. A must have for anime fans! | -1no label
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] |
I can only assume the previous posts came from execs at the production company... Attended the UK premiere last night. Zane and Brook attended (they probably knew I was gonna be there) and are undoubtedly stars, but what a turkey of a film. I felt sorry for them at times, when the audience erupted in laughter at what were serious 'thriller' scenes. But perhaps I was missing the point. Perhaps an element of tongue-in-cheek was intended. If so, pure genius. If not, career genocide. On the plus side, Zane always shines, and Brook can actually act a little. As the other half said (as we ran out the cinema, avec broken ribs), they can be forgiven for this film as they both seem like nice people! The scriptwriter, however, should be marooned. | 0neg
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] |
I'm allowed to write 1000 words about this film, but one word could suffice: bizarre. Hubby and I didn't laugh so much as gawk at this truly dreadful movie. We kept looking at each other with our best "What the...?" expressions. There is no way to adequately describe this movie. Killer tomatoes were funny, but this is just sick. What kind of mind produces images like these and then puts them on film for others to see? What kind of mind includes innocent children in this weird, weird movie and then packages it as if it is appropriate for children? Parents, whatever you do, if your child still believes in Santa, don't let him/her see this movie. Preteens can watch it -- probably with "What the...?" expressions on their faces. If you decide to inflict this movie on others, you might want to spike their eggnog. Quite possibly the worst film ever made. | 0neg
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] |
There's something about movies that are produced by, directed by, and staring the same person. Maybe it stifles the rest of the cast and crew from giving any honest input. It would have been helpful if someone would have spoke up and mentioned the totally unrealistic gun fights were a bit much. Gunfights can be cool, but please, even the most squeamish pacifist would understand guns need to be reloaded from time to time. Shotguns don't hold 100 shells nor do 9mm hand gun clips provide that kind of firepower. Also, bullets follow a straight trajectory and don't do their best to avoid the target. This is the type of film that leaves one wondering if the producer-director-actor thinks the audience is so mental as to take the movie seriously. I ended up giving this film a 4/10 because it had it's moments. Annie Wu did a decent job with what was available. She was even able to sprint, without favoring her bad leg, minutes after being shot in the thigh. It could have been a decent film with a bit more character development and shorter, more realistic gun fights. I could only recommend viewing to have a few chuckles. | -1no label
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] |
You've seen every single element of this movie before. Perhaps not in exactly the same order as presented here, but from the opening shot the plot is as predictable as the taste of a Big Mac. The only surprise is John C. McGinley (Scrubs) and Dabney Coleman as the inevitably corrupt Senator. There is even the little girl and her rag doll, the police captain, the main protagonist who is seen as a joke on the force, etc etc. The script reads like a term paper. (First term). Yet if you're willing to laugh at it (there's no opportunity to laugh with it), it comes across as a classic in its B-movie genre, instantly forgettable but watchable after 1am. | -1no label
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] |
Fans of both "The Six Million Dollar Man" and "The Bionic Woman", can rest assure this dream has come true. I've enjoyed both series, and having them back together would be a dream come true. I first heard about on "Entertainment Tonight" ahead of times. I was really jacked up to wait. When I saw the preview, I was ecstatic! With the updated scenes for the movie was fascinating and just watching it made it more fun. It was funny when Jamie(Lindsay Wagner) threw Steve(Lee Majors) out the window. But the excitement factor was better when Steve landed on the car giving Jamie a chance to escape, while Steve flipped the car, and the car took off after being flipped. Really peculiar! Now his son is a bionic, only he has a lethal laser in his right eye! Talk about out of sight. This reunion movie is out of sight, reliving the old show is great. Action, scifi shows do indeed make better reunion progresses than sitcoms ever will. Maybe... Now I'm going to get some metal pipes and NANANANANANANANANA!!!!!!!!!!!! BIONIC-SIZE THEM! HAHAHAHAHAHAHAHAHAHAHAHA!!!!!!!!!!!!!!!!!! Rating 5 stars! | -1no label
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] |
Voodoo and mad science experiments on a plantation in the 19th century. In the tale of two brothers and a mother running the plantation, the mother is of the opinion that the madness of the family should end with them. One son isn't certain and has sent for fiancé. Gothic nonsense results. Woefully talky "horror film" plays like an Andy Milligan film on a bigger budget and with a better sense of framing a shot. The film looks good (even in the poor copy I saw) but outside of that this is a chore to get through. The plot is so all over the place that it becomes silly, especially with the twists that occur. The performances are equally uneven from fine to you must joking histrionics. Nothing compares to the endless inane dialog that just bores. Recommended only for insomniacs. | -1no label
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] |
This is in my opinion Dudley Moore's funniest movie. However, the cast of characters in this movie also aid in helping with the laugh's. Of course the advertisement's (Designed to be brutally honest about products/services) that are created by these members of a mental hospital are the highlight of this film. Even though the advertisement's probably would not work in real life and would probably cause consumer outrage in this politically correct society we live in today,(e.g., Visit New York it's not as filthy as you think), it makes for some good laughs. I highly recommend this movie for those that enjoy a good comedy. | -1no label
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] |
wow, i just got one watching this. How CRAPPY post production is on this movie. I kid you not, I literally could've done a better job myself. ALL of post production is flawed, all of it. Whoever cut this film should be banned from the film industry. That aside, the script was a trainwreck. absolute rubish. Not to mention Jack Bauer and his Patchy the Pirate in Spongebob accent. WTF is his character doing there? But to me, the biggest flaw of all was character development, intereaction, dynamics, dialogue. WOW. I cant believe how bad it was. I give this movie a 2 out of 10. 1 for Samantha, who is a great actress, too bad the production made everyone look like amateurs out there. the other 1 goes to cinematography, which was indeed good. Other then that my friend, this is one bad movie. I don't even feel like making an elaborate post on this, it was just horrible production. Poor actors, didn't know what they were getting into... | 0neg
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] |
Zwigoff, Schmigoff - this movie was boring, awkward, and very rarely funny. There were glimmers of freshness at the start, but then the staleness took over and even efforts to view it as dry self-parody were met with cricket chirps. Still, with such artistic giants in the cast - each of whom, I'm assuming, had a pretty good sense of what they were getting into - I'm struggling to make more sense of it. Maybe, just maybe the joke was on us. Maybe Zwigoff knew all along that he'd attract a certain audience - the type who assumes it's coming to sneer at these tired, overblown, kiss-ass stereotypes - when, in fact, the tables were turned and he's actually laughing at our banal sense of superiority, not to mention our eagerness to project greatness onto any schlock he throws our way. If so, that would be very clever of him, but the movie would still be a waste of time. | -1no label
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] |
this movie isn't scary or sad funny nothing this is more of a ghost story then a scary movie i wasn't scared but i wont give it a one because i thought it was good to watch there's only one or two good reviews on this i say its OK but scary film so go rent that or this there are thousands of scary movies though more scary then this like high tension saw and much more and its nothing like the shining this is not a scary movie but if you like old like scary movies that are like this i say you rent it and wacth it and like it but if you like scary movies you can get something eles.rated pg13 for mild language | -1no label
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] |
My wife and I saw this film yesterday and I thought that it was a pretty good movie. Of course, my motivation to see it was to get a look at Roselyn Sanchez and Sofia Vergara. I figured that my wife could have equal eye candy with the main actor who played Popi. It is interesting to note that this movie was directed by a Latina, and of course featured a great many latinos in the movie, with very few other ethnic actors. While I am caucasian, it didn't really bother me that there was only a couple of Anglo people in it, and only one African American I believe. But, as it was directed by a Latin woman, I was surprised at how much the movie seemed to be geared towards the Anglo-movie watching crowd. I don't have any problem with that and I feel that the director was really centered on empowering women, which is great. I just wonder if Latinos who watch this might feel themselves betrayed a bit by the Hollywood feel of this film. I don't think that it is a vehicle for too much serious lessons or life examples, and feel that it is more along the lines of just plain popcorn fun. Which in today's crummy world, is just fine to enjoy for a couple hours out of your day. I thought that it was a fun movie and I can spend all day looking at women like Roselyn Sanchez and Sofia Vergara. Who wouldn't drink dirty bath water from the likes of those two women? I know that I would be in line for a chance!! What absolute dream women!! HOT-CHA-CHA!! | -1no label
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Is it just me, or is this an AWFUL film? I'm going with it's an AWFUL film... Knowing full well that it's a guy flick (usually defined as full of car chases, crashes, gunfights, explosions, etc.), I still expect some small degree of credibility. If I can't somehow believe in the premise, the film WILL NOT WORK. Thus, we come to the problem with "Assault on Precinct 13." Not one for spoilers, I never report details of the plot. However, I will make an exception here, because the plot is SO inane. Bad guy is jailed in Precinct 13. Bad guy's buddies want to bust him out. Surprise. The bad guys' buddies are actually corrupt cops. Brooding, troubled, but heroic young cop saves the day while romancing the girl. UGH. Yes, it really is THAT simple, and that dumb. "Assault on Precinct 13" takes place in Detroit. Not a bad setting for crime and corruption (I spent 3 months there in late 2004, so I know what I'm talking about). Even so, it's outrageously violent and insulting to the police and the citizens of Detroit. I have spent a lot of time in downtown Detroit, but I cannot imagine how the final chase wound up in the downtown Detroit forest. I must have missed it... There are NO refunds for watching bad movies. Save your money. There were too many good films in 2005 to waste even $3.00 at Blockbuster on this one. FINAL RATING: 1 (Only because I have seen worse films.) | 0neg
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First off, I don't want anyone who reads this to think I'm some kind of sonic hater. I have been a sonic fan ever since the old genesis games and I am still a sonic fan. A little over a year ago, I hear that there is a show based on Sonic the hedgehog. Knuckles coming into the show along with other characters seemed very exciting to me. I was thrilled to hear about this. I watched the show from week for a week for a couple of months. I was initially disappointed, but I was hoping that it would get better. It never did. For starters, Sonic and the gang are not supposed to be from another planet that got stranded on Earth. This was never discussed in any previous shows or games. Why is this suddenly a fact? I have always been a Tails fan and I was disgusted to see what his role was in Sonic X. He normally just does nothing except for occasional mechanics. He doesn't even fly or hang around Sonic like he has done everywhere else. He had no purpose. Before this show, he was seen as the cute one. That's no longer true because of Cream. I believe that the only reason he even had a part in this show was because in a Sonic show, you pretty much have to include Tails. Anyways, the story lines made no sense. Such story lines as that race-car driver who always wants to race sonic were simply pointless. Dr.Eggman could have had a good role as the villain, but the writers managed to screw that up as well. I remember one episode he had a chance to kill Tails. He said something similar to "Don't kill him. If you kill him I won't have anything to do." What kind of sense does that make? I've also seen the final story of SA2 repeated into the show, proving how lacking of stories these writers have. I have always loved everything Sonic-related, but I am absolutely disgusted with this lousy excuse for a show. AOSTH might not have been the best show in the world to watch, but at least it was funny. Sonic X was neither funny or exciting. My advice is to avoid this show like the plague. It's a disgrace to the Sonic series. | -1no label
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] |
This review applies for the cut of the film that's generally available as "Fury of the Wolfman". I understand there is an uncut version out there with additional footage, and I would hope that it contained at least eight or nine crucial scenes that seem to be missing from the cut known as "Fury of the Wolfman". In short, the movie makes absolutely no sense whatsoever. It is utter nonsense, and incomprehensible nonsense at that. Waldemar Daninsky, that venerable lycanthropic antihero portrayed by Paul Naschy in a seemingly endless series of films, is apparently a normal guy who has just come back from a trip to Tibet, where he was attacked by a yeti. Somehow this has turned him into a werewolf. Daninsky is a doctor, a scientist, and an instructor at what appears to be a college. One of his female colleagues, Ilona Elmann, is involved in a vague form of hypnosis..."Chematodes", a nonsense word used to refer to a bunch of wires attached to a victim's head. Ellman feels this will enable her to "change the direction of the human brain", naturally enabling her to rule the world, provided she can get us all attached to those wires with no trouble. Elmann is also into werewolves, because she kidnaps Daninsky and takes him to her hidden laboratory. She has a bunch of other people trapped there as well. Some of them look like gypsies, and are chained up, being in varying states of lucidity. Others are clearly hippies. Elmann feels that one day she may be able to "help them be human again" (?), but in the meantime she controls them with her chematodes. Waldemar becomes her hairy hit man, wandering around like a werewolf zombie--that is until the filmmakers decide to use footage spliced in from another Naschy werewolf film, "Frankenstein's Bloody Terror" (don't ask), at which point Naschy's werewolf makeup changes considerably and he lurches around like an animal. Is this making any sense? No? Good. That's the film's saving grace. It doesn't try and engage you on any kind of intellectual level, it just goes full speed ahead with whatever nonsense dialogue or cheap horror movie sets it can muster up. "Fury of the Wolfman" may be the best Halloween party movie ever. You absolutely do not need to pay attention to it, and in fact if you do, you will be completely confused. | 0neg
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Big, bronzed Steve Reeves is Hercules, Greek stupor hero who burns 50 brain cells per second. I guess these epics were big during the 50's, but watching them now is like seeing a documentary with nitrous. There's supposed to be a story, but the makers felt it better to emphasize action rather than plot. It doesn't work and you get a lot of choreographed fight scenes. Watch Herc hurl chocolate bunnies. Plenty of Greek guys in skirts. Must've been the fad back then. I thought Hercster could've made the movie a lot better by snapping Ulysses in half. Plus, he has an affair and still keeps his hotty bride Iole. The ending is a blockbuster fight scene with lots of people flying, horses dying, and audiences crying. At least Steve Reeves is less annoying than Miles O' Keefe. | -1no label
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] |
From director John Irvin (Hamburger Hill), I didn't pay the fullest attention to this film when it was on, but I guess it doesn't matter. Basically Mark Kaminsky (Arnold Schwarzenegger) is kicked out the FBI for rough treatment of a suspect, he winds up as sheriff of a small town in North Carolina. FBI Chief Harry Shannon (Darren McGavin) enlists Kaminsky to get the man who killed his son, mobster Luigi Patrovita (Sam Wanamaker). Shannon promises to get him back in the FBI if Patrovita is taken down, to do this Kaminsky goes undercover as Joseph P. Brenner to join his gang. That's the basic story that I got. Also starring Paul Shenar as Paulo Rocca, Licence to Kill's Robert Davi as Max Keller, Ed Lauter as Baker, Joe Regalbuto as Marvin Baxter, Mordecai Lawner as Marcellino, Steven Hill as Martin Lamanski, Blanche Baker as Amy Kaminsky and Louise Robey as Lamanski's Girl. I think the only reasons I stayed with this film was because of Schwarzenegger and some eye-catching explosions and action sequences, but I just couldn't get into the story. Okay! | -1no label
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] |
yes, i have noticed that there are 347 other comments, i think that is a good sign for a movie, even if some are negative. i have seen this movie 2 and a half times. i adore it and would watch it again. it is very smart, but i can understand why some people would hate it. they don't get it's appeal. yes, i have a weird taste in movies, but this is a great movie. some of the lines are just so quick, like the whole scene in the chinese restaurant. i started dying laughing. that and when he was in the assembly line talking to the contact. jude law was wonderful, though it was humorous, him trying to cover up his wonderful accent. anyways, i do not consider myself the movie goddess as some critics of this movie and if you have nothing better to do than write pseudo-intellectual movie commentaries about films you hate online, i feel sorry for you. why don't you write about movies you like, like me. i just love how everything ties together, it keeps you guessing, even though you guess wrong. the ending was interesting, and not overdone. it was purely clever. i would not compare it to the matrix, because i think people then get the wrong idea. i went into this movie expecting nothing except jude law and a sci-fi. i was blown away. i have no clue about any other of cronenburg's films, but love this on its own merit. another clever thing was the foreshadowing with the dog. definitely watch this movie. | 1pos
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] |
I loved it! What an amazing true story! It was fascinating to go into the 1950's Tongan culture and to see the love that that missionary had for those people. You could see how much he really loved his girlfriend, who he left in the U.S. That must have been so hard for him. I was so relieved when he made it back home safely and married her. The scenery was amazing and the acting was impeccable. It has taken the place of Titanic and Forrest Gump as my new favorite movie. I give it five stars! I'm buying it as soon as it comes out on DVD and VHS. I actually might go back to the theatre to see it again this weekend.... | -1no label
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To date, my favorite among Christopher Guest's projects is "Best In Show." I had seen "Waiting for Guffman" which is also good. And I finally got a chance to see "Spinal Tap" directed by Rob Reiner but which features the majority of Guest's ensemble cast. While it was okay, it certainly wasn't all that. "A Mighty Wind" is probably my least favorite though it had its moments. Nonetheless, his stalwart ensemble cast is quite simply flawless and most of the regulars return to make "For Your Consideration" quite a funny send-up. The standout performances here are undoubtedly Catherine O'Hara & Fred Willard. While Catherine is most funny, there are some very tender and very poignant aspects of this performance that really kinda grab you. Fred Willard who plays the jerk reporter, extraordinare to perfection is actually sorely needed here - I could not imagine how the flow of the film might have fared had he not been. Watching the transformation of personalities as a result of an internet RUMOR makes for some delicious fun - the cast appears to be having a blast as well. If you are indeed a fan of Christopher Guest and his projects, this will not disappoint in the least. Definitely recommend! | -1no label
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] |
One of the best TV shows out there, if not the best one. Why? Simple: it has guts to show us real life in prison, without any clichés and predictable twists. This is not Prison Break or any other show, actually comparing to Oz the show Sopranos look like story for children's. Profanity, cursing, shots of explicit violence and using drugs, disgusting scenes of male sexual organs and rapes... all this and more in Oz. But this is not the best part of Oz; the characters are the strongest point of this show; they're all excellent and not annoying, despite the fact we are looking at brutal criminals. The actors are excellent, my favorite are the actors who are playing Ryan O'Reilly and Tobias Beecher, because they're so unique and changing their behavior completely. And most of all... the don't have no remorse for their actions. Overall... Oz is amazing show, the best one out there. Forget about CSI and shows about stupid doctors... this is the deal... OZ! | 1pos
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] |
Cheesiest, sappiest, pathetic... caught this on HBO at 3am, only timeslot it could ever fit. BUT, I'd rather watch the Girls Gone Wild infomercial I've seen on Comedy Central 20 times at this time of night rather than this. This was a poor attempt at something to the effect of "100 Girls." The acting was typical for a movie in this genre.. nothing much there to complain about, if you're going to willingly watch a movie like this in the first place. This movie needed some actual nudity to make it worthy of watching just for the girl-factor, cause there is definitely some eye-candy, but the plot/dialog is just so grating that it becomes painful at times. I think this is the first comment I've been compelled to write, and I use imdb all the time - the last scene with the girls in slow-motion jumping around for the papers just p***ed me off that much. Wish I'd fallen asleep two hours ago. Maybe I'm just grouchy. ;) | -1no label
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] |
Are you serious? The customs are based LOOSELY on real customs to become some bastardized mish-mash. The director went and lived for a short while with the Xingu tribe in the amazon. What does that mean? It means he saw them through the eyes of an outsider not as someone part of the culture. All what you see is his interpretation of what Xingu culture is: the taking of hallucinogens, marriage, women's dances, jagua painting and others. This does not even come close to true Xingu culture. (Btw I love how the tribes were really good African and modern dancers.) This is just the magical-childlike-Indian stereotype set in the Amazon. | -1no label
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A patchwork about 911. The 11 stories from 11 directors from 11 countries are sometimes humoristic, sometimes boring (the first one, for example), sometimes used to say to Americans "we have had more deaths than you, and you supported the murderers", sometimes really weird (but highly symbolic and interesting). I really loved the Claude Lelouch (personal live of a couple in New-York, showing that our day-to-day "problems" are unimportant), Shoei Imamura (bizarre, strongly anti-wars in general), and Idrissa Ouedraogo (funny, typical African optimism despite terrible day to day misery), and Youssef Chahine (an Egyptian intellectual, pro-peace, having moral difficulties to accept the U.S. policy towards Arab countries) I am really pleased to see that many Americans liked this movie. It shows that we (or they ? I am still Belgian, but living in Texas for 12 years) are still interested by other cultures, and able to question past and present actions of our government, like we should in a democracy. | 1pos
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] |
This show is so retarded. #1: I hate baby shows. #2: I hate the plot. #3: I now hate CN! This show is so dumb! I only actually seen this show once, but it is SO retarded! What happened to the glory days of CN, back when they had a few cartoons shows. Not all cartoons like now! Hamtaro, Sheep in the Big City, I am Weasle, Code Lyoko, Courage the Cowarldy Dog, Mucha Lucha, The Cramp twins, ASSY McGee, Home Movies, R and Bobobo-Bobo-Bobo? Those were good shows! Don't get me wrong, i like a few shows like Camp Lazlo, Naruto, Aqua Teen Hunger Fource, & Garfield & Friends. But 90% of this channel nowadays is CARTOONS I serious it Retarded of a cartoon. The reason why I don't watch this anymore because Im too busy playing "Mario Power Tennis". | -1no label
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Overall, a right load of tosh. The slime creatures look like turds from a toilet cleaner commercial. The soldiers are all wearing crash helmets and there are so many unintentional goofs it's ridiculous. I smiled when a crash helmeted soldier answers the phone. How does he hold the receiver to his head with his Spaceballshelmet on? Badly of course! You can see the look on his face - oh, jeez, I wish I'd rehearsed this bit. But it's not all bad. It fits into the genre of Them, those films where the Chinese tunnel under the earth to defeat America - Battle Beneath The Earth. Richard Jaeckel is always a favourite and good value. The Italian woman leading looks great (like an early Elizabeth Shue) and the funky sixties party when the Slime comes to light is just great. I am sure if I'd seen this at the cinema as a kid, I'd have reckoned this was a classic up there with The Blob and Invasion of the Body Snatchers. | -1no label
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I don't care if this show is suppose to be communicating profound messages about human existence. The show is crap....how can anyone derive pleasure from watching it? Yet it was received so well. This reflects a sad state of affairs for Joe Moron out there. I tried watching this program when it first came out as friends were talking about it. The inane laughing between the two main characters and the pitiful dialog made me want to cry. It is beyond belief that people can watch this show. Yet I guess the creators had the last laugh....making themselves wealthy by taking the p.ss out of the very people that would watch a show such as this. I would wager they are laughing all the way to the bank. | 0neg
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] |
This really was a waste of time...the movie has a weak plot, the story is fragmented and ends very abruptly with many loopholes....though the animation is top notch. Once the movie started, I tried to give it the benefit of the doubt by telling myself that it might get interesting in the later stage, but it was never unique. This same plot has been played over and over again, but what made it worse was that the major plot hole was the whole story on how to kill the baddies...The writer could have done so much more with the entire concept, but seemed that he or she did not have their heart in it and wanted to close the movie as soon as it started. Overall, too much hype but not able to deliver. | 0neg
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] |
I admit that the majority of this film was uninspired,but i was still entertained. It has a wonderful sense of frenetic energy,above average music,and the women in the film fiercely defend themselves,there's no prissies here. I can think of dozens of other films that were way worse,at least this one had an intriguing plotline along with some social commentary.They allude to how the military deals with viral epidemics,destroy everything in sight,even if it means the people you're supposed to be saving.Also, how dangerous martial law can be since at that point democracy ceases to exist. Fulci seemed to attempt to combine his earlier work(zombie,beyond,gates of hell)in an effort to somehow improve on them.He failed,but definitely not miserably,like a number of people would have you think.I have a soft spot for zombie films, so i admit that i'm somewhat biased when it comes to reviewing them.All i'm saying is that this movie is good for one time around,if there wasn't so much descension in the making of this film(fulci quit and bruno(i can hack with the best of them)mattei took over)it could have been much better and more focused.It's going to stay in my collection as fulci's zombie swan song.One surprising note, is that there is a scene in zombie 3 that cemetery man actually ripped off,i couldn't believe it myself,check it out you'll be surprised. | 0neg
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] |
This is a musical adaptation of Dicken's "Oliver Twist". For the most part, the original story has been maintained, though for the flow of the film certain subplots (such as the summer he spent recuperating and the half-brother) are omitted. The biggest difference in the film and the story is that by the end of the book, Fagin is hanged--an ending very different from this musical film. This is a one of a kind musical--one whose style and scope really hasn't been matched before or since. Not only are the songs often quite singable and memorable, but the choreography of the film is a sight to behold. Whereas in most musicals a few people or perhaps even a small group are choreographed dancing, here the numbers often run into the hundreds or perhaps more. It's truly a sight to see and I was fortunate enough to have seen it in the theater when it debuted and is one of my earliest childhood memories. Having just seen it again a few moments ago, I would have to say that the film only got better over time. Great sets, wonderful acting and singing--this is a special treat that is hard not to love. By the way, when I saw the film again tonight, I was surprised by just how high and feminine Mark Lester's singing was for the film. Well, according to IMDb, his singing was dubbed by a girl and this would definitely account for his voice. | 1pos
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] |
No matter what some may say and no matter the voting is not favorable, I think it is a great production - it has action, new technology, a sensitive story line about love between sisters and between an assassin woman and a man that almost changed her life. It has an unexpected situation turn that makes it very original. But almost everything about this film is quite original. I love this movie and I believe it is one of the best that the Hong Kong movie makers did. It is a good choice for every moment, if you have the chance to see it, don't hesitate! If you are not crazy about Asian movies, at least watch it for the special effects and the lovely girls in it. :) | -1no label
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] |
Wow. I had no idea a movie could be so awful. I mean I've seen the Ed Wood movie Plan 9 from Outer Space, but this was just one of those"Are you F*%king kidding me" movies. I mean why did they even bother making this if Matthew Broderick wouldn't come back. If Ferris Bueller won't do it, there's probably not to much promise in it. About the movie, why didn't any of the criminals just smash the G2 robot-thing, I mean how hard can it be to whack her in the head with a lead pipe and wrap her up with some chains then tear her apart with crow bars. Why did they need to replace Inspector Gadget anyway, oh yeah, so they could at least have something to make a sequel about. Bad story gone worse describes this whole thing. | -1no label
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] |
I've got good news, & I've got bad news. The good? Michelle is very fine - convincing sad mommy, Barbie cute, emoticon deluxe. E.McG - not around enough. There must have been an editing mess with this one. The first part of the film suggests he would have had a bigger role. Our loss. That's the good. The bad: THIS IS NOT AN ACTION MOVIE!!!! It's a ruminative, junky, maudlin, meandering mess masquerading as an action movie. No guts, no punch. It takes a long time to say - & you will be half asleep at this point - that, gee, Osama should just listen to the sad mommas out there & he wouldn't be such a bad dude. NO. This is idiotic. Terrorists are NOT good daddies. Not possible. The whole thing takes a long time to develop & then falls apart in semi-bathetic babbling. Like I said, wha' happened? | -1no label
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] |
I was beside myself with glee when I first heard of this movie. The book it is based on has been a book I have read and reread as well as given to children and adults alike over the years. So I was HORRIBLY disappointed at the changes made in this adaptation. Key elements left out, characterizations gutted, the mythos it was based on trivialized. After such great adaptations as LotR, Narnia and the Potter books to see this classic ruined was a sad sight. The books concepts depend on British folktales and legends (Arthurian based) and the movie seems to have tossed that aside in an attempt to woo American audiences. The family is changed, leaving out the close knit structure that is the basis of the story. Don't see this movie. Don't let your kids see this movie. Do yourselves a favor and read the book. Someday someone will make this movie with an eye to the source material. | -1no label
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] |
Men, do I love police movies filled with action, shooting, chases etcetera. Boy, was I let down after watching this short and unsatisfying movie. We've seen it all before, the hostages, the bank, the surrounding... Yet, 2 bad guys that shoot down multiple officers and innocent people who simply stay in the line of fire - without getting hit due to some Kevlar. Not just a few shots, no, hundreds of shots. Going back into the bank, where the dumb hostages didn't lock the safe or doors when the bad guys went out. How stupid did the director think we'd be. Okay, the shots in between that fake a documentary were good, but after seeing the film I only got the thought: why didn't the police get a decent shooting course? And why where there so many cops and was SWAT on a real long break. Truly bad. | 0neg
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] |
This movie is a shame especially considering Andrzej Wajda is not an amateur, but professional director. However this movie fails to deliver anything you could expect. First of all -- I am Polish, so I can tell all the background story, because I read books. But how can you tell there is even a war from this movie -- bunch of people are going back and forth, some soldiers are shouting... This is really The Second World War or soldiers are on vacations? Acting and dialogs -- poor, miserably poor. A.Żmijewski, D.Stenka, M.Komorowska, W.Kowalski, A.Chyra fit in their roles, the rest of (Polish) cast is out of the place (most notably M.Ostaszewska, one of the leading characters, what an unfortunate choice). 99% of the dialogs are not spoken, they are just put there, actors had difficulties to perform and it is no surprise considering what odd things they had to say. And this leads us to the most disappointing issue -- you can't feel it. Everything is so theatrical, artificial. There is no real life, there is no feeling in it. There are a lot of original footage from the WWII and, guess what, the material is much more powerful, dramatic, than what A.Wajda did. I can see only one positive -- despite historical mistakes (like acronym ZSRR; it was made for post-1945 propaganda purposes, to please Polish that ZSRS was gone, and now there was ZSRR, but in 1940 there was no ZSRR!), luckily it is undoubtedly shown killing in Katyn was done by Soviets (yes, it is a fact, not some controversial gossip). Great, two hours for 5-10 minutes scene. Anyway -- time and potential wasted. This is tragedy of epic proportions, will to fight in 1939 (barely shown), not declaring war against Soviet Union by Polish authorities (sic! not shown here), imprisonment of soldiers shortly after, living in the outrageous conditions (not shown here), hope and fear what will come next (barely shown) , and then... extermination. Hand to hand with Germans -- Soviets were exterminating Polish nation, aimed at people who constituted the backbone of Poland. Unfortunately they succeed, and the results are still visible to this very day. | 0neg
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] |
Moving (1988) was an fun film from Richard Pryor. Instead of making another cheesy P.G. rated family film, Mr. Pryor goes back to his adult tinged humor. In this starring vehicle, Pryor stars as a family man who learns that he has to move out of state if he wants to keep his position with the company. CAn the family make a smooth transition from one neighborhood to another? Will they have problems with the new neighbors or the strange movers? Find out when you watch MOVING!! As with all of these type of films, you;ll have the kid who doesn't want to leave and the worried family members about the new community they're moving into. Randy Quaid co-stars (in two roles). King Kong Bundy plays a mover, Stacey Dash makes an early co-starring role as Pryor;s teenage daughter, Dana Carvey guest stars as a weird dude who's hired to drive Mr. Pryor's beloved Saab and Rodney Dangerfield makes an uncredited appearance as well. I liked this movie for some reason. The humor was a little more towards old Richard Pryor. But it's not one of his best efforts. Mr. Pryor would make one more funny movie (Hear No Evil, See No Evil) before illness would force him into early retirement. Recommended. | -1no label
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The only thing funny about this movie is when Brad Pitt gets punched in the face and the chair George Clooney makes in his basement! Other than that this movie is slow going and has no point what so ever. Why the hell is Ozzy's wife important. other than the fact she's a b*tch? A lot of the boring crap could have been cut out and you would have had the same result but then the movie would have been a half hour long. It was supposed to be a comedy but all the funny stuff was shown in the previews. They wasted a great cast on a crap movie! I will say that George Clooney was the best one in the movie. Take what you want from this and leave the rest. I didn't like it but you might. | -1no label
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Here in Australia Nights in Rodanthe is being promoted in the same class as the Notebook. Quite frankly what a lot of rot. This film is a like a recipe. On paper we have all the right ingredients... Richard Gere normally perfect in this genre, Diane Lane an old favourite from "Under Tuscan Sun" and "Unfaithful", ocean side location, solitude and yet the movie sucks. At the session we went to yesterday afternoon a women next to my wife fell asleep and half way through the movie got up and left! The main problem is there is no build up or credibility to the relationship in the first place. And perhaps there are too many long faces and downbeat if you like histories that Gere and Lane's characters bring to the movie. There's hours of those balanced out with perhaps 5 minutes of what we can to see... romance! There's no warmth from Gere's character, Lane looks dreadful at the start of the movie and all washed out. So as the viewer we cannot really connect to the characters. Others here say the book is great. Well be it the screenplay, direction or production someone here has made a real mess of this movie. It's like the scenes and the buildup are a deck of cards except instead of being in the correct order they've just been thrown together all over the place. Very disappointing... save your money for when it hits the video shops and even then wait for a good deal when it goes to the weekly rate. | 0neg
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I saw this movie last weekend and it is silly and mindless. An ancient curse turns a man into a mummy in his pajamas? The victims are scared senseless and can not run from a slow moving old man. They drop their torches and shiver instead of attempting to ward him off or,duh, burn him. Quentin alias Mr. Fabersham of the Honeymooners is married to Diane Brewster alias Miss Canfield of Leave it to Beaver fame, who is unhappy in marriage. Wow, love plot. The rest of the cast just follows each other in the tombs and wait for screams to react and run to their aid. The Egyptian girl is not bad looking but does not lend much to the film. Where is the mummy? Really just a curse unleashed. This does not hold a torch to Universal Mummy films in the least.Watch this movie if you need sleep, because you will dose off. | 0neg
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What a dreadful movie! For some reason, scientific laboratories and outposts always have a staff of grubby, dirty, mean-spirited, misanthropes living inside. These folks who presumably work together on complicated scientific projects cannot seem to agree on how to survive death at the hands of a CGI Dragon. Spoilers: An extra-nasty scientist whose main acting skill is "leering" and "the sinister stare" has cloned a Dragon. While the lab was supposed to work on this kind of thing, the other scientists are shocked, because apparently they were all way behind in their experiments and got caught with their pants down. The rest of the story is like THE THING, or Ten Little Indians, where the staff is hunted and killed off as they try to formulate a way to escape and/or defeat the "Dragon." The CGI Dragon creature is dark gray, which seems to be the popular color for most of the cheap CGI special effects. It hardly looks better than a cartoon, and the dark gray tones make it difficult to see any interesting details in the body of the Dragon. All it looks like is a gray blob. The acting is less than horrible. These scientists act like a bunch of children who cannot agree on anything, and this makes it easier for the Dragon to kill them off in various attempts to escape, hide, etc. Dean Cain is hardly better than any of the cast of unknown actors in this movie. He seems to sink to the level of his supporting cast. This movie is really, really atrocious. The acting is bad. The story is dumb. The CGI is very very cheap and amateurish. There is nothing commendable about this movie, it is not even a good time-killer to glance at while doing chores or other work. | 0neg
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] |
I'm always surprised, given that the famous title track of 2001 is called "Also sprach Zarathustra", that nobody (nobody I've read, anyway) has noted the parallels between the movie and Nietzsche's famous work, "Also sprach Zarathustra". The idea of man's rebirth into a star child; an infant form of an indescribably more advanced being, is an explicit part of N.'s "Zarathustra"; there is a prominent passage called "On how a camel becomes a lion, and a lion becomes a child", in which N. describes the first incarnation of the overman as a child, transcending both the ascetic, altruistic side of man (the camel; always asking to bear more weight) and the rapacious, brutish, will-to-power side of man (the lion). The fact that the song plays during the star child sequence can hardly be coincidence. And also, Zarathustra said that "man is a rope tied between beasts and the overman." The structure of the movie fits that description: a brief history of man as beast, until we become truly man by mastering weapons and acquiring reason, then a long sequence about man (the rope, as it were), and then a brief glimpse of the overman. The inscrutability of how these transformations occurred, and the suggestion that an external force caused them, is also Nietzschean; in "Zarathustra", he makes it pretty clear that he doesn't have a clue how people are going to be able to enact these changes themselves and suggests that we will have to depend on an outsider (Zarathustra) to show us how to "go under". Bowman's psychedelic sequence at the near-end could be seen as Kubrick's best 1960's-style attempt at depicting the mystical "going under". I know these parallels are pretty broad, and almost certainly have been noted elsewhere despite the fact that I have not personally seen it. But I just wanted to mention them, if for no other reason than to try to dispel the myth that Nietzsche was ultimately a gloomy philosopher. Few people find the ending of 2001 to be gloomy, and it is in my opinion, explicitly and unmistakeably Nietzschean. The case could certainly be made that 2001 is above all a dramatization of "Zarathustra" updated for the modern age. Feel free to disregard the outright snobbishness of my tying everything to Nietzsche. | 1pos
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] |
I first started watching Jess Franco movies because I noticed on the IMDb lists that Klaus Kinski was in many of them. The I heard that legendary Fritz Lang (Metropolis, M) considered Succubus a good movie and I was even more intrigued as to who this Franco guy is. And then I found out that he worked with Orson Welles as assistant director for Chimes at Midnight and Don Quixote being also responsible for the butchered 1992 DVD release of the latter film. And I said that no matter what I have to see some of his movies even though their titles gave me quite a clear idea what they were all about and the total of 187 and growing number of movies meant that they were a very sloppy job. La Fille de Dracula certainly feels sloppy and unable to keep itself focused on one genre, as the IMDb lists it as horror, mystery and even romance, though I failed to notice either of these genres on screen. What you see, instead is a poor attempt at drawing the viewer's attention. The initial use of voyeurism that wants to engage the viewer in the forbidden acts that are explored is dropped for no reason and replaced with a meaningless plot "built" around a mystery that you don't really care to solve. The actors are given no substantial identity and the "leading lady" vampire although is admirable for her physical qualities lacks any skill to draw you into drama. It appears that she is just a sweet cuddly girl who sometimes likes to suck blood. There is also some gratuitous nudity that makes absolutely no sense the "story" but which is also not enough to make this a proper soft-core movie. Why a four then? Because the movie looks very good, apart from the annoying zooms and pulls. As with other Franco movies that I have recently seen I am surprised that he could work so well on limited budgets and that he found those beautiful locations to shoot his movies in. The man obviously had some taste, and I think many directors of erotica could learn some tricks from him in terms of set design and also the use of music and extreme closeups. | -1no label
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] |
This is the worst brain damaged, ultra cheap, super stupid, silly, pointless piece of trash I've ever seen, an unbelievable garbage of instant cult status among fans of the bizarre. If you think that Ed Wood's "Plan 9" is bad, well... let me tell you, looks like "Citizen Kane" compared to that one. ¿Special effects?...again, "Plan 9" is "Star Wars". ¿Acting?...Thor Johnson is Al Pacino... so it's beyond bad, really. But if you are looking for that kind of incredible movies, it's for you! I'm a fan of American International for so many glorious horror movies, the Price-Corman-Poe saga and some great blaxploitation stuff, but with "Star Creatures" they descend right down to the Z level. Of course, my 1 out of 10 works in reverse if you like to watch bad movies for fun (the guy playing an Indian chief is great) so have fun and enjoy... if you can. | 0neg
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] |
Hey HULU.com is playing the Elvira late night horror show on their site and this movie is their under the Name Monsteroid, good fun to watch Elvira comment on this Crappy movie ....Have Fun with bad movies. Anyways this movie really has very little value other than to see how bad the 70's were for horror flicks Bad Effects, Bad Dialog, just bad movie making. Avoid this unless you want to laugh at it. While you are at HULU check out the other movies that are their right now there is 10 episodes and some are pretty decent movies with good plots and production and you can watch a lot of them in 480p as long as you have a decent speed connection. | 0neg
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] |
Who would've imagined -- Hal Hartley creates a filmic corollary to Syriana while retaining his signature idiosyncratic style. The fusion is highly entertaining. Having not seen a Hal Hartley film for about a decade, I approached this one with some caution. His brilliant productions of the nineties had impressed critics and audiences with their unique style and dialog. The director's earlier films featured colorful characters and offered close observations of life -- often in the region of Long Island, New York or in New York City itself -- that were offbeat and insightful. My initial caution stemmed from the description of this movie as a "spy thriller". To my pleasant surprise, Hartley manages to mesh his well established style and focus to produce a highly original drama of international intrigue. It works in more ways than one might imagine. Hartley's film retains the dialog and character focus that are his trademarks, along with a singular cinematographic style. Moreover it is highly appropriate given the current situation in the world and the state of war that has been fostered by dark elements on all sides. Hartley has brought all his skills to something new -- a political film worthy of being mentioned in the same breath as Syriana. Truly he is coming into his own. The cast does a fine job of interpreting Hartley's vision and style. Fans of Parker Posey will see her in full bloom here, still with us and more ripe and gorgeous than before. | 1pos
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] |
Was not the sanction against Taliban led by the US to bring dawn into Afghanistan? Noqreh goes back and forth between her father, who believes neither education nor jobs are necessary for women, and the school, where teachers encourage female students to have any job, even the president. Her family generously offers the place they live to the refugees coming back from Pakistan. Soon they have to go out from there, and without food, the dream of becoming the president fades out. Her white shoes become useless. It seems the whole of the movie is a poem. That a high school girl dreams to become the president is a poem too. Maybe it is the best way to describe the world Noqreh lives in, which is at five in the afternoon, not in the morning. How can the country, where just seeing the face of woman is sin, be open to the world? The country which was destroyed and lagged a long way behind the world by men, who are taught as superior creatures than women. Only the belief that God never dies supports them. Tough I have my belief as a Christian, I never want to shut myself away into the world of illusion. | -1no label
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] |
If Jerusalema, the latest film about life in South Africa's underbelly of Hillbrow, can make a film like the award winning Tsotsi look like child's play, you need to ask yourself the question: "Why haven't I seen it yet?" Even more disturbing is that Jerusalema premiered at the Berlin Film Festival earlier this year, and has already been raking in the awards. Star of the film - Lucky Kunene's motto in life is taken from an Al Capone movie "If you're going to steal ... steal big, and hope like hell you get away with it!" Like a fly on the wall, we get to watch how an innocent youth from Soweto, a victim of circumstance, turns to crime and works his way up to become the hoodlum of Hillbrow. The acting is superb and will have you engrossed in the film in no time. The script is watertight, and quite probably the most accurate account of South Africa's criminal underworld that you're ever going to see. The scary part about all of this? It's based on true events! (But don't be put off SA, this is a small part of a big country) | -1no label
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] |
Wow ! A revolutionary plot of having a bunch of teenagers go off into the woods to be stalked by a monster . But they`re not any type of teenagers , no siree , instead of being the usual collection of bimbos and jerks one of the bimbos is in therapy and on prozac while the monster stalking them is Bigfoot ! Well it is in the script but on screen it looks more like a man who has never shaved and is wearing yellow contact lenses . In fact for the first half hour FEAR RUNS SILENT has the same sort of structure as the dismal NIGHT OF THE DEMON with a voice over , a gory severed limb , a couple of dead teenagers , several college scenes that I just knew that I`d be watching a big pile of bigfoot droppings so I switched off | -1no label
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] |
Rating: 7 out of 10. Directed by Barbet Schroeder. If you like Hitchcock's `Rope', then you will like this movie. `Murder by Numbers' stars Sandra Bullock as psychologically troubled yet brilliant police detective Cassie Mayweather. Her partner is Sam Kennedy, a non-discriminatory detective played by Ben Chaplin. The teenage killers are high school students Richard Haywood (Ryan Gosling) and Justin Pendleton (Michael Pitt). These young psychotics are out to prove their superiority by committing the perfect murder and getting away with it, but the nearness of capture is exciting and thrilling to at least one of the killers. The supporting characters include a police chief, an assistant district attorney, and the high school janitor that the killers pin the murder on. The movie reminds me of various `Hitchcock' movies crossed with the TV show `Law and Order'. We see a fair bit of police work and it is really interesting to see which clues the detectives follow and which ones they don't. The other plot in the movie relates to Cassie Mayweather's past and incarcerated ex-husband. Most viewers found this aspect of the movie unnecessary and slow moving, but I found this to the most intriguing part of the story. `Murder by Numbers' is a nicely crafted movie if you are looking for safe, or should I say dangerous, murder mystery. For more thrills and suspense, try `Se7en' or Hitchcock's `Dial M for Murder'. | 1pos
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] |
*Spoilers ahead, but that shouldn't matter since i hope you wont see this one anyway* If you planned to see this one i have to strongly advice you not to. Because this was one of the most wasted 1½ hours I've experienced. First of all, this is an complete rip-off of the great movie "Battle Royale". It is as stupid as watching any lame American TV-show like "Cops" or "Candid Camera". The plot are totally predictable. One challenger pregnant and another is a nurse, anyone doing some logic thinking understands in the beginning what should happen between those. The concept is ripped as mentioned before and the movie lacks the violence necessary of making this movie enjoyable. I mean, the preggo shoots a guy in the back and no blood or not even any trace of the hit in the back. I could go on forever without finding anything good about it, so take your money and get a copy of Battle Royale instead of watching this piece of crap. 1 out of 10, too bad i couldn't rate it lower. Almost makes Scream 3 a masterpiece.. | 0neg
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] |
A man called sarge is one of those movies that isn't for everyone, but those of us that don't hate it, love it. It is full of stupid jokes, as noted before in the vein of the naked gun and Airplane. Being set in WW2, it completely lacks any PCisms at all. Germans are "Huns" (or "krauts", Americans are "Yanks", English are "Limeys", french are "Frogs"... you get the picture. Most of the jokes are crude and cruel, and that is why many of us love it so much. It had some very South-park like jokes years before there was a south park. And it has a great sense of self-awareness that is funny only if it is done correctly, which it is. In the movie, Sarge and his platoon are supposed to blow up the fuel dump at Tobruk, in Norther Africa. i was surprised to learn that there WAS a fuel dump at Tobruk, and it's destruction had a huge impact on the tank war in norther Africa. However, in the movie, sarge and his men are supposed to blow it up. They then find out (after the fact) that they Aren't supposed to blow it up. make sense? not really, but with parts like the one where Sarge calls the attention of an entire German regiment to point at one of his men and say "Hey Fellas, i got a Jew up here!!", it's pretty easy to forget the "plot" and just laugh at the NPC jokes. Recommended for those with thicks skins, who love stupid humor. Helps if you have seen Patton and like old WW2 movies. | -1no label
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] |
I love this show and my 11 year-old daughter and I LOVE watching it together. It teaches good old fashioned values in a fun, adventuresome and entertaining way (albeit with a somewhat predictable story most of the time). It's also really fun to make fun of...you know, rewind and insert your own dialog, in place of the actors'. I have my DVR set to record all the episodes and I happened to catch the tail end of an episode (just prior to the next one starting...so I don't know what episode it was) but there was an absolutely TERRIBLE sequencing mistake! Adam had handed Sheriff Coffee a small swatch of "leather", which was torn from some outlaw's coat as he tried to make his getaway, I suppose. Well, Roy happened to have the coat, so he laid it out on his desk and placed the swatch right where it had been torn from. The swatch was EXACTLY rectangular...which I reckon would be nearly impossible to tear from a piece of leather (post-1950's Naugahyde? Yes. Leather? I don't think so). Well, the swatch lined up perfectly and the mystery was solved. Not 10 seconds later in the scene, we see the coat again, still lying on Roy's desk. But this time the swatch is more like the shape of North Carolina and is now in a COMPLETELY different place on the coat (but still perfectly aligned with the hole in the coat) and the seam (which WAS smack-dab in the middle of the swatch) is now gone...as is the seam in the coat. My daughter enjoyed a good laugh as we played the short scene over and over and over again! It's prime for youtube, I tell ya! We still totally LOVE the show though and the sequencing errors make it lots of fun! | 1pos
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] |
I've read some of the comments about this film and can only surmise that some people are easily entertained. This movie is nothing. It's so badly written, directed and acted that it barely makes an impression. The characters speak in cliche-ridden dialogue and the situations are completely implausible. While that might make this campy and fun, it doesn't because everything is so lifeless the film becomes dull. It's as if Lee Rose decided to write a drama about a woman struggling with her sexuality but then she either wasn't allowed by studio execs to give the story some true-to-life gusto or didn't have the cojones. This movie could go in the enyclopedia as the standard-issue bad Lifetime TV movie. | 0neg
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] |
Awful, awful, awful times a hundred still doesn't begin to describe how crappy "Biggest Loser" is. Picture this: take two fat couples with nothing interesting to say, humiliate them, and let them work to lose weight, all on prime time television. Am I the only one who thinks that this isn't something people with IQs in the 3-digit area WANT TO WATCH? Everything drags on forever, with the lumps of lard whining on about how losing weight is going to mean so much for them and their lives. Does anyone care? Do they think we care? Do they care if we care? Probably not. I think I'll videotape myself doing crunches and sell it to some major television corporation. If this passes for television, then so can my workouts! | 0neg
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] |
That bottom of the barrel movie mill, Monogram, gives its all in this ridiculous but fun film about mysterious happenings in a pseudo Chinatown. Bela Lugosi is the power-hungry overlord searching for the 12 Coins of Confucius which will allow him to become the Boss of Bosses. True to the era and for no particular reason except to add to the running time, all Chinese, good or bad, are murdered, tortured and generally abused. Throw in Wallace Ford and Arline Judge as the newspaper reporter and his girlfriend for some unfunny comic relief and E. Alyn Warren (who???) as Lugosi's arch enemy and you are off and running. The dialogue will remind you of the Charlie Chan films with those "Confucious say......." aphorisms. Two of the most humorous things in this mish-mash (and there are many) are: (1) Lugosi playing an Oriental with that heavy Hungarian accent; and (2) after trying every type of torture to make his arch enemy crack under pressure, Lugosi kicks him in the shins. Priceless!!! It's foolish, tacky, poverty row at its finest..........what fun!!!! | -1no label
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] |
Clint Eastwood returns to his most famous non-western role of Inspector Harry Callaghan in the third of the San Francisco based crime thrillers. This time he is up against a group of terrorists who have robbed a military warehouse and are threatening use their newly acquired arsenal if the city doesn't give them two million dollars. Of course this being a Dirty Harry film we see him dealing with a shop full of armed thieves in a way that leaves the shop in ruins and Harry transferred to Personnel, a department he does not hold in high regard. Luckily this transfer doesn't last too long, after the arms robbery he is back in Homicide with a new partner, the recently promoted Inspector Kate Moore, played by Tyne Daly before she found fame in "Cagney and Lacey". At first Harry isn't too pleased with having to break in a new partner but inevitably grows to value her contribution. The terrorists unfortunately seem a little too insane, they claim to be doing it "for the people" but happily kill anybody who crosses their path... at least the chief bad guy gets a spectacular ending which I won't spoil here. Almost as important as the case against the terrorists is the city politics where the mayor and chief of police wish to talk up Harry and Kate's role just to further their equal opportunities policies even though they had no role in the arrest they are getting the credit for. Despite the film having some weaknesses I'd still recommend it to anybody who enjoyed the other Dirty Harry films or just like cop films in general. | -1no label
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] |
I've seen low-budget horror movies before and they provide that so bad it's funny feel to them and this was no exception. However this was the worst yet! I swear the actors must've been reading off of cue cards because they put absolutely no emotion into it whatsoever, it was like they were all monotones. To get a scary effect in the background a scene would consist of a tree shaking and unfortunately they did this multiple times. I was just so bored with it I wanted to cry. I did laugh at a lot of the death scenes though since they were done so poorly. Oh and the ending is hysterical since there's no reason or justification for it whatsoever. When one kid gets shot at his head just pops, I think they used a balloon as a prop...no kidding! The guns were like Revolutionary War muskets and I got a kick out of that as well. The dialog was retarded and whoever wrote a script this bad should be shunned from the film industry for the rest of their natural born-lives!!! Only watch if you want a good chuckle and for an ending that you won't find anywhere else. Final Cry: Movies: If this made it into theaters I was the first President of the U.S. DVD Purchase: That'd be a no! Rental: Only in extreme situations! | -1no label
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] |
I was recently at a sleepover birthday party with five other girls all my age (eleven.) All of us, thinking it would be some harmless little movie such as Jaws decided to rent it along with Rat Race. (We watched Rat Race after When a Stranger Calls as to ease our fear.) We put the movie on at 11:00 at night and lay together in our sleeping bags hiding behind covers for most of it. I screamed five times which is unusual for me as I get scared in movies but never scared enough to actually scream. All of us were terrified to even leave the bedroom as we were all positive the Stalker (Jenkins as we called him for some reason)would get us. I played a mean trick; one everyone was all dozing off once Rat Race was over I hid under my sleeping bag and said quietly and lowly "HAVE YOU CHECKED THE CHILDEN?" They all SCREAMED like nuts and were so scared. All in all I would rate this movie a 9. The only thing I didn't like was that 1. There were too many false alarms when Jill thinks the Stalker is there and 2. The kids never woke up during the whole thing until Jenkins kidnapped them and hid them in the cupboard at which time all they did was cry like babies. I would highly recommend this movie to anyone who likes thriller. But one thing: I AM SO NOT BABYSITTING PAST 9:00 PM EVER AGAIN1! | 1pos
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] |
I got to watch this one without commercial interruption, and let me tell you, even for a TV movie it was pretty predictable. The actors did a workmanlike job with what they had, and the cast was pretty accomplished -- Barry Bostwick, Jane Seymour, Frances Fisher, etc. However, the script was not only predictable (except for the last scene), but the dialogue was treacly and sounded as if it was lifted from a third-rate romance novel. Jane Seymour's psychotic monologues were laughable. I'm sorry, but I find it hard to believe that anyone that creepy would arouse no suspicions whatsoever. As bad as Theresa Russell was in "Black Widow" -- and she sure stunk it up -- she at least had the sense to play her pseudo-characters somewhat straight. Seymour is a much better actress but didn't overcome the material here. Lastly, the musical score is incredibly cheesy. It's almost a satire of its genre, like a Kenny G meltdown. A movie with such a lackluster and derivative script really should have gone for something edgier. | 0neg
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] |
When I first started watching this movie I was looking for some kind of subtle metaphors but it soon dawned on me that this movie was indeed about people on a train. The interactions between people are like those you can see any day on the street and when in occasion there is a slightly more interesting situation the dialogue becomes stilted and boring. Its not that I don't get how this film is trying to portray the way people interact, it's just that in this film they are very boring. If you want to see and analyse these kinds of relationships you'd be best to actually go out and buy a train ticket and look at the people on the train with you. It is realistic but you wouldn't go to a movie to watch a film about you sitting there watching the movie. | 0neg
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] |
I don't get it. I just don't get it. "Barney and Friends" has been lambasted by millions through the years, and I will admit, I was one of those lambasters. Any child who watches this show doesn't realize that what they're watching is just a piece of trash. Barney is very annoying, and very selfish. Add Baby Bop, and it gets even worse. Add B.J., then you have a very creepy television nightmare. Then, you get the children. They're old enough to know what Barney is trying to teach them! What are they doing there in the first place? It would be funny if Barney and his friends appeared on the Jerry Springer show. That would certainly be one of the wildest moments in television history! Even more significant is that this show marked the beginning of the end of public television as we knew it, as we have seen less and less of the more informational and interesting public television programs that aired in the 1970s and the 1980s. What a BIG difference a selfish son of a gun makes. When this show leaves PBS, a big sigh of relief will be felt among millions of people, but a huge dent will have been made in the annals of television history. A message to Barney himself: You may not realize it, but YOUR DAYS ARE NUMBERED. In a nutshell, there are other choices. Better choices. | 0neg
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] |
I was mad anyone made this movie. I was even more angry I lost valuable minutes of my life sitting still to watch this. I could have had a wax job and been more entertained. At least Cherri makes me laugh before it hurts. I was a bit confused at first but then I caught on and realized what was going on. By this time the film was half way through, and Yes I am a procrastinator but I always want to see things through until the end. So I stuck it out I watched it all. Not only are the actors not as attractive as in Cruel Intentions, they just aren't convincing. I've seen my nephew cry for attention more convincingly than the supposed lust portrayed on screen in this movie. If you like bad movies with bad acting watch this. | -1no label
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A surprisingly complex and well crafted study of "The First" serial killer in the USSR. Set in the days of perestroika this intense piece is brought to full life with the performances of Stephen Reah and Donald Sutherland. This examination of Cicatillo as a killer is well rounded and by hinting at some of his behaviors while out right showing others there is a subtlety that is compelling without being overtly graphic. Not for the weak of heart however as it's subject matter is often disturbing but necessary to it's full development of the main participants in this fact based story. HBO has furnished us with an excellent film in an unusual manner. Congrats to the director and editor of this great piece. It is in my Top 10 Must see list. | 1pos
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] |
Higher Learning says its OK for blacks to torment white people because they're all oppressors. most blacks in this movie are portrayed as ignorant savages. Stunning that this is supposed to be a positive movie about race. Incompetent acting, direction, and production values all contribute to this toothache of a flick. An appalling piece of trash. the perpetrators of this dreck should be ashamed. Higher Learning says its OK for blacks to torment white people because they're all oppressors. most blacks in this movie are portrayed as ignorant savages. Stunning that this is supposed to be a positive movie about race. Incompetent acting, direction, and production values all contribute to this toothache of a flick. An appalling piece of trash. the perpetrators of this dreck should be ashamed. | 0neg
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] |
The writing is horrible - even for a campy teen movie, it plain sucked. The acting was very bad, the direction was bad. I feel bad for the cast who probably worked for peanuts, to be portrayed in such a crappy film. I'm glad I was able to see it for free. Don't waste your $3 to rent, OR buy this - wait till it comes on Spike TV at 3am, that way you can sleep through most of it. Diane and Taylor have the only bright spot in the movie as a goofy couple, but it's not enough to carry this film. Frankly the only thing remotely worth seeing is the beach and scenery of Costa Rica. I give it a 1 simply out of pity, and because a negative option wasn't available. | -1no label
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] |
everyone is a genius in something. Albert Einstien was a genius in science, William Shakespeare was a genius in literature and the boys from the Chasers war on everything are truly comedy geniuses. Their satire TV show is a constant hit on the Australian broadcast commission ( ABC ). After a small start as a satire newspaper, the chasers popularity skyrocketed when given their own television show. Never short on controversy with the cast members will do everything some of it even being arrested for. Chris Taylor going on Sunrise, a very popular live morning television show and telling his partner to f***k off, creating a fake motorcade and driving into APEC high security area and doing a very funny satire of a Australian ad about nicotine by following smokers around yelling out "NO GARY NO NO GARY NO". While controversial the show is increably funny and worthy of running for years to come. | 1pos
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] |
Ursula Andress' naked body is one of those things that make you believe in God. The other two women (especially the one who plays the maid) have great bodies as well. Then why is the higher grade that I can give to a film with such quality and quantity of nudity only 3 out of 10? Because, to get to Ursula's unbelievable body, we have to sit through a movie that is otherwise unfunny and boring (keep in mind that I watched the full 101-minute version, not the 78-minute American one which probably cuts out a lot of the extraneous material). In typical Italian-comedy tradition, most of the characters are exaggerated caricatures (the army freak, the "latin lover", the constant drunk, the naive maid) that are not funny, simply overacted. Final word: watch this, but keep your finger on the fast-forward button, you're gonna need it. (*) | 0neg
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] |
I watched this expecting to see the usual British stiff upper lip stereotypes and was surprised to find the dialogue remarkably natural and tinged with black humour. It was more like Eastenders Goes to Sea than In Which We Serve. The scenes during the approach and attack are remarkably realistic in their depiction of a fighting ship and the stuff ups and banter among the ship's company (well at least based on my service in the 1970s). Some of the throwaway lines are very witty ("I'm not joining the Band of Hope just to please some greasy fish fryer!). My only complaint is that they didn't show what happened to the Irish coxswain and his bride to be, or the tattooed PO and his "I Love Arabella" tattoo! | 1pos
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] |
The first thing I asked myself when I walked out of the theater was: "What's with the silly hats?". It was of course afterwards that I realized that this question, however the most pertinent, was far from the only one I would ask myself that night. In fact, going trough all those questions, I came to realize that "The Brothers Bloom" did not make one iota of sense to me. And, what's worse, I wanted to make no further effort at all to try and understand the movie better - which is rather uncommon for me. throughout it's labyrinthian plot, this "conmovie" from beginning to end seems to be trying only one thing: to con it's way out of any form of explanation. In stead, the plot just keeps wiggling and wurming it's way to the most unsatisfying and enigmatic conclusion I saw in years. | -1no label
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I recall seeing this film on TV some years ago and not paying full attention, maybe even missing the first half, so I came to the conclusion that it was dull and over rated. I decided to revisit it last night to see if I had missed anything the first time. I certainly did. This is one of the most disturbing and amazing films of all time and it has clearly had much influence on films today and probably will forever. I can't believe I thought this film was boring! A young Jon Voight and Burt Reynolds give the performances of their careers and are supported by Ned Beatty and Ronny Cox. This story will leave you with a sense of disgust and dread long after you watch it, it is truly horrifying. Oh, and did I mention that the theme song is great, as well? Well it is, and this movie should be seen by movie fans everywhere. Everyone should see this movie for the experience. Just don't expect a picnic. | 1pos
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''Queen of the Damned '' is one of the worst adaptations of a book to a movie that I already saw. The only thing that I like in this movie is the soundtrack, anything else besides that.( Since I am a fan of Korn, Marilyn Manson, Chester Bennington of Linkin Park and Wayne Static of Static-X) There are so many mistakes and so many bad choices that I don't even know how to start. So many stories were cut, like the twin's legend (one of my favorite)Armand and Daniel's relationship and even Louis is not present, to mention a few.(The plot was dead) First, they should have made a movie of ''The Vampire Lestat'', because it is the second book after ''The interview with the vampire'',and not ''Queen of Damned''. They tried to squeeze in a single movie so many informations, that you finish not getting almost anything unless you read the vampire chronicles. So many meaningful characters doesn't seem to have a real importance in this movie. It is Pandora's case, for example. The actors that they choose to play all the characters doesn't match with many of Anne Rice's descriptions, specially Marius, that is suppose to be a beautiful,tall,imposing blond guy with blue eyes, like Lestat. (Stuart Towsend is also far from being like Lestat) I didn't understand why they changed Lestat's maker to be Marius instead of Magnus as well. ''Interview with the vampire'' was an awesome movie, I loved the actors and Tom Cruise as Lestat was PERFECT and far superior then Stuart Townsend.(I am sad that Tom Cruise declined the chance of playing Lestat again) Only Antonio Bandeiras as Armand didn't match with Armand's looks, but anyway, far superior from this crap movie called '' The Queen of Damned''. Anne Rice was so picky about Interview that I didn't get how she just sold the rights for this terrible production. | 0neg
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] |
When I was young, I'd get up early every Saturday morning not to watch cartoons but to turn on the local channel for what was called 'Kung Fu Theatre.' It wasn't as if these films were works of art. It wasn't as if these films all came from China, Japan, Korea, or any country in particular; if the story had to do with fighting be it swordplay or fisticuffs and if the fighting didn't resemble much of anything going on in any American gym class, then that was good enough. It wasn't as if they were really even very good. They were just great action flicks with incredibly over-dramatic music where the hero reaped his vengeance over a whole host of bad guys, and then the credits would roll. "Sword in the Moon" is much like these films of my youth, arguably a bit of a thematic throwback given a welcome twist by muddying the characters up enough that it becomes increasingly difficult to tell the bad guys from the good. Yun (Cho Jae Hyun) is known throughout the kingdom as 'the human butcher.' He kills quickly and mercilessly on behalf of the Chun Dynasty, the chief bodyguard of an Emperor who spared his life and the life of his men in exchange for his service. However, an equally merciless rebel and his lovely sidekick appear in the countryside and start murdering imperial ministers, and Yun agrees to find these rebels and kill them. His task becomes one of personal discovery when he learns that the two rebels are Choi (a friend from his past) and his former love, Shi Yeong. Sadly, "Sword" doesn't have much to distinguish itself from other action films. Some stunning cinematography is nearly entirely wasted on shoddy editing with portions of the film put together so loosely its hard to believe that what inevitably made it to the film was what anyone intended. While the atmosphere and story tend to gravitate toward a dark mood, the tone is almost sacrificed to the never-ending parade of flashbacks as each of the main characters is given a healthy story arc. What should've been a quick and easy action film gets weighed down by far too much personal baggage, and the film suffers as a result. I've read that this film marks Korea's first real foray into the world of art-house action pieces along the likes of "Crouching Tiger, Hidden Dragon." Next time, I'd strongly suggest that the producers stick with a little more 'martial' and a little less 'art.' | 0neg
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