chunk_id
stringlengths
3
8
chunk
stringlengths
1
1k
23_3
Another seven recordings from the Dare You To Love Me sessions have surfaced on movie soundtracks, compilations or other artists' albums; "Miles Blowin'" (a tribute to the late Miles Davis, included on the Sugar Hill soundtrack, 1994), "Free Yourself" (on the To Wong Foo, Thanks for Everything! Julie Newmar soundtrack, 1995), "Don't Take Back Your Love" (on Gerry DeVeaux's album Devoted Songs, 1996), Khan's recording of the jazz standard "My Funny Valentine" (on the Waiting to Exhale soundtrack, 1996), "Pain" (co-written by Prince, on the soundtrack to TV sitcom Living Single, 1997), "You And I Are One" and "Power" (both on the 1998 Zebra Records compilation A Song A Day). Three further recordings from the Dare You To Love Me sessions, including the title track, officially remain unreleased.Chaka Khan
23_4
The Epiphany compilation was promoted by the single release "Never Miss The Water" which included house and drum & bass remixes by Frankie Knuckles, Stylus Production and Candy Station. The single, issued on the Reprise Records label, became a #1 hit on Billboards Dance Chart and also reached #36 on R&B. "Your Love Is All I Know", "Every Little Thing" and "Everywhere" were also released as singles in certain territories, such as the UK, Germany and Japan. Until February 2008, the compilation was certified Gold by RIAA, selling 796,000 units according to Neilsen Soundscan.
23_5
Track listing "Ain't Nobody" (Written by David "Hawk" Wolinski) 4:41 From Rufus & Chaka Khan's 1983 album Stompin' at the Savoy - Live"Papillon (a.k.a. Hot Butterfly)" (Gregg Diamond) - 4:08 From the 1980 album Naughty"Tell Me Something Good" (Live) (Stevie Wonder) - 3:35 From Rufus & Chaka Khan's 1983 album Stompin' at the Savoy - Live. Original studio version appears on Rufus' 1974 album Rags to Rufus"I Feel for You" (Feat. Stevie Wonder & Melle Mel) (Prince) - 5:46 From the 1984 album I Feel for You"I Know You, I Live You" (Khan, Arif Mardin) - 4:28 From the 1981 album What Cha' Gonna Do for Me"I'm Every Woman" (Ashford & Simpson) - 4:08 From the 1978 album Chaka"Love Me Still" (Khan, Bruce Hornsby) - 3:28 1995 recording, first released on movie soundtrack Clockers"The End of a Love Affair" (Edward Redding) - 5:13 From the 1988 album CK"Dedicated in loving memory to Ella Fitzgerald"
23_6
"And the Melody Still Lingers On (A Night in Tunisia)" (Feat. Dizzy Gillespie) (Dizzy Gillespie, Frank Paparelli, Khan, Mardin) - 5:00 From the 1981 album What Cha' Gonna Do for Me"Through the Fire" (David Foster, Tom Keane, Cynthia Weil) - 4:47 From the 1984 album I Feel for You"What Cha' Gonna Do for Me" (Hamish Stuart, Ned Doheny) - 3:53 From the 1981 album What Cha' Gonna Do for Me"Everywhere" (Christine McVie) - 4:52 Previously unreleased recording, 1995 "Never Miss the Water" (featuring Me'shell Ndegéocello) (Gerry DeVeaux, Charlie Mole) - 4:46 Previously unreleased recording, 1995 "Somethin' Deep" (Khan, Kipper Jones, Keith Crouch) - 4:58 Previously unreleased recording, 1995 "Your Love Is All I Know" (Jud Friedman, Allan Rich, Chris Walker) - 4:35 Previously unreleased recording, 1993 "Every Little Thing" (DeVeaux, David Gamson, Khan, Dave Thomas) - 5:12 Previously unreleased recording, 1993 "It Ain't Easy Lovin' Me" (Gamson, Olivier Leiber, Khan, Allen Cato) - 4:26
23_7
Bonus track Japanese edition. Previously unreleased recording, 1995
23_8
Personnel & production 1993-1995 recordings "Love Me Still" (1995) Bruce Hornsby - piano, musical arrangement David Gamson - record producer Chaka Khan - producer, executive producer "Everywhere" (1995) David Gamson - keyboards, drum machine Raymond Chue - Fender Rhodes Vere Isaac - bass guitar Allen Cato - guitar Paul Jackson Jr. - guitar David Gamson - producer Andre Betts - producer Bob Power - sound mix at Enterprise Studios "Never Miss The Water" (1995) David Gamson - keyboards, drum machine, producer, recording engineer Me'shell Ndegéocello - additional vocals, bass guitar Federico Gonzales Peña - Fender Rhodes, piano Luis Conte - percussion Wah Wah Watson - guitar Allen Cato - guitar Olivier Leiber - guitar Benjamin Wright - string arrangement Charles Veal - concertmaster Bob Power - sound mix at Enterprise Studios Rail Rogut - recording engineer
23_9
"Somethin' Deep" (1995) Keith Crouch - all other instruments Derrick Edmondson - saxophone solo, horn arrangement Stephen Baxter - trombone John Fumo - trumpet Roy Pennon - bass guitar soloist Bob Power - sound mix at Enterprise Studios Rail Rogut - recording engineer "Your Love Is All I Know" (1993) Steve Skinner - keyboards, synthesizer, arranger Chieli Minucci - guitar Arif Mardin - producer, arranger Howard McCrary - background vocals Micheal O'Reilly - mix at Right Track Recording, NY, recording engineer Carl Nappa - assistant engineer Jason Goldstein - assistant engineer Recorded at The New Hit Factory, NY Gloria Gabriel - production coordinator
23_10
"Every Little Thing" (1993) David Gamson - producer, keyboards, drum machine Norman Brown - guitar Me'shell Ndegeocello - bass guitar Federico Gonzalez Pena - piano, Fender Rhodes Chris Botti - trumpet, flugelhorn Micheal O'Reilly - mix at Right Track Recording, NY, recording engineer Carl Nappa - assistant engineer Jason Goldstein - assistant engineer Recorded at The New Hit Factory, NY Gloria Gabriel - production coordinator
23_11
Non-album tracks and remixes "Never Miss The Water" (Franktified Club Mix) - 9:56 "Never Miss The Water" (The Classic Single) "Never Miss The Water" (Frankie's Sunday Mix) - 11:07 "Never Miss The Water" (Dubjay's Duhlite) - 10:13 "Never Miss The Water" (The Holywater Drum & Bass Mix) - 8:03 "Never Miss The Water" (TV Mix) - 4:06 "Never Miss The Water" (Deeper Mix) - 9:00 "Never Miss The Water" (Deeper Dub) - 7:44 "Never Miss The Water" (Extended Album Version) - 6:12 "Never Miss The Water" (Lewis & Rich Mix) - 6:33 "Never Miss The Water" (Stylus' Remix, Radio Edit) - 3:56 "Never Miss The Water" (Stylus' Club Anthem) - 6:45 "Never Miss The Water" (Stylus' Anthem Dub) - 6:52 "Never Miss The Water" (Stylus' Street Mix) - 5:48 "Never Miss The Water" (Stylus' Straight Pass Through) - 5:34 "Never Miss The Water" (Stylus' Remix Instrumental) - 6:18 "Never Miss The Water (A Cappella) - 4:28 "Miles Blowin'" (Tina Harris, Ashley Hall) - 3:56
23_12
"Miles Blowin'" (Disco 9000 Mix) - 6:02 "Miles Blowin'" (Afro Cube Mix) - 5:32 "Miles Blowin'" (Vinyl Republic Dub) - 5:58 "Free Yourself" (Sami McKinney, Denise Rich, Warren McRae) - 4:13 "Don't Take Back Your Love" (Gerry Deveaux) - 5:40 "My Funny Valentine" (Richard Rodgers, Lorenz Hart) - 4:06 "Pain" (Prince/N. Channison Berry) - 5:24 "You And I Are One" (Howard McCreary, Chaka Khan) - 5:19 "Power" (Howard McCreary, Chaka Khan) - 3:57
23_13
References External linksEpiphany: The Best of Chaka Khan, Vol. 1'' at Discogs 1996 greatest hits albums Chaka Khan compilation albums Reprise Records compilation albums Warner Records compilation albums
24_0
St. John's School (also known as St. John's or SJS) is a coeducational, independent K–12 day school in Houston, Texas, United States. The School was founded in 1946 and is a member of the Houston Area Independent Schools, the Independent Schools Association of the Southwest (ISAS), and the Southwest Preparatory Conference (SPC). Though situated adjacent to St. John the Divine church, St. John's claims no religious affiliation. Tuition costs ranges from ~27,000 to ~32,000 dollars per school year. As of July 2021, SJS's endowment is $80,147,000. History
24_1
Founding Toward the close of World War II, W. St. John Garwood and other prominent Houstonians sought to create in Houston a "school of exacting standards" in the development of individual, spiritual, ethical, intellectual, social, and physical growth of its students. In January 1946, these Houstonians invited Alan Lake Chidsey, former headmaster of both the Pawling School (today the Trinity-Pawling School) and the Arizona Desert School and the post-war Assistant Dean of Students at the University of Chicago, to travel to Texas to speak at a gathering of interested members of the Houston community. Mr. and Mrs. W. St. John Garwood, Sr., Mr. and Mrs. Merrick Phelps, Mr. R. E. Smith, Mr. J. O. Winston, Jr., and the Reverend Thomas Sumners of the Church of St. John the Divine Episcopal Church were among those present at the meeting. At Mr. Chidsey's persuasion, Mrs. William S. Farish immediately committed to her involvement with the School, and many others followed.
24_2
A proposal was drafted that entailed combining forces with the St. John the Divine nursery school to create the School. St. John's first 344 students filed into St. John the Divine's chapel on Opening Day, September 27, 1946. The entire campus, located on what used to be Michael Louis Westheimer's farm, was six acres (2.4 ha).
24_3
Today, St. John's covers of land and educates approximately 1,416 total students supported by over 200 faculty and staff. The School's 41 acres includes 13 acres that were purchased in late December 2012 for approximately $90 million (the Taub Property). The School's student-teacher ratio is approximately 7:1. Despite its lack of religious affiliation, the School provides non-denominational chapel services at the church of St. John the Divine each Wednesday morning during the academic year. In recent years, the Chapel program has branched out to offer more multicultural services, hosting speakers from a diverse range of faiths and non-religious backgrounds, such as environmentalists, athletes, and faculty or student alumni. Post-founding In the wake of the murder of George Floyd in 2020, several St. John's alumni, several African-American and some non-African American, issued a letter to the administration to ask it to take measures against racism. Campus
24_4
St. John's 41-acre grounds are located in the central part of Houston, Texas, specifically spanning the Upper Kirby district and the residential neighborhood of River Oaks. The campus itself comprises two campuses, divided by Westheimer Road, that are connected by two pedestrian tunnels underneath Westheimer. The Brown (South) Campus contains the Lower School (classes K-5) and the Georges Middle School (classes 6–8) as well as the Virginia Stuller Tatham (VST) Fine Arts Center and the Smith Athletic Center. The Cullen (North) Campus houses the Upper School (classes 9–12) and the focal point of the School, the Quadrangle. The Lower, Middle, and Upper Schools each maintain their own libraries. Upper and Middle School students share the Upper School cafeteria, and the Lower School has its own.
24_5
In addition, the school's primary athletic field, Skip Lee Field, and its track are located on the South Campus to the east of the Middle School and to the south of the Lower School. The School also owns two properties neighboring the South Campus that house athletic fields (Finnegan Field and Scotty Caven Field) for field hockey, soccer, and lacrosse. Across Buffalo Speedway from the South Campus is the Taub Property, a 13-acre property acquired by St. John's in December 2012. The school's baseball field along with temporary offices are located on the property as of March 2015.
24_6
The William Stamps Farish Quadrangle, the first building constructed, has an exterior of Austin limestone and was designed by Hiram A. Salisbury. It was built beginning in late March 1946, with an interruption from June 13 to August 30 of that year due to a strike, with the end in March 1948. The two wings were West Farish and East Farish, the former the school's first wing and named after killed in action World War II soldier William Stamps Farish Jr., and the second named after his father, William Stamps Farish Sr. The money used to build the wings originated from the wife of Farish Sr., also the mother of Farish Jr. Due to a lack of housing in the area, initially a portion of West Farish was used as faculty apartments, but they were discontinued in 1952 and converted into offices and classrooms as additional non-school housing opened. The school announced in June 2004 that it would redevelop three sides of the Quadrangle. Leigh Cutler wrote in The Houston Review that "Although the
24_7
exterior design of the new building is sympathetic to old construction, much of the original materials and limestone patterns cannot be repeated."
24_8
In late 2014 the school released its master plan for the campus that included the recently acquired Taub Property. The plan was developed with the assistance of Architectural Resources Cambridge and the input of faculty, students, and alumni. The school is adjacent to Lamar High School, a public secondary school operated by Houston Independent School District. Academics College placement Data released by the School reflects that, from 2010 to 2014, approximately 48% of St. John's seniors went on to matriculate at colleges and universities ranked by U.S. News and World Report as being in the Top 25 of National Universities or the Top 10 of Liberal Arts Colleges. Standardized testing Data for the Class of 2018 reflects a median SAT score of 740 (out of 800) in Reading & Writing and 770 (out of 800) in Math. The Class of 2018's median ACT score is 33 on a 36 scale.
24_9
For years 2012 to 2015, more than half of each SJS senior class were recognized as National Merit Semifinalists or Commended Scholars: for 2012, the percentage was 68%; for 2013, 64%; for 2014, 59%; and for 2015, 64%. Data for the 2013–2014 academic year shows that SJS led all Houston-area schools in both number (49) and percentage (35%) of National Merit Semifinalists in its senior class. Students and faculty Enrollment for the 2018–2019 school year is 368 for the Lower School, 361 for the Middle School, and 697 for the Upper School. Approximately 13% of students are on scholarship or financial aid. Thirty-three percent of students self-identify as being of color. There are approximately 5,862 living alumni. The total number of faculty at SJS is 208, 131 of whom have master's or doctorate degrees. Student life
24_10
House System In 2011, St. John's adopted a House System whereby each student is sorted into one of six "Houses." Each House, comprising students of all grades, is named after one of six influential figures and institutions in the School's history. While House assignment is completely random, siblings are always assigned to the same House. The Houses are: Chidsey, Winston, Hoodwink, Mulligan, Claremont, and Taub. Athletics St. John's sponsors teams in cross-country, volleyball, field hockey, and football in the fall season; soccer, basketball, swimming, and wrestling in the winter; and golf, tennis, lacrosse, softball, baseball, and track and field in the spring. In a tradition that began in 1951, St. John's plays its annual homecoming football game against crosstown rival The Kinkaid School at Rice Stadium. Arts Students can participate in the arts in classes for academic credit, performing ensembles, and extracurricular organizations or performances.
24_11
The oldest extracurricular arts organization at St. John's is Johnnycake, founded by first headmaster Alan Lake Chidsey in 1949, that originally produced and performed works written by Mr. Chidsey. Open to all Upper School students, Johnnycake provides opportunities in all aspects of theatrical production from technical crew to set and costume design to performance. Student organizations The SJS Academic Bowl Team won the NAQT High School National Championship in 2002, placed third in 2003 and 2004, and advanced to the semi-finals of the PACE NSC in 2004. Most recently, St. John's placed 2nd in the 2014 HSNCT National Championships
24_12
Dozens of other student organizations, from the Yearbook to Model United Nations to "Pots and Pans" (a moral/spirit group), are active throughout the academic year. Other examples of clubs include sports based clubs (baseball, hockey, soccer, curling), science (Science and Math Club, Faraday), cinematography (MavTV), academic (Speech and Debate Team, Quiz Bowl/Academic Challenge, Mathematical Problem Solving Club), government (Junior Statesmen, Model UN, Young Political Organization), international interests (Spanish Club, Italian Club, International Club), and general interests (Bread Club, Auto club, Anime Club et al.). Community service Community service is introduced in Lower School. Weekly canned food drives are held, and classes visit local food banks to see how their contributions are used. The annual drive to provide holiday presents to underprivileged families is a highlight of the year, culminating in a field trip to personally deliver the presents to the families.
24_13
In Middle School, additional community service projects are introduced. Students may be more involved in planning and helping with the organization of these projects. Upper School community service is mostly student-driven. Any student may submit a proposal to design and lead their own project and recruit other participants. Nickname and mascot The St. John's nickname and mascot have had a controversial history. The original nickname, "Crusaders," lasted only three years due to its religious connotations. "Rebels" was selected as the replacement nickname in 1949, with Confederate symbol Johnny Reb as the mascot. In 1990, the Upper School students voted to discontinue the mascot and nickname. A year later, all symbols of the Confederacy were disassociated from the School, although the nickname "Rebels" was retained with the hopes it could be connected with the American Revolution or more generally as an invocation of nonconformity and independent thinking.
24_14
In the spring of 2004, by a unanimous vote of the Board of Trustees, St. John's School officially changed its nickname to Mavericks in order to further distance itself from any Confederate implications while still retaining the association with independence and individualism. The change was supported by a majority of faculty, though some students and alumni opposed the change. Today, the Maverick nickname is widely used and accepted,. In 2008, St. John's began using a horse mascot known as Maverick in its pep rallies. In a school-wide pep rally, taking place the day before the annual Kinkaid football game, the Maverick chases a Falcon from the field. In the media and popular culture
24_15
News stories National media reports about selective private schools in the United States have mentioned St. John's. For example, SJS was featured in a Forbes.com story titled "America's Elite Prep Schools." In November 2007, the Wall Street Journal listed St. John's in a chart accompanying an article titled "How to Get into Harvard." The chart reported that 9% of SJS graduates in 2007 went to one of eight elite colleges (specifically identified as Harvard, Princeton, MIT, Williams, Pomona, Swarthmore, the University of Chicago, and Johns Hopkins). St. John's and fellow SPC member St. Mark's School of Texas were the only Texas schools on the list. Nationwide rankings of private high schools regularly include St. John's, with recent rankings as follows: No. 18 - Best Private K–12 Schools in America, Niche.com (2019–20) No. 23 - Top 25 Private High Schools in the Country, Town & Country (2016) No. 7 - The 50 Smartest High Schools in the U.S., Business Insider (2016)
24_16
St. John's received media attention during the U.S. presidential campaign of 2000 as part of the press's reporting on the academic background of then-candidate George W. Bush when it was reported—and confirmed by Bush after he had consulted with his parents, former President George H.W. Bush and First Lady Barbara Bush—that he had applied to SJS as a child and had been rejected.
24_17
Rushmore In 1998, Wes Anderson '87 directed the loosely autobiographical Rushmore, based on a screenplay co-written with Owen Wilson. In directing the film, Anderson based the fictitious Rushmore Academy on St. John's. As reported in The Atlantic, "When Wes Anderson scouted locations for the all-boys prep school..., he looked as far as the U.K. in search of the perfect location. It wasn't until he saw some photos of St. John's, his own high school, that he realized the places he had been imagining were the ones he knew from going to school there." Like protagonist Max Fischer, Anderson as a child had staged numerous epic action plays, with titles like The Five Maseratis and The Battle of the Alamo. Seen in Rushmore are the North Campus's Quadrangle and circle driveway, the Upper School library, and chapel service at the Church of St. John the Divine. Anderson also used a number of students and alumni as extras in the film.
24_18
Clinger Much of the 2015 horror comedy Clinger, directed by Michael Steves, was filmed on the middle school campus at St. John's. Clinger premiered at the 2015 Slamdance Film Festival in Park City, Utah. It was announced during July that Clinger would premiere in theaters in October. Notable alumni
24_19
Wes Anderson (1987), writer, film director William Curtis Bryson (1963), Jurist, Senior United States Circuit Judge of the United States Court of Appeals for the Federal Circuit Katherine Center (1990), New York Times bestselling author William Stamps Farish III (1957), former U.S. Ambassador to the United Kingdom Lizzie Pannill Fletcher (1993), United States Representative (D-TX) Christy Haubegger (1986), founder of Latina magazine and film producer Elizabeth Holmes (2002), currently indicted founder of Theranos Sarah Blaffer Hrdy (1964), anthropologist Molly Ivins (1962), journalist and pundit (who described herself as feeling like a "Clydesdale among thoroughbreds" in comparing herself to her fellow students at SJS) Ken Keeler (1979), mathematician and television writer, Late Show with David Letterman, The Simpsons, and Futurama Benjamin Moser (1994), Pulitzer Prize-winning author Laura Moser (1995), author and political activist
24_20
Michael Naaman (2000), Statistician, he invented almost sure hypothesis testing, for all practical purposes, resolved Lindley's paradox, and proved the multivariate DKW inequality had a beautiful functional form, which was thought to be impossible until 2021; he also described the world's first fully nonparametric test for multivariate probability distributions. Indy Neidell (1985), historian, host of The Great War Peter Roussel (1960), former deputy press secretary to U.S. President Ronald Reagan and media commentator Sidney Shlenker, businessman Ashlee Vance (1996), business journalist, author Carl W. Vogt (1954), 15th President of Williams College Justise Winslow (2014), professional basketball player for the NBA's Memphis Grizzlies Wesley Hunt (2000)
24_21
Ryan Funk (2002), chaos theorist and mathematician who proved the Liszt-Krugendorf Conjecture through advanced statistical application of double inverse plotting and Poincaré retro-mapping. He currently serves with distinction as the Chair of the Metamathematics Department at the Sorbonne.
24_22
Heads of School Alan Lake Chidsey, 1946–1966 Elwood Kimball Salls, 1966–1976 Thomas Read, 1976–1981 James R. Maggart, 1981–1991 E. Philip Cannon, 1991–1998 (1991–1992 as interim headmaster) John Allman, 1998–2009 (followed by interim headmaster Jim Hendrix, 2009–2010) Mark Desjardins, 2010–2021 Daniel J. Alig, 2021 - present References - Profile Notes External links History of SJS Satellite photo of campus Private K-12 schools in Houston Independent Schools Association of the Southwest Educational institutions established in 1946 1946 establishments in Texas River Oaks, Houston
25_0
Forth Dimension Displays (ForthDD) is a British optoelectronics company based in Dalgety Bay, Fife, United Kingdom. Company overview Founded in 1998 as Micropix and known later as CRL Opto and CRLO Displays, ForthDD makes high resolution microdisplays and spatial light modulators (SLM). The microdisplays are used in near-to-eye (NTE) applications for the military training and simulation, medical imagery, virtual reality and high definition image processing industries. The SLMs are used for structured light projection in 3D optical metrology and 3D super resolution microscopy. Headquartered in Dalgety Bay, Scotland, ForthDD also operates sales offices in the United States, Germany and Japan, and a customer support office in Germany. Previously funded by venture capitalists, in January 2011 ForthDD was acquired by Kopin Corporation, a NASDAQ listed company based in Taunton, Massachusetts, USA. Technology
25_1
ForthDD's microdisplays and SLMs are based on a proprietary, high-speed, ferroelectric liquid crystal on silicon (LCOS) platform, protected by a number of patents. For the generation of colour and greyscale, ForthDD's microdisplays use a process called Time Domain Imaging (TDI™). This process involves rendering the red, green and blue colour components which make up an image sequentially over time at high speed. This happens so fast that the human visual system integrates the components into a single, full colour image. This enables the microdisplays to use the same pixel mirror for all three colour components, and avoids the artifacts associated with sub-pixels. LCOS Technology History
25_2
The first LCOS device originated in 1973, followed by a development of a liquid-crystal light valve ten years later. It was not until 1993, that a microdisplay with a resolution sufficient for use as a display was reported by DisplayTech (now Citizen Finedevices). It was capable of full red–green–blue image generation, enabled by the use of a fast-switching ferroelectric liquid crystal. During the early part of the 21st century, many microdisplay manufacturers focused on applying the technology to rear-projection-based high-definition television (HDTV) systems. However, due to developments in the manufacturing process of large-panel Liquid Crystal Display Televisions (LCD TVs) and resulting drops in the cost of components, LCD based TVs matured into the more popular consumer choice. By late 2007 almost all microdisplay Rear Projection Television (RPTV) manufacturers had withdrawn their TVs from production.
25_3
As a result, a number of microdisplay manufacturers either disappeared completely or started working on other technologies. Some companies diversified, whilst others concentrated on a niche market instead. Products ForthDD is a supplier of microdisplays for Near-To-Eye (NTE) applications and spatial light modulators for fringe projection systems. ForthDD supplies full colour, all digital QXGA (2048 × 1536), SXGA (1280 × 1024) and WXGA (1280 × 768) microdisplays. These products are available as chipsets and board level based products. Applications ForthDD's microdisplays are typically used in the following application areas: Training and Virtual Environments, Medical Systems and Electronic Viewfinders (EVFs). Later system developments have allowed ForthDD to enter markets such as 3D Optical Metrology and, using phase modulation, Super-resolution microscopy. Training and Virtual Environments
25_4
ForthDD's microdisplays can be found in various training and simulation applications across military and civilian environments within devices such as virtual binoculars, monocular viewers and most commonly, immersive HMDs (for example, in NVIS HMDs). By using HMDs to immerse the user in the virtual 3D environment, different scenarios, which may be too dangerous or expensive to replicate in the real world, can be explored. Medical systems Microdisplays can be used in high-end medical/surgical microscopes in order to either replace the optical image or overlay data on the image (e.g. an MRI scan). When combined with a microdisplay the microscope becomes a more powerful tool and permits users to navigate the desired surface in real time with a very high degree of accuracy. Other medical applications include viewing systems such as endoscopes. Film and Television
25_5
ForthDD's microdisplays are used in Electronic Viewfinders (EVFs) for HD digital cinema cameras. ARRI uses ForthDD's technology in its EVFs. 3D Optical Metrology ForthDD's microdisplays are used for fringe projection and confocal inspection in non-contact surface quality inspection systems (for example, in Sensofar products). References External links Forth Dimension Displays Display technology Liquid crystal displays Companies based in Fife Companies established in 1998
26_0
Taras Mykolaiovych Stepanenko (; born 8 August 1989) is a Ukrainian professional footballer who plays as a defensive midfielder for FC Shakhtar Donetsk and the Ukraine national team. He started his career at Metalurh Zaporizhzhia, making his debut in 2007, before joining Shakhtar in 2010. Club career Metalurh Zaporizhzhia Taras began his career with Metalurh Zaporizhzhia, playing for the junior team 16 times, scoring 1 goal, in the 2006–07 season, before being promoted to the senior team for the rest of the season. He made his debut for the senior team on 4 March 2007 at the age of 17 in a 3–1 defeat to Dynamo Kyiv. He ended his first season in the senior side with 12 appearances. In his second season he scored his first goal for the club on 21 July 2007 in a 1–0 Premier League victory over Kryvbas. He was just one month shy of his 18th birthday when he netted the goal. He went on to make 23 appearances for the club in that season, with 1 goal.
26_1
His third season saw him become an integral part of the team as he made 29 appearances for the club. The following season he played 17 matches for the club. At the end of the season he agreed a deal to join reigning Premier League champions Shakhtar Donetsk. He made a total of 81 appearances for Metalurh's first team, scoring 1 goal. Shakhtar Donetsk
26_2
2010–11 On 11 May 2010 the midfielder signed a five-year deal with Shakhtar Donetsk for an undisclosed, leaving Metalurh Zaporizhzhia with Serhiy Kryvtsov who also joined Shakhtar in a five-year deal. He made his debut for the club in a 7–1 Super Cup victory over Tavriya Simferopol, coming on as a substitute. This was his first trophy with the club. He scored his first goal for the club on 23 November 2010 in a 3–0 Champions League group stage victory over Partizan Belgrade. He made 20 appearances for Shakhtar in his first season, including 15 league appearances, scoring 1 goal. He helped Shakhtar to a treble, winning the Premier League, Super Cup and the Cup. 2011–12 In his second season with the club he made 12 appearances, 9 in the league and 3 in the cup. He came on in the 109th minute of Shakhtar's 2–1 extra time victory over Metalurh Donetsk in the Ukrainian Cup Final. Shakhtar also secured another Premier League title.
26_3
2012–13 He played the full 90 minutes of Shakhtar's 2–0 Super Cup victory over Metalurh Donetsk, picking up a yellow card in the 60th minute. On 6 August 2012, he assisted Henrikh Mkhitaryan for the second goal in a 4–0 Premier League victory over Volyn Lutsk. He assisted Oleksandr Kucher for the first goal in a 3–1 victory over FC Dynamo Kyiv on 2 September. On 28 September he picked up a red card in the 89th minute after receiving a second yellow card in a match against Dnipro Dnipropetrovsk, however it did not affect Shakhtar as they won the match 2–1. On 19 October he assisted Dmytro Chyhrynskyi for the winning goal in a 2–1 victory against Illichivets Mariupol.
26_4
Rivalry with Yarmolenko In a match in October 2015 Andriy Yarmolenko committed a dangerous challenge which almost broke Stepanenko's leg. The two made up after the game and exchanged jerseys, but afterwards Yarmolenko threw Stepanenko's shirt on the ground while he thanked the Dynamo Kyiv fans. In the Shakhtar-Dynamo derby in April 2016 after the former won 3–0 Stepanenko went in front of the Dynamo fans kissing his badge. In a brawl that escalated Yarmolenko kicked and beat Stepanenko to the ground. After the brawl, three red cards were shown; a straight red card to Yarmolenko and Oleksandr Kucher, and a second yellow to Stepanenko. International career
26_5
He was the captain of Ukraine national under-21 football team. He has appeared for Ukraine's under-19 team four times, the under-21 team on 22 occasions, scoring one goal, and the senior team five times. On 17 November 2010, he made his debut for the senior side in the 2:2 draw with Switzerland in a friendly match, coming on as a 65th-minute substitute for Taras Mykhalyk. His first start came on 8 February 2011 in a 2–2 draw against Romania. He made another appearance the following day in a 1–1 draw with Sweden. He played in a 2–0 defeat to Italy on 29 March 2011. On 15 August 2012, he came on as a 72nd-minute substitute for Shakhtar Donetsk teammate Marko Dević in a 0–0 draw with Czech Republic. On 26 March 2013, Stepanenko received red card for high kick on Vitaliy Bordiyan in a World Cup qualification match against Moldova. Stepanenko was included in Ukraine's squad for the UEFA Euro 2016, making three appearances as Ukraine finished bottom of the group with no points.
26_6
Personal life Taras Stepanenko spoke against the tattoo culture among football players and cited his Christian beliefs as the reason. He is also an avid reader, his favourite genre being biographies of great men. Career statistics Club International Scores and results list Ukraine's goal tally first, score column indicates score after each Stepanenko goal. Honours Shakhtar Donetsk Ukrainian Premier League (7): 2010–11, 2011–12, 2012–13, 2013–14, 2016–17, 2017–18, 2018–19 Ukrainian Cup (7): 2010–11, 2011–12, 2012–13, 2015–16, 2016–17, 2017–18, 2018–19 Ukrainian Super Cup (7): 2010, 2012, 2013, 2014, 2015, 2017, 2021 References External links Ukrainian Premier League statistics
26_7
1989 births Living people People from Velyka Novosilka Raion Ukrainian footballers Ukraine under-21 international footballers Ukraine youth international footballers Ukraine international footballers Ukrainian Premier League players Ukrainian Second League players FC Metalurh Zaporizhzhia players FC Metalurh-2 Zaporizhzhia players FC Shakhtar Donetsk players Ukrainian Christians Association football midfielders UEFA Euro 2016 players UEFA Euro 2020 players
27_0
Melrose is a community in Monroe County, Iowa, United States. The population was 110 at the time of the 2020 census. Melrose is known as Iowa's "Little Ireland". As such, the majority of the 130 population are Irish Catholics. History Melrose was platted in 1866 when the railroad was built through that territory. Geography Melrose is located at (40.975275, -93.049970). According to the United States Census Bureau, the city has a total area of , all land. Demographics 2010 census As of the census of 2010, there were 112 people, 51 households, and 34 families residing in the city. The population density was . There were 67 housing units at an average density of . The racial makeup of the city was 96.4% White, 0.9% Asian, and 2.7% from two or more races.
27_1
There were 51 households, of which 13.7% had children under the age of 18 living with them, 62.7% were married couples living together, 3.9% had a male householder with no wife present, and 33.3% were non-families. 29.4% of all households were made up of individuals, and 11.8% had someone living alone who was 65 years of age or older. The average household size was 2.20 and the average family size was 2.71. The median age in the city was 54 years. 16.1% of residents were under the age of 18; 3.6% were between the ages of 18 and 24; 24.2% were from 25 to 44; 30.3% were from 45 to 64; and 25.9% were 65 years of age or older. The gender makeup of the city was 53.6% male and 46.4% female.
27_2
2000 census As of the census of 2000, there were 130 people, 56 households, and 38 families residing in the city. The population density was 153.7 people per square mile (59.1/km). There were 67 housing units at an average density of 79.2 per square mile (30.4/km). The racial makeup of the city was 97.69% White, 0.77% Asian, 0.77% from other races, and 0.77% from two or more races. There were 56 households, out of which 21.4% had children under the age of 18 living with them, 51.8% were married couples living together, 12.5% had a female householder with no husband present, and 32.1% were non-families. 28.6% of all households were made up of individuals, and 10.7% had someone living alone who was 65 years of age or older. The average household size was 2.32 and the average family size was 2.87.
27_3
In the city, the population was spread out, with 18.5% under the age of 18, 12.3% from 18 to 24, 15.4% from 25 to 44, 34.6% from 45 to 64, and 19.2% who were 65 years of age or older. The median age was 47 years. For every 100 females, there were 88.4 males. For every 100 females age 18 and over, there were 92.7 males. The median income for a household in the city was $34,583, and the median income for a family was $32,917. Males had a median income of $30,417 versus $25,417 for females. The per capita income for the city was $15,507. There were 25.6% of families and 21.1% of the population living below the poverty line, including 44.0% of under eighteens and none of those over 64. Education Albia Community School District operates public schools serving the community.
27_4
Sports The 1937 Melrose Shamrocks were the Iowa state high school basketball champions. With an enrollment of only 66, the Shamrocks were the smallest school ever to win a single-class state basketball title in Iowa. The team finished their season 33–0, the first undefeated boys basketball team in Iowa history. In 2012, the Des Moines Register recognized the Shamrocks as one of the ten best State tournament teams in Iowa history. The Shamrocks made the State boys' basketball tournament again in 1938, 1950, and 1959.
27_5
Walt O'Connor and Jim Thynne from the 1937 team and Donald Knowles, a 1942 Melrose graduate, were inducted into the Iowa High School Athletic Association Hall of Fame. In March 2012, the Iowa High School Athletic Association inducted Coach Ad Hlubek into the Hall of Fame as a coach. In May 2012, the Iowa House of Representatives officially congratulated the 1937 Melrose Shamrocks basketball team on the 75th anniversary of their championship. The resolution recounted the accomplishments of the 1937 team and encouraged "all Iowans to follow its example in striving to accomplish goals that seem impossible." In late 2012, the city of Melrose, erected a monument in the center of town honoring the 1937 basketball team and its selection in a Des Moines Register poll as the top team in the first 100 years of boys’ basketball in Iowa. Notable People Thomas E. Martin Former U.S. Congressman References External links City website
27_6
Cities in Iowa Irish-American culture in Iowa Cities in Monroe County, Iowa
28_0
John Peter Scott (born 8 April 1949) is an English sociologist working on issues of economic and political sociology, social stratification, the history of sociology, and social network analysis. He is currently working independently, and has previously worked at the Universities of Strathclyde, Leicester, Essex, and Plymouth. He is a Fellow of the British Academy (elected 2007), a Fellow of the Royal Society of Arts (elected 2005), and a Fellow of the Academy of Social Sciences (elected 2003). He has been a member of the British Sociological Association since 1970. In 2015 he became Chair of Section S4 of the British Academy. In 2016 he was awarded an Honorary Doctorate of Essex University.
28_1
Early life and education John Scott was born in Battersea, London, and spent most of his childhood in Feltham, Middlesex. He attended Cardinal Road Infant school, Hanworth Road Junior school and Hampton Grammar School. Following a repeat year to improve his A-level results he studied for a Bachelor of Science degree in sociology at Kingston College of Technology (now Kingston University) from 1968 to 1971. He started a PhD in sociology at the London School of Economics under the supervision of John Westergaard and Percy Cohen. This work explored the relationships between the concepts of status and class, involving a detailed examination of the work of Talcott Parsons. After two years, Scott moved to Strathclyde University and completed his doctoral thesis in 1976.
28_2
Career Scott was appointed to a lectureship at the University of Strathclyde, Glasgow, in 1972. Taking advantage of the Scottish location at a time of the North Sea oil boom and the debate over devolution, he began a project, with Michael Hughes, on the ownership and control of Scottish businesses and the involvement of economic elites in political power. An early paper from this project appeared in The Red Paper on Scotland, edited by future Prime Minister Gordon Brown. Scott was a member of the Quantitative Sociology Group of the British Sociological Association and, through this group, developed an interest in network analysis through contacts established with Barry Wellman, Joel Levine, Michael Schwartz, and Frans Stokman.
28_3
Moving to Leicester University in 1976, Scott extended his research into an international comparative study of economic networks, working with Stokman and Rolf Ziegler on a project reported in Networks of Corporate Power. He formed the Social Networks Study Group of the British Sociological Association, jointly with J. Clyde Mitchell, and began work that appeared in Social Network Analysis: A Handbook. He also undertook work on capitalist class formation that appeared in Who Rules Britain? At Leicester he was Head of Department from 1992 to 1994, succeeding Terry Johnson (and before him Joe Banks and Ilya Neustadt).
28_4
A move in 1994 to Essex University, the leading sociology Department in the UK, allowed Scott to develop wider interests in sociological theory and the history of sociology. He produced Sociological Theory in 1995 and Social Theory in 2006, the former setting out an account of the major ideas of key figures and the latter setting out an analytical account of key themes in sociological analysis. He began a study, with Christopher Husbands and Ray Bromley, of early British sociology, focusing on the work of Victor Branford and Patrick Geddes. At Essex he was Dean of the School of Social Sciences from 2000 to 2003.
28_5
He moved to Plymouth University in 2008 and was appointed as Pro Vice-Chancellor for Research in 2010. At Plymouth he continued his work on social network analysis, the history of sociology, and social theory, producing, with Peter Carrington, The Sage Handbook of Social Network Analysis and, as sole author, Conceptualising the Social World. He retired from Plymouth University in 2013.
28_6
Scott was elected as President of the British Sociological Association in 2001, succeeding Sara Arber, having previously held the posts of Newsletter Editor, Secretary (1990–1992), Assistant Treasurer (1996–1998), and Chairperson (1992–93). He is currently an Honorary Vice-President. He is a member of the Research and Higher Education Policy Committee of the British Academy. Scott has served on the Sociology Panel for the 2001 Research Assessment Exercise (RAE), was Panel Chair in the 2008 RAE, and was appointed as Panel Chair for the 2014 Research Excellence Framework. He has also been an Assessor for the Teaching Quality Assessment, the A-Level Core Curriculum Working Party of the School Curriculum and Assessment Authority, the Subject Benchmarking Group of the Quality Assurance Agency, and numerous other committees. He was an Adjunct Professor at Bergen University, Norway, from 1997 to 2005 and has held short visiting positions at Hirosaki University, Ritsumeikan University,
28_7
Hitotsubashi University, and Saitama University in Japan, and at the University of Hong Kong. He currently holds a Visiting Professorship at the University of Essex, UK, an Honorary Professorship at the University of Copenhagen, Denmark, and an Honorary Visiting Professorship at the University of Exeter, UK.
28_8
Scott was appointed Commander of the Order of the British Empire (CBE) in the 2013 Birthday Honours for services to social science. Class, power, and elites Scott has been one of the few British sociologists to investigate the capitalist class and its power. His research in stratification and political economy has explored the changing patterns of ownership in contemporary capitalist economies and the ways in which these changes are reflected in elite recruitment. Critical of the prevailing managerialist interpretation of business enterprise, he developed the influential concept of 'control through a constellation of interests' to describe the dispersed forms of ownership and control that allow representatives of dominant shareholding interests in Britain and the United States to exercise a constraining power over internal business decision-making.
28_9
His research on networks of shareholding and interlocking directorships has documented the structures and mechanisms through which this constraining power operates. The research has depicted the varying, path-dependent patterns of control found in major capitalist economies. Scott has contrasted the 'Anglo-American' pattern of controlling constellations with the 'German' pattern of aligned corporate filiations, the 'Latin' pattern of 'corporate webs', and the 'Japanese' pattern of corporate sets. Scott explored, in the British case, the historical development of a capitalist class through a close association of landholding and financial interests and showed the mechanisms through which this class could be described as a ruling class.
28_10
Theory and methodology Social network analysis has been at the heart of Scott's methodological work. He has helped to popularise this method of structural analysis through synthesising texts and his own applications of the method. He has, in addition, undertaken work on the use of documents in social research, producing, in 1990, A Matter of Record as one of the first texts on this topic. Like his work on social network analysis, this work developed from a practical research involvement in the use of the method. Scott's reflections on documentary research derived initially from his use of company records, civil registration records, and newspapers as source materials in his studies of business organisation.
28_11
Scott's commitment to social theory as the core sociological activity dates from his early engagement with the work of Talcott Parsons and has been inspired by that writer's commitment to theoretical synthesis. Scott's view is that behind the contending theoretical explanations proposed by different theorists there is a set of concepts that constitutes a shared foundation for sociological analysis. Thus, concepts of 'structure' and 'action', for example, may inform a variety of competing accounts of particular social phenomena, but there is no necessary opposition between structural and agential accounts. Conceptualisations of the social world can be seen as complementary to each other, and sociologist should eschew the overemphasis of difference if comprehensive, cooperative endeavours are to be produced. Scott's latest work highlights the achievement of sociology as a discipline in establishing a set of fundamental principles of sociological analysis that can be used cooperatively.
28_12
These are culture, nature, structure, action, system, space-time, mind, and development.
28_13
The view that these basic principles of sociological analysis were established early in the history of the discipline and have subsequently been developed and elaborated underpins Scott's interest in the history of sociology. His books on theory have concentrated on the earliest statements of the various arguments considered and have led him to investigate the ideas of many now-forgotten figures. He has, in particular, explored early British sociology and has begun to establish the reputation of Victor Branford, the founder of the Sociological Society and the Sociological Review and the only British sociologist to have been made an Honorary Life member of the American Sociological Society.
28_14
Publications Scott's book publications on stratification and on economic and political sociology include: Corporations, Classes and Capitalism, London, Hutchinson, 1979. American edition, St Martins Press. Reprinted 1981. (Japanese translation: Tokyo, Bunshindo, 1983). Completely revised Second Edition 1985 The Anatomy of Scottish Capital, with M. Hughes, London, Croom Helm, 1980. Canadian edition, McGill Queens. The Upper Classes: Property and Privilege in Britain, London, Macmillan, 1982. Directors of Industry, with C. Griff, Cambridge, Polity Press, 1984. (Japanese translation: Tokyo, Horitsu Bunka Sha, 1987). Networks of Corporate Power, editor with F. Stokman and R. Zeigler, Cambridge, Polity Press, 1985. (Japanese translation: Tokyo, Bunshindo, 1993). Capitalist Property and Financial Power, Brighton, Wheatsheaf, 1986. American edition, New York University Press. (Japanese translation: Kyoto, Zeimukeiri Kyokai, 1989).
28_15
Who Rules Britain? Cambridge, Polity Press, 1991, reprinted 1992. Poverty and Wealth: Citizenship, Deprivation and Privilege, Harlow, Longman, 1994. Stratification and Power: Structures of Class, Status and Domination, Cambridge, Polity Press, 1996. Corporate Business and Capitalist Classes, Oxford, Oxford University Press, 1997. Power, Cambridge, Polity Press, 2001. (Polish translation: Warszawa, Wydawnictwo SIC, 2006)
28_16
His edited collections and compilations in this area include: The Sociology of Elites, Three Volumes, editor, Cheltenham, Edward Elgar Publishing, 1990. Power. Critical Concepts, Three Volumes, editor, London, Routledge, 1994. Class. Critical Concepts, Four Volumes, editor, London, Routledge, 1996. Renewing Class Analysis, Sociological Review Monograph, editor with R. Crompton, F. Devine, and M. Savage, Oxford, Blackwell Publishers, 2000. Rethinking Class: Culture, Identities, and Lifestyle, editor with R. Crompton, F. Devine, M. Savage, London, Macmillan, 2004. Financial Elites and Transnational Business. Who Rules the World? (with Georgina Murray), Cheltenham, Edward Elgar, 2012. C. Wright Mills and the Sociological Imagination (with Ann Nilsen), Cheltenham, Edward Elgar, 2013.
28_17
His monographs, edited collections and compilations on theories and methods include: A Matter of Record: Documentary Sources in Social Research, Cambridge, Polity Press, 1990. Sociological Theory: Contemporary Debates, Cheltenham, Edward Elgar, 1995. Second Edition 2012. Social Network Analysis, London and Beverley Hills, Sage Publications, 1992. Second Edition, 2000, Third Edition 2012, Fourth Edition 2017. (Italian translation: Roma, La Nuova Italia Scientifica, 1997). (Chinese translation: Chongqing, Chongqing University Press, 2007). Sociology (with James Fulcher). Oxford, Oxford University Press, 1999. Second Edition 2003, Third Edition 2007, Fourth Edition 2011. Social Structure (with Jose Lopez), Buckingham, Open University Press, 2000. Social Networks. Critical Concepts, Four Volumes, editor, London, Routledge, 2002. Models and Methods in Social Network Analysis, editor with P. Carrington and S. Wasserman, New York, Cambridge University Press, 2005.
28_18
Documentary Research, Four Volumes, editor, London, Sage, 2006 Sociology: The Key Concepts, editor and contributor, London, Routledge, 2006. Social Theory: Central Issues in Sociology, London, Sage, 2006. Fifty Key Sociologists: The Formative Theorists, editor and contributor, London, Routledge, 2007. Fifty Key Sociologists: The Contemporary Theorists, editor and contributor, London, Routledge, 2007. The SAGE Handbook of Social Network Analysis, editor (with Peter Carrington), London and Beverley Hills, Sage Publications, 2011. Conceptualising the Social World. Principles of Sociological Analysis, Cambridge, Cambridge University Press, 2011. What Is Social Network Analysis?, London, Bloomsbury Publishing, 2012 Objectivity and Subjectivity in Social Research (with Gayle Letherby and Malcolm Williams), London, Sage Publications, 2013. Envisioning Sociology. Victor Branford, Patrick Geddes, and the Quest for Social Reconstruction (with Ray Bromley), New York, SUNY Press, 2013.
28_19
The Palgrave Handbook of Sociology in Britain, editor (with John Holmwood), London, Palgrave, 2014.
28_20
References External links 1949 births English sociologists Fellows of the Academy of Social Sciences Academics of the University of Plymouth Commanders of the Order of the British Empire Fellows of the British Academy Living people People educated at Hampton School Presidents of the British Sociological Association
29_0
Keyes is a census-designated place (CDP) in Stanislaus County, California, United States. The population was 5,601 at the 2010 census, up from 4,575 at the 2000 census. It is part of the Modesto Metropolitan Statistical Area. Geography Keyes is located at (37.561800, -120.917361). According to the United States Census Bureau, the CDP has a total area of , all of it land. Demographics 2010 At the 2010 census Keyes had a population of 5,601. The population density was 1,980.1 people per square mile (764.5/km). The racial makeup of Keyes was 3,109 (55.5%) White, 71 (1.3%) African American, 60 (1.1%) Native American, 200 (3.6%) Asian, 32 (0.6%) Pacific Islander, 1,919 (34.3%) from other races, and 210 (3.7%) from two or more races. Hispanic or Latino of any race were 3,233 persons (57.7%). The census reported that 5,572 people (99.5% of the population) lived in households, 29 (0.5%) lived in non-institutionalized group quarters, and no one was institutionalized.
29_1
There were 1,588 households, 837 (52.7%) had children under the age of 18 living in them, 862 (54.3%) were opposite-sex married couples living together, 270 (17.0%) had a female householder with no husband present, 144 (9.1%) had a male householder with no wife present. There were 123 (7.7%) unmarried opposite-sex partnerships, and 8 (0.5%) same-sex married couples or partnerships. 235 households (14.8%) were one person and 93 (5.9%) had someone living alone who was 65 or older. The average household size was 3.51. There were 1,276 families (80.4% of households); the average family size was 3.88. The age distribution was 1,877 people (33.5%) under the age of 18, 590 people (10.5%) aged 18 to 24, 1,517 people (27.1%) aged 25 to 44, 1,168 people (20.9%) aged 45 to 64, and 449 people (8.0%) who were 65 or older. The median age was 29.5 years. For every 100 females, there were 99.9 males. For every 100 females age 18 and over, there were 96.4 males.
29_2
There were 1,714 housing units at an average density of 605.9 per square mile, of the occupied units 1,063 (66.9%) were owner-occupied and 525 (33.1%) were rented. The homeowner vacancy rate was 3.4%; the rental vacancy rate was 6.9%. 3,622 people (64.7% of the population) lived in owner-occupied housing units and 1,950 people (34.8%) lived in rental housing units. 2000 At the 2000 census there were 4,575 people, 1,391 households, and 1,065 families in the CDP. The population density was 1,591.9 people per square mile (615.5/km). There were 1,471 housing units at an average density of 511.9 per square mile (197.9/km). The racial makeup of the CDP was 61.99% White, 0.59% African American, 1.99% Native American, 3.26% Asian, 0.26% Pacific Islander, 27.63% from other races, and 4.28% from two or more races. Hispanic or Latino of any race were 41.14%.
29_3
Of the 1,391 households 43.4% had children under the age of 18 living with them, 55.1% were married couples living together, 16.0% had a female householder with no husband present, and 23.4% were non-families. 18.8% of households were one person and 8.3% were one person aged 65 or older. The average household size was 3.29 and the average family size was 3.75. The age distribution was 35.1% under the age of 18, 8.7% from 18 to 24, 29.4% from 25 to 44, 17.8% from 45 to 64, and 9.1% 65 or older. The median age was 30 years. For every 100 females, there were 97.7 males. For every 100 females age 18 and over, there were 94.8 males. The median household income was $31,734 and the median family income was $34,444. Males had a median income of $29,787 versus $20,625 for females. The per capita income for the CDP was $11,865. About 19.5% of families and 21.0% of the population were below the poverty line, including 25.0% of those under age 18 and 17.5% of those age 65 or over.
29_4
Government In the California State Legislature, Keyes is in , and . In the United States House of Representatives, Keyes is in . In 2012, a Stanislaus County Sheriff Department officer stun-gunned and shot an unarmed man. Keyes Fire Protection District The Keyes Fire Department is an all volunteer, all risk fire department serving the community of Keyes and the surrounding areas. The department also responds to mutual aid with surrounding departments. The department has operated since 1943. The department has approximately 17 men: 5 captains, 6 engineers, and 6 firefighters. These members train every Wednesday night and the last Saturday of each month for the day. KFPD has several pieces of apparatus that it utilizes to respond to emergencies. Engine 40
29_5
Engine 1 is a Rosenbauer EXT Type 1 engine. It can seat 6 people and carries 1000 gallons of water and it can pump 1500 GPM. It is the first piece of apparatus used for medical aids, vehicle accidents, rescues, and structure fires. It carries 1,000 ft. 3" supply line, 650 ft. 1-3/4", 800 ft. 2-1/2", 100 ft. 1-1/2", 25 ft. 1-1/2" It carries tools and rope for low angle rope operations, Hurst Extrication tools, stabilization tools, and airbags. Brush 40 Brush 51 is a Westmark Navstar 7400 Type 3 brush truck. It seats 5 and carries 522 gal. of water and can pump at 500 GPM. It is the first out engine for brush fires. It carries 600 ft. of 3" supply line, 425 ft. 1-1/2", 100 ft. 1", as well as Wildland Packs Grass 40 Grass 55 is a modified Ford F550 XL Type 6 grass rig. It carries 300 gal. of water and can pump at 200 GPM. It also carries a set of Hurst Extrication Tools. This unit carries 150' of 1" reel line, 175' of 1 1/2" hose, as well as wildland packs. Water Tender 40
29_6
Tender 61 is a Ferrera International 7400 4X6 water tender. It carries 3000 gal. of water. If required, this rig could act as a pumper for fire attack with its 1250 GPM pump. It carries 500 ft. of 3" supply line, 200 ft. Reel Line, 150 ft. 1-1/2". Census-designated places in Stanislaus County, California Census-designated places in California
30_0
was a Japanese actor and singer. He made his acting debut in the television drama Agri (1997) and rose to popularity after starring in the film Koizora (2007), winning Newcomer of the Year at the 31st Japan Academy Prize. In the following years, Miura notably starred in the third season of Gokusen (2008), Bloody Monday (2008), Naoko (2009), Kimi ni Todoke (2010), Last Cinderella (2013), Boku no Ita Jikan (2013), The Eternal Zero (2013), Attack on Titan (2015), Gintama 2 (2018), and Two Weeks (2019). He also starred as Lola in the Japanese production of Kinky Boots (2016), winning Best New Actor and the Haruko Sugimura Award at the 24th Yomiuri Theater Awards. In addition to his acting career, Miura debuted as a singer in 2019 with the single "Fight for Your Heart", which was followed by "Night Diver" in 2020. Career
30_1
1997–2006: Early acting career Miura made his acting debut in the television drama adaptation of the novel Agri when he was seven years old. He was enrolled at the Tsukuba branch of Actors Studio and was concurrently a member of the boy band Brash Brats with two other students. Following the closure of Actors Studio, the three signed to Amuse Inc. As Brash Brats went on indefinite hiatus in 2005, Miura continued his acting career. Early notable television projects that he appeared in include Ima, Ai ni Ikimasu, Unfair, Children, 14-sai no Haha, and Fight. He also appeared in the films Mori no Gakkō and Akihabara@Deep. His first starring role was Taiyō Sasaki in the 2006 film Catch a Wave.
30_2
2007–2010: Rise to popularity
30_3
In 2007, Miura starred in the film Koizora as Hiro, and he also appeared in the film Negative Happy Chainsaw Edge. Following the release of Koizora, Miura won Newcomer of the Year for his role in the film at the 31st Japan Academy Film Prize. In 2008, he was cast as Ryo Shiraishi in Binbō Danshi, Ren Kazama in the third season of Gokusen, and Fujimaru Takagi in the live-action television drama adaptation of Bloody Monday, as well as a guest appearance in a special episode of Galileo as a younger version of the main character, Manabu Yukawa. In addition, he appeared in the music video for "Umaku Ienai" by Yuzu. Miura later starred in the film Naoko and won the Sponichi Grand Prix Newcomer Award at the 63rd Mainichi Film Awards for his performance. In October 2008, he released his second photobook, Letters. By the end of 2008, Miura's rise in popularity led him to rank No. 3 on Oricon's annual list of "18-year-olds expected to be successful" in 2008. Oricon ranked him No. 1 in a list of
30_4
"most anticipated actors for 2009." He also ranked No. 1 in a list of "actors of interest" in a survey published by the magazine Ori-Star.
30_5
In February 2009, Miura was one of seven recipients who won Newcomer of the Year at the 2009 Elan d'or Awards. In April 2009, he appeared in the film Crows Zero 2 as Tatsuya Bitō. In March 2009, he reprised his role in Gokusen: The Movie, which was later released in July 2009. From June 20, 2009 to July 26, 2009, Miura starred in his first stage production, Hoshi no Daichi ni Furu Namida. In September 2009, Miura was cast as Kotaro Mochizuki in Samurai Seventeen, which was later renamed Samurai High School; this was his first leading role in an NTV drama.
30_6
In January 2010, Miura reprised his role for the second season of Bloody Monday. His third photobook, Switch, was released on February 5, 2010. In the same month, Miura released an idol DVD with Takeru Satoh chronicling their trip to New York City, which was titled HT: NY no Chūshin, Nabe no Tsutsuku. The DVD sold 12,000 physical copies upon release, ranking No. 5 on Oricon's weekly DVD charts. In April 2010, he was cast as Shōta Kazehaya in the live-action adaptation of Kimi ni Todoke, which was later released on September 25, 2010. In September 2010, he made his runway debut modeling at the 2010 Kobe Collection Autumn/Winter Show. Later that year, he was cast in his first drama, Taisetsu na Koto wa Subete Kimi ga Oshiete Kureta, as Shūji Kashiwagi, which was broadcast in January 2011. 2011–2015: Domestic and international success
30_7
In May 2011, Miura played Kensuke Sanada in the episode "Janken" of television mini-series Yo ni mo Kimyō na Monogatari in during the 2011 spring serialization. He appeared in the television drama Saigo no Bansan: Keiji Tōno Kazuyuki to 7-nin no Yōgisha as Eiji Miyata in the last 45 seconds of the final episode as a teaser to the television drama Hi wa Mata Noboru, which he starred in. Hi wa Mata Noboru was later broadcast in July 2011. In June 2011, Miura starred in the film Tokyo Park. On November 11, 2011, Miura and Satoh released a second part of their video diary, titled HT: Sekidō no Mashita de, Nabe no Tsutsuku, which was filmed in Malaysia. The DVD charted at #2 on the Oricon Weekly DVD Chart and sold 14,000 physical copies on its first week of release, making it the best-selling male idol DVD since Private of W-inds in 2002.
30_8
In 2012, Miura co-starred in the stage play Kaitō Seven as Wild Upper. He then played lead in episode 8 of the television mini-series Keigo Higashino Mysteries. From 2012 to 2013, he co-starred in the stage play Zipang Punk: Goemon Rock III as a guest performer, portraying Akechi Shinkuro. In 2013, Miura co-starred in Last Cinderella as Hiroto Saeki. Last Cinderella enjoyed high ratings throughout its broadcast, and the producers of the series partially attribute its success from the "playful" sex appeal of the characters, particularly the scene of Miura's character taking a shower. In the same year, Miura co-starred in the animated film Harlock: Space Pirate, providing the voice to Yama. He also co-starred in the film The Eternal Zero as Kentaro Saeki, and he was nominated as Best Supporting Actor at the 38th Japan Academy Prize for his performance.
30_9
In 2014, Miura starred in the television drama Boku no Ita Jikan as Takuto Sawada and Satsujin Hensanchi 70 as Keisuke Miyahara. On April 18, 2015, he released his fourth photobook, Fureru. In June 2014, he starred in the music video for "Bakemono" by Nico Touches the Walls. In July 2014, at the 51st Galaxy Award, Miura won the Individual Award for his performances on Last Cinderella and Boku no Ita Jikan. He also starred in the live-action film adaptation of Five Minutes to Tomorrow, a Japanese-Chinese co-production, and learned Mandarin Chinese for the film. In 2015, Miura portrayed Val Xavier in the Japanese stage production of Orpheus Descending. He also portrayed Eren Jaeger in the two-part live-action film adaptation of Attack on Titan, with both films releasing in 2015.
30_10
2016–2020: Music debut and final projects In 2016, Miura co-starred in the live-action television drama adaptation of Never Let Me Go. Later, he was cast as Lola in the Japanese stage production of Kinky Boots. His performance was critically acclaimed, earning Best New Actor and the Haruko Sugimura Award at the 24th Yomiuri Theater Awards. He was cast as Ii Naochika in the drama Naotora: The Lady Warlord, which was later broadcast in 2017. In January 2017, Miura was one of the recipients awarded at the 26th Japan Jewelry Best Dresser Award. In September 2017, he co-starred in the television drama Otona Koukou and also appeared in the music video for "Reportage" by Yu Takahashi, the theme song of the series.
30_11
In 2018, Miura co-starred in the Japanese film remake of the 2011 South Korean film Sunny, portraying Wataru Fujii, as well as the film A Banana? At This Time of Night? He was cast as Sato in the live-action film adaptation of the novel Eine Klein Nachtmusik, which was released in 2019 and also screened internationally under the title Little Nights, Little Love. He also appeared in Gintama 2 as Kamotarō Itō. On television, Miura became a co-host for the travel program Sekai wa Hoshii Mono ni Afureteru: Tabi Suru Buyer Gokujō List with Juju. For the fall 2018 season of Yo ni mo Kimyō na Monogatari, Miura starred in the episode "Asu e no Warp" as Mineo Kobayashi, as well as Makoto Ameku in episode 1 of the television mini-series Tourist. He starred in the television drama Dying Eye as Shinsuke Amemura.
30_12
In early 2019, Miura was cast in the film The Confidence Man JP as Jesse, which released later in the year. He starred in the Japanese stage production of Crime and Punishment as Rodion Romanovich Raskolnikov. He reprised his role as Lola for the 2019 re-run of the Japanese production of Kinky Boots. In April 2019, Miura was cast as Daichi Yūki in the television drama, Two Weeks, as his first (Tuesday 9 PM) drama. In June 2019, Miura announced he was releasing his debut single, "Fight for Your Heart", as the theme song for Two Weeks. "Fight for Your Heart" released on August 7, 2019, charting at #12 on the Oricon Weekly Singles Chart and #34 on the Billboard Japan Hot 100 on its first week of release. Miura also won the Asia Star Award at the Seoul International Drama Awards for his performance in Two Weeks. In November 2019, Miura was cast in the live-action film adaptation of the manga Brave: Gunjō Seiki as Matsudaira Motoyasu.
30_13
Miura reprised his role as Jesse for The Confidence Man JP: Episode of the Princess. In March 2020, he was cast as Hiroyuki Ishimura in the television drama Gift of Fire, which was set to broadcast in August 2020, and reprised his role for the series' film continuation. In the same month, he released his fifth photobook, Nihonsei, in two different versions, with one version including a documentary photobook. He co-starred in the Japanese stage production of Whistle Down the Wind as The Man, which ran from March 7 to April 23, 2020. On his 30th birthday on April 5, 2020, he revealed on an Instagram live-stream that he was releasing "Night Diver" as his second single in early Q3 2020, which contained three songs from different genres including a dance song and a love song. He also stated that he composed and wrote the lyrics for "You & I", one of the B-side tracks, and "Night Diver" was later set to debut on Music Station on July 24, 2020. He was set to have his first concert events in
30_14
Q4 2020, but they were cancelled due to the COVID-19 pandemic and were planned to be live-streamed instead. He co-starred in the television drama Love Will Begin When Money End, which will be broadcast in September 2020, and was also cast in the musical The Illusionist, which was set to run in December 2020.
30_15
Personal life Miura attended Horikoshi High School and graduated in 2009. From September 2016 until November 2017, Miura dated choreographer Koharu Sugawara. From 2016 to 2020, Miura participated in the charity event Act Against Aids. In 2017, he briefly studied abroad in London.
30_16
Death On July 18, 2020, at 1:35 pm (JST), Miura was found unresponsive after hanging himself in his closet at his home in Minato, Tokyo. His body was discovered by his manager, who had been ready to pick him up for work and then checked up on him after he did not respond to the messages, phone calls, or doorbell sounds. He was rushed to the hospital where he was pronounced dead at 2:10 pm. Police believe Miura died by suicide, as an apparent suicide note was found in his room. The note, which was written in Miura's notebook, was undated, but he expressed anxiety and thoughts about dying. Miura's friends have stated he showed no signs of being suicidal prior to his death. Media news outlets linked it to cyberbullying and hate comments on social media, but Miura's friends and colleagues partially or completely refuted the claims.